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lark duo reverse cover design.pdf 1 6/06/14 2:50 PM

Appearing at the Polish House “Syrena”, 1325 Stud Rd, Rowville

Sunday 31st July, 5:30pm

Tickets $20, $15 members

Ticket sales available at the door

CONCERT

www.zinaflute.com

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lark duo reverse cover design.pdf 1 6/06/14 2:50 PM

Dom Polski ‘Syrena’, 1325 Stud Rd, Rowville

Niedziela 31 Lipca, godz. 17:30

Cena biletu $20, $15 ulgowy

Do nabycia przed koncertem

KONCERT

www.zinaflute.com

PROGRAM

Baroque and Classical

1. W.A Mozart (1756-1791) – Andante from Sonata for Piano N16

2. M. Juilliani (1781- 1829) - Scerzo and Allegretto from Grand Duo

Concertant

3. Traditional - Greensleeves to a Ground - 16 variations

4. W.A.Mozart "Rondo" from Sonatina for Piano

5. S.L.Weiss (1695- 1737) - Ciacona - for Flute and Dresden 13-string

Guitar from the London Manuscript

6. F. Gossec (1734-1829) - Tambourine for Flute-piccolo and

Tambourine

7. L. Boccerini (1743-1805) - Minuet

8. F. Chopin (1810 – 1849) - Waltz in A minor

9. F. Chopin - Variations on a theme of Rossini

INTERVAL

Histories of Tango and Other Latin Dance Classics

1.E. Granados (1867-1916) Spanish Dance N5

2. P. Sarasate (1844-1908) - Playera

3. P. Sarasate - Romanza Andaluza

4. E Pessard (1843-1915) – Andalouse

5. H. Villa-Lobos (1887-1959) - Distribution of Flowers

6. H. Villa-Lobos - Bachianas Brasilieras N5

6. C. Machado (born 1953) - Pacoca

7. C. Machado - Piazza Vittorio

8. M. Kirschner (born 1952) - Tinto-tango

9. A. Piazzolla (1921-1992) - Chanson de la Naissance

10. A. Piazzolla – Libertango

NOTATIONS

Baroque and Classical

The flute and guitar have a proud history together, beginning with their ancestors, the Greek

aulos and cithara. The Elizabethans played the recorder and lute, and later the modern flute and

guitar were used. However, in the period later 1650, the combination of flute and guitar was not

written for by the great composers. Perhaps this was because for over two centuries the guitar

was considered a mere folk instrument, although Berlioz and Schubert, both used it to aid their

compositions. However, through transcription the music of theses masters can belong to

guitarists, and new areas can open to flautists

“Lard Duo” – duet flute (Zina Kaynarska) and guitar (Shannon Millard) was organised in 2013

and since this time the duet has been performing regularly. In 2014 Zina and Shannon have

recorded CD at Baker Street Studio. The website www.zinaflute.com describes the different

facets of the duet creative life.

Mauro Juilliani (1781- 1829) was an Italian guitarist, cellist, singer and composer. He was a

leading guitar virtuoso of early 19th

century.

Silvius Leopold Weiss (1687-1750) – German composer born in Grottkau near Breslau, the son

of Johann Jacob Weiss, also a lutenist, he served at counts in Breslau, Rome and Dresden where

he died. Weiss has been regarded as the greatest and most prolific composers of lute music in

history. He created around 600 compositions, mostly of Baroque dance pieces.

Dresden 13 string Guitar is absolutely unique, designed specifically to function as a baroque lute

for guitarists. It has been the opportunity to play the lute music of Weiss, Bach etc. Directly from

the tablature.

Ciaconne is a type of musical composition popular in the baroque era when it was much used as

a vehicle for variation on a repeated short harmonic progression, often involving a fairly short

repetitive bass-line (ground bass) which offered a compositional outline for variation, decoration,

figuration and melodic invention

François-Joseph Gossec (1734 – 1829) was a French composer of operas, string quartets,

symphonies, and choral works.

Luigi Rodolfo Boccherini (1743 – 1805) was an Italian classical era composer and cellist

whose music retained a courtly and galante style while he matured somewhat apart from the

major European musical centers. Boccherini is most widely known for one particular minuet

from his String Quintet.

F. Chopin (1810 – 1849). Variations on a theme of Rossini. This is an early musical piece by

Frederic composed at the age of 14 - 2 years before he entered the Academy of Music in

Warsaw. Most likely this piece was originally written for domestic use.

Histories of Tango and Other Latin Dance Classics

Tango is a unique combination of folklore, traditions and experience of many nations which has

more than century of history. It appeared at the end of 19th

century in poor immigrant suburbs of

Buenos-Aeros. The dance is based on melodies of Melonga, Habanera and Tango Andalouse.

Habanera is a melts the Spanish folk songs traditions with Cubian rhythms. Tango Andalouse

was created in Cadissa and belongs to classical form of Flamenco and is played in

accompaniment of guitar. Milonga is one of tango variations which uses different dance figures.

Enrike Granados (1867- 1916) was a Spanish pianist and composer of classical music. His

music is a uniquely Spanish style and, as such, is representative of music nationalism. His “12

Danzaz Espanolas” for Piano are the most famous of his compositions. They have been

transcribed for the classical guitar (for example, Danza N5 Andalouse – for flute and guitar).

P. Sarasate (1844-1908) was a basque violinist and compose of the Romantic period. Pablo

Sarasate was born in Pamplona, Navarre, the son of an artillery bandmaster. He began studying

the violin with his father at the age of five and later took lessons from a local teacher. His

musical talent became evident early on and he appeared in his first public concert in A Coruna at

the age of eight.

Émile Louis Fortuné Pessard (1843-1915) was a French composer. Pessard was born and died

in Paris.

Heitor Villa-Lobos (1887 – 1959) was a Brazilian composer described as "the single most

significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the

best-known and most significant Latin American composer to date.[2]

A prolific composer, he

wrote numerous orchestral chamber, instrumental and vocal works, totaling over 2000 works by

his death in 1959. His music was influenced by both Brazilian folk music and by stylistic

elements from the European classical tradition, as exemplified by his Bachianas Brasileiras

(Brazilian Bachian-pieces) He composed 9 Bachianos and the most famous is number 5

Celso Machado was born in 1953 in Ribeirao Preto, Sao Paulo, Brazil. Virtuoso guitarist and

percussionist, Celso Machado brings joy to his audiences with his subtle mixture of musical

inspiration and irresistible rhythm. He is widely regarded as one of the most versatile and

exciting musician/composers of Brazilian music today. For over thirty years Celso Machado has

been performing and teaching guitar workshops and master classes throughout Brazil, Western

Europe and Canada.

Michel Kirschner was born in 1952 in Marseille. He started learning music being 5 year old.

His main instruments were accordion and classical guitar. In 1983 he formed the duel with

flautist Remi Cordie. Since this time the duet has been on concert trips in many countries - USA,

Europe, Antilles, Puerto Rice, etc. Tango music is his main interest. Michel created a lot of

compositions and transcriptions for duet flute and guitar.

A Piazzolla (1921-1992) was an Argentine tango composer. He revolutionized the traditional

tango into a new style termed Nuevo Tango, incorporating elements from jazz and classical

music.

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