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Analysis of Hucklebe rry Finn

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Part 1: setup, chpts 1-15 Boy’s adventure tale Tom Sawyer as SO-CALLED “Romantic” Part 2: theme introduced, chpts 16-31; 16 and 31 are especially important Moral Progress Huck slowly develops a real relationship with Jim Huck as an AUTHENTIC Romantic Huck embraces river “raft”=“home,” “free and easy and comfortable” Huck rejects shore “other places”=“cramped up and smothery Part 3: theme problematized, chpts 32-end Boy’s adventure tale, again, this time EITHER to placate readers OR to skewer them Moral Regress Huck backslides under Tom’s influence Tom’s Innocent Boyhood “Romanticism” becomes Tom’s Dangerously Adult Sentimentalism Instead of “romantical” meaning the natural, the private, and the lofty ideal, it means... the artificial, the public, and the nitty-gritty real Instead of “romantical” having to do with something substantive, it becomes nothing but....“style,” the “right,” the “regular” (the way society does it, even if society is corrupt) HF, 3 PART STORY

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Page 1: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

Analysis of Huckleberry Finn

Page 2: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

SymbolismA. The river is the most important symbol in the novel.

1. Rivers always change, always move2. Huck is like the river – always changing, always moving. 3. Twain wants his readers, and America, to be like a river.

Page 3: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

Part 1: setup, chpts 1-15Boy’s adventure taleTom Sawyer as SO-CALLED “Romantic”

Part 2: theme introduced, chpts 16-31; 16 and 31 are especially important

Moral ProgressHuck slowly develops a real relationship with Jim

Huck as an AUTHENTIC RomanticHuck embraces river

“raft”=“home,” “free and easy and comfortable” Huck rejects shore

“other places”=“cramped up and smothery

Part 3: theme problematized, chpts 32-endBoy’s adventure tale, again, this time EITHER to placate readers OR to skewer themMoral Regress

Huck backslides under Tom’s influenceTom’s Innocent Boyhood “Romanticism” becomes Tom’s Dangerously Adult Sentimentalism

Instead of “romantical” meaning the natural, the private, and the lofty ideal, it means... the artificial, the public, and the nitty-gritty realInstead of “romantical” having to do with something substantive, it becomes nothing but....“style,” the “right,” the “regular” (the way society does it, even if society is corrupt)

HF, 3 PART STORY

Page 4: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

I. Theme and Structure• Mark Twain described novel he wanted to

write as one wherein “A deformed conscience and sound heart collide, and conscience suffers defeat.”

Page 5: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

I. Theme and Structure• In Part II, Huck rejects society’s norms and determines

right and wrong using his inner conscience. • Because he listens to his “sound heart,” Huck sees Jim

in a new light. Jim goes from aa. “Pet” – an amusement, to ab. “Person” – a man, to ac. “Pal” – a friend and an equal

Page 6: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

I. Theme and Structure• Twain introduces Tom in Part I to show what

Huck is not in Part II and should not be in Part IIIBecause• Tom = “deformed conscience” / static, whereas• Huck = “sound heart” /dynamic

Page 7: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

I. Themes and Structure• Most of humanity is, by its nature, foolish,

hypocritical, and violent.1. Huck sees this as he journeys down the river2. The reader should be increasingly repulsed

Page 8: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

QuestionDid Twain succeed in his project to write a moral book?

If no, then how do we interpret Part III?If yes, then how do we interpret Part III?

Page 9: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

Mark Twain famously quipped:

Everything human is pathetic. The secret

source of humor itself is not joy but sorrow.

How true today?

Page 10: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

Why are “fails” funny?

Page 11: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

HF as a depiction of a series of “fails,” or a social satire1. Satire – ironic storytelling aimed to improve 2. Using ironic situations, Mark Twain criticizes the

ethical shortcomings of persons who calls themselves members of “civilized society.”

3. Three types of irony:1) Verbal-say one thing, mean another2) Situational-expect one thing, encounter another3) Dramatic-characters are oblivious, reader is well-aware

Page 12: Analysis of Huckleberry Finn. Symbolism A. The river is the most important symbol in the novel. 1. Rivers always change, always move 2. Huck is like the

o In part I, how does life with the Widow Douglas and Miss Watson represent Convention?

o In part II, how does the River represent the opposite of Convention, a Romantic safe-haven for Huck and Jim?

o In part II, how does the Town/Shore infect or haunt the River? In what persons, places, and events?

o In part III, how is Tom’s plan to free Jim, which Tom calls “romantical,” really a parody, or caricature, of the Authentically Romantic?

HF as Authentically ROMANTIC?

HF as Dangerously Sentimental, NOT ROMATNIC?