architecture portfolio 2011-2013

I

THIS IS IT

DEDICATED TO BELOVE MOMROZIMAH BINTI HAJI MOHD NOOR

&ARWAH

CIk NORsyAM LEBAI HITAM&

TO LECTURERs AND FRIENDs

II

AZRI AZAHARMARA UNIVERSITY OF TECHNOLOGY

SHAH ALAM, SELANGOR DARUL EHSANMALAYSIA

III

COMPILATION OF ARCHITECTURAL DESIGN PROJECTS BSc. ARCHITECTURE | AZRI AZAHAR

1. enclose the outter layer to act as full canvas, the idea was to use light weight concrete.

2. applying dynamic form taken from formation of waves. to counter the heavy wind from South East ocean.

1-2

3. side view of the form created in morph (image 2). the front area were slightly open out to enhance wind flow and for greater cross ventilation.

4. bone-like structure were generate to counter heavy wave formation from the ocean. inspire from ‘Bakau’ tree. the bone-like structure also act as holding facade


5-6. Form were designed to be more outstand and its aerodynamic is controlled to ensure it mechanical air flow.

3-4

PANTAI BATU BUROK

Latitude: 5.315 Longitude: 103.1588PANTAI BATU BURUK, JALAN PANTAI BATU BURUK, KUALA TERENGGANU, TERENGGANU DARUL IMAN

Viewing DeckAccess to downstair gallery

WoodCarving Workshop

Entrance/Exit

UPPE

R FLO

ORCOMPILATION OF ARCHITECTURAL DESIGN PROJECTS BSc. ARCHITECTURE | AZRI AZAHAR

Entrance/Exit

Multipurpose deck

Gifts & Craftman shop

Exit from Gallery 1

Exit from Gallery 2

5-6

THE pURpOSED OF GALLERY 1 AND GALLERY 2 IS TO pROVIDE SpACE TO ExHIBIT wOODCARVING MERCHANDISE AND SpECIAL CRAFTVED CARVING. THERE ARE BASICALLY A LOTS OF RARE-wOODCARVING ExHIBITED INSIDE THE GALLER 1 AND GALLERY 2. TO ENTER THE GALLERY VISITOR NEED TO ACCESS FROM THE GATE 1 AND ExIT AT GATE 2 AND GATE 3.IT IS pROHIBITED FOR VISITOR TO ENTER THE GALLERY DURING NIGHT TIME. THE CONSTRUCTION OF THE GALLERY ACT AS A wAVE-RETAINING wALL.

Gate 1Gallery 1

GROU

ND FL

OOR


Gallery 2

Gate 2

Gate 3

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WEST

ELEV

ATIO

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THE MASSIVE STRUCTURE ACT AS AN ATTRACTION AND ALSO AS A wATERBREAkERS. THE wAVE COMING FROM THE SEA ARE qUITE THAT STRONG, TO DECREASE THE pOwERFUL ATTACk, I HAD TO DESIGN A wAVE BREAkERS. THE GIGANTIC wAVE BREAkERS ARE Up TO 12 TO 15 METERS HEIGHT.


lower sea level

high tide

9-10

PERS

PECT

IVE V

IEW

MUCH OF THE FRONT pORTION OF THE BUILDING BUILD AS A VIEwING DECk, IT CAN HOLD Up TO 100 pEOpLE AT A TIME. THE BOAT RESEMBLES HOw THE TERENGGANU'S pEOpLE LOVE TO BOAT-FISHING EARLY IN THE MORNING UNTIL EVENING HOURS.


STEEL wIRES ARE STRETCHED IN THE FORM pRI-OR TO THE pLACEMENT OF CONCRETE


ABOVE. VIEw FROM THE ROOF pLAN. IT SHOwS THE pOSITION OF THE STRUCTURES AND THE SHApE LOOkS ALIkE THE pENINSULAR AREA

BOTTOM. A RENDERING SHOwS THE CONSTRUCTION ARE USING HARD SOLID pRE-STRESSED CONCRETE

13-14

"THERE IS A pOwERFUL NEED FOR SYMBOLISM, AND THAT MEANS THE ARCHITECTURE MUST HAVE SOMETHING THAT AppEALS TO THE HUMAN HEART."

kENZO TANGE


theRONGGAURBAN MALAY ENCLAVE

IMPLEMENTINGAGRO-HOUSING

JELATEK

15-16

PROPOSED SITE

17-18

It was created to accommodate a designated area for the elderly to cultivate and produce organic products, plant-based and results can be sale to the public or, for their own use.Besides that, and also as a result of farming activity, it will geared towards a strong social activity between neighbors, it will also strengthen the relationship between them.

Jelatek area was also known as a Malay district and preserved only by Malays. It richfullness towards diversity is a major attraction.

THE RONGGA HOUSING

Choosing Urban Malay Enclave as my topic because, I am trying to gather up all the malay in the urban city andkeeping the strength in the community by creating spaces that will make them feel secure and like to be in a community.Apart from that the second important issue is that the community especially aging folks has no place to do gardening or farming near their house.

IssueCOMPILATION OF ARCHITECTURAL DESIGN PROJECTS BSc. ARCHITECTURE | AZRI AZAHAR

Exterior perspectives27-28

Spaces in the Malay house are multifunctional. The use of spaces changes at different times of the day and year.There are minimal partitions or interior walls in the house, allowing for the flexibility use of space and for goods ventilation and lighting of the interiors. Minimal furniture is used and most activities are done on the floor. The ScenarioDato’ Keramat Kuala Lumpur located not far from the center of Kuala Lumpur was formally known as the “Kawasan Simpanan Melayu” whereby during the 1980’s the government has reinstated that the area of Keramat was only for Malays residential area. Since then the area of Keramat has developed and shift into several of residential area. Until now, the Keramat area has developed into mostly of Malays’ residents. However the area has become packed with housing but less in green and farming sector. The problem found that the area has zero in green environment. Based on the Dr. Dickson Despommier, a researcher from the Environmental Health Science in Columbia University stated that by the year 2050, nearly 80 % of the earth’s population will reside in urban center. The human population will increase by 3 billion people during the interim. An estimated 109 hectares of new land (about 20 % of more land than is represented by the country of Brazil) will be needed to grow enough food to feed them, if traditional farming practices continue as they practiced today. It was found that 80% of the land that is suitable for raising crops is in use. My intention came in when I found that most of the Keramat area has zero area in harvesting crops. Most of the elderly were only have an area to harvest only in vast or small area in front of their house. This came the idea to accommodate a designated area for the elderly to cultivate and produce organic products, plant-based and results can be sale to the public or, for their own use. Besides that, and also as a result of farming activity, it will gear towards a strong social activity between neighbors; it will also strengthen the relationship between them.

THE SCENARIO


My rationale came from the problem found on site where most of the areas have lack in green onlay. As for that I’ve decided to accommodate my design with the Harvest Capsule where the inhabitants have the opportunity harvest and farming their own crops and use it as their daily fare. The proposed land fills with green area suitable for harvesting such as herbs or for planting flowers. The idea has similar to what happened in Seattle where they have a community garden called the P-Patch. The Seattle Department of Neighborhoods P-Patch Community Gardening Program accommodates their community with lands for growing crops or gardening plants. In my design the intention focused on the gathering places that strengthen the networks through cooperative venture; a source of prides among residents; a visible product of land stewardship and a healthier urban environment. For the housing unit itself, I’ve designed it based on my understanding on the ornamentation and arrangement of traditional Malay dwelling. It was found that most of the Keramat areas compacted with Malays residential. They lived with strong Malay customs and culture. To be concluding, I choose Urban Malay Enclave as my topic because, I’m trying to gather up all the Malay (and not forgetting most of them are elderly) in the Keramat urban area and try to strengthen the community by creating spaces that will make them feel secure and like to be in a community. Apart from that the second important issue is that the community especially aging folk have no place to do gardening or farming near their house. My idea is to implement the agriculture inside the housing project and to revive the Malay pack into a strong community.

THE RATIONALE

29-30

. A community garden is a space where neighbors come together to grow community and steward - plan, plant, and maintain –a piece of open space. Community gardens are gathering places that strengthen networks through cooperative ventures; a source of pride among residents; a visible product of land steward-ship and a healthier urban environ-ment. Traditionally, they involve individual gardening plots which community members pay an annual fee for while all shared spaces throughout the gar-den are cared for together.

TOpIc

cENTRAL cOURTYARDExterior perspectives


“ Creating small spaces yet each of it define it functional-THE RONGGA PROJECT, 2013Spaces in the Malay house are multi-functional. The use of spaces changes at different times of the day and year.There are minimal partitions or interi-or walls in the house, allowing for the flexibility use of space and for goods ventilation and lighting of the inte-riors. Minimal furniture is used and most activities are done on the floor.

Jelatek location located nearby Monorail railways each only few meters from proposed site.


HOUSINGTYpOLOGY

33-34

Type 1concerning for family with one child

Axo ViewTypical layout Type 1

Floor plan

Based on not to scale

Mirrored UnitType 1Each typology were put mirrored beside each other to simplify the proportion

Living Area 17 sqm

Dining Area 17 sqmFamily Area 16.5 sqmMaster Bed-room

19 sqm

Bathroom 1 3.8 sqmBedroom 2 12 sqmkitchen 10 sqmBathroom 2 3.8 sqmTOTAL 99.1 sqm

GFO


Type 2concerning for couple (bigger family membersBased on not to scale


Floor plan

Mirrored UnitType 2Each typology were put mirrored beside each other to simplify the proportion

Living Area 17 sqm

Dining Area 22.4 sqmFamily Area 16.5 sqmMaster Bed-room

20 sqmr

Bathroom 1 3.8 sqmBedroom 2 14 sqmkitchen 14 sqmBathroom 2 3.8 sqmTOTAL 111.5 sqm

GFO

35-36

Type 3concerning for family with two/ three childBased on not to scale


Floor plan

Living Area 19.6 sqm

Dining Area 15.7 sqmFamily Area 15 sqmMaster Bed-room

22.5 sqm

Bathroom 1 3.8 sqmBedroom 2 20 sqmkitchen 18 sqmBedroom 3 18 sqmBathroom 2 3.8 sqmTOTAL 135.8 sqm

GFO


Type 4 DUPLEXconcerning for family with four or more family membersBased on not to scale


Living Area 25.6 sqm

Dining Area 18 sqmFamily Area 21.8 sqmMaster Bed-room

15.2 sqm

Bathroom 1 3.8 sqmBedroom 2 14.5 sqmkitchen 15 sqmBedroom 3 13.3 sqmBathroom 2 3.8 sqmTOTAL 131 sqm

GFO

37-38

TYpIcAL GROUND FLOOR pLAN

The space was devided into to section, one on the left is the west wing and the on the right is the East wing. The lower ground is focusing on

commercial area whereby all the residence provided with multiple exposure on mostly of all green activities and also social activities.

1. PLANT SEED LABORATORY ROOM2. HERBS PLANTATION AREA3. LIBRARY4. INTERNET HUB5. DRY FRESH MARKET 6. DRY FRESH MARKET7. ADMINISTRATION OFFICE8. WET FRESH MARKET9. PUBLIC RESTROOM

10. COLD & DRY STORAGE11. MUSHOLLA12. SERVICES PARKING13. PUBLIC PARKING14. RESIDENTIAL PARKING

The entrance is coming from the north portion and also the secondary entrance is coming from the East wing.On the South wing are only for the purpose of services The idea to separate more spaces and giving more available parking at the west wing is because of the location of nearby LRT Station is 5 meter next to the parking area, giving the right gap to hold the residence’s privacies.

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speaking about Vertical Agriculture“Vertical Farming”, to coin a name, is the keynote of a new agriculture that has come to stay, for inexpensive explosives enable the farmer to farm deeper, to go down to increase area, and to secure larger crops. Instead of spreading out over more land he concentrates on less land and becomes an intensive rather than an extensive agriculturist, and soon learns that it is more prof-itable to double the depth of his fertile land than to double the area of his holdings, and he learns that his best aid and servant in this work is a good explosive. Peace congresses demand that swords be turned into pruning hooks. The farmer is busy turning explosives from war to agriculture, from death dealing to life giving work”

(Gilbert Ellis Bailey in 1915)

SITE AppROAcH

39-40

45-46


We do not create the work. I believe we, in fact, are discoverers.

glen murcutt, 1936


“Architecture is not based on concrete and steel and the elements of the soil. It’s based on wonder.” – Daniel Libeskind

47-48

HARVEST AGRIcULTURE cApSULE :HARVEST cApSULEFrank Lloyd wright once said, “A

doctor can bury his mistakes, but an architect can only advise his clients to plant vines.” It turns out that his suggestion is also a good idea for creating handsome buildings. And who wants to hide an investment in green away on the roof when you can hang it out for everyone to see?

Vertical gardens reduce cooling loads in summer by shading buildings; this “blanket effect” also cuts heating loads under high hot temperature, with the green layer acting as extra insulation. As the plants grow, they trap carbon dioxide and produce oxygen, and soak up such pollutants as lead and cadmium. Green walls absorb noise; help reduce the heat island effect, keeping cities cooler; and provide a habitat or insects and spiders, which in turn feed birds and bats. And, as wright noted, these interventions can hide a lot of ugly buildings.

Choices of plant to cultivate:-Tomatoes-Lettuce-Carrots-Cucumbers-Green & Red peppers-Egg plants-Green Beans-Bok Choy-peas-Onions-Spinach

First image courtesy of example form k. Yeang projects the EDITT Tower. “EDITT” stands for Ecological Design in The Tropics. Two image below from multiple

random website images.


Vertical farming is a concept that argues that it is economically and environmentally viable to cultivate plant or animal life within skyscrapers, or on vertically inclined surfaces. The idea of a vertical farm has existed at least since the early 1950s

Irrespective of their origins, there are three classifications debated by contemporary scholars.The phrase “vertical farming” was coined by Gilbert Ellis Bailey in 1915. In his book “Vertical Farming”, Bailey defined the earliest meanings and methods of vertical farming:

The second category of vertical farming falls under the concepts proposed and built by architect ken Yeang developed at least ten years before Despommier. Yeang proposes that instead of hermetically sealed mass produced agriculture that plant life should be cultivated within open air, mixed-use skyscrapers for climate control and consumption (i.e. a personal or communal planting space as per the needs of the individual). This version of vertical farming is based upon personal or community use rather than the wholesale production and distribution plant and animal life that aspires to feed an entire city. It thus requires less of an initial investment than Despommier’s “The Vertical Farm”. However, neither Despommier nor Yeang are the conceptual “originators”, nor is Yeang the inventor of vertical farming in skyscrapers.

“Vertical Farming”, to coin a name, is the keynote of a new agriculture that has come to stay, for inexpensive explosives enable the farmer to farm deeper, to go down to increase area, and to secure larger crops. Instead of spreading out over more land he concentrates on less land and becomes an intensive rather than an extensive agriculturist, and soon learns that it is more profitable to double the depth of his fertile land than to double the area of his holdings, and he learns that his best aid and servant in this work is a good explosive. Peace congresses demand that swords be turned into pruning hooks. The farmer is busy turning explosives from war to agriculture, from death dealing to life giving work.

Rendered image from the design49-50

GROUND FLOOR pLANNTS

OVERALL VIEW: FLOOR pLANSCOMPILATION OF ARCHITECTURAL DESIGN PROJECTS BSc. ARCHITECTURE | AZRI AZAHAR

FIRST FLOOR LEVELNTS

Any area with green path or green surfaces, any occupants are allowed to harvest anything on it. There are not restriction where or when they need to harvest.

51-52

SECOND FLOOR LEVELNTS

This large green areas are where the occupants have to harvest their greens and each portion are already given when they bought their house.

THIRD FLOOR LEVELNTS

The large green bridge connecting each building on the third floor

53-54


FOURTH FLOOR LEVELNTS


FIFTH FLOOR LEVELNTS


SIxTH FLOOR LEVELNTS


SEVENTH FLOOR LEVELNTSSEVENTH FLOOR LEVELNTS


EIGHTH FLOOR LEVELNTS


NINTH FLOOR LEVELNTS


RIGHT ELEVATION65-66

ALL OF uS GET LOST iN THE dARkNESS, dREAmERS LEARN TO STEER by THE STARS, - RuSH, THE PASS


867-68

SSF HOME DECO, MARTmALAySiA


key plan : SHAH ALAM, SELANGOR DE, MALAYSIA

lOCaTIOn plan : SECTION 13, SHAH ALAM, SELANGOR DARUL EHSAN, MALAYSIA

71-72

location plan ii: proposed site located at the southern partTOTal area: 38,417 m2

the masterplan were divided into for section with two walkaway intertwine in the middle creating a strategic connecters

vehicles road access

the axis create easy access for occupants moving towards different building

MASTERpLANNING STRATEGIESCOMPILATION OF ARCHITECTURAL DESIGN PROJECTS BSc. ARCHITECTURE | AZRI AZAHAR

aDVanTaGeSsite are surrounded with main road which easy to be seen

The existence of highway help in pro-moting the site

site can easily be notice cause peo-ple from the Guthrie Corridor Highway will passed through it

DISaDVanTaGeSsince the site located right after the exit of the Guthrie Corridor Highway, the main road are usually busy and crowded

The important buildings around the site create more traffic

77-78

CONCEpTpROGRAM CIRCULATION


SCHEDULE OF ACCOMODATION

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pROFESIONAL wORkS AND TRAINING

AZHAR ZAHARI ARCHITECTNO. 11, Tingkat 2,Jalan Opera D U2/D, TTDI Jaya,Shah Alam 40150,Selangor Darul Ehsan.03-7842 2577, 03-7842 2579

working as an Assistant Architect/3D Visualiser/Technical Assistant

Early 28 January 2014 until end of Julai 2014

Scope of work: - preparing 3D schematic design - preparing Tender & Contract drawing - Assisting technical details - Finalizing as 3D illustrator

Assisting in various schematic and proposal projects-International University College of Automotive- Construction pekan, pahang Darul Makmur (15%) RM 18,000,000-20 units SEMI D (pHASE 2A & 2B) GLENMARIE COVE - Design RM 46,000, 0000 -DUALIS EqUINE 2A SOHO & SHOp OFFICE - Tender TAMAN EqUINE SERI kEMBANGAN, SELANGOR RM 55,000,000-CLUSTER VILLAS, IRIS CORpORATION BERHAD - Design Taman Supreme, Selangor Darul Ehsan


Credit image build and rendered by Albert Azraal and assisted by project Architec, Mr Adam Johnston

Image rendered by me during proposal work for the project JAFA

Credit image build and rendered by Albert Azraal and assisted by project Architec, Mr Adam Johnston

CAFETARIA

ExTERIOR

pROJEcT JAFA ‘JEEP ALFA ROMEO FIAT ABARTH’Architect : Ar. Azhar Zahariproject Architect : Mr Adam JohnstonAssistant Architect: Albert Azraal Azri Azahar

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GLENMARIE cOVE

Architect : Ar. Azhar Zahariproject Architect : Mr FairuzAssistant Architect : ShahrulRidhwan Shahruddin Zafran Majid Albert Azraal Azri Azahar

-20 units SEMI D (pHASE 2A & 2B) GLENMARIE COVE - RM 46,000, 0000


mASTERPLAN89-90

GLENMARIE cOVE

Architect : Ar. Azhar Zahariproject Architect : Mr FairuzAssistant Architect : ShahrulRidhwan Shahruddin Zafran Majid Albert Azraal Azri Azahar

-20 units SEMI D (pHASE 2A & 2B) GLENMARIE COVE - RM 46,000, 0000

TYpE A

TYpE B


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Credit image build and rendered by staffs of AZArchitect

TYpE C

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NIDEc cOpALArchitect : Ar. Azhar Zahariproject Architect : Mr FairuzAssistant Architect : ShahrulRidhwan Shahruddin Zafran Majid Albert Azraal Azri Azahar

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ARCHITECTURALpHOTOGRApHY2009-2013

‘RATu’ SELANGOR PubLiC LibRARy

bOH ViSiTOR CENTERby ZLG dESiGN

2010902783

ALL cONTENT ARE cOpYRIGHT RESERVED BY ©AZRIAZAHAR AND MAY NOT BE pRODUcED IN ANY pART WITHOUT THE pERMISSION FROM THE

pRODUcER

architecture portfolio 2011-2013

Documents

gallery act

architecture azri azahar11

architecture azri azahar5

architecture azri azaharabove

purposed of gallery

gallery visitor need

heavy wave formation

gigantic wave breakers