ANIM

ANIM

AM

e|unarodni festival animacije

Intenatinal Animation Festival

Savet festivala / Festival CouncilN

ebojša Popovi}, Stevan Živkov,Dinko Tucakovi}, Predrag Živkovi}, Milenko Savovi}

Odbor festivala / Festival BoardDragojlo Jerotijevi} Direktor / DirectorDinko Tucakovi} Um

etni~ki direktor / Art directorM

ilen Alempijevi} Izvršni direktor / Executive director

Saradnici / AssociatesAstrea Pejovi} Producent / Producer, Ana Stevanovi} Press služba / PressVizuelni identitet festivala / Visual identity of the FestivalM

ETAKILINIKA / N

enad Trifunovi} / Lazar BodrožaFestivalski spot / Festival’s videoKoncept, dizajn &

produkcija / Concept, Design & Production –

METAKILIN

IKA / Nenad Trifunovi} / Lazar Bodroža

3D modelovanje i anim

acija / 3D Modelling &

Animation – Sofija Leškov, Kostadin M

artićDizajn zvuka / Sound design – KOSM

OPLOVCIAdresa / AddressAN

IMAN

IMA Festival,Dom

kulture ^a~ak, Trg ustnka 2, 32000 ^a~ak, SRBIJAw

ww

.animanim

a.orgT: 381 32 341 068, E: office@anim

anima.org

KATALOG / CATALOGUEIzdava~ / Publisher Dom

kulture ^a~ak / Cultural Center CacakZa izdava~a / For Publisher Dragojlo Jerotijevi} Direktor / DirectorUrednik / Editor M

ilen Alempijevi}

Grafi~ki dizajn / Graphic design METAKILIN

IKA / Nenad Trifunovi} / Lazar Bodroža

Štampa / Press Grafi~ki centar ^a~ak / Graphic Center Cacak

Tiraž / Circulation 1000Godina / Year 2007

SADRŽAJUVOD

06 NOVA RE^ ZA PRIJATELJSTVO 07 O FESTIVALU

08 RE^-DVE O NAMA 10 SELEKCIONI ŽIRI

12 GLAVNI ŽIRI 14 POZDRAVI ^A^KU

TAKMI^ARSKI PROGRAM 16 5 Minuta

36 15 Minuta56 Reklame & Muzi~ki spotovi

POSEBNI PROGRAMI72 NAJBOLJE IZ NORVEŠKE

73 Kratki filmovi77 Pjotr Sapegin

79 Pravda81 MTV ADRIA PREDSTAVLJA

81 Kratke kratke pri~e84 Gledaj! Muzika!

87 ANESI 2006 – NAGRA\ENI 90 RADOVI U TOKU

POSEBNE PROJEKCIJE93 DOMAR

95 FILM NOAR97 RETROSPEKTIVA: BORIVOJ DOVNIKOVI]-BORDO

REVIJALNI PROGRAMI99 PLANINA DRAGOG KAMENJA

102 MOJ SUSED I JA 104 ANIMIRANA SUBOTA

PRATE]I PROGRAMIIZLOŽBE

106 Miroljub Milutinovi}-Brada107 Nikola Kora}

KONCERTI108 Intruder

108 Mistakemistake

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e uv

od in

trod

uctio

n

4

CONTENTINTRODUCTIONNEW WORD FOR FRIENDSHIP 06ABOUT THE FESTIVAL 07A COUPLE OF WORDS ABOUT US 08SELECTION JURY 10GRAND JURY 12GREETINGS TO ^A^AKCOMPETITION PROGRAMME5 minutes 1615 minutes 36Commercials & Music videos 56SPECIAL PROGRAMMESTHE BEST FROM NORWAY 72Short Films 73Pjotr Sapegin 77Pravda 79MTV ADRIA PRESENTS 81Short Short Stories 81Watch! Music! 84ANNECY 2006 AWARD WINNERS 87WORK IN PROGRESS 90SPECIAL SCREENINGSTHE JANITOR 93FILM NOIR 95RETROSPECTIVE: BORIVOJ DOVNIKOVI]-BORDO 97REVIEWS MOUNTAIN OF GEMS 99MY NEIGHBOUR AND ME 102ANIMATED SATURDAY 104ADDITIONAL PROGRAMMESEXIBITIONSMiroljub Milutinovi}-Brada 106Nikola Kora} 107CONCERTSIntruder 108Mistakemistake 108

5uvod

intr

oduc

tion

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e

NOVA RE^ ZA PRIJATELJSTVO

ANIMANIMA. Neobi~na re~, zar ne? Nedavno je ugledala svetlo dana. Nastala je od latinske re~i anima – duša. Me|utim, pogledajte bolje: u ovoj re~i su, zapravo, dve duše, spojene zajedni~kim A! Kao po~etak i kao kraj, u neprekinutom, ve}nom krugu. ANIMANIMA je nova re~ koju smo smislili za bliskost, prijateljstvo... I, nije li to sjajno ime za festival animacije? ANIMANIMA li~i i na dadaisti~ku dosetku, igru, ali šta bi animacija bila bez igre! Homo ludens je taj kome uvek teba pružiti šansu. ANIMANIMA je i neologizam koji svojom zvu~noš}u podse}a na pokret, a to je tek prava stvar! Jer, pokrenuti sliku, udahnuti joj dušu, to je unutarnja zakonitost animacije.ANIMANIMA je festival koji nastavlja tradiciju nacionalnog Festivala animiranog filma jedne zemlje koja se zvala Jugoslavija. Govorimo o vremenu u kome su se svojim dostignu}ima uveliko etablirala ~uvena zagreba~ka i beogradska škola animacije, i njihovi ugledni autori, poput Dovnikovi}a ili Majdaka. Ali, nova istorija po~inje! I to, za razliku od prethodnog festivala, na me|unarodnom planu: promovisati nacionalne produkcije zemalja u regionu, u Evropi, i u ostatku sveta. S nadom da }emo uskoro postati deo globalne mreže animacije, pružaju}i ruku prijateljstva i Zagrebu i Anesiju, Rio de Žaneiru, Hirošimi, Otavi...Hemijska istorija filma približava se svom kraju. Digitalna matrica današnjice je realnost. ANIMANIMA }e uzeti iz prošlosti, a vrata širom otvoriti budu}nosti. ^udesni srebrni ekran bi}e mesto njihovog susreta, kao što }e ANIMANIMA biti mesto susreta studenata animacije i veterana osme umetnosti.ANIMANIMA se ove godine održava od 20. do 22. septembra. Srce festivala je Dom kulture koji se nalazi u srcu ^a~ka, a ^a~ak u srcu Srbije. Po~eli smo ovaj tekst dušom, završavamo ga srcem, sve to je za vas, naše goste i prijatelje.Dobro došli u ^a~ak, na me|unarodni festival animacije ANIMANIMA 2007!

DinkoTucakovi}, Umetni~ki direktor

NEW WORD FOR FRIENDSHIP

ANIMANIMA. No doubt an unusual word. It was conceived only recently, out of the Latin anima, meaning soul. A closer look will reveal its compound nature, its two souls joined by a common ’A’, symbolising both the beginning and the end, in an uninterrupted eternal circle. It is a new word that we have forged to represent closeness, friendship ... and, is it not a great name for a festival of animation? ANIMANIMA, like a Dadaist pun, a play, but then - what would animation be without playfulness? Does not homo ludens deserve another chance, after all? ANIMANIMA, like a neologism whose very sound conjures up movement, the real thing for anyone trying to make a visual image move: to move a picture, to give it a soul – this must be the inner law of animation.The ANIMANIMA festival is a continuation of the tradition established by the national Festival of Animated Film, in the country that used to be called Yugoslavia. We are here talking about the time in which the renowned Zagreb and Belgrade Schools of animation imposed their authority through their artistry, headed by the great names such as Dovnikovic and Majdak. Now is the time to open a new chapter in the modern history of animation. What is new in comparison to the previous festival is the international dimension, promotion of the national productions from the region, Europe, and other parts of the world as well. The festival’s hopes are directed towards becoming part of the global animation network, offering a friendly hand to Zagreb and Annecy, Rio de Janeiro, Hiroshima, Ottawa ...The chemical history of the film is nearing an end, the digital matrix of today has become the overwhelming reality. Leaning on the past, ANIMANIMA is keeping the door wide open to the future. The magical silvery screen is the meeting place of the two dimensions, much in the same way in which ANIMANIMA endeavours to be the meeting place for the upcoming students of animation and the veterans of the Eighth Art.This year, ANIMANIMA will be held from 20th to 22nd September. The heart of the festival is the Cultural Centre in ^a~ak, located itself in the heart of the city which lies in the heart of Serbia. We started this text with a soul, and we finish it with a heart – both for you, our guests and friends.Welcome to ^a~ak, to the international festival of animation, ANIMANIMA 2007!

DinkoTucakovi}, Art Director

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e uv

od in

trod

uctio

n

6

O FESTIVALU Nastavljaju}i tradiciju Festivala animiranog filma koji se u ^a~ku održavao bijenalno od 1993. godine kao nacionalna manifestacija, ANIMANIMA }e biti godišnja, me|unarodnog karaktera. Pokrovitelj festivala je Opština ^a~ak, a organizator je Dom kulture ^a~ak, centar kulturnih doga|anja u gradu i festivalski centar za potrebe programa ANIMANIME. Me|u svojim glavnim ciljevima, Festival ANIMANIMA isti~e afirmaciju umetnosti animacije prezentovanjem ostvarenja autora iz zemlje i iz sveta, nastalih u svim raspoloživim tehnikama animacije u rasponu od klasi~ne do savremene kompjuterske animacije, u formama artisti~kih, komercijalnih, edukativnih, eksperimentalnih i drugih vidova animiranih filmskih ostvarenja; kao i povezivanje stvaralaca iz oblasti animacije iz celog sveta u prijateljskoj i stvarala~koj atmosferi. Takmi~arski deo festivala se odvija u tri kategorije: filmovi u trajanju do 5 minuta, filmovi u trajanju do 15 minuta, i animirani reklamni ili muzi~ki spot. Glavna nagrada festivala je Gran pri koji se sastoji iz nov~anog dela i trofeja “Zlatni štift” (štift je vrsta lenjira koji je karakteristi~no pomagalo u radu u klasi~noj animaciji; kad je re~ o Velikoj nagradi festivala, predstavlja simboli~ku vezu izme|u tradicije i savremenog doba animacije). Ostali programi su posebni (revije, retrospektive, omaži i sl) i prate}i (izložbe, koncerti, promocije i drugo). Filmove za takmi~enje odabira tro~lani Selekcioni žiri iz Srbije, a ocenjuje ih Glavni žiri u me|unarodnom sastavu. U okrilju festivala funkcioniše i škola animiranog filma, popularni CentAF (Centar za animirani film). Centar postoji od 1998. godine, a mladi autori koji su kao animatori prve korake na~inili u njemu, do sada su ve} ostvarili zna~ajne uspehe na festivalima u zemlji i u svetu.

ABOUT THE FESTIVAL Continuing the tradition of the Animated Film Festival – a biannual event held in ^a~ak since 1993, ANIMANIMA will be an annual international event.The Municipality of ^a~ak is the patron of the festival, and its organiser is the ^a~ak Cultural Centre - as the focal point of the city’s cultural events, the Centre provides the facilities for ANIMANIMA.A principal aim of the ANIMANIMA festival is to affirm the art of animation, through featuring works of national and international authors. The works themselves comprise the most diverse techniques, ranging form the classical ones to the contemporary computerised techniques; they also cover a variety of forms, including artistic, commercial educative, experimental and other. Last but not least, the festival aims to bring together authors form all over the world, in a friendly and creative atmosphere.There are three categories in the festival competition: films up to 5 minutes long, films up to 15 minutes long, and animated commercial or music video. The festival’s main award, the Grand Prix consists of the money prize and the “Golden peg bar” (the so-called ‘štift’ is a kind of ruler frequently used in the classical animation drawing) symbolically represents the link between the traditional and the contemporary animation. Outside the competing segment, there is the special selection (reviews, retrospectives, miscellaneous shows, etc.), as well as the fringe events (exhibitions, concerts, promotions and similar events). There is a three-member Serbian jury that selects the films for the festival (the Selection Jury), and there is the international Supreme Jury that is in charge of the festival awards.Under the Festival’s wing, there is the school of animated film, the CentAF, started back in 1998. Many of the young authors who started here have already gained a reputation and have won significant awards at various festivals.

7

takm

i~ar

ski p

rogr

amAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

RE^-DVE O NAMA^a~ak se nalazi u centralnom delu Srbije, 144 km južno od Beograda (na oko dva i po sata vožnje automobilom). Grad leži na nadmorskoj visini od 242 metra, a ve}im delom pruža se desnom obalom reke Zapadne Morave. Opština broji 117.072 stanovnika (prema popisu iz 2002. godine), a grad 73.217.Na mestu današnjeg ^a~ka još u rimskom periodu nalazilo se zna~ajno naselje o ~emu svedo~e otkriveni ostaci rimskih termi, spomenici Jupiteru, Serapisu i Izidi, a posebno nalazište Gradina na planini Jelici. Pod imenom ̂ a~ak, prvi put se pominje u spisima iz 1408. godine. U gradskom jegru nalaze se vredna arhitektonska ostvarenja u rasponu od 12. do 19. veka.^a~ak je grad razvijene industrije, preduzetništva i uslužnog sektora, i predstavlja važan ekonomski, kulturni, sportski i turisti~ki centar ovog dela Srbije. Sa oko dvadeset osnovnih i srednjih škola i fakulteta, ovo je i grad mladih.U neposrednoj okolini nalazi se Ov~arsko-kablarska klisura, zašti}eno dobro izuzetnih prirodnih svojstava, u kojoj je deset srednjovekovnih manastira od izutenog kulturno-istorijskog zna~aja, zbog ^ega i nosi epitet “srpska Sveta gora”.Centar kulturnih doga|anja, ^vrsto ukorenjen u sveukupni društveni i privredni život grada, Dom kulture je u velikoj meri inicijator i kreator kulturnih navika ^a~ana. Nalazi se u centru grada, u upe~atljivom zdanju, autorskom delu iz 1970. gofine, arhitekte iz Zagreba Luja Šverera. Kao svojevrsni medijator na polju kulture, Dom je od po~etka rada 1971. godine do danas prezentovao ovdašnjoj publici brojne pozorišne i filmske

A COUPLE OF WORDS ABOUT US^a~ak is located in the central part of Serbia, 144 km (about 2 ½ hours’ drive) south of Belgrade. The city lies at an altitude of 242 meters, with its bigger part lined along the right bank of the West Morava river. The 2002 census recorded that the municipality of ^a~ak had a population of 117,072, 73,217 of whom live in the city itself.The beginnings of the city are lost in the haze of time. Its prominence in the days of the Roman Empire is evident through the remnants of the old settlement that used to exist at the very site of the modern city’s centre, such as the foundations of a large Roman bath, monuments to Jupiter, Serapis and Isida. The recently excavated remnants of the ancient settlement of Gradina nestle at a peak of the Jelica mountain; this is a major archaeological find, which spans the late Roman and the early Christian epochs. The name of ^a~ak itself was mentioned for the first time in a manuscript dated 1408. The city’s architectural core contains valuable architectural monuments, built between 12th and 19th centuries.^a~ak has developed industrial, business and services sectors and is a true economic, cultural, sport and tourist centre of the region. It is also a city of the young, with its two dozen schools and colleges.The city’s western gate, the Ov~ar and Kablar gorge is a protected nature reserve, and an area of primary cultural importance - because of the importance of its ten medieval monasteries, people like to call it ‘the Serbian Holy Mountain’,

8

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e uv

od in

trod

uctio

n

drawing a parallel with one of the most sacred places of the Orthodox Christians at the Mount of Athos in Greece.The hub of the cultural events, deeply rooted in the whole of the social and economic life of the city, the Cultural Centre is a major initiator and creator of the cultural habits of the local people. It is located in the city centre, in a building dominating the main square, a 1970 design of the Zagreb-based architect Lujo Sverer. Since its opening in 1971, the Cultural Centre has played a vital role of the city´s mediator of cultural events, featuring countless theatre performances, film projections, concerts, exhibitions, literary evenings, discussions…Apart form the ANIMANIMA festival, the Cultural Centre organises two more important events – ‘Days of Photography in Serbia’ and the exhibition of paintings, ‘The Spring Annual’. The educational programme is realized through the activities of the Actors Workshop, the Animation Film Centre, the Painting and the Ballet Studio.The publishing activities of the Cultural Centre are organised around two magazines: the Gradac magazine, a specialist edition dedicated to art and culture (the Cultural Centre is the co-publisher of Gradac, together with the Gradac Art Society), and the up-and-coming ART 032 magazine. The Cultural Centre building houses the “Branislava Maltez” bookshop, adding variety to the Centre´s cultural programme. Apart form creating and presenting various cultural and art events, the Cultural Centre is involved in the organisation of seminars, fairs, commercial presentations and other events.

predstave, koncerte, izložbe, književne ve~eri, tribine...Pored festivala ANIMANIMA, Dom kulture je organizator još dve zna~ajne manifestacije, izložbe Dani fotografije u Srbiji i likovne izložbe Prole}ni anale. Edukativni sadržaji realizuju se kroz aktivnosti Gluma~ke radionice i Centra za animirani film, kao i Likovnog i Baletskog studija.Izdava~ku delatnost ~ine ~asopis za kulturu i umetnost Gradac (kao suizdava~ sa Umetni~kim društvom Gradac), i revija za kulturu ART 032. U prostoru Doma kulture radi i knjižara “Branislava Maltez”, koja svojom delatnoš}u upotpunjava program. Osim kreiranja i prezentacije kulturno-umetni~kih programa, Dom kulture se bavi i organizacijom seminara, sajmova, komercijalnih prezentacija i drugih manifestacija.

http://www.cacak.org.yu/

9uvod

intr

oduc

tion

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e

VLADIMIR VESOVI], strip autor, animator Ro|en 1956. u Beogradu. Završio Višu pedagošku školu - likovni odsek u Beogradu i Akademiju umetnosti - odsek grafika u Novom Sadu. Diplomirao na temu Teorija i istorija svetskog stripa. ^lan ULUPUDSA od 1986. godine Stripove objavljivao u više doma}ih strip magazina i novina. Ilustrovao knjige za više izdava~a. Izlagao stripove i ilustracije na grupnim izložbama u zemlji i inostranstvu. Ure|ivao magazine “Tron” i “Stripmania”. Dobitnik je nagrada Zlatno pero za strip 1988. godine, i “Najbolji likovni pedagog” 1996. godine De~ijeg oktobarskog salona.Organizovao je pet bijenala doma}eg stripa u galeriji Kapetanija u Zemunu i pokreta~ je Me|unarodnog salona stripa u Studentskom kulturnom centru u Beogradu.Vodi školu stripa i ilustracije “\or|e Loba~ev” od 1992. godine u Beogradu, a od 1996. godine i u Novom Sadu.Radio je u studijima za animaciju “Dunav Film” i “Bikic Studio”, a trenutno radi u studiju “Black, White and Green”, na projektu Technotise -Edit i ja.

VLADIMIR STANI], animator, rediteljRo|en u Osijeku 20. februara 1947. godine. Gimnaziju završio u Beogradu. Studirao italijanski jezik i književnost na Filološkom fakultetu u Beogradu.Animacijom po~eo da se bavi 70-tih godina prošlog veka kao kino-amater. Profesionalac od 1973. Jedan je od osniva~a Biki} studija, gde je sara|ivao na izradi stranih animiranih serija. Autor je šest animiranih filmova.Predavao je animaciju na filmskoj školi Dunav filma. Nastavnik

VLADIMIR VESOVI], Strip author, Animator Born in Belgrade, in 1956. Graduated from the Pedagogical College, Department of Painting, and from the Art Academy in Novi Sad, Department of Graphics, with the final thesis ‘Theory and History of the World Comics’. Member of the ULUPUDS association since 1986.His comics have been published in a number of national comic magazines and journals, and he also illustrated numerous books for various publishers. Appeared with his comics and illustrations in many collective exhibitions in the country and abroad. Editor of the “Tron” and “Stripmania” Magazines.Awarded the Golden Pen award for his work in comics in 1988, and the Pedagogy in Art award at the 1996 Children’s October Salon.Organiser of five biannual festivals of the domestic comic art at the Kapetanija gallery in Zemun. One of the initiators of the International Comic Salon in the Students Cultural Centre in Blegrade.Since 1992, engaged in running the comic art and illustration school “\or|e Loba~ev” in Belgrade. Since 1996, the school has had a branch in Novi Sad.Cooperated with animation studios “Dunav Film” and “Bikic Studio”. Currently engaged at a Technotise project named “Edit and Me”, in the “Black, White and Green” studio.

VLADIMIR STANI], Animator, Director Born in Osijek on 20th February 1947. Graduated from a classical high school in Belgrade and studied the Italian language and literature at the Faculty of Philology in Belgrade.

ANIMANIMA 2007 SELEKCIONI ŽIRI SELECTION JURY

10

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e uv

od in

trod

uctio

n

animacije na internacionalnim de~ijim radionicama animiranog filma u Vranju i Neumu.Kao stalni nastavnik animacije radi u de~ijoj radionici Centra za animirani film Doma kulture – CentAF, ^a~ak.

MIROSLAV Lj. JELI], animator i reditelj animacijeRo|en u Titovom Užicu, 1955. Školovao se u ^a~ku i Beogradu. Oženjen, dvoje dece.Animator i reditelj velikog broja animiranih TV spotova. Glavni animator i supervizor nekoliko inostranih dugometražnih animiranih serija. Jedan od osniva~a BIKI] STUDIJA. Saradnik prestižnih marketinških agencija.Autor 12 animiranih filmova. Dobitnih više doma}ih i stranih nagrada, medju kojima i Zlatne medalje Beograda i nagrade festivala u Moskvi - “Zlatni vitez”.^lan Udruženja filmskih umetnika Srbije. Predava~ na Fakultetu Umetnosti “Bra}a Kari}”. Art direktor Studija za animaciju GILDA. Živi i radi u Beogradu.

His first encounter with the art of animation was as an amateur – cineaste, during the 1970s. He has been a professional animator since 1973.One of the founders of the Biki} studio, where he collaborated in the production of foreign animated series. Author of six animated films.Taught animation at the Dunav Film school of animation. Worked as a teacher in international workshops for children’s animated film in Vranje and Neum.Full-time animation teacher at the children’s animation workshop of the CentAF Animation Centre in the ^a~ak Cultural Centre.

MIROSLAV Lj. JELI], Animator and Animation DirectorBorn in the town of Titovo Užice in 1955. Went to school and studied in ^a~ak and Belgrade. Married, father of two children.Author and director of a large number of animated TV spots. Main animator and supervisor of several foreign feature-length animated series. One of the founders of the BIKI] studio. Collaborator of prestigious marketing agencies.Author of 12 animated films. Received a number of national and international awards, including the Belgrade Golden Medal and the ‘Golden Knight’ award of the Moscow festival.Member of the Association of the Film Artists in Serbia, lecturer at the Bra}a Kari} Faculty of Art. Art Director of the GILDA animation studio. Living and working in Belgrade.

11uvod

intr

oduc

tion

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e

PJOTR SAPEGIN je ro|en u Rusiji, 1955. godine. U Norveškoj živi i radi od 1990. godine i sada je i državljanin Norveške. Sapegin je 15 godina radio kao scenograf u pozorištima u Moskvi, me|u njima i Baljšom Teatru. Animacijom je po~eo da se bavi po dolasku u Norvešku. Sapegin je jedan od osniva~a studija za animaciju Studio Magica u Oslu, ali sada vodi sopstvenu kompaniju PRAVDA PRODUCTIONS (ustanovljenu 2001. godine) sa Dejvidom Reisom Andersonom i Mikelom Sandemuseom. Sapegin je autor velikog broja kratkih filmova koji su osvajali i nacionalne i me|unarodne nagrade (njegov film One Day a Man Bought a House osvojio ih je više od 20), kao i mnoštva izuzetnih animiranih reklamnih spotova.

SNEŽANA TRSTENJAK je ro|ena u Beogradu, 1963. godine. Kao reditelj-animator potpisuje osam animiranih ostvarenja za koja je dobila brojne nagrade (A1 i Paradise su prvi jugoslovenski u~esnici na festivalu u Hirošimi 1994. godine), kao i veliki broj TV reklama (JAT, Milk Shake, Soko Štark i dr). Autor je prve plastelinske animacije u Jugoslaviji (špica za FEST ‘91). U~esnik na dugometražnim animiranim projektima Hatcshipuh, Little Flying Bears, Tom-Tom and Nana, Anatol. U~esnik retrospektive srpske animacije u Be~u 2001. godine. Osniva~ ateljea VISUAL PRODUCTION koji okuplja umetnike razli~itih profila i interesovanja, animatore, reditelje, dizajnere, književnike. Stru~ni saradnik na Višoj elektrotehni~koj školi na smeru Audio i TV tehnologija na predmetima Multimedijalna produkcija i Osnovi animacije.

PJOTR SAPEGIN was born in Russia in 1955. He has been living and working in Norway since 1990 and is now a Norwegian citizen. Sapegin has worked for 15 years as a stage designer in the theatres in Moscow, among them at the Bolshoj theatre. He started to work with animation after moving to Norway. Sapegin was one of the founders of the animation studio Studio Magica in Oslo, Norway, but is now running his own production company, PRAVDA PRODUCTIONS (established 2001) with David Reiss-Andersen and Mikkel Sandemose. Sapegin has made a number of short films, which have won both national and international awards. His film One Day a Man Bought a House has won more than 20 national and international awards. Sapegin has also made a number of internationally acclaimed animated commercials.

SNEŽANA TRSTENJAK was born in Belgrade, Serbia, in 1963. As a director-animator she created eight highly acclaimed and awarded animated films, as well as a large number of TV commercials (JAT, Milk Shake, Soko Štark...) Her film A1 and Paradise were the first participants ever from Yugoslavia at Hiroshima Film Festival. FEST ’91 opening credit created by Snežana was the first clay animation ever created in Yugoslavia. She took part in the feature-length animated projects Hatcshipuh, Little Flying Bears, Tom-Tom and Nana, Anatol. Snežana’s works were the part of the retorspective of Serbian animation screened in Vienna in 2001. She is a founder of VISUAL PRODUCTION Atelier which gatheres different artists, animators, directors, designers, writers. Snežana is a consultant at the Department of audio and TV technology at

ANIMANIMA 2007 GLAVNI ŽIRI GRAND JURY

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e uv

od in

trod

uctio

n

12

IGOR LAZIN je ro|en 1964. godine u Novom Kneževcu, u Srbiji. Studirao je dizajn na Likovnoj akademiji u beogradu u periodu od 1985. do 1989. godine. U Ma|arskoj živi od 1993. godine. Bavi se ilustracijom knjiga za decu i magazina, režijom umetni~kih i komercijalnih animiranih filmova, a bio je i Mc i Dj Radija Tilos u Budimpešti od 1994. godine. Posle rada u Studiju Varga izme|u 1993. i 1999. godine kao animator, osniva MYFILM STUDIO, 2000. godine. Izlagao je crteže i skuplture na velikom broju grupnih i samostalnih izložbi.

High Electrotechnical School in Belgrade for the subjects of multimedia production and the basics of animation.

IGOR LAZIN was born in 1964, in Novi Kneževac, Serbia. He studied interior design at the University of Fine Art in Belgrade between 1985 and 1989. He has been living in Hungary since 1993. Igor is an illustrator of the books for children and magazines, also a director of artistic and commercial animated films, and has been a Mc and Dj of Tilos (‘Forbidden’) Radio in Budapest since 1994. After working in Varga Studio between 1993 and 1999 as animation director, he founded MYFILM STUDIO in 2000. Igor participated in many group and individual exhibitions with his drawings and sculptures.

13uvod

intr

oduc

tion

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e

Vesna Dovnikovi}Generalni sekretar ASIFE

POZDRAVI ^A^KUDragi u~esnici i gosti, dragi doma}ini,

u ime ASIFE, Me|unarodne asocijacije animiranog filma, pozdravljam jedanaesti, sada me|unarodni, Festival animiranog filma u ^A^KU!Nema više sumnje da je animirani film umjetnost novog milenijuma i da se, na bilo kom nivou, nezaustavljivo razvija po ^itavom našem globusu. Naravno, to treba zahvaliti razvoju digitalne tehnike, koja je prakti~ki demokratizirala bavljenje animacijom, poništivši dobne i socijalne razlike me|u animatorima. A profesionalnim stvaraocima omogu}ila je nove prodore – nakon veli~anstvenih dostignu}a klasi~ne animacije u prvih stotinu godina.ASIFA nastoji da prati te tokove u svijetu, prvenstveno u zemljama s nacionalnim grupama ASIFE, me|u kojima je i Srbija.Filmska animacija u Srbiji ima dugu tradiciju, zahvaljuju}i u prvom redu renomeu Beogradske škole, a u zadnje vrijeme sve se više širi – od profesionalne kinematografije do dje~jih radionica, od visokoškolskog obrazovanja i izdavaštva do festivala i srodnih manifestacija.^a~ak je jedan takav primjer. Vaš Festival, kao svi ozbiljni me|unarodni festivali, pored prezentiranja recentne doma}e i svjetske produkcije, upoznaje nas i sa dostignu}ima koja su prethodila današnjem stvaralaštvu, i koja su ih zapravo generirala. Osim toga ^A^AK, što je posebno korisno, uz filmsku animaciju tradicionalno promovira i umjetnost stripa – kao srodan likovni žanr, iz kog se i razvio crtani, i na kraju animirani film.Zahvaljujem doma}inima na gostoprimstvu i želim pun uspjeh ANIMANIMI 2007, kao i budu}im festivalima animiranog filma u ^a~ku.

Vesna Dovnikovic ASIFA General SecretaryGREETINGS TO CACAKDear participants and guests, dear hosts,

On behalf of ASIFA, the International Association of Animated Film, I would like to welcome you all to 11th, now international, Festival of Animated Film in Cacak.It is beyond any doubt now, that the animated film is the art of the new millennium and that it is inexorably developing on every possible level all around the globe. Of course, we should thank the development of digital technology for this, because it practically democratised the work of animation by annulling all age and social differences between animators. It also enabled professional artists to make new breakthroughs after magnificent achievements of classical animation during the first one hundred years.ASIFA tries to follow the trends in the world, particularly in the countries from the Association, among which is Serbia.Film animation in Serbia has a long tradition, thanks to renowned Belgrade School. Lately, it shows the tendency to expand – from professional cinematography to children workshops, from university education and publishing to festivals and similar events.Cacak is one such example. Your festival, like all serious international festivals, besides presenting recent home and world productions, also introduces us to achievements that preceded present works, and actually generated them. It is also important to say that Cacak has a long tradition of promoting comic as a kind of art, that is a similar genre from which an animated film developed. I would like to thank the hosts for their hospitality and I wish ANIMANIMA 2007 every success, same as to all future festivals of animated film in Cacak.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e uv

od in

trod

uctio

n

14

VESNA DOVNIKOVI]Generalni sekretar ASIFE, Me|unarodne asocijacije animiranog filma, i predsjednik ASIFE Hrvatske

Vesna Dovnikovi} je ro|ena je u Zagrebu, gdje je na Sveu~ilištu diplomirala filozofiju i njema~ki jezik. Od 1980. do 1992. godine je radila u organizaciji Svjetskog festivala animiranih filmova u Zagrebu, a ove godine izabrana je u novo Vije}e Festivala. Bila je ~lan žirija na filmskim festivalima animacije u Espinhu (Portugal), Birminghamu (SAD), Norwichu i Bradfordu (UK), Madridu (Španija), te Gencanu di Roma (Italija).Od 1994. godine, Vesna je u Zagrebu vodila kancelariju Generalnog sekretarijata ASIFA-e, a 2000. godine u Ottawi imenovana je za generalnog sekretara me|unarodne asocijacije animiranog filma. Za predsjednika ASIFE Hrvatske izabrana je 2003. godine. U~estvovala je na nekoliko medjunarodnih simpozijuma o animaciji (USA, Koreja, Bugarska, Kina). U Changchunu (Kina) 2006. Koledž umjetnosti imenovao je Vesnu Dovnikovi} za gostuju}eg profesora i savjetnika Centra za obrazovanje i proizvodnju u filmskoj animaciji sjeverne pokrajine Jilin.

Zagreb, 2007.

VESNA DOVNIKOVICThe general secretary of the ASIFA, the International Association of Animated Film, and the president of the ASIFA, Croatia

Vesna Dovnikovic was born in Zagreb, where she graduated in Philosophy and German. From 1980 till 1992 she was involved in the organisation of the International Festival of animated films in Zagreb and this year she was chosen to be a member of the new festival council. She was also in the panel of judges at the following animation film festivals: Espinho (Portugal), Birmingham (USA), Norwich and Bradford (UK), Madrid (Spain) and Gencano di Roma (Italy).From 1994, Vesna was the head of the office of the general secretary of the ASIFE in Zagreb, and in 2000,in Ottawa, she was appointed as the general secretary of the International Association of Animated Film. In 2003, she was chosen as the president of ASIFE in Croatia. She took part in several international symposiums on animation (USA, Korea, Bulgaria, China). In 2006 in Changchun (China) the Art College appointed Vesna Dovnikovic as a guest lecturer and an adviser in the educational centre for film animation in the north province Jilin.

Zagreb, 2007.

15uvod

intr

oduc

tion

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

16

APNÉE, 2006 / 4:00CLAUDE CHABOT, Francuska / France

JEDNA PRI^A O ANIMIRANOJ SLICI /A TALE ABOUT THE ANIMATED IMAGE, 2006 / 3:47

JORIS CLERTÉ Francuska / France

KOKTEL / COCKTAIL, 2005 / 4:15MARINA ROUSSINOVA, Bugarska / Bulgaria

LICE / FACE, 2007 / 5:40HENDRICK DUSSOLIER, Francuska / France

G, 2006 / 3:28PETER SKALA, Slova~ka / Slovakia

KAKO JE NASTAO LJILJAN /HOW DID THE LILY ARISE, 2007 / 5:50

MARIJA MILANOVI] LAZAREVSKI, Srbija / Serbia

LAPSUS / LAPSUS, 2007 / 2:30JUAN PABLO ZARAMELLA, Argentina / Argentina

RAZBOJ / LOOM,2006 / 5:00SCOTT KRAVITZ, SAD / USA

MAESTRO / MAESTRO, 2006 / 4:40GEZA M. TOTH, Ma|arska / Hungary

NEMA MESTA ZA GEROLDA /NO ROOM FOR GEROLD, 2006 / 4:55DANIEL NOCKE, Nema~ka / Germany

POŠTAR / POSTMAN, 2006 / 1:45POSTPANIC, Holandija / Netherlands

REJMOND / RAYMOND, 2006 / 5:00BIF, Francuska / France

PEŠ^ANIK / SANDBOX, 2006 / 3:10AVI OFER, Izrael / Israel

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

17

ZALUTALA CRVENKAPICA /STRAYING LITTLE RED RIDING HOOD, 2007 / 5:42PECORAPED, Japan / Japan

PRI^A O TOME KAKO SU... / THE TALE OF HOW, 2006 / 4:35THE BLACKHEART GANG, Južnoafri~ka Republika / Republic of South Africa

TIGAR / TYGER, 2006 / 4:30GUILHERME MARCONDES Brazil / Brasil

BAJKA O EKSERU / THE FABLE ABOUT NAIL, 2006 / 3:10 MARTIN STANO, Slova~ka / Slovakia

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

18

2006 / 4’Kompjuterska animacija / Computer animation

Scenario & režija / Script & Direction – Claude ChabotAnimacija / Animation – F. Guilliani, A. Cealis, B. Stulzaft, B. Le Provost, S. Paris, S. Rossi, Y. Gnabro, O. MarciMuzika / Music – Stéphane ScottProdukcija / Production – Claude Chabot

Fotograf pokušava da uhvati neprili~an trenutak u životu neke javne li~nosti. On i ne shvata da vreme radi protiv njega.

A photographer tries to capture an embarrassing moment in the life of someone in the public eye. He doesn’t realize that time is working against him.

APNÉE CLAUDE CHABOTFrancuska / France

KLOD ŠABO je ro|en 1967. godine u Marseju. Diplomirao je na Školi lepih umetnosti 1990. godine. Od 1991. sara|uje kao CG umetnik i kao supervizor za vizuelne efekte sa glavnim francuskim kompanijama za vizuelne efekte. Apnée je njegov rediteljski debi.

CLAUDE CHABOT was born in Marseille in 1967. He graduated from Fine Arts School in 1990. Since 1991 he has been working as CG artist and visual effects supervisor with the main French visual FX companies. Apnée is his first short as director.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

19

2007 / 3’47’’Crtež na papiru / Drawing on paper

Režija / Direction – Joris ClertéScenario / Script – Anne JaffennonAnimacija / Animation – Philppe MassonetDizajn zvuka / Sound design – Daniel Gries Producent / Producer – MICROSIMAGE

Otkrijte kona~no pravu pri~u o animiranoj slici! Od Platonove pe}ine preko King Konga do Harija Potera, od magi~nih specijalnih efekata do digitalnih VFX, mi objašnjavamo SVE... za tri minuta.

Discover finally the real story about the animated image! From Plato’s cavern to Harry Potter passing by King Kong, from magical special effects to digital VFX, we explain EVERYTHING… in 3 minutes.

JEDNA PRI^A O ANIMIRANOJ SLICIA TALE ABOUT THE ANIMATED IMAGE UNE PETITE HISTOIRE DE L’IMAGE ANIMÉEJORIS CLERTÉ Francuska / France

ŽORIS KLERTE (1969) je reditelj, animator, ilustrator i muzi~ar. Tort ou à Raison, njegov prvi muzi~ki video producirao je Donc Voilà za grupu Prudence. Od tada je Klerte režirao razne muzi~ke spotove, za Petera Van Pola, za grupu Holden, kao i TV dizajn za kanal Arte TV. Talentovan i vešt tehni~ar, Klerte je sposoban da ostvaruje razli~ite grafi~ke stilove. On meša animirane objekte i crteže na piru animirane 2D i 3D kompjuterskim efektima. Više na www.doncvoila.net

JORIS CLERTÉ (1969) is a director, animator, illustrator and musician. A Tort ou à Raison, his first music video, was produced by Donc Voilà for the band Prudence. Since then, Clerté has directed various music videos for Peter Van Pool, for the band Holden, as well as TV designs for Arte TV channel. Very talented and excellent technician, Clerté is capable of creating different graphic styles. He mixes real animated objects, and paper drawings animated by 2D and 3D computer effects. More at www.doncvolia.net

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

20

2005 / 4’15’’Crtež / Drawing

Scenario / Script – Marina RoussinovaAnimacija / Animation – Marina RoussinovaCrtež / Drawing – Marina RoussinovaScenografija / Background – Marina RoussinovaProducent / Producer – Marina Roussinova

Satiri~na pri~a o potroša~koj filozofiji savremenog društva.

A satirical tale about consumer philosophy of a contemporary society.

KOKTEL COCKTAILMARINA ROUSSINOVABugarska / Bulgaria

MARINA RUSINOVA je reditelj, art direktor i animator. Završila je Koledž umetnosti u Moskvi, a onda i diplomirala na odseku za vizuelnu umetnost Instituta za kinematografiju – VGIK u Moskvi. Njeni filmovi u~estvovali su u takmi~arskim programima festivala Balkanima u Srbiji, Zlatni riton u Bugarskoj, Filmfest u Nema~koj...

MARINA ROUSSINOVA is a film director, art director and animator. Roussinova completed the Moscow Art College, then she graduated in animation at the Visual Art Department of the Institute of Cinematography – VGIK, Moscow, Russia. Roussinova’s films have been selected for competition in the following festivals Balkanima festival, Serbia; Golden Rhyton, Bulgaria; Filmfest, Germany ...

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

21

HENRIK DUZOLIJE (1974) je diplomac pariske Nacionalne škole lepih umetnosti (ENSAD). Njegov prvi film Obras bio je u selekciji velikog broja festivala na kojima je dobio i brojne nagrade, a Francuska akademija ga je 2006. godine nominovala u kategoriji najbolji kratki film za nagradu Cezar. Henrik sada radi na novom kratkom filmu, Babel, koji za temu ima Šangaj.

Born in 1974, HENDRICK DUSOLLIER graduated from Paris National School for fine Arts (ENSAD). Obras was Hendrick Dusollier’s first film. It was selected and awarded in numerous festivals and nominated for Best Short Film at the 2006 french academy awards (Les Cesar). Hendrick is now working on a new short film about Shanghai, Babel.

2007 / 5’40’’3D kompjuterska animacija, glumac / 3D computer animation, live action

Scenario i režija/ Script & Direction – Hendrick DusollierAnimacija i kompoziting / Animation & Compositing– Hendrick Dusollier, Julien Rancoeur, Thomas Arnould, Damien SerbanMuzika & zvuk / Music & Sound – Jean-François ViguiéProducent / Producer – Nicolas SchmerkinProdukcija / Production – AUTOUR DE MINUIT, Paris www.autourdeminuit.com

Sabijen u tesnu kutiju, ~ovek je podvrgnut serijama eksperimenata. Lice u lice sa posmatra~em, glava se ogoljuje sve dok ne pokaže svu svoju bestijalnost.

Stuck in an exiguous box, a man suffers a series of experiments. Face to face with the spectator, the head is degraded until revealing its bestiality.

LICE FACE HENDRICK DUSOLLIERFrancuska/ France

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

22

2006 / 3’28’’3D kompjuterska animacija, glumci / 3D computer animation, real action

Scenario / Script – Alžbeta Kristelova, Peter SkalaAnimacija / Animation – Peter SkalaMuzika / Music – Matej Gyalfaš Produkcija / Production – FTF VŠMU, Bratislava

Igra muškarca i žene.

The game of a man and a woman.

G PETER SKALASlova~ka / Slovakia

PETER SKALA je autor kratkih filmova Illumination i Drum’n’Bass Base (2005).

PETER SKALA is the author of the short films Illumination and Drum’n’Bass Base (2005).

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

23

2006 / 5’50’’2D kompjuterska animacija, crtež / 2D computer animation, drawings

Režija / Direction – Marija Milanovi} LazarevskiScenario / Script – Biljana LazarevskiCrtež / Drawings – Marija Milanovi} LazarevskiAnimacija / Animation – Marija Milanovi} LazarevskiMuzika / Music – Marjan Milanovi} Producent / Producer – Marija Milanovi} Lazarevski

Tragi~na ljubav ispri~ana kroz razmišljanje o prirodi. Inspirisano pesmom Ofelija Artura Remboa.

A tragic love told through reflections on nature. Inspired by the poem Ophelia by Arthur Rimbaud.

KAKO JE NASTAO LJILJANHOW DID THE LILY ARISEMARIJA MILANOVI] LAZAREVSKISrbija / Serbia

MARIJA MILANOVI] LAZAREVSKI(1972.) je diplomirala u Filmskoj školi Dunav filma, na odseku za animaciju, u klasi profesora Rastka ]iri}a. Za svoj diplomski film Senka i njen ~ovek dobila je više nagrada (Zlatna Plaketa Beograd na 49. festivalu jugoslovenskog dokumentarnog i kratkometražnog filma; Grand Prix Festivala animiranog filma u ^a~ku, 2003; Diploma Zlatni Vitez u Rusiji). Autor je kampanja: Radost Evrope – Donesi svoju ^aroliju (2003), Kratki susreti (2004) i kratkog filma Deca dolaze (2006). ̂ lan UFUS-a, angažovana u Radionici animiranog filma u De~jem kulturnom centru.

MARIJA MILANOVIC LAZAREVSKI (1972.) graduated at Dunav Film School Department of animation (in class of prof. Rastko Ciric), with the film The Shadow and its Man, for which she received significant recognitions such as: Golden Medallion of Belgrade at the 49th Festival of the Yugoslav Documentary and Short Film; Grand Prix of the Animated Film Festival in Cacak, Golden Knight Diploma in Russia, 2003. Marija is the author of the campaigns for Children’s World Festivals Joy Of Europe – Bring your magic (2003), Short meetings (2004) and short film Children are coming, 2006. She is a member of Serbian Film Artists Association (UFUS), currently engaged in Animated Film Workshops in Children’s Cultural Center, Belgrade.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

24

2007 / 3’33’’Crtež, 2D kompjuterska animacija / Drawings, 2D computer animation

Režija, montaža, animacija, scenario / Direction, edition, animation, script – Juan Pablo ZaramellaCrtež / Drowing – Juan Pablo ZaramellaZvuk / Sound – Gustavo CornillónGlas / Voice – Germán CastroProducent / Producer – Silvina CornillónProdukcija / Production –JPZtudio

Nikada ne potcenjujte snagu mra~ne strane.

Never underestimate the power of the dark side.

HUAN PABLO ZARAMELA je ro|en u Buenos Airesu, 1972. godine. Diplomirao je režiju i animaciju na Avelaneda institutu za kinematografsku umetnost. Karijeru zapo~inje kao autor reklama. Od 2000. godine Zaramela pravi nezavisne filmove sa svojom ženom Silvinom Kornijon. Ti radovi su nagra|ivani u celom svetu, poput kratkog filma Putovanje na Mars (Viaje a Marte, 2004) koji je skupio više od 45 svetskih priznanja. Lapsus je njegov najnoviji rad, i prvi koji je na~injen kombinacijom crteža i digitalne animacije. Pogledajte: www.zaramella.com.ar

JUAN PABLO ZARAMELLA was born in Buenos Aires, Argentina in 1972. Graduated at the Institute of Cinematographic Arts of Avellaneda as Animation Director, he began his career making stop motion commercials. Since 2000, Juan Pablo has been making independent films with his wife Silvina Cornillón. These works have been awarded prizes all around the world. His short film Journey to Mars (Viaje a Marte, 2004), has already won more than 45 prizes around the world. Lapsus is his last work, and the first one made with drawings and digital animation. More at: www.zaramella.com.ar

LAPSUS LAPSUS JUAN PABLO ZARAMELLAArgentina / Argentina

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

25

2006 / 5’Stop-motion animacija / Stop-motion animation

Režija / Direction – Scott KravitzScenario / Script – Scott KravitzAnimacija / Animation – Scott KravitzMuzika / Music – Melora Creager Producent / Producer – Scott Kravitz

Uli~ni muzi~ar rizikuje svoj život da bi spasao dete i susre}e svoju sudbinu u rukama jedne starice koja je i nešto više od toga...

A street musician risks his life to save a child and meets his fate at the hands of an old woman who is more than she seems.

RAZBOJ LOOMSCOTT KRAVITZSAD / USA

SKOT KREVIC je profesionalni animator. Živi u San Francisku. Razboj je je proglašen najbojim animiranim filmom na filmskom festivalu Crossroads, 2007. godine. SCOTT KRAVITZ is a professional animator living in San Francisco. Loom was awarded at Crossroards film festival as the best animated film.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

26

2005 / 4’40’’3D kompjuterska animacija / 3D computer animation

Scenario / Script – Geza M. Toth Animacija / Animation – Zoltan Bogdan, Arpad KoosScenografija / Background – Tamas Megyeri, Zoltan Bogdan, Arpad KoosMuzika / Music – Attila PascayProducent / Producer – Geza M. Toth, KEDD Animation Studio

Pet minuta pred Veliki Nastup, iza zavese Maestro se priprema za izvo|enje. Vreme polako otkucava...

Five minutes before the Big Performance, behind the curtains Maestro is getting ready for the execution. Time is slowly ticking away...

GEZA M. TOT je ma|arski umetnik i animator, koji radi i kao predava~ na nekoliko instituta za animirani film kao što su odsek za animaciju na Moholji-Na| univerzitetu umetnosti i dizajna u Budimpešti; Kraljevskom koledžu umetnosti u Londonu; Nacionalnom insitutu za dizajn u indijskom gradu Ahmedabadu; i filmskoj akademiji Baden-Virtemberg u Ludvigsburgu, u Nema~koj.Geza M. Tot je jedan od direktora studija KEDD Animation u Budimpešti. Njegovi filmovi su sa velikim uspehom prikazivani na festivalima širom sveta. Kratki film Maestro Ameri~ka akademija je 2007. godine nominovala za Oskara u kategoriji Najbolji kratki animirani film.

GEZA M. TOTH is Hungarian artist, animation filmmaker, who has been working also as a lecturer at several animation film institutes such as: Animation Department of the Moholy-Nagy University of Art and Design, Budapest; Royal College of Art, London, UK; National Institute of Design, Ahmedabad, India; Filmakademie Baden-Württemberg, Ludwigsburg, Germany. Managing Director of the KEDD Animation Studio. His productions were successfully screened at different festivals all over the world. In 2007 his short film, Maestro was nominated for Oscar by the American Academy in category of Best animated short film.

MAESTROMAESTRO GEZA M. TOTHMa|arska/Hungary

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

27

2006 / 4’55’’Kompjuterska animacija / Computer animation

Scenario i režija / Script and direction – Daniel NockeAnimacija / Animation – Anja Perl, Heidi Wittlinger, Volker WillmannZvuk / Sound – Floridan StudiosProducent / Producer – Thomas Meyer-HermannProdukcija / Production – STUDIO FILM BILDER, www.filmbilder.de

Posle deset dugih godina, krokodila Gerolda izbacuju iz stana. Da li je re~ o zaveri protiv njega? Da li gnu-pridošlica, Elen, ima neke veze sa tim? Jedno je sigurno – neobuzdani dani su sada samo daleka uspomena.

After ten long years in the flat, Gerold the crocodile is being thrown out. Is there a conspiracy against him? Does newcomer Ellen the wildebeest have something to do with it? One thing is for sure – the wild days are now just a distant memory.

NEMA MESTA ZA GEROLDA NO ROOM FOR GEROLD KEIN PLAZ FÜR GEROLDDANIEL NOCKENema~ka /Germany

DANIJEL NOKE ro|en je 1968. godine u Hamburgu. Od 1994. do 1999. studirao je na Filmskoj akademiji Baden-Virtemberg. Noke radi kao pisac scenarija za animirane i igrane filmova i kao reditelj animiranih filmov u Hamburgu. Od 1993. godine je gostuju}i predava~ na predmetu scenario u animaciji na Filmskoj akademiji u Ludvigsburgu. O filmu Nema mesta za Gerolda: „Film je zasnovan na uobi~ajenom, svakodnevnom scenariju. Kao slu~ajno, kamera se na|e u stanu koji deli grupa životinja. Ono što sledi je scena koja se ponavlja stotinu puta na dan izme|u nosoroga, krokodila, gnuova i nilskih konja u kuhinjama širom Nema~ke.“

DANIEL NOCKE was born in 1968, in Hamburg. He studied at the Filmakademie Baden-Würtemberg, 1994-1999. Nocke works as script writer and animation director in Hamburg. Since 1999. he is a guest lecturer for script animation at the Filmakademie Ludwigsburg. About No Room For Gerold: ’’The film is based on a normal, everyday scenario. As if by chance, the camera finds itself in an appartment shared by a group of animals. What follows is a scene repeated hundreds of times a day between rhinos, crocodiles, wildebeests and hippos, in kitchens across Germany.’’

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

28

2006 / 1’45’’3D kompjuterska animacija / 3D computer animation

Animacija / Animation – Ivor GoldbergZvuk / Sound – Massive Music (Amsterdam)Montaža / Editing – Mischa RozemaProducent / Producer – Ania Markham Produkcija / Production – PostPanic

U svemiru niko te ne može ~uti ako pani~iš...

In space nobody can hear you panic...

POSTPANIC je specijalizovan za 2D i 3D i grafiku, produkciju i režiju projekata za televijske mreže, reklamnu i muzi~ku industriju. Kompaniju su u Amsterdamu osnovali Miša Rozema, Žil Tervort i Mark Viser. PostPanic ima sopstveni tim za projekte u celini, od koncepta do finalne isporuke.

POSTPANIC specialize in film, 2d/3d animation and motion graphics, producing and directing projects for the broadcast, advertising, music and retail industries. The Amsterdam company was founded in1997 by Mischa Rozema, Jules Tervoort and Mark Visser. PostPanic has a diverse in-house team handling projects in total, from concept to final delivery.

POŠTAR POSTMAN POSTPANIC Holandija / Netherlands

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

29REJMOND RAYMOND BIFFrancuska,Velika Britanija France, Great Britain

2007 / 5’3D kompjuterska animacija / 3D computer animation

Scenario i režija / Script & Direction – BIF (Fabrice Le Nezet, Francois Roisin, Jules Janaud)Snimatelj / Cinematographer – Mathieu Plainfossé & Mahdi LepartZvuk / Sound – Jean-Baptiste St. PolMuzika / Music – Para OneProdukcija / Production – BIF, THE MILL

Rejmond, lenji instruktor plivanja, poželeo je da istraži okean. Tim nau~nika mu je ponudio pomo}.

Raymond, a lazy swimming-instructor, would like to discover the oceans. A team of scientists offers to help him.

BIF je kolektiv reditelja koji je nastao u Londonu, u okviru studija renomirane kompanije za specijalne efekte The Mill. BIF ~ine Fabris Lenez, Fransoa Roazan i Žil Žano, svi diplomci na animaciji na francuskoj školi za medije Supinfocom, 2005. godine.

BIF is a directing collective incubated within the studios of The Mill in London. It comprises Fabrice Le Nezet, Francois Roisin and Jules Janaud, all animation graduates of the Supinfocom class of 2005.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

30

2006 / 3’10’’2D kompjuterska animacija / 2D computer animation

Režija / Direction – Avi OferScenario / Script – Avi OferAnimacija / Animation – Avi OferMuzika / Music – Yossi Yampel Producent / Producer – Avi Ofer

Uobi~ajen dan na igralištu bi}e prekinut...

A typical day at the playground is going to be interrupted...

AVI OFER je studirao fotografiju i vizuelne komunikacije na ve}em broju škola u Izraelu. Poslednjih nekoliko godina bavi se dizajnom i animacijom u Tel-Avivu. Pogledajte: www.aviofer.com AVI OFER (1975) studied photography and visual communications at a number of schools in Israel and has worked for the last several years in design and animation in Tel-Aviv. See: www. aviofer.com

PEŠ^ANIK SANDBOXAVI OFERIzrael / Israel

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

31

2007 / 5’42’’

CG kolaž / CG cutouts

Scenario / Script – PecorapedAnimacija / Animation – PecorapedMuzika / Music – HitoshiProdukcija / Production – Pecoraped

Pecoraped je zamislio deset dimenzija. Svoju ideju razvija uz pomo} bajke Crvenkapa koja u ovom animiranom radu izražava šestu dimenziju.

Pecoraped imagined ten dimensions. Their idea is developed by fairy tale of Little Red Riding Hood which in this animated work expresses the sixth dimension.

PECORAPED, umetni~ka grupa koju ~ine mlade japanske autorke Ikue Sugidono i Mijako Nišio, formirana je 2006. godine. Registrovana je na univerzitetu u Hirošimi, a prvu izložbu su imale februara ove godine u Tokiju.

PECORAPED is a creative unit, as its members Ikue Sugidono and Miyako Nishio call their artistic frinendship. Pecoraped was formed in 2006. and registered at Hiroshima City University. Their first exibition took place in Tokyo, 2007.

ZALUTALA CRVENKAPICASTRAYING LITTLE RED RIDING HOOD PECORAPED (IKUE SUGIDONO & MIYAKO NISHIO)Japan / Japan

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

32

2006 / 4’30’’3D kompjuterska animacija / 3D computer animation

Režija / Direction – The Blackheart GangScenario / Script – Markus Smit Likovi i crtež / Characters and drawings – Ree TreweekKompoziting i 2D animacija / Compositing & 2D animation – Jannes Hendrikz 3D Animacija / Animation – Justin Baker Muzika, zvuk & tekst / Music, sound & lyrics – Markus Smith (Wormstorm)Produkcija / Production – The Blackheart Gang, www.blackheartgang.com

Pripovest o pirana-pticama, ili dodoima, kako su vama poznate

The story of the Piranha birds or Dodos as they would be known to you...

PRI^A O TOME KAKO SU... THE TALE OF HOW THE BLACKHEART GANGJužnoafri~ka Republika Republic of South Africa

THE BLACKHEART GANG je družina prijatelja sa straš}u prema umetnosti. Svaki od njih poseduje veštine i talente kojima ostvaruju neverovatno dinami~nu saradnju. Ri Trevik je ilustrator i ona razvija karaktere (radi kao freelance iustrator). Markus Smit (Wormstorm) je muzi~ar i tekstopisac (ima sopstveni muzi~ki studio neobi~nog imena: Kažihvala). Jan Hendriks je kompozitor i kreativni direktor The BHG (radi kao kompozitor i dizajner za BlackGinger Visual Effects). Svi žive u Kejptaunu i svi su samouki.

THE BLACKHEART GANG is a collective of friends with a passion for the arts. Each member has their own sets of skills and talents that form an incredible collaborative dynamic. Ree Treweek is an illustrator and character developer for The BHG. Ree is 27 and works as a freelance illustrator. Markus Smit (Wormstorm) is a musician and writer for The BHG. He is 24 and has a music studio called SayThankYou. Jannes Hendrikz is a Compositor and the Creative Director for The BHG. Jannes is 26 and works as a compositor and designer for BlackGinger Visual Effects. They all live and work in Cape Town, South Africa, and are all self-taught.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

33TIGAR TYGERGUILHERME MARCONDESBrazil / Brasil

2006 / 4’30’’2D kompjuterska animacija, lutke, fotografije / 2D computer, Puppetry, Photographs Scenario / Script – Guilherme Marcondes & Andrezza ValentinAnimacija / Animation – Birdo StudioKamera / Camera – Pierre De KerchoveMontaža / Editing – Guilherme Marcondes Muzika / Music – ZEROUMZvuk / Sound design – Paulo BetoProdukcija / Production – Trattoria and Guilherme Marcondes

Džinovski tigar se misteriozno pojavljuje u velikom gradu, i otkriva druga~iju realnost u no}i koja je mogla biti sasvim obi~na... Tigar je kratki film inspirisan istoimenom poemom Vilijama Blejka. Njegova vizuelna naracija ima strukturu muzi~kog spota. Pomešali smo mnogo stilova i tehnika da bi dostigli ravnotežu izme|u jedinstvene perspektive pri~e i slike haosa koja je tako|e predstavljena u filmu. A giant tiger mysteriously appears in a big city, revealing the hidden reality in an otherwise ordinary night. Tyger is a short film inspired by William Blake’s poem of same name.It’s a visual narrative with a structure that’s very similar to the one of a music promo. We blended many styles and technics to reach a balance between the unique perspective of the story and the image of chaos that’s also present in it .

GILJERME MARKONDEŠ (Sao Paulo, Brazil, 1977.) Po~eo sam sa ilustracijom oko 1998. godine dok sam još bio u Arhitektonskoj školi i prešao na animaciju 2000. u brazilskom studiju Lobo Filme, Tamo sam pet godina bio reditelj i animator rade}i za klijente kao što su Diesel, Cartoon Network, Nickelodeon. Kao frilenser radim od 2005. godine, a poslednji radovi uklju~uju petomese~ni projekat za MTV International u Londonu, režiju intenzivne kampanje za Evropsku muzi~ku nagradu 2005, kao i uvodne sekvence za brazilsku sesiju festivala RESFEST. Moj film “Into Pieces” bio je na velikim festivalim poput Anesija i Otave, a osvojio je i nekoliko nagrada.

GUILHERME MARCONDES (1977, Sao Paulo, Brasil)I started illustrating around 1998, when I was still in Architecture school, and went to work with animation in 2000 at the Brazilian studio Lobo Filmes, where I was director and animator for five years, working for clients such as Diesel, Cartoon Network and Nickelodeon. I have been freelancing since early 2005. Recent freelance work includes a five months project for MTV International in London, directing the build-up campaign for the Europe Music Awards 2005 and the opening sequence for the Brazilian sessions at RESFEST Brasil. My film “Into Pieces” went to major festivals such as Annecy and Ottawa and won a few prizes.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

34

2006 / 3’10’’Lutka animacija / Puppet animation

Scenario i režija/ Script & Direction – Marian StanoAnimacija / Animation– Marian StanoMuzika / Music – Lukas BorzikProdukcija / Production – FTF VŠMU, Bratislava

Kratka pri~a o ekseru koji nije hteo da bude zakucan.

Short story about nail which didn’t want to be nailed up.

BAJKA O EKSERU THE FABLE ABOUT NAIL BAJKA O KLINCIMARIAN STANOSlova~ka / Slovakia

MARIJAN STANO (1978) je studirao matematiku i informatiku na Matemati~kom fakultetu Komanijus univeziteta u Bratislavi, od 1996 do 2001. godine. Tako|e, Stano je studirao i na Fakultetu za animaciju, film i televiziju Akademije za muziku i izvo|a~ke umetnosti u Bratislavi, od 2002. do 2005. godine.

MARIÁN STANO (1978) studied Teaching Math and Informatics at Faculty of Mathematics, Physics and Informatics at Comenius University (FMFI UK), Bratislava, 1996–2001. Stano also studied Animation, Film and Television Faculty, Academy of Music and Performing Arts (FTF VSMU) in Bratislava, 2002–2005.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

36

GODIŠNJICA / ANNIVERSARY, 2006 / 7:45MARTYNAS DYŠA, Litvanija / Lithuania

ARKA / ARK, 2007 / 8:00GRZEGORZ JONKAJTYS, Poljska / Poland

LUX, 2007 / 9:00VUK JEVREMOVI], Nema~ka, Srbija / Germany, Serbia

PSE]I DANI / DOG DAYS, 2007 / 16:00GEOFFROY DE KRECY, Francuska / France

MAGLA / FOG, 2006 / 7:30 EMILIO RAMOS, Meksiko / Mexico

LEVIJATAN / LEVIATHAN, 2006 / 14:40SIMON BOGOJEVI]-NARATH, Hrvatska / Croatia

NASTUP / PERFORMANCE, 2007 / 6:18KATARINA O’HEARN, Srbija / Serbia

OSTACI / LEFTOVERS, 2006 / 6:03IGOR ]ORI], Srbija / Serbia

MALIŠA / THE RUNT, 2006 / 10:00ANDREAS HYKADE, Nema~ka / Germany

HOTEL ’SKLOPIO^I’ / SHUTEYE HOTEL, 2007 / 7:00BILL PLYMPTON, SAD / USA

BALADA O BRAŠNJAVIM LICIMA / THE FLOUR FACE BALLADS, 2006 / 11:55

JULIE ROCHELEAU, Kanada / Canada

DAMA NA PRAGU / THE LADY ON THE THRESHOLD, 2007 / 14:00JORGE DAYAS, Španija / Spain

SE]ANJE PASA / THE MEMORIES OF DOGS, 2006 / 8:00SIMONE MASSI, Italija / Italy

IZDAJNI^KO SRCE / THE TALE-TELL HEART, 2006 / 8:00ANETTE YUNG, Nema~ka / Germany

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

37

DE^AK IZ VETRENJA^E / THE WINDMILL BOY, 2006 / 10:00DAN RICHARDS, Velika Britanija / Great Britain

PROGNOZA / FORECAST, 2006 / 10:00ADRIAAN LOKMAN, Holandija / Netherlands

BOLESNI OD LJUBAVI / LOVESICK, 2007 / 8:30ŠPELA ^ADEŽ, Slovenija / Slovenia

UKUS ŽIVOTA / TASTE OF LIFE, 2006 / 11:39ÜLLO PIKKOV, Estonija / Estonia15’

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

38

2006 / 7’45’’3D kompjuterska animacija / 3D computer animation

Scenario / Script – Arturas BukamkasAnimacija / Animation – Martinas DyšaProducent / Producer – Martinas DyšaMuzika / Music – Andrus Sarapovas

Ovo je pri~a o jednom ~oveku koji obeležava godišnjicu smrti svoje žene. I o jednoj svinji. Glavno pitanje filma je da li se ~ovek uvek ponaša kao ~ovek, a svinja kao svinja? Ili je, možda, obrnuto?

This is a story about a man who commemorates his wife’s death. And about a pig. The main question of the film is does a man always behaves as a man, and a pig as a pig? Or maybe it is vice versa?

GODIŠNJICA THE ANNIVERSARY METINÉSMARTINAS DYŠALitvanija / Lithuania

MARTINAS DIŠA je ro|en u Viljnusu, u Litvaniji, 1978. godine. Diplomirao je animaciju na Akademiji lepih umetnosti u Viljnusu, 2006. godine, ali, kako sam tvrdi, osnovna škola animacije za njega je Studio ALTSS u kome je na~inio prve korake kao animator i gde i danas radi.

MARTINAS DYŠA was born in Vilnus, Lithuania, in 1978. Graduated in animation in Vilnus Academy of Fine Arts 2006, but, like Dyša claims, the basic school of animation for him is ALTSS Studio where he made his first steps in animation and where he works today.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

39

2007 / 8’Kompjuterska animacija / Computer animation

Scenario i režija / Writer & Director – Grzegorz Jonkajtys Muzika / Music – Pavel Blaszczak, Tomas MayerProducent / Producer – Marcin Kobylecki, Grzegorz Jonkajtys Animacija likova / Character animation – Grzegorz Jonkajtys, Grzegorz Kukus, Lukasz Muszynski, Tracy IrwinOstale informacije / Other informations – www.thearkfilm.com

Nepoznati virus uništio je gotovo ~itavo ~ove~anstvo. Nesvesni prave prirode bolesti, preostali preživeli beže na more. U velikim brodovima kre}u na put u potrazi za nenaseljenom zemljom. Tako zapo~inje egzodus koji predvodi jedan ~ovek...

An unknown virus has destroyed almost the entire human population. Oblivious to the true nature of the disease, the only remaining survivors escape to the sea. In great ships, they set off in search of uninhabited land. So begins the exodus, led by one man ...

ARKAARK Grzegorz Jonkajtys Poljska / Poland

GŽEGORŽ JONKAJTIS (ro|en 1972) – Grafi~ar i animator, reditelj. Diplomirao je grafiku na akademiji lepih umetnosti u Varšavi. Njegov prvi animirani film Mantis (2001) osvojio je brojna priznanja i nagrade i na festivalima u Poljskoj i u inostranstvu. Ve}i broj godina radio je u ameri~koj kompaniji CafeFX (www.cafefx.com), ekspertizovanoj za specijlane efekte za velike holivudske produkcije. Jonkajtis je u~estvovao u kreiranju specijalnih efekata za filmove Liga džentlmena, Gotika, Hellboy, Sin City, Panov lavirint. Film Arka je dobio nekoliko nagrada u 2007. godini, me|u njima i festivala SIGGRAPH u SAD.

GRZEGORZ JONKAJTYS (born in 1972) - Graphic and Animation Artist, Director. Graduated from the Faculty of Graphic Arts at the Academy of Fine Arts in Warsaw. His debut short animated film entitled Mantis (2001) gained widespread acclaim winning numerous prizes at Polish as well as international film festivals. For many years now he has been working in an American company, CafeFX (www.cafefx.com). It specializes in special effects for big Hollywood productions. He took part in creating special effects to such films as The League of Gentlemen, Gothika, Hellboy, Sin City or Pan’s Labyrinth. This year Ark was awarded several times, and one of the prizes is SIGGRAPH (USA) Best of Show Award.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

40

2007 / 8’24’’Crtež / Drawing

Scenario i režija / Script & Direction – Vuk Jevremovi}Animacija / Animation – Vuk Jevremovi}Crtež / Design – Vuk Jevremovi}Muzika / Music – Goran MikulecZvuk / Sound – Xabi ErkiziaProducent / Producer – Vuk Jevremovi}

Put kroz kamenje stare katedrale La Seu u Leidi u Španiji, u X vek (kada je ona prvobitno bila mošeja), i još dalje u prošlost, donosi neobi~na otkri}a o njenoj istoriji....

A trip through the stones of the old cathedral La Seu in Lleida, Spain, back to the X century when it was a mosheya, and further more to the past, brings us strange discoveries about its history...

LUX LUXVUK JEVREMOVI]Nema~ka, Srbija /Germany, Serbia

VUK JEVREMOVI] je ro|en u Frankfurtu na Majni, ali je detinjstvo proveo u Beogradu i na ostrvu Hvar (ex-Jugoslavija). Diplomirao je na Arhitektonskom fakultetu Beogradskog univerziteta, 1984. godine. Preselio se u Minhen 1991. godine, gde je studirao na Likovnoj akademiji. Za njegovo uklju~ivanje u animaciju zaslužan je slu~ajni susret sa poznatim animatorom iz Zagreba, Nedeljkom Dragi}em. Vukov film Panter (inspirisan istoimenom pesmom R.M.Rilkea) osvojio je 15 me|unarodnih nagrada i dospeo u finalni krug u izboru za Oskara 1998. godine u kategoriji najbolji kratki animirani film. Vuk sada radi kao animator i slikar. Pogledajte www.vukjevremovic.com

VUK JEVREMOVIC was born in Frankfurt on Main (Germany) but spent his childhood in Belgrade and on the island of Hvar (former Yugoslavia). Graduated from Architecture at the University of Belgrade in 1984. He moved to Munich in 1991 where he studied at the Academy of Fine Arts. His inclusion into the animation world was due to an accidental encounter with one renowned animator from Zagreb, Nedeljko Dragic. Vuk’s film Panther (inspired by a R.M.Rilke’s poem) , won 15 international awards and came into final balloting for the Oscar award (1998) as the best short animation. He is now working as an animator and painter. See www.vukjevremovic.com

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

41

2007 / 16’3D kompjuterska animacija / 3D computer animation

Scenario / Script – Geoffroy de Crécy, Yann JouetteAnimacija i specijalni efekti / Animation & Special effects – Dummy productionsOblikovanje / Design – Geoffroy de Crécy Montaža / Editing – Geoffroy de CrécyMuzika i zvuk / Music & Sound design – Jean-François ViguiéProducent / Producer – Nicolas SchmerkinProdukcija / Production – AUTOUR DE MINUIT, DUMMY PRODUCTIONS in coproduction with ARCADI

Grejs, beba iz porodice ameri~ke gornje klase, neobi~nim slu~ajem biva zamenjena sa Dagom, štencem iz porodice kakvu u Americi pogrdno nazivaju „belo sme}e“.

Grace, the newborn to an American upper-class family, is exchanged with Doug, the little baby dog of a “white trash” American family.

PSE]I DANI DOG DAYSGEOFFROY DE CRÉCY Francuska / France

Završivši studije istorije i politke, ŽOFROA DE KRESI je radio tri godine kao grafi~ki dizajner za izdava~a video igara Ubisoft. Napustio je kompaniju da bi za svog brata Etjena de Kresija producirao i režirao muzi~ki video koji je dobio u Francuskoj nagradu za najbolji video godine na takmi~enju Victoire de la Musique.

After graduating History and Politics studies, GEOFFROY DE CRÉCY worked for three years as a graphic designer for the video game publisher Ubisoft. He left the company to produce and direct a music video for his brother, Etienne de Crécy. This video has been rewarded as Music video of the year at the Victoire de la Musique (french music awards).

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

42

2006 / 7’30’’2D i 3D kompjuterska animacija / 2D and 3D computer animation

Scenario / Script – María Del Mar Hernández, Emilio Ramos, Jordi Cordina Animacija / Animation – Emilio Ramos, Jordi CordinaCrtež / Drawing – María Del Mar HernándezScenografija / Background – Emilio RamosMuzika / Music – Leonardo HeiblumProducent / Producer – María Del Mar Hernández

Starac u siromašnom selu neprestano okruženom maglom, prise}a se vremena kada ih je neo~ekivano pohodilo stado ovaca sa neba koje je donelo puno koristi i zakratko izmenilo sudbine svih.

An old man living in an impoverished village perpetually enshrouded in fog offers poetic reminiscences about the time the town was visited by an unexpected boon of sheep which arrived from the skies, briefly changing its fortunes.

MAGLA FOGNIEBLA EMILIO RAMOSMeksiko / Mexico

EMILIO RAMOS ro|en je u Meksiko Sitiju 1972. godine. Na polju animacije radi osam godina. Ve}ina njegovih radova su nastali za reklamne svrhe. Od 2004. godine živi u Barseloni gde je i magistrirao animaciju na univerzitetu Pompeu Fabra i zapo~eo rad na filmu Magla (Niebla). Ovo ostvarenje prikazano na festivalu Siggraph u Bostonu, osvojilo je prvu nagradu žirija kao i nagradu publike na festivalu ArtFutura 2006, najpoznatijem festivalu umetnosti, kulture i digitalne tehnologije u Španiji. Magla je nagra|ena i specijalnim priznanjem žirija na poslednjem izdanju festivala animacije u Hirošimi.

EMILIO RAMOS was born in Mexico City in 1972. He has worked in the animation field for eight years. Most of his completed works were done for advertising. Since 2004 he lives in Barcelona where he completed his Masters in Animation at the Pompeu Fabra University and started work on Niebla (Fog). This short, which screened at the most recent Siggraph in Boston, also won the first Jury Prize and the Audience Award at the 2006 edition of ArtFutura, the foremost Spanish festival of art, culture and digital technology. Niebla was the winner of the Special Jury Award at the latest edition of the Hiroshima International Animation Festival.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

43

SIMON BOGOJEVI]-NARATH je ro|en u Hrvatskoj 1968. godine. Diplomirao je 1992. na Akademiji lepih umetnosti u Zagrebu i postao ~lan Društva likovnih umetnika Hrvatske (HDLU). Od 1993. godine po~inje da se bavi 2D i 3D kompjuterskom animacijom, a 1997. postaje umetni~ki direktor zagreba~ke kompanije Kenges. Izme|u 1997. i 1999. producirao je eksperimentalni video film Bardo Thodol, zasnovan na Tibetanskoj knjizi mrtvih, koji je osvojio nagradu Oktavijan za najbolji eksperimentalni video film na Danima hrvatskog filma i videa 2000. godine. Od 2004. godine je na Akademiji lepih umetnosti u Zagrebu i Umetni~koj akademiji splitskog Univerziteta gde predaje elektronsku animaciju.

SIMON BOGOJEVIC-NARATH was born in Croatia in 1968. Graduating in 1992 at the Academy of Fine Arts, University of Zagreb, he became a member of the Croatian Artists’ Association (HDLU). He began working with 2D and 3D computer animation in 1993, In 1997 he became an art director in Kenges, a Zagreb based company. Between 1997 and 1999, he produced an experimental video-film, Bardo Thodol, based on the Tibetan Book of the Dead, which won the Oktavijan Award for best experimental video-film at the Days of Croatian Film and Video in 2000. Since 2004 he is a member of the core faculty at the Arts Academy, University of Split lecturing on Electronic Animation and Academy of Fine Arts in Zagreb.

2006 / 14’40’’3D kompjuterska animacija / 3D computer animation

Scenario / Script – Simon Bogojevi}-Narath Animacija / Animation – Saša Budimir, Mario Kalo|era Muzika / Music – Hrvoje Štefoti} Zvuk / Sound – Hrvoje Štefoti}, Siniša Krneta Producent / Producer – Ivan Ratkovi} Tolja, Lado Skorin KomaracProdukcija / Production – KENGES, Zagreb

Budalasti ali simpati~ni karakteri u ovom kratkom filmu poveš~e publiku kroz ovu animiranu procesiju inspirisanu knjigom „Levijatan“ Tomasa Hobza, napisanom 1651. godine

Jerky but smiling characters from this short film will take the audience through this animated pageant inspired by a book by Thomas Hobbes called “The Leviathan”, written in 1651.

LEVIJATAN LEVIATHAN SIMON BOGOJEVI}-NARATHHrvatska / Croatia

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

44

2007 / 6’18’’Lutka animacija / Puppet animation

Scenario i režija / Script & Direction – Katarina O’HearnAnimacija, montaža, postprodukcija / Animation, editing, postproduction – Katarina O’HearnDirektor fotografije / Art director – \or|e Arambaši}Scenografija / Background – Ana Mili}, Ivanka Vana Prelevi}Zvuk i muzika / Sound & Music – Nikola Živojinovi}Producent / Producer – Jadranka Blanuša Vu~kovi}Produkcija / Production – CENTAR FILM, Beograd

Zbunjenost, paranoja, haos i strah jednog glumca.

Confusion, paranoia, chaos and fear of an actor.

NASTUP PERFORMANCE KATARINA O’HEARNSrbija / Serbia

KATARINA O’HEARN ro|ena je 1978. godine u Beogradu. Završila je Filološku gimnaziju i filmsku školu Dunav filma za animaciju. Animacijom se bavi ~etiri godine. Autor je nekoliko filmova (Uto~ište, 2002; Toontz, 2004) i muzi~kih spotova.

KATARINA O’HEARN was born in 1978, in Belgrade. Graduated from Philological Gimnasium and Dunav film’s film school department of animation. She has been working in animation for four years, and is an author of several films and musical videos.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

45

2006 / 6’03’’2D kompjuterska animacija / 2D Computer animation

Scenario / Script – Igor ]ori}, Hana Rajkovi}Animacija / Animation – Igor ]ori}, Hana Rajkovi}Crtež / Drawing – Igor ]ori}Scenografija / Background – Igor ]ori}Muzika / Music – Sheldon LibermanProducent / Producer – Aleksandar Mladenovi}

Život se uvek nastavlja, na ostacima prethodnih života.

Life always continues, on the leftovers of the former lives.

OSTACI LEFTOVERSIGOR ]ORI]Srbija / Serbia

IGOR ]ORI] je ro|en u Strazburu, 1978. Diplomirao je slikarstvo u Beogradu, 2002. godine. Neprestano radi tako da iza sebe ima preko 50 animiranih filmova, dvadesetak ilustrovanih knjiga za decu i udžbenika. U~estvovao je na brojnim festivalima i umetni~kim smotrama u Srbiji i širom sveta. Film Ostaci nagra|en je kao najbolji kratki film na festivalu Animotion u Sibiuu, u Rumuniji, 2007. godine. IGOR CORIC was born in Strasbourg, France, in 1978. He graduated from paintings in Belgrade, 2002. He works continuously so that he already finished more than 50 animated films, and about 20 illustrated books for children and textbooks. Igor participated in numerous festivals and artistic events in Serbia and all over the world. Leftovers was awarded at Animotion Festival in Sibiu, Romania, as the best short film, 2007.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

46

2006 / 10’05’’Crtež na papiru / Drawing on paper

Scenario, dizajn i režija / Script, design & direction – Andreas HykadeCrtež / Drawing – Andreas HykadeKompjuterska animacija / Computer animation – Ralf Bohde, Ruth WeberMuzika / Music – Ulrich ReuterProducent / Producer – Thomas Meyer-HermannProdukcija / Production – STUDIO FILM BILDER, www.filmbilder.de

„Dobro, dajem ti mališu. Brini se o njemu, a jedne godine }eš ga ubiti“, re~e moj stric.

’’Alright, I give you the Runt. But you take care of it, and you kill it in one year’’, said my uncle.

MALIŠATHE RUNT DER KLOANEANDREAS HYKADE Nema~ka / Germany

ANDREAS HIKADE ro|en je 1968. godine u bavarskom gradu Altetingu. Od 1988. do 1990. studirao je na Akademiji lepih umetnosti u Štutgartu. Godine 1991. radi kao animator u Londonu. Od 1992. do 1995. studira na fimskoj akademiji Baden-Virtemberg. Od 1992. je slobodni filmski umetnik, a od 2000. godine po~inje i da podu~ava animaciji. Film Mališa u~esnik je brojnih festivala (Otava, London, Tampere, Talin, Bilbao, Anesi...), i dobitnik je nekoliko nagrada, a poslednja u nizu je nagrada FIPRESCI na me|unarodnom festivalu animiranog filma u Anesiju, u Francuskoj.Više o autoru saznajte na www.hykade.de

ANDREAS HYKADE was born in 1968, in Altötting, Bavaria. After styding at the Academy of Fine Arts in Stuttgart, 1988-1990. he worked as an animator in London, 1991. Between 1992. and 1995. Hykade studied at the Filmakademie Baden-Würtemberg. Since 1992. he has worked as a freelance filmmaker. Since 2000, he has been a teacher of animation. The Runt participated a lot of festivals (Ottawa, London, Tampere, Tallin, Bilbao, Annecy...), and won several awards: the most recent one is FIPRESCI Award at International Animated Film Festival Annecy, France. Get more at www.hykade.de

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

47

2007 / 7’Crtež, 3D animacija / Drawing on paper, 3D animation

Scenario, animacija i režija / Script, animation & direction – Bill Plympton3D animacija / 3D animation – Anna-Maria JungMuzika / Music – Corey JacksonProducent / Producer – Biljana Labovic

Hotel „Sklopio~i“ je film noar krimi pri~a koja se odigrava u jednom tre}erazrednom hotelu. Policajci istražuju jeziva ubistva, ali i sami postaju žrtve nepoznate sile zla. Ono što je „Ajkula“ u~inila plivanju, Hotel „Sklopio~i“ }e u~initi spavanju.

’’Shuteye’’Hotel is a film noir murder mistery that takes place in a sleezy hotel. As cops investigate the gruesome murders they become victims of this evil force. What ’’Jaws’’ did to swimming, ’’Shuteye’’Hotel will do for sleeping.

BIL PLIMPTON (1946) jedan je od poznatih ameri~kih ilustratora, strip autora i animatora. Plimptonove ilustracije objavljivali su The New York Times, Vogue, Vanity Fair... a stripovi su se pojavljivali u ~asopisima Penthouse, Glamour, Rolling Stone i drugima. Posle serije izvanrednih kratkih filmova (One of Those Days, How to Kiss, 25 Ways to Quit Smoking i Plymptoons), usledili su i dugometražni, kao što su The Tune, I Married a Strange Person, Mutant Aliens (gran pri u Anesiju 2001. godine) i Hair High. Plimptonov kratki film Guard Dog bio je hit na velikom broju festivala doneo mu je drugu nominaciju za Oskara, januara 2005.g. Pogledajte www.plymptoons.com

BIL PLYMPTON (1946) is one of the famed America’s illustrators, cartoonists and animators. His illustrations have graced the pages of The New York Times, Vogue, Vanity Fair... and cartoons appeared in such magazines as Penthouse, Glamour, Rolling Stone, and many more. A string of highly successful short films (One of Those Days, How to Kiss, 25 Ways to Quit Smoking, and Plymptoons) was followed by features The Tune, I Married a Strange Person, Mutant Aliens (Grand Prix in Annecy 2001.) and Hair High. Plympton’s short film Guard Dog has been a hit at film festivals and it brought Plympton his second Oscar nomination in January 2005. Get more at www.plymptoons.com

HOTEL „SKLOPIO^I“ ’’SHUTEYE’’ HOTEL BILL PLYMPTONSAD / USA

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

48

2006 / 11’55’’Tuš na papiru / Ink on the paper

Scenario i režija/ Script & Direction – Julie RocheleauAnimacija / Animation – Julie RocheleauCrtež / Drawing – Julie RocheleauScenografija / Background – Julie RocheleauMuzika / Music – Daniel Schnyder (composed by Kurt Weill)Producent / Producer – Julie Rocheleau

Pjero zara|uje za život prodaju}i sopstvenu krv. Zaljubljuje se u k}er svog šefa, devojku-lutku po imenu Kolombina.

Pierrot sells his own blood for a living. He falls in love with the daughter of his boss, a young mechanical maid named Colombine.

BALADA O BRAŠNJAVIM LICIMATHE FLOUR FACE BALLADS LA BALLADE DES ENFARINÉSJULIE ROCHELEAUKanada / Canada

ŽULI LAKUTUR ROŠLO je ro|ena 1982. godine u Montrealu, u Kanadi. Studirala je tradiconalnu 2D animaciju u Cégep du Vieux-Montréal (1999-2002), a poha|ala je i petonedeljni kurs ilustracije na Me|unarodnoj letnjoj akademiji lepih umetnosti u Salcburgu, 2006. godine. Žuli radi kao free-lance ilustrator i animator, uglavnom na storibordovima ili kao dizajner likova.

JULIE LACOUTURE ROCHELEAU was born in Montréal, 1982. She studied traditional 2D animation at Cégep du Vieux-Montréal, Montréal, Québec (1999-2002). Julie attended five-week illustration course at International Summer Academy Of Fine Arts in Salzbourg, 2006. Julie works as a freelance in illustration and animation, mainly as a storyboard artist or characters and props designer.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

49

2007 / 14’3D Kompjuterska animacija / 3D Computer animation

Scenario i režija / Writer & Director – Jorge Dayas Animacija / Animation – Francisco Antoni Penado, Marcos Busatori, David AlvarezMuzika / Music – Cesar ObregonProducent / Producer – Jorge Dayas

Došavši u mali francuski grad, Mišel Alban, pomorski kapetan, biva zaintrigiran misterioznom ženom. Saznaje da se zove Mari i da je supruga njegovog starog prijatelja kapetana Žerara Bovizaža. U trenutku kad poželi da se vidi sa Žerarom, Mari }e uljudno odbiti njegov zahtev... I, tu po~inje mra~na pri~a o jednom bizarnom doga|aju na moru... Dama na pragu bazira se na pri~i Le diner des bustes, Gastona Lerua.

Michel Alban, a sea-captain arrives in a small town in France and becomes intrigued by a mysterious woman. He finds out that the woman, Marie, is the wife of his old friend, captain Gérard Beauvisage. When Michel expresses the wish to see Gérard, Marie politely declines his request... A dark story about bizarre incident on the sea is about to begin... The Lady on the Threshold is based on tne Gaston Leroux’s story Les diner des bustes.

DAMA NA PRAGU THE LADY ON THE THRESHOLD LA DAMA EN EL UMBRALJORGE DAYAS [panija / Spain

HORHE DAJAS je ro|en u Orihueli, u Španiji. Napravio je tri kratka animirana filma, Vilijam Vilson (1999), Manipai (2003) i Dama na pragu, koji je proglašen za nabolji kratki animirani film na festivalu u Malagi, u Španiji.

JORGE DAYAS was born in Orihuela, Spain. He made three short animated films, William Wilson (1999), Manipai (2003) and The Lady on the Threshold which won The best short animated film Award in Malaga, Spain.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

50

2006 / 8’Crtež na papiru / Drawing on paper

Scenario i režija / Script and direction – Simone MassiAnimacija / Animation – Simone Massi Crtež / Drawing – Simone MassiScenografija / Background – Simone MassiProducent / Producer – Simone Massi Muzika / Music – Stefano Sasso & Musicfeel

Moj obraz se tare o kamen, gledam kroz pukotinu u zidu.

My cheek brushes against the stones, I look out from a break in the wall.

SE]ANJE PASA THE MEMORIES OF DOGSLA MEMORIA DEI CANISIMONE MASSIItalija / Italy

SIMONE MASI je ro|en u Pergoli, u Italji. Studirao je animaciju na državnom institut lepih umetnosti u Urbinu. Od 1996. godine radi kao slobodni animator. Film Se}anje pasa dobio je prvu nagradu na festivalu animacije u Štutgartu.

SIMONE MASSI was born in Pergola (Italy) in 1970. He studied animation at the State Institute of Fine Arts of Urbino. Since 1996 he has been working as a free lance animator. La memoria dei canni won 1st prize at Animation Festival in Stuttgart, 2007.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

51

2006 / 8’Olovka na papiru, 2D kompjuterska animacija / Pencil on paper, 2D computer animation

Režija / Direction – Annete YungAnimacija / Animation – Annete Yung, Gregor DashuberMuzika / Music – Max KnothZvuk / Sound – Daniel Griese, Michal Krajczok, Günter RöhnProducent / Producer – Fabian Gasmia, Academy of Film & Television (HFF) ’Konrad Wol’, Potsdam-Babelsberg

Ed mrzi odvratno oko svog oca, i zato odlu~uje da starca liši života ne bi li se tog oka zauvek otarasio. (Prema pri~i Izdajni~ko srce Edgara Alana Poa.)

Ed hates the disgusting eye of his father and that is whz he decides to take the life of the old man to rid himself of the eye forever. (Based upon the novel „The Tell-Tale Heart“ by Edgar Allan Poe)

IZDAJNI^KO SRCE THE TELL-TALE HEARTDER VERRÜCKTE, DAS HERZ UND DAS AUGEANNETTE YUNGNEMA^KA / GERMANY

ANETA JUNG je ro|ena 1978. godine u Beblingenu, u Nema~koj. Godine 1999. bila je stipendista u filmskom studiju „Stumm-Film“ in Ludvigsburgu. Naredne godine upisala je studije animacije a Akademiji za film i televiziju „Konrad Volf“ u Potsdamu. Od jeseni 2005. godine (kada je i diplomirala) radi kao freelance animator, ilustrator i filmski autor.

ANETTE YUNG was born in 1978. in Böblingen (Germany). In 1999 she had an internship at the Filmstudio „Stumm-Film“ in Ludwigsburg. In 2000. Anette attended Animation studies at the Academy of Film & Television (HFF) „Konrad Wolf“ in Potsdam. Since autumn 2005. (she graduated as animator with diploma in the very same year) working as a freelance animator, illustrator & film-maker.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

52

2006 / 10’Stop-motion animacija / Stop-motion animation

Scenario / Script – Dan Richards, Nick HilditchRežija / Direction – Dan RichardsAnimacija / Animation – Florian Perinelle, Jose Pico, Dan Richards, Tandie LangtonMuzika / Music – Ethan MaltbyZvuk / Sound – Leon BenningProducent / Producer – Dan Richards

Horda zla drži u zato~eništvu jednog de~aka u vetrenja~i, sve dok mu jednog dana oluja ne ponudi rešenje za beg...

A young boy is kept prisoner in a windmill by an evil horde, until one day a storm gives him the inspiration for escape...

DE^AK IZ VETRENJA^E THE WINDMILL BOYDAN RICHARDSVelika Britanija / Great Britain

DEN RI^ARDS je prou~avao film na univerzitetu pre nego što }e se upisati u Školu animacije u Bristolu. Po odlasku, postaje animator univerziteta Canterburry Christ Church, gde je i na~inio film De~ak iz vetrenja~e. Trenutno, Ri~ard piše dužu verziju ovog filma, u formi 30-minutnog specijala za TV, a vodi i radionice animacije za mlade. Više informacija na: www.windmillboy.co.uk

DAN RICHARDS studied film at University before attending The Bristol School of Animation. After leaving he became ’animator in residence’ at Canterburry Christ Church University. While there, Richards made his film The Windmill Boy. Currently, Richards is writing a longer version of this film, in the form of a 30 minute TV special. Also, he is running workshops in animation for young people. For more info: www.windmillboy.co.uk

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

53

2006 / 10’Kompjuterska animacija / Computer animation

Scenario i režija/ Script & Direction – Adriaan LokmanAnimacija / Animation – Adriaan LokmanMontaža / Editing – Adriaan LokmanMuzika / Music – Oscar Van DillenProducent / Producer – Adriaan Lokman

Jedno putovanje u predivni svet oblaka.

A journey into the beautiful world of clouds.

PROGNOZA FORECAST ADRIAAN LOKMANHolandija / Netherlands

ADRIJAN LOKMAN (1960) je diplomirao ilustraciju i animaciju na umetni~koj akademiji u Roterdamu, 1986. godine. Poseduje studio za vizuelne komunikacije u Roterdamu, zajedno sa Lizbet Konik. U svom radu Lokman istražuje granice kompjuterske animacije. To je rezultovalo njegovim prvim filmom Barcode (2001), koji je bio u selekciji mnogih me|unarodnih festivala animacije i poneo je priznanja za inovativnost. Izme|u ostalih, nagra|en je Gran prijem u Anesiju i na Holandskom festivalu animacije. Jos jedna izuzetna osobenost Lokmanovog rada je simbioza muzike i slike. U filmu Prognoza, muziku je komponovao Oskar van Dilen, a izvodi je Telesto Trio.

ADRIAAN LOKMAN (1960) studied illustration and animation at the Art Academy of Rotterdam, from which he graduated in 1986. He has his own studio for high-quality visual communication, Lokman Productions based in Rotterdam, together with Liesbeth Konink. In his own work, Lokman explores the boundaries of computer animation. This resulted in his first short film Barcode (2001), which has been selected for many international animation festivals and has won acclaim for its innovative use of computer animation. Among others, it won the Grand Prix at the Annecy animation festival and at the Holland Animation Film Festival. Another distinguishing feature of Lokman’s work is the symbiosis of music and image. In Forecast the music was composed by Oscar van Dillen and performed by the Telesto Trio.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

54

2007 / 8’30’’Lutka animacija / Puppet animation

Scenario/ Script – Christine ZimmermanRežija/ Direction – Špela ^adežAnimacija / Animation – Špela ^adež, Matej Lavren~i}, Oliver ThormZvuk / Sound – Johanna HerrProducent / Producer – Ute DilgerProdukcija / Production – Academy of Media Arts Cologne

Srce koje boli, suze koje ne presušuju, okrenute glave – teško se le~e, ali, na sre}u, nisu neizle~ive...

Pain from the heart, never drying tears and turned heads are difficult to treat, but fortunately not incurable...

BOLESNI OD LJUBAVI LOVESICK LIEBESKRANKŠPELA ^ADEŽNema~ka, Slovenija / Germany, Slovenia

ŠPELA ^ADEŽ je ro|ena u Ljubljani, 1977. godine. Studirala je na Akademiji lepih umetnosti Univerziteta u Ljubljani od 1996-2002. godine. Za to vreme bila je na jednogodišnjoj razmeni studenata u programu Erazmo, u Nema~koj, na odseku za dizajn Univerziteta u Esenu. Diplomiravši 2002. godine na dizajnu vizuelnih komunikacija, studirala je i na Akademiji za umetni~ke medije u Kelnu, na odseku za dizajn medija. Bolesni od ljubavi je njen diplomski film.

ŠPELA ^ADEŽ was born in 1977 in Ljubljana, Slovenia. She studied at Academy for Fine Arts at University of Ljubljana from 1996-2002. During this time she was an exchange Erasmus student in Germany, University Essen, Department of Design for one year. After her diploma degree in Visual Communication Design (2002) she studied at Academy for Media Arts, Cologne, Department for Media design. Lovesick is her graduation film.

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

55

2006 / 11’39’’Crtež / Drawing

Scenario i režija / Script & Direction – Üllo PikkovAnimacija / Animation – Tarmo Vaarmets, Marje Ale, Ülle MetsurCrtež / Drawing – Üllo PikkovMuzika / Music – Mirjam TallyZvuk / Sound – Horret KuusProducent / Producer – Kalev TamProdukcija / Production – EESTI JOONISFILM, Tallinn

Film Ukus života ispituje vezu izme|u ljubavi i hrane. Kao i lanac ishrane, postoji i lanac ljubavi – da bi nekog voleo, i taj neko mora da voli. I baš kao u lancu ishrane, i lanac ljubavi je krug, završava se na svom po~etku. Crnohumornom vizurom film nastoji da secira prirodu ljubavi da bi dospeo do poimanja ukusa života.

The connection between love and food is examined in the film Taste of Life. Like the food chain, the love chain also exists – in order to love someone, that someone must also love. And just like the food chain, the love chain is also circular and ends where it starts. Through black humour, the film attempts to dissect the nature of love and to arrive at an understanding of what life tastes like.

UKUS ŽIVOTA TASTE OF LIFEELU MAITSEÜLLO PIKKOVEstonija / Estonia

ULO PIKOV je ro|en u Talinu, u Estoniji, 1976. Diplomirao je na Školi za umetnost i medije u Turkuu u Finskoj, 1998. godine, i na Pravnom institutu Univerziteta Tartu, 2005. godine. Ulo Pikov je pridruženi profesor na odseku za animaciju Estonske umetni~ke akademije.

ÜLO PIKKOV was born in 1976 in Tallinn, Estonia. He graduated from the Turku School of Art and Media (Finland) in 1998 and from the Institute of Law, University of Tartu in 2005. Ülo Pikkov is an associate professor at Estonian Academy of Arts Department of Animation.

LLOYDS TSB: FOR THE JOURNEY, 2006 / 1:00MARK CRASTE, Velika Britanija / Great Britain

CHICAGO INTERNATIONAL CHILDREN’S FESTIVAL, 2004 / 00:30THE CHICAGO TRIBUNE: CAFÉ 2004 / 00:30

J.J.SEDELMAIER, SAD / USA

LOVE SPORT: BASKETBALL, 2007 / 1:37 LOVE SPORT: MOUNTAINEERING,2007 / 1:31

LOVE SPORT: PAINT BALLING, 2007 / 2:06GRANT ORCHARD, Velika Britanija / Great Britain

COCA-COLA, 2006 / 00:39PEUGEOT 207 SW, 2006 / 00:26

STAND UP, 2006 / 00:39HEINEKEN, 2006 / 2:34

LOUIS NIETO, Francuska / France

FESTIVAL ALTERNATIVNE KULTURE ZALET, 2005 / 00:24 MILAN MARINKOVI], Srbija / Serbia

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

56C&

M

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

57

WEIRD AL JANKOVICH: DON’T DOWNLOAD THIS SONG, 2007 / 4:00BILL PLYMPTON, SAD / USA

TÉTÉ: FILS DE CHAM, 2006 / 4:05ORISHAS: HAY UN SON, 2007 / 3:10JEHRO: I WANT LOVE, 2007 / 4:00EDUARD SALIER, Francuska / France

GONZALES: MEISCHEID, 2007 / 2:20 MATRAY, Francuska / France

MISTAKEMISTAKE:LOVE IN SUMMER, 2006 / 4:29IGOR ]ORI], Srbija / Serbia

KOSMOPLOVCI: KOLONIJA, 2005 / 4:56KOSMOPLOVCI, Srbija / Serbia

QUIO: SO DAZED, 2006 / 4:20Autor: CHRISTINE LANG, Nema~ka / Germany

OLDELAF et Mr.D: LE CAFÉ, 2007 / 2:55STÉPHANIE MARGUERITE & EMILIE TARASCOU, Francuska / France

ALEX GOPHER: THE GAME, 2007 / 2:32Autor: JÉRÔME BLANQUET, Francuska / France

LOÏC ANTOINE: PIERROT, 2007 / 3:23GÉRALD GENTY: PLAIRE, 2006 / 3:32PATRICK VOLVE, Francuska / France

INTRUDER: SENSATION, 2006 / 3:02NIKOLA VULOVI], Srbija / Serbia

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

58

Lloyds TSB: FOR THE JOURNEY2006 / 1’Produkcija / Production – STUDIO AKA, Londonwww.studioaka.co.uk

Ovaj spot je topla pri~a sastavljena iz više prizora koji nas nose životnim putem, zaustavljaju}i se na nekim klju~nim mestima, a za sve vreme u divnom ’Black Horse’ vozu.

This spot features a heart-warming tableau of scenarios – which take us on a whistle stop passage through the key stops of life aboard a beautiful ’Black Horse’ train.

Pre dolaska u Veliku Britaniju, 1998. godine, Mark Kresti je uveliko radio u studijima animacije u Sidneju i Kopenhagenu. Dizajnirao je i režirao mnoge nagra|ivane reklame uklju~uju}i i zna~ajne radove za Orange, Compaq, Lloyds Bank i, mnogima najomiljeniji, ’BIG WIN’, spot za Nacionalnu lutriju. Mark je tako|e dizajnirao i režirao tri kratka filma iz serije PICA TOWERS koji su postali kult me|u njegovim poštovaocima. Mark trenutno radi na novom kratkom animiranom ostvarenju za Studio aka, a na pomolu je i njegov prvi dugometražni projekat.

Before coming to the UK in 1998, Mark Craste worked extensively in animation studios in Sydney and in Copenhagen. He has designed and directed many award-winning commercials including memorable work for Orange, Compaq, Lloyds Bank and much-admired ’BIG WIN’ spot for the National Lottery. Marc also designed and directed three short films in the series PICA TOWERS that have become cult viewing for many fans. Mark is currently in production on a new animated short with Studio aka and is developing his first long form project.

FOR THE JOURNEYMARK CRASTEVelika Britanija /Great Britain

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

59

CHICAGO INTERNATIONAL CHILDREN’S FILM FESTIVAL2004 / 30’’ Produkcija / Production – J.J.Sedelmaier Productions, Inc.www.jjsedelmaier.com

Služe}i se slikama koje je osmislio umetnik kolaža Edi Gaj, animiran je užitak razli~ite dece u iskustvu uživanja u jednom filmskom festivalu.Using images designed by collage artist Eddie Guy, different children are animated enjoing the experience of enjoying a film festival

The Chicago Tribune: CAFÉ 2005 / 30’’

Dva razli~ita tipa ljudi se zbliže ~itaju}i Chicago Tribune.Two different types of people reach parity by reading the Chicago Tribune.

J.J.Zedelmajer, predsednik J.J.Sedelmaier Productinos, Inc. stoji iza nekih od animiranih projekata o kojima se najviše govorilo poslednjih deceniju i po. Startna sezona MTV-jevog serijala Beavis and Butthead, SNL-ov serijal Saturday TV Funhouse (epizoda The Ambiguosly Gay Dud), pilot izdanje za Harvija Berdmena, i više od 400 reklama. Zedelmajer je tako|e i popularan govornik na teme vezane za animaciju, a povremeno objavljuje u knjigama i ~asopisima o animaciji i dizajnu.

J.J.Sedelmaier, president of J.J.Sedelmaier Productions, Inc. is responsible for many of the most talked about animated projects of the past 15 years. The launch season of MTV’s Beavis and Butthead, SNL’s Saturday TV Funhouse series (The Ambiguosly Gay Dud), the pilot for Harvey Birdman, and over 400 TV commercialls. He is also a popular speaker on the art of animation and frequently contributes to books and journals on animation and design.

CHICAGO INTERNATIONAL CHILDREN’S FILM FESTIVAL,THE CHICAGO TRIBUNE: CAFÉ J.J.SEDELMAIERSAD / USA

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

60

Grent Or~ard se pridružio Studiju aka 1997 godine i ubrzo skrenuo pažnju na sebe idiosinkrati~nim dizajnom i sposobnoš}u da projektu pri~e iz mnogo razli~itih uglova. U potpunosti izmi~u}i svakoj kategorizaciji, Grent je kreirao TV reklame za razli~ite klijente kao što su Compaq, Virgin i Orange. Nedavno je na~inio 10 mini filmova za QOOBtv. Pod zajedni~kim nazivom LOVESPORT, svaka epizoda govori o sportovima poput skijanja, sumo rvanja, skokova u vodu, stonog tenisa, na jednostavan, originalan i zabavan na~in.

Grant Orchard joined Studio aka in 1997, where he soon gained attention for his idiosyncratic design and his ability to approach projects from many different angles. Truly impossible to categorize, Grant has created TV commercials for clients as diverse as Compaq, Virgin and Orange. Recently he created 10 mini-films for QOOBtv. Under the banner LOVESPORT, each episode interprets sports like skiing, sumo, high diving (and even ping-pong) in a original, funny & deceptive simple manner.

LOVE SPORTGRANT ORCHARDVelika Britanija / Great Britain

Love Sport: LOVE BASKETBALL 2007 / 1’37’’Produkcija / Production – STUDIO AKA, Londonwww.studioaka.co.ukObi~no kažu da košarku ne možete da igrate ako niste dovoljno visoki. Pa, to baš i nije potpuno ta~no... Osveta Kratkih!They usually tell you that you can only play basketball if you’re tall enough. Well, that’s not entirely true... The Shorties revenge!

Love Sport: LOVE MOUNTAINEERING2007 / 1’31’’Produkcija / Production – STUDIO AKA, Londonwww.studioaka.co.ukKad dosegnete vrh, još samo na jedno mesto se može, a do tamo je dug put.When you reach the summit, there’s only one place to go, and it’s a long way.

Love Sport: LOVE PAINT BALLING2007 / 2’06’’Produkcija / Production – STUDIO AKA, Londonwww.studioaka.co.ukDve protivni~ke armije, kamuflirane, ~ekaju u zasedi sa oružjem na gotovs. „Najživopisnija“ igra na svetu može da po~ne!Two rival armies, camouflaged, lying in wait, guns at the ready. The most colourful game in the world!

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

61

Nieto je ro|en u Kolumbiji gde je i studirao vizuelne komunikacije i gde je po~eo da radi kao art direktor u razli~itim agecijama za advertajzing. Preselio se u Francusku kada je odlu~io da se usredsredi na filmsku režiju. Njegov kratki film Carlitopolis, snimljen na kraju studija u Francuskoj, osvojio je nekoliko nagrada kao što su Adobe nagrada za dostignu}a 2006 i nagrada publike na festivalu kratkog metra u Klermon Feranu. Nieto alias Profesor Nieto kreirao je sopstveni šou u kome predstavlja interaktivnu animaciju izvode}i ’eksperimente’ na razli~itim vrstama životinja.

Nieto was born in Colombia where he studied visual communication and started working as an art director in different advertising agencies. He moved to France where he decided to focus on film direction. His short film Carlitopolis, shot at the end of his studies in France, won several awards such as the 2006 Adobe achievements awards and the audience awards in Clermont Ferrand short film festival.Nieto alias Professor Nieto has created his own show in which he presents interactive animation performing unusual ’experiments’ on different sorts of animals.

COCA COLA2005 / 39’’ Wieden an Kenedy, Amsterdam

PEUGEOT 207 SW2007 / 26’’ Euro SCG Worldwide, Paris

HEINEKEN2007 / 2’34’’ Berlin Cameron United, New York

STAND UP2006 / 39’’ Against Poverty, STAND UP for the Millennium Development Goals

COCA COLAPEUGEOT 207 SWHEINEKENSTAND UPLOUIS NIETOFrancuska / France

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

62

Milan Marinkovi} je diplomac Fakulteta umetnosti u Nišu na odseku za grafi~ki dizajn. U periodu 2000-2005 radio je na postprodukciji/animaciji nekoliko kratkih igranih filmova, muzi~kih spotova i brojnih reklama (Evropski pokret Srbije, Voda-Voda, Fungi planet). Sa Igorom Jovanovi}em i Milošem Mitrovi}em (kao LOSHPIXEL) 2005. godine radi na celokupnom vizuelnom identitetu i reklamnoj kampanji festivala ZALET u Zaje~aru.

Milan Marinkovi} graduated from the Faculty of Art in Niš at the Department of graphic design. From 2000 till 2005 he worked on postproduction/animation of several short films, music videos and numerous commercials (European movement of Serbia, Voda-Voda, Fungi planet). With Igor Jovanovi} and Miloš Mitrovi} (as LOSHPIXEL) Milan worked on visual identity and campaign for the ZALET Festival in Zaje~ar, 2005.

Festival alternativne kulture ZALET 2005 / 24’’Producent / Producer – LOSHPIXEL

Kratka šetnja kroz multimedijalni sadržaj jednog festivala alternativne kulture.

A short walk through multimedia content of the festival of alternative culture.

FESTIVAL ALTERNATIVNE KULTURE ZALET MILAN MARINKOVI]Srbija / Serbia

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

63

Weird Al Yankovich: DON’T DOWNLOAD THIS SONG 2007 / 3’52’’Volcano Entertainment III, LLC/New York

Režija i animacija / Direction & Animation – Bill Plympton Izvo|a~ / Artist – Weird Al YankovichProdukcija / Production – Acme Filmworks, Inc./HollywoodProducent / Producer – Pernille D’Avoliowww.acmefilmworks.com

Adolescent je hipnotisan kompjuterskim mišem nalik kobri. Po~inje da ilegalno daunlouduje pesme sve dok Daunloud Policija ne provali u njegovu sobu i uhapsi ga. De~ka pošalju na sud, osude ga i strpaju u zatvor gde ga ~eka elektri~na stolica.Album W.A.Yankovicha, Straight Outta Lynwood, donosi parodije na kompozicije poznatih izvo|a~a kao što su Green Day, Chamillionaire, R. Kelly, Usher, i drugih, a tako|e i šest muzi~kih spotova koje potpisuju vrsni animatori : Bil Plimpton, Džon Krisfaluzi, Džim Blašfild, Tomas Li, Dejvid C.Lavlejs i Robot ^iken.An adolescent boy is hypnotized by a cobra like computer mouse. He starts illegally downloading songs until the Download Police break down his bedroom door and arrest him. The boy is put on trial, found guilty and put in jail, where he awaits the impending doom of an electric chair.Weird Al Yankovich’s album, Straight Outta Lynwood, featuring parodies of today’s hottest songs from artists like Green Day,

Chamillionaire, R. Kelly, Usher, and a lot more, and also six music videos from world-class animators Bill Plympton, John Kricfalusi, Jim Blashfield, Thomas Lee, David C. Lovelace and Robot Chicken!

Bil Plimpton (1946) je ameri~ki animator poznat po filmovima Your Face i Guard Dog za koje je nominovan za Oskara 1987. odnosno 2004. godine, kao i po filmovima I Married a Strange Person i Mutant Aliens kojima je trijumfovao u Anesiju 1997. i 2004. godine. Ove godine, Plimpton radi na svom dugometražnom ostvarenju Idiots and Angels. Plimptonovi muzi~ki spotovi:Madonna – Who’s That Girl? (1987) (animator) Peter Himmelman – 245 Days (1990) Kanye West – Heard ‘Em Say (2005) Pogledajte : www.plymptoons.com

Bill Plympton (born April 30, 1946) is an American animator best known for his Academy Award-nominated animated shorts Your Face (1987) and Guard Dog (2004), and Annecy Award winners I Married a Strange Person (1997) and Mutant Aliens (2001). In 2007 Plympton has been working on an 80-minute feature, Idiots and Angels. Plympton’s music videos:Madonna – Who’s That Girl? (1987) (animator) Peter Himmelman – 245 Days (1990) Kanye West – Heard ‘Em Say (2005) See : www.plymptoons.com

DON’T DOWNLOAD THIS SONGBILL PLYMPTONSAD / USA

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

64

Tété: FILS DE CHAM 2006 / 4’05’’

Režija / Director – Eduard Salier Izvo|a~ / Artist – TétéAnimacija i efekti / Animation and effects – Edouard Salier, Xavier Reyé, François Peyranne, Fabien Vantroys, Julien Michel, Damien Martin, Jerôme PesnelProducent / Producer : CANAILLE PROD, Paris & Pascal GUERIN www.canailleprod.com

U anti~kom tetaru na baroknom groblju, okružen skeletima. Zombijim i duhovima, Tété s ponosom peva o ropstvu crnaca i njihovoj emancipaciji.In a classical theatre located in a baroque cemetery, Tété is proudly singing surrounded by skeletons, zombies and ghosts calling up the story of the Negro slavery and their emancipation.

Po završetku studija grafi~kog dizajna u Parizu, Eduar Salije je po~eo da radi sa kompozitorom i muzi~kim producentom Doctor L, pa je dizajnirao omotnicu za njegov album i režirao njegov prvi spot Mountains. Salije je ostvario vrlo širok raspon grafi~kih radova, filmova, promotivnih spotova, televizijskih identifikacionih džinglova, kao i instalacija. Njegov stil ~vrsto oslonjen na grafi~ki dizajn je ~itavih pet godina privla~io pažnju na alternativnoj audiovizuelnoj sceni. Salijeov kratki film Empire and Flesh zapo~inje 2005. godine svoj put oko sveta (Venecija, Sandens, Pariz, London, Njujork, Toronto, Hamburg, Seul...) donose}i svom autoru i nagrade sa brojnih festivala.

After graduating in Graphic Art and Design studies in Paris, Edouard Salier started working with the composer and music producer Doctor L, designing his record sleeves and directing his first music video, Mountains. Salier has created a wide range of graphic works, short films, promos, tv idents and installations. With a style that is heavily rooted in graphic design, his work has been making noise on the audiovisual underground for five years. In 2005 Salier’s short films Empire and Flesh started touring around the world (Venice, Sundance, Paris, London, New York, Toronto, Hamburg, Séoul...), and winning several awards at the festivals.

FILS DE CHAM HAY UN SONI WANT LOVEEDUARD SALIERFrancuska / France

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

65

Orishas: HAY UN SON 2007 / 3’12’’Režija / Director – Eduard Salier Izvo|a~ / Artist – OrishasAnimacija i efekti / Animation and effects – Xavier Reyé, Fabien Ventroys, Julien Rancœur, Vincent Viriot, Stéphane Beve, Marthe Salier, François PeyranneProducent / Producer – Eduard SalierKubanska božanstva Orishas vra}aju se kao Roldan, Ruco i Romera, ali ko se zaista krije iza ovih lica ?Cuban divinities Orishas are coming back as Roldan, Ruzzo and Romera, but who is really hiding behind these faces?

Jehro: I WANT LOVE 2006 / 3’57’’Režija / Director – Eduard Salier Izvo|a~ / Artist – JehroAnimacija i efekti / Animation and effects – Laurie Thinot, Marthe Salier, Mimosa, Damien Martin, Fabien Vantroys, Xavier Réyé, Filipe Jardim Producent / Producer – DEF2SHOOTPut od ro|enja do sigurne smrti jednog nevoljnog ratnika u klopci |avolske naprave koja proizvodi oružje, drogu i mrtva~ke kov~ege.The journey from birth to certain death of an unwilling little warrior trapped in an infernal device that provides weapons, drugs and coffins.

GONZALES: MEISCHEIDMATRAYFrancuska / France

Gonzales: MEISCHEID 2007 / 2’18’’Izvo|a~ / Artist – GonzalesProdukcija / Production – Mathieu AuvrayMATJE OVRE (1981) od 2002. godine radio je na kompozitingu za TV kanale MCM, HBO, Canal J, i na 2D kompozitingu na nekoliko muzi~kih video spotova. U spotu Meischeid Matre dokazuje da kompjuter tako|e može da stvara poezijuSince 2002 MATHIEU AUVRAY (1981) has worked on the compositing for TV channels (Canal J, MCM, HBO) as well as on compositing 2D for several music video. In Meischeid video Matray proves that computers can also generate poetry.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

66

MistakeMistake: LOVE IN SUMMER 2006 / 4’29’’

Režija i animacija / Direction & Animation – Igor ]ori}Izvo|a~ / Artist – MistakeMistake

Letnji nau~no-fantasti~ni muzi~ki spot.Summer SF musical spot.

Igor ]ori} je ro|en 1978. godine. Diplomirao je slikarstvo 2002. godine i od tada se bavi i animacijom.Igor Coric was born in1978. He graduated in painting in 2002, and has been warking as an animator ever since.

KOLONIJAKOSMOPLOVCISrbija / Serbia

2005 / 4’56’’Režija / Director – Kosmoplovci Izvo|a~ / Artist – KosmoplovciMuzika / Music – Converter, DominatorAnimacija / Animation – DominatorCrtež / Drawings – RashidProducent / Producer : KOSMOPLOVCI www.kosmoplovci.netKosmoplovci zvani~no nastaju 2001. godine kao združeni projekat kompjuterske grupe Corrosion (1992-) i autora okupljenih oko strip magazina Striper (1995-).Kosmoplovci was officialy established in 2001 as a mutual project by computer group Corrosion and by the authors gathered arround Striper comics magazine.

LOVE IN SUMMER IGOR ]ORI] Srbija / Serbia

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

67

Kristine Lang je ro|ena (1972) i odrasla u Bremenu. Radi kao filmadžija u Berlinu. Od 1992. godine radila je kao DJ (me|u prvim devojkama koje su se pojavile na nema~koj drum&bass i 2step sceni) i novinar. Stekla je zvanje master na studijama kulture 2001. godine iz istorije umetnosti i nema~ke literature, na univerzitetu Humbolt u Berlinu. Diplomirala je 2006. godine na Akademiji za umetni~ke medije u Kelnu. Bila je rezidencijalni umetnik u Villa Aurora u Los An|elesu, 2007. godine. Njen video spot za Quio So Dazed privukao je pažnju na me|unarodnim festivalima osvojivši i nekoliko nagrada.

Christine Lang was born (1972) and grew up in Bremen. Christine works as a filmmaker in Berlin. Since 1992 she worked as a club-DJ (one of the first women appeared in Germany’s drum & bass and 2step scene) and as a journalist. She gained an M.A. in Cultural studies, history of art and German literature, at Humboldt University in Berlin in 2001. She graduated in 2006 at the Academy of Media Arts in Cologne. Christine was an artist in resident in Villa Aurora, Los Angeles, 2007. Christine’s music video for Quio So Dazed has received a lot of attention at the international film festivals and has won several awards.

Quio: SO DAZED 2006 / 4’20’’

Režija / Director – Christine Lang Izvo|a~ / Artist – Quio Dizajn produkcije / Production design – Maria Schoepe Kamera / Camera – Rasmus SieversProducent / Producer : HFF Hochschule fur Film und Versehen ’Konrad Volf’, Potsdamwww.hff-potsdam.de

Quio u kuhinji prkosi ravnoteži dok pokušava da doru~kuje.

Quio is in the kitchen fighting gravity and trying to eat her breackfast.

SO DAZED CHRISTINE LANGNema~ka / Germany

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

68

Oldelaf et Mr D : LE CAFÉ 2007 / 2’55’’

Izvo|a~ / Artist – OLDELAF et Mr DProducent / Producer : Ecole des Metiers du Cinema d’Animation (EMCA)www.angouleme-emca.fr

Jedan dan u životu Renea, zavisnika od kafe.

One day in the life of René, a coffee addict.

Emili Tarasku (1984) je pristupila školi EMCA u Angulemu 2005. godine pošto je diplomirala likovnu umetnost. Upravo je diplomirala na EMCA i upisa}e La Poudrière, poznatu francusku školu za režiju animiranih filmova. Stefani Margerit je upisala EMCA u Angulemu 2005. godine posle završene likovne umetnosti na ESI. Upravo je diplomirala na EMCA. Le café je njihov diplomski film.

Emilie Tarascou (1984) enrolled atthe EMCA (School of animation) in Angouleme 2005 after having graduated in fine arts. She has just finished her degree in EMCA and is going to enroll La Poudrière, a renowned french school for the direction of animated films. Stéphanie Marguerite enrolled the EMCA (School of animation) in Angouleme in 2005 after a fine arts degree at the ESI. She has just graduated from the EMCA. Le café is their graduation film.

LE CAFÉ EMILIE TARASCOU &STEPHANIE MARGUERITEFrancuska / France

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

69

Alex Gopher: THE GAME 2007 / 2’32’’

Režija / Director – Jérôme Blanquet Izvo|a~ / Artist – Alex GopherAnimacija / Animation – Olivier Lukaszczyk, Guillaume RieuProducent / Producer : METRONOMIC Productionswww.metronomic.fr

The Game je ~est naslov, ali, istovremeno, sadrži više nivoa zna~enja koji upu}uju na muzi~ke vrste sa korenom u osamdesetim godinama prošlog veka.

The Game is a very frequent title, but at the same time it comprises several levels of meaning with the references to musical kinds anchored well in the eighties.

Žerom Blanket je suosniva~ audiovizuelne trupe PROJECT, 1997. godine (pogledajte www.projectsinge.net), kao i kolektiva grafi~kih umetnika LABALABA, 1999. godine, zajedno sa L. Burduazo, A.Gancerli i S.Zalvidea.

Jérôme Blanquet was co-founder of the audio-visual company PROJECT in 1997 (see : www.projectsinge.net) and graphic artists collectiv LABALABA in 1999 with L.Bourdoiseau, A.Ganzerli and S.Zalvidéa.

THE GAME JÉRÔME BLANQUET Francuska / France

70

Loïc Antoine: PIERROT 2007 / 3’23’’

Režija / Director – Patrick Volve Izvo|a~ / Artist – Loïc AntoineGrafi~ki dizajn / Graphic design – Les Chats PeleProducent / Producer : METRONOMIC Productionswww.metronomic.fr

Uvek je tu moj drugar ’Pjero’ koji spusti ruku na moje rame i pri~a sa mnom, sa osmehom...

There is always my mate ’Pierrot’ who puts his hand on my shoulder and talks to me, with a smile...

Patrik Bero alias Volve ro|en je 1972. godine u Parizu. Studirao je matematiku i audiovizuelne komunikacije usavršavaju}i se kao inžinjer zvuka u školi za sliku i zvuk u Angulemu. Potom se godinu dana obu~avao na CFT Gobelins u Parizu kao asistent postprodukcije. Patrik je od 1998. godine do sada na~inio veliki broj kratkih filmova (Vidéo Montevidéo, Space on Earth, Hi Mum...). Njegov talenat filmskog montažera-specijaliste za zvuk i efekte zna~ajan je doprinos produkciji METRONOMIC i osnova za njegove VJ nastupe u Parizu.

Patrick Beraud - a.k.a. Volve - was born in France in 1972. He studied math and audiovisual communications, with a speciality in sound engineering from the school of image and sound at Angoulême (France). Then he received a year’s training at CFT Gobelins (Paris) as a post-production assistant. Patrick has made a number of short films since 1998 (Vidéo Montevidéo, Space on Earth, Hi Mum...). As a film editor specialising in sound and effects, he contributes his talent to the Metronomic group and his various VJ performances in Paris.

PIERROT PLAIRE PATRICK VOLVE Francuska /France

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

71

Gérald Genty: PLAIRE 2006 / 3’32’’

Režija / Director – Patrick Volve Izvo|a~ / Artist – Gérald GentyAnimacija / Animation – Wilson Dos Santos, Alexandre Palubniak, Mathieu VillainProducent / Producer : METRONOMIC Productionswww.metronomic.fr

Supruga veoma voli svog mršavog muža. Jedini cilj u njenom životu postaje kako smršati što pre da je on ne bi napustio. Plaire je nagra|en kao najbolji muzi~ki video u Anesiju 2007. godine.

The wife is so in love with her tiny husband. The only aim in her life becomes how to lose weight as soon as possible to make her husband not leave her. Plaire won Best music video Award in Annecy, 2007.

Nikola Vulovi} (Beograd,1980.) Završio je FPU, 2005. godine. Bavi se režijom i 3d kompjuterskom animacijom. Nikola Vulovi} (Belgrade,1980) graduated from the FAA in Belgrade. He is working as a director and as a 3d computer animator.Intruder: SENSATION 2006 / 3’02’’Režija / Director – Nikola Vulovi} Izvo|a~ / Artist – IntruderCrtež i Animacija / Drawing & Animation – Nikola Vulovi}Producent / Producer – Nikola Vulovi}Sensation grupe “Intruder” je na saundtreku filma “Domar”.Sensation by Intruder was included in The Janitor soundtrack.

SENSATION NIKOLA VULOVI]Srbija /Serbia

NORVEŠKA ANIMACIJA

Prvi norveški dugometražni animirani film, “Velika nagrada Pin~klif”, reditelja Iva Kaprina (1975), bio je veliki uspeh: videlo ga je pet miliona ljudi u Norveškoj, zemlji sa samo ~etiri miliona stanovnika... Ipak, prošlo je dvadeset tri godine pre novog dugometražnog ostvarenja, “Gurin sa lisi~jim repom”, premijerno prikazanog 1998. godine.Ali, norveška animacija nije bila u potpunost mrtva tokom tih dvadeset i nešto godina. Od po~etka devedesetih godina, postojalo je nekoliko malih studija za animaciju koji su pravili kratke filmove, muzi~ke spotove i reklame. S po~etka, studiji su bili vrlo mali, ali od 1998. godine pet novih celove~ernjih animiranih filmova je realizovano, tako da sada gotovo da možemo govoriti o norveškoj industriji animacije, sa brojem zaposlenih koji je ve}i nego ikada, i koja pokriva dugi metar, televizijske serije, reklame i industriju zabave.U 2007. godini, film Kristofera Nilzena “Osloboditi Džimija” nagra|en je u Anesiju kao najbolji animirani dugometražni film, a film “Danski pesnik”, autorke Turil Kove, dobitnik je Oskara za najbolji kratki animirani film. Dakle, ovo je sjajna godina za norvešku animaciju!Program norveških kratkih filmova na festivalu ANIMANIMA u ^a~ku sadrži neka od najzna~ajnijih animiranih ostvarenja nastalih u Norveškoj za poslednjih šesnaest godina.

Lize Fernli

NORWEGIAN ANIMATION

The first animated Norwegian feature film ”Pinchcliffe Grand Prix” directed by Ivo Caprino, (1975), was a huge success - it was seen by 5 million people in Norway, a country with only 4 million inhabitants... Still it took 23 years before the next animated feature, ”Gurin with the foxtail” premiered, in 1998. But Norwegian animation was not completely dead for 23 years. Since the early 1990s several small animation studios have existed, making short films, music videos and commercials. In the beginning the studios were very small. But since 1998 five new Norwegian animated features have been released. Now we can almost talk about a Norwegian animation industry, with more people than ever employed in the animation field, covering features, tv series, commercials and the game industry.In 2007 the Norwegian feature ”Free Jimmy” by Christopher Nielsen won prize for best feature in Annecy. Torill Kove’s ”The Danish Poet” was awarded with an Oscar for best animated short film. So, this is a very good year for Norwegian animation!The Norwegian short film programme at the ANIMANIMA Festival in Cacak contains some of the most important Norwegian animated short films from the last 16 years.

Lise Fearnly

NAJBOLJE IZ NORVE[KETHE BEST FROM NORWAY

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

72

GODINA UZ NAPUŠTENI PUT A YEAR ALONG THE ABANDONED ROADÅret gjennom BørfjordMorten Skallerud 1991 / 12’

Reditelj / Director – Morten Skallerud Scenario / Screenplay – Morten SkallerudAnimacija / Animation – Morten SkallerudKompozitor / Composer – Jan GarbarekProducent / Producer – Morten SkallerudProduction / Production – Camera

SRE]NO, GOSPODINE GORSKI! GOOD LUCK, MR. GORSKY!

Hell og lykke, herr Gorsky!Astrid A. Aakra

2002 / 5’

Reditelj / Director – Astrid A. Aakra Scenario / Screenplay – Astrid A. AakraAnimacija / Animation – Astrid A. Aakra

Zvuk / Sound – Starholm og NilsenMontažer / Editor – Kirsti Marie Hougen

Producer / Producer – Astrid A. AakraProduction / Production – Aakra Film

DANSKI PESNIKTHE DANISH POETDen Danske DikterenTorill Kove2006 / 15’

Reditelj / Director – Torill KoveScenario / Screenplay – Torill KoveZvuk / Sound – Håkon LammetunNarator / Narrator – Liv UllmannProducent / Producer – Lise Fearnley, Marcy PageProdukcija / Production – MIKROFILM, Norway & National Film Board Canada

73

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

TRNJE THE HEDGE OF THORNS

TornehekkenAnita Killi

2001 / 13’

Reditelj / Director – Anita KilliScenario / Screenplay – Anita KilliAnimacija / Animation – Anita Killi

Kompozitor / Composer – Hege RimestadZvuk / Sound – Håkon LammetunProducent / Producer – Anita Killi

Produkcija / Production – Trollfilms as, Dovre

RECI MI DA SE NE BRINEMTELL ME NOT TO WORRYSi at alt går braMaria Trovatten & Karin Jacobsen2004 / 5’

Reditelj / Director – Maria Trovatten and Karin Jacobsen Scenario / Screenplay – Maria Trovatten and Karin Jacobsen Montaža / Editing – Simen Gengenbach Kompozitor / Composer – Jørgen Greiner Morset, Mattis JanitzZvuk / Sound – Christian SchaanningProducent / Producer – Eric VogelProdukcija / Production – Tordenfilm AS, Oslo

PLJUSAK LEONIDA LEONID SHOWER

LeonidestormKajsa Næss and Julie Engaas

2004 / 6’

Reditelj / Director – Kajsa Næss and Julie Engaas Scenario / Screenplay – Kajsa Næss and Julie Engaas Animacija / Animation – Kajsa Næss and Julie Engaas

Kompozitor / Composer – Jon Platou SelvigZvuk / Sound – Håkon Lammetun

Producent / Producer – Lise FearnleyProduction / Production – Mikrofilm AS, Oslo

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

74

75

STRAHUJ MANJEFEAR LESS Therese Jacobsen 2003/ 5’

Reditelj / Director – Therese Jacobsen Scenario / Screenplay – Therese Jacobsen Animacija / Animation – Harald FossenMontaža / Editing – Therese JacobsenKompozitor / Composer – Erik VangProducent / Producer – Therese JacobsenProduction / Production – Apecosmonautene, Bergen

MOJA GLAVAMY HEAD

Hodet mittKnut Petter Ryan

2004/ 3’

Reditelj / Director – Knut Petter RyanScenario / Screenplay – Knut Petter Ryan

Animacija / Animation – Harald FossenMontaža / Editing – Bjørn Amundlien

Kompozitor / Composer – Xploding Plastix Producent / Producer – Knut Petter RyanProduction / Production – 9mm film, Oslo

POBUNJENI^KI ALFABET THE REBELLIOUS ALPHABET /Det opprørske alfabetetØivind S. Jorfald1994 / 8’

Reditelj / Director – Øivind S. JorfaldScenario / Screenplay – Jorge DiazAnimacija / Animation – Øivind S. Jorfald, Guttorm Larsen, Marek WoloszynKompozitor / Composer – Jon BalkeZvuk / Sound – Sun StudioProducent / Producer – Øivind S. JorfaldProduction / Production – TegnefilmCompagniet A/S

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

UGODNOCOSY

KosJan Otto Ertesvåg

2003 / 4’

Reditelj / Director – Jan Otto ErtesvågScenario / Screenplay – Jan Otto Ertesvåg

Kompozitor / Composer – Biosphere Zvuk / Sound – Biosphere

Producent / Producer – David Reiss-Andersen, Kaare StangProduction / Production – Pravda Animation

PRI^E IZ ZADNJEG DVORIŠTA BACKYARD STORIESAsylsøkere Kaja Wright Polmar 2005 / 8’

Reditelj / Director – Kaja Wright PolmarScenario / Screenplay – Kaja Wright PolmarAnimacija / Animation – Kaja Wright Polmar, Mats GrorudKompozitor / Composer – Kjetil Schjander-Larsen Producent / Producer – Rebecca PadoinProduction / Production – Kinopravda

GUGEN - VELIKI SIR Guggen - du store Gauda! / GUGGEN - THE BIG CHEESE

Rasmus Sivertsen2001 / 16’

Reditelj / Director – Rasmus SivertsenScenario / Screenplay – Georg RødstenMontaža / Editing – Zaklina Stojcevska

Animacija / Animation – Endre Skandfer, Bjarte Agdestein, Astrid A. Aakra, Morten Evjen, Olve Askim, Virgilijus Sepetys

Kompozitor / Composer – Palace of Pleasure, Sondre LercheZvuk / Sound – The Chimney Pot

Producent / Producer – Ove Heiborg Production / Production – Qvisten Animation AS

76

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

PJOTR SAPEGIN je ro|en u Rusiji, 1955. godine. U Norveškoj živi i radi od 1990. godine i sada je i državljanin Norveške. Sapegin je 15 godina radio kao scenograf u pozorištima u Moskvi, me|u njima i Baljšom Teatru. Animacijom je po~eo da se bavi po dol-asku u Norvešku. Sapegin je jedan od osniva~a studija za ani-maciju Studio Magica u Oslu, ali sada vodi sopstvenu kompaniju PRAVDA PRODUCTIONS (ustanovljenu 2001. godine) sa Dejvi-dom Reisom Andersonom i Mikelom Sandemuseom. Sapegin je autor velikog broja kratkih filmova koji su osvajali i nacionalne i me|unarodne nagrade (njegov film One Day a Man Bought a House osvojio ih je više od 20), kao i mnoštva izuzetnih ani-miranih reklamnih spotova.

PJOTR SAPEGIN was born in Russia in 1955. He has been liv-ing and working in Norway since 1990 and is now a Norwegian citizen. Sapegin has worked for 15 years as stage designer on theatres in Moscow, among them at the Bolshoj theatre. He started to work with animation films after moving to Norway. Sapegin was one of the founders of the animation studio Studio Magica as in Oslo, Norway, but is now running his own produc-tion company, Pravda Productions (established 2001) with Da-vid Reiss-Andersen and Mikkel Sandemose. Sapegin has made a number of short films, which have won both national and in-ternational awards. His film One Day a Man Bought a House has won more than 20 national and international awards. Sapegin has also made a number of internationally acclaimed animated commercials.

Filmografija Filmography

1991: Herkules1992: Edvard1993: Edvard – den nakne sannhet (Edvard - The Naked Truth) Fiskeboller (Fish Balls) Edvard – lengselens uutholdelige letthet (Edvard - The Unbearable Lightness of Longing)1994: Ippolita – den lille amasone (Ippolita - The little Amazon)1995: Edvard på bronseplass (Edvard - The Stand-in) Katten Mons ( Mons the Cat)1996: Edvard – ferietid (Edvard - The Cruise Tripper)1998: Huset på Kampen (One Day a Man Bought a House) Saltkvernen (The Salt Mill)1999: Sniler (Snails) I et hjørne av verden (In a Corner of the World)2001: Aria 2003: Through my Thick Glasses2005: Nå skal du høre (Grandpa Is A Raisin)

PORTRET ANIMATORATHE PORTRAIT OF AN

ANIMATOR

PJOTR SAPEGIN pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

77

EdvardAriaGrandpa Is ARaisinSnailsOne Day A Man Bought A House

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

78

Pravda je nezavisna kompanija koja se bavi filmskom produk-cijom. Sedište je u Oslu, a osnovali su je 2001. godine reditelji Pjotr Sapegin, Mikel Sandemuse i Dejvid Reis-Andersen i produ-cent Erik Skeien. Pravda je do sada proizvela veliki broj kratkih filmova i muzi~kih videa, kao i više od 160 televizijskih rekla-ma, uglavnom za norveške, ali i me|unarodne kilijente. Osim osniva~a, Pravdu danas ~ine i reditelji Erik Soldbjarg, Andre Ovredal i Erik Aure. Svi oni su dobitnici nagrada ili nominacija na festivalima i takmi~enjima, kao što su glavni festivali kratkog metra u svetu, Advertising festival u Kanu, Eurobest i Cresta, ili Berlinski filmski festival.

Osniva~i PRAVDE

Pjotr Sapegin (1955, Moskva) je posle šesnaest kratkih filmo-va, jednog dugometražnog i sa više od šezdeset me|unarodnih nagrada postao jedan od najpriznatijih norveških animatora.Mikel Sandemuse (1974) je karijeru zapo~eo u Caprino Film Stu-dio, uz svog dedu Bjerna Sandemusea. Potom je radio kao asis-tent režije sa Sapeginom. Posle studija filmske režije postao je deo Pravde, gde danas radi kao režiser reklama i muzi~kih spotova, a priprema i svoj prvi dugomtražni projekat.Dejvid Reis-Andersen (1972) je završio studije likovnih umet-nosti, politike i istorije na univerzitetu u Oslu. Radi kao reditelj muzi~kih spotova, reklama i kratkih filmova.Erik Skeien (1972) je menadžer Pravde, kao i producent reklama. Obrazovanje je sticao prou~avaju}i filmske nauke na koledžu Lilehamer u Norveškoj i filmsku produkciju u Londonu. Radio je na televiziji i u nekoliko produkcijskih kompanija u Lodonu i Oslu pre nego što }e 2001. godine postati suosniva~ Pravde.

Pravda is an indipendent film production company based in Oslo. Pravda was founded in 2001 by directors Pjotr Sapegin, Mikkel Sandemose, David Reiss-Andersen and producer Erik Schoien. Pravda has produced a number of short films and mu-sic videos as well as over 160 TV commercials, mostly for Nor-wegian advertisers, but also for international clients. Besides its owners, Pravda today includes the directors Erik Skjoldb-jaerg, Andre Ovredal and Erik Aure. All of them have won awards and nominations at major short film festivals in the world like Cannes advertising festival, Eurobest and Cresta, as well as the Berlin Film Festival.

The Founders of PRAVDA

Pjotr Sapegin (1955, Moscow) has become, after 16 short films, one feature-lenght and over 60 international awards, one of Norway’s most acclaimed animation directors.Mikkel Sandemose (1974) started his career in Caprino Film Studio with his grandfather Bjarne Sandemose, and than he worked as a director’s assistent for Sapegin. Today in Pravda, Mikkel works as a commercial and music video director, and is currently preparing his first feature film project.David Reiss-Andersen (1972) graduated from fine arts, politics and history at the University of Oslo. He is a director of music videos, commercials and short films.Erik Schoin (1972) is a managing director of Pravda as well as a producer of commercials. Erik was educated from film science at the Lillehammer College in Norway as well as from film pro-duction in London. He worked in TV and with several film pro-ductions company in both Lodon and Oslo before co-founding Pravda in 2001.

79

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

80

Reklame Pjotra Sapegina zaosiguravaju}u kompaniju IF

Pjotr Sapegin’s commercialsfor insurance company IF

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

81

KRATKE KRATKE PRI^ESHORT SHORT STORIES

MTV ADRIA PREDSTAVLJA MTV ADRIA PRESENTS

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

82

MTV ADRIA AND ANIMATION

MTV has been closely related to animation ever since its very beginnings, not only because of music videos, but also due to announcements for different shows, award presentations, television advertisements, ‘art breaks’ and most of all to its entire graphic design.Current graphic design, that is now used by numerous European MTV stations, is called Electro Folk and from its very beginning it doesn’t stop stirring up a lot of dust. The idea of Electro Folk is based on the relationship between the past and the future – a flirt between the featureless and faceless electronic and digital culture on one side, and the traditional spirit of narrating tales on the other. This graphic design combines cultural differences and diversities of central and eastern Europe, central Asia and the Middle and the Far East, and all these elements are included in all forms that appear on MTV Adria. The Electro component represents a minimalist and fast form which is very convenient, without being the most prominent feature.The Folk component represents the very essence of this new design with its humane element. In every region within MTV, as well as within MTV Adria, we discover different traditional stories, full of unusual and invented characters and images, that, even nowadays, various musicians and narrators use as their inspiration. Today, these stories are already considered to be urban myths and can be heard on different occasions and in very different places.About Electro Folk, as an idea for MTV’s graphic design, MTV’s art director said: ‘ I wanted new design to have rich texture, to be

MTV ADRIA I ANIMACIJA

MTV je tesno povezan sa animacijom još od samih po~etaka i to ne samo zaslugom muzi~kih video spotova, ve} i zahvaljuju}i najavama razli~itih emisija, dodelama nagrada, oglasa, kratkim umetni~kim pauzama i naj~eš}e celokupnom grafi~kom izgledu.Aktuelni grafi~ki imidž, koji su po~etkom ove godine preuzeli brojni evropski MTV, nosi naziv Electro Folk i od samog po~etka podiže veliku prašinu. Ideja »Electro Folk« izgra|ena je na odnosu prošlosti i budu}nosti – poigravanja izme|u smirenog i jure}eg, izme|u elektronske i digitalne kulture bez osobenosti i stvarnog lica sa jedne strane i tradicionalnog duha narodnog pripovedanja pri~a sa druge strane. Grafi~ki izgled udružuje razli~itost i raznolikost kultura Srednje i Isto~ne Evrope, Srednje Azije i Bliskog i Srednjeg Istoka, a elementi su uklju~eni u sve oblike pojavljanja MTV Adrije. »ELECTRO« komponenta je brza i minimalisti~ka, tako da je svuda prikladna i ujedno potpuno nenametljiva. Komponenta »FOLK« predstavlja dušu novog imidža, faktor ljudskosti! U svakoj regiji unutar MTV-ja i tako unutar MTV Adrije nalazimo razli~ite narodne pri~e, pune neobi~nih i izmišljenih likova i slika, koje i danas inspirišu razli~ite muzi~are, pripoveda~e i sada ve} urbane mitove i pri~aju se u vrlo razli~itim prilikama i na najrazli~itijim mestima.Kreativna menadžerka MTV-ja je o Electro Folku, kao ideji za grafi~ki imidž, rekla slede}e: »Želela sam da novi imidž ima snažnu teksturu, da bude ru~no nacrtan i prilagoljiv. U isto vreme mora da bude i digitalan, minimalisti~ki i brz, kao i promenljiv

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

83

da bi obuhvatio vreme u kome živimo i novo komunikacijsko oru|e koje koristimo. Najve}i izazov bio je da se ostvari robni identitet sa kojim }e mo}i da se poistovete razli~iti narodi iz razli~itih kultura, sa vrlo razli~itim ukusima i iz vrlo razli~itih država, odnosno oblasti.« Na ovoj ta~ki treba pomenuti i tzv. kratke umetni~ke pauze ili »art breakove«. Šta je uopšte »art break« ? U najavi našeg konkursa u aprilu 2007. opisali smo ga kao »vizuelni utisak koji obuhvata kreativni trenutak odn. ideju koja se u najrazli~itijim tehnikama ostvaruje u okviru 5-15 sekundnog bumpera. Izbor tehnike prepušten je pojedincima – to može biti animacija, crtež, obra~ena fotografija, film...«. Rezultati su bili odli~ni jer smo dobili »art breakove« od više od trideset autora iz celokupne regije koji su se najradije služili upravom animacijom – na jedan ili drugi na~in. Ipak, samo animacija nije dovoljna – u prvom redu je važna odli~na i druga~ija ideja, a tako|e je bitno i znanje i vladanje razli~itim programskm oru|ima za izradu same animacije.

drawn by hand and flexible. At the same time, it has to be digital, minimalist and fast, as well as changeable, so it could capture the time we live in and the new means of communication we use. The greatest challenge was to accomplish a trademark that will be easy to identify with for different people coming from different cultures, countries and regions with very different tastes.’Here we should also mention so-called ‘art breaks’. So what actually is an ‘art break’? When we announced our open competition, in April 2007, we described it as ‘a visual impression that captures the creative moment, that is to say the idea, that realizes itself through a wide range of techniques in a 5-15 seconds long bumper. The authors are given a free choice of techniques – it can be an animation, drawing, photograph, film ...’.The results were excellent, since we got ‘art breaks’ from over thirty authors from the whole region. Most of these authors used animation as their technique – one way or the other.However, animation alone is not enough – the most important thing is an excellent and unusual idea, but also the knowledge and usage of different techniques used in animation.

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

84

GLEDAJ! MUZIKA!WATCH! MUSIC!

Osamdeset šest minuta izuzetnog programa GLEDAJ!MUZIKA! su presek savremene svetske muzi~ke produkcije. GLEDAJ!MUZIKA! na najbolji mogu}i na~in pokazuje uspešnu umetni~ku saradnju zna~ajnih muzi~ara, režisera, animatora... Žurka u bioskopskoj dvorani!!!

Outstanding eighty six minutes of the WATCH! MUSIC! programme presents contemporary music production in the world. WATCH! MUSIC! is the best possible way to show exceptional artistic cooperation of distinguished musicians, directors, animators... Party time in the movie theater!!!

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

85

GLEDAJ! MUZIKA!WATCH! MUSIC!

Fujiya & Miyagi – Ankle Injuries Director: Wade Shotter Year: 2007

Queens Of The Stone Age – Go With The Flow Director: Shynola Year: 2003

The Knife – We Share Our Mother’s Health Director: Motmomichi Nakamura Year: 2006

Gnarls Barkley – Crazy (video #2) Director: Robert HalesYear: 2006 Gorillaz – El Mañana Director(s): Jamie Hewlett & Pete Candeland Year: 2006

Radiohead – Pyramid Song Director: Shynola Year: 2001

Royksopp – Remind Me Directed by the French motion graphic studio H5Year: 2002

The Phoenix Foundation –Hitchcock Director: Reuben Sutherland Year: 2005

Daft Punk– Harder Better Faster Stronger Director: Leiji Matsumoto Year: 2001

The White Stripes – Fell In Love With A Girl Director: Michel Gondry Year: 2002

Autechre – Gantz Graf Director: Alexander Rutterford Year: 2002

Beck – Epro Director: Shynola Collective Year: 2005

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

Coldplay – Don’t Panic Director: Tim Hope Year: 2001

Basement jaxx – Cish Cash Director : Pleix Year: 2004

Alex Gopher – The Child Director: Antoine Bardou-Jacquet Year: 2000

Thomas Fersen – 2PiedsDirector: Thomas Fersen Year: 2003

The Chemical Brothers – BelieveDirector: Dom & Nic (Nick Goffey and Dominic Hawley) Year: 2005

Subtle – F.K.O Director: SSSR Year: 2004

Bjork – All Is Full Of Love Director: Chris CunninghamYear: 1999 Depeche Mode – Enjoy The Silence 2004 Director: Uwe FladeYear: 2004

Lemon Jelly – Slow TrainDirector: Airside (Fred Deakin’s company) Year: 2005

Micah P Hinson – Beneath The Rose Director: Karni & Saul Year: 2006

Justice – D.A.N.C.E Director: Jonas & François for 75 production Year: 2006

Muse – Invincible Director: Jonnie Ross Year: 2007

86

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

ANESI – ME\UNARODNI SAJAM I FESTIVAL ANIMIRANOG FILMAAnesi je mesto održavanja najve}eg me|unarodnog festivala u potpunosti posve}enog animaciji, a tako|e i predstavlja je-dinstveni stru~ni sajam na kome se, tokom tri dana, sastaju i povezuju ljudi iz sveta industrije animiranog filma.Nakon 40 godina od svog postojanja, takmi~arski deo festivala je sada podeljen u 5 kategorija (igrani film, kratki film, poru~eni film, TV film, diplomski film) koje pružaju mogu}nost za upotre-bu razli~itih tehnika. U selekciju festivala za 2007. godinu je ušlo 1882 filma, a ove godine u središtu pažnje je posebno dugometražni animirani film koji je u takmi~arskom delu pred-stavljen sa 9 filmova.Sajam animiranog filma Mifa predstavlja jedinstveni doga|aj u svetu koji na jednom mestu okuplja filmske stvaraoce i stru~njake iz sveta televizije, kinematografije, kablovske i satelitske industrije. Predstavlja idealno mesto, pogodno za uspostavljanje novih kontakata, upoznavanje novih talenata, pregovaranje o svih aspektima produkcije, distribucije i emi-tovanja, upoznavanje sa novim ure|ajima i postupcima, kao i za pronalaženje novih poslovnih partnera i nov~anih sredstava.Sposobnost festivala da prikaže i promoviše industriju ani-miranog filma u svim razli~itim oblicima, doprinela je da se Anesi širom sveta smatra središtem zbivanja za ljude koji se profesionalno bave animacijom.Jednostavno, ovaj festival je nešto što se ne sme propustiti!

ANNECY – THE INTERNATIONAL FAIRAND FESTIVAL OF ANIMATED FILMAnnecy is the location for the greatest competitive interna-tional festival entirely dedicated to animation and a unique professional trade fair, where all the people from the animation industry come together for three days of networking and ad-vanced projects.After forty years of its existence, the Festival competition is now classified into five different categories (feature films, short films, commissioned films, TV films, graduation films) giving a great diversity of techniques. The Festival received a record of 1,882 films for the selection in 2007 and focused particularly on the animated feature films with 9 films in competition.The Animated Film Market (Mifa) is the only event in the world

that brings together film makers and professionals from the television, cinema, video, and cable and satellite industries. It is an ideal venue, conducive for making contacts, meeting new talents, negotiating all the aspects of production, distribution and broadcasting on an international scale, finding out about new devices and processes, watching demonstrations, receiv-ing sound advice and finding new partners and funding.The capacity to present and promote animation in all its differ-ent forms has made Annecy a worldwide focal point for anima-tion professionals. Quite simply it’s a must!

87

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

88

Posebno priznanje / Spécial DistinctionZEC / RABBIT Run Wrake / Velika Britanija / Great Britain / 2005 / 8’30’’

Nagrada za najbolji diplomski film / Award for best graduation film ASTRONAUTI / ASTRONAUTS Matthew Walker / Velika Britanija / Great Britain / 2005 / 8’20’’

Nagrada omladinskog žirija za kratki film / Junior Jury for a short filmJEDAN D / ONE D Michael Grimshaw / Kanada / Canada / 2005 / 4’38’’

Anesi kristal 2006 / The Annecy Cristal 2006TPS Cineculte za kratki film / TPS Cineculte for a short filmTRAGI^NA PRI^A SA SRE]NIM SVRŠETKOM / TRAGIC STORY WITH HAPPY ENDINGHistoria trágica con final feliz Regina Pessoa / Francuska; Kanada; Portugal / France, Canada, Portugal / 2005 / 7’46’’

Specijalna nagrada žirija / Special Jury AwardNagrada publike / Public Award Nagrada žirija kritike FIPRESCI / Fipresci AwardSNOVI I ŽELJE – PORODI^NE VEZE / DREAMS AND DESIRES –FAMILY TIES Joanna Quinn / Velika Britanija / Great Britain / 2006 / 9’55’’

Specijalno priznanje / Special DistinctionEBIGEJL / ABIGAIL Tony Comley Velika Britanija / Great Britain / 2005 / 6’41’’

Nagrada ’Žan-Lik Zibera’ za prvi film / ’Jean-Luc Xiberras’ Award for a first filmDOSTAVA / DELIVERY Till Nowak / Nema~ka / Germany 2005 / 9’

Nagrada UNICEF / Unicef AwardCRNO NA BELO / BLACK ON WHITEAndrey Tsvetkov / Bugarska / Bulgaria / 2005 / 4’30’’

Nagrada za reklamni ili promotivni film / Advertising or promotional film AwardLEKARI BEZ GRANICA “LJUDSKA LOPTA”/ MÉDECINS SANS FRONTIÉRES “HUMAN BALL”Andreas Hasle / Belgija / Belgium / 2005 / 45’’

Nagrada omladinskog žirija za diplomski film / Junior Jury Award for a graduation filmEGO / EGOLouis Blaise, Thomas Lagache, Bastien Roger / Francuska / France / 2005 / 6’30’’

Kristal za najbolju TV produkciju / The Cristal for best TV production POKOJO “NEŠTO MALO IZME\U PRIJATELJA” / POCOYO “A LITTLE SOMETHING BETWEEN FRIENDS” David Cantolla, Guillermo Garcia / Španija, Velika Britanija / Spain, Great Britain 2005 / 7’

Specijalna nagrada Žirija / Special Jury Award ŠETNJA PO KIŠNOM DANU / WALKING IN THE RAINY DAY Hyun-myung Choi / Južna Koreja / South Corea / 2005 / 5’

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

89

Tragic Story With Happy Ending (strana 91 / page 91)Dreams and Desires – Family TiesDeliveryMédecins sans frontiéres “Human Ball”AstronautsEgo

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

90

RADOVI U TOKUWORK IN PROGRESS

ANIMANIMA 2007 predstavlja budu}nost srpske animacije: u programu WORK IN PROGRESS, nekolicina doma}ih autora u interakciji sa publikom živopisno do~arava “slatke muke” nastajanja animiranih ostvarenja sa kojima }e uskoro u pohod na svetske festivale.

ANIMANIMA 2007 represents the future of Serbian animation: in the program WORK IN PROGRESS, several authors, in the interaction with the audience, picturesquely conjure up “sweet throes” of creating works of animation with which they’ll be making foray into world festivals.

GORSKI VIJENAC / THE MOUNTAIN WRETH

Imperator je odavno osvojio veliki deo Evrope. U jednoj maloj zemlji, ~iji narod još nije u potpunosti pokoren, ra|aju se naraštaji ~iji su preci odavno prihvatili nametnutu veru i obi~aje. Iskre sukoba me|u sunarodnicima su sve ~eš}e i bolnije. Na jednom ~oveku leži sav teret odluke. Stilizovana igrano-animirana forma, savremeni minimalisti~ki pristup u predstavljanju epskog dela, desaturisanost boja, 2d, 3d animacija, kompoziting sa živom slikom i kombinacija živih i virtualnih likova ~ine da ovaj film Lazara Bodro`e i Jovane Toki} ne govori tipi~nim filmskim jezikom.

It’s been a long time since the Emperor conquered the big part of Europe. In a small country, whose people haven’t been com-pletely conquered yet, new generations are born. Their ances-tors accepted the religion and customs imposed on them long time ago. The sparks of conflict between people are becoming more frequent and more painful. The whole burden of decision falls upon one man. It is a stylistic combination of a feature and animated film. Mod-ern minimalist approach used in presenting this epic, 2-D and 3-D animation, vivid images and the combination of real and virtual characters make this film atypical in any aspect, espe-cially the language that uses. The authors are Lazar Bodro`a and Jovana Toki}.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

91

CLOSING TIME je trejler za kratkometražni animirani film o odrastanju odnosno o neodrastanju i prikazuje ljudske odnose kroz prizmu uslovljenosti i straha. Autori su Uroš Obradovi} i Marko Milankovi}.

CLOSING TIME is a trailer for the short animated film about growing up, that is to say not growing up. It portrays human relations through the prism of different conditions that must be fulfilled and fear. The authors are Uros Obradovic and Marko Milankovic.

Izvesni Kiza, po zanimanju domar, sa svojom ženicom živi u ma-lom stanu u okviru zgrade fakulteta. Me|utim, ovaj sredove~ni ~ova je strah i trepet na fakultetu: on gvozdenom pesnicom zavodi red me|u studentima, koji su frustrirani svakodnevnom torturom i zlostavljanjem. Tenzija }e kulminirati kada jedan od njih odlu~i da digne svoj glas protiv fakultetskog tiranina. Epska bitka koja usledi izmeni}e živote svih u~esnika.Trides-etominutna akciona komedija, DOMAR, je urnebesna animirana pri~a Nikole Vulovi}a.

Some guy named Kiza is a janitor. He and his wife live in the little apartment in the Faculty building. However, this middle-aged dude is a disaster for the students who are frustrated with daily torments of his iron-fisted regime. The tensions will culmi-nated when one of the student decide to rise his voice against faculty tyrrant. Epic battle that follows will change the lives of all the participants. Thirty minutes length action comedy THE JANITOR is hillarious animated story by Nikola Vulovic.

pose

bni p

rogr

ami s

peci

al p

rogr

amm

esAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

92

TECHNOTISE - Edit i ja / TECHNOTISE – Edith and I

Zbog problema sa fakultetom, Edit rešava da pribegne alternativnom metodu polaganja ispita. Njen prijatelj Herb joj prodaje ~ip sumnjivog porekla koji bi mogao da joj pomogne, da koriste}i vezu izme|u svesti i podsvesti, pove}a svoje intelektualne sposobnosti. Me|utim niko i ne sluti da }e ~ip, pošto Edit sticajem okolnosti u istraživa~kom centru TDR vidi grafikon misteriozne formule, postati svestan samog sebe i po~eti prvo mentalno a onda i fizi~ki da se razvija kao Editina paralelna li~nost .

Because of her problems at the university, Edith decides to resort to an alternative way of passing her exams. Her friend Herb sells her a microchip of suspicious origin which could help her increase her intellectual abilities by using the connection between her consciousness and the subconscious. But nobody can even suspect that, after Edith sees the mysterious formula by chance in researching center TDR, the microchip is going to become aware of itself and start developing as Edith’s parallel personality, first mentally and then physically as well.

FAKTOR 4 je pilot epizoda kompjuterski animirane serije ra|ene prema istoimenom stripu, u okviru studija Loudworks. Žanrovski, Faktor 4 spada u nau~nu fantastiku sa superherojskim elementima. Radnja se odvija u budu}nosti i prati sudbinu ~etvoro tinejdžera koji poseduju natprirodne mo}i.

FACTOR 4 is the pilot for the digital animated series based on the comic of the same name for the Loudworks studio. As for the genre, Factor 4 falls into science fiction with some superheroic elements. The story is set in the future and follows the lives of four teenagers who have supernatural powers.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

i pro

gram

i spe

cial

pro

gram

mes

93

DOMAR THE JANITOR

pose

bne

proj

ekci

je s

peci

al s

cree

ning

sAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

94

DOMAR THE JANITORNikola Vulovi}SRBIJA / SERBIA2007 / 30’

Režija / Director - Nikola Vulovi}Scenario / Screenplay - Nikola Vulovi} Animacija / Animation - Nikola Vulovi}Dizajn zvuka / Sound Design - Ognjen Popi}, Zoran Maksimovi} Muzika / Music - Damir Turkanovi}, Nebojša Markovi} Glasovi / Cast - Nenad Jezdi}, Nikola \uri~ko, Siniša Banovi}, Tamara Maksimovi}... Produkcija / Production - Nikola Vulovi}, Hypnopolis

Kiza je domar koji gvozdenom pesnicom zavodi red na fakultetu. Studenti su suo~eni sa svakodnevnom torturom, ali samo jedan od njih odlu~uje da se suprotstavi domaru. To dovodi do sukoba neverovatnih razmera koji }e obeležiti živote svih u~esnika.

Kiza is the school janitor, who enforces school’s hygienic policies with an iron fist. The students are frustrated with daily torments and abuse, but only one decides to strike back. This will lead to the conflict of immense magnitude, which will mark the participants for the rest of their lives.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

e pr

ojek

cije

spe

cial

scr

eeni

ngs

95

FILM NOAR FILM NOIR

pose

bne

proj

ekci

je s

peci

al s

cree

ning

sAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

96

FILM NOIR Sr|an Penezi} & Risto TopaloskiSRBIJA / SERBIA 2007 / 97’

Režija / Director – Sr|an Penezi} (D. Jud Jones) & Risto Topaloski Scenario / Original Screenplay - D. Jud Jones Animacija / Animation - EasyE FilmsUmetni~ki direktor / Art Director - Raymond Penn Muzika / Original Music - Mark Keller Produkcija / Production - EasyE FilmsProducent / Producer - Miodrag Certic Izvršni producent / Executive Producer - Miodrag ]erti}, D. Jud Jones Distribucija / Distribution - Wild Bunchwww.filmnoirthemovie.com

No}, LA. Naš junak otvara o~i, dok polako dolazi svesti. Iznad njega, znak ,,Holivud’’ blješti. U blizini, parkiran auto i mrtav policajac. A pored policajca, pištolj. Sude}i po futroli koju naš junak nosi, izgleda da je on ubica. A on, baš ni~ega ne može da se seti – kako se našao tu, šta se dogodilo, ko je on. Sirene zavijaju u no}i – vreme je za beg. Ulazi u auto mrtvog policajca i odlazi. U automobilu zazvoni mobilni telefon – poziv za Sema

Rubena, privatnog detektiva. Glas sa druge strane mu kaže da je posao obavljen i da }e novac biti preba~en na njegov ra~un. Da li je Ruben naš junak? Dolazi u detektivovu sumnjivu kancelariju, gde mu zbunjena sekretarica saopštava da je Sem odsutan. Ona nema predstavu ko je naš junak. ]orsokak. U automobilu ponovo zazvoni telefon. Sekretarica javlja Rubenu da je Dejvid Hadson upravo bio u kancelariji.Te no}i, naš junak provaljuje u Rubenovu kancelariju i krade Hadsonov dosije. Fotografija u dosijeu se savršeno poklapa – ON je zapravo Dejvid Hadson... ili ipak nije?Tako naš junak ulazi u pakleni svet smrtonosne prevare i bezgrani~ne izopa~enosti, o~ajni~ki pokušavaju}i da povrati svoj identitet u središtu košmara gde je seks jedina stvar koja je prljavija od laži, a ono što je jedino sigurno, jeste da ništa nije onako kako se ~ini.

Nighttime, LA. Our hero opens his eyes, regaining consciousness. Above him, the Hollywood sign flashes. Parked nearby, there’s a car and a dead cop. And next to the cop, a gun. Judging by the way it fits the holster he’s wearing, it looks like our man’s the killer. And he can’t remember a damned thing - how he got there; what happened; who he is. Sirens scream through the night - time to run. Our hero gets into the dead cop’s car and splits. In the car, his cell phone rings - it’s a call for Sam Ruben, private detective. A voice tells him the job’s done and the money will be wired into his account. Is our hero Ruben? He visits the detective’s seedy offices, where a nonplussed secretary informs him that Sam’s away. She has no idea who our hero is. A dead end. Back in the car, the phone rings again. It’s the secretary, calling to tell Ruben that David Hudson was just in the office. That night our man breaks in to Ruben’s office and steals Hudson’s file. The photo in the file is a perfect match - he is David Hudson... or is he? Thus our man enters a hellish world of lethal deception and limitless depravity, desperate to regain his identity at the heart of a black, white and blood-red nightmare where the only thing filthier than the lies is the sex, and the only sure thing is that nothing is what it seems.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e po

sebn

e pr

ojek

cije

spe

cial

scr

eeni

ngs

97

BORIVOJ DOVNIKOVI] BORDOAnimator, karikaturist, ilustrator, strip-crta~, grafi~ki dizajner

Borivoj Dovnikovi~–Bordo ro|en je 1930. u Osijeku. Jedan je od pionira hrvatske/jugoslovenske animacije i Zagreba~ke škole crtanog filma. Radi na animaciji od 1950. kao crta~ i animator, a vlastite autorske filmove stvara od 1961. Godine 1950/51. u~estvovao je u realizaciji prvog zagreba~kog crtanog filma Veliki miting, koji se smatra po~etkom moderne hrvatske animacije, a istovremeno i njegove profesionalne karijere. Paralelno s animacijom, Bordo od 1950. kontinuirano radi na karikaturi, ilustraciji, stripu i grafi~kom dizajnu.U svojoj 55-godišnjoj karijeri osvojio je za svoje animirane filmove tridesetak me|unarodnih nagrada. Nagrade za životno djelo primio je u TREVISU, Italija, BIRMINGHAMU, SAD, na BALKANIMI u Beogradu, te Plaketu JUGOSLOVENSKE KINOTEKE, a u Hrvatskoj u MOTOVUNU, u svom rodnom OSIJEKU, i, na kraju, republi~ku Nagradu VLADIMIR NAZOR. Bordo je prikazao retrospektive ili programe svojih filmova u preko ^etrdeset gradova svijeta, kao i u programima Zagreb filma na svih pet kontinenata. Njegov udžbenik za animatore, ŠKOLA CRTANOG FILMA, objavljen je u Zagrebu 1983. i 1996. godine, a potom u ^eškom prevodu 1985. i 2006. u Pragu, na francuskom u Parizu 2000. i nedavno u Beogradu. Luksuzna monografiju pod naslovom B... zna~i BORDO izašla je u izdanju

RETROSPEKTIVA / RETROSPECTIVERETROSPECTIVEBORIVOJ DOVNIKOVI] BORDO1. CEREMONIJA / CEREMONY (1965) 3:222. ZNATIŽELJA / CURIOSITY (1996) 8:483. KREK (1967) 9:364. LJUBITELJI CVIJE]A / THE FLOWER LOVERS (1970) 9:07 5. PUTNIK DRUGOG RAZREDA / SECOND CLASS PASSENGER (1973) 10:406. ŠKOLA HODANJA / LEARNING TO WALK (1978) 8:087. JEDAN DAN ZIVOTA / ONE DAY OF LIFE (1982) 9:428. UZBUDLJIVA LJUBAVNA PRICA / THE EXCITING LOVE STORY (1989)5:49

BORIVOJ DOVNIKOVIC BORDOAnimator, cartoonist, illustrator, graphic designer

Borivoj Dovnikovic Bordo was born in 1930 in Osijek. He is considered to be one of the pioneers of animation in Croatia and Zagreb school of animations. He has been working as a cartoonist and animator since 1950 and has been making his own animated films since 1961. In 1950/51 he was involved in the making of the first cartoon made in Zagreb, called ‘The Big Rally’, which marked the beginning of both the modern Croatian animation and his own professional career. Besides animation, Bordo has been continuously working as a cartoonist, illustrator and graphic designer ever since 1950.In his 55 years long career he has won about 30 prestigious international awards for his animated films. He received the awards for lifetime achievement in Treviso (Italy), Birmingham (USA), at BALKANIMA in Belgrade, as well as the award given by JUGOSLOVENSKA KINOTEKA and the award VLADIMIR NAZOR.Bordo has shown retrospectives of his films in over 40 cities all over the world and also in the selection of ZAGREB FILM on five continents. His textbook for animators, The School of the Animated Film, was published in 1983 and 1996 in Zagreb, then in its Czech translation in 1985 and 2006 in Prague, in French in 2000 in Paris and recently in Belgrade. A monograph B... is for Bordo was published in 2006 in Zagreb.

pose

bne

proj

ekci

je s

peci

al s

cree

ning

sAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

98

SKD Prosvjeta, 2006. godine u Zagrebu. Bordo je bio ~lan žirija ili selekcijskih komisija na osamnaest me|unarodnih filmskih festivala u Evropi, Sjevernoj Americi i Aziji. Ucestvovao u vodstvu zagreba~kog Me|unarodnog festivala animiranih filmova od njegovog po~etka (1972), a kao direktor Festivala od 1985. do 1991. Od 1977. do 1982. bio je ^lan Upravnog odbora ASIFA-e, Me|unarodne asocijacije animiranog filma, a od 1994. do 2000. njen generalni sekretar. 2007.

Bordo was a member of the jury at 18 different international film festivals in Europe, North America and Asia. He took part in the organisation of the International Festival of Animated Films in Zagreb from its beginning (1972), and from 1985 to 1991 he was the president of the Festival. From 1977 to 1982 he was a member of the board at ASIFA, the International Association of Animated Film, and from 1994 to 2000 its general secretary.

2007.

B...ZNA^I BORDO / B...IS FOR BORDOIzdava~ / Publisher – SKD Prosvjeta, Zagreb, 2006

Dvojezi~na monografije o Borivoju Dovnikovi}u Bordu, doajenu Zagreba~ke škole animiranog filma. O opusu klasika crtanog filma u Hrvatskoj pisale su njegove kolege, doma}e i strane, Ranko Muniti}, Petrar Krelja, Hrvoje Turkovi}, Olivije Kote, Emanuel Boneli, Pol Drisen, LuKa Rafaeli i drugi.

Bilingual monograph on Borivoj Dovnikovic Bordo, the master of the Zagreb school of animated film. Bordo’s colleagues (such as Ranko Munitic, Petar Krelja and Hrvoje Turkovic) together with some foreign authors (like Olivier Cotte, Emanuele Bonelli, Paul Driessen, Luca Raffaelli) give their opinions on the canon of this renowned cartoonist from Croatia.

Borivoj Dovnikovi} Bordo: ŠKOLA CRTANOG FILMA Izdava~i: FILMSKI CENTAR SRBIJE i FPU (Beograd, 2007)

“U ovoj knjizi sabijeno je tridesetogodišnje iskustvo jednog od najkompletnijih stvaralaca modernog crtanog filma.“ (iz predgovora Ranka Muniti}a)

Borivoj Dovnikovic Bordo: THE SCHOOL OF THE ANIMATIONPublishers: SERBIAN FILM CENTRE and FPU (Belgrade, 2007)‘This book is packed with useful information and is a result of thirty years long experience of one of the most prominent modern cartoonists and graphic designers.’ (from the preface by Ranko Munitic)

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e ta

kmi~

arsk

i pro

gram

com

petit

ion

prog

ram

me

99

Those outstanding films represent the world-famous Russian school of animation in the best possible way. The Mountain of Gems project is an exceptional undertaking of the contemporary Russian culture – an amalgam of the traditional literature and modern animated film, that produces a result worthy of admiration. The organizers of the ANIMANIMA 07 festival dedicate this presentation of Mountain of Gems films to a memory of recently passed away Alexander Mikhaylovich Tatarskiy (1950-2007), renowned Russian animator, screenwriter and director.

PLANINA DRAGOG KAMENJA MOUNTAIN OF GEMS Filmovi za decu studija PILOT iz MoskveFilms for children made by Studio PILOT, Moscow, RussiaGORA SAMOCVETOV

Moskovski studio animacije PILOT predstavlja prvi ruski edukativno-zabavni projekat, kreiran za decu od 5 do 12 godina i usmeren na to da ukaže na svu nacionalnu i kulturnu raznolikost njihove zemlje. Više od trideset filmova iz serije zapo~ete 2003. godine ve} je završeno. Filmovi su prikazani na državnom televizijskom Kanalu 1, pozdravljeni od strane novinara, kulturne i politi~ke javnosti. Projekat Planina dragog kamenja je dobio veliki broj nagrada na festivalima u Rusiji i u inostranstvu, a oven~an je i “Zlatnim orlom”, najve}om ruskom nagradom za kinematografiju.Ovi izvanredni filmovi koji dostojno predstavljaju u svetu nadaleko poznatu rusku školu animacije su izuzetan poduhvat za savremenu rusku kulturu: spoj tradicionalne narodne književnosti i umetnosti animiranog filma dao je rezultat vredan divljenja. Organizatori festivala ANIMANIMA 2007 projekciju Planina dragog kamenja u ^a~ku posve}uju uspomeni nedavno preminulog Aleksandra Mihailovi~a Tatarskog (1950-2007), poznatog ruskog animatora, scenariste i reditelja.Presented by the PILOT studio, Mountain of Gems is the first Russian educational and entertaining project, created for children of 5 to 12 and aimed at telling them about the natioal and cultural diversity of their country. Over 30 films of the series started in 2003 have been completed. They have been shown on Russia’s Channel One and have been highly acclaimed by the press as well as a number of prominent political leaders and public figures. The Mountain of Gems project has received many awards at different Russian and international film festivals, including the most prestigious award of Russian cinematography, the Golden eagle.

ŽIHARKA ZHIHARKA OLEG UZHINOV

(13’11’’, 2006)

Film je zasnovan na bajci sa Urala. Lisica pokušava da ukrade devoj~icu Žiharku ne bi li je pojela. Ali kad je ukrade, ne može da je pojede!

The film is based on the fairy tale from Ural. A fox is trying to steal a little girl named Zhiharka to eat her. And it stole the girl, but couldn’t eat her!

revi

jaln

i pro

gram

i rev

iew

sAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

100

NE]U DA KAŽEM! I WON’T TELL ELENA CHERNOVA(13’16’’, 2006)

Jednom je živeo tvrdoglavi mladi} Vanja koji je sanjao nešto što ga je uvalilo u grdne nevolje i neobi~ne avanture. Na kraju, Vanja je pronašao prijatelje i nevestu za sebe.

Once upon a time, there was a stubborn young man named Vania, who had a dream which caused him so much trouble and started a series of adventures. In the end Vania found himself a bride and friends.

NEPOSLUŠNI MEDVEDI] LITTLE BEAR

NATALIA BEREZOVAYA (12’56’’, 2006)

Pri~a iz Jakutije u kojoj jedan medvedi} želi da postane neka druga zverka.

A Yakut tale about a little bear that wants to become some other animal.

SRCE ZVERI THE HEART OF THE BEAST ANDREI SOKOLA(13’16’’, 2006)

Film se bazira na amurskoj bajci. Ako ~ovek ima ljubazno i ~isto srce, osta}e ~ovek zauvek pa makar izgledao kao zver.

The film is based on Amur fairy tale. If a man has a kind and pure heart, he will always stay a man. Even if he looks like a beast.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e re

vija

lni p

rogr

ami r

evie

ws

101

ŠIŠ SHISHIGOR VEYSHTAGIN & MARINA KARPOVA (13’10’’, 2006)

Pri~a o simpati~nom de~aku Šišu, koji je održao lekciju svojoj pohlepnoj bra}i i spasao oca.

The story of a cute boy named Shish who taught his greedy brothers a lesson and helped his father-

KROŠE^KA-HAVROŠE^KAKROSHECHKA-KHAVROSHECHKA

INGA KORZHNEVA (13’00’’, 2007)

Ruska pri~a o devoj~ici Kroše~ki-Havroše~ki koja je postala

siro~e, prošla kroz mnoge neda}e da bi se na kraju igrom slu~aja udala za Carevog sina.

A Russian tale about a little girl named Khroshechka-Khavroshechka who became an orphan and has gone through

many difficulites, but eventually has married Tsarevitch.

^EPOGICHEPOGILÉON ESTRINE(13’00’’, 2007)

Korejska pri~a o tome kako je siromašni Kim postao bogat ^ovek.

A Corean tale about a poor Kim who becomes a rich man.

revi

jaln

i pro

gram

i rev

iew

sAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

102

Deset kratkih pri~a o prijateljstvu, razumevanju, ljubavi, toleranciji, pravu da se bude druga~iji, otu|enom životu u gradovima, o odnosu prema najvažnijem „susedu“ svakog ~oveka – prirodi...

Ten short tales about friendship, understanding, love, tolerance, the right to be different, alienated life in the cities, as well as the attitude of man towards the most prominent of all our ’neighbours’ – the nature...

MOJ SUSED I JAMY NEIGHBOUR AND ME

NEPODNOŠLJIVO VREME / UNBEARABLE WEATHER 2004 / 10:00Medvezia uslugaEvgeniy Alyokhin,Ukrajina / Ukraine

LUPE I BRUNO / LUPE & BRUNO 2005 / 5:30La Lupe i en BrunoMarc Riba & Anna Solanas,Španija / Spain

MOJ SUSED I JA / MY NEIGHBOR AND ME Ma voisine et moi 2006 / 8:00Louise-Marie Colon, Belgija / Belgium

MAKS IZME\U NEBA I ZEMLJE / MAX BETWEEN SKY AND EARTH Max entre ciel et terre 2004 / 8:40Jean-Luc Slock, Belgija / Belgium

HA BI BA / HA BI BA 2006 / 12:00Mathien Labaye, Belgija / Belgium

SAN U SNU / THE DREAM IN THE DREAM 2007 / 7:36Ikue Sugidono, Japan /Japan

SONATA ZA MACU / SONATA FOR PUSSYCAT 2004 / 20:30Mirela Srebri}, Srbija / Serbia

GLADAN LJUBAVI / HUNGRY FOR LOVE 2007 / 2:58 Kim Alexander, Velika Britanija / Great Britain

ZLO]E / ZLYDNI 2005 / 12:00Stepan Koval, Ukrajina / Ukraine

ZAGREVANJE / WARMING 2006 / 4:24Colleen MacIsaac, Kanada / Canada

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e re

vija

lni p

rogr

ami r

evie

ws

103

Lupe & Bruno (strana 104 / page 104)Ha Bi BaSonata for PussycatMy Neighbour and MeZlydniWarming

revi

jaln

i pro

gram

i rev

iew

sAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

104

ANIMIRANA SUBOTAANIMATED SATURDAY

Ovaj program koji otvara subotu, poslednji dan festivala, je panorama uglavnom evropskih filmova. ANIMIRANA SUBOTA je, zahvaljuju}i širokom izboru tema i poetika, kao i tehnika animacije, pitak filmski koktel za svakog istinskog ljubitelja animiranog filma.

The opening programme for Saturday, the last day of the festival, is a display of mostly European films. Due to a wide range of topics and different animation techniques, Animated Saturday is a pleasant mixture for any true lover of animated film.

PSE]I PAVLOV / DOG’S PAVLOV 2006, 1’44’’Igor ]ori}, Srbija / Serbia

KOLIN / COLIN 2005, 5’30’’ Peter Lindhout, Holandija / Netherlands PIK I NIK / PIK AND NIK 2006, 5’Martin Snopak, Slova~ka / Slovakia

SENKA / THE SHADOW 2006, 1’36’’Igor ]ori}, Srbija / Serbia

ZATVOREN / CLOSED 2006, 3’Albert Radl, Nema~ka / Germany

ISUS TE GLEDA /JESUS IS LOOKIN’ AT YOU 2004, 1’44’’Nemanja Gavrilovi}, Srbija / Serbia

SAMO LJUBAV TI MOŽE SLOMITI SRCE /ONLY LOVE CAN BREAK YOUR HEART 2005, 9’28’’Christopher Keller, Nema~ka / Germany

X.PRESSION 2007, 3’20’’Laurie Thinot, Francuska / France

GAVRAN / THE RAVEN 2007, 5’56’’Nenad Krsti}, Srbija / Serbia

ALTERNATIVE WORLD’S MODEL – SE 2007, 4’20’’Alexandar Zhukov,Ukrajina / Ukraine

PLA^ ZA PLA^ / CRY FOR A CRY 2006, 1’32’’Igor ]ori} , Srbija / Serbia

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e re

vija

lni p

rogr

ami r

evie

ws

105

AUTOPORTRET / SELFPORTRAIT 2007,4’40’’Uroš Kr~adinac , Srbija / Serbia

MAJ / MAY 2007, 7’15’’Stoyan Dukov, Bugarska / Bulgaria

RAZUMETI ŽENE / WOMEN ON BOARD 2006, 10’37’’ Vjekoslav Živkovi}, Hrvatska / Croatia

GRADSKA MIGRACIJA / URBAN MIGRATION 2006, 3’45’’James Paul, Australija / Australia

YIN-YANG 2005, 2’15’’Sabine Pleyel, Austrija /Austria

CRNA KUTIJA / BLACK BOX 2006 2’33’’Andrej Kolen~ik Slova~ka / Slovakia

SALATA ZA VE^ERU / LE SALAD DINNER 2007, 1’32’’Mark Farrell, Velika Britanija / Great Britain

NAIVNA PRI^A / NAIVE STORY 2006, 7’24’’Marija Milanovi} LazarevskiSrbija / Serbia

Black BoxDog’s Pavlov

revi

jaln

i pro

gram

i rev

iew

sAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

106

BRADAMiroljub Milutinovi}-Brada(autobiografska beleška, avgust 2007.g.)

Stripom sam se „zarazio“ polovinom osamdesetih, i tada, otprilike, po~eo sam i da ih crtam. Prvi profesionalni angažman kao crta~ (fazer) dobio sam 1989. godine u Biki} studiju za animaciju i kome sam ostao do 1991. godine. Bio je to period kada sam po~eo da objavljujem prve radove: u ~asopisu Tron, pokrenutom 1992. godine, pojavljivali su u kontinuitetu. Osim u Tronu, bilo ih je i u Gradini, Voajeru, Strip maniji, Megatronu. Ilustracije koje sam radio objavljivane su u ~asopisima za decu Tik-Tak, Školarac, Veliko dvorište i Politikin Zabavnik.

Sa izdava~kom ku}om Kreativni centar sara|ujem više od deset godina. Bila je 2001. godina kada sam posredovanjem agenta iz inostranstva, g. ^abe Kopeckog, dobio angažman u poznatoj izdava~koj ku}i iz Pariza, ’Glena’ (Glenat,www.glenatbd.com) tako sam otpo~eo rad na serijalu L’EXPERT, po tekstu francuskog scenariste Franka Žirua (Giroud). Krajem 2007. godine, iz štampe izlazi i poslednja od ~etiri knjige koliko ima ova pri~a (Justice) .Otpo~eo sam rad i na novom serijalu za ’Glena’, GRAND REGISTRE, koji potpisuju scenaristi Damijen Perez i Sofi Rikom (Ricaum).

(an autobiographical note, August 2007)

I became obsessed with comics during the mid 80s, and that was about the time I started drawing them. I got my first professional engagement as a graphic designer at Bikic studio for animation, where I worked till 1991. That was the period when I started publishing my first works for the magazine Tron (which started in 1992 and published my works continuously). My works also appeared in the following magazines: Gradina, Voajer, Strip manija, Megatron. Some of my illustrations were published in several children’s magazines: Tik-Tak, Skolarac, Veliko dvoriste and Politikin Zabavnik.

I have been working in cooperation with the publishing house Creative Centre for over ten years. In 2001, thanks to Mr Caba Kopecki, an agent from abroad, I got an engagement in the well known publishing house Glenat (www.glenatbd.com) from Paris, and so I began my work on the serial L’EXPERT, based on the text of French screenwriter Franc Giroud. This story consists of four books and the last book (Justice) will be published towards the end of 2007.I also began work on my new serial for Glenat called GRAND REGISTRE, based on the text of two screenwriters Damian Perez and Sophie Ricaum.

Miroljub Milutinovic – Brada

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e pr

ate}

i pro

gram

i add

ition

al p

rogr

amm

es

107

KORA]NIKOLA KORA] je ro|en 1980. godine u Beogradu, gde i danas živi i radi. Diplomirao na Fakultetu primenjenih umetnosti, odsek grafika, 2006. U poslednjih nekoliko godina u~estvovao na više grupnih izložbi grafike, crteža i stripa.

O izložbi: Slike su nastale u periodu izme|u 2005. i 2007. godine, na više lokacija u Beogradu. Estetika stripa i naglašena dvodimenzionalnost su osnovne odlike ovih radova na kojima autor predstavlja likove iz popularne kulture i svog okruženja propuštene kroz filter li~nih podsvesnih vizija.

NIKOLA KORAC was born in 1980 in Belgrade. He lives and works in Belgrade. He graduated from the Faculty of Art, at the graphic department, in 2006. Over the past couple of years he took part in several group exhibitions of graphics, drawings and comics.

About the exhibition: The pictures were made between 2005 and 2007, on several locations in Belgrade. The aesthetics of comic and pronounced two-dimensional shape are the main

prat

e}i p

rogr

ami a

dditi

onal

pro

gram

mes

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e

108

INTRUDER Sastav INTRUDER osnovali su 1991. godine u Beogradu Nebojša Markovi} i Ivan Halupka. Od samih po~etaka Intruder se bavi istraživanjem u oblasti elektronske muzike. Prvobitno je to bila forma koja bi se mogla nazvati ambijentalnim elektro popom, da bi se vremenom pretapala u eksperimente sa ranim oblicima tehno muzike i raznih podžanrova. Danas bend nastupa kao petorka koja vam predstavlja novi talas elektro-pop muzike, plesnu, energi~nu i melodi~nu formu, jedinstvenu na ovim prostorima.

Nebojsa Markovic and Ivan Halupka founded the band INTRUDER in 1991, in Belgrade. From its very beginnings, Intruder has researched into the field of electronic music. At first, it was a form that could be classified as ambient electro pop, but after a time it became a fusion of early forms of techno music and similar sub genres. Today, it is a band of five people, presenting the new wave of electro pop music and a style of popular dance music in its energetic and melodic form, which makes the band unique in this region.

MISTAKEMISTAKEMISTAKEMISTAKE je ekipa iz Beograda okupljena oko eklekti~ne up beat kombinacije elektronske muzike sa ragga-reggae i garage-2step momentima, ili kako oni sami sebe vole da nazivaju – “Hip-electro-ragga-2-hop reggae-step”.Cela pri~a oko benda je po~ela sa dvojicom bra}e – Ivanom i Edijem Bonom – koji su svoj specifi~ni elektro stil razvijali u sosptvenoj, ku}noj produkciji. Kasnije su im se pridruživali razli~iti umetnici sa li~nim doprinosima stvaranju muzike ovog benda. U osnovi, Ivan i Edi su pravili muziku za koju su ostali ~lanovi benda pevali vokale ili poklanjali nesto od svoje umetnosti. Samo ime Mistakemistake proisti~e iz koncepta da je svako umetni~ko delo nastalo na grešci.MISTAKEMISTAKE is a Belgrade crew that gatheres different members into the eclectic, up beat combination of electro sound, with a hint of ragga-reggae and garage-2step (as they like to call it “Hip-electro-ragga-2-hop reggae-step”). It all started about 1997, with Bon brothers, Ivan and Edi, who developed their electro style in their home production. For years, Mistakemistake welcomed members that had something of their own to add to their art expression. Basically, the two brothers made tracks and joined members added vocals and sometimes other sequences. The name Mistakemistake descends from the concept that every art creation is based on mistakes.

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e pr

ate}

i pro

gram

i add

ition

al p

rogr

amm

es

takm

i~ar

ski p

rogr

am c

ompe

titio

n pr

ogra

mm

eAN

IMAN

IMA

me|

unar

odni

fest

ival

ani

mac

ije in

tern

atio

nal a

nim

atio

n fe

stiv

al

stra

na p

age

109

110pokrovitelj festivala /under the auspices of

sponzori festivala / sponsors

medijski sponzori / media sponsors

generalni medijski sponzor / general media sponsor

organizator / organizer

ANIM

ANIM

A m

e|un

arod

ni fe

stiv

al a

nim

acije

inte

rnat

iona

l ani

mat

ion

fest

ival

st

rana

pag

e

sponzor velike nagrade / grand prix sponsored by