annual report - arts project australia...annual report 2015 | 5 executive director’s report our...

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24 High St Northcote VIC 3070 Australia

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Arts Project Australia IncABN 99 804 795 393

Gallery HoursMon to Fri 9am–5pm Sat 10am–5pm

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/ aNNual rePorT /

2015

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ANNUAL REPORT 2015 | 33

Government

Department of Health and Human Services

Australian Government Department of Social Services

Creative VictoriaAustralia CouncilCity of DarebinCouncil of Adult,

Community & Further Education

PhilanthroPic

John T. Reid Charitable Trusts

Gandel PhilanthropyPerpetual Foundation – The

Bob Jenyns EndowmentInner North Community

FoundationThe Marian &

E.H. Flack TrustCollier Charitable FundThe William Angliss

(Victoria) Charitable TrustThe Amelia Eliza

Holland TrustThe Terry Brian Kenny FundLimb Family FoundationNordia FoundationThe Slomer-Topol Family

Charitable Trust

corPorate

ARA ConsultantsArt Guide AustraliaBed Bath N TableEastgate & Holst GalleryEnviroprocess Pty LtdEssendon Upholstery and

Strathmore UpholsteryKennardsLeeuwin EstateLeonard JoelThe University of Melbourne

Melbourne Social Equity Institute

MerricoteSundowner Caravan

& Cabin ParkThird Drawer DownZarella Investments

BuildinG donors

Brockhoff FoundationCommunity Support FundDame Elisabeth MurdochHugh D Williamson

FoundationIan Potter FoundationJohn T Reid Charitable

TrustsLeda ConstructionsMyer FoundationRobinson ArchitectsWilliam Buckland

Foundation

individual donors

Samara Adamson-PinczewskiBarbara AjzenbergBen AlbrechtRick AmorPeter AtkinsAustralian CAF WPGPola and Harry BetterArnold Bloch LeiblerJulie BlyfieldBonney BombachRosemary BrennanAllen BrentJohn BrentMargaret BullenPerry BurstinDeidre But-HusaimJames CamakarisMargaret CarrollAllan CarsonSimon CaskeyRosemary ClarkChris CollingwoodYvette Coppersmith

Patrick CorriganLibby CousinsJane CrappsleyJean CussenKaye CussenEvelyn DalpasDenise DamianosDassanayakaMyra & Zev DegenMartin & Vanessa DelatyckiRobyn DurhamCatherine EastonKate ElliottLeigh EllwoodChristine EncelLynne Farrel & Greg Smith Peter FayDr Isaac FeldmanFintona Girls’ SchoolAndrew FirestoneKaren FisherJeanette FryJessica GarvinLinda & David GoldFrancis GoodAmanda HallSusan and Bruce HarrisonRoger HeslopJackie Hollis-SandoPeter IronsDavid JellieBronwyn Johnson &

David BattenLinda JohnstonAndrew KarasDavid KeelingAdam KemptonRobin KentleyMichael KinoAlice LamRae LeivenzonLinton LethleanVirginia LovetteEvan LowensteinTom LowensteinSharlene LustigSimone LuttinPeter Maier

Rita MantellBernard MarshallJulian MartinChris MasonRob McHaffieLilach & Danny MileikowskiVivien MillaneAshley & Liora MillerTravis MoonStephen & Robyn MorrisJoanne MurrayNicole NewmanChris OgdenJim PavlidisMichael PearceMary & Josh PilaRonny & Jackie PilaBrett PorterGavin PorterAnne PottageRosalind PriceStuart PurvesRalph RenardKate RichardsonNita Mary Roddis EstateKay RonecNorman RosenblattMarcelo RosensteinSilvana ScibiliaHayley SciliniTamara SilverSharon SimmsGary Singer &

Geoffrey Smith Assa SinghBeverley StaughtonAnne StonehouseSteve & Sue TerkelVicki ThomasRaymond TriggsNeil TwistMark VeitchFrank WarnerBetty WassertheilAndrea (Mitty) WilliamsMary Paula WilliamsonDennis WilsonAdina and Ian Wolters

THANK YOUto the following donors for their generous support in 2014/15

We march to the beat of our own drum and map our own future.

Fuelled by an unwavering belief in our artists, we’re buoyed by the creativity and authenticity that exists in our space, and heartened by those who delight in sharing in it.

We believe that art is serious, but making it can be fun.

That individual creativity triumphs over conformity, and divergent voices make life much more interesting.

That art is about revealing ourselves and creating meaningful connections – between artists, staff artists and art lovers.

Our experience will always be shared, our knowledge passed on, and our studio bound by creativity, integrity and generosity in equal measure.

We believe in making a mark that matters. We believe in art as it should be.

original. unapologetic. true. and joyful in the making.

OUr MANIFESTO.

BELOW Terry WilliamsNot titled (Jet pack) 2013material, cotton, wool, stuffing105 � 68 � 32 cm

FRONT COVERBobby Kyriakopoulos Not titled (street in Carlton, Victoria) 2015 watercolour and ink on paper 38 � 28 cm

BACK COVERJodie NobleNot titled (after John Perceval’s ceramic angels) 2015ceramic48 � 28 � 27 cm


Our mission is to be a centre of excellence that supports artists with intellectual disabilities, promotes their work and advocates their inclusion in contemporary art practice and dialogue.

Arts Project Australia has aimed high since 1974, when we set out to lead and innovate in the arts and disability sectors. Since then, the quality of our exhibitions and studio programs has flourished, fed by a range of innovative programs and activities. We were the first full time arts studio in Australia for artists with an intellectual disability and have built a reputation both in Australia and internationally for our achievements on this front. Proof lies in the consistency and quality of the exhibitions and programs that we produce and deliver, along with the extraordinary opportunities and experiences we have brokered for our artists. They have been included in exhibitions all over the world and are represented in countless public and private collections.

Our studio in Northcote functions similarly to a tertiary art environment and is attended weekly by more than 110 artists with an intellectual disability. Here, they are able to develop their own practice while supported by our artsworkers, all professional artists. This is a space where feedback, guidance and critical advice encourages each and every artist to find his or her own authentic voice. Here, art is not taught. Instead we foster and nurture the creative direction of each artist to elicit works of personal meaning and style, whether it be painting, drawing, ceramics, printmaking, 3D sculpture or digital media. Our gallery staff plans and executes a full annual program of rotating exhibitions that feature our artists’ work alongside that of the broader contemporary art community.

We boast a highly qualified staff and an energetic and committed board who work within a strong governance framework. The unique vision displayed in our programs and our dedication to showing this work to Australia and the world has long been recognised as a best practice model. We are very proud to remain committed to providing such scope, vision and support for our artists.

About Arts Project AustrAliA/ coNteNts /

2 President’s Report

5 Executive Director’s Report

6 Board & Staff

8 2014/15 Highlights

12 Our Artists

14 Exhibition Report

20 In the Studio

22 Financial Statements

32 Auditor’s Report

Chris MasonIt’s not a parrot 2015ceramic13.5 � 31 � 12.5 cmFinalist in the 2015 Manningham Victorian Ceramic Art Award

2 | ARTS PROJECT AUSTRALIA

PresiDeNt’s rePort

It has been an exceedingly busy and exciting year at Arts Project Australia. Arts Project artists were featured in over 55 curated exhibitions, achieved record sales of artworks and our birthday celebrations continued. To mark our 40 years at Arts Project we staged a major conference celebrating Outsider Art.

What unfolded was a stimulating series of lectures, panel sessions and film screenings featuring national and international guests alongside several curated exhibitions in and around Melbourne. Highlights included keynote lectures from Lynne Cook, Senior Curator, National Gallery of Art Washington DC, and from Thomas Roeske, Director of the Prinzhorn Collection, Heidelberg, Germany. Our thanks to all participants for their generosity in making this conference such a success.

Earlier this year, leading Australian artist Ricky Swallow curated an exhibition of works by Arts Project artist Terry Williams at White Columns gallery in New York. The exhibition was a sell-out and garnered major media attention. At the same time, Julian Martin’s pastel abstractions were being exhibited by Fleisher/Ollman gallery at The Armory Show in New York.

The opportunity for our artists to exhibit further afield and alongside their national and international peers cannot be underestimated. It is a testament to Arts Project’s studio and gallery that our artists continue to attract national and international attention. This advocacy continues by exhibiting at the Melbourne Art Fair, one of Australia’s leading contemporary art fairs. Thousands of visitors enjoyed the works on exhibition and it set a new record for sales with some 200+ works sold.

We would also like to extend our thanks to the many valued supporters who enable our important work to continue, and are named at the end of this Annual Report. Your vital support is integral to our success.

An enormous thank you is owed to our artists, our dedicated team of staff artists and volunteers, and to our very capable staff and management. I would also like to thank my fellow Board members for your unwavering commitment to this remarkable organisation.

This report details a very successful year at Arts Project Australia.

bronwyn johnson, 2015

ABOVE Lisa ReidRed Handbag 2015ceramic34 � 32 � 19 cm

OPPOSITE Installation of work by Julian Martin from his 2014 survey exhibition Julian Martin: Transformer at Arts Project Australia.


I commend all the artists and was delighted to read of their accolades, including exhibiting in local, national and international galleries.

— SenatOr the hOn. MItch FIFIeld / assistant Minister for Social Services


In its 40th anniversary year, arts Project australia reinforced its position as an important Victorian arts organisation.— GreG andrewS / deputy director, Policy and Programs creative Victoria


executive Director’s rePort

Our 40th anniversary year continued in the second half of 2014, and it was full of extraordinary activity and success for Arts Project Australia.

We kicked it off with the most successful Melbourne Art Fair participation to date (more on page 8). Our valued partner, Leonard Joel, hosted another successful fundraising auction, which raised over $50,000 for the organisation. Our grateful thanks to all those donors to the auction, and to John Albrecht, Managing Director of Leonard Joel, who once again ran an entertaining auction for us.

October 2014 saw the fruition of years of planning for our conference – Contemporary Outsider Art – A Global Context. The conference saw 300 speakers and attendees engaging in a wonderful week of discussion and presentation (more on page 10).

While this hub of external activity was happening, our new studio renovations were taking shape, and thanks to the generosity of the John T Reid Charitable Trust and many valued donors, we were pleased to officially “open” the more accessible studio at our Annual Gala.

A new partnership with the City of Darebin has enabled a pilot program to take place in the studio – the Professional Practice Program commenced in 2015, and nine artists have been enjoying the challenge that this offers them and their art practice (more on page 20).

Successes and opportunities in Scotland and the USA happened in March 2015 (more on pages 15 & 20), and throughout the entire year, our artists have worked tirelessly and joyfully on their artistic development.

Once again I must pay tribute to the extraordinary team of staff who go out of their way to maximise development and opportunities for our artists, and to a committed and active board who provide our strategic direction.

sue roff, 2015

ABOVE Alan ConstableNot titled 2014ceramic8 � 13.5 � 17 cm

OPPOSITE Installation of workby Terry Williams inEveryday Imagining: NewPerspectives on OutsiderArt, curated by JoannaBosse at The Ian PotterMuseum of Art, the University of Melbourne.


boArD & stAFF

board of Management

Bronwyn Johnson President

Neil Twist Vice President

Mashelle Parrett Treasurer

Frank Warner Secretary

Barbara Ajzenberg Member

Mandy Hall Member

Damien Hodgkinson Member

Kate Richardson Member

Silvana Scibilia Member

board subcommittee Members

Catherine Easton Norman Rosenblatt

life Members

Dorothy BerryValerio CicconeAlan ConstableCheryl DayePeter FayKitty GinterRita MantellJulian MartinNorman RosenblattSally ShrimptonCatherine Staughton

Members

88 (Includes Life Members)

staff

Sue Roff Executive Director

Sandy Fernée Business Manager

Sim Luttin Gallery Manager & Curator

James McDonald Studio Manager

Penny Hunt Registration Coordinator

Melissa Petty Gallery Assistant

Allison O’Callaghan Studio & Gallery Assistant

Brad Rusbridge Gallery Technician

Elizabeth Sampson Gallery Assistant (Casual)

Frances Wilkinson Gallery Assistant

Glenn Dalton Staff Artist – General & Printmaking

Jessie Imam Staff Artist – General & Digital Media

Jodie Kipps Staff Artist – General & 3D

Ching Yee Ng Staff Artist – Digital Media


Camille Hannah Staff Artist – Professional Practice

Peter Douglas Staff Artist – General & Photography

Mary Rose Vallis Staff Artist – General & Ceramics

Lyn Young Staff Artist – General

Nicole Macdonald Staff Artist – General

Elyss McCleary Staff Artist – General

Suzanne Brown Staff Artist – General

Sarah Humphery Staff Artist – General (Casual)

Anna-Maria O’Keeffe Staff Artist – General (Casual)

volunteers

Elena Betres (2014–15)Jessie Brookes-Dowsett (2014–)Leyla Bulmer (2014–15)Prue Capell (2013–15)Kylie Castan (2014–)Michelle Clarke (2015–)Amelia Cobb (2014–15)Catherine Fitzgerald (2013–)Felicity Green (2014–)Kate Goff (2014–15)Laura Hanlon (2014–15)Mahsa Hesami (2014–15)Debra Howlett (2011–)Lucy Kingsley (2015–)Andriana Mantzouranis (2014–)Brigette Norton (2014–15)Olivia Parr (2012–)Michael Pearce (2011–)John Puli (2014–15)Liz Rourke (2014–15)Krystal Seigerman (2014–15)Julianna Toth (2014–2015)Emily Walters (2014–)Meg Williams (2012–14)Anneke Wood (2013–14)Steven McPhereson (2015–)

special thanks

STUDENT PLACEMENTS Fintona Girls School: Estelle Sarah Ho & Crystal Wang

Australian Catholic University: Michelle Clarke

Latrobe University: Karla Krischer

Trinity College: Kostas Pavlidis

Princes Hill Secondary College: Mimi Hannah

Kangan Institute: Yoshe Gillespie

PROOFREADER Brigette Norton

CONTRIBUTING WRITER Anne Stonehouse


coNteMPorArY outsiDer Art – A GlobAl coNtext

Over 300 attendees and participants took part in our international Outsider Art conference, Contemporary Outsider Art: A Global Context held in partnership with the University of Melbourne and supported by the Potter Museum of Art.

What a stimulating and exciting week of lectures, discussion, debates, networking and exhibitions it was! Special thanks to all our speakers and panellists, especially those who travelled so far to share their expertise and experience. Highlights included keynote addresses from Professor Lynne Cooke (USA) and Dr Thomas Roeske (Germany), the screening of the documentary Knowing Me Knowing You at ACMI and the ongoing debate and conversation in and around the sessions. Participants were able to view Outsider themed exhibitions at Arts Project Australia, the Ian Potter Museum of Art, Heide Museum of Modern Art, Neami Splash Studio, the Social Studio, Alcaston Gallery, the Dax Centre and Screen Space. There were certainly some points of division, with most contemporary “outsider” artists not accepting the term; yet art historians favour it as one of classification. The majority of participants in the final forum voted for the term “contemporary practice” to be used over “outsider art”, but we know the debate will continue. We hope it will into the future. Meanwhile, special thanks to those who provided crucial funding for this unique conference which enabled all participants to attend free of charge; Bed Bath N Table, Copyright Cultural Fund, Arts Project Australia, University of Melbourne and the Ian Potter Foundation. We appreciate your vision and support. For a full list of speakers and the program, please visit: www.outsiderartmelbourne2014.com

2014/2015 HiGHliGHts

Over the past year our organisation has excelled at presenting our artists far and wide through international conferences and art fairs to unique publications and exhibitions.

It was a remarkable gathering of individuals with a passion for the work of those self-taught and visionary artists who shift our consciousness through their ability to create powerful images and new insights into our world. Not only enjoyable but stimulating and through the various papers and presentations many new doors of enquiry have opened for me.— WINTHROP PROFESSOR TED SNELL AM CitWA, Director, Cultural Precinct, University of Western Australia


AN Artist booK is lAuNcHeD liFe MeMber AWArDs

A conversation at an exhibition opening was the catalyst for Anne Stonehouse (Arts Project member and friend) to write a story about an Arts Project artist. And when one was complete, she wanted to do more. The result is our new book, So Far... Eight Artists / Eight Stories, a wonderful selection of stories of the lives and art of eight artists currently practicing at Arts Project Australia.

We were delighted to officially launch the book amongst the subjects’ families and friends at the international conference, Contemporary Outsider Art: The Global Context. Anne wrote this book in partnership with Arts Project Australia and specifically with Studio Manager, James McDonald. It provides some great insights into the different challenges and achievements of these artists. It makes the perfect gift, or a great read for yourself. You can purchase a copy at Arts Project Australia for $40, or order online at www.artsproject.org.au Special thanks to Anne Stonehouse for her dedication and commitment to making these authentic stories available.

Life Memberships of Arts Project Australia are awarded sparingly and reflect an individual’s extraordinary contribution to the organisation over a lengthy period.

At our recent Annual General Meeting, in honour of our 40th anniversary we were pleased to award six Life Memberships. Five were awarded to artists who have significantly raised the profile of Arts Project in Victoria, nationally and internationally, achieving substantial recognition as accomplished artists through exhibitions, collections and sales. These artists are Dorothy Berry, Valerio Ciccone, Alan Constable, Julian Martin and Cathy Staughton. The Board was also delighted to honour long term supporter and champion of Arts Project Australia, Norman Rosenblatt with a Life Membership. Congratulations to our newest Life Members!

so far…

Eight Artists / Eight Stories

So Far... encapsulates eight stories that follow eight accomplished artists. Some have been coming to Arts Project Australia for over 15 years. What they all have in common is a strong commitment to their art practice. Something else they have in common is that each artist has an identified intellectual disability that affects their work as artists and their lives in general. The focus of this collection of stories is the artists and their art.—

Anne StonehouSe

with James McDonald

SPINE 13MM

SPINE 13MM

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MelbourNe Art FAir 2014

Arts Project Australia has participated in the prestigious Melbourne Art Fair since 1996. Our participation has lifted the profiles of the artists who work in our studio, helped develop numerous partnerships with galleries and collectors and always contributes enormously to the volume of sales for artists.

The Arts Project stand at the 2014 Melbourne Art Fair was one of the busiest in the building! Thousands of Art Fair visitors enjoyed the huge variety of artworks and we sold around 180 artworks over the five days, an Art Fair record.

33 of the 41 represented artists sold works, with ten artists selling six or more. A number of Arts Project Australia artists enjoyed attending the Vernissage and a field trip to check out all the galleries involved. We also celebrated our 40th year with a special function amongst the exhibition for friends and supporters of Arts Project Australia. Our special thanks to Life Member, Peter Fay, who attracted over 40 people to his talk on “Collecting as a Passion” in our Northcote gallery before the opening of the fair. And of course to Gandel Philanthropy for its continued financial support of our participation in this signature art event of Melbourne.

2014/2015 HiGHliGHts

Various images taken at Arts Project Australia’s stand at the 2014 Melbourne Art Fair


today was a real pleasure and thrill to see the arts Project australia section at the 2014 Melbourne art Fair. Behind Julian’s talent, is a dedicated and passionate team at arts Project australia.

— luke MartIn (Brother of artist)


our Artists

Steven AjzenbergAlvaro AlvarezFulli AndrinopoulosLygin AngGeorge AristovoulouJohn BatesDesmond BeavisEzekiel BeckleyPeter BenErica BerechreeDorothy BerryKatrina BrennanShoshanna BrottRobert BrownMonica BurnsAntonella CalvanoMichael CamakarisDionne CanzanoNicholas CapaldoRiccardo CardinaleJacob CartelliPeter CaveSamraing CheaValerio CicconeBoris CipusevMatthew ClarkAshlee CochraneAlan ConstableSpenser CoombeJames Cornelious

Leo CussenJamie DawesWendy DawsonEmily DoberAlanna DoddRobyn DohertyBenjamin DoyleBeverley DuncombeJordan DymkeJessica EbertSamuele FenechScott FergusonSandra FieldingMartin ForsterKatherine FosterPatrick FrancisIan GoldMatthew GoveBronwyn HackKaymay HallasBrigid HanrahanRaelene HeritagePaul HodgesMiles Howard-WilksJohn HugginsVenuzza IaconisThomas IaconoWilliam JasperMichael KeenChase Klingenspor

Kate KnightBobby KyriakopoulosMonica LazzariAdrian LazzaroAndrew LedwidgeFiona LonghurstAnne LynchOrion ManzartJulian MartinAntonella MasinoChristopher MasonKaye McDonaldKeith McDonaldEden MentaMattie MichaelMiranda MillaneDavid MossopWilliam NevilleJenny NgoCindy NguyenNhan NguyenCameron NobleJodie NobleTimothy NobleChristopher O’BrienRosie O’BrienWarren O’BrienDaniel PaceSimon ParedesSteven Perrette

Sam PetersonChristopher PhilbeyGavin PorterJosef PowerLisa ReidDaniel RichardsonAnthony RomagnanoChristopher SahyounAdrian SalvatoreRebecca ScibiliaAidan SefoLaura SheehanSandra SilvestriBrendan SleeMegan SloanMark SmithCatherine StaughtonMalcolm SturrockLindsay SutherlandGeorgia SzmerlingFiona TaylorAmani TiaJimmy TranMichael TrasancosPhilip TruettRebecca VanstonTerry WilliamsTimothy Williams


every time I look at Josef’s work I am so excited that I almost cry. thanks to everyone at arts Project for your compassion and commitment to what you do. — Sue crawFOrd (Mother of artist)


exHibitioN rePort

From northcote to new York, our artists again shone brightly in 2014/15. exhibiting across the globe, with works being acquired and prizes won, it was another year to remember.

Miles Howard-Wilks Installation (detail) 2011–15, mixed media dimensions variable, Exhibited in Down The Rabbit Hole at Arts Project Australia


Northcote Highlights

100% of Arts Project Artists were exhibited in at least one exhibition in our Northcote gallery, and 63 artists were shown in at least two exhibitions at Arts Project.Highlights include:•12exhibitionspresentedatourNorthcotegallery•Twogroupexhibitionscuratedbyprominent

Australian curators Glenn Barkley and Karra Rees, featuring the work of Arts Project Australia and other contemporary artists from around Australia and overseas

•AmajorretrospectiveexhibitionJulian Martin: Transformer, accompanied by a full-colour catalogue sponsored by Leonard Joel with an essay by Alex Baker, Director Fleisher/Ollman, Philadelphia, USA

•Wehostedthesell-outeventCollecting as a Passion: A Morning With Collector Peter Fay to coincide with 2014 Melbourne Art Fair

•Altered Vistas was presented in collaboration with Climarte, as part of ART+CLIMATE=CHANGE: A Melbourne-wide Festival of art exhibitions, forums and talks seeking to harness the creative power of the arts to inform, engage and inspire action on climate change

•That’s Funny was programmed as part of Melbourne International Comedy Festival

•ArtsProjectnominatedCathyStaughtonto paint our annual Drawing Wall Commission

National & international Highlights

90% of Arts Project Artists were exhibited in 46 national and international exhibitions, art prizes and awards.

Highlights include:•TerryWilliamshadasoloshowatWhite

Columns, New York curated by Ricky Swallow•AlanConstableandJulianMartinexhibitedat

The Armory Show in New York in the Fleisher/Ollman booth

•TerryWilliamshadworkatIndependentArtFair,New York with White Columns

•JulianMartinwasfeaturedonthecoverofRawVision magazine, coinciding with an editorial titled, “Bold Essays in Colour and Form” by senior editor Edward Gomez. The publication coincided with the 2015 Outsider Art Fair in New York

•AlanConstable’sceramiccameraNot titled 2014 was a finalist in the 2014 Deakin University Small Sculpture exhibition and was later acquired for the Deakin University Collection

•FionaTaylorwasacquiredaspartoftheSilkCut Foundation Collection, which is part of an ongoing gift to the National Gallery of Australia

•JulianMartinwonStateTrusteesConnected 14

General Facts •ArtsProjectpresented12exhibitionsin

Northcote and either curated or participated in 46 exhibitions in Australia & internationally

•Over1780artworkswereexhibitedincuratedexhibitions, art prizes, awards and leases at Arts Project, as well as in national and international venues

•Wesold750artworksinthe2014/15financialyear•228artworkssoldatMelbourneArtFair,totalling

more than $63,000•Wesoldover$230,000inartwork,$33,000

in frames and $5,500 in merchandise•Weleasedover77artworkstoorganisations

across Melbourne•LisaReidhadaFrisbeeproducedbyThird

Drawer Down


PatrIck FrancIS SOlOexhibition: 19 Jul – 23 Aug 2014Opened by: Jason Smith, CEO & Director, Heide Museum of Modern Art A prolific painter, Patrick Francis frequently draws on his knowledge of popular culture and art history to create enduring works of left-of-centre sophistication. Using bold areas of flat colour, Francis’ paintings are distilled yet expressive portraits; their potency is in their simplicity and dynamism.

6° OF SeParatIOnexhibition: 19 Jul – 23 Aug 2014curated by: Sim LuttinOpened by: Jason Smith, CEO & Director, Heide Museum of Modern Art 6° of Separation was an exhibition of portraits painted from life of prominent Australian personalities who sat for a portrait in the Arts Project Australia studio. The exhibition connected prominent leaders in the community with Arts Project Australia and our artists.

JulIan MartIn: tranSFOrMerexhibition: 30 Aug – 4 Oct 2014curated by: D. Cheryl DayeOpened by: Rupert Myer AMOriginal interpretations of everyday objects, popular figures and pure colour all play pivotal roles in the extraordinary work of Julian Martin. Over two decades, his work has evolved as a journey of formal transformation where the mundane becomes mysterious and the image ineffable. The exhibition included the publication of a full-colour Leonard Joel Series catalogue Julian Martin: Transformer.

*nOw the heart IS FIlled wIth GOld aS IF It were a PurSeexhibition: 11 Oct – 29 Nov 2014curated & opened by: Glenn Barkley, Independent CuratorThe words now the heart is filled with gold as if it were a purse come from a song recorded by Bob Dylan and the band, Tears of Rage. The works in this exhibition explored two important things, love and family.

NortHcote exHibitioNs

ANNUAL GALA: Samuele Fenech, Not titled 2014, conte pencil and paint pen on paper50 � 50.5 cm

DRAWN TOGETHER: Adrian Lazzaro,Not titled 2014, acrylic paint, paint penand felt pen on paper, 35 � 25 cm

NOW THE HEART IS FILLED WITH GOLD AS IF IT WERE A PURSE: Cathy Staughton, Wedding Marriage All Family Mother 2006, pencil and ink on paper, 57 × 76 cm

annual Galaexhibition: 6 – 20 Dec 2014Arts Project Australia Annual Gala exhibition featured a broad survey of over 200 artworks produced in 2014 by more than 110 artists who worked in our studio. The Annual Gala celebrated the achievements of our artists and acknowledged their unique contribution to contemporary art.

hellO SaIlOrexhibition: 7 Feb – 14 Mar 2015Opened by: Dr Wilma Tabacco, Artist & Co-Director, Langford 120Paul Hodges’ first solo exhibition took a slight departure from his archetypal portraits inspired by people observed in popular culture and the arts. Hello Sailor launched a new collection of paintings that focused on sailors and seamen from the 1930s.

drawn tOGetherexhibition: 7 Feb – 14 Mar 2015curated by: Suzanne Brown and Elyss McClearyOpened by: Dr Wilma Tabacco, Artist & Co-Director, Langford 120Drawing is a fundamental form of human expression. It has versatility, immediacy and directness and encompasses a diversity of approaches, styles and mediums. Drawn Together was a group exhibition that presented a broad scope of works drawn by artists at Arts Project Australia.

ruth hOward SOlOexhibition: 21 Mar – 24 Apr 2015Opened by: Denise Scott, ComedianRuth Howard’s first solo exhibition launched a new collection of recent works; small-scale, refined paintings that revealed her love of animals, transport and the world around her.


NAtioNAl & iNterNAtioNAl exHibitioNs

that’S FunnYexhibition: 21 Mar – 24 Apr 2015curated by: Glenn Dalton and Sandy FernéeOpened by: Denise Scott, ComedianThat’s Funny celebrated the wacky, weird and sometimes downright outrageous humour of the artists at Arts Project Australia. This exhibition tickled the funny bone and promoted a giggle. That’s Funny was programmed in the Melbourne International Comedy Festival.

altered VIStaSexhibition: 2 May – 6 Jun 2015curated by: Sim Luttin & Brad RusbridgeOpened by: Guy Abrahams, Director and Co-founder of ClimarteAltered Vistas featured eight artists who created artwork depicting diverse landscapes, provoking the viewer to consider the impact of human-led environmental interventions in an age of intensified urban sprawl, consumption and global climate change. Altered Vistas was presented in collaboration with Climarte, as part of ART+CLIMATE=CHANGE 2015.

dOwn the raBBIt hOleexhibition: 2 May – 6 Jun 2015curated by: Sim LuttinOpened by: Guy Abrahams, Director and Co-founder of ClimarteDown the Rabbit Hole explored unconventional journeys and adventures into the unknown. The exhibition presented collections of work that attempted to transport the viewer into reinterpreted and/or imagined realms.

SOMewhere In the cItYexhibition: 13 Jun – 11 Jul 2015curated & opened by: Karra Rees, Managing Curator, Centre for Contemporary PhotographySomewhere in the City explored the fabric of our urban environment and aspects of daily life through both individual and collective experiences. The exhibition featured artwork by Arts Project Australia, national and international contemporary artists.

MOrnInGtOn PenInSula natIOnal wOrkS On PaPer PrIZeMornington Peninsula regional Gallery, VIc23 May – 20 Jul 2014Finalist: Julian Martin

reneGadeS (tOurInG)Moree Plains regional Gallery, Moree, nSw7 Jul – 27 Aug 2014hawkesbury regional Gallery, windsor, nSw5 Sep – 12 Oct 2014Swan hill regional art Gallery, Swan hill, VIc13 Jan – 15 Mar 2015Artists: Various

Face tO Facerobin Gibson Gallery, Sydney, nSw12 Jul – 6 Aug 2014Artist: Patrick Francis

MelBOurne art FaIrroyal exhibition Building, carlton, VIc14 – 17 Aug 2014Artists: Various

the cOnSPIratOrSYarra Gallery – Federation Square, VIc21 – 28 Aug 2014Artist: Terry Williams (in collaboration with Jenny Bartholomew)

BSG SMall wOrkSBrunswick Street Gallery, Fitzroy, VIc 3 – 20 Aug 2014Artists: Various

the SuBlIMearts centre Melbourne, Fairfax Foyer, VIc22 Aug – 4 Oct 2014Artists: Various

VIctOrIan IndIGenOuS art awardSthe art Gallery of Ballarat, VIc23 Aug – 5 Oct 2014Finalists: John Huggins & Amani Tia

SIlk cut awardGlen eira city council Gallery, VIc6 Sep – 21 Sep 2014Finalist: Fiona Taylor

THAT’S FUNNY: Gavin Porter, Megapowerhouse! 2014, texta and felt tip pen on paper, 35.5 × 25 cm

ALTERED VISTAS: Miles Howard-Wilks,Drain Pipe Train 2014, gouache on paper38 × 56 cm

DOWN THE RABBIT HOLE: Rebecca ScibiliaStefan Dennis 2014, marker and paintpen on paper, 28 × 38 cm

SOMEWHERE IN THE CITY: Boris Cipusev,Tower Tall 2009, felt-tip pen on paper21 × 30 cm


GOld cOaSt InternatIOnal ceraMIc art awardGold coast city Gallery, Qld6 Sep – 26 Oct 2014Finalists: Jodie Noble & Matthew Gove

chrIS MaSOn SOlOdarren knight Gallery, Sydney, nSw27 Sep – 25 Oct 2014Artist: Chris Mason

Swacheidelberg repatriation hospital, Melbourne, VIc29 Sep – 6 Oct 2014Finalist & Honourable Mention: Peter Ben

*eVerYdaY IMaGInInG: new PerSPectIVeS On OutSIder artthe Ian Potter Museum of art1 Oct 2014 – 18 Jan 2015Artists: Andrew Blythe, Kellie Greaves, Julian Martin, Jack Napthine, Lisa Reid, Martin Thompson & Terry Williams

anl MarItIMe art awardMission to Seafarers, Melbourne, VIc3 – 31 Oct 2014Finalists: Steven Perrette & Ruth Howard

FlOwerSSt heliers Street Gallery, collingwood, VIc4 – 29 Oct 2014Artist: Lisa Reid

40th annIVerSarY FundraISInG auctIOnleonard Joel, South Yarra, VIc5 Oct 2014Artists: Various (including national & international artists)Supported by Leonard Joel

achIeVe YOur dreaMSSplash Gallery Footscray, VIc6 Oct – 24 Oct 2014Artists: Various

SMall unIVerSeno Vacancy Gallery – QV, Melbourne, VIc10 – 25 Oct 2014Artists: Various

cOnnectedYarra Gallery – Federation Square, VIc16 Oct – 28 Nov 2014Finalists: VariousFirst Place: Julian Martin

*knOwInG Me, knOwInG YOuacMI (screening), Federation Square, VIc25 Oct 2014Artists: Various

lInden POStcard ShOwlinden new art, St kilda, VIc25 Oct – 6 Dec 14Artists: Fulli Andrinopoulos, Samraing Chea, Bronwyn Hack & Nhan Nguyen SIt dOwn, Shut uP and watch!angaston town hall, Barossa valley, Sa31 Oct 2014Finalists: Chris O’Brien & Lisa Reid

deakIn unIVerSItY SMall SculPture awarddeakin university art Gallery, Melbourne, VIc29 Oct – 13 Dec 2014Finalist: Alan Constable

POrtIa Geach MeMOrIal awardthe national trust S.h ervin Gallery, Sydney, nSw7 Nov – 14 Dec 2014Finalist: Lisa Reid

ccP SalOncentre for contemporary Photography, Melbourne, VIc14 Nov 2014 – 13 Dec 2014Finalist: Miles Howard-Wilks

tOYOta cOMMunItY SPIrIt 10th annual SculPture eXhIBItIOntoyota community Spirit Gallery, Melbourne, VIc19 Nov 2014 – 25 Mar 2015Finalist: Fiona Taylor

POlarOId PrOJecthorsham regional art Gallery, horsham, VIc28 Nov 2014 – 1 Feb 2015Artists: Alan Constable (in collaboration with Peter Atkins)

Belle artIchapman & Bailey, Melbourne, VIc25 Nov 2014 – 25 Jan 2015Finalists: Michael Camakaris, Robyn Doherty, Katherine Foster, Ian Gold & Josef Power

kOOrIe art ShOwkoorie heritage trust, Melbourne, VIc8 Dec 2014 – 27 Feb 2015Finalist: John Huggins

hOMearts centre Melbourne, VIc10 – 26 Jan 15Artists: Various

OutSIder art FaIrFleisher/Ollman booth, center 548, new York, uSa29 Jan – 1 Feb 2015Artists: Alan Constable & Julian Martin

GlaSGOw InternatIOnal SuMMIt GrOuP ShOwtrongate 103, Glasgow, Scotland, uk4 – 6 Mar 2015Artists: Various

the arMOrY ShOw – MOdernFleisher/Ollman booth, Pier 92, new York, uSa5 – 8 Mar 2015Artists: Julian Martin & Alan Constable

PatrIck FrancIS and FrIendSrobin Gibson Gallery, Sydney, nSw7 – 31 Mar 2015Artists: Patrick Francis, Matthew Gove, Jodie Noble & Mark Smith

IndePendent art FaIrwest 22 St, nY, uSa5 – 8 Mar 2015Artist: Terry Williams

terrY wIllIaMS – SOFt SculPtureSwhite columns Gallery, new York, uSa6 Mar – 18 Apr 2015Curated by: Ricky Swallow

POlarOId PrOJectFleisher/Ollman, Philadelphia, uSa26 Mar – 30 May 2015Artist: Alan Constable (in collaboration with Peter Atkins)


FraMe OF MIndla trobe university, Bundoora, VIc2 Apr – 29 May 2015Artists: Bobby Kyriakopoulos & George Aristovoulou

twO OF a kIndBundoora homestead, Bundoora, VIc22 Apr – 31 May 2015Artists: Bobby Kyriakopoulos & George Aristovoulou

a new FeMInIne?airspace, Marrickville, Sydney, nSw3 – 18 Apr 2015Artist: Rebecca Scibilia

alan cOnStaBledarren knight Gallery, Sydney, nSw11 Apr – 9 May 2015

BSG SMall wOrkSBrunswick Street Gallery, Melbourne, VIc5 – 23 May 2015Artists: Lygin Ang, Katie Foster & James Cornelious

MY SOlO ShOw wIth a MaGPIe In Itwest Space, Melbourne, VIc10 Apr – 9 May 2015Artists: Miles Howard-Wilks

deakIn unIVerSItY cOnteMPOrarY SMall SculPture awarddeakin university, Melbourne, VIc9 Jun– 10 July 2015Finalist: Chris Mason

the SalOnScott livesey Galleries, Melbourne, VIc13 Jun – 25 July 2015Artists: Alan Constable & Julian Martin

well redrobin Gibson Gallery, darlinghurst, nSw27 Jun – 22 July 2015Artists: Various

*Programmed as part of the Contemporary Outsider Art: The Global Context Conference, presented by Arts Project Australia in Collaboration with The University of Melbourne

/ coNsiGNMeNt /

•Fleisher/Ollman,USA(2013–15)

•ThirdDrawerDown,VIC(2013–15)

•Craft,VIC(2013–15)

•Jardan,VIC(2014–15)

/ leAse /

•DepartmentofHealth,VIC(2010–15)

•MelbourneCityMission, VIC (2013–15)

•ARAConsultants,VIC(2011–15)

•BackInMotion(2013–15)

•VictorianCivilandAdministrativeTribunal (2015)

/ oPeN stocKrooM / 2014

July – Lisa Reid & Samraing Chea

September – Patrick Francis & Jodie Noble

October – Julian Martin

November – Alvaro Alvarez & Tim Noble 2015

February – Paul Hodges & Riccardo Cardinale

March – Ruth Howard

April – Megan Sloan & James Cornelious

May – Miles Howard-Wilks & Terry Williams

June – Matthew Gove & Venuzza Iaconis

BSG SMALL WORKS: Lygin Ang, Not titled 2014, prisma colour pencil on paper, 28 × 28 cm

VICTORIAN INDIGENOUS ART AWARDS: John Huggins, Not titled 2014, pastel and pencil on paper, 30 × 23 cm

BELLE ARTI: Ian Gold, Not titled 2014, acrylic on canvas, 36 × 36 cm


iN tHe stuDio

GlAsGoW suMMit stuDio reNovAtioNs

Following an invitation from Project Ability, a similar organisation to Arts Project Australia in Glasgow, Scotland, an Arts Project Australia contingent comprising Executive Director, Sue Roff, Studio Manager, James McDonald and studio artists Paul Hodges and Cathy Staughton made the big trip to take part in an international summit for supported studios in March 2015.

It was a unique learning and sharing experience. Staff and artists from renowned studios in Finland, Germany, Britain, Wales, Ireland, Canada and Germany joined together for three days of exhibitions, knowledge sharing, art making and ideas.

Staff and artists came away stimulated and brimming with new ideas and experiences, and new international networks. Paul Hodges and Cathy Staughton helped present on Arts Project to the assembly, then joined other artists in the wonderful Project Ability studio to work together. Language was no barrier and both artists have returned with some new influences in their work. Thanks to Project Ability for hosting a fabulous summit – we would like to do the same in Australia one day! And thanks to the Beverly Brown Bequest for funding this experience.

In the second half of 2014, Arts Project Australia’s studio was transformed. We made several improvements to the studio including a new open plan kitchen, disability access upgrade and a new toilet and shower. These renovations have been received enthusiastically by artists and staff and were made possible by generous donations from myriad supporters. The John T Reid Charitable Trusts kicked it off with a challenge grant of $25,000 and we were thrilled with the overwhelming support and assistance by so many friends of Arts Project Australia.

Donors to the project were invited to a viewing prior to the 2014 Annual Gala. Special thanks to Kathy Robinson of Robinson Architecture for her pro bono design work, Lyle Hanvey from Leda Constructions for renovation work and Kaboodle for donating the kitchen cabinets. The renovations have made a huge difference to the accessibility of our studio and the welfare and wellbeing of our artists.


leo cusseN – vAleProFessioNAl PrActice ProGrAM

We were much saddened by the sudden passing of one of our long time studio artists Leo Cussen in May 2015. Leo approached his art with an eye for detail and a passion for the subject. Drawing on his love of ‘golden era’ Hollywood, Leo’s drawings reflected the magic of Ginger Rogers and Fred Astaire, viewed through a lens that captured the enthusiasm and unique talents of their maker.

Leo’s love of pop culture TV classics including M*A*S*H, I Dream of Jeannie and Dr Who provided unlimited inspiration for him. In a career spanning nearly twenty years he produced hundreds of wonderful drawings, many of which are held in private collections including those of Stuart Purves and the National Gallery of Australia.

With his catchphrases and ‘Leo-isms’, he was not only a producer of wonderful visual art, but contributed greatly to the character and joyfulness of Arts Project Australia. He leaves a space that cannot be filled but we are all richer for having known him.

Farewell, Hot Chilli – you are loved and missed.

Running through 2015, our new Professional Practice Program has begun working with eight Arts Project Australia studio artists to engender an in-depth collaborative investigation of each individual’s art practice. This program offers each artist the chance to develop and learn new skills to apply to their own practice while building their career as an artist. Our ambition for the Professional Practice Program is to engage each participating artist in a deeper understanding and appreciation of their own practice and that of their contemporaries within the broader visual arts environment.

As with many previous 20th-century movements they have been researching, The Northcote Penguins have formed an identity by devising their group name collaboratively and writing a group manifesto.

“We believe in developing our individual styles, through looking back at history and looking forward at contemporary art. Our discussions as a group are what drive new ideas, in collaboration we grow our art practice as individuals.”


FiNANciAl stAteMeNts

Lisa ReidHeidi Victoria 2014gouache on paper56 × 38 cm


stAteMeNt oF ProFit or loss AND otHer coMPreHeNsive iNcoMe

FOr the Year ended 30 June 2015

Note 2015 / $ 2014 / $

revenue from continuing Operations

Government Funding:

Commonwealth grants 193,876.18 192,432.00

State grants 787,588.65 737,382.45

Fundraising:

Other grants 26,230.00 47,802.00

Sponsorship 21,495.45 24,930.00

Donations 169,639.06 472,078.00

Exhibition/artwork sales 286,211.09 193,500.00

Studio fees 61,425.98 58,550.03

Leasing of artworks 7,355.83 15,041.09

Membership fees 3,922.49 4,177.03

Other Income:

Interest received 22,198.42 11,965.96

Miscellaneous income 17,632.50 18,762.32

total Income 3 1,597,575.65 1,776,620.88

Administration expenses 103,267.22 65,583.79

Advertising/public relations 106,445.05 46,460.92

Building and equipment 73,971.38 72,550.60

Commission on art sales 160,275.58 116,763.65

Depreciation 38,069.92 36,048.12

Employee expenses 4 945,759.50 937,642.32

Finance and interest 1,093.13 540.69

Gallery 62,090.18 64,393.28

Postage and telecommunications 23,892.86 13,824.59

Minor asset purchases 19,647.35 22,210.04

Studio 54,412.05 41,636.23

total expenses 1,588,924.22 1,417,654.33

net surplus for the year/total comprehensive income for the year 8,651.43 358,966.55

The statement of profit or loss and other comprehensive income is to be read in conjunction with the attached notes.


stAteMeNt oF FiNANciAl PositioN


Note 2015 / $ 2014 / $

assets

current assets

Cash and cash equivalents 5 212,612.56 137,161.87

Term Deposits 668,423.13 316,560.11

Trade and other receivables 6 22,185.01 375,076.31

total current assets 903,220.70 828,798.29

non-current assets

Term deposits – –

Property, plant and equipment 7 1,619,317.69 1,603,744.60

total non-current assets 1,619,317.69 1,603,744.60

total assets 2,522,538.39 2,432,542.89

current liabilities

Trade creditors and other payables 8 148,741.38 95,735.37

Provisions 9 19,898.00 13,356.00

Other liabilities 10 10,094.00 –

total current liabilities 178,733.38 109,091.37

non-current liabilities

Provisions 9 29,991.06 18,289.00

total non-current liabilities 29,991.06 18,289.00

total liabilities 208,724.44 127,380.37

net assets 2,313,813.95 2,305,162.52

Funds

Retained Earnings 14 1,985,053.95 2,283,947.52

Bequest Reserve 14 328,760.00

Capital Reserve 14 – 21,215.00

total Funds 2,313,813.95 2,305,162.52

The statement of profit or loss and other comprehensive income is to be read in conjunction with the attached notes.


stAteMeNt oF cAsH FloWs


Note 2015 / $ 2014 / $

cash Flows from Operating activities

Receipts from:

Government Grants 981,464.83 929,814.45

Sales of artwork 286,211.09 193,500.00

Interest Received 22,198.42 11,965.96

Memberships 3,922.49 4,177.03

Fund raising 217,364.51 544,810.00

Other operations 439,305.61 (279,282.63)

Cash payments to suppliers and employees (1,469,510.23) (1,363,739.88)

net cash flows from operating activities 11 480,956.72 41,244.93

cash Flows from Investing activities

Purchase of property, plant and equipment (53,643.57) (13,600.00)

Purchase of term deposits (351,863.02) (9,740.65)

net cash used in investing activities (405,506.59) (23,340.65)

cash Flows from Financing activities

net cash provided by (used in) financing activities – –

Net Increase (decrease) in cash held 75,450.13 17,904.28

Cash at the beginning of the financial year 137,161.87 119,257.59

cash and cash equivalents at the end of the financial year 5 212,612.00 137,161.87

The statement of cash flows is to be read in conjunction with the attached notes.


Notes to AND ForMiNG PArt oF tHe FiNANciAl stAteMeNts

1. association InformationThe financial statements of the not-for-profit association, Arts Project Australia Inc., for the year ended 30 June 2015 were authorised for issue in accordance with a resolution of the board on 12th October 2015.

Arts Project Australia Inc. is an incorporated association in Victoria, registered under the Associations Incorporation Reform Act 2012.

2. Summary of Significant accounting Policies(A) Basis of PreparationThe financial report is a general purpose financial report, which has been prepared in accordance with the requirements of the Associations Incorporation Reform Act 2012, Australian Accounting Standards – reduced disclosure requirements, accounting interpretations and other authorative pronouncements of the Australian Accounting Standards Board.

The association has adopted AASB 1053 Application of Tiers of Australian Accounting Standards and AASB 1012-2 Amendments to Australian Accounting Standards arising from Reduced Disclosure Requirements. The association is a not for profit entity which is not publicly accountable.

The financial report has been prepared on an accruals basis and is based on historic costs and does not take into account changing money values, or except where specifically stated, current valuations of non-current assets. The financial report is presented in Australian dollars.

The association has not early adopted any other new standards or interpretations. The association has assessed that there will be no material impact on the adoption of accounting standards issued with effective adoption dates post financial year end.

The following material accounting policies, which are consistent with the previous period unless otherwise stated, have been adopted in the preparation of this financial report.

(B) Significant Accounting Judgements, Estimates and AssumptionsThe preparation of financial statements requires management to make judgements, estimates and assumptions that affect the application of policies and reported amounts of assets, liabilities, income and expenses. The estimates and associated assumptions are based on historical experience and other factors that are believed to be reasonable under the circumstances, the

stAteMeNt oF cHANGes iN FuNDs


Note 2015 / $ 2014 / $

Statement of changes in Funds

Opening retained earnings from operations 2,305,162.52 1,946,195.97

Net surplus attributable to the association 8,651.43 358,966.55

Amount transferred to bequest reserve (328,760.00) (21,215.00)

closing retained earnings 1,985,053.95 2,283,947.52

capital reserve

Opening capital reserve 21,215.00 21,215.00

Amount transferred from retained results (21,215.00) –

closing capital reserve – 21,215.00

Bequest reserve

Opening bequest reserve – –

Amount transferred to bequest reserve including accrued interest 328,760.00 –

Amount utilised from bequest reserve – –

closing bequest reserve 328,760.00 –

closing retained results and reserves 2,313,813.95 2,305,162.52

The statement of changes in funds is to be read in conjunction with the attached notes.


results of which form the basis of making the judgements. Actual results may differ from these estimates.

The estimates and underlying assumptions are reviewed on an ongoing basis. Revisions to accounting estimates are recognised in the period in which the estimate is revised if the revision affects only the period or in the period of the revision and future periods if the revision affects both current and future periods.

Significant accounting judgements, estimates and assumptions are outlined in the notes below. (C ) Revenue RecognitionRevenue is measured at the fair value of consideration received or receivable. Revenue is recognised net of the amounts of goods and services tax (GST) payable to the Australian Taxation Office (ATO).

Government fundingThe association’s activities are supported by grants received from the federal and state governments. Grants received on the condition that specified services are delivered, or conditions are fulfilled, are considered reciprocal. Such grants are initially recognised as a liability and revenue is recognised as services are performed or conditions fulfilled. Revenue from non-reciprocal grants is recognised when the association obtains control of the funds.

The association has received a number of government grants during the year. Once the association has been notified of the successful outcome of a grant application, the terms and conditions of each grant are reviewed to determine whether the funds relate to a reciprocal grant (i.e. payment for services rendered) in which case it is accounted for under AASB 118 Revenue or a non-reciprocal grant in which case it is accounted for under AASB 1004 Contributions.

revenue from fundraisingDonations are recognised as revenue when the association gains control, economic benefits are probable and the amount of the donation can be measured reliably.

Sale of goodsRevenue from sales of artworks is recognised at the point of sale where the control of the goods passes to the customer.

Interest IncomeInterest income is recognised when it is probable that the economic benefits will flow to the association and the amount of revenue can be measured reliably. Interest income is recognised as it accrues using the effective interest rate method.

Fees from artistsFees charged for services provided to artists are recognised when received.

(D) ExpenditureAll expenditure is accounted for on an accruals basis and has been classified under headings that aggregate all costs related to the category.

(E) Cash and Cash EquivalentsCash and cash equivalents in the statement of financial position and for the purpose of the statement of cash flows comprises cash at bank, in hand and short-term deposits

with an original maturity of three months or less, less any outstanding bank overdrafts.

(F) Trade and Other ReceivablesTrade receivables, which comprise amounts owing from services provided to artists generally have 30 day terms, are recognised and carried at original invoice amount less an allowance for any uncollectable amounts. Collectability of trade receivables is reviewed on an ongoing basis with an allowance for doubtful debts made when there is objective evidence that the association will not be able to collect the debts. Uncollectable debts are written off when identified.

(G) Property, Plant and EquipmentThe depreciable amount of all fixed assets are depreciated over the useful lives of the assets to the association commencing from the time the asset is held ready for use. Property, plant and equipment are depreciated over useful lives ranging from 3 to 10 years.

Land and buildings are independently revalued every 5 years. A commercial valuation was received during the 2011/12 financial year. The valuation amount has not been included in the financial statements at 30 June 2015. Refer to Note 7.

Plant and equipment and motor vehicles are carried at cost less, where applicable any accumulated depreciation and impairment loss.

Land and buildings are depreciated over their useful lives which has been assessed at 100 years.

ImpairmentThe carrying amounts of property, plant and equipment are reviewed for impairment at each reporting date, with recoverable amount being estimated when events or changes in circumstances indicate that the carrying amount may be impaired. No impairment was required during 2014 and 2015.

(H) Trade Creditors and PayablesTrade payables and other payables represent liabilities for goods and services provided to the association before the end of the financial year that are unpaid. These amounts are usually settled within 30 days. The carrying amount of the creditors and payables is deemed to reflect fair value.

(I) Other Current LiabilitiesThe liability for deferred income is the unutilised amounts of grants received on the condition that specified services are delivered or conditions are fulfilled. The services are usually provided or the conditions are fulfilled with 12 months of the receipt of the grant.

(J) Employee BenefitsEmployee benefits comprise wages and salaries, annual, non-accumulating sick and long service leave and contributions to superannuation plans.

Liabilities for wages and salaries expected to be settled within 12 months of the reporting date are recognised in other payables in respect of employees’ services up to the reporting date. All annual leave is expected to be settled in 12 months. These liabilities are measured at amounts expected to be paid when the liabilities are settled and amounts settled 12 months from the end of the reporting period are discounted.


2015 / $ 2014 / $

3. revenue

Sale of goods 286,211.09 193,500.00

Government grants 981,464.83 929,814.45

Donations, gifts, sponsorships 217,364.51 544,810.00

Interest Income 22,198.42 11,965.96

Other 90,336.80 96,530.47

total revenue 1,597,575.65 1,776,620.88

Notes Continued

The liability for long service leave is recognised in the provision for employee benefits and is measured as the present value of expected future payments to be made in respect of services provided by employee’s up to the reporting date. Consideration is given to anticipated future wage and salary levels, experience of employee departures and period of service. Expected future payments are discounted using market yields on national government bonds with terms to maturity that match as closely as possible, the estimated cash outflows.

The association pays contributions to certain accumulation superannuation plans. Contributions are recognised in the statement of comprehensive income when they are due. The association has no obligation to pay further contributions to these plans.

(K) Trade and Other PayablesTrade and other payables are carried at amortised cost and due to their short-term nature they are not discounted. They represent liabilities for goods and services provided to the association prior to the end of the financial year that are unpaid and arise when the association becomes obliged to make future payments in respect of the purchase of goods and services. The amounts are unsecured and are usually paid within 30 days of recognition.

(L) Provisions and Employee EntitlementsProvisions are recognised when the association has a present obligation as a result of a past event, it is probable that an outflow of resources embodying economic benefits will be required to settle the obligation and a reliable estimate can be made of the amount of the obligation.

Liabilities for wages and salaries, annual leave expected to be settled within 12 months of the reporting date are recognised in respect of employees’ services up to the reporting date. They are measured at the amounts expected to be paid when the liabilities are settled. Expenses for non-accumulating sick leave are recognised when the leave is taken and are measured at the rates paid or payable.

The liability for long service leave is recognised and measured at the present value of expected future payments to be made in respect of services provided by employees up to the reporting date. Consideration is given to expected future wage and salary levels, experience of employee departures, and the periods of service. Expected future payments are discounted using market yields at the reporting date based on government bonds with terms to maturity and currencies that match, as closely as possible the estimated future cash outflows.

(M) TaxationIncome taxThe association is a charitable institution for the purposes of Australian taxation legislation and is therefore exempt from income tax. The association holds deductible gift recipient status.

Goods and Services taxRevenues, expenses and assets are recognised net of Revenues, expenses and assets are recognised net of the amount of GST, except where the amount of GST incurred is not recoverable from the ATO, in which case it is recognised as part of the cost of acquisition of an asset or as part of an item of expense. Receivables and payables are recognised inclusive of GST.

Cash flow is included in the statement of cash flows on a gross basis. The GST component of cash flow arising from investing and financing activities that is recoverable or payable to the ATO is classified as operating cash flow.

reclassification of transactionIn 2015 amounts were reclassified between administrative costs, studio and gallery to correct their classification by nature. Comparative figures have also been adjusted.


2015 / $ 2014 / $

4. employee Benefits expense

Wages and salary 897,642.46 893,652.12

Workers compensation 13,176.06 10,321.89

Movement in employee benefits provision 34,940.98 33,668.31

total employee benefits expense 945,759.50 937,642.32

5. cash and cash equivalents

Bank Accounts

Operating Account 93,227.68 42,488.95

Gifts Account 89,307.50 2,396.28

Short Term Deposits 30,903.99 104,033.39

Clearing Account (868.61) (12,048.75)

Petty Cash 42.00 292.00

total cash and cash equivalents 212,612.56 137,161.87

Cash at bank and term deposits earn interest at market rates

6. trade and Other receivables

Prepayments 4,161.46 18,954.00

Trade debtors 13,818.89 356,399.76

Less provision for doubtful debts (260.00) (277.45)

total trade and other receivables 17,720.35 375,076.31

7. Property, Plant and equipment

Land – at cost 264,000.00 264,000.00

Building – at cost 1,314,685.19 1,276,042.18

(25,762.00) (12,720.00)

Plant and Equipment – at cost 280,813.58 267,163.58

Plant and Equipment – accumulated depreciation (217,472.47) (195,942.55)

Motor Vehicle – at cost 21,430.64 21,430.64

Motor Vehicle – accumulated depreciation (20,002.25) (17,854.25)

Permanent Art Collection – at cost 1,625.00 1,625.00

total property, plant and equipment 1,619,317.69 1,603,744.60

During the 2011/12 year, the Board commissioned an independent valuers report on the valuation of the freehold land and buildings held by the association. The valuation received, on a commercial operation basis was $2,360,000, compared with a current carrying value of $1,527,322.18. The Board resolved to note the valuation, but not to adopt or incorporate the valuation figure into the financial statements.


asset reconciliation land BuildingPlant &

equipment Motor Vehicle

Opening balance 2013 264,000.00 1,262,442.18 92,401.15 5,724.39

Additions – 13,600.00 – –

Depreciation – (12,720.00) (21,180.12) (2,148.00)

closing balance 2014 264,000.00 1,263,322.18 71,221.03 3,576.39

Opening balance 2014 264,000.00 1,263,322.18 71,221.03 3,576.39

Additions – 38,643.01 15,000.00 –

Depreciation – (13,042.00) (22,879.92) (2,148.00)

closing balance 2015 264,000.00 1,288,923.19 63,341.11 1,428.39

2015 / $ 2014 / $

8. trade creditors and Payables

Unsecured:

Trade Creditors 39,834.65 12,766.87

GST Payable 21,429.28 19,683.99

PAYG Payable 8,095.22 8,166.20

Accruals 22,434.00 14,867.00

Annual leave provision 56,948.23 40,251.31

total trade creditors and payables 148,741.38 95,735.37

9. Provisions

Long Service Leave – Current 19,898.00 13,356.00

Long Service Leave – Non current 29,991.06 18,289.00

total Provisions 49,889.06 31,645.00

10. Other liabilities

Unearned grants 10,094.00 –

10,094.00 –

11. cash Flow Information

Operating result 8,651.43 358,966.55

cash Flows excluded from operating results attributable to operating activities

non-cash flows in operating result

Depreciation 38,069.92 36,048.12

Changes in assets and liabilities

Notes Continued


2015 / $ 2014 / $

11. cash Flow Information (continued)

(Increase)/Decrease in trade debtors, other current assets and other liabilities

352,891.30 (371,636.07)

Increase/(Decrease) in trade creditors and other payables 63,100.01 1,599.33

Increase/(Decrease) in provisions 18,244.06 16,267.00

net cash flows from operations 480,956.72 41,244.93

12. contingent liabilities

The Department of Health and Human Services (DHHS) has a caveat over the Association’s land and buildings. The caveat entitles DHS to receive 18.4% of the value of land and buildings if the Association were to wind up, become insolvent, sell the land and buildings, breach the deed with DHS, breach applicable legislation or use the property for a non-approved purpose.

13. commitments

Building work commitmentsThe association entered into an agreement to undertake building works to be completed in the next financial year. The agreement was conditional on the association raising monies to cover these costs. Donations and grants have been received and/or pledged to the association which cover these costs. – 47,000.00

– 47,000.00

14. details of reserves

retained earningsThe general reserve represents the funds of the association that are not designated for particular purposes.capital reserveThe capital works reserve represents donations and grants received designated for committed building works.Bequest reserve In 2015 the Board decided to create a bequest reserve to enable the separate identification and disclosure of the balance of monies bequested to the association.

coMMittee MeMbers’ DeclArAtioN

15. key Management Personnel

Compensation for key management personnel 111,024.09 107,305.35

Short term employee benefits 10,547.16 9,925.79

Post employment benefits 121,571.25 117,231.14

We, Bronwyn Johnson and Mashelle Parrett, being members of the Committee of Arts Project Australia Incorporated, certify that: The statements attached to this certificate give a true and fair view of the financial position of Arts Project Australia Incorporated during and at the end of the financial year of the association ending on 30th June 2015.

Bronwyn JohnsonPRESIDENT

Mashelle ParrettTREASURER

Dated this 12th day of October 2015

Notes Continued


iNDePeNDeNt AuDit rePort to tHe MeMbers oF Arts Project AustrAliA

FOLD INSIDE BACK COVERINSIDE FRONT COVER


Government

Department of Health and Human Services

Australian Government Department of Social Services

Creative VictoriaAustralia CouncilCity of DarebinCouncil of Adult,

Community & Further Education

PhilanthroPic

John T. Reid Charitable Trusts

Gandel PhilanthropyPerpetual Foundation – The

Bob Jenyns EndowmentInner North Community

FoundationThe Marian &

E.H. Flack TrustCollier Charitable FundThe William Angliss

(Victoria) Charitable TrustThe Amelia Eliza

Holland TrustThe Terry Brian Kenny FundLimb Family FoundationNordia FoundationThe Slomer-Topol Family

Charitable Trust

corPorate

ARA ConsultantsArt Guide AustraliaBed Bath N TableEastgate & Holst GalleryEnviroprocess Pty LtdEssendon Upholstery and

Strathmore UpholsteryKennardsLeeuwin EstateLeonard JoelThe University of Melbourne

Melbourne Social Equity Institute

MerricoteSundowner Caravan

& Cabin ParkThird Drawer DownZarella Investments

BuildinG donors

Brockhoff FoundationCommunity Support FundDame Elisabeth MurdochHugh D Williamson

FoundationIan Potter FoundationJohn T Reid Charitable

TrustsLeda ConstructionsMyer FoundationRobinson ArchitectsWilliam Buckland

Foundation

individual donors

Samara Adamson-PinczewskiBarbara AjzenbergBen AlbrechtRick AmorPeter AtkinsAustralian CAF WPGPola and Harry BetterArnold Bloch LeiblerJulie BlyfieldBonney BombachRosemary BrennanAllen BrentJohn BrentMargaret BullenPerry BurstinDeidre But-HusaimJames CamakarisMargaret CarrollAllan CarsonSimon CaskeyRosemary ClarkChris CollingwoodYvette Coppersmith

Patrick CorriganLibby CousinsJane CrappsleyJean CussenKaye CussenEvelyn DalpasDenise DamianosDassanayakaMyra & Zev DegenMartin & Vanessa DelatyckiRobyn DurhamCatherine EastonKate ElliottLeigh EllwoodChristine EncelLynne Farrel & Greg Smith Peter FayDr Isaac FeldmanFintona Girls’ SchoolAndrew FirestoneKaren FisherJeanette FryJessica GarvinLinda & David GoldFrancis GoodAmanda HallSusan and Bruce HarrisonRoger HeslopJackie Hollis-SandoPeter IronsDavid JellieBronwyn Johnson &

David BattenLinda JohnstonAndrew KarasDavid KeelingAdam KemptonRobin KentleyMichael KinoAlice LamRae LeivenzonLinton LethleanVirginia LovetteEvan LowensteinTom LowensteinSharlene LustigSimone LuttinPeter Maier

Rita MantellBernard MarshallJulian MartinChris MasonRob McHaffieLilach & Danny MileikowskiVivien MillaneAshley & Liora MillerTravis MoonStephen & Robyn MorrisJoanne MurrayNicole NewmanChris OgdenJim PavlidisMichael PearceMary & Josh PilaRonny & Jackie PilaBrett PorterGavin PorterAnne PottageRosalind PriceStuart PurvesRalph RenardKate RichardsonNita Mary Roddis EstateKay RonecNorman RosenblattMarcelo RosensteinSilvana ScibiliaHayley SciliniTamara SilverSharon SimmsGary Singer &

Geoffrey Smith Assa SinghBeverley StaughtonAnne StonehouseSteve & Sue TerkelVicki ThomasRaymond TriggsNeil TwistMark VeitchFrank WarnerBetty WassertheilAndrea (Mitty) WilliamsMary Paula WilliamsonDennis WilsonAdina and Ian Wolters

THANK YOUto the following donors for their generous support in 2014/15

We march to the beat of our own drum and map our own future.

Fuelled by an unwavering belief in our artists, we’re buoyed by the creativity and authenticity that exists in our space, and heartened by those who delight in sharing in it.

We believe that art is serious, but making it can be fun.

That individual creativity triumphs over conformity, and divergent voices make life much more interesting.

That art is about revealing ourselves and creating meaningful connections – between artists, staff artists and art lovers.

Our experience will always be shared, our knowledge passed on, and our studio bound by creativity, integrity and generosity in equal measure.

We believe in making a mark that matters. We believe in art as it should be.

original. unapologetic. true. and joyful in the making.

OUr MANIFESTO.

BELOW Terry WilliamsNot titled (Jet pack) 2013material, cotton, wool, stuffing105 � 68 � 32 cm

FRONT COVERBobby Kyriakopoulos Not titled (street in Carlton, Victoria) 2015 watercolour and ink on paper 38 � 28 cm

BACK COVERJodie NobleNot titled (after John Perceval’s ceramic angels) 2015ceramic48 � 28 � 27 cm

T +61 3 9482 4484F +61 3 9482 1852

24 High St Northcote VIC 3070 Australia

[email protected]

Arts Project Australia IncABN 99 804 795 393

Gallery HoursMon to Fri 9am–5pm Sat 10am–5pm

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/ aNNual rePorT /

2015

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