archives 2.0, national media museum, bradford, 25 november 2014
TRANSCRIPT
John Stack, Head of Digital, Tate
Brochure ➜ Channel ➜ Platform
• UK’s collection of British art from 1500 onwards and of international modern and contemporary art (70,000)
• UK’s collection of British art from 1500 onwards and of international modern and contemporary art (70,000)
• British art archive (millions)
• UK’s collection of British art from 1500 onwards and of international modern and contemporary art (70,000)
• British art archive (millions)
• 1.5 million online visitors per month
• UK’s collection of British art from 1500 onwards and of international modern and contemporary art (70,000)
• British art archive (millions)
• 1.5 million online visitors per month
• 35% visits to online collection (Art & Artists)
• UK’s collection of British art from 1500 onwards and of international modern and contemporary art (70,000)
• British art archive (millions)
• 1.5 million online visitors per month
• 35% visits to online collection (Art & Artists)
• Half branded search and half non-branded
• UK’s collection of British art from 1500 onwards and of international modern and contemporary art (70,000)
• British art archive (millions)
• 1.5 million online visitors per month
• 35% visits to online collection (Art & Artists)
• Half branded search and half non-branded
• L-shaped usage
• UK’s collection of British art from 1500 onwards and of international modern and contemporary art (70,000)
• British art archive (millions)
• 1.5 million online visitors per month
• 35% visits to online collection (Art & Artists)
• Half branded search and half non-branded
• L-shaped usage
• Archives and Access (HLF-funded digitisation)
• Albums built as part of outreach programme with regional archives and historical societies
• Albums built as part of outreach programme with regional archives and historical societies
• Albums used for young people’s online programme
• Albums built as part of outreach programme with regional archives and historical societies
• Albums used for young people’s online programme
• Online learning resources built with Albums
• Albums built as part of outreach programme with regional archives and historical societies
• Albums used for young people’s online programme
• Online learning resources built with Albums
• Albums for editorial content highlighting
• Albums built as part of outreach programme with regional archives and historical societies
• Albums used for young people’s online programme
• Online learning resources built with Albums
• Albums for editorial content highlighting
• Albums as part of in gallery digital learning activities
• Albums built as part of outreach programme with regional archives and historical societies
• Albums used for young people’s online programme
• Online learning resources built with Albums
• Albums for editorial content highlighting
• Albums as part of in gallery digital learning activities
• Share and promote our favourite Albums
• Whereas “access” aligns with museum’s mission, does openness conflict with some of our our values?
• Whereas “access” aligns with museum’s mission, does openness conflict with some of our our values?
• How open can/should our content licences be?
• Whereas “access” aligns with museum’s mission, does openness conflict with some of our our values?
• How open can/should our content licences be?
• What is and isn’t acceptable usage of a museum’s participatory platform?
• Whereas “access” aligns with museum’s mission, does openness conflict with some of our our values?
• How open can/should our content licences be?
• What is and isn’t acceptable usage of a museum’s participatory platform?
• How do we resolve the tension between the museum’s authority and the audience’s interpretation?
John Stack, Head of Digital, Tate