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Public Arts Festival6th-10th March 2012Cape Town City Centre
your cape town. your space. your art. free.
Programme
Contents
2 Africa Centre
4 Curator’s Note
6 Schedule
11 Map
14 Athi-Patra Ruga Ilulwane
15 Cape Philharmonic Orchestra Cape Classics
16 Cape Philharmonic Youth Wind Ensemble
Serenading the Station
17 Cape Town City Ballet Invasion
18 Chas Unwin Orange Book Infected Edition
19 Dada Masilo Death and the Maidens
20 Diana Page Ek Sê
21 Discussion: Towards a Public Art Policy
for a World Design Capital
22 Erin Bosenberg Spaces
23 Esti Kruger, Leonard Shapiro & Yasmin Ezzideen
My Dream
24 Gloria Mbhele Cooking Info in the Streets of iKapa
25 Isgak Stemmet Stop, Start, Continue
26 Jackie Job & Emilie Lelouch We All Matter
27 Jacques Coetzer Jack and Juli take to the streets
28 Jazzart Cantico
29 Julia Raynham Phylum and Phoenix
30 Justin Krawitz Cape Tone
31 Leán Coetzer My Sound Is Too Big For This
Confi ned Space & The Cape Doctor
32 Leila Anderson & Stan Wannet The Diagnosis
33 Mandisi Shindo The Sacrifi ce
34 Mandla Mbothwe Uvuko! Resurrection
35 Nicola Hanekom Lot
36 Olaniyi Rasheed Akindiya Abawon: Stains
37 Ole Hamre Capeofon
38 Ruth Levin-Vorster Celia’s Story
39 Sanjin Muftiç Bricolage
40 Siwela Sonke Cityscapes
41 Sello Pesa & Vaughn Sadie teka munyika
42 UCT Choir Flash Mob of Note
43 UCT Opera School The Rake’s Progress
44 Victorine Müller Bodies in Light
45 Vincent Mantsoe NTU///
46 Arts Aweh! Development Programme
48 Festival Funders
50 Festival Partners and Credits
52 Index
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2
Africa Centre
Infecting the City is presented by the Africa Centre.
Founded in 2005, the Africa Centre provides a
platform for exploring contemporary Pan-African arts
and cultural practice as a catalyst for social change.
The Africa Centre has been structured to: formulate
innovative models for presenting, debating and
encouraging cultural production and the pursuit of
knowledge; provide broad access to the creative work
and ideas of historical and contemporary
African thought leaders; and re-examine the role,
identity, transience and creation of cultural expression.
For more information visit www.africacentre.net
Infecting the City is one of multiple Africa Centre
projects, which include:
• Artist in Residency Programme – in partnership, this
project awards, across artistic disciplines,
10 residencies each year;
• Badilisha Poetry X-Change – an online radio station
that celebrates the languages, cultures and styles of
Pan-African poetry;
• Talking Heads – a multi–layered platform that profi les
the ideas and manifestations of the extraordinary
people living in Africa; and
• WikiAfrica – an international collaboration that uses a
range of interventions to redress the critical imbalance
of factual information about Africa on Wikipedia.
The Africa Centre has previously presented such
seminal projects as Spier Contemporary, Pan African
Space Station and the Space for Pan African Research
Creation and Knowledge.
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Public art has always been part of who we are on
this continent and in this country given our history
of public ritual, public protest and celebration. The
interconnectedness of the African “us” meets challenge
after challenge in a public, social way, brought to life in
artistic expression. There is too that part of our history that
impeded this public interconnectedness, throwing people
apart and far away from each other, a physical and psychic
separation still waiting to be healed. Infecting The City is a
small attempt at igniting this interconnectedness.
Invited this year to curate, my fi rst impulse was to say
‘give me two years’. I didn’t. Instead I took this on as
an experiment with several new ideas embedded in the
programming that may inform later incarnations. I decided
to go without a theme, move part of the programme into
the evening and to embrace a diverse range of work –
from the cutting-edge contemporary to the classical; from
restaged work given new breath in surprising spaces to
performances devised especially for the spaces they are
performed in; from full-length works to fl eeting fragments;
from the serious to the whimsical, the profound to the
profane, the beautiful to the disturbing, the enigmatic to the
absolutely unfathomable.
This year the works follow a series of routes, positioned
next to each other along different routes, mapping the City
with art.
There were the challenges: How to programme work that
attracts the festival-goer as well as the passer-by? How
to deal with the emptying out of the City at twilight,
when people have last trains to catch, but also the time
when the magic of performance thrives?
Curator’s Note
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5
What cruel irony for a public art festival! How to deal with
issues of public transport, access and mobility that make
it so hard to be truly social across class and race in our
public spaces? There are no easy answers. We trust
that the The Public Art Discussion will take these real
questions further.
The provocations and extraordinary achievements of
our artists provide assertive directions and inspiration
for public engagement. And that, ultimately, is why
the Infecting The City Festival exists. And for a lot else
besides and that is for you to fi nd out.
Enjoy.
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Schedule
Red Route: Tuesday 6 pm – 10 pm
Title Artist Venue
Death and the Maidens Dada Masilo IZIKO SA Museum Steps
The Rake’s Progress UCT Opera Rose Garden, The Company's
Gardens
Bodies in Light Victorine Müller Taj Hotel Balcony
Welcome & Exhibition Opening Upper St George’s Mall
Capeofon Ole Hamre Upper St George’s Mall
Exhibition viewing Anderson & Wannet, Shop 3 Allianz House, Castle St
Levin-Vorster and Bosenberg Mandela Rhodes Place Gallery
Orange Book Infected Edition Chas Unwin Groote Kerk Alley, Church Square
Orange Route: Wednesday 1 pm – 5.30 pm
Title Artist Venue
Invasion Cape Town City Ballet Golden Acre Atrium
Flash Mob of Note UCT Choir CT Station Concourse
Cape Tone Justin Krawitz CT Station Concourse
Abawon: Stains Olaniyi Rasheed Akindiya CT Station Forecourt
We All Matter Jackie Job & Emilie Lelouch CT Station Forecourt
Uvuko! Resurrection Mandla Mbothwe CT Station Forecourt
Ek Sê Diana Page CT Station Forecourt
My Sound Is Too Big Leán Coetzer Long St (Btwn Castle St & Hout St)
for This Confined Space
Bricolage Sanjin Muftiç Slave Church, 40 Long St
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Green Route: Wednesday 6.30 pm – 9.30 pm
Title Artist Venue
NTU/// Vincent Mantsoe IZIKO SA Museum Steps
Ek Sê Diana Page IZIKO SA Museum Steps
Cantico Jazzart IZIKO SA Museum Steps
Bodies in Light Victorine Müller 15 On Orange
Ilulwane Athi-Patra Ruga Long Street Baths
#Blue Route: Thursday 1 pm – 5 pm
Title Artist Venue
The Cape Doctor Leán Coetzer Eduardo Villa Sculpture, Old Marine Dr.
Cooking Information Gloria Nozipho Mbhele Adderley St Fountain Robots
on the Streets of iKapa & Environs
Jack and Juli take to the streets Jacques Coetzer St George’s Mall / Waterkant St
The Sacrifice Mandisi Shindo St George’s Mall / Strand St
My Dream Esti Kruger, Leonard Shapiro St George's Mall / Castle St
& Yasmin Ezzideen
Stop, Start, Continue Isgak Stemmet St George's Mall / Castle St
Flash Mob City Varsity St George’s Mall / Castle St
The Diagnosis Leila Anderson & Stan Wannet Shop 3 Allianz House, Castle St
Bricolage Sanjin Muftiç Slave Church, 40 Long St
* Ek Sê Diana Page Middle Long St Area
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Schedule
Death and the Maidens Dada Masilo IZIKO SA Museum Steps
The Rake’s Progress Cape Town Opera Rose Garden, The Company’s Garden
Bodies in Light Victorine Müller Taj Hotel Balcony
Capeofon Ole Hamre Church Sq
Classics on Church Cape Philharmonic Orchestra Church Sq
Orange Book Infected Edition Chas Unwin Groote Kerk Alley, Church Square
Invasion Cape Town City Ballet Golden Acre Atrium
Flash Mob of Note UCT Choir CT Station Concourse
Cape Tone Justin Krawitz CT Station Concourse
Abawon: Stains Olaniyi Rasheed Akindiya CT Station Forecourt
We All Matter Jackie Job & Emilie Lelouch CT Station Forecourt
Uvuko! Resurrection Mandla Mbothwe CT Station Forecourt
Ek Sê Diana Page CT Station Forecourt
My Sound Is Too Big Leán Coetzer Long St (Btwn
for This Confined Space Castle St & Hout St)
Bricolage Sanjin Muftiç Slave Church, 40 Long St
Orange Route: Friday 1 pm – 5.30 pm
Title Artist Venue
Red Route: Thursday 6 pm – 10 pm
Title Artist Venue
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Public Art Policy Discussion: Friday
Time Subject Venue
Green Route: Friday 6 pm – 10 pm
Time Artist Venue
9 am – 12.30 pm Towards a Public Art Policy Hiddingh Hall
**Lot Nicola Hanekom Moravian Church, District Six
Bodies in Light Victorine Müller 15 On Orange
Cantico Jazzart IZIKO SA Museum Steps
Ilulwane Athi-Patra Ruga Long Street Baths
#Blue Route: Saturday 9 am – 1 pm
Title Artist Venue
Flash Mobs UCT Choir St George's Mall / Castle StActing Flash Mob City Varsity St George's Mall / Castle StMy Dream Esti Kruger, Leonard Shapiro St George's Mall / Castle St & Yasmin EzzideenStop, Start, Continue Isgak Stemmet St George's Mall / Castle StThe Sacrifice Mandisi Shindo St George's Mall / Strand St Jack and Juli take to the streets Jacques Coetzer St George’s Mall / Waterkant StCooking Information on the Gloria Nozipho Mbhele Adderley St Fountains Robots & Streets of iKapa Environs The Cape Doctor Leán Coetzer Eduardo Villa Sculpture, Old Marine Dr.Serenading the Station Cape Philharmonic Youth Orchestra CT Station Forecourt
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Schedule
Programme Notes
• Productions follow one after the other on routes. Start at the beginning or join in.
• Each route is repeated twice except the final route on Saturday evening.
• Each Production has at least two performances with a few exceptions.
• Exact starting times and duration appear on each production's page.
* On Thursday, Ek Sê can be heard from street level, but viewing space is limited. Please book in advance (info pg 20).
** Lot is off-route at the Moravian Church in District Six. There is a shuttle bus from town to Lot, but seats must
be booked in advance. Details on pg 35.
# Blue Route: Saturday morning is the reverse route of Thursday morning.
Installations (Orange markers): Wednesday, Thursday, Friday, Saturday 9 am – 5 pm
The Diagnosis Leila Anderson & Stan Wannet Shop 3 Allianz House, Castle St
Celia’s Story Ruth Levin-Vorster Mandela Rhodes Place Gallery
Spaces Erin Bosenberg Mandela Rhodes Place Gallery
Abawon: Stains Olaniyi Rasheed Akindiya Station Forecourt, across the City
Purple Route: Saturday 6.30 pm - 10 pm
Title Artist Venue
** Lot Nicola Hanekom Moravian Church, District Six
Bodies in Light Victorine Müller Fan Walk, Waterkant / Buitengracht
teka munyika Sello Pesa/ Vaughn Sadie Prestwich Place, Waterkant /Buitengracht
Phylum and Phoenix Julia Raynham Prestwich Place, Waterkant /Buitengracht
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Red and Green Routes
ADDERLEY ST
QUEEN VICTORIA ST
CHURCH
SQUARE
LON
GM
AR
KET S
T
WA
LE ST
SH
OR
TMA
RK
ET ST
UPPER ST GEORGES MALL
LONG ST
LOOP ST
IZIKO SOUTH AFRICANMUSEUM
HIDDINGH
CAMPUS
CH
RC
H S
T
OR
AN
GE S
T
A
UPPER
GOVERNMENT AVEOVERN
RCH
AFRICANM
AN
ST
LONG ST
BATHS
THE COMPANY’S
GARDENS
15 ON
ORANGE
LWR ORANGE ST
ROSE
GARDEN
GREENMARKET
SQUARE
E
E
D
MANDELA
RHODES
PLACE
AN
S S
Red Route
Orange Route
Green Route
Blue Route
Start Route here
End Route here
Purple Route
Key:
Installations
DiscussionD
S
E
11
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Orange and Blue Routes
LOWER PLEIN ST
CASTLE ST
STR
AN
D S
T
OLD
MA
RIN
E DR
IVE
HO
UT S
T
TRA
FALG
AR
ST
CA
STLE S
T
BURG ST
ST GEORGES MALL
WATER
KA
NT S
T
RIEEB
EK S
T
LONG ST
ADDERLE Y ST
PARADE
GOLDEN
ACRE
CENTRE
TOWN
STATIONS
TRA
ND
ST
OWN
STATAA ION
S
E
R P
S
R
PLEIN ST
CA
STLE S
T
ST
RGES MALL
ADDERLE Y ST
GOLDEN
ACRE
CENTRE
LONG ST
WA
WWTE
AAR
KA
KKN
TS
TT
RIEEB
EK S
T
LONG ST
S
EEE
e/s
ATRIUM
CONCOURSE
FORECOURT
ADDERLEY ST
FOUNTAINS
EDUARDO
VILLA
STATUE
EDU
s/e
Red Route
Orange Route
Green Route
Blue Route
Start Route here
End Route here
Purple Route
Key:
Installations
DiscussionD
S
E
12
Purple Route and off-route map
CA
STLE S
T
WATER
KA
NT S
T
RIEEB
EK S
T
BUITENGRACHT ST
7.45 pm
STR
AN
D S
T
BREE ST
7 45 pm
E
77
PRESTWICH
PLACE
Cape
Peninsular
University
of Technology
S
KEIZERSGRACHT
District Six
ST
MA
RK
S R
D
RU
SS
EL R
D
CONSTITUTION S
T
CONSTITUTION ST
MORAVIAN
CHAPEL
Lot is off-route at the
Moravian Church in District
Six. There is a shuttle bus
from town to this venue,
but seats must be booked
in advance.
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14
IlulwaneBy: ATHI-PATRA RUGA
Long Street Baths at night, bathed in red light. An operatic noise soundtrack composed by Spoek Mathambo and Athi-Patra Ruga. Rising above synchronised swimmers is the “Ilulwane”, performing a discordant aria against this soundscape.
Literally translated from Xhosa as “one who fl oats at night”,Ilulwane is the derogatory term for a Xhosa male who has been circumcised in a hospital rather than in the traditionally sanctioned initiation ceremony. The fi gure of the ilulwane, recognised as neither boy nor man, creates a space in which masculinity, masquerade, identity and sexuality can be interrogated and the tension between tradition and modernity explored.
Drawing on diverse yet interlinking themes, this performance was originally inspired by Alvin Baltrop’s photographs of homosexual and “outsider” encounters in New York in the 1970s and 80s. Ruga provocatively links the Xhosa initiation with another rite of passage: “cruising”.
Performed by: Athi-Patra Ruga, with synchronised swimmers coached by Sue Manners-WoodPresented by: The Gordon Institute for Performing and Creative Arts in association with Whatiftheworld GalleryDuration: 45 minutes
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6march
7march
8march
9march
10march
8.45 pm9.00 pm
long street baths
venue
15
Classics on ChurchBy: CAPE PHILHARMONIC ORCHESTRA
A stone’s throw from Parliament, reverberating off
monuments to a darker past, Bizet, Dvorak, Strauss
and Tchaikovsky transport Church Square into a mega
symphonic experience.
Under the direction of conductor Brandon Phillips, the full,
highly-acclaimed Cape Philharmonic Orchestra will perform
a programme of various classical works in a fi rst-of its-kind
concert under the Cape Town stars.
Presented by: The Cape Philharmonic Orchestra
Duration: 45 minutes
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6march
7march
8march
9march
10march
8.15 pm
church square, spin st
venue
16
Serenading the StationBy: CAPE PHILHARMONIC YOUTH WIND ENSEMBLE
A usual Saturday under the trees on the Cape Town
Station forecourt. Then the Esprit de Corps, The Thunder,
and the Semper Fidelis March draw the attention of
Saturday shoppers.
The Cape Philharmonic Youth Wind Ensemble presents
a diverse programme, ranging from well-known military
marches to Frank Sinatra, and even takes you back to
“The Summer of 69”!
Performing a full complement of lyrical gems, from the
classics to the contemporary, this highly acclaimed
orchestra of young musicians show their versatility and
keep their nerve, surrounded by the swirling Cape Town
Station on a Saturday morning.
Presented by: The Cape Philharmonic Orchestra
Duration: 45 minutes
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6march
7march
8march
9march
10march
12.15 pm
ct station forecourt
venue
17
InvasionBy: CAPE TOWN CITY BALLET
The oldest and one of the most diverse malls in South
Africa is transformed into an auditorium for the body in
motion and stillness.
Excerpts include Robin van Wyk’s lauded ballet The Italian
Affair, set in sensuous Rome, and Night and Day, featuring
the music of Cole Porter. These works, performed in the
middle of the bustling Golden Acre, will provide an invasion
and infection of their own.
The Company is celebrated for the diversity of works in its
repertoire, and its dancers for their inimitable energy and
style – characteristics that stamp it as uniquely South African.
Presented by: The Cape Town City Ballet
Duration: 30 minutes
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6march
7march
8march
9march
10march
1.00 pm1.00 pm
golden acre atrium
venue
18
Orange Book Infected EditionBy: CHAS UNWIN
Orange Book is an ongoing series that reconfi gures with
each edition a series of core concepts, motifs and actions,
on themes of historical dispossession and the ongoing
presence of war in our social distribution.
Orange Book animators claim ‘adjacent territory’ within
a public space, and play there with signs and processes
attached to the particular site. In this vein the work’s 4th
edition Orange Book Infected Edition investigates a
binding antogonism of sacred and profane in a genesis of
meanings and matters, bread and wine.
Duration: 20 minutes
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9.15 pm
6march
7march
8march
9march
10march
9.15 pm
groote kerk alley, off church square
venue
19
Death and the MaidensBy: DADA MASILO
What drives women to madness, suicide and even murder? In this astonishing performance, Standard Bank Young Artist Award Winner Dada Masilo scrutinises the complex histories and motivations of tragic heroines from a female perspective.
With a company of women performers, including members of the Tshwane Dance Theatre, Masilo riffs Chilean writer Ariel Dorfman’s celebrated play Death and the Maiden. Taking as her starting point the poignant music of Franz Schubert, Masilo creates a fresh vocabulary of movement that fuses existing dance techniques to explore female anguish, desolation, oppression, marginalisation and, even, retaliation. Masilo’s “maidens” are not victims, and death is not necessarily masculine. In Death and the Maidens, Masilo continues an engagement with the heroines of literature and drama that began with her acclaimed solo work The Bitter End of Rosemary.
Performed by: Dada Masilo, with Kristin Wilson, Liyabuya Gongo,
Laura Cameron, Ipeleng Merafe, Bafi kile Sedibe and
Nicholas Aphane
Lighting design by Suzette le Sueur
Duration: 40 minutes
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6.00 pm
6march
7march
8march
9march
10march
6.00 pm
iziko south african museum steps
venue
20
Ek SêBy: DIANA PAGE
Echoing above the crowds, defi ning the skyline with sound, are voices, calling from one roof to another, giving expression to various thoughts, feelings and impressions.
Ek Sê is the third instalment of a global trilogy exploring home and exile, longing and belonging. The fi rst instalment, Kadinin Sesleri (“Women’s Voices”), resonated across the rooftops of Istanbul in 2007. The second instalment, Pitch Blue, was performed on the roofs of New York City in 2008. With Ek Sê, Page returns to her home, Cape Town.
Ek Sê is a momentary encounter: its performers meet for the fi rst time on a Cape Town rooftop, speaking, singing and dancing their way into the piece, gathering the sounds and sights of the surrounding city into a vivid spectacle. Performers include acclaimed poet Gabeba Baderoon, originally from Cape Town herself; Hlenghiwe Mkhwanazi, opera singer, and Turkish dancer Ziya Azazi, a master of the traditional Sufi whirling dervish dance techniques.
Please note: space is limited, please book for the Thursday performance by emailing reserve@infectingthecity.com
Performed by: Gabeba Baderoon, Hlengiwe Mkhwanazi, Ziya Azazi
Duration: 30 minutes
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6march
7march
8march
9march
10march
4.15 pm mid-
long st
4.00 pmstation
4.00 pm station
7.10 pmmuseums
middle long st,station forecourt
venue
21
DiscussionTOWARDS A PUBLIC ART POLICY FOR A WORLD DESIGN CAPITAL
The challenges of urbanisation and the development of cities have both inspired and disillusioned public artists. The inspiration is borne out of the myriad possibilities for representation of, and engagement with, a public freshly re-confi gured and continually morphing, in accordance with shifts in densities, identity markings and spatialities. The disillusionment has arrived from the diffi culties in negotiating bureaucracies that are mainly wrapped up in regulating public space as a backdrop for commercial interests. How does a simple act of art-making survive in a public space of little reward? How do artists negotiate these structures?
In an effort to answer some of the questions above, the Gordon Institute for Performing and Creative Arts (GIPCA), the Africa Centre and Creative Cape Town will host a discussion that addresses public art policy as it exists internationally and nationally. Given that the policies created and managed by city governments regarding public art have become pivotal instruments for negotiating how public life is enriched through art, particular consideration will be given to: the questions and principles behind such policies; the development and implementation strategies for these policies; the public art policy initiatives underway in Cape Town; and initiating a road map toward completing and implementing a policy within the World Design Capital.
Free admission
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6march
7march
8march
9march
10march
9.00 am-
12.30 pm
hiddingh hall, hiddingh campus. orange st
venue
22
SpacesBy: ERIN BOSENBERG
Cape Town’s faces captured in their most signifi cant and
important places. When combined with interviews with
the occupants of these spaces, the installation creates an
intimate and unexpected collage of Cape Town.
A multi-media documentary project, Spaces uses
interviews and photographs to create direct and intimate
connections between random individuals and the city that
they live in.
Each face has chosen one spot in the city that is
particularly signifi cant to them, and has been interviewed
and photographed in that space. Supplying their name,
occupation and the name of the space, each interviewee
focuses on the signifi cance of the space. During the
interview the sounds of the space are collected. Spaces
creates an arresting visual portrait of the city’s multiple
faces, and presents critical and engaged voices.
Opens: Tuesday 8 pm
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8.00 pm
6march
7march
8march
9march
10march
9.00 am–
5.00 pm
9.00 am–
5.00 pm
9.00 am–
5.00 pm
9.00 am–
5.00 pm
mandela rhodes place gallery
venue
23
My DreamBy: ESTI KRUGER, LEONARD SHAPIRO, YASMIN EZZIDEEN
Pick up a piece of colourful chalk, close your eyes, think,
dream. Then make your mark on the streets of Cape Town.
In My Dream, members of the public participate in a
collective public intervention to produce their own temporary
artwork. Leonard Shapiro, Yasmin Ezzideen and Esti Kruger
invite passers-by to write a short response to a very simple
question. Each person is asked the same question, and
each person writes their response on the brick paving at the
intersection of St George’s Mall and Castle Street.
My Dream builds on Local (2011) a similar, highly successful,
community-driven art project by the same team.
Performed by: you (the audience member, the passer-by)
Duration: Variable
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6march
7march
8march
9march
10march
2.15 pm–
3.15 pm
10.00 am–
11.00 am
cnr. st george's mall /castle street
venue
24
Cooking Information on the Streets of iKapa By: GLORIA NOZIPHO MBHELE
Creating a centre of calm and creation in the hustle and
bustle of the Central Business District, an artist works
tirelessly over the week on a wire and papier-mâché
construction.
Part art in process, part performance, Cooking Information
on the Streets of iKapa sees Mbhele using fl our, a
domestic kitchen staple, to bind the City’s digested and
discarded news into sculptural form. Mbhele’s sculptures
comment on gender roles at the same time as she
redeploys our current affairs, selecting the important, the
unimportant, the urgent, the banal, the superfl uous – the
audience are invited to form their own opinions.
Look out for four of Mbhele’s sculptures of women, in
various poses – carrying babies, looking through binoculars
– dotted around the city centre.
Duration: Variable
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6march
7march
8march
9march
10march
1.15 pm 11.45 am
adderley st fountains robots & environs
venue
25
Stop, Start, ContinueBy: ISGAK STEMMET
A person approaches you. They are conducting a survey.
They ask a few simple questions: What would you like the
city to stop doing? What would you like it to start doing?
What is working in the city, and what should continue?
From simple, face-to-face interaction over the duration of
the Festival, these City evaluators gather and collate the
collective voice of the City about the City. The thoughts,
hopes and fears of the City’s inhabitants are set down on
multicoloured notice boards, each labelled “stop”, “start”
or “continue”.
The results of these interviews with the public are paraded
through the City streets in a growing mobile installation:
a collective train of thoughts, expressions, feelings, ideas
and aspirations of the citizens for its city.
Duration: Variable
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6march
7march
8march
9march
10march
2.15 pm–
3.15 pm
st george's mall /castle st
venue
10.45 am
26
We All MatterBy: JACKIE JOB & EMILIE LELOUCH
Ethereal, seemingly untethered to the vagaries of the
daily grind, a lone woman fl oats, spins, twirls and unfurls
against the Cape Town skyline, her aerial performance
shadowed by an earth-bound dancer.
Too concerned with the tedium of life, people have
forgotten how to dream. Everyone looks down, no longer
glancing upward, daring to imagine. There is no hope. But
the fi rst step to hope is to look up and dream…
Through skilled and sensitive body language, dance and
aerial arts, fantasy and fact, two performers, one South
African and one French, explore the intricate relationships
that connect us all.
Aesthetically communicating our intimate interconnections
and, indeed, our deep need for each other, the
performance broadens our horizons: physically, socially,
artistically and culturally.
Duration: 10 minutes
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6march
7march
8march
9march
10march
3.00 pm3.00 pm
ct station forecourt
venue
27
Jack and Juli take to the streetsBy: JACQUES COETZER
At a busy street junction, a respectably dressed burgher
troubadour plays his guitar.
A seven-year-old girl, his daughter, holds out a hat, but
she is not asking for money.
Performed by: Jacques & Juli Coetzer
Duration: Variable
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6march
7march
8march
9march
10march
1.30 pm 11.30 am
lower st george’s mall
venue
28
CanticoBy: JAZZART
Invading the public space, evoking personal and collective identity, diverse personal stories, universal, local, emerge dynamically through music, movement and dance.
Against an emotive musical landscape, comprised of musical pieces of the dancers’ own choice, Cantico relates the individual journeys of its eight cast members. Cape Town is signifi cant to each story, and the experiences recounted resonate with its inhabitants. Cantico not only tells the stories of its performers, but portrays the City’s dynamic, ever-changing nature.
With Cantico, the Jazzart Dance Theatre pays tribute to its rich legacy and draws on its pioneering institutional history, affi rming the power of the performing arts to transform society.
Presented by: Jazzart Dance Theatre
Directed by: Faniswa Yisa
Choreographed by: Jackie Manyaapelo, Ina Wichterich-Mogane,
additional contributions by Ananda Fuchs
Performed by: Thabisa Dinga, Douglas Griffi ths, Adam Malebo,
Refi loe Mogoje, Rozendra Newman, Vathiswa Nodlayiya, Shaun
Oelf and Nkosinathi Sangweni
Duration: 60 minutes
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6march
7march
8march
9march
10march
7.30 pm7.40 pm
iziko south african museum steps
venue
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Phylum and PhoenixBy: JULIA RAYNHAM
In this once-off performance, seated on a rotating surface, undergoing a visual, transformation, the artist sits as Peter the Haircutter, blindfolded, ritually cuts her hair with a combination of cutting tools.
In Phylum and Phoenix, Raynham metamorphoses her body into a sculptural assemblage made up of materials drawn from the basic elements: air, earth, fi re, plant, animal, mineral. Raynham’s live transformation is backed by cinematic snippets, shot at three Cape Town locations. In the Strand Street fragments, we see lines of unemployed men, Raynham among them, her hair extensions woven into the ubiquitous South African fabric of fencing and barbed wire. In the dream-like Hout Bay sections, fi lmed at night, Raynham is cocooned in the dunes. In the surreal Happy Valley clips, she stands among shacks and telephone poles, her hair extensions rising vertically to connect into the electrical wiring. Phylum and Phoenix invokes the mythical phoenix – symbol of death, transformation and regeneration – and the biological phylum to explore questions of transformation.
Performed by: Julia Raynham & Peter Assad
Duration: 30 minutes
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6march
7march
8march
9march
10march
9 pm
prestwich place, cnrwaterkant / buitengracht
venue
30
Cape ToneBy: JUSTIN KRAWITZ
Classical piano inside the station. A grand piano rests on
the gleaming white tiles of the station concourse on which is
being performed the world premiere of celebrated composer
Hendrik Hofmeyr.
Drawing on his work as a 2011 Donald Gordon Creative
Arts Fellow at the University of Cape Town, Justin Krawitz
will present a short programme of piano works by two Cape
composers: Arnold van Wyk and Hendrik Hofmeyr.
Representing opposite poles of composition in South Africa,
Van Wyk (1916-1983) is widely considered the father of South
African classical music, while Hofmeyr (b.1957) is among
the younger generation of composers and is active in the
contemporary musical scene. The performance will begin
with Van Wyk’s cycle Tristia, and will culminate with the world
première of Hofmeyr’s new Piano Sonata, written expressly
for Krawitz on commission by the South African Music
Rights Organisation.
Presented by: The Gordon Institute for Performing and Creative Arts
Duration: 30 minutes
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6march
7march
8march
9march
10march
2.00 pm2.00 pm
ct station concourse
venue
31
My sound is too big for this confi ned spaceBy: LEÁN COETZER
Endless rows of cars lie
between you and your
family. A traffi c jam, again.
Annoyingly, the car next to
you begins reverberating
with sound. You look over.
The driver is contorting into
all manner of expressive
ways. This is going to be a jam like no other.
What looks like simple, impatient, fi nger-tapping, progresses
into an expressive, “how-does-she-do-that?!”, limb-extending
dance across the dashboard and the seats of the car. The
performers are responsible drivers, always keeping an eye on
the fl ow of traffi c, but they own good sound systems and get
carried away by the music. It begins as a dance in their heads,
but becomes a reality in the confi ned space of their sedans.
Duration: Variable
The Cape DoctorBy: LEÁN COETZER
Cape Town’s “doctor”
is loved and loathed.
It blows from the
south-east, clearing
the City of pollution,
it is a Cape constant,
the accompaniment
to hot summers.
This performance,
accompanied by live
drums and fl ute, uses
ribbons, dresses,
fl ags, smoke, bubbles
and balloons to allow the wind to show itself as the star of
the dance, revealing itself through all it traverses. The Cape
Doctor celebrates the wind as a free and spirited life force
that rejuvenates and cleanses the City. This performance is
weather permitting.
Duration: Variable
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6march
7march
8march
9march
10march
1.00 pm 12.00 pm
eduardo villa sculpture, old marine drive
venue
6march
7march
8march
9march
10march
4.45 pm4.45 pm
long street (between castle & hout)
venue
32
The DiagnosisBy: LEILA ANDERSON & STAN WANNET
Deep in the City centre, locked inside a shop window, is a
mechanical installation. By day, the artists inhabit an inner City
shop, on display as they recover from their night-escapades,
sleeping the light hours away in a laboratory still-life.
By night, the artists activate a series of nocturnal performance
interventions in various locations around the City – a sequence
of absurd, unsettling, intimate, comical and public nocturnal
actions, picked straight from the subconscious.
The daytime installation is intimately accessible to the scrutiny of
the public. In this space, the bodies of the sleepwalkers rest and
the preparations for, and documentary records of, their nightly
exertions are presented for inspection.
Reversing the rhythms of consciousness and unconsciousness,
enacting the nonsensical automations of ordinary life, The
Diagnosis is an experimental sleepwalk. Expect unpredictable
locations, assorted actions, and dream-like durations.
Opens: Tuesday 8 pm
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8.00 pm
6march
7march
8march
9march
10march
2.15 am–
5.00 pm
9.00 am–
5.00 pm
9.00 am–
5.00 pm
9.00 am–
5.00 pm
shop 3, allianz house, castle street
venue
33
The Sacrifi ceBy: MANDISI SHINDO
Using rich imagery, this duet between two men engages in
a public battle between tradition, truth and reconciliation.
The work is accompanied by a traditional choir, evoking an
intense and moving sensorial experience.
The work takes as its main metaphor a captured
bull, ready for slaughter, drawing on the vulnerability
and tactics of the animal before the traditional Xhosa
slaughtering ritual takes place.
The actual killing is not the end but the beginning of the
real battle. Victory brings little relief or reward as the
force of deeper feelings of guilt and regret overcome and
threaten to annihilate.
No animal is hurt in the process….
Performed by: Siyabulela Macbeth Sikawuti, Mandla “Spikiri”
Sibeko, Mandisi Arnold Shindo.
Duration: 30 minutes
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6march
7march
8march
9march
10march
1.45 pmstrand
11.00 amriebeek
st george's / strand st, andst george's / riebeek st
venue
34
Uvuko! ResurrectionBy: MANDLA MBOTHWE
Dramatic. Magnetic. Performers lead a procession through the streets of Cape Town, conjuring up the deep-seated local stories that lie dormant, pulling us inexorably to a sacred space.
Leading local director Mandla Mbothwe evokes the spirit of African performing arts by invoking the past to remind us of who we are in relation to the City. The eight cast members of the Steve Biko Centre traverse various sites, calling out their internal monologues, expressing their poetry, singing spiritual songs that allude to historical events, heroes and leaders, intermingled with the names of their villages and their personal histories. Meanwhile, images of love, caring, commitment and promise are released from mother to daughter.
When the performers are ritually bathing in containers of water, encircled by a ring of fi re, a praise singer and drummer appear, a whistle is heard, and the guardians lead the audience towards the fi nal destination of this site-specifi c performance.
Uvuko! is a multi-media, interdisciplinary multiple site-specifi c artwork.
Performed by: The Steve Biko Centre and the Remix Dance Company
Presented by: The Steve Biko Centre
Duration: 30 minutes
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6march
7march
8march
9march
10march
3.15 pm3.15 pm
ct station forecourt
venue
35
LotBy: NICOLA HANEKOM
Open ground is transformed into a strange halfway station to the other side, a desolate “lot”. Here, people walk around with one foot already in the grave, and an eye cocked at the stars.
Three cars arrive in front of a gate in the middle of nowhere. The passengers, not yet aware of their unfortunate fate, begin a tragic-comic journey of realisation and protestation that ends in silence as they come to accept their metaphoric “lot in life”.
Lot is multi-lingual, mixing Afrikaans, English and Setswana, and combines text with surreal imagery and physical theatre. It is part fairy tale, part Hitchcock. This multi-award winning performance is the second in a trilogy of site-specifi c works written and directed by Nicola Hanekom.
Lot won three Kanna awards at the 2011 KKNK Festival and it has recently been nominated for fi ve Fiesta awards.
Please note: If you don’t have transport, there will be a shuttle from Hiddingh Campus (Fri) and Prestwich Place (Sat) to the Moravian Church. Spaces are limited on the shuttle, please book via email to reserve@infectingthecity.com
Performed by: Neels van Jaarsveld, Stian Bam, Bronwyn van Graan, Lerato Motshwarakgole, Tinarie van Wyk Loots, Jacques Theron, Brendon DanielsDuration: 60 minutes
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6march
7march
8march
9march
10march
6.00 pm 6.30 pm
moravian church,district six
venue
36
Abawon: StainsBy: OLANIYI RASHEED AKINDIYA (AKIRASH)
From Lagos, posing as a person on the margins of society, Olaniyi explores how the City responds to its neglected and abjected others.
Impersonating a pregnant, mentally-impaired woman, and carrying a baby on his back and pushing a wheelbarrow, Olaniyi will scour the streets, working his way through the City’s stores, offi ces, public spaces, supermarkets, schools, malls and parks. Finally, he will create a black and white durational installation and combine the logos, signs, symbols and patterns of contemporary city dwelling and of the cultural heritage of the Ndebele, Adinkra, Arewa, Uli and Bamu on himself and his incidental audience. Using thread and wood, he will also entwine himself in his installation, from which his audience will eventually be invited to free him. Through a series of provocative interventions, Abawon: Stains invites us to explore how we react to waste, gender equality, the mentally impaired, people living with HIV/AIDS, and disability.
Duration: Variable
Opens: Wednesday 9 am
Orange Route: Wed, Fri at 2.45 pm
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6march
7march
8march
9march
10march
9.00 am–
5.00 pm
ct station forecourt,and environs
venue
9.00 am–
5.00 pm
9.00 am–
5.00 pm
9.00 am–
5.00 pm
37
CapeofonBy: OLE HAMRE
Individuals representing the full spectrum of Capetonians
intone into a video camera. Ole Hamre curates and
orchestrates each tone into a stunning, multi-media
ensemble called Capeofon.
Following in the footsteps of his hugely popular Norwegian
Folkofon project, Hamre captured the sights of Cape Town
and the vocalisations of Capetonians.
Hamre has documented singing Capetonians of every
age, and from a wealth of backgrounds. Each note on
Hamre’s custom-built keyboard is linked to an intoning
local person. Hamre “plays” the choir on the huge screen,
accompanied by live musicians and Umculo choral
participants from Kenmere Primary School and Hlengisa
Primary School. Capeofon is a brand new instrument by
the citizens for the Mother City.
Performed by: citizens of Cape Town, Umcolo Chorus from
Kenmere Primary School & Hlengisa Primary School
Duration: Variable
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8.15 pmst george's
6march
7march
8march
9march
10march
8.00 pmchurch sq
st george's mall,church square
venue
38
Celia’s StoryBy: RUTH LEVIN-VORSTER
A debilitating illness pitches the critical personal responsibility
to sustain health of mind, body and spirit against the fallibility
of medical experts.
The cinematic debut of artist and 2011 GIPCA fellow, Ruth
Levin-Vorster, Celia’s Story tells the story of a woman’s
journey through chronic illness. Entwined in the fi lm, lies the
provocation of taking responsibility for one’s own health and
the reality that doctors, while experts, are fallible.
Exploring collaborative possibilities between Western
and Eastern medicine, Levin-Vorster probes the lack of
communication between these two sciences under the
fi rst law of medicine, “Do No Harm”. Combining expressive
gesture with the language of fi lm, Celia’s Story is a visually
arresting art fi lm accompanied by an evocative sound score
that creates a journey into a complex emotional landscape, to
create a haunting and hopeful work of visual poetry.
Presented by: The Gordon Institute for Performing and Creative Arts
Duration: 7 minutes
Opens: Tuesday 8 pm
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8.00 pm
6march
7march
8march
9march
10march
9.00 am–
5.00 pm
9.00 am–
5.00 pm
9.00 am–
5.00 pm
9.00 am–
5.00 pm
mandela rhodes place gallery
venue
39
BricolageBy: SANJIN MUFTIÇ
Monologues, movements, music, spoken text, dance
sequences and visuals are re-used, re-cycled, and
re-visited by their original performers.
Samples from previous productions are restructured to create
a fresh story and a new live performance. By developing an
original narrative from previously performed material, Bricolage
stages performance samples alongside, on top of, and in
conversation with, one another in order to relay the story of a
specifi c space in the City.
The multi-disciplinary performance engages with the idea
that there is a shared pool of themes and motifs in our
performance history. Through the interaction of diverse
elements of live performance, it highlights our common
struggles in building a home.
Bricolage is the culmination of Muftic’s yearlong Donald
Gordon Creative Arts Fellowship research project.
Presented by: The Gordon Institute for Performing and Creative Arts
Duration: 20 minutes
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6march
7march
8march
9march
10march
5.00 pm5.00 pm
slave church, 40 long st
venue
3.30 pm
40
CityScapesBy: SIWELA SONKE
Evocative, edgy combination of contemporary
performance, dance and traditional imagery breathes life
into architecture and public spaces.
Choreographed by the performers, the works bring the
smells, sights and sounds of KwaZulu Natal and re-invokes
these on Cape Town streets. Often happening in between
other performances, the CityScapes provide pathways,
links and bridges, and points of intersection, meeting
and departure.
Presented, in part, through funding from the National Arts Council
Performed by: Sibusiso Gantsa Nkhanyiso Kunene, Sandile
Mkhize Mxolisi Nkomonde and Neliswa Rushualang
Duration: Variable
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6march
7march
8march
9march
10march
various, on some routes
venue
41
teka munyika By: SELLO PESA & VAUGHN SADIE
The collaboration looks at everyday movements of the body
performed in public space and how these are impacted by
space and the elements that constitute it – light, architecture,
material and surface.
teka munyika (meaning to take and give in Tsonga) was fi rst
commissioned for Johannesburg’s 1st Conference on Public
Art, held at Main Street Life. The performance juxtaposes the
social practices that exist in the area against those that are
introduced with the infl ux of newer, middle-class residents.
The work explores commonplace actions such as braai-ing,
hairstyling and sun tanning by bringing them together and
contrasting then against a formal event to create an absurd
and surreal experience that brings into question notions of
cultural or leisure practices in the context of urban renewal
and gentrifi cation.
Presented by: The Gordon Institute for Performing and Creative Arts
Performed by: Sello Pesa, Brian Mtembu, Humphrey Maleka
and Murray Kruger
Duration: 45 minutes
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6march
7march
8march
9march
10march
8.15 pm
prestwich place, buitengracht / waterkant
venue
42
Flash Mob of NoteBy: UCT CHOIR
Playing off the traditional fl ash mob idea, UCT singers
ignite public spaces with their renowned singing.
The UCT Choir, under the musical direction of John
Woodland, has the distinction of being a most diverse
musical group, exposing its singers and its audiences to
a rich variety of a cappella works from early classical to
contemporary genres, both sacred and secular. They take
this repertoire to the streets, squares and station, creating
moments of syncopated awe.
Presented by: The Gordon Institute for Performing and Creative Arts
Duration: Variable
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10march
6march
7march
8march
9march
1.45 pmstation
10.00 am–
11.00 am
1.45 pmstation
station concourse &st george's mall / castle st
venue
43
The Rake’s ProgressBy: UCT OPERA
Opulent, overblown, outlandishly costumed libretto swells alongside the rose blooms of the Company Gardens. A lone aria resonates along the full-length of Parliament Avenue. The Rake’s Progress with a Cape twist.
Excerpts from Stravinsky’s The Rake’s Progress, inspired by Matthew Wild’s 2011 production, have been re-imagined as a promenade event at sites across the CBD. With musical direction by Kamal Khan, this tale of urban moral corruption fi nds fresh resonances for Stravinsky’s neoclassical score, as his witty take on 18th century London collides with contemporary Cape Town.
An encounter with William Hogarth’s paintings in 1947 inspired Stravinsky to commission the libretto for his fi rst English-language opera. Collaborators W.H. Auden and Chester Kallman concocted a brilliant variation on Hogarth’s moral narrative: after mysteriously inheriting a fortune, Tom Rakewell leaves his sweetheart Anne Trulove, and begins a hard-partying “progress” through the brothels and mansions of London. This costs him his fortune, his true love and ultimately his sanity.
Presented by: The Gordon Institute for Performing and Creative Arts
Directed by: Matthew Wild, musical direction by Kamal Khan
Duration: 60 minutes
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6.50 pm
6march
7march
8march
9march
10march
6.50 pm
rose garden, the company's gardens
venue
44
Bodies in LightBy: VICTORINE MÜLLER
Zurich-based artist Victorine Müller’s installation work
focuses on the mise-en-scène of the body and its
energetic status. Her body is her medium, poetic
stimulator and ally.
In her work she challenges again and again issues of
subjectivity and notions of the body, to transform them
into something new.
“Müller’s performances and sculptures differ in a number
of ways from traditional examples of these genres: while it
seems on the surface that nothing is happening, because
there is no obvious action, her sculptures are not so much
static fi gures as living breathing creatures whose form is
only maintained by constant infl ow from an airpump. And
with her own human breath she ensouls the sculpture,”
Christoph Vögele, Kunstmuseum Solothurn.
Presented by: Pro Helvetia
Duration: Variable
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7.30 pmtaj
6march
7march
8march
9march
10march
7.30 pmtaj
7.15 pmorange
7.45 pmfan walk
8.45 pmorange
taj hotel balcony, 15 on orange, fan walk
venue
45
NTU///By: VINCENT MANTSOE
Internationally acclaimed, Paris-based Mantsoe brings
to Cape Town his latest solo that has been described by
the New York Times as a performance “so extraordinarily
contained that the end effect is like seeing the shape, the
fi gure, push its way free of encompassing clay.”
I am listening, I am watching, I am learning, and I am Mu-ntu:
NTU///
The notion of “NTU” is saturated with the idea that even if
nothingness pervades, there is always something taking
form. It talks about what may be created in your own
mind, yet there can be nothing else inside NTU/// except
the path it is destined to take on its own.
Music by: Hamayoun Shajarian and Dastan Ensemble
Lighting Design by: Serge Damon
Duration: 35 minutes
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6march
7march
8march
9march
10march
6.30 pm
iziko south african museum steps
venue
46
Arts Aweh! Education Programme
Arts Aweh! is the youth-focussed, educational component
of the Infecting The City Public Arts Festival that each day
of the Festival hosts approximately 120 grade 10 to 12
learners drawn from communities across Cape Town.
Led by local artists, these learners gain exposure to the
cutting-edge public arts performances, interventions and
installations that the Festival showcases through creative
workshops and interactive guided tours of the Festival
circuit. The learners are given the opportunity to express
their own creativity and critical opinions of what they
encounter.
Grounded in an experiential learning approach Arts Aweh!
is intended also to raise awareness of the arts as a tool
for social commentary and transformation, as a potential
career path and as a means to nurture future audiences for
the arts within our City.
Tailored to the content and variety of genres of this year’s
Festival, the Arts Aweh! programme of activities will
provide participating learners with a concise and engaging
introduction to fundamental concepts and themes such as:
• Visual Language/ Iconography: how do we ‘read’ what
we see?
• Classical vs. Contemporary visual & performance art:
myths, perceptions, prejudices.
• Public Art: issues of exclusivity/inclusivity, social & cultural
dynamics, accessibility, collaboration, public involvement in
art via e.g. fl ash mobs, public sculpture, murals, graffi ti art.
• Site–specifi c Art: innovative ways of using space,
environmental considerations, being resourceful and
imaginative within our urban landscape
• Arts activism: awareness raising through and socio-
political relevance of the arts.
• Multi-media: what goes into the making of video art,
installations, performance art.
On Saturday, a limited number of participants will
collaborate in a fl ash mob or improvised site–specifi c
performance as a celebratory culmination of their Festival
experience, putting some of what they have learned into
action!
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47
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Without the generous contributions from our Funders, Infecting
The City would not be possible. With respect, we thank:
48
Festival Funders
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The University of Cape Town’s Gordon Institute for Performing
and Creative Arts (GIPCA) facilitates new collaborative and
interdisciplinary creative research projects in the disciplines of
music, dance, fi ne art, drama, creative writing, and fi lm and
media studies. Interdisciplinarity is a key theme of the Institute
and projects are imbued with innovation, collaboration and
dialogue with urbanism and community.
Projects bring together diverse entities and the Institute actively
seeks partners both outside of the University and within it, in
an effort to enrich the research and development of creative
work and to make such work available to all communities.
GIPCA was launched in December 2008 with a substantial
grant from Sir Donald Gordon, founder of Liberty Life.
www.gipca.uct.ac.za • +27 21 480 7156 • fi n-gipca@uct.ac.za
Festival Partners
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In addition, our other vital partners include:
• Artscape
• Cape Philharmonic Orchestra
• Cape Town City Ballet
• Jazzart
• Remix Dance Theatre
• Steve Biko Centre
Infecting The City is designed as a collaborative model
where our partners contribute artistic content, publicity and
other valuable resources to make the Festival happen. Our
partners for 2012 include:
51
Festival Partners Festival Credits
Curator: Jay Pather
Festival Manager: Felicia Pattison-Bacon
Project Manager (GIPCA): Adrienne van Eeden-Wharton
Marketing Manager: Isla Haddow-Flood
Technical Manager: Izan Greyling
Technical Manager (GIPCA): Themba Stewart
Arts Aweh! Programme Manager: Malika Ndlovu
Festival Generalist: Ernestine White
Technical Support: Corinne Swanepoel
Fundraising: Ivana Abreu
Offi ce Manager: Ethel Ntlahla
Financial Manager: Zenobia de Kock
Executive Director: Tanner Methvin
Board of Directors: Derek Carelse, Adrian Enthoven,
Dominique Enthoven, Ralph Freese, Tanner Methvin
Publicity and Marketing Support: Mango-OMC
Graphic Design and Layout: Creative Flood
Website Development: Zero Zero One
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Index
Abawon: Stains 36
Africa Centre 2
Arts Aweh! 48
Athi-Patra Ruga 14
Bodies in Light 44
Bricolage 39
Cantico 28
Cape Philharmonic Orchestra 15
Cape Philharmonic Youth Wind Ensemble 16
Cape Tone 36
Cape Town City Ballet 17
Capeofon 37
Celia’s Story 38
Chas Unwin 18
CityScapes 40
Classics on Church 15
Cooking Information on
the Streets of iKapa 24
Curator’s Note 4
Dada Masilo 19
Death and the Maidens 19
Diana Page 20
Discussion: Public Arts Policy 21
Ek Sê 20
Emilie Lelouch 26
Erin Bosenberg 22
Esti Kruger 43
Flash Mob of Note 42
Funders 48
Gloria Nozipho Mbhele 24
Gordon Institute of Performing Arts 50
Ilulwane 14
Invasion 17
Isgak Stemmet 25
Jack and Juli take to the streets 27
Jackie Job 26
Jacques Coetzer 27
Jazzart 28
Julia Raynham 29
Justin Krawitz 30
Leán Coetzer 31
Leila Anderson 38
Leonard Shapiro 23
Lot 35
Mandisi Shindo 33
Mandla Mbothwe 34
Map 11
My Dream 22
My Sound Is Too Big for
This Confi ned Space 31
Nicola Hanekom 35
NTU/// 45
Olaniyi Rasheed Akindiya 36
Ole Hamre 37
Orange Book Infected Edition 18
Partners 50
Phylum and Phoenix 28
Ruth Levin-Vorster 38
Sanjin Muftiç 39
Schedule 6
Sello Pesa 41
Serenading the Station 17
Siwela Sonke 40
Spaces 22
Stan Wannet 32
Stop, Start, Continue 25
teka munyika 41
The Cape Doctor 31
The Diagnosis 32
The Rake’s Progress 43
The Sacrifi ce 33
UCT Choir 42
UCT Opera 43
Uvuko! Resurrection 34
Vaughn Sadie 41
Victorine Müller 44
Vincent Mantsoe 45
We All Matter 26
Yasmin Ezzideen 23
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28A St George's Mall, Cape Town, 8001
+27 87 150 5446
info@africacentre.net
www.africacentre.net
www.infectingthecity.com
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