andy warhol screenprints

7/21/2019 Andy Warhol Screenprints

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Andy Warhol 1928 – 1987

Iconic Screenprints, 1964-1987

More than any other artist of his generation, Andy Warhol understoodhow the reproduced image had come to reflect and shapecontemporary life. His paintings of Coca-cola bottles, race riots inBirmingham, Alabama, and the empty desolation of the death chamberare like a catalogue of contemporary hieroglyphs scattered across theAmerican landscape.

--Donna de Salvo“God is in the Details: The Prints of Andy Warhol”

Andy Warhol was born Andrew Warhola in Pittsburgh, Pennsylvania,in 1928. In 1945 he entered the Carnegie Institute of Technology (nowCarnegie Mellon University) where he majored in pictorial design.Upon graduation, Warhol moved to New York where he found steadywork as a commercial artist.

In 1952, Warhol had his first individual show at the Hugo Gallery,

exhibiting Fifteen Drawings Based on the Writings of Truman Capote.His work was exhibited in several other venues during the 1950s,including his first group show at The Museum of Modern Art in 1956.

Appropriating images from popular culture, Warhol created manyimages that remain icons of 20th-century art, such as the Campbell'sSoup Cans, Disasters and Marilyn Monroe screenprints. In addition topainting and printmaking, Warhol made several 16mm films whichhave become underground classics such as Chelsea Girls and

Empire.

Following routine gall bladder surgery, Andy Warhol died February 22,1987. After his burial in Pittsburgh, his friends and associatesorganized a memorial mass at St. Patrick's Cathedral in New York thatwas attended by more than 2,000 people.






Liz, 1964

Offset lithograph on paper23 1/8 x 23 1/8 inches (58.7 x 58.7 cm)Edition: approximately 300 signed and dated in ball-point penPrinter: Total Color, New YorkPublisher: Leo Castelli Gallery, New York

Catalogue Raisonné: Feldman & Schellmann II.7


Banana, ca. 1966

Screenprint on styrene

24 x 53 1/4 inches (61 x 135.2 cm)Image: approximately 17 x 36 inches (43.2 x 91.4 cm)The banana skin, printed on laminated plastic 17 7/8 x 36 1/4 inches

(45.4 x 92.1 cm), can be removed and placed anywhere on the sheetEdition: approximately 300

Some have a stamped signature on recto;some signed on verso, some stamped AP on recto; some dated

Printer: UnknownPublisher: Andy Warhol, New York







Cow, 1966

Screenprint on wallpaper45 1/2 x 29 3/4 inches (115.6 x 75.6 cm)Edition: unlimited100 signed with a rubber stamp and numbered on verso;some dated on rectoPublished for an exhibition at Leo Castelli Gallery, New York,April 2 – April 27, 1966Printer: Bill Miller’s Wallpaper Studio, Inc., New YorkPublisher: Andy Warhol, New York



Cow, 1971.

Screenprint on wallpaper45 1/2 x 29 3/4 inches (115.6 x 75.6 cm)

Edition: unlimitedApproximately 100 signed in felt pen in 1979

Published for a Warhol exhibition atthe Whitney Museum of American Art,

New York, May 1 – June 13, 1971Printer: Bill Miller’s Wallpaper Studio, Inc., New York

Publisher: Factory Additions, New York

Catalogue Raisonné: Feldman & Schellmann II.11A






Cow, 1971

Screenprint on wallpaper45 1/2 x 29 3/4 inches (115.6 x 75.6 cm)Edition: unlimited150 signed, numbered, and dated in ball-point pen on verso; somedated on rectoPrinter: Bill Miller’s Wallpaper Studio, Inc., New YorkPublisher: Factory Additions, New York



Cow, 1976

Screenprint on wallpaper45 1/2 x 29 3/4 inches (115.6 x 75.6 cm)

Edition: unlimitedApproximately 100 signed in felt pen in 1979

Published for an exhibition at theModern Art Pavilion, Seattle Center, Seattle, Washington,

November 18, 1976 – January 9, 1977Printer: Bill Miller’s Wallpaper Studio, Inc., New York

Publisher: Factory Additions, New York







Jacqueline Kennedy I (Jackie I), 1966

Screenprint on paper24 x 20 inches (61 x 50.8 cm)Image: 20 5/8 x 17 1/8 inches (52.4 x 43.5 cm)Edition: 200, 50 numbered in Roman numeralsSigned with a rubber stamp and numbered in pencil on versoPublished in the portfolio 11 Pop Artists I,containing works by eleven artistsPrinter: KMF, Inc. (Knickerbocker Machine & Foundry, Inc.), New YorkPublisher: Original Editions, New York



Jacqueline Kennedy II (Jackie II), 1966

Screenprint on paper24 x 30 inches (61 x 76.2 cm)

Edition: 200, 50 numbered in Roman numeralsSigned with a rubber stamp and numbered in pencil on verso

Published in the portfolio 11 Pop Artists II,containing works by eleven artists

Printer: KMF, Inc. (Knickerbocker Machine & Foundry, Inc.), New YorkPublisher: Original Editions, New York







Jacqueline Kennedy III (Jackie III), 1966

Screenprint on paper40 x 30 inches (101.6 x 76.2 cm)Edition: 200, 50 numbered in Roman numeralsSigned with a rubber stamp and numbered in pencil on versoPublished in the portfolio 11 Pop Artists III,containing works by eleven artistsPrinter: KMF, Inc. (Knickerbocker Machine & Foundry, Inc.), New YorkPublisher: Original Editions, New York



Self-Portrait, 1966

Offset lithograph on silver coated paper23 x 23 inches (58.4 x 58.4 cm)

Edition: 300 signed and numbered in ball-point pen on verso;some signed on recto

Published to announce a Warhol exhibition at the Leo Castelli Gallery,New York, April 2 – April 27, 1966

Printer: Total Color, New YorkPublisher: Leo Castelli Gallery, New York







Marilyn Monroe (Marilyn), 1967

Portfolio of ten screenprints on paper36 x 36 inches (91.4 x 91.4 cm)Edition: 250, 26 AP signed and lettered A-Z on versoSigned in pencil and numbered with a rubber stamp on verso;some signed in ball-point pen, some initialled on verso; some datedPrinter: Aetna Silkscreen Products, Inc., New YorkPublisher: Factory Additions, New York

Catalogue Raisonné: Feldman & Schellmann II.22-31






Flash – November 22, 1963, 1968

Portfolio of eleven screenprints, colophon and Teletype text on paper21 x 21 inches (53.3 x 53.3 cm)The prints, wrapped with the screenprint cover, are in a plexiglass box, 23 x 22 1/2 x 2 inches (58.4 x 57.1 x 5.1 cm)Edition: 200, 26 numbered in Roman numerals, 10 lettered A-J have three additional screenprints (not in folders)Each print, housed in a folder with a page of Teletype text, is signed in ball-point pen on verso;The colophon is signed and numbered in ball-point penPrinter: Aetna Silkscreen Products, Inc., New YorkPublisher: Racolin Press, Inc., Briarcliff Manor, New York






Andy Warhol 1928-1987

Campbell’s Soup I, 1968

Portfolio of ten screenprints on paper35 x 23 inches (88.9 x 58.4 cm)Edition: 250, 26 AP signed and lettered A-Z in ball-point pen on versoSigned in ball-point pen and numbered with a rubber stamp on versoPrinter: Salvatore Silkscreen Co., Inc., New YorkPublisher: Factory Additions, New York







Campbell’s Soup II, 1969Portfolio of ten screenprints on paper35 x 23 inches (88.9 x 58.4 cm)Edition: 250, 26 AP signed and lettered A – Z in ball-point pen on versoSigned in ball-point pen and numbered with a rubber stamp on versoPrinter: Salvatore Silkscreen Co., Inc., New YorkPublisher: Factory Additions, New York

Catalogue Raisonné: Feldman & Schellmann II.54 – 63






Flowers, 1970

Portfolio of ten screenprints on paper36 x 36 inches (91.4 x 91.4 cm)Edition: 250, 26 AP signed and lettered A-Z in ball-point pen on versoSigned in ball-point pen and numbered with a rubber stamp on verso; some datedPrinter: Aetna Silkscreen Products, Inc., New YorkPublisher: Factory Additions, New York







Electric Chairs, 1971

Portfolio of ten screenprints on paper35 1/2 x 48 inches (90.2 x 121.9 cm)Edition: 250, 50 AP numbered in Roman numerals which are signed and dated in ball-point pen,stamped AP and numbered with a rubber stamp on versoSigned and dated ’71 in ball-point pen and numbered with a rubber stamp on verso; some signed in pencilPrinter: Silkprint Kettner, Zurich, SwitzerlandPublisher: Bruno Bischofberger, Zurich, Switzerland







Sunset, 1972

Screenprint on paper34 x 34 inches (86.4 x 86.4 cm)Edition: 632 unique prints divided as follows:40 portfolios containing four prints each, signed and numbered in pencil on verso472 prints were used by architects Johnson & Burgee for the Hotel Marquette, Minneapolis, MinnesotaIn 1981, upon removal from the hotel, these prints were signed, numbered 1/470-470/470 and dated in pencil on verso, and two were marked HC They were stamped in black on verso Hotel Marquette Prints Printer: Salvatore Silkscreen Co., Inc., New YorkPublisher: David Whitney, New York







Mao, 1972

Portfolio of ten screenprints on Beckett High White paper36 x 36 inches (91.4 x 91.4 cm)Edition: 250, 50 AP signed and numbered in pencil on verso; some signed and numbered in ball-point penSigned in ball-point pen and numbered with a rubber stamp on versoPrinter: Styria Studio, Inc., New YorkPublisher: Castelli Graphics and Multiples, Inc., New York







Ladies and Gentlemen, 1975

Portfolio of ten screenprints on Arches paper43 1/2 x 28 1/2 inches (110.5 x 72.4 cm);Image, approximately 33 1/2 x 26 1/2 inches (85.1 x 67.3 cm)Edition: 250, 25 AP, 1 PPSigned, numbered and dated ’75 in pencil on versoPrinter: Alexander Heinrici, New YorkPublisher: Luciano Anselmino, Milan, Italy







Mick Jagger, 1975

Portfolio of ten screenprints on Arches Aquarelle (Rough) paper43 1/2 x 29 inches (110.5 x 73.7 cm)Edition: 250, 50 AP, 3 PPSigned in pencil lower right and numbered in pencil lower left; some signed in felt penMost of the prints are also signed in black, green, or red felt pen by Mick JaggerPrinter: Alexander Heinrici, New YorkPublisher: Seabird Editions, London, England

Catalogue Raisonné: Feldman & Schellmann II.138–147






Jimmy Carter I, 1976

Screenprint on Strathmore Bristol paper39 1/4 x 29 1/2 inches (99.7 x 74.9 cm)Edition: 50, 25 APSigned and numbered in pencil lower centerSome prints are also signed by Jimmy CarterPrinter: Gem Screens, New YorkPublisher: Democratic National Committee, Washington, D.C.Published to raise funds for his campaign for president



Jimmy Carter II, 1976

Screenprint on Strathmore Bristol paper39 1/4 x 29 1/2 inches (99.7 x 74.9 cm)

Edition: 100, 25 APSigned and numbered in felt pen lower left

Some prints are also signed by Jimmy CarterPrinter: Rupert Jasen Smith, New York

Publisher: Democratic National Committee, Washington, D.C.Published to raise funds for his campaign for president







Skulls, 1976

Portfolio of four screenprints on Strathmore Bristol paper30 x 40 inches (76.2 x 101.6 cm)Edition: 50, 10 APSigned and numbered in pencil as follows: II.157 and II.159 – lower left;II.158 – lower center; II.160 – signed lower right, numbered lower leftPrinter: Gem Screens, New YorkPublisher: Andy Warhol Enterprises, Inc., New York







Hammer and Sickle, 1977

Portfolio of four screenprints on Strathmore Bristol paper30 x 40 inches (76.2 x 101.6 cm)Edition: 50, 10 AP, 2 PP, 1 HCSigned and numbered in pencil lower left.Printer: Rupert Jasen Smith, New YorkPublisher: Andy Warhol Enterprises, Inc., New York







Muhammad Ali, 1978

Portfolio of four screenprints on Strathmore Bristol paper40 x 30 inches (101.6 x 76.2 cm)Edition: 150, 10 AP, 1 PPSigned and numbered in felt pen lower right, except II.179 – lower leftPrinter: Rupert Jasen Smith, New YorkPublisher: Andy Warhol Enterprises, Inc., New York







After the Party, 1979

Screenprint on Arches 88 paper21 1/2 x 30 1/2 inches (54.6 x 77.5 cm)Edition: 1,000, 30 AP, 3 PP, 10 HCSigned and numbered in pencil lower rightPrinter: Rupert Jasen Smith, New YorkPublisher: Grosset and Dunlap, Inc., New YorkIncluded with the Gold Edition of the 1979 book Exposures by Andy Warhol published by Grosset and Dunlap, Inc., New York







Ten Portraits of Jews of the Twentieth Century, 1980

Portfolio of ten screenprints on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)Edition: 200, 30 AP, 5 PP, 3 EP, 25 TPSigned and numbered in pencil as follows: Gertrude Stein, Martin Buber, George Gershwin, Golda Meir, Sarah Bernhardt, Sigmund Freud – lowerright; Franz Kafka, Albert Einstein, Louis Brandeis, The Marx Brothers – lower leftPrinter: Rupert Jasen Smith, New YorkPublisher: Ronald Feldman Fine Arts Inc., New York; Jonathan A Editions, Tel Aviv, Israel

Catalogue Raisonné: Feldman & Schellmann II.226 -235






Edward Kennedy, 1980

Screenprint with diamond dust on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)Edition: 300, 25 AP, 3 PP, 10 HC which are trial proof variations, 15TP, 1 TPPPSigned and numbered in pencil lower rightPrinter: Rupert Jasen Smith, New YorkPublisher: Kennedy for President Committee, Washington, D.C.Published to raise funds for the Edward Kennedyprimary campaign for president



Edward Kennedy (Deluxe Edition), 1980

Screenprint with diamond dust on Lenox Museum Board

40 x 32 inches (101.6 x 81.3 cm)Edition: 50, 15 AP, 1 PP

Signed and numbered in pencil lower rightDE is marked before each number – e.g., DE 1/50, DEAP 1/15

Printer: Rupert Jasen Smith, New YorkPublisher: Kennedy for President Committee, Washington, D.C

Published in the portfolio Artists for Kennedy, containing works bytwenty-two artists to raise funds for the Edward Kennedy primary

campaign for president







Joseph Beuys, 1980/83

Screenprint on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)

There are three states; states II and III have rayon flockEdition: 150, 36 AP, 9 PP, 45 individual TP not in portfoliosSigned and numbered in pencil lower rightII.242 (state I), 1980: numbered 101/150-150/150, AP 25/36-36/36, PP 7/9-9/9;II.243 (state II), 1980/83: numbered 51/150-100/150, AP 13/36 – 24/36, PP 4/9 – 6/9;II.244 (state III), 1980/83: numbered 1/150-50/150, AP 1/36-12/36, PP 1/9-3/9Printer: Rupert Jasen Smith, New YorkPublisher: Editions Schellmann & Klüser, Munich, Germany / New York







Joseph Beuys, 1980

Portfolio of three screenprints on Arches Cover Black paper (II.245 and II.247 have diamond dust)44 x 30 inches (111.8 x 76.2 cm)Edition: 90, 15 AP, 3 PP, 1 HC, 13 individual TP not in portfoliosSigned and numbered in pencil lower rightPrinter: Rupert Jason Smith, New YorkPublisher: Editions Schellmann & Klüser, Munich, Germany / New York







Shoes (Deluxe Edition), 1980

Portfolio of five screenprints with diamond dust on Arches Aquarelle (Cold Pressed) paper40 1/4 x 59 1/2 inches (102.2 x 151.1 cm)Edition: 10, 1 PP signed and numbered in pencil on verso (DE is marked after each number – e.g., 1/10 DE, PP 1/1DE) Printer: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York







Shoes, 1980

Portfolio of five screenprints with diamond dust on Arches Aquarelle (cold pressed) paper40 1/4 x 59 1/2 inches (102.2 x 151.1 cm)Edition: 60, 10 AP, 2 PP, signed and numbered in pencil on versoPrinter: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York

Catalogue Raisonné: Feldman & Schellman II.253–257






Myths, 1981

Portfolio of ten screenprints on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)Edition: 200, 30 AP, 5 PP, 5 EP, 30 TP

Signed and numbered in pencil as follows: The Star, The Witch, Howdy Doody – verso; Uncle Sam, Superman, Mammy, Dracula, Santa Claus,The Shadow – lower right; Mickey Mouse – lower left There are the following HC signed and numbered in pencil the same as above: The Star, HC 1 /4 – 4 /4; Uncle Sam, HC 1/1; Superman HC 1 /12 –12/12; The Witch HC 1/10 – 10/10; Mammy, HC 1 /4 – 4/4; Howdy Doody HC 1 /3 – 3/3; Dracula, HC 1/1; Mickey Mouse, HC 1/4 - 4/4; SantaClaus, HC 1/1; The Shadow, HC 1/1; some of these are trial proof variationsAll regular edition prints have diamond dust, except Dracula; most TP have diamond dustPrinter: Rupert Jasen Smith, New YorkPublisher: Ronald Feldman Fine Arts, New York







Jane Fonda, 1982

Screenprint on Lenox Museum Board39 1/2 x 31 1/2 inches (100.3 x 80 cm)

Edition: 100, 25 AP, 3 PP, 25 TPSigned and numbered in pencil lower left;some TP have diamond dustSome prints are also signed by Jane FondaPrinter: Rupert Jasen Smith, New YorkPublisher: Friends of Tom Hayden, Santa Monica, CaliforniaPublished to raise funds for the Tom Hayden Campaign for Californiastate assemblyman



Double Mickey Mouse, 1981

Screenprint on Arches 88 paper (some with diamond dust)30 1/2 x 43 inches (77.5 x 109.2 cm)

Edition: 25Signed and numbered in pencil on verso

Each print is uniquePrinter: Rupert Jasen Smith, New York

Publisher: Ronald Feldman Fine Arts, Inc., New York







The Shadow, 1981

Screenprint on Lenox Museum Board (some have diamond dust)

38 x 38 inches (96.5 x 96.5 cm)Edition: 32Signed and numbered in pencil on verso by the executor ofThe Estate of Andy Warhol on a stamped certificate of authenticityEach print is uniquePrinter: Rupert Jasen Smith, New YorkPublisher: Ronald Feldman Fine Arts, Inc., New York







Goethe, 1982

Portfolio of four screenprints on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)Edition: 100, 5 PP, 2 EP, 6 HC (three of which are numbered in Roman numerals),22 AP (signed and numbered in pencil lower right), 15 TP (signed and numbered in pencil lower left)Signed and numbered in pencil lower right, except II.272 – lower leftPrinter: Rupert Jasen Smith, New YorkPublisher: Editions Schellmann & Klüser, Munich, Germany / New York; Denise René / Hans Mayer, Düsseldorf, Germany







$ (1), 1982

Portfolio of six screenprints on Lenox Museum Board19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)Edition: 60, 10 AP, 3 PP, 15 TPSigned and numbered in pencilPortfolios are assembled in mixed variationsEach print is uniquePrinter: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York

Catalogue Raisonné: Feldman & Schellmann II.274 – 279






$ (1), 1982

Screenprint on Lenox Museum Board20 x 16 inches (50.8 x 40.6 cm)Edition: 25Signed and numbered in pencilEach print is uniquePrinter: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York







$ (4), 1982

Portfolio of two screenprints on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)Edition: 35, 10 AP, 2 PPSigned and numbered in pencilPortfolios are assembled in mixed variationsEach print is uniquePrinter: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York







$ (Quadrant), 1982

Portfolio of two screenprints on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)Edition: 60, 10 AP, 3PPSigned and numbered in pencilEach print is uniquePrinter: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York







$ (9), 1982

Portfolio of two screenprints on Lenox Museum Board40 x 32 inches (101.6 x 813 cm)Edition: 35, 10 AP, 2 PPSigned and numbered in pencilPortfolios are assembled in mixed variationsEach print is uniquePrinter: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York







Alexander the Great, 1982

Portfolio of two screenprints on Lenox Museum Board39 1/2 x 39 1/2 inches (100.3 x 100 x 3 cm)

Edition: 25, 5 AP, 1 PP, there are the following individual TP not in portfolios signed and numbered in pencil lower right: 65 TP, 40 x 40 inches(101.6 x 101.6 cm); 15 TP, 39 1/2 x 39 1/2 inches (100.3 x 100.3 cm); 8 TP numbered in Roman numerals, 40 x 32 inches (101.6 x 81.3 cm); 5TPAP, 40 x 40 inches (101.6 x 101.6 cm)Signed and numbered in pencil lower rightPrinter: Rupert Jasen Smith, New YorkPublisher: Alexander Iolas, New YorkPublished in cooperation with the Hellenic Heritage Foundation to coincide with“The Search for Alexander” exhibition at the Metropolitan Museum of Art, New York, October 27, 1982 – January 3, 1983


A d W h l 1928 1987






Endangered Species, 1983

Portfolio of ten screenprints on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)Edition: 150, 30 AP, 5 PP, 5 EP, 3 HC, 10 numbered in Roman numerals, 1 BAT, 30 TPSigned and numbered in pencil as follows: African Elephant, San Francisco Silverspot, Orangutan – lower right; Pine Barrens Tree Frog, GiantPanda, Bald Eagle, Siberian Tiger, Black Rhinoceros – lower left; Grevy’s Zebra, Bighorn Ram – lower centerThe TP of Grevy’s Zebra are signed and numbered in pencil lower left; Giant Panda - lower right; San Francisco Silverspot – versoPrinter: Rupert Jasen Smith, New YorkPublisher: Ronald Feldman Fine Arts, Inc., New York


A d W h l 1928 1987 A d W h l 1928 1987






Brooklyn Bridge, 1983

Screenprint on Lenox Museum Board39 1/4 x 39 1/4 inches (99.7 x 99.7 cm)Edition: 200, 20 AP, 5 PP, 10 HC, 25 TPSigned vertically in pencil and numbered in pencil lower left; printsnumbered 176/200 – 200/200 signed horizontally in pencil lower leftPrinter: Rupert Jasen Smith, New YorkPublisher: The 1983 Brooklyn Bridge Centennial Commission, Inc.,New YorkPublished to commemorate the 100th anniversary of the BrooklynBridge



Grace Kelly, 1984

Screenprint on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)Edition: 225, 30 AP, 8 PP, 2 HC,

50 numbered in Roman numerals, 20 TPSigned and numbered in pencil lower right

Printer: Rupert Jasen Smith, New YorkPublisher: Institute of Contemporary Art, University of Pennsylvania,Philadelphia, Pennsylvania, with the consent of the Princess Grace

Foundation (USA), New YorkPublished to raise funds for the Institute of Contemporary Art in

Philadelphia, Pennsylvania


Andy Warhol 1928 1987






Love, 1983

Portfolio of three screenprints on Rives BFK paper26 x 19 5/8 inches (66 x 49.8 cm)Edition: 100, 10 AP, 2 PP, 5 EP, 16 HC for II.310, 7 HC for II.311, 17 HC for II.312Signed and numbered in pencil lower leftPrinter: Rupert Jasen Smith, New York; Ryoichi Ishida, Tokyo, JapanPublisher: Form K.K., Tokyo, Japan








Ingrid Bergman, 1983

Portfolio of three screenprints on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)Edition: 250, 20 AP, 5 PP, 30 HC, 30 TPSigned and numbered in pencil lower rightPrinter: Rupert Jasen Smith, New YorkPublisher: Galerie Börjeson, Malmö, Sweden








Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus , 1482), 1984

Portfolio of four screenprints on Arches Aquarelle (Cold Pressed) paper32 x 44 inches (81.3 x 111.8 cm); image, 25 x 37 inches (63.5 x 94 cm)Edition: 70, 18 AP, 5 PP, 5 HC, 36 TP portfolios containing II.316A and one image from each of the Details portfolios, several TP on Arches 88paper, 29 1/2 x 41 inches (74.9 x 104.1 cm)Signed and numbered in pencil lower leftPrinter: Rupert Jasen Smith, New YorkPublisher: Editions Schellmann & Klüser, Munich, Germany / New York








Reigning Queens, 1985

Portfolio of sixteen screenprints on Lenox Museum Board39 3/8 x 31 1/2 inches (100 x 80 cm)Edition: 40, 10 AP, 5 PP, 3 HC, 30 TP containing only one image of each queenSigned and numbered in pencil as follows: Queen Elizabeth II, Queen Beatrix – lower right; Queen Margrethe II, Queen Ntombi Twala – lower left The colour block screen placement of the AP of Queen Beatrix (II.338, II.340, II.341) differs from the other edition printsPrinter: Rupert Jasen Smith, New YorkPublisher: George C.P. Mulder, Amsterdam, The Netherlands








Reigning Queens (Royal Edition), 1985

Portfolio of sixteen screenprints on Lenox Museum Board with diamond dust39 3/8 x 31 1/2 inches (100 x 80 cm)Edition: 30, 5 AP, 2 PP, 2 HCSigned and numbered in pencil as follows: Queen Elizabeth II, Queen Beatrix - lower right; Queen Margrethe II, Queen Ntombi Twala – lower leftR is marked before each number – e.g. R 1/30, RAP 1/5, RPP 1/2, RHC ½ The color block screen placement of the AP of Queen Beatrix (II.338, II.340, II.341) differs from the other edition printsPrinter: Rupert Jasen Smith, New YorkPublisher: George C.P. Mulder, Amsterdam, The Netherlands

Catalogue Raisonné: Feldman & Schellmann II.334A-349A






y

Ads, 1985

Portfolio of ten screenprints on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)Edition: 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 numbered in Roman numerals, 1 BAT, 30 TPSigned and numbered in pencil as follows: Rebel Without a Cause (James Dean), Van Heusen (Ronald Reagan), Volkswagen, Apple – lowerright; Mobil, Blackglama (Judy Garland), Paramount, Life Savers, Chanel, The New Spirit (Donald Duck) – lower leftPrinter: Rupert Jasen Smith, New YorkPublisher: Ronald Feldman Fine Arts, Inc. New York







y

Vesuvius, 1985

Screenprint on Arches 88 paper31 1/2 x 39 3/8 inches (80 x 100 cm)Edition: 250, 50 AP, 10 PP, 57 TP signed in pencil lower right and unnumberedSigned and numbered in pencil lower rightPrinter: Rupert Jasen Smith, New YorkPublisher: Fondazione Amelio, Naples, Italy







Truck, 1985

Portfolio of four screenprints on Lenox Museum Board39 3/8 x 39 3/8 inches (100 x 100 cm)

Edition: 60, 15 AP, 10 PP, 15 HC, 5 numbered in Roman numerals, there are the following 73 individual TP not in portfolios signed in pencil lowerright and unnumbered: 30 TP. 40 1/4 x 40 1/4 inches (100.2 x 100.2 cm); 30 TP, 39 3/8 x 39 3/8 inches (100 x 100 cm); 13 TP, 32 x 40 inches(81.3 x 101.6 cm)Signed and numbered in pencil lower rightPrinter: Rupert Jasen Smith, New YorkPublisher: Hermann Wünsche, Bonn, GermanyPublished in cooperation with the Bundesverband des Deutschen Güterfernverkehrs to commemorate the XXth World Congress of theInternational Road Transport Union







Cowboys and Indians, 1986

Screenprints on Lenox Museum Board36 x 36 inches (91.4 x 91.4 cm)Edition: 36 TP of each printSigned and numbered in pencil as follows: War Bonnet Indian, Action Picture – lower left; Buffalo Nickel, Sitting Bull – lower rightEach print is uniquePrinter: Rupert Jasen Smith, New YorkPublisher: Gaultney, Klineman Art, Inc., New York

Catalogue Raisonné: Feldman & Schellmann II.373–II.376






Cowboys and Indians, 1986

Portfolio of ten screenprints on Lenox Museum Board36 x 36 inches (91.4 x 91.4 cm)Edition: 250, 50 AP, 15 PP, 15 HC, 10 numbered in Roman numerals, signed and numbered in pencil as follows:Annie Oakley, General Custer, Kachina Dolls, Plains Indian Shield, Mother and Child, Geronimo, Indian Head Nickel – lower left;John Wayne, Northwest Coast Mask, Teddy Roosevelt – lower right. Some John Wayne prints are unique and dated andmarked unique on verso. There are 36 TP, signed and numbered in pencil, containing the following four additionalprints: War Bonnet Indian, Buffalo Nickel, Action Picture, and Sitting Bull. The TP of Kachina Dolls are signed and numbered in pencil lower right.Printer: Rupert Jasen Smith, New YorkPublisher: Gaultney, Klineman Art, Inc., New York

Catalogue: Feldman & Schellmann II.377 – 386






Martha Graham, 1986

Portfolio of three screenprints on Lenox Museum Board36 x 36 inches (91.4 x 91.4 cm)Edition: 100, 25 AP, 5 PP, 10 HC, 25 numbered in Roman numeralsSigned and numbered in pencil on versoPrinter: Rupert Jasen Smith, New YorkPublisher: Martha Graham Center of Contemporary Dance, Inc., New YorkPublished to commemorate the sixtieth anniversary of the Martha Graham Center of Contemporary Dance Inc., New York







Beethoven, 1987

Portfolio of four screenprints on Lenox Museum Board40 x 40 inches (101.6 x 101.6 cm)

Edition: 60,15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfoliosSigned and numbered in pencil on verso bythe executor of the Estate of Andy Warhol, the publisher,and the printer on a stamped certificate of authenticityPrinter: Rupert Jasen Smith, New YorkPublisher: Hermann Wünsche Bonn, Germany


Andy Warhol 1928 – 1987 Andy Warhol 1928 – 1987





Lenin, 1987

Screenprint on Arches 88 paper39 3/8 x 29 1/2 inches (100 x 74.9 cm)Edition: 120, 24 AP, 6 PP, 10 HC, 46 TP for II.402 and II.403Signed and numbered in pencil lower leftPrinter: Rupert Jasen Smith, New YorkPublisher: Galerie Bernd Klüser, Munich, Germany


Red Lenin, 1987

Screenprint on Arches 88 paper

39 3/8 x 29 1/2 inches (100 x 74.9 cm)Edition: 120, 24 AP, 6 PP, 10 HC, 46 TP for II.402 and II.403signed and numbered in pencil lower left

Signed and numbered in pencil on verso by the executor of TheEstate of Andy Warhol on a stamped certificate of authenticity

Printer: Rupert Jasen Smith, New YorkPublisher: Andy Warhol, New York







Moonwalk, 1987

Portfolio of two screenprints on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)Edition: 160, 31 AP, 5 PP, 5 EP, 66 individual TP not in portfoliosSigned with a printed signature and numbered in pencil lower right,Also numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol,the publisher, and the printer on a stamped certificate of authenticityPrinter: Rupert Jasen Smith, New YorkPublisher: Ronald Feldman Fine Arts, Inc., New York


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