architecture and identity draft

© Alvaro Viegas 2008No part of this publication may be,reprinted,translated or circulated in any form without prior permission of the author.

© Alvaro Viegas 2008

Architecture and Identity:Pre Research Document.,December 2008

Author:Alvaro Viegas

Design,Layout&Graphics :Alvaro Viegas

Type Set in :Adobe Caslon Pro

Production:National Institute Of Design

Guidance:Sanjay Basavaraju&Armeen Kapadia

The Works Of Some Emerging Portuguese Architects

in collaboration with

&

ACKNOWLEDGEMENT CONTENTS

This Project of mine right from the outset has been possible due to help from a lot of people who I would like to express my gratitude.First and foremost I would like to thank Prof Paulo Varela Gomes,Delegate Fun-dacao Oriente in India who has been the backbone of this entire project right from the month of june 2008,all this has been possible due to his efforts and guidance all through these months.Right from sythesising the topic I was thinking about ,to helping me in reference material,guides,and most of all giving me his valuable time ,I am really grateful to him for all that I have been able to put into this project even before I embark on the study.My Parents and my sisters for all their support and ad-vice ,especially my dad for putting up with all my work and helping me in translations which I could not figure out.I would also like to express my gratitude towards Ar.Pushkaraj Karakart who has given me valuable ad-vice during the project formulation period and stills does so even now witht the project entering the crucial stage .My guideProf Ana Vaz Milheiro for all the help and valuable suggestions all through this period,Prof Ravi Hazra Priccipal Goa College of Architecture for his help and guidance.Yvvone from the fundacao Ori-ente in Panjim for helping me in putting all my docu-ments together and keeping me updated whenever I called in for information.My friends from the VSF international studio,Teresa Moran,Blanca Fernndez,Helena Ceremeno,Juanaon I really appreciate all the help they gave me.Sanjay Basa-varaju &Armeen Kapadia for the help in putting the document together.

Alvaro

21.12.2008

Aim

Research Methodology

Tools For Research

Project Index

Introduction

Architecture Of Portugal An Introduction

Featured Architects

Featured Projects

Projects Of Alvaro Siza Viera

Projects Of Younger Architects

Projects Of Emerging Architects

Bibliography

Webliography

Project Glossary

Project Site Location &Contacts

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aimThe purpose of this study is to see whether and how contemporary young architects in the specific context of Portugal are responding to the issues of globalization and advancement of technology, yet being sensitive to their environment and the history of their country or region.This is a problem faced by us architects here in Goa ev-eryday. I intend to use this study to learn from relevant examples how the young generation of Portuguese architectshave dealt and are still dealing with this and I am sure this will help me in my future career.

I am aware of Alvaro Siza’s important influence on young Portuguese architects and of his life-long con-cern about issues of site and identity. This will also be an object of interest.

The project will involve a study of the buildings of the emerging architects of Portugal, involving visits to their offices, the study of their projects and works and through collection of available drawings & literature through all sources, my analysis of their work and, at the end:

•Submission of a report based on the study conducted •An exhibition to be held in Goa of photographs of mine of recent Portuguese architecture.

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For me architecture is a global issue.One should not look as architecture as a mere problem solving operation but a means to relate and coexist in harmony between the built and the unbuilt.For me the site is the biggest clue that one can draw in terms of coming up with meaningful and rele-vant designs within the sensitive area

of intervention“Alvaro Siza Viera”

2 3

I will carry out a research of the works of the new emerging architects of Portugal based on various aspects of study1. Building typologiesHere I will research three categories of buildings 1. Residential2. Public building3. Office buildingTrying to understand the different ways in which these different programmes lead to different responses from the point of view of architectural identity.

2. Building materials and technologiesHere I will make a study on the use of different materials and the method of application in the buildings. In a time of rapid technological change and globalization of materials and building tech-nologies, I will be interested in seeing how tradi-tions are – or are not – respected.

3. Site, Location and local culture of buildings or projected buildingsHere I will ponder upon how relevant the building is to its site, and if any design clues can be drawn from the immediate surroundings and the cultures of its inhabitants and its influence on the archi-tects design.

4. Education (schooling) and culture of the architectsDoing a study on the educational background and schools from where these architects have studied and what might be an influence on their work of a particular architect or a style of architecture.

5. Response of architectural culture to the buildings or projectsHow the architectural community and press responded to buildings and projects might help to clarify how much the works belong to Portuguese cultures or how much they seem new

I will conduct investigations on the above aspects based on •Interviews with the architects, users, locals as well as fellow architects and critics.

•Literature review in libraries in Portugal at the Biblioteca da Faculdade de Arquitectura de Lisboa and Biblioteca da Ordem dos Arquitectos (Lis-boa) and other places of my study.

•Internet research

•Photographs, sketches, drawings of the buidings

6. The buildings / projects within recent Portu-guese architectural historyI will look at a few projects that have been built and have become icons in the last 10 years and try to relate them to the evolution of Portuguese architecture over the last 30 to 40 years (since the 1974 revolution and the joining of the European Union in the early 1980s).

7. Discussion of the way the buildings or proj-ects tackle the identity issue.Here I will research in the libraries of Portugal, as well as speak to fellow architects and critics to see how architects of this generation are dealing with the issue of identity.I.e. whether or not these buildings can be called distinctively Portuguese or not, or even if this issue makes any sense to contemporary architects and

critics.

2.0 3.0research methodology tools for research

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ALVARO SIZA VIEIRA YOUNGER ARCHITECTS

4.24.0 Project Index4.1

Boa Nova Tea House

Matosinhos, PortugalAlvaro Siza Vieirapavilion

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Piscina de Leça da PalmeiraLeça Swimming Pool

Matosinhos, Portugal1966

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Boa Nova Tea House

Matosinhos, PortugalAlvaro Siza Vieirapavilion

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Igreja / Centro Paro-quial |

Marco de Canavezes Portugal

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22

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27

25

26

24

28

Casa Vieira de CastroVieira de Castro House

Famalicão, Portugal1994

Pavilhão de Portugal / EXPO 98

Portuguese pavilion for Expo 98Lisboa, Portugal - 1998

Faculdade de Jornalismo

Fac. of MediaSiencesCompostela, Spain2001

Adega Mayor,Winery MayorCampo Maior, Pt2003-2007

Equip. Desportivo Ribero-SerraloRibero-Serralo Sports Com-plex

Barcelona, Spain - 2006

Complexo DesportivoSports Complex

Gondomar, Portugal2008

Municipal Libary

Viana do Castelo, Portugal2008

Edifício Zaida, Casa PatioZaida BuildingPatio House

Granada, Spain - 2006

Casa do PegoPego House

Sintra, Portugal2008

SantaMaría do BouroAmares, Braga, Portugal1989/1997Eduardo Souto Moura

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Estadio Municipal de Braga

Braga, Portugal2002/2003Eduardo Souto Moura

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Torre do Burgo

OPorto, Portugal2000/2003

Eduardo Souto Moura

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Casa das Artes

OPorto,Portugal1981/1991

Eduardo Souto Moura

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41

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Museu do Oriente

Lisboa, Portugal2005

JoãoLuís Carrilho da Graça

Centro de interpreta-ção da Presidência da Republica

Lisboa,Portugal2005/2007JoãoLuís Carrilho da Graça

Biblioteca Municipal de Tavira

Tavira,Portugal

JoãoLuís Carrilho da Graça

Teatro (Azul) Municipal de Almada

Almada,Portugal2005

M. Graça Dias/ Egas J. Vieira/ G. A. Dias

Casa em Sintra

Sintra, Portugal2003

Paulo Gouveia

Centro de Saúde

Vila do Conde, Portugal2003

Paulo Providência

Conservatório Regional de Música de Vila Real

António Belém LimaVila Real,Portugal2005

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Portugal, with a privileged geographical position on Europe’s West Coast, has an Atlantic vocation that has always left its mark on the country’s history and cul-ture.

The country’s proximity to the sea had a key influ-ence on the maritime discoveries of the 15th and 16th centuries in which Portugal played a pioneering role in connecting together the world’s continents - thus triggering the first wave of economic and social globali-sation. Today, Portugal is proud of the many influences that it has assimilated – visible in much of the country’s material and immaterial heritage - and also the influ-ence it has left on other countries and continents, in-cluding the fact that the Portuguese language is spoken by over 200 million people.

In a territory of only 92 000 Km², there is such a tremendous diversity of landscapes and cultural and historical riches that visitors are sure to find of a wide array of experiences close at hand - whether in the mountains or the sea, in cities or historic villages in the hinterland.

With such a long sea coast, it is not surprising that Portugal has witnessed so many sailings and arrivals. This is why we have been open to the world and to communication for so long. We have assimilated peo-ples of different origins: Phoenicians, Greeks, Carthag-inians, Romans (who left us our language), northern Europeans and peoples from Mauritania. In spite of all these mixtures, Portugal is one of the oldest nations in Europe. In the 12th century, the country gained its independence from the other kingdoms in the Iberian Peninsula thanks to Count Afonso Henriques, who was our first king at his own wish. A century later, with the conquest of the Algarve, Portugal was todefinitively establish its continental border.

introductionCasa no RomeirãoRomeirão,Portugal2005

ARX PORTUGALNuno e Jose Mateus

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Casa no MartinhalSagres,Portugal2005

ARX PORTUGAL Nuno e Jose Mateus

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Centro de Sangue

OPorto,Portugal2005


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Casa em Brejos deAzeitãoSetubal,Portugal2001-2003

AIRES MATEUSManuel e Francisco

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Casa no Litoral

Alentejano,Portugal1999-2000


Museu do Farol de St Marta

Cascais, Portugal2003


Casa em Castro

Marim,Portugal2003

João Pedro Falcão de Campos

Laboratorio Chimico-Mu-seu Da Cienca

Coimbra,Portugal2001-2007

João M. Ribeiro,C. Antunes,Desirée P.

Casa em Vila Real

Vila Real,Portugal1998-2003

George Figueira

Centro Cultural Do Cartaxo

Cartaxo,Portugal2005CVDBCristina Verissimo/Diogo Burnay

Museu da Luz Cemitério

Mourao,Portugal1998-2003

Maria Clement/Pedro Paceco

Centro das Artes/ Casa da Mudas

Calheta-Madeira,Portugal2005

Paulo David

Casa em Afife

Affife,Portugal1998-2003

Nuno Brandão Costa

EMERGING ARCHITECTS

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architecture of PortugalArchitecture of Portugal refers to the architecture practised in the territory of present-day Portugal since before the foundation of the country, in the 12th century. The term may also refer to buildings created under Portuguese influence or by Portu-guese architects worldwide during the times of the Portuguese Empire.Portuguese architecture, like all aspects of Portu-guese culture, is marked by the history of the coun-try and the several peoples that have settled and influenced the current Portuguese territory. These include Romans, Germanic peoples, Arabs as well as the influence from the main European artistic centres, which introduced in the country standard architectonic styles like Romanesque, Gothic, Re-naissance, Baroque and Neoclassicism. Among the main manifestations of Portuguese architecture are the Manueline, the exuberant Portuguese version of late Gothic, and the Pombaline style, a mix of late Baroque and Neoclassicism that developed af-ter the Great Lisbon Earthquake of 1755.In the 20th century, Portuguese architecture has produced a number of renowned personalities like Fernando Távora, Tomás Taveira, Eduardo Souto de Moura and, especially, Álvaro Siza.

Early architecture

Anta (dolmen) in Cabeção, near Mora, intheAlejo.MegalithsThe earliest examples of architectural activity in Portugal date from the Neolithic and consist of structures associated with Megalith culture. The Portuguese hinterland is dotted with a large num-ber of dolmens (called antas or dólmens), tumuli (mamoas) and menhirs. The Alentejo region is par-ticularly rich in megalithic monuments, like the notable Anta Grande do Zambujeiro, located near Évora. Standing stones can be found isolated or forming circular arrays .Iron age house in Citânia de BriteirosThese sites were occupied in the period around the years 2500-1700 BC and were surrounded by stone walls and towers, a sign of the conflictivity of the time.

Starting around the 6th century BC, Northwest Portugal, as well as neighbouring Galicia in Spain, saw the development of the Castro culture (cultura castreja). This region was dotted with hillfort vil-lages (called citânias or cividades) that for the most part continued to exist under Roman domination, when the area became incorporated into the prov-ince of Gallaecia. Notable archaeological sites are the Citânia de Sanfins, near Paços de Ferreira, Cit-ânia de Briteiros, near Guimarães, and the Civi-dade de Terroso, near Póvoa do Varzim. For defen-sive reasons, these hillforts were built over elevated terrain and were surrounded by rings of stone walls (Terroso had three wall rings). Houses were round in shape with walls made of stone without mortar, while the roofs were made of grass shoots. Baths were built in some of them, like in Briteiros and Sanfins.

The various periods in portuguese architec-ture can be classified as under:

• Roman period• Pre-Romanesque• Moorish period• Romanesque style (1100-c. 1230)• Gothic (c. 1200 - c.1450)• Manueline style (c.1490 - c.1520)• Renaissance and Mannerism (c.1520 - c.1650)• Restoration architecture (1640-1717)• Baroque style (1717-1755)• Pombaline style (1755-1860)• Modern Architecture

Portuguese Architecture in the 20th century pro-duced somevery interesting buildings and achieve-ments, namely in whatregards its chronological diversity, its spatial and formaloriginality in the European context, its geographicalspreadness (in the Portuguese colonial areas of the time,namely the Atlantic islands, African Guinea, Angola andMozambique, India, Macao and Timor).Diversity is also the word for the aspects regarding functionaltypologies (with a large number of con-trasting examples), andregarding style and technol-ogy used in the more significantbuildings. Also the urbanization aspects, with the creation of new cit-ies, in European Portugal as in Angola anMozambique, was another theme that Portuguese materialproduction developed, mainly in the period of the 1910-1970decades.

Being a periphery country, regarding the Central Europe maincultural diffusion regions, Portuguese architecture evolvedthrough a series of imported artistic movements, which havealong the centuries generated original responses through aprocess that reveals and emphasizes the integrator andtradition-alist aspects of the existing national context.That explains the capacity of fusing the Gothic into Manueline,the Classical and Mannerist themes into the Plain Style, theBaroque into the more simple and standardized Pombaline,and finnaly ex-plains the poetic interpretation of modernarchitecture made in Oporto school and later on in Lisbon,during the late 20th century. Being - in a creative contradiction -as conservative as open-minded to experimentatioandadaptation, Portu-guese architecture managed to transform the foreign models, in a way that they were soon recognizedand rethought with originality and such power that theiradaptation created very special scales, spaces and forms.

In a long-term view of Portuguese architecture, it will be boththe simplicity of forms and the struc-tural clarity that canbest describe it. In this context, the facade assumed a vitalimportance as an “introduction” to the building(asif thesurface wished to become three-dimensional space andstructure). This aspect connects with Lus-itanian tendencyto conceive everything on surfaces, thus somehow disdainingthe importance of vol-umes and its light-dark play.

On the other hand, international cultural move-ments inarchitecture which were somehow innova-tive, had somedifficulty in gaining acceptance: for example, Art Nouveau wasmainly understood as a decorative and fashion formal “thing”,and its Portuguese interpretation, the Arte Nova,exhibitedsome spectacular facades as the “Animatógrapho doRossio” (in Lisbon, from 1908), but without any interestingspace interiors.

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a• SIZA VIERA Álvaro

•SOUTO MOURA, EduardoBorn in 1952, Souto de Moura is the “baby”, but was taught by Tavora and worked with Siza before establishing his own practice. His oeu-vre encompasses an eclectic mix of projects, including terraced houses, museums, apartments, faculty buildings, stage sets and sports stadia.Perhaps his most celebrat-ed project is the detached house at Travessa do Souto, Caminha (1991–98), which reshapes the terraced land-scape to allow the house to nestle into a granite outcrop.

•CARRILHO da GRAÇA, Joao Luís

•BELEM LIMA, António

•GOUVEIA, Paulo

• P R O V I D E N C I A , Paulo.

merging architectserchitects of the featured projects •MATEUS, Jose e Nuno, ARX

Born in Castelo Branco (Por-tugal), in 09 of August 1961, has graduated in Architec-ture from Faculdade de Ar-quitectura da Universidade Técnica de Lisboa (FAUTL) in 1984ARX’s projects received numberless prizes, mentions and nominations, namely the International Architecture Award 2006 with the project for the Biblioteca Munici-pal de Ílhavo (The Chicago Athenaeum) and the Prize AICA 2003 (Associação In-ternacional dos Críticos de Arte) .

•AIRES MATEUS, Manuel e Francisco

•FALCÃO DE CAM-POS, João Pedro

•FIGUEIRA, Jorge

BIOGRAPHY

Born in 25 June 1933 in Matosinhos, just north of Porto in Portugal. Studied architecture at University of Porto, School of Architecture (1949-55). Opened his own atelier in Porto (1954) and began Alvaro Siza’s career by designing smaller works, mainly residences in the late 1950s-1960s. Collabo-rated will) Portuguese architect Fernando Tavora (1955-58); began leaching at University of Porto (1966); became full professor (1976-present); has taught and lectured outside Portugal at Harvard University, the Ecole Poytechniquc of Lausanne, Switzerland, and Los Andes University of Bogota. Awarded the Pritzker Architecture Prize (1992).

PROJECTS.

•Swimming pools, Leca de Palmeira, Portugal, 1966•Alves Santos House, Povoa do Varzim, Portugal, 1969 •Pinto e Sotto Maior Bank, Oliveira de Azmeis, Poriugal, 1974 •J.M. Teixeira House, Taipas Guimaraes, Portugal, 1980 •Borges and Irmao Hank, Vila do Conde, Portugal, 1986 •“Joao de Deus” Kindergarten, Penafiel, Portugal, 1988•Residential complex Schilderswijk West, The Hague. Neth-erlands, 1988 •School of Architecture, Porto University in Porto, 1992

joão luís carrilho da graça, 1952, graduated from esbal (lisbon higher-education school of fine-arts) in 1977 and lectured at the faculty of architecture of the technical university of lisbon between 1977 and 1992.since 2001 the architect has been an invited pro-fessor at the architecture department of the

autonomous university of lisbon and also, from 2005, at the university of évora. he has been invited to sev-eral universities, seminars and conferences all over the world.

(Castelo Branco, 1963) has graduated in Architecture from the Faculdade de Ar-quitectura da Universidade Técnica de Lisboa (FAUTL) in 1986.President of the Southern Regional Assembly of the Ordem Arquitectos. He was Vice President of the Direc-tion of the same Regional Section 2005-2007 between.Director of the First Lisbon Architecture Triennale 2007.

MANUEL AIRES MA-TEUSGraduated in Architecture from the Faculty of the Uni-versidade Técnica de Lisbon. He worked with Gonçalo Byrne studio, prior to set-ting up Aires Mateus & As-sociados with is brother. He as been a lecturer at Har-vard University and at the Academia di Architettura in Mendrizio, Switzerland since 2001. He has been pro-fessor at Lisbon Universi-dade Lusíada since 1997 and at Universidade Autónoma since 1998.

FRANCISCO AIRES MA-TEUS

Graduated in Architecture from the Faculty of the Uni-versidade Técnica de Lisbon. He worked with Eduardo Trigo de Sousa and with Gonçalo Byrne studio, prior to setting up Aires Mateus & Associados with is brother. He as been an assistant lec-turer at Lisbon Universidade Autónoma since 1998 and Professor at the Academia di Architettura in Mendrizio, Switzerland in 2001›2002.

•Graduated in 1984 in Ar-chitecture from the School of Architecture, Lisbon Techni-cal University.• Since 1993 he has collabo-rated with Arch. Álvaro Siza and Arch. Gonçalo Byrne.Invited Professor, teaching the Project course of the Ar-chitecture degree at I. S. T. (Higher Technical Institute).His most important projects and works are•Saraiva Lima House at Quinta da Foz in Alcácer do Sal;•Tomé Lopes House, remod-elling project at Arco Cego in Lisbon;•Saraiva Lima House in Fa-mais do Meio , Santa Catari-na, Alcácer do Sal.Among the nominations and the prizes received, the nomination of Saraiva Lima House in Santa Catarina, Alcácer do Sal, for the final stage of the 2002 Secil Ar-chitecture Award and for the 2003 Mies van der Rohe Award stand out.

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•BRANDAO COSTA Nuno

•PACHECO, Pedro, CLEMENT Marie

•DAVID, Paulo

Paulo David was born in Funchal, Madeira in 1959. He received his diploma in architecture from the Fac-ulty of Architecture of the Technical University of Lis-bon in 1989. He collaborated with Gonçalo Byrne Studio, 1988-1996, and with João Luís Carrilho da Graça Stu-dio, 1989. He established his own firm Office of Paulo Da-vid Arquitectos, in Funchal, 1996. He received several architectural prizes for Casa das Mudas: Mies Van der Rohe Award 2005, Selected Work; Fad Iberian Architec-ture Award 2005, Finalist; and Enor Award for Archi-tecture in Portugal 2005, 1st Edition. His work has been published in many books and magazines.

•RIBEIRO, João Mendes•VERISSIMO, Cris-tina, BURNAY Diogo

NUNO MIGUEL LIMA BRANDÃO DA COSTA WAS BORN IN PORTO ON THE 17th FEBRU-ARY 1970

•Graduated in Architec-ture by the Porto University School of Architecture in 1994.•Assistant Professor at the Porto University School of Architecture since 1999.• Collaborator of Herzog & de Meuron, in Basel, Swit-zerland, between 1991 and 1993 and with the architects José Fernando Gonçalves & Paulo Providencia in Porto between 1993 and 1998.•He started working as an self-employed architect in 1998, since which time he has authored several projects for private and public enti-ties, among which:•Renovation of a house and annexes in Guerra Junqueiro (Porto);• House R4-1 (Porto);• House in Afife;•House in Lourosa (Santa Maria da Feira);•House R4-2 (Francelos); House “Luisas” (Entre-os-Rios);•House in Areias de Vilar (Barcelos);•House in Manhufe (Ama-rante);

• Graduated in Architecture from FA/UTL in 1985, was invited Auxiliary Profes-sor at ESTGAD [Caldas da Rainha (1997/2001)], and, currently, invited Auxiliary Professor at DA/UAL (since 1998). He lives and works in Lisbon. •EJV received 2nd prize in the invitation to tender for the enlarwgement of the Headquarters of the Engi-neering Society in Lisbon (1987), in association with Pedro Ucha.•MGD + EJV have buildings in Lisbon, Almada, Porto, Guimarães, Chaves and Seville published in the spe-cialized press and have been shown (since 1978) in single and group exhibitions.

•GRAÇA Dias, Manu-el, VIEIRA, Egas J

Nullam venenatis, leo eu fringilla adipiscing, eros me-tus ornare nunc, non sodales lorem est vitae est. Viva-mus diam lorem, posuere vitae, iaculis a, hendrerit ut, neque. Integer malesuada, eros a elementum egestas, augue ligula congue erat, et elementum ipsum odio at lorem. Duis vulputate rutrum turpis. Nam et augue. Pellentesque et magna quis nisl accumsan fringilla. Viva-mus ac urna. Donec placerat metus a lectus. Sed sit amet ipsum. Maecenas mauris. Mauris odio ipsum, porttitor ac, blandit eget, semper vitae, ligula. Aenean pharetra iacu-lis mi. Donec non neque et risus feugiat consequat. Nam mi ligula, pretium nec, ultri-ces non, fringilla ac, mauris. Sed mattis nibh sed velit.

Cristina Veríssimo gradu-ated in Architecture at the Faculdade de Arquitectura (FA-UTL) and hasa Masters (MarchII) from the GSD, Harvard. She worked with João Luis Car-rilho da Graça in Lisbonand with Zaha Hadid in London. She was awarded with a research grant by the Orient Foundationin 1997 to research Pawn-shop Towers of Macau. She was co-curator of the Lisbon ArchitecturalTriennale 2007 “urban Voids in the Lisbon metropolitan Areas”.

Diogo Burnay graduated in Architecture at the Facul-dade de Arquitectura (FA-UTL) and hasa Masters from the Bartlett, London. He worked in Lis-bon, London and Macau. He was awardedwith a research grant by the Orient Foundation in 1996 to research modern architec-ture in Macau.He was co-curator of the Lisbon Architectural Trien-nale 2007 “urban Voids in the Lisbon metropolitanAreas”. He participated in the Architectural association, London Visiting Teachers programme (2007).

Licensed in the Faculty of Architecture at the Uni-versity of Oporto, where he taught from 1989 to 1991. É docente da disciplina de Pro-jecto no Departamento de Arquitectura da Faculdade de Ciências e Tecnologia da Universidade de Coimbra desde 1991, tendo sido As-sistente do Professor Arqui-tecto Fernando Távora entre 1991 e 1998. It is teaching the discipline of Project at the Department of Architec-ture, Faculty of Science and Technology University since 1991 and was Assistant Pro-fessor of Architecture Fer-nando Távora between 1991 and 1998.

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projectsfeatured

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The Boa Nova Tea House was designed following a competi-tion held in 1956 by the city council and won by Portuguese architect Fernando Tavora. After choosing a site on the cliffs of the Matosinhos seashore, Tavora turned the project over to his collaborator, Alvaro Siza. One of Siza’s first built projects, it is significant that the restaurant is not far from the town of Matosinhos where the architect grew up, and set in a landscape that he was intimately famil-iar with. It was still pos-sible in Portugal of the 1960s to make architec-ture by working in close contact with the site, and this work, much like the Leça Swimming Pools of 1966, is about ‘building the landscape’ of this marginal zone on the Atlantic - through a careful analysis of the weather and tides, exist-ing plant life and rock formations, and the re-lationship to the avenue and city behind.

Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est.

Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac tur-pis egestas. Duis vel pede in metus mollis eleifend. Curabitur neque. Inte-ger vestibulum aliquam nisl. Sed hendrerit. orci suscipit est. Pellen-tesque habitant morbi tristique senectus et ne-tus et malesuada fames ac turpis egestas. Duis vel pede in metus mol-lis eleifend. Curabitur neque. Integer vestibu-lum aliquam nisl. Sed hendrerit.

Siza Alvaro Viera

FLOOR PLAN 1:200

Casa de Chá da Boa Nova/Boa Nova Tea House Matosinhos, Portugal1963SAV/01

Piscina de Leça da Palmeira/ Leça Swimming PoolMatosinhos, Portugal1966SAV/02

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Centro Galego de Arte ContemporâneaArt Centre/Center for Galacian Art

S. Compostela, Spain1993SAV/03

Igreja e Centro Paroquial/Church and P. CentreMarco de Canavezes,Portugal1997/2006SAV/04





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Pavilhão de Portugal / EXPO 98Portuguese pavilion for Expo 98

Lisboa, Pt - 1998SAV/06

Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac tur-pis egestas. Duis vel pede in metus mollis eleifend. Curabitur neque. Inte-ger vestibulum aliquam nisl. Sed hendrerit. orci suscipit est. Pellen-tesque habitant morbi tristique senectus et ne-tus et malesuada fames ac turpis egestas. Duis vel pede in metus mol-lis eleifend. Curabulum aliquam nisl. Sndrerit.

Faculdade de Jornalismo/Faculty of Media Science

S. Compostela, Spain2001SAV/05


22 23

Biblioteca Municipal/Municipal Libary

Viana do Castelo, Portugal2008SAV/07

Adega Mayor/Winery Mayor

Campo Maior, Pt2007SAV/08

Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est.

Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Duis vel pede in metus mollis eleifend. Curabitur neque. Integer vestibulum aliquam nisl. Sed hendrerit. orci suscipit est. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis ege-stas. Duis vel pede in metus mollis eleifend. Cura-bitur neque. Integer vestibulum aliquam nisl. Sed hendrerit.


Pellentesque tempor. tesque mollis libero non ligula accumsan lac-inia. Quisque hendrerit orci suscipit est. Pellen-tesque habitant morbi tristique senectus et ne-tus et malesuada fames ac turpis egestas. Duis vel pede in metus mol-lis eleifend. Curabitur neque. Integer vestibu-lum aliquam

24 25

Equip. Desportivo Ribero-Serralo/Ribe-ro-Serralo Sports Complex

Barcelona, Spain - 2006SAV/09


Pellentesque tempor. tesque mollis libero non ligula accumsan lac-inia. Quisque hendrerit orci suscipit est. Pellen-tesque habitant morbi tristique senectus et ne-tus Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant

Complexo Desportivo/Sports Complex

Gondomar, Portugal2007SAV/10


Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.


Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte..

26 27

Edifício Zaida, Casa Patio/Zaida Building

Patio HouseGranada, Spain - 2006SAV/11

Casa Vieira de Castro/Vieira de Castro House

Famalicão, Portugal1994SAV/12




Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est.


28 29

Casa do Pego/Pego House

Sintra, Portugal2008SAV/12


Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus et malesDuis vel pede in metus mollis eleifend. Curabitur neque. Inte-ger vestibulum aliquam nisl. Sed hendrerit. orci suscipit est. Pellen-tesque habitant motris-tique senectus et netus s ac turpis egestas. Duis vel pede in metus mollis eleifend. Cura

architectsyounger

30 31

Rehabilitación Para Pousada del Mon-asterio cisterciense de Santa María do Bouro/Conversion of Santa Maria do Bouro Monastery into a state innBouroAmares, Braga, Portugal1989/1997ESM/01

h/Braga Municipal Stadium

Eduardo Souto Moura

Monte castro, Braga, Portugal, 2000/2003ESM/02

Situated in Amares, near the historic city of Braga and the Gerês mountain range, the Pousada de Amares is intriguingly housed in a 12th century Cistercian monastery. In keeping with the Cistercians’ tradition of settling on the most rugged fringes of the European conti-nent, the monastery is rough and almost sur-realistically plain. In the process of converting it into a hotel, one of Por-tugal’s most esteemed architects, Eduardo Souto Moura, sought to ‘find the lucidity that exists between form and function’. For him, the ruins were more im-portant than the actual monastery since they represented material that could be manipu-lated to more challeng-ing effect, just as the building itself had been throughout the course of history. Many of the rough stone columns and arches of the old structure are preserved, but that which had dis-appeared over time was not simply reconstruct-ed in imitation.

“The Braga Municipal Stadium is inside the Dume Sports Park on the northern slope of Monte Castro. The site was chosen in order to avoid the creation of a ‘dam’ for the natural line of watering the valley. The alternative would have been to move it further to the west up against the hill, like a Roman amphitheatre... Initially the roof was to look like a long con-tinuous visor (ref. Siza/Expo)*, but it was even-tually modeled on the Peruvian Inca bridges. With a height of 40 me-tres, the stadium will be set against two squares with the same sloping. This will enable the sta-dium building to serve as an anchoring point for any future develop-ment in the areas as the city expands northward.

32 33

Torre do Burgo/ Office Building.

Eduardo Souto Moura

Porto, Portugal,2000/2003ESM/03

Casa en Moledo/House in Moledo

Eduardo Souto Moura

Moledo do Minho, Caminha,Portugal 1991/1998ESM/04

This office complex is located in the Avenida da Boavista, the biggest straight line avenue in Portu-gal that extends from “Casa da Música” till the Sea in West. This complex opens a large square between the two buildings, one horizontal and the other vertical. The square is occupied by a big sculpture by the Porto architect/sculptor Nadir de Afonso. The buildings were drawn with very simple shapes, following the influences of Mies and the Chicago buildings. The main interest about the building is its façade. Its skin is composed out of a single mod-ule that wraps all the volumes. That module was studied so it could fit on 2 different ways creating a glass façade and an opaque façade.


Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est.

Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrer

34 35

“Casa das Artes”/ CulturalCenter

Eduardo Souto Moura

OPorto, Portugal 1981-91ESM/05

Museu do Oriente/Museum of the OrientJoão Luís Carrilho da GraçaLisboa,Portugal2005/2007JLCG/01

The building is located in the gardens of a neo-classical mansion in Porto, dating from the beginning of the 20th century. The program for the competition proposed a cinema, an auditorium and an exhi-bition gallery, as well as the conservation of the gardens as they were. This is one of the first built projects of Eduardo Souto Moura. It’s main-ly composed of two par-allel granite stone walls, with all the programin the middle. With a very minimalistic approach, this building is com-posed of great building details, reminding some of Mies Van der Rohe’s characteristics.




36 37

Biblioteca Municipal de Tavira/Municipal Lib-riary At Tavira

João Luís Carrilho da Graça

Tavira,PortugalJLCG/02

Centro de interpretação da Presidência da Republica

João Luís Carrilho da GraçaLisboa,Portugal2005/2007JLCG/02







amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est.

hendrerit orci suscipit est. Pellentesque ha-bitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.



amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est.

hendrerit orci suscipit est. Pellentesque ha-bitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.

38 39

Teatro (Azul) Municipal de Almada/MunicipalTheatre of Almada

M. Graça Dias/ Egas J. Vieira/ G. A. Dias

Almada,Portugal2005MGEGGA/01

Conservatório Regional de Música de Vila Real /Vila Real Music Conservatory.

António Belém LimaVila Real,Portugal2005ABL/01

Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar male-suada est.

Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar male-suada est.

40 41

Casa em Sintra /House in Sintra

Paulo Gouveia

Sintra,Portugal2003PG/01

Centro de Saúde/Health Care Center

Paulo Providência

Vila do Conde, Portugal2003PP/01

Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.quis ul-tricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesua-da est.

Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.quis ul-tricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesua-da est.

42 43

architectsemerging

Casa no Romeirão, /House at Romeirao


Romeirão,Portugal2005ARX/01

The site has a strong ru-ral character, with small plantations, orchards and pathways limited by roughly made stone property walls and, once in a while, houses, scat-tered in the landscape.It is a steep slope fac-ing south over the val-ley, furrowed by a small river and a mountain in the background. While the upper half of the site is ramped, the lower is built in steps. In the transition between both two clear references be-came the starting point for the project: a wal-nut tree and a watering tank.The site’s natural beauty dictated the project. The house develops in an intimate relation with the ground, penetrating it as the slope increases and eventually becom-ing part of the moun-tain where one can walk; then it is displaced while descending, reap-pearingon the slope.

44 45

Casa no Martinhal, /House at Martinhal


Sagres,Portugal2005ARX/02

This house is located in Sagres (Algarve), the furthest southwest loca-tion in Portugal.This town hosted the Navigation School be-hind the “Portuguese Discoveries”, established in the 15th century by the infant D. Henrique.Five centuries have gone by and nowadays these waters are famous for windsurfing.Land is being split in generic parcels of typi-cal resorts, claiming for a superficial architectur-al idea of a “portuguese house”, to please and sell to foreign tourists. The house was devel-oped along the precise regulations, defined in the urbanistic project, from distances to bor-ders, access and total amount of construction area and volume.

Centro de Sangue, /OPorto Blood Bank


OPorto,Portugal2005ARX/03 The Oporto Blood Bank

is built to support all ac-tivities of regional blood collection and analysis as well as its partition in 3 components (erythro-cytes, plasma and plate-lets). These components are later to be distrib-uted to hospitals and pharmaceutical indus-tries.This typology is new and hardly tested. It has a great complexity due to permanent risk of blood contamination. Continuous scientific and technological de-velopments force per-manent alterations. It is therefore a building with an unstable inte-rior, wich will undergo frequent metamorpho-sis throughout its life.The building program is a linear sequential process (of blood dis-assembly). It suggests to be more adequate a low and fluid construc-tion rather than a high building, as pointed out by the neighboring housing buildings (5 and 6 levels).

46 47

Casa em Brejos deAzeitão/House in Azeitao


Setubal,Portugal2001-2003AM/01

An ancient winery is rehabilitated. Its main attri-butes are a wide space and thick walls. Though in-troducing a new program, the universal character of the space remains. Together with the existing wall, a new thick wall houses all of the social functions on the main level. Stairs within the thick wall and day lit from above make the light transition from social to private space. The more private areas – bedrooms, bathrooms and a studio– are conceived as habitable volumes in an “impossible” balance, structuring the space. The volumes, articulated by light, modulate the main space of the lower living room, emphasizing its breadth.

Casa no Litoral/Basic House


Alentejano,Portugal1999-2000AM/02

The program includes four houses and a water tank. The wa-ter tank will be a square of whitewashed plaster where a pool is found and a line draws the shower. The placement of the several houses will be decided by each owner. The first house is a square. The living room is disposed around a courtyard that provides indirect lighting. Secondary compartments in-habit the interior of thick walls that form the central living room. These areas, compressed by a lifted ground and a low-ered ceiling, become spaces which group to limit and define the “exterior volume,” emphasizing it as the main space of the house.

48 49

Museu do Farol de St Marta/ Museum Of St Mary


Cascais, Portugal2003AM/03

Between land and sea, along a strip of land in constant change with he passing of the years, human intervention has gradually settled into the most varied types of inhabitation. From the seventeenth century until now the superim-posing of different in-tentions for this spot, the material and tech-nological resources of the moment and avail-ability of the inherited patrimony have all con-tributed to a succession of adaptations and ad-ditions. Notwithstand-ing this, the complex encompasses architec-tural units whose read-ing is unequivocal, units laid out according to still-clear organisational principals.

The state of adultera-tion and decadence of one part of the complex is the result of a process of natural selection that the project design tries to turn to its favour. Identifying the ele-ments of greater perdu-rability or greater poetic charge, the proposal re-constructs with, and out of, these a basic order that both encompasses the memory of passing time and makes a new use visible.

Casa em Castro/House at Castro

João Pedro Falcão de Campos

Marim,Portugal2003JPFC/01

Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar male-suada est. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Lorem ipsum dolor sit amet, con-sectetur adipiscing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est.

50 51

Laboratorio Chimico-Museu Da Cienca/Chemistry Laboratory To Science MuseumJoão M. Ribeiro/C. Antunes,/Desirée P.Coimbra,Portugal2001-2007MRJ/01

Centro das Artes Casa da Mudas/Center For Art

Paulo DavidCalheta-Madeira.Portugal2005DP/01

Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia.

Lorem ipsum dolor sit amet, consectetur adipi-scing elit. Morbi adipi-scing sodales pede. .


Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in

52 53

Centro Cultural Do Cartaxo/CulturalCenter For Cartaxo

CVDBCristina Verissimo/Diogo BurnayCartaxo,Portugal2005VC-BD/01


Lorem ipsum dolor sit amet, consectetur adipi-scing elit. Morbi adipi-scing soda

Museu da Luz Cemitério/Museum Of Light Cemetery

Maria Clement/Pedro Paceco

Mourao,Portugal1998-2003VC-PP/01

Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia.Lorem ipsum dolor sit amet, consectetur adipi-scing elit. Morbi adipi-scing sodaDuis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia.Lorem ipsum dolor sit amet, consectetur adipi-scing elit. Morbi adipi-scing soda

54 55

Casa em Vila Real/House in Vila Real

George Figueira

Vila Real,Portugal1998-2003FG/01

Casa em Afife /House in Afife

Nuno Brandão Costa

Affife,Portugal1998-2003BCN/01

Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan

Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Morbi adipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed molestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan

Lorem ipsum dolor sit amet, consectetur ad-ipiscing elit. Morbi ad-ipiscing sodales pede. Vivamus eu velit in orci convallis ornare. Sed mo-lestie. Ut porttitor, nulla quis ultricies vehicula, magna nunc rhoncus tortor, et semper ipsum dui et mi. Proin pulvinar malesuada est. Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia. Quisque hendrerit orci suscipit est. Pellentesque habitant morbi tristique senectus et netus es. Duis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia.Lorem ipsum dolor sit amet, consectetur adipi-scing elit. Morbi adipi-scing sodaDuis vel pede in med. CurabiturInte.Pellentesque tempor. tesque mollis libero non ligula accumsan lacinia.Lorem ipsum dolor sit amet, consectetur adipi-scing elit. Morbi adipi-scing soda

56 57

Essential Bibliography.

PERIODICALSJA – Jornal Arquitectos, “Antologia 1981-2004”. Figueira, Jorge; Nunes, Jorge; Milheiro, Ana Vaz; Dias, Manuel Graça (ed.), nº218/219, Janeiro-Junho 2005

Almeida, Pedro Vieira de“Uma análise da obra de Siza Vieira”, Arquitec-tura, nº96, Março-Abril 1967, pp. 64-67.

Essays And Monographies

Costa, Alexandre AlvesTextos Datados. Coimbra: eIdIarq, Edições do Departamento de Arquitectura da FCTUC, 2007

Fernandes, José Manuel Arquitectos do Século XX - Da Tradição à Mod-ernidade. Lisboa: Caleidoscópio, 2006

Fernandez, Sergio Percurso, Arquitectura Portuguesa 1930-1974, 2ª ed. Porto: FAUP, 1988

Figueira, Jorge Escola do Porto – Um Mapa Crítico. Coimbra: eIdIarq, Edições do Departamento de Arquitec-tura da FCTUC, 2002

Figueira, JorgeA Noite em Arquitectura. Lisboa: Relógio d’Água, 2007

Gomes, Paulo Varela “Arquitectura, os Últimos Vinte e Cinco Anos” (Paulo Pereira (dir.). História da Arte Portuguesa. III Volume, Lisboa: Circulo de Leitores, 1995Siza, ÁlvaroObras e Projectos, Centro Galego de Arte Con-temporánea, Electa, 1995

Siza, ÁlvaroÁlvaro Siza [1986-1995]. Lisboa: Editorial Blau, 1995

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Webliography & Photo Credits

www.google.comwww.ultimasreportagens.comwww.arquitectos.ptwww.arcspace.comwww.fernando guerra.comwww.arx.ptwww.jlcg.comwww.flickr.comwww.deviantart.comwww.foriente.ptwww.cvdb.comwww.alvarosiza.comwww.buildingsonline.comwww.bomsucesso.netwww.a10.comwww.cylex.ptwww.marmac.ptwww.elcroquis.es

Photo Credits

www.flickr.comwww.google.comwww.arx.ptwww.airesmateus.comwww.elcroquis.eswww.deviantart.comwww.arcspace.comwww.fernandoguerra.com

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Project Site Location and Cuntacts11.0

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Architecture and Identity:Pre Research Document,December 2008

Alvaro ViegasHno 1212 Ungirim Curtorim,Salcete-GoaINDIA403709+91-832-2786838+91-9822169795Email-alvaro1518@gmail.com/[email protected]

architecture and identity draft

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