an introduction to the english folk epic
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Beowulf. An Introduction to the English Folk Epic. During a time of Old English Warriors . Called the “Dark Ages” - - a time of Barbarians. Where does the word “barbarian” come from? Just what WERE the Dark Ages? What made them “dark?” . A Story About a. DRAGON. 445-1485 A.D. - PowerPoint PPT PresentationTRANSCRIPT
An Introduction to the English
Folk Epic
Called the “Dark Ages” - - a time of Barbarians
During a time of Old English Warriors
Where does the word “barbarian” come from? Just what WERE the Dark Ages? What made them
“dark?”
A Story About a
445-1485 A.D.The helmet has
become a symbol of the Sutton Hoo burial; it survived as a mass of small pieces, and
was only reconstructed after years of
painstaking work in the British Museum
Laboratory.
VIKINGS
INVADE
DARK AGES DOES NOT MEAN NO ART
VIKINGS LOVED GOLD, JEWELRY, WEAPONS, AND RINGS
Shield Clasp
Art resulted in stories, some of which were told in manuscripts that were beautifully decorated and colored.
Many of the artworks pictured in this presentation were a part of a discovery at Sutton Hoo, a Medieval burial ground.
ADVENTURE
Grendel
The monster we love to hate
to the Rescue…
Heroes
Author/Composer
Was aChristian
Monk?
SONG
of PRAISE
Folk Epics are tales of a
national HERO
But What Is
Characteristics of a Pagan Hero
• Good Fighter• Loyal• Persevering (Never Gives Up)
• Wins “Fame” (in Songs in a Mead Hall)
Pagan Characteristics,
cont.• Little Regard for Danger or
Self: Brave• Battle as a Way of Life• Personal Vengeance as
Familial Requirement• FATE: Revenge and/or
Death
Characteristics of a Christian Hero
• Recognizes God as Creator
• Humility in the presence of God’s Power
• Altruism in Action
Christian Characteristics
cont.• Contrast between Good and Evil Rulers
• Personal Vengeance transmuted into Fighting Evil
• Good is Rewarded and Evil is Punished (Evil in the World)
Historical Background
•Part History
•Part Fiction
The Poem
Author/Composer• Likely an educated
Christian, possibly a monk• Wove together many oral
traditions with consummate skill
• Slightly sanitized the pagan traditions
• Produced a single tale
Manuscript History
• Authored in 1,000 B. C.• Saved from looting of
monasteries under Henry VIII
• Saved from fire in Sir Henry Cotton’s Library in 1731
• Danish scholar translated it in 1787; first published in 1815
Structure and Style
Macrostructure• Begins and ends with a
FUNERAL (Scyld Scefing and Beowulf)
• Arrival and Departure of a HERO
• Youthful Adventure/Kingly exploits
• Good and Evil Characters Contrasted
• Begins and ends with a FUNERAL (Scyld Scefing and Beowulf)
• Arrival and Departure of a HERO
• Youthful Adventure/Kingly exploits
• Good and Evil Characters Contrasted
Macrostructure
Example: Death of Grendel and Aeschere
Seeming irrelevant digressions collectionsAllusive incidents and charactersSuggestive of past and futureComplexity often lost on modern reader
Example: Death of Grendel and Aeschere
Seeming irrelevant digressions/ collectionsAllusive incidents and charactersSuggestive of past and futureComplexity often lost on modern reader
MicrostructureMicrostructure
Style of the Folk Epic
• Lyric
• Epic
• Narrative
A poem, such as a sonnet or an ode, that expresses the thoughts and feelings of the poet. A lyric poem may resemble a song in form or style.
A long, serious poem that tells the story of a heroic figure. Two of the most famous epic poems are the Iliad and the Odyssey by Homer
Characteristics of Style
• Elegiac tone• Concentration on feelings
• Extra epithets delay narration and focus the point of view
A poem that laments the death of a person, or one that is simply sad and thoughtful.
Like “Richard the Lion-hearted” for Richard I
Literary Devices•Scops used harp to add beats to poetry
•Four Lifts per line; with a caesura
•Understatement/Litotes
•Allusions
A natural pause or break in a line of poetry, usually near the middle of the line. There is a caesura right after the question mark in the first line of this sonnet by Elizabeth Barrett Browning: “How do I love thee? Let me count the ways.”
What is an allusion?
What do we mean when we say, “THAT’S an understatement!”
Literary Devices, cont.• Exalted Vocabulary• Ritual Objects• Kennings: bardic formulae, used as appositives, for example, “swan-road”A phrase used instead of the simple name of a thing, characteristic of Old
Teutonic, and esp. Old Norse, poetry. Examples are oar-steed = ship, storm of swords = battle.