art as a tool to transform a crises...individuate at the origin of a cultural renaissance the...
TRANSCRIPT
Art as a tool to
transform a crises
in a creative
experience
2
The Italian artistic Reinasance was inspired by the ideas of
the humanist philosopher Pico della Mirandola (1463-1494)
who explained in his writing “De hominis dignitate” (The
Oratio on dignity of man, 1486)1, that Man is free and and
sovereign creator of himself”, as he believed on human
capacity he taught the amazing capacity of human
achievement. It is interesting to remember that almost two
hundred year earlier Nichiren Daishonin had affirmed that
the Lotus Sutra contained the essence of the Buddha's
enlightenment and that it held the key to transform people's
suffering and enable society to flourish. His teachings
enable people to lead happy, empowered lives.
• Accross countries and different centuries it is possible to
individuate at the origin of a cultural renaissance the
flourishing of a philosophical or religious movement that
poses the dignity of human being at the core of the
existence. According to the Italian historian Eugenio
Garin the extraordinary experience of Italian Renaissance
wa inspired by the humanist ideas of Pico della
Mirandola, Lorenzo Valla and Giovanni Petrarca. The
Secretum (My secret book) of Petrarca ("Secret Book")
is best example of humanistic literature as it is in form of
a dialogue. In particular he gave new value to the
dialectic, the exchange of ideas and information, by
comparison.
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• Recently an arab scholar George Makdisi wrote that the
Islamic culture had an important influence on the
emergence of humanism showing that it introduced the
concept of transmission of knowledge through teaching.
He believes that the Arab conquest of Southern Europe
produced a positive cultural advancement. It is important
to give a new interpretation of the relation between
Europe and Islam, in fact lack of knowledge has a
negative influence on international relations. In fact
western scholars give a negative or rather partial idea of
the Islamic culture because their approach is strongly
influenced by the propaganda spread during the
Crusades wars.
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• Daisaku Ikeda writes, in his recent Peace Proposal, that
meeting the other causes a physical loss of reference and
habits, but he adds that a crises can be an occasion to
create a change. Ikeda states that the trasformation in the
life of a human being can help transform the
environment, as already Nichiren had explained in his
religious preachment and also Pico had written in his
philosophical writings. In my presentation I will compare
the positive results produced by the Islamic dominion in
Sicily (9-11 cent.) and the experience of artistic rebirth
after the Belice earthquake (1968) in Sicily. Both
experiences show that the artist creativity can harmonize
the meeting with other cultures.
6
• Meeting the Other as a physical loss
causes a crises:
• The sudden loss of references and habits
• Crises are occasions to transform\create a
change
• A radical change in the life of a Human
being can help transform the environment
⤍ 827 Islam in Sicily: Aghlabids from Africa in Sicily (948) -
⤍ 1040 end of Kalbits rule
⤍ Recent discoveries reveal a material
⤍ culture of this chronological period,
⤍ new finds in the most
⤍ recent historical and
⤍ archaeological research.
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• Berbers and Arabs conquered the island
and deeply interacted with the local culture.
Centuries after their departure many
important traces are left in the local culture:
• They introduce the enameled pottery and
the green and yellow colours, names of
tools of work and food are still the same,
many cities were founded by the Arab and
still keep the original structure. An endless
chain of relation has been kept alive until
today names of boats are written in Italian
and Arabic, many manners and customs
are similar.
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• ON BOTH SHORES OF THE
MEDITERRANEAN SEA THE RURAL
WORK AND THE TOOLS OF THE
PEASANTS ARE THE SAME AND
ALSO THE NAMES OF THE
INSTRUMENTS ARE SIMILAR
CENTURIES AFTER THE ARABS LEFT
SICILY.
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• STORY TELLING, LIKE JUHA’ S
ANECDOTES, FOLKLORE TALES LIKE
1001 NIGHTS, AND THE WEDDING
CERIMONIES HAVE MANY ELEMENTS IN
COMMON BOTH IN TUNIS AND IN SICILY
⤍ 1968 - 2012 Gibellina a modern example of
cultural peaceful and constructive exchange
Gibellina ’68 earthquacke
Ludovico Corrao’s Reinassance project
Art, theatre, music to build the new city
The Fondazione Orestiadi a Museum and a
cultural centre to keep the memory of the
Mediterranean civilizations (Phoenicians
Greeks, Romans, Arabs, Europeans)
Dar Bach Hamba, Tunis: Activities to promote
dialogues with the Artist & Intellectuals of
Mediterranean area and the world.
3 - Rapporti internazionali
⤍PREMIO ICOM 2011 comunicazione e rapporto con il
territorio
⤍Convenzione con Ministero Beni Culturali Tunisia e
Centro Internazionale Hamamet
⤍Mostre sull’Islam in Sicilia al Cairo, Beirut, Amman, Sana’,
Damasco, realizzate in collaborazione con il Ministero degli
Esteri
⤍Mostre d’arte contemporanea al Cairo, Algeri, Tunisi,
Beirut
⤍Conferenze a Sana’, Rabat, Damasco
I risultati raggiunti
– THE FLYING CARPET WAS MADE BY THE
ITALIAN GROUP OF ARTISTS “STALKER” AND
A GROUP OF KURDS IMMIGRANTS. THE IDEA
IS TO CREATE A PLACE TO REMEMBER THE
PAST ISLAMIC EXPERIENCE IN SICILY & AT
THE SAME TIME TO RENEW THE POSSIBILITY
OF COOPERATING IN ART MAKING
PROCESS. THE CARPET HAS VISITED MANY
COUNTRIES FROM PAKISTAN TO QATAR,
SYRIA & EGYPT
• THE TUNISIAN ARTIST MDJA MDAWI WAS
GUEST IN SICILY FOR A WHILE AND HE HELD A
LABORATORY WITH SCHOOL CHILDREN
SHOWING THE ART OF ARABIC CALLIGRAPHY.
SOME OF HIS PAINTINGS ARE NOW EXPOSED
AT THE MUSEUM OF THE FONDAZIONE
ORESTIADI AS A CONCRETE EXAMPLE OF
CULTURAL DIALOGUE
20
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• THE ARTIST ALIGHIERO BOETTI SPENT
SOME TIME IN HIS LIFE IN
AFGHANISTAN WHERE HE
APPRECIATED THE ART OF WOMEN
EMBROIDERY. HE COOPERATED WITH
THEM PREPARING A LONG DRAWING
TO BE REPRODUCED AS AN
ARTCRAFT
• EMBROIDERY ON A SILK CARPET
1 - Patrimonio e relazioni
⤍L’importante patrimonio d’arte, attrazione culturale e turistica
per la città di Gibellina, costruito intorno alla grande donazione
iniziale di Ludovico Corrao che i figli hanno scelto di rispettare e
proseguire
⤍Il patrimonio di rapporti internazionali e di presenza nel
Mediterraneo
⤍La riconosciuta compentenza nella realizzazione di mostre e
spettacoli
I risultati raggiunti
• THE ARAB GEOGRAPHER AL-IDIRISI (12TH
CENT.) WROTE A BOOK ON GEOGRAPHY
DEDICATED TO THE NORMAN KING ROGER 2 IN
SICILY. THE ARTIST GROUP STALKER PRINTED
THE IMAGE OF THE ANCIENT MANUSCRIPT ON
PLEXIGLASS IN ORDER TO GIVE TO THE PUBLIC
THE CONCRETE FEELING OF TRAVELLING
ACROSS THE WORDS IN THEIR ARTISTIC ARAB
CALLIGRAPHY
1 - Patrimonio e relazioni
⤍Il patrimonio di arte contemporanea, unico nel
Mezzogiorno d’Italia
⤍Il Museo delle Trame mediterranee, con oggetti d’arte e di
artigianato a confronto delle due sponde
⤍La rete di consulenti ed esperti scientifici ed artistici di
livello internazionale
⤍I suggestivi spazi per mostre e atelier
⤍La biblioteca e le pubblicazioni
⤍La sede di Palermo presso la Cuba
• A BROKEN BOAT AND SOME LETTERS WRITTEN BY THE
FAMILIES TO REMEMBER THE THOUSANDS IMMIGRANTS
DEAD IN THE MEDITERRANEAN SEA, VICTIMS OF THE
MAFIA TRADE AND THE INDIFFERENCE OF EUROPEAN
CITIZENS AND GOVERNMENTS. ARTISTS INSPIRE THE
PUBLIC TO THINK AND BECOME AWARE OF HUMAN
TRAGEDIES IN ORDER TO AWAKEN THEIR CONSCIENCE
DEFEND HUMAN DIGNITY AND OPPOSE TO INJUSTICE