architecture portfolio

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audi dealershiip revit model section

thesis 1993....industrial design school

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thesis 1993....

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industrial design school

minimalist amricana rowhouses

lennox lewis houses

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PROJECT NO:08025

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Site Plan0 8' 16' 32'

PROJECT NO:08025

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Site Plan0 8' 16' 32'

29 story holiday inn rehab

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PROJECT NO:08025

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Ground Floor

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Entry Atrium

Interior Waterwall & zenfountain

Sports Bar Fine Dining

bar

Glass Elevator

Banquet

Service Corridor

Banquet Kitchen

the curtain

Front Desk

Elevator Lobby (6 lifts)

Events General Office

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Ramp to Basement

Concierge

Service Corridor

Women

Men

Housekeeping

Mechanical Dock

Kitchen

Maintenance

Bell Station

Internet Sales Office

Storage

Electrical

SCALE: 3/32" = 1'-0"11st FLOOR PLAN

0 8' 16' 24'

eado lofts rehab 29 units

PROJECT NO:08025

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0103

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Entry Atrium

Interior Waterwall & zenfountain

Sports Bar Fine Dining

bar

Glass Elevator

Banquet

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Banquet Kitchen

the curtain

Front Desk

Elevator Lobby (6 lifts)

Events General Office

Ram

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Ramp to Basement

Concierge

Service Corridor

Women

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Mechanical Dock

Kitchen

Maintenance

Bell Station

Internet Sales Office

Storage

Electrical

SCALE: 3/32" = 1'-0"11st FLOOR PLAN

0 8' 16' 24'

25


PROJECT NO:08025

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Street Level

Front Elevation

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Tower view

PROJECT NO:08025

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Street Level

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Mesh Panel option

Tower view

27

PROJECT NO:08025

Sheet 9 OF 14

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ELEVATIONS

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SCALE: 1/16" = 1'-0"1SOUTH ELEVATION

0 8' 16' 32'SCALE: 1/16" = 1'-0"2EAST ELEVATION

0 8' 16' 32'

PROJECT NO:08025

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0 8' 16' 32'SCALE: 1/16" = 1'-0"2EAST ELEVATION

0 8' 16' 32'

29

taco cart conceptual sketches

airSTREAM inspired

taco cart conceptual sketches

airSTREAM inspired

31

neighborhood master plan

33neighborhood master plan

43

mcKee street flats 67 units

affordable housing

affordable housing 47

camp logan bungalow mod

49

la branch street flats 29 units

holman flats 43 units

the long pavilion

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6

4

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7

9

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Unit 3012,743 sq. ft. living 16 sq. ft. balcony2,759 sq. ft. Net Tenant Area

Lease Plan

Second Level 1,356 sq. ft.

1 entry

2 bedroom 1

3 kitchen

4 living/dining

5 utility

6 balcony

7 master retreat 26'x13'8 master bath

9 study 21'x18'

First Level 1,387 sq. ft.

1 entry

2 storage

3 bedroom 1

4 utility

5 kitchen

6 living 20'x21'7 bedroom 2 10'x12'8 balcony 4'x4'9 balcony

678910111213141516

DWN

5' TUB

First Level 918 sq. ft.

1 entry

2 bedroom 1 21'x15'3 kitchen

4 living 13'x19'5 balcony

6 utility

7 pantry

Second Level 747 sq. ft.

1 entry

2 bedroom 1

3 kitchen

4 living/dining

5 utility

6 balcony

7 master retreat 13'x22'8 master bath

1

2

6

3

4

8

7

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Sale Plan Unit 3071,665 sq. ft. living 621 sq. ft. balcony 77 sq. ft. common area2,363 sq. ft. total area

The developer reserves the right to make modifications in materials, specifications, plans, designs, scheduling and delivery of thehomes without prior notice. All dimensions are approximate and subject to normal construction variances and tolerances. Plans anddimensions may contain minor variations from floor to floor. Dimensions are maximum overall subject cutouts. We reserve the rightto make changes in accordance with the applicable offering plan. This is not an offer to sell, but is intended for information only.

7

67

Architect, poet, visual artist, iconoclast … I once asked Michael Keller if he was ever fortunate enough to leave a legacy, what would he want it to look like. “Opportunist with a heart of gold?” he answered slyly. The works you are looking at today were produced in fi ts and starts over the last couple of years beginning around the time Keller started occasionally signing his emails “Analog Mikey”. He is one of those rare individuals who can refer to himself in the third person and rather than sound doltish and pretentious, come off as, at worst… boyish. With little formal artistic training other than an architecture degree and what comes at anyone growing up in the cultural mash-up that is Southern Louisiana, Michael’s works refl ect an almost boundless energy. These canvases fl irt with chaos, never seeming to actually get there. No fan of understatement, his fl ood of exit signs invite us – harshly, urgently to get moving: NOW. Where are we to go? Which way does this exit lead us? Freedom? Slavery? Or simply . . . elsewhere? Informed by infl uences as diverse as Rauschenberg and graffi ti artists you’re never likely to hear of (Mi-chael knows a lot of people you and I don’t – and never will) the works on display offer the viewer an opportunity to inhabit spaces which may unsettle them. Spaces which Michael Keller grew up in – and never really left. The old architectural plans which form the canvas of many of the works were unearthed in the archives of the old-line Goree Architecture fi rm which Michael has recently “drug kicking and screaming into the twenty fi rst century”. When not designing auto dealerships and high end residences Michael scouts the back roads and disasters of America with one of his Polaroids or Canons – equally at home with brushes both digital and analog. Themes of religion, sex and the South infuse these thin collages of doom and redemption. Keller will tell you a story about one of these spray paint infused curiosities one evening – and then deny having had any particular thing in mind next time you ask about it. They are at once ephemeral and deeply personal. They call to mind a signature phrase of Analog Mikey on those rare occasions when he’s at a loss for words - “Continue the burnings – death to the unbelievers…”-Mark W. Lee

methe back roads and disasters of America with one of his Polaroids or Canons – equally at home with methe back roads and disasters of America with one of his Polaroids or Canons – equally at home with brushes both digital and analog. mebrushes both digital and analog. Themes of religion, sex and the South infuse these thin collages of doom and redemption. Keller will meThemes of religion, sex and the South infuse these thin collages of doom and redemption. Keller will metell you a story about one of these spray paint infused curiosities one evening – and then deny having metell you a story about one of these spray paint infused curiosities one evening – and then deny having had any particular thing in mind next time you ask about it. They are at once ephemeral and deeply mehad any particular thing in mind next time you ask about it. They are at once ephemeral and deeply personal. They call to mind a signature phrase of Analog Mikey on those rare occasions when he’s at a mepersonal. They call to mind a signature phrase of Analog Mikey on those rare occasions when he’s at a

Michael Keller Architect

2011 BIM Consultant and implementer for 50 year old Texas Architectural Firm, Bringing both the REVIT and Archicad Platforms to bear in this specialized fi rm. Also working on a re-branding concept from letterhead and logo to look and feel of architectural documents.

Keller Architecture - 2006- present Established partnership with a multi-faceted approach to architecture; With commercial, residential and industrial client base.

Jacobs Keller Architecture - March 2004 - 2006 Established partnership.

Michael Keller Architect –March 2003- March 2004 Established Sole Proprietorship.

Goree Architects – 2000-March 2003 As a project manager responsibilities include leading a team through construction docu-ments of automobile dealerships and then overseeing the project through construction administration phase till project comple-tion.

Steinberg Collaborative – 1998-2000 Responsibilities included production of construction documents in the multi -family fi eld.

Holcomb Musemeche Associates – 1997- 1998 Responsibilities included production of construction docume nts in the multi-family fi eld.

Irvine Associates Architects – 1996-1997 Responsibilities included space planning and construction documents for corporate interiors.

Guidry Beazley Osteen – 1995-1996 Resident Animator and Renderer.

Education: 5 year Bachelor of Architecture from the University of Louisiana.Licensure Currently registered in the state of Texas: Architect License #18068 NCARB certifi ed #59,133

architectLicensure Currently registered in the state of Texas: Architect License #18068 NCARB certifi ed #59,133

architectLicensure Currently registered in the state of Texas: Architect License #18068 NCARB certifi ed #59,133

architecture portfolio

Documents

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constru documents

plncastle developmentst

dthe argyleissued

site planthe argyleissued

site plan0

ground floorthe argyleissued

floor plan0