arcimboldo, giuseppe, featured paintings in detail, (2)

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Page 1: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)
Page 2: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAirc. 1566Oil on canvas, 74 x 56 cmPrivate collection, Switzerland

Page 3: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAir (detail)c. 1566Oil on canvas, 74 x 56 cmPrivate collection, Switzerland

Page 4: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAir (detail)c. 1566Oil on canvas, 74 x 56 cmPrivate collection, Switzerland

Page 5: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAir (detail)c. 1566Oil on canvas, 74 x 56 cmPrivate collection, Switzerland

Page 6: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAir (detail)c. 1566Oil on canvas, 74 x 56 cmPrivate collection, Switzerland

Page 7: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAir (detail)c. 1566Oil on canvas, 74 x 56 cmPrivate collection, Switzerland

Page 8: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, Giuseppe

Featured Paintings in Detail

(2)

(Allegories of the Seasons and the Elements)

Page 9: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)
Page 10: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAutumn1573Oil on canvas, 76 x 64 cmMusée du Louvre, Paris

Page 11: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAutumn (detail)1573Oil on canvas, 76 x 64 cmMusée du Louvre, Paris

Page 12: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAutumn (detail)1573Oil on canvas, 76 x 64 cmMusée du Louvre, Paris

Page 13: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAutumn (detail)1573Oil on canvas, 76 x 64 cmMusée du Louvre, Paris

Page 14: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeAutumn (detail)1573Oil on canvas, 76 x 64 cmMusée du Louvre, Paris

Page 15: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)
Page 16: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeEarth1566Oil on panel, 70 x 49 cmPrivate collection

Page 17: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeEarth (detail)1566Oil on panel, 70 x 49 cmPrivate collection

Page 18: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeEarth (detail)1566Oil on panel, 70 x 49 cmPrivate collection

Page 19: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeEarth (detail)1566Oil on panel, 70 x 49 cmPrivate collection

Page 20: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

cast ARCIMBOLDO, Giuseppe, Featured Paintings in Detail (2) (Allegories of the Seasons and the Elements)

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Page 21: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, GiuseppeEarth

The composition of the head out of various creatures, its profile view, approximate dimensions, and support all correspond to the series of Seasons and Elements. Earth is the most complex of either series. Like the other paintings in

both series, it can be identified as an imperial allegory: this suggests that the emperor rules over the elements and the seasons.

Many studies of animals by Arcimboldo exist, and many of these studies were used as sources for the creatures seen in Earth. All the animals in the head were taken from life, because the emperor gave Arcimboldo permission to draw

creatures in his menageries.This version of the Earth was made for Maximilian II, or possibly Rudolf II. However, while there is no doubt about its

authenticity, discrepancies with Water and Fire of 1566 do exist as far its dimensions, and more fluid handling are concerned, so it is possible that it might not have belonged to the original series of Elements.

Page 22: ARCIMBOLDO, Giuseppe, Featured Paintings in Detail, (2)

ARCIMBOLDO, Giuseppe

Giuseppe Arcimboldo was an Italian Renaissance painter known for his intricate paintings, which combined inanimate or found objects into a portrait that would resemble the portrait subject.

In 1562, he became the court painter to Ferdinand I of Vienna, and later for Maximilien II and his son Rudolph II of Prague. At this time, he was also employed as the court decorator and costume designer.

Most of Arcimboldo’s remaining works are of collected objects, which have been assembled to resemble people. He used fruits, flowers, vegetables, fish, and books, and other things, (among them slabs of meat), and arranged them in such a way as to not only resemble a person, but the person’s

resemblance as well.

Due to his strange rendition of the human figure, there is a debate among art critics as to whether or not Arcimboldo’s paintings are the work of a deranged mind. A more likely explanation, however, is that the

paintings are a product of the Renaissance era in which he lived, which was fascinated with riddles, puzzles, and the bizarre. If this was the case, then Arcimboldo’s strange depictions were only just

catering to the tastes of the time.

Many of his works were taken from Prague during the Thirty Years War by the invading Swedish army, and Arcimboldo was almost completely lost to history. His works were only just rediscovered at the beginning of the 20th century by the Surrealist painters, including Salvador Dali, who were heavily

influenced by the artist’s unique style.