ana garcia merino 2016 ptfl
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part of the process. years of work in few pages, does not meet half way with what is being experience with amazing people in the path. Thank YouTRANSCRIPT
GARCIA MERINO ANA PRISCILLA
PA
PELP
VISUAL OMUNICATIONS
FREEHAND
DIGITAL MEDIA RHINO CURVES LASER CUTTER
GEOMETRY
DDDD1 FIELD lubbock txD2 DEVICE lubbock txD3 CAFE PAVILLION san antonio txD3 KAYAK san antonio txD4 MUSIC FESTIVAL norwayD5 ST MONICA HOTEL san antonio txD6 MUSIC SCHOOL san antonio txD7 BOAT HOUSE brooklyn nyD8 DALLAS HOTEL dallas tx
C
CONSTRUCTION
SANAA DETAIL ZAHA HADID DETAIL COLLAB PROJECT, w/ lalinde, perez, becerra
ACTUM-PLOD
STOREFRONTFOR ART AND ARCHITECTUREBLNKA EXHIBITvol.2 PROJECT ALLEY
PODCAST SERIES
w/ lalindew/ lalinde
D9 URBANISMO cholula mx
YSTEMATIC SEXAMINATION
CASTING LIGHTRECENT PAST SYNONYMS
VISUALCOMUNICATIONS
PEN
FREEHAND DRAWING II S12
PENCILFREEHAND DRAWING F10
PENGRAPHICS I S11
WATERCOLORGRAPHICS F13
FROM DIGITAL TOPHYSICAL MODELCONTINUATION OF CLUSTERDIGITAL MEDIA II F12SELECTED FORGROUP PROJECT
POLYHENDRON + CLUSTERDIGITAL MEDIA II F12INDIVIDUAL PROJECT
CURVESRHINOCEROS 3D SOFTWAREDIGITAL MEDIA II F11
CONSTRUCTION
Descending form of distribution complements the structural system, which directs all the forces towards the bottom, the
receives all the force.
1.
2.
3.
4.
5.
A B C D E F G H I J K M
NEW MUSEUM, SANAA, NY
04
03
support
lobby
gallery
gallery
gallery
education
multipurpose
mechanical
mechanical roof
12
1
2
3
4
5
6
7
8
9
10
11
W-E section
1.GWB+paint plywood metal stud
1.
2. epoxy paint ardec cement structural concrete
2.
3.
3. stosilent celling system 4.4. aluminum expanded metal mesh
with stainless clip extruded aluminum panel
glasswool insulation
1.
2. 3.
1.
5.
6.
2. 3.
7.
construction studies
a. b. c.
d.
e.
a.skin connectionb.detail wall sectionc.detail connectiond. building section
e.loas demonstration
Architect: Zaha HadidLocation: Cincinnati, OhioProject Area: 27,887 sqftProject Year: 1997-2003
General:
CINCINATI CONTEMPORARY ARTS CENTER
s i t e p l a n b u i l d i n g e l e v a t i o n
s ce it o n A A - cs[ la ”0-’1:”8/1 e ]
”8-’001+
0 ’ 1 0 ’ 2 0 ’
’0 ’0 ’1 02’0 ’01 ’02
In response to the metropolitan setting of thebuilding, Hadid developed the concept of the "urban carpet", to draw in
become the back
10
10
20
20
20
20
30
40
”6-’68+
”01-’27+
”6-’06+
”1-’74+
”11-’43+
”3-’42+
”0-’0+
”9-’71-
+111’-0”
+87’-9”
+74’-1”
+59’-11”
+48’-4”
+30’-3”
+23’-5”
physical modeldetail physical model
07
06
05.
01. elevator02. stairs03. storage04. lobby05. reception06. museum shop07. loading dock
08. entry09. gallery10. terrace11. boardroom12. unmuseum13. penthouse
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12
11
10
09
08
pedestrian trafic inherent to a downtoen area. Visually the sidewalk is pulled into the lobby space inside and rises towall thus provided a continuity between the outsideand inside.
0 ’ 1 0 ’ 2 0 ’0 ’ 1 0 ’ 2 0 ’ w a l l s e c t i o n
0 3
0 2
0 1
0 4el e v a t i o n
0 5
+0’-0”
+32’-0”
+79’-0”
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22
05
01
0102
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0r o o f d e t a i l
1
1320
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0607
1011
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0e n v e l o p e d e t a i l
2
16
2204
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01. glass window02. mullion
05. W-shape06. I-beam07. wire08. drop-down ceiling09. insulation
11. z-clip12. strut13. studs14. horisontal joist15. angled metal plate16. bolts17. vapor barrier sealant18. concrete footing19. 5/8” sheathing20. drainage system21. gasket22. 2” pre cast concrete panel 23. earth 24. gravel25. stirrups26. rebar
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primarysecondarytertiary
f o u n d a t i o n d e t a i l 0 3
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26
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02
01
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Structure+Building SkinThe building appears to be made up of stacked horizontal blocks of glass, metal and concrete. The main materiality of the volumes, surfaced mostly in
quality. Its primary pivoting plywood louvers which, forms a solid exhibition wall when closed and when open, admit a controllable amount of daylight.
seemingly weightless, sculpture
precast concrete panels left raw. The lightness of the glass at the ground level, topped by the heavy raw concrete and metal blocks that float above, gives the building ainnovation was to conceal windows, radiators, and pipes along an outside wall with ‘burlap-covered
arm (primary element)
secondary element
trusses
element on tention
fundetion connects with main structure arm
truss connection with geometry
costumized clamp
top view
elevation - going down stairs
elevation - going up stairs from courtyard
horizontal load - secondary load structure
vertical load - primary load structure
horizontal and vertical load - geometry structure
horizontal load - secondary load structure
vertical and horizontal load
horizontal and vertical load - geometry structure
Activate the Architecture+Art court yard, while creating a beacon to attractpeople over. This beacon gives the oportunity to learn about connections, organization and
were one
develop our intervention.
Primary material used was steel galvanized pipes for the primary structure, for secondary material
truss, which created tention and sterdiness in the structure. Casted concre was placed at the bottom of the main arm of the
the geometries, due to the failure, to connect the geometries and create
trussing the geometry
study model learing geometry and connectiontesting material learned welding on galvanized steelfail poor connection
pin connection fail on sterdinesssterdy and easily to control angle geometry
pin connection for truss
concrete footing meets pipe, primary structure
antisipation in construction and material. Connectionsof the most important elements for the project, which helped to
metal roads and sheet metal.
structure to support verticallytuo htiW .flesti htiw noitnet erom
double plate connection was the solutionwould have the tendency of failing.
STRUCTURAL INSTALLATIONCOLLABORATION
w/ lalinde, perez, becerra
DDDD1 FIELD lubbock txD2 DEVICE lubbock txD3 CAFE PAVILLION san antonio txD3 KAYAK san antonio txD4 MUSIC FESTIVAL norwayD5 ST MONICA HOTEL san antonio txD6 MUSIC SCHOOL san antonio txD7 BOAT HOUSE brooklyn nyD8 DALLAS HOTEL dallas tx D9 URBANISMO cholula mx
Network Network and Forces 3D DiagramdirG lanogohtrOdirG lanogohtrO
FIELD ANALYSISDESIGN III S13
B-B
C-C
A-A
FIELD__the dynamics of in between spaces of the inactivated field by humans and the occupied bacteria that multiplies and the light pattern from the sun that passed through our sunny days. This exercise is about the understanding of the networks of the field, examination the existing conditions, and forces.
DESIGN IIII S13DEVICES__The dissectingof mechanics arrive themechanics of a possible follies and the follies itself to its natural function, (not given). Meaning, the deconstructionism of function, questions the behavior of the receiver, as well as the deconstructionof the meaning of a "receiver".
DEVICES
A
B
C
D
0’ 10’5’
2281
BBRR
10THST
NAL
ALLMO
ST
EEE JONESSAAAAAAAAAAAAAAAAAAAAAVVVVVVVVVVAAAAAA EEE
THST
N
OST
E
AVVA E
EE
PAVILIONDESIGN III F13
Exerciser of turning architecture in a metaphorspecifically in this case a flower. Questioning the
seasons of the flower itself, to understanding thatthis specific plant has a core and vessels like
a living thing. The functions of the flower which arehoe the flower provides shelter and resources to
other living things. The responses of the flowerto at their surrounding, as Sun, Wind, and Water.
elevation a and b
floor plan
section a and b
83’
35’
130’ 15
5’95
’
65’
11’
15’
17’
33’
5’
14’
19’
12’
31’
95’
SAC DESIGN III F13
N
1
NORWAY OSLOKRAP NEYOT
NWOTNWOD
TOYEN PARK
2 3 4 5 6
N400’=1’0”
3
4
5
6
festivalen 2014Oslo, Norway
festivalen 2014
3
46
1.NORWAY GEOMETRY2.SITE ADJUST3.SITE OVERLAY4.STUDY MODEL5.2nd OVERLAY-TOP VIEW6.2nd OVERLAY-SIDE VIEW7.UNFOLD//FOLD8. ADAPTATION TO SITE
1. 2.
CONCEPT DEVELOPMENT
3.
4.
5.
6.
.8.7
OYA 2012
8
15 MIN WALK
festival boundaries
DESIG IV S14
The possibility of unfolding talents came into the stragedy of OYA festival. The primeracty is not to respond micro to macro but then yet is something that always needs to be in consideration. What develope the project was the honest understanding of the flexible talents with in Norway. and the world. Thinking global and act local as one of the statements of the festival itself derive most of the desitions of the project.
N
GROUND
PEDESTRIAN PATH
PRIMARY STRUCTURE
SECONDARY STRUCTURE
’’6 41 6’84’23’0
ROOF PLAN
SOUTH ELEVATION
NORTH ELEVATION
WES
T ELEVATIO
N
EAS
T EL
EVA
TIO
N
Current Table
Urban Urinal//sink
Charging Station
Entry-DJ
AXONOMETRIC VIEW
CIRCULATION
entry
beacon pathpark path
B
A
SEC
TIO
N B
SECTION A
FLOOR PLANB
FOO
TPR
INTS
MIN
IMIZ
ING
0’ 50’ 100’ 200’
MU
SEU
M R
EACH
- RIVER
WALK N
281 FWY
PEARL PKWY
BR
OAD
WAY S
T
SAMA
35 FWY
PEARL B
REW
ERY
BRACKENRIDGE PARK
1800 APARTM
ENTS
ICE H
OU
SE
INTERNATIONAL ACADEMY OF MUSIC AND ARTS
honorable mention San Antonio TXcompetition.
The parallel behavior of River Walk, 281fwy, Brodaway street
have become the understanding of the fluid harmonics of the
music and arts academy. Bringing these parallel behaviors
create a future, past and present of the becoming artist and
musicans.
enclosure
structure
decking
compossite
piers
PIER 1 FERRY TERMINALCONNECTIVITY BETWEEN THREE EXISTING SURFACESSTREET + PARK + RIVERTHROUGH MASS MODEL EXPLORATIONCAPTURING EXISTING MOMENTS WHICH INCLUDEVIEWS + CEREMONIAL EVENTS +TRANSPORTATIONTHOUGH DIAGRAMMATIC MODELS AND DRAWINGS
ferry terminal
a
a
a
a
a
a
b
b
up
a
b
c
d
f
g
h
ij
k
l
m
nñ
o
p
q
s
t
v
w
x
y
z
a
b
c
d
f
g
h
ij
k
l
m
nñ
o
p
q
s
t
v
w
x
y
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a
b
c
d
f
g
h
ij
k
l
m
nñ
o
p
q
s
t
v
w
x
y
up
up
lobby
ticket
securitystorage
prep
service
main core
kiosk
farmersmarket
event space
main core
event spacecore
storage
event spacecore
cafe
park
barge music
water
water
water
level 1
level 2
level 3
up
up
up
a
level 1
R.Reroc niamecaps tneve lobby
-10’
0’
12’
32’
52’
58’
-10’
0’
12’
26’
52’
58’
ñ ah gj i
wn x yi
1-j
2-h
1-h
section a-a
event spacefarmers market ferry terminalcafe
section b-b
DALLAS HOTEL 21212121
Experience Art District Dallas
micro and macro grid and the territory in between this link. Therefor a device was design in order to study the behavior of this micro and macro link. In the second stage of the process applications were taken in consideration
can expand and contract adapting in the between grid of the micro and macro link. After reading the result or behavior of these studies, drawings and independent models were essential part of the exploration giving new results to understand in another matter the link between micro and
which is the designated site for the Dallas Hotel almost like a new plug in or application on the device. The device reads in
The device still serves as a consultant for the next stage of the process which is circulation and program as well as the independent models created by the device as part of the structural and skin process. This process is important role for the Dallas Hotel because it supports the existing behavior like the city of Dallas, the importance of linking grids which facilitates circulation by the controlled interruptions created by applications as a result of a natural adaptation.
The experience that the Dallas Hotel brings to the Art Districtare the cross program of a hotel with a rooftop bar and gallery which starts a dialog between the existing and the newprogram over the Art District. The program was developed bythe idea of the micro and macro grid that comes from the device.
the diagrammatic condition of space, which the facade picks upthis vectors and translate them to the exterior. This is a processof adaptation not just with in the building itself but the site itself, as an opportunity to interact and welcome to their visitors.The rooms are unique as the Dallas Hotel is know as a boutiquehotel; deluxe bring more than one directional angle as thesetake place on the corners of the building or provide a spatialbalcony, standard rooms consist of essential views and are
they are a big composer of the elements of the Dallas Hotel.Restaurant, Gallery, and Roof Top have an access to the public allowing locals and artist become part of the experience ofthe Dallas Hotel.
device (grid close up) device (subgrid) device (application+adaptation)room elevation sketch
spatial sectional sketch
elevation sketch
spatical model sketch
1 2
N H
ardw
ood
St
Woodall Rogers Fwy
’61’8’0 32’
cafecafe patio
mechanicalroom
laundary
closet
closet
restaurant
restaurantoutdoor area
service drop out
kitchen
lobby
valet parking
A CB ED F
1
2
3
4
5
6
DALLAS HOTELFIST FLOORLOBBY, RESTAURANT, CAFE
A B
C
gallery
billboard
laundary
mechanicalroom
balcony balcony balcony balcony balcony balcony balcony balcony
A CB ED F
1
2
3
4
5
6
0
7
THIRD FLOORHOTEL ROOMS, GALLERY
A
C
B
A CB ED F
roof top barmechanical roomlaundary
roof top bar
’61’8’0 32’
A B C D E F
1
2
3
4
5
6
0
7
FOURTH FLOORHOTEL ROOMS, ROOF TOP BAR
A B
C
bones
muscle
skin
circulation
organs
gravity
ACTUM-PLOD
intern: NY
STOREFRONTFOR ART AND ARCHITECTURE
Intern in Storefront for Art and Architectureduring the summer of 2015.Being following Sf for about four yearsand as one of the most influential orgfor personal studies and individualexploration beyond the scholar education, the opportunity on just volunteer for Sf began the curiosityof start an organization back at Lubbock.
Besides of other task in Sf there was a suggestion on painting the gallery. A 3D model was provided as a tool to perform ideas on how this process could be executed. The idea suggested was not used yet Sf decided on choosing a palette which later, became part and proceed volunteering and paint the gallery.
BLNKA vol.1 Exhibit
facebook.com/BLNKALBK/instagram.com/blnkalbk/
mention on: KTXT radio
DailyToreador newsHUB news
BLNKA is an organization composed of architecture students but mostly the partisipant artist, musican and community of Lubbock TX VOL.1 Exhibit was with the partisipation of 20+ artist, sculptors,architects and 4 music bands.
Now BLNKA is working on a main project called BLNKA project alley.BLNKA Project Alley reveals unoccupied spaces that can be activated. As architecture students, our mission is to reveal potential scenarios that incorporate art, music, and food for the community of Lubbock. The intention to activate unused spaces to accommodate the community is to further out intensify the involvement of void spaces within the existing space conditions provided by downtown Lubbock. The artists, musicians, and vendors expose a creative alternative environment for what is known as a simple runway for city maintenance. The location for the event provides BLNKA an intricate way to demonstrate how Lubbock Downtown can act as a living room for the community. Lubbock Downtown offers many radical possibilities for a break through in the utilization of unlived-in areas.
Independently from University:Sergio Garcia Pina Jonathan LalindeAlexander LittlepageGinger AyalaAna Garcia MerinoPedro Silva
2011
2012
2013
2014
2015
HABITAT FORHUMANITY
SACPLACEDARCHITECTURECOMPETITION
EXIBITION:Neuberger Museum of Art
EXIBITION:VU PHOTO
DIGITAL FABRICATIONDIALOGUE AT SAC
EXIBITION:Fist FridayLubbock Texasdigital media
design I: SACphotography: SACfreehand: SAC
design II: TTUdigital media: TTUindependent: NYchosen work: TTU
design III: SACS.T.A.R programcanstruction: SA, TXwatercolor: SACintern: SA, TX
design IV: TTUconstruction: TTUdesign: SACindependent: QC
SA, TX
UTT :V ngisedUTT :noitcurtsnoc
SA, TX
2016
BLNKA____PROJECTALLETYLUBBOCK TX
UTT casting space/carving light:UTT :tnerruc
independent
intern: NY
STOREFRONTFOR ART AND ARCHITECTURE
MexicoVI: TTU
BLNKA vol.1EXHIBITINDEPENDENTLUBBOCK TX
research
Barroque/DDF
BLNKAPODCASTSERIESINDEPENDENT
future
