art, music, theatre and performance studies catalogue...

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Art, Music, Theatre and Performance Studies Catalogue 2020January - JuneNew and Forthcoming Titles

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ContentsArt & Visual Studies ........................................................................................................................................................... 2

Music .................................................................................................................................................................................... 6

Theatre & Performance ................................................................................................................................................... 13

Index ................................................................................................................................................................................... 22

Dummy text to keep placeholderDummy text to keep placeholderForm and Meaning in Avant-Garde Collage andMontage

Aesthetic Theology in the Franciscan TraditionThe Senses and the Experience of God in Art

Edited by Xavier Seubert, Christ the King Seminary and OlegBychkov, St. Bonaventure UniversitySeries: Routledge Research in Art and ReligionThe book investigates the aesthetic theology embedded in theFranciscan artistic tradition. The novelty of the approach is inapplying concepts gleaned from Franciscan textual sources tocreate a deeper understanding of how art in all its sensual formswas foundational to the Franciscan milieu. Chapters range fromstudies of statements about aesthetics and the arts in theologicaltextual sources to examples of visual, auditory, and tactile artscommunicating theological ideas found in texts. The essayscover not only European art and textual sources, but also

Franciscan influences in the Americas found in both texts and artifacts.

Magda Dragu, Indiana University BloomingtonSeries: Routledge Research in Art HistoryMagda Dragu distinguishes between the concepts of collage and montage, as definedacross several media (fine arts, literature, music, film, photography), based on the type ofartistic meaning they generate, rather than the mechanical procedures involved. The bookapplies theories of intermediality to collage and montage, which is crucial for understandingcollage as a form of cultural production. Throughout, the author considers the politicalimplications, as collages and montages were often used for propagandistic purposes.

RoutledgeMarket: Art HistoryFebruary 2020: 246x174: 272ppHb: 978-0-367-32254-0: £120.00eBook: 978-0-429-31755-2* For full contents and more information, visit: www.routledge.com/9780367322540Routledge

Market: Art HistoryNovember 2019: 246x174: 394ppHb: 978-0-367-33225-9: £115.00eBook: 978-0-429-31865-8* For full contents and more information, visit: www.routledge.com/9780367332259

Dummy text to keep placeholderDummy text to keep placeholderHot Art, Cold War – Western and Northern EuropeanWriting on American Art 1945-1990

Artistic Circulation between Early Modern Spainand Italy

Edited by Claudia Hopkins, University of Edinburgh andIain Boyd Whyte, University of EdinburghThis is a major, two-volume anthology of primary source textson postwar American art between 1945 and 1989, translatedfrom a wide range of European languages into English for thefirst time and augmented by scholarly essays. This book will bethe first full-scale account of the reception of American art acrossthe entirety of Europe, greatly enriching the field of Americanart studies. Postwar American art triggered varied – positive andnegative – responses across Europe. There was no singleEuropean discourse, as the responses were inflected by a rangeof issues (political, social, artistic, etc.) that varied in the different

national contexts across Europe.

Edited by Kelley Helmstutler Di Dio, University of Vermontand Tommaso Mozzati, Universita degli Studi di PerugiaSeries: Visual Culture in Early ModernityThis book explores how the rich intersections between Italy andSpain during the early modern period resulted in a confluenceof cultural ideals. Various means of exchange and convergenceare explored through two main catalysts: humans —their tripsor resettlements-- and objects— such as books, paintings,sculptures and prints. The visual and textual evidence of thetransmission of ideas, iconographies and styles are examined,such as triumphal ephemera, treatises on painting, the socialstatus of the artist, collections and their display, church

decoration, and funerary monuments, providing a nuanced understanding of the exchangesof styles, forms and ideals across southern Europe. Routledge

Market: Art HistoryRoutledgeMarch 2020: 254 x 178: 584ppMarket: Art HistoryHb: 978-0-815-39375-7: £190.00December 2019: 246x174: 248ppeBook: 978-1-351-18767-1Hb: 978-1-138-60581-7: £115.00* For full contents and more information, visit: www.routledge.com/9780815393757eBook: 978-0-429-46793-6

* For full contents and more information, visit: www.routledge.com/9781138605817

Dummy text to keep placeholderDummy text to keep placeholderLabor and Creativity in New York’s Global FashionIndustry

Contemporary Art and Disability StudiesEdited by Alice Wexler, SUNY New Paltz, USA and JohnDerby, deceasedSeries: Routledge Advances in Art and Visual StudiesThis book explores critical disability studies scholarship onrepresentation and embodiment in the arts and visual culture;an area theoretically rich, but lacking in attention to art. It isorganized in five thematic parts: methodologies of access,agency, and ethics in cultural institutions; the politics and ethicsof collaboration; embodied representations of artists withdisabilities in the visual and performing arts; negotiating theoutsider art label; and first-person reflections on disability andartmaking. This volume will be of interest to scholars who study

Christina H. MoonSeries: Routledge Research in Design StudiesThis book tells the story of the emergence of fashion’s newworking class in New York: fashion workers engaged in the laborof design and the material making of fashion in the earlytwenty-first century.

Christina Moon offers an illuminating ethnography into thevarious sites and practices that make up fashion labor in theNew York industry, from sample rooms, design studios, runways,factories, to design schools. By exploring the work practices,social worlds, and aspirations of fashion workers, this book is aunique revelatory look into the meaning of labor and creativity

in twenty-first century global fashion.

disability studies, art history, art education, gender studies, museum studies, and visualculture.

RoutledgeRoutledgeMarket: Art HistoryMarket: Art HistoryDecember 2019: 254 x 178: 248ppFebruary 2020: 246x174: 272ppHb: 978-0-367-20327-6: £120.00Hb: 978-0-367-40395-9: £120.00eBook: 978-0-429-26090-2eBook: 978-0-367-40396-6* For full contents and more information, visit: www.routledge.com/9780367203276* For full contents and more information, visit: www.routledge.com/9780367403959

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Dummy text to keep placeholderDummy text to keep placeholderMongol Court Dress, Identity Formation, and GlobalExchange

Liberalism, Nationalism and Design Reform in theHabsburg Empire

Eiren L. Shea, Grinnell CollegeMuseums of Design, Industry and the Applied ArtsSeries: Routledge Research in Art HistoryMatthew Rampley, University of Birmingham, Markian

Prokopovych, University of Durham and Nóra Veszprémi,University of BirminghamSeries: Routledge Research in Art Museums and ExhibitionsMuseums of design and applied arts were created to furtherliberal ideas of free trade, social and economic modernisationand aesthetic reform. This book considers the concrete ways inwhich the socio-political visions of liberalism translated intomuseum practice, as well as the manner in which museumsreflected liberalism’s blind spots and critical weaknesses. TheMuseum for Art and Industry in Vienna (now the Museum ofApplied Arts) occupies a prominent place in the study, but as a

The wide-ranging international exchange that occurred during the Mongol period is mostapparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics,and metalwork, among other media. Eiren Shea investigates how a group ofnewly-confederated tribes from the steppe conquered the most sophisticated societiesin existence in less than a century, creating a courtly idiom that permanently changed theaesthetics of China and whose echoes were felt across Central Asia, the Middle East, andeven Europe.

RoutledgeMarket: Art HistoryFebruary 2020: 254 x 178: 240ppHb: 978-0-367-35618-7: £120.00eBook: 978-0-429-34065-9

study of Austria-Hungary as a whole, the book also examines museums across the Empire,from Cracow to Zagreb, and Budapest to Prague.


RoutledgeMarket: Art history/museum studiesFebruary 2020: 254 x 178: 248ppHb: 978-0-367-43489-2: £120.00eBook: 978-1-003-00362-5* For full contents and more information, visit: www.routledge.com/9780367434892

Dummy text to keep placeholderDummy text to keep placeholderMural Painting in Britain 1630-1730Making Art History in Europe After 1945Experiencing HistoriesEdited by Noemi de Haro García, Patricia Mayayo and Jesús

Carrillo, Universidad Autónoma de MadridSeries: Studies in Art HistoriographyThis book analyzes the relationship between art historicaldiscourses, power, and the concept of Europe since 1945 froma critical, de-centered perspective. The contributors devotespecial attention to European "peripheries" and tounder-researched transnational cultural political initiatives relatedto the arts implemented after the end of the Second World War.By specifically stressing the point of view of the "margins" ofEurope (Southern and Eastern Europe), the book rethinks theideological grounds on which the European Union has been

constructed as well as the role played by art and culture in the very concept of "Europe."

Lydia Hamlett, University of CambridgeSeries: Routledge Research in Art HistoryThis book illuminates the original meanings of seventeenth and early eighteenth-centurymural paintings in Britain. At the time, these were called ‘histories’. Throughout theeighteenth century, though, the term became directly associated with easel painting and,as ‘history painting’ achieved the status of a sublime genre, any link with paintedarchitectural interiors was lost. Whilst both genres contained historical figures and narratives,it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that muralpaintings were experienced by spectators within their architectural settings.

RoutledgeMarket: Art HistoryApril 2020: 246x174: 184ppHb: 978-1-138-20583-3: £120.00RoutledgeeBook: 978-1-315-46617-0Market: Art History* For full contents and more information, visit: www.routledge.com/9781138205833January 2020: 254 x 178: 312pp

Hb: 978-0-815-39379-5: £120.00eBook: 978-1-351-18759-6* For full contents and more information, visit: www.routledge.com/9780815393795

Dummy text to keep placeholderDummy text to keep placeholderPortuguese Artists in LondonMannerism, Spirituality and CognitionShaping Identities in Post-War EuropeThe Art Of Enargeia

Leonor de Oliveira, Universidade NOVA de Lisboa, Lisbon,PortugalSeries: Routledge Research in Art HistoryThis book centres on four Portuguese artists’ journeys betweenPortugal and Britain and aims at rethinking the cultural andartistic interactions in the post-war Europe, the shaping of newidentities within a context of creative experimentalism andtransnational dynamics and the artistic responses to politicaltroubles. This book also examines the contributions of the workof Paula Rego, Barto dos Santos, João Cutileiro and Jorge Vieira,among other artists, to shape referential images of Portugueseidentity that not only responded to the purpose of breaking

Lynette M. F. BoschSeries: Visual Culture in Early ModernityThis book employs a new approach to the art ofsixteenth-century Europe by incorporating rhetoric and theoryto enable a reinterpretation of the origin of Mannerism as beinggrounded in sixteenth-century spirituality. Lynette M. F. Boschexamines the conceptual vocabulary found in sixteenth-centurytreatises on art from Giorgio Vasari to Federico Zuccari, whichanalyzes how language and spirituality complement the visualstyles of Mannerism. By exploring the way in which writers fromLeone Ebreo to Gabriele Paleotti describe the interactionbetween art and spirituality, Bosch establishes a religious base

for the language of art in sixteenth-century Europe. with dominant iconographic and aesthetic representations but also incorporated a criticalperspective on contemporaneity.Routledge

Market: Art History RoutledgeFebruary 2020: 246x174: 168pp Market: Art HistoryHb: 978-1-409-44218-9: £120.00 December 2019: 246x174: 142ppeBook: 978-1-003-01064-7 Hb: 978-0-367-24474-3: £120.00* For full contents and more information, visit: www.routledge.com/9781409442189 eBook: 978-0-429-28267-6


Companion WebsiteNew in Paperbacke-InspectionComplimentary Exam Copy

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Dummy text to keep placeholderDummy text to keep placeholderTheodore Gericault, Painting Black BodiesThe Embodied Imagination in Antebellum American

Art and Culture Confrontations and ContradictionsAlbert Alhadeff, University of Colorado, BoulderCatherine Holochwost, La Salle UniversitySeries: Routledge Research in Art and RaceSeries: Routledge Research in Art HistoryThis book examines Théodore Géricault’s images of black men, women and children whosuffered slavery’s trans-Atlantic passage in the late eighteenth and early nineteenth

This book reveals a new history of the imagination told through its engagement with thebody. American audiences avidly consumed a transatlantic visual culture picturing a

centuries, including his 1819 painting Raft of the Medusa. The book focuses on Géricault’spreindustrial—and largely imaginary— European past. By examining both the artisticdepiction of black people, his approach towards slavery, and the voices that advanced orproduction and critical and popular reception of these works, the book analyzes theirdenigrated them. By turning to documents, essays and critiques, both before and aftersimilarities with other forms of mass culture, including gift books, theatrical performancesWaterloo (1815), and, most importantly Géricault’s own oeuvre, this study explores theand spectacles such as blackface minstrelsy, Romantic ballet, and burlesque opera. Thefetters of slavery that Géricault challenged – overtly or covertly, deliberately or with reticence– alongside a growing number of abolitionist peers.

book will be of interest to scholars of art history, literary and cultural history, critical racestudies, performance studies, and media studies.

RoutledgeRoutledgeMarket: Art HistoryMarket: Art HistoryApril 2020: 254 x 178: 256ppMarch 2020: 254 x 178: 232ppHb: 978-0-367-31333-3: £120.00Hb: 978-0-367-17556-6: £120.00eBook: 978-0-429-31633-3eBook: 978-0-367-17557-3* For full contents and more information, visit: www.routledge.com/9780367313333* For full contents and more information, visit: www.routledge.com/9780367175566

Dummy text to keep placeholderDummy text to keep placeholderWayfinding, Consumption, and Air Terminal DesignThe Legend of Veronica in Early Modern Art

Menno HubregtseSeries: Routledge Research in Design StudiesThis book investigates how international air terminals organizepassenger movement and generate spending. It offers a newunderstanding of how their architecture and artworks operatevisually to guide people through the space and affect theirbehaviour.

Menno Hubregtse’s research draws upon numerous airport visitsand interviews with architects and planners as well as documentsand articles that address these terminals’ development,construction, and renovations. The book establishes the mainconcerns of architects with respect to wayfinding strategies and

Katherine T. Brown, Walsh UniversitySeries: Routledge Research in Art and ReligionThis book explores the apocryphal character of Veronica andthe history of the "true image" relic as factors in the Franciscans’placement of her character into the Via Crucis (Way of the Cross)as the Sixth Station around the turn of the fifteenth century.Brown examines how the Franciscans adopted and adapted thelegend of Veronica to meet their own evangelical goals byintervening in the fabric of Jerusalem to incorporate hernarrative−which is not found in the Gospels−into an urban pathconstructed for pilgrims, as well as in similar participatoryinstallations in church yards and naves across Western Europe.

analyzes how air terminal architecture, artworks, and interior design contribute to theairport’s operations.

RoutledgeMarket: Art HistoryMarch 2020: 246x174: 184pp

RoutledgeHb: 978-0-367-19731-5: £120.00Market: Art HistoryeBook: 978-0-429-24292-2March 2020: 246x174: 216pp* For full contents and more information, visit: www.routledge.com/9780367197315Hb: 978-0-367-35256-1: £120.00eBook: 978-0-429-33023-0* For full contents and more information, visit: www.routledge.com/9780367352561

Dummy text to keep placeholderDummy text to keep placeholderWomen’s Patronage and Gendered CulturalNetworks in Early Modern Europe

The Routledge Companion to African American ArtHistory

Vittoria della Rovere, Grand Duchess of TuscanyEdited by Eddie Chambers, The University of Texas at AustinSeries: Routledge Art History and Visual Studies CompanionsThis Companion authoritatively points to the main areas ofenquiry within African American art history. The first sectionexamines how African American art has been constructed overthe course of a century of published scholarship. The secondsection studies how African American art is and has been taughtand researched in academia. The third section focuses on howAfrican American art has been reflected in art galleries andmuseums. The final section opens up understandings of whatwe mean when we speak of African American art. This book willbe of interest to graduate students, researchers and professors

and may be used in African American art, visual culture, and culture classes.

Adelina Modesti, Latrobe UniversitySeries: Visual Culture in Early ModernityThis book examines the socio-cultural networks between thecourts of early modern Italy and Europe, focusing on theFlorentine Medici court, and the cultural patronage andinternational gendered networks developed by Grand Duchessof Tuscany, Vittoria della Rovere. By using Grand Duchess Vittoriaas an exemplar of pan-European matronage, this study proposesa new matrilineal model of patronage in the early modern period,one in which women become not only the mediators but alsothe architects of public taste and the transmitters of culturalcapital. The book will be the first comprehensive monographic

study of this important cultural figure.RoutledgeMarket: Art History

RoutledgeDecember 2019: 246x174: 488ppMarket: Art HistoryHb: 978-1-138-48655-3: £150.00December 2019: 246x174: 298ppeBook: 978-1-351-04519-3Hb: 978-1-138-71252-2: £120.00* For full contents and more information, visit: www.routledge.com/9781138486553eBook: 978-1-315-20012-5* For full contents and more information, visit: www.routledge.com/9781138712522


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Dummy text to keep placeholderWPA Posters in an Aesthetic, Social, and PoliticalContextA New Deal for DesignCory Pillen, Fort Lewis CollegeSeries: Routledge Research in Art and PoliticsThis book examines posters produced by the Works Progress Administration (WPA), afederal relief program designed to create jobs in the United States during the GreatDepression. Cory Pillen focuses on several issues addressed repeatedly in the roughly 2,200extant WPA posters created between 1935 and 1943: recreation and leisure, conservation,health and disease, and public housing. As the book shows, the posters promote specificforms of knowledge and literacy as solutions to contemporary social concerns.

RoutledgeMarket: Art history / visual cultureMarch 2020: 254 x 178: 232ppHb: 978-1-138-54433-8: £120.00eBook: 978-1-351-00422-0* For full contents and more information, visit: www.routledge.com/9781138544338


5ART & VISUAL STUDIES


A History of the SymphonyThe Grand Genre

Jeffrey Langford, Manhattan School of Music, USAA History of the Symphony: The Grand Genre identifies theunderlying cultural factors that have shaped the symphony overthe past three hundred years, presenting a unified view of theentire history of the genre. The text goes beyond discussions ofindividual composers and the stylistic evolution of the genre toaddress what constitutes a symphony within each historicalperiod, describing how such works fit into the lives of composersand audiences of the time, recognizing that they do not exist ina vacuum but rather as the products of numerous external forcesspurring their creation.

Routledge

Dummy text to keep placeholderCompositional Process in Elliott Carter’s String Quartets

Laura Emmery, Emory University, USASeries edited by Judy LochheadSeries: Ashgate Studies in Theory and Analysis of Music After1900Compositional Process in Elliott Carter’s String Quartets is aninterdisciplinary study examining the evolution andcompositional process in Elliott Carter’s five string quartets.Offering a systematic and logical way of unpacking conceptsand processes in these quartets that would otherwise remainopaque, the book’s narrative reveals new aspects ofunderstanding these works and draws novel conclusions ontheir collective meaning and Carter’s place as the leading

Market: CLASSICAL MUSICNovember 2019: 254 x 178: 262ppHb: 978-0-815-35704-9: £110.00Pb: 978-0-815-35705-6: £40.99eBook: 978-1-351-12524-6* For full contents and more information, visit: www.routledge.com/9780815357049

Dummy text to keep placeholderAndrei Tarkovsky's Sounding Cinema

American modernist.RoutledgeMarket: Music / Music Theory / MusicologyNovember 2019: 234x156: 250ppHb: 978-0-367-15132-4: £120.00eBook: 978-0-429-05525-6* For full contents and more information, visit: www.routledge.com/9780367151324

2nd EditionComprehensive Aural SkillsA Flexible Approach to Rhythm, Melody, and HarmonyMusic and Meaning from Solaris to The Sacrifice

Justin Merritt, Music Composition and Theory at St. OlafCollege and David Castro, Music Theory at St. Olaf College.Comprehensive Aural Skills is a complete suite of material for bothperformance and dictation, covering the wide range of sightsinging and ear training skills required for undergraduate coursesof study. It provides a series of instructional modules on rhythm,melody, and harmony, and blends musical examples from thecommon-practice repertory with original examples composedto specifically address particular skills and concepts. Each moduleincludes material for classroom performance, self-directed study,and homework assignments. The website hosts recordings ofacoustic instruments performed by professional musicians foreach dictation exercise.

Tobias Pontara, Gothenburg University, SwedenSeries: Music and Sound on the International ScreenThe first comprehensive study in English concentrating on thesoundtrack in the films of Russian director Andrei Tarkovsky, thisbook provides close readings of Solaris (1972), Mirror (1975),Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) anddeeply enriches critical understanding of Tarkovsky’s films andtheir relation to the traditions of European art cinema. Anexcellent resource for researchers and students interested inEuropean art cinema and the role of music in film and for filmaficionados interested in Tarkovsky’s work.

RoutledgeMarket: Music/Music Theory/Aural SkillsMarch 2020: 254 x 203: 396ppHb: 978-0-367-22593-3: £155.00Pb: 978-0-367-22594-0: £110.00eBook: 978-0-429-27581-4Prev. Ed Hb: 978-1-138-90070-7* For full contents and more information, visit: www.routledge.com/9780367225933

Developing and Applying Assessments in the Music Classroom

Kelly A. Parkes, Teachers College, Columbia University, USAand Frederick Burrack, Kansas State University, USADeveloping and Applying Assessments in the Music Classroomaddresses the challenges faced by today’s K-12 educators andfuture music educators who are expected to utilize andincorporate assessment data as a hallmark of student learningand reflection of effective teaching. Highlighting best practiceswhile presenting current scholarship and literature, this practicalworkbook-style text provides future music teachers with aframework for integrating assessment processes in the face ofa certain lack of understanding and possible dissatisfaction withassessment tools and tasks.

RoutledgeMarket: Music EducationApril 2020: 229 x 152: 184ppHb: 978-0-367-19421-5: £120.00

RoutledgeMarket: Music/Film StudiesDecember 2019: 229 x 152: 194ppHb: 978-0-367-27729-1: £120.00eBook: 978-0-429-29761-8* For full contents and more information, visit: www.routledge.com/9780367277291

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Beggars Banquet and the Rolling Stones' Rock andRoll Revolution‘They Call My Name Disturbance'

Edited by Russell ReisingSeries: Ashgate Popular and Folk Music SeriesThe Rolling Stones’ Beggars Banquet is one of the seminal albumsin rock history. From its title to the dark themes that pervadesome of its songs, Beggars Banquet reflected and helped definea moment marked by violence, decay, and upheaval. It markeda move away from the artistic sonic flourishes of psychedelicrock towards an embrace of foundational streams of Americanmusic – blues, country – that had always underpinned the musicof the Stones but assumed new primacy in their music after1968.

RoutledgeMarket: MusicDecember 2019: 234x156: 216pp

Pb: 978-0-367-19422-2: £37.99Hb: 978-1-138-30475-8: £120.00

eBook: 978-0-429-20230-8eBook: 978-0-203-72983-0 * For full contents and more information, visit: www.routledge.com/9780367194215* For full contents and more information, visit: www.routledge.com/9781138304758


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Dummy text to keep placeholderDummy text to keep placeholderFilm Music in the Sound EraEinstein on the Beach: Opera beyond DramaA Research and Information Guide, 2 Volume SetEdited by Jelena . Novak and John Richardson

Series: Ashgate Interdisciplinary Studies in OperaPhilip Glass and Robert Wilson’s most celebrated collaboration,the landmark opera Einstein on the Beach, provoked opposedreactions from both audiences and critics. Today, Einstein is wellon the way itself to becoming a canonized avant-garde work,and it is widely acknowledged as a profoundly significantmoment in the history of opera or musical theater. Reachingbeyond opera, its influence was felt in audiovisual culture ingeneral: in contemporary avant-garde music, performance art,avant-garde cinema, popular film, popular music, advertising,dance, theatre and many other expressive, commercial andcultural spheres.

Jonathan Rhodes LeeSeries: Routledge Music BibliographiesFilm Music in the Sound Era: A Research and Information Guide offers a comprehensivebibliography of scholarship on music in sound film (1927–2017). Thematically organizedsections cover historical studies, studies of musicians and filmmakers, genre studies, theoryand aesthetics, and other key aspects of film music studies. Volume 1: Histories, Theories, andGenres covers overviews, historical surveys, theory and criticism, studies of film genres, andcase studies of individual films. Volume 2: People, Cultures, and Contexts covers individualpeople, social and cultural studies, studies of musical genre, pedagogy, and the industry.

RoutledgeFebruary 2020: 254 x 178: 1096ppHb: 978-0-367-82119-7: £190.00eBook: 978-1-003-01358-7* For full contents and more information, visit: www.routledge.com/9780367821197

Dummy text to keep placeholderFilm Music in the Sound EraA Research and Information Guide, Volume 1: Histories, Theories, andGenres

RoutledgeDecember 2019: 234x156: 314ppHb: 978-1-472-47370-7: £150.00eBook: 978-1-315-57898-9* For full contents and more information, visit: www.routledge.com/9781472473707

6th EditionElectronic and Experimental MusicTechnology, Music, and Culture

Thom HolmesElectronic and Experimental Music: Technology, Music, and Culture,Sixth Edition, presents an extensive history of electronicmusic—from its historical beginnings in the late nineteenthcentury to its everchanging present—recounting the musicalideas that arose in parallel with technological progress. In fourparts, the author details the fundamentals of electronic music,its history, the major synthesizer innovators, and contemporarypractices. This examination of the music’s experimental rootscovers the key composers, genres, and techniques used in analogand digital synthesis, including both art and popular music,Western and non-Western.

RoutledgeMarket: MUSIC / MUSIC TECHNOLOGYMarch 2020: 254 x 178: 568ppHb: 978-1-138-36544-5: £150.00

Jonathan Rhodes LeeSeries: Routledge Music BibliographiesFilm Music in the Sound Era: A Research and Information Guideoffers a comprehensive bibliography of scholarship on music insound film (1927–2017). Thematically organized sections coverhistorical studies, studies of musicians and filmmakers, genrestudies, theory and aesthetics, and other key aspects of filmmusic studies. Volume 1: Histories, Theories, and Genres coversoverviews, historical surveys, theory and criticism, studies of filmgenres, and case studies of individual films. Volume 2: People,Cultures, and Contexts covers individual people, social and culturalstudies, studies of musical genre, pedagogy, and the industry.

RoutledgeMarket: Music/Film StudiesFebruary 2020: 254 x 178: 640ppPb: 978-1-138-36546-9: £45.99Hb: 978-0-815-39238-5: £120.00eBook: 978-0-429-42558-5eBook: 978-1-351-19079-4Prev. Ed Hb: 978-1-138-79272-2* For full contents and more information, visit: www.routledge.com/9780815392385* For full contents and more information, visit: www.routledge.com/9781138365445

Dummy text to keep placeholderDummy text to keep placeholderFilm Music in the Sound EraExpertise in Jazz Guitar ImprovisationA Research and Information Guide, Volume 2: People, Cultures, andContexts

A Cognitive ApproachStein Helge Solstad, Volda University College, NorwaySeries edited by Ian CrossSeries: SEMPRE Studies in The Psychology of MusicExpertise in Jazz Guitar Improvisation is an examination ofmusical interplay, and the ways implicit (sub-conscious) andexplicit (conscious) knowledge appears during improvisation.

By explaining the cognitive and musical foundations for expertisein jazz guitar improvisation, this book illuminates how jazzguitarists' strategies are crucially dependent on context, style,and type of interplay. With accompanying video provided as ane-resource, this material will be of interest to anyone fascinatedin Jazz and Psychology of Music.

Jonathan Rhodes LeeSeries: Routledge Music BibliographiesFilm Music in the Sound Era: A Research and Information Guideoffers a comprehensive bibliography of scholarship on music insound film (1927–2017). Thematically organized sections coverhistorical studies, studies of musicians and filmmakers, genrestudies, theory and aesthetics, and other key aspects of filmmusic studies. Volume 1: Histories, Theories, and Genres coversoverviews, historical surveys, theory and criticism, studies of filmgenres, and case studies of individual films. Volume 2: People,Cultures, and Contexts covers individual people, social and culturalstudies, studies of musical genre, pedagogy, and the industry.

RoutledgeRoutledgeMarket: Music / Jazz Studies / Psychology of MusicMarket: Music/Film StudiesJanuary 2020: 234x156: 264ppFebruary 2020: 254 x 178: 456ppHb: 978-0-367-07766-2: £120.00Hb: 978-0-367-82105-0: £120.00eBook: 978-0-429-02269-2eBook: 978-1-003-01357-0* For full contents and more information, visit: www.routledge.com/9780367077662* For full contents and more information, visit: www.routledge.com/9780367821050


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Dummy text to keep placeholderJazz DiasporaFocus: Music of the CaribbeanMusic and GlobalismSydney Hutchinson

Series: Focus on World Music SeriesFocus: Music of the Caribbean presents the most important issuesof Caribbean musical history and current practice, discussingthought-provoking questions in a student-friendly fashion. Ituses current ethnomusicological research on Caribbean musicto tell the stories of Caribbean history—those of colonialism andneocolonialism, race and nationalism, marginalization andglobalization—and to explore that history’s continuing impacton the lives, cultures, musics, and dance of modern-day peoplein the Caribbean and beyond.

Bruce JohnsonSeries: Transnational Studies in JazzJazz Diaspora Music and Globalism is about the internationaldiaspora of jazz, well underway within a year of the first jazzrecordings in 1917. This book studies the processes of the globaljazz diaspora and its implications for jazz historiography ingeneral, arguing for its relevance to the fields of sonic studiesand cognitive theory. Until the late twentieth century, thehistoriography and analysis of jazz were centred on the US tothe almost complete exclusion of any other region. The drivingpremise of this book is that jazz was not ‘invented’ and thenexported: it was invented in the process of being disseminated.

RoutledgeMarket: Music / JazzNovember 2019: 229 x 152: 208ppHb: 978-1-138-57754-1: £105.00Pb: 978-1-138-57755-8: £29.99eBook: 978-1-351-26668-0* For full contents and more information, visit: www.routledge.com/9781138577541

Dummy text to keep placeholderLearning Music Theory with Logic, Max, and Finale

RoutledgeMarket: ETHNOMUSICOLOGY / CARIBBEAN STUDIESNovember 2019: 270ppHb: 978-1-138-09450-5: £110.00Pb: 978-1-138-09451-2: £40.99eBook: 978-1-315-10605-2* For full contents and more information, visit: www.routledge.com/9781138094505

Focus: Popular Music in Contemporary IndiaGeoffrey Kidde, Manhattanville College, USAA ground-breaking resource that bridges the gap between musictheory teaching and the world of music software programs.Focusing on three key programs – the digital audio workstationLogic, the audio programming language Max, and the musicprinting program Finale – this book shows how they can beused together to learn music theory. It provides an introductionto core music theory concepts and shows how to developprogramming skills alongside music theory skills. Offering aninnovative approach to the learning and teaching of musictheory, this volume provides game-changing ideas for educators,practicing musicians, and students of music.

Routledge

Natalie Sarrazin, The College at Brockport, SUNY, USASeries: Focus on World Music SeriesFocus: Popular Music in Contemporary India examines India’smusical soundscape beyond the classical and folk traditions ofold to consider the culturally, socially, and politically richcontemporary music that is defining and energizing an Indianyouth culture on the precipice of a major identity shift. FromBollywood film songs and Indo-jazz to bhangra hip-hop andIndian death metal, the book situates Indian popular musicwithin critical and historical frameworks, highlighting theunprecedented changes the region’s music has undergone inrecent decades.

RoutledgeMarket: ETHNOMUSICOLOGY / INDIAN STUDIESDecember 2019: 258ppHb: 978-1-138-58545-4: £110.00

Market: Music Theory/Music TechnologyFebruary 2020: 254 x 178: 272ppHb: 978-1-138-54428-4: £120.00

Pb: 978-1-138-58546-1: £41.99 Pb: 978-1-138-54429-1: £32.99eBook: 978-0-429-50524-9 eBook: 978-1-351-00438-1* For full contents and more information, visit: www.routledge.com/9781138585454 * For full contents and more information, visit: www.routledge.com/9781138544284

Dummy text to keep placeholderDummy text to keep placeholderLives in MusicHONK!Mobility and Change in a Global ContextA Street Band Renaissance of Music and Activism

Edited by Sara Le MenestrelSeries: Routledge Studies in EthnomusicologyLives in Music analyses interwoven patterns of mobility, change,and power in music and dance practices. It challenges somecommonly accepted conceptual tools that are ubiquitous inanthropology today, including cultural hybridity, transnationalnetworks, and globalization. Based on seven "itineraries" thatare the result of extensive ethnographic long-term field researchefforts, the processes of geographic and social mobility,transformation, and power relative to music and dance practicesare explored in different parts of the world. Seven writers provide"itineraries" constructed through ethnographic techniques andlife histories and supported by a deep knowledge of local

customs.

Edited by Reebee Garofalo, Univeristy of Massachusetts,Boston, Erin T. Allen and Andrew Snyder, University ofCalifornia, BerkeleyHONK! A Street Band Renaissance of Music and Activism describesthe fast-growing and transnational phenomenon of streetbands—particularly brass and percussion ensembles—andexamines how this exciting phenomenon mobilizes communitiesto reimagine public spaces, protest injustice, and assert theiractivism. Through the joy of participatory musicmaking, HONK!bands foster active musical engagement in street protests whileencouraging grassroots organization, representing amanifestation of cultural activity that exists at the intersectionsof community, activism, and music.

RoutledgeMarket: POPULAR MUSIC / SOCIAL ACTIVISMDecember 2019: 229 x 152: 280ppHb: 978-0-367-03070-4: £120.00

RoutledgeMarket: MusicMarch 2020: 234x156: 277pp

Pb: 978-0-367-03071-1: £38.99 Hb: 978-1-138-35870-6: £120.00eBook: 978-0-429-02020-9 eBook: 978-0-429-43420-4* For full contents and more information, visit: www.routledge.com/9780367030704 * For full contents and more information, visit: www.routledge.com/9781138358706


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Dummy text to keep placeholderDummy text to keep placeholderNew Approaches in Applied MusicologyMade in PolandA Common Framework for Music Education and Psychology ResearchStudies in Popular Music

Adam Ockelford and Graham WelchSeries: SEMPRE Studies in The Psychology of MusicThis book is essential reading for those working in the fields ofmusic psychology or music education research. A novelapproach is applied to the analysis of data enabling musicalinsights to emerge in a range of real-life contexts. The topicscovered include a new study on pattern detection in music, thecognitive processes involved in rehearing pieces, learningstrategies used by a musical savant, and many more. Theemphasis is on researchers who are new to the field. Eachchapter has a concise, reflective epilogue written by anestablished researcher. This exciting new work will act as acatalyst in the emerging field of empirical musicological research.

Edited by Patryk Galuszka, University of Lodz, PolandSeries: Routledge Global Popular Music SeriesMade in Poland: Studies in Popular Music serves as acomprehensive introduction to the history, sociology, andmusicology of contemporary Polish popular music. Each essay,written by a leading scholar of Polish music, covers the majorfigures, styles, and social contexts of pop music in Poland andprovides adequate context so readers understand why the figureor genre under discussion is of lasting significance. The bookfirst presents a general description of the history and backgroundof popular music in Poland, followed by essays organized intothematic sections.

RoutledgeMarket: World Music/Popular MusicDecember 2019: 246x174: 236ppHb: 978-0-815-36012-4: £110.00Pb: 978-0-815-36013-1: £32.99eBook: 978-1-351-11922-1* For full contents and more information, visit: www.routledge.com/9780815360124

Dummy text to keep placeholderMade in Taiwan

RoutledgeMarket: MusicFebruary 2020: 234x156: 328ppHb: 978-1-472-47358-5: £120.00eBook: 978-1-315-59786-7* For full contents and more information, visit: www.routledge.com/9781472473585

2nd Edition Opera CoachingProfessional Techniques for the RépétiteurStudies in Popular Music

Alan MontgomeryOpera Coaching: Professional Techniques for the Répétiteur, SecondEdition, is an update to the first practical guide for opera coacheswhen working with opera singers to help them meet the physicaland vocal demands of a score in order to shape aperformance. The purview of the opera coach (or répétiteur)extends well beyond pitches and pronunciation. The operacoach must have a full understanding of human physiognomyand the human voice, as well as a knowledge of the manylanguages used in Western vocal music and over four centuriesof opera repertoire—all to recognize what must happen forsuccess when a singer steps on stage.

RoutledgeMarket: OPERA / VOCAL MUSICDecember 2019: 254 x 178: 162ppHb: 978-0-367-40884-8: £120.00

Edited by Eva Tsai, Tung-Hung Ho and Miaoju JianSeries: Routledge Global Popular Music SeriesMade in Taiwan: Studies in Popular Music serves as acomprehensive introduction to the history, sociology, andmusicology of contemporary Taiwanese popular music. Eachessay, written by a leading scholar of Taiwanese music, coversthe major figures, styles, and social contexts of pop music inTaiwan and provides adequate context so readers understandwhy the figure or genre under discussion is of lastingsignificance. The book first presents a general description of thehistory and background of popular music in Taiwan, followedby essays organized into thematic sections: Trajectories,

Identities, Issues, and Interactions.

RoutledgeMarket: World Music/Popular MusicDecember 2019: 246x174: 268ppHb: 978-0-815-36015-5: £110.00 Pb: 978-0-367-40885-5: £34.99

eBook: 978-0-367-80967-6Pb: 978-0-815-36017-9: £32.99Prev. Ed Hb: 978-0-415-97600-8eBook: 978-1-351-11914-6* For full contents and more information, visit: www.routledge.com/9780367408848* For full contents and more information, visit: www.routledge.com/9780815360155

Dummy text to keep placeholderDummy text to keep placeholderPerforming FaithMusic, Health, and PowerChristian Music, Identity and Inculturation in IndonesiaSinging the Unsayable in The Gambia

Marzanna PoplawskaSeries: SOAS Studies in Music SeriesThis book is a study in music inculturation in Indonesia. It showshow religious expression can be made relevant in an indigenouscontext and how grassroots Christianity is being realized bymeans of music. Through discussion of indigenous expressionsof Christianity, the book presents multiple ways in whichIndonesians reiterate their identity through music by creativelyforging Christian and indigenous elements. This study movesbeyond the discussion (and charge) of syncretism, showing thatthe inclusion of local cultural manifestations is an answer tocreating a truly indigenous Christian expression.

Bonnie B. McConnellSeries: SOAS Studies in Music SeriesMusic, Health, and Power offers an original, on-the-groundanalysis of the role that music plays in promoting healthycommunities.

This book will be of interest to scholars and students ofethnomusicology, medical anthropology, and African studies.The accompanying audio examples provide access to women’sperformances discussed in the text.

Routledge RoutledgeMarket: Music / Ethnomusicology Market: MUSIC / FAITHNovember 2019: 234x156: 162pp March 2020: 234x156: 344ppHb: 978-0-367-31272-5: £115.00 Hb: 978-1-138-58705-2: £125.00eBook: 978-0-367-31273-2 eBook: 978-0-429-50423-5* For full contents and more information, visit: www.routledge.com/9780367312725 * For full contents and more information, visit: www.routledge.com/9781138587052


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String Methods for BeginnersSelim GirayString Methods for Beginners is designed for students to receivethe essential playing and teaching skills on all orchestral stringinstruments. The goal of this textbook is to be truly methodicalin its approach, and to assist the instructor, completelyeliminating the need to do additional research, or reorganizationin preparation to teach this class. Students wll gain the basicknowledge and experience to teach bowed stringed instrumentsin public schools. Strings Methods covers the necessary topicsto learn and teach the violin, viola, cello, and string bass.

RoutledgeMarket: STRING METHODS / ORCHESTRAMarch 2020: 254 x 178: 248ppHb: 978-0-367-22683-1: £120.00

Performing Popular MusicThe Art of Creating Memorable and Successful Performances

David Cashman, Central Queensland University, Cairns,Australia and Waldo Garrido, Macquarie University, AustraliaThis book draws on the insights of performance practice researchto discuss the unwritten rules of performances in popular music,what it takes to create a memorable performance, and livepopular music as a creative industry. The authors offer a practicaloverview of topics ranging from rehearsals to stagecraft to whatto do when things go wrong. Chapters on promotion, recordings,and the music industry place performance in the context ofbuilding a career. Performing Popular Music introduces aspiringmusicians to the elements of crafting compelling performancesand succeeding in the world of today’s popular music.

RoutledgeMarket: Popular Music/Music BusinessDecember 2019: 229 x 152: 198ppHb: 978-1-138-58505-8: £120.00

Pb: 978-0-367-22686-2: £36.99eBook: 978-0-429-27634-7* For full contents and more information, visit: www.routledge.com/9780367226831Pb: 978-1-138-58506-5: £32.99

eBook: 978-0-429-50556-0* For full contents and more information, visit: www.routledge.com/9781138585058

Dummy text to keep placeholderDummy text to keep placeholderThe Operatic ArchiveRemixing European Jazz CultureAmerican Opera as HistoryKristin McGee, University of Groningen, Netherlands

Series: Transnational Studies in JazzRemixing European Jazz Culture examines a jazz culture thatemerged in the 1990s in cosmopolitan cities like Amsterdam,Rotterdam, Berlin, London, and Oslo—energized by theintroduction of studio technologies into the live performancespace, which has since developed intointernationally-recognized, eclectic, hybrid jazz styles. This bookexplores these oft-overlooked musicians and their forms thathave nonetheless expanded the plane of jazz’s continuedprosperity, popularity, and revitalization in the 21st century—onewhere remix is no longer the sole domain of studio producers.

RoutledgeMarket: POPULAR MUSIC / JAZZ STUDIESDecember 2019: 229 x 152: 258ppHb: 978-1-138-58548-5: £120.00

Colleen Renihan, Queen’s University at Kingston, CanadaSeries edited by Roberta Montemorra MarvinSeries: Ashgate Interdisciplinary Studies in OperaAmerican Opera as History extends the growing interdisciplinarydialogue in opera studies by drawing on ideas from performancestudies and the philosophy of history. Moving beyond traditionalconceptions of opera as purely aesthetic, this book argues foropera’s powerful potential for historical impact and engagementin late twentieth-century works by American composers. Buildingon the work of performance scholars such as Joseph Roach,Rebecca Schneider, and Diana Taylor, this will be of interest toa wide range of scholars and researchers, particularly those

working in the areas of Opera Studies and Performance Studies.

RoutledgePb: 978-1-138-58549-2: £34.99 Market: Music / Opera Studies / Performance StudieseBook: 978-0-429-50523-2 April 2020: 234x156: 232pp* For full contents and more information, visit: www.routledge.com/9781138585485 Hb: 978-0-367-13432-7: £115.00


Dummy text to keep placeholderDummy text to keep placeholderThe Origin of Musical InstrumentsScottish Dance Beyond 1805An Ethnological Introduction to the History of Instrumental MusicReaction and Regulation

André Schaeffner, Rachelle Taylor, Ariadne Lih and EmelynLihSeries: Classic European Studies in the Science of MusicThe work of French musicologist, ethnologist and critic AndréSchaeffner (1895 - 1980) grew out of his first organologicalstudies of the history of Western classical instruments in the late1920s and encapsulated in his wide-ranging Origine desInstruments de Musique, which captures his studies in Parisbetween 1931 and 1936.

This first English edition is accompanied by editorial footnotesand introductory texts, and the influence of Schaeffner’s thoughton several generations of musicologists makes his work an

Patricia H BallantyneSeries: Routledge Studies in EthnomusicologyScottish Dance Beyond 1805 presents a history of Scottish musicand dance over the last 200 years, with a focus on sourcesoriginating in Aberdeenshire. The book explains the majorchanges of how dance was taught, and performed byhighlighting a move to the professional, licensed teachers.

The book will be of interest to scholars and postgraduates in thefields of Dance History, Ethnomusicology, Ethnochoreology,Ethnology and Folklore, Cultural History, Scottish Studies andScottish Traditional Music and also to teachers, judges andpractitioners of Highland dancing and to those interested in thehistory of Scottish dance, music and culture. essential piece of reading for ethnomusicologists, music psychologists, organologists and

musicologists interested in the history of their field.RoutledgeMarket: Music RoutledgeDecember 2019: 234x156: 196pp Market: MusicHb: 978-1-138-35877-5: £120.00 February 2020: 234x156: 362ppeBook: 978-0-429-43415-0 Hb: 978-1-472-46399-9: £175.00* For full contents and more information, visit: www.routledge.com/9781138358775 eBook: 978-1-315-55492-1



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Dummy text to keep placeholderDummy text to keep placeholderThe Routledge Handbook of Music SignificationThe Routledge Companion to Interdisciplinary

Studies in Singing, Volume II: Education Edited by Esti Sheinberg and William DoughertyThe Routledge Handbook of Music Signification captures therichness and complexity of the field, presenting 30 essays byrecognized international experts that reflect currentinterdisciplinary and cross-disciplinary approaches to the subject.

Routledge

Edited by Helga R. Gudmundsdottir, Carol Beynon, WesternUniversity, Ontario, Canada, Karen Ludke and Annabel J.CohenSeries: The Routledge Companion to Interdisciplinary Studiesin SingingThe Routledge Companion to Interdisciplinary Studies in Singing,Volume II: Education examines the many methods andmotivations for vocal pedagogy, promoting the act of singingnot just as an art form but as a means of communication withsocial, psychological, and didactic functions. Presenting researchfrom myriad fields of study beyond music—includingpsychology, education, sociology, computer science, linguistics,physiology, and neuroscience—the contributors address the

Market: MusicApril 2020: 246x174: 336ppHb: 978-0-815-37645-3: £190.00

role teaching plays in the act of singing, an invaluable resource for anyone who identifies eBook: 978-1-351-23753-6* For full contents and more information, visit: www.routledge.com/9780815376453as a singer, works with singers, or is interested in the application of singing for the purposes

of education.

RoutledgeMarket: MUSIC EDUCATION / VOICE STUDIESMarch 2020: 254 x 178: 528ppHb: 978-1-138-06114-9: £190.00eBook: 978-1-315-16260-7* For full contents and more information, visit: www.routledge.com/9781138061149

Dummy text to keep placeholderDummy text to keep placeholderThe Routledge Handbook to Music under GermanOccupation, 1938-1945

The Routledge Companion to InterdisciplinaryStudies in Singing, Volume III: Wellbeing

Propaganda, Myth and RealityEdited by Rachel Heydon, Daisy Fancourt and Annabel J. CohenSeries: The Routledge Companion to Interdisciplinary Studies in Singing Edited by David Professor Fanning and Erik Dr Levi

Following their entry into Austria and the Sudetenland, theGermans attempted to impose a policy of cultural imperialismon countries they occupied during the World War II. Almost allmusic institutions came under their control. The objective beingto change the musical fabric of these nations and subject themto the strictures of Nazi ideology.

Music under German Occupation is written for music-lovers,students, professionals and academics, including all who havein interest in 20th-century music and/or the vicissitudes ofEuropean cultural life during World War II.

The Routledge Companion to Interdisciplinary Studies in Singing, Volume III: Wellbeing exploresthe connections between singing and health, promoting the power of singing—in publicpolicy and in practice—in confronting health challenges across the lifespan. These chaptersshape an interdisciplinary research agenda that advances singing’s theoretical, empirical,and applied contributions, providing methodologies that reflect individual and culturaldiversities. Contributors assess the current state of knowledge and present opportunitiesfor discovery in three parts: 1) Singing and Health, 2) Singing and Cultural Understanding,3) Singing and Intergenerational Understanding.

RoutledgeMarket: MUSIC THERAPY / VOICE STUDIESMarch 2020: 254 x 178: 504ppHb: 978-1-138-06122-4: £190.00eBook: 978-1-315-16254-6* For full contents and more information, visit: www.routledge.com/9781138061224

Dummy text to keep placeholderThe Routledge Companion to Music TheoryPedagogy

RoutledgeMarket: MusicDecember 2019: 234x156: 550ppHb: 978-1-138-71388-8: £190.00eBook: 978-1-315-23061-0* For full contents and more information, visit: www.routledge.com/9781138713888

Dummy text to keep placeholderThe Soundtrack Album

Edited by Paul Reinsch, Texas Tech University, USA andLaurel Westrup, University of California, Los Angeles, USASeries: Routledge Music and Screen Media SeriesThe Soundtrack Album: Listening to Media offers the first sustainedexploration of the soundtrack album as a distinctive form ofmedia.

The collection’s contributors explore a diverse range ofsoundtrack albums, from Super Fly to Stranger Things, revealinghow these albums change our understanding of the music andfilm industries and the audio-visual relationships that drive them.An excellent resource for students of Music, Media Studies, andFilm/Screen Media courses, The Soundtrack Album offers

Edited by Leigh VanHandel, Michigan State University, USASeries: Routledge Music CompanionsToday’s music theory instructors face a changing environment,one where the traditional lecture format is in decline. TheRoutledge Companion to Music Theory Pedagogy addresses thischange head-on, featuring battle-tested lesson plans alongsidetheoretical discussions of music theory curriculum and coursedesign. With the modern student in mind, scholars aredeveloping creative new approaches to teaching music theory,encouraging active student participation within contemporarycontexts such as flipped classrooms, music industry programs,and popular music studies. interdisciplinary perspectives and opens new areas for exploration in music and media

studies.RoutledgeMarket: MUSIC THEORY / MUSIC EDUCATIONFebruary 2020: 254 x 178: 536pp

RoutledgeMarket: Music/Film Studies/Media StudiesFebruary 2020: 229 x 152: 264ppHb: 978-1-138-32529-6: £120.00

Hb: 978-1-138-58501-0: £175.00eBook: 978-0-429-50558-4* For full contents and more information, visit: www.routledge.com/9781138585010 Pb: 978-1-138-32531-9: £34.99



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Dummy text to keep placeholderThe Tragic Odes of Jerry Garcia and The GratefulDeadMystery Dances in the Magic Theater

Brent Wood, University of Toronto at Mississauga, CanadaSeries edited by Stan HawkinsSeries: Ashgate Popular and Folk Music SeriesThe Tragic Odes of Jerry Garcia and the Grateful Dead is a studyof tragedy in the group’s live performances, showing how Garciaengineered psychic renewal by leading songs of grief, mortality,and ironic fate in a participatory theatrical context.

RoutledgeMarket: Music / Popular Music / Cultural StudiesApril 2020: 234x156: 280ppHb: 978-0-367-18806-1: £115.00eBook: 978-0-429-19838-0* For full contents and more information, visit: www.routledge.com/9780367188061

Dummy text to keep placeholderVoices FoundFree Jazz and Singing

Chris Tonelli, University of Groningen, The NetherlandsSeries: Transnational Studies in JazzThis book contributes to a wave of voice studies scholarshipwith the first book-length study. It pieces together a history offree jazz voice that spans from sound poetry and scat in the1950s to the more recent wave of free jazz choirs. The authoroffers a theory, derived from interviews with many of the mostimportant singers in the history of free jazz voice, and of howlisteners have experienced and evaluated the oftenunconventional vocal sounds these vocalists employed. Thistheory explains that even audiences willing to enjoy harshsounds from saxophones or guitars often resist when voicesmake sounds that audiences understand as not-human.

RoutledgeMarket: Music / Jazz StudiesDecember 2019: 229 x 152: 198ppHb: 978-1-138-34102-9: £110.00Pb: 978-1-138-34103-6: £36.99eBook: 978-0-429-44042-7* For full contents and more information, visit: www.routledge.com/9781138341029


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Dummy text to keep placeholderDummy text to keep placeholderA Social History of British Performance Cultures1900-1939

A Concise Dictionary of the Avant-GardesRichard KostelanetzFor a concise edition of his legendary arts dictionary ofinformation and opinion, the distinguished critic and artshistorian Richard Kostelanetz selects entries from the 2018 thirdedition. Typically he provides intelligence unavailable anywhereelse, no less in print than online, about a wealth of subjects andindividuals. Continuing the traditions of cheeky high-styleDictionarysts, honoring Ambrose Bierce and Samuel Johnson(both with individual entries), Kostelanetz offers a "referencebook" to be enjoyed, not only in bits and chunks butcontinuously as one of the ten books someone would take if he

or she planned to be stranded on a desert isle.

Citizenship, surveillance and the bodyMaggie B. Gale, University of Manchester, UKExploring an era book-ended by wars and troubled by socialunrest and political uncertainty, A Social History of BritishPerformance Cultures 1900-39 uses popular material culturesproduced by and for the industries – autobiographies, fanmagazines, trade journals, archival holdings, popular sketches,plays, and performances. Suited to scholars, students, andgeneral readers, this book offers an original intervention intothe construction of British theatre and performance histories,offering new readings of the relationship between the materialcultures of performance, the social, professional and civiccontexts from which they arise, and on which they reflect.

RoutledgeMarket: Drama and Theatre StudiesDecember 2019: 234x156: 244ppHb: 978-1-138-30437-6: £110.00

RoutledgeMarket: Performing ArtsNovember 2019: 276x219: 216ppHb: 978-1-138-57743-5: £110.00Pb: 978-1-138-57744-2: £29.99eBook: 978-1-351-26688-8* For full contents and more information, visit: www.routledge.com/9781138577435

Pb: 978-1-138-30438-3: £29.99eBook: 978-0-203-73020-1* For full contents and more information, visit: www.routledge.com/9781138304376

Dummy text to keep placeholderDummy text to keep placeholderA World ElsewhereA Cruel Theatre of Self-Immolations

Steven BerkoffA World Elsewhere is Steven Berkoff’s bold attempt to describehis multifarious theatrical works, the part analysis and partconfession of an artist whose work has been performed all overthe world. Berkoff discusses some of his most difficult, successful,and unique creations, journeying through his long and variedcareer to examine how they were shaped by him, and how hewas shaped by them. The sheer scale of this book offers a rareexperience of an accomplished artist, combined with the honestyand insight of an autobiography, making this text a singular toolfor teaching, inspiration, and personal exploration.

RoutledgeMarket: DramaDecember 2019: 234x156: 188ppHb: 978-0-367-35686-6: £110.00

Contemporary Suicide Protests by Fire and Their Resonances in CultureGrzegorz Ziółkowski and Jan SzelągiewiczSeries: Routledge Advances in Theatre & Performance StudiesA Cruel Theatre of Self-immolations investigates contemporaryprotest self-burnings and their echoes across culture. The bookprovides a conceptual frame for the phenomenon and anannotated, comprehensive timeline of suicide protests by fire,supplemented with notes on artworks inspired by or devotedto individual cases. Of interest to scholars from an array of fields,from theatre and performance, to visual art, to religion andpolitics, this volume offers a unique look at voluntary,demonstrative, and radical performances of shock andsubversion.

RoutledgeMarket: Theatre & PerformanceMarch 2020: 234x156: 336pp Pb: 978-0-367-35687-3: £29.99Hb: 978-0-367-18064-5: £120.00 eBook: 978-0-429-34114-4eBook: 978-0-429-05937-7 * For full contents and more information, visit: www.routledge.com/9780367356866* For full contents and more information, visit: www.routledge.com/9780367180645

Dummy text to keep placeholderDummy text to keep placeholderActors and AudiencesA History of Chinese Theatre in the 20th Century IConversations in the Electric AirJin Fu and Yanwen Sun

Series: China PerspectivesThe 20th century was a dynamic period for the theatrical arts inChina. The four volumes of "A History of Chinese Theater in the20th Century" display the developmental trajectories of Chinesetheater over those hundred years.

This volume deals with the developmental process of Chinesetheater from 1900 to 1949, covering the prosperity of PekingOpera, the advent of play and colorful local dramas.; Scholarsand students in the history of the arts, especially the history ofChinese theater, will find this book to be an essential guide.

Routledge

Caroline Heim, Queensland University of Technology,AustraliaActors and Audiences explores the exchanges between those onand off the stage that fill the atmosphere with energy and vitality;Caroline Heim utilises the concept of "electric air" to describethis phenomenon and discuss the charge of emotional electricitythat heightens the audience’s senses in the theatre. A fascinatingintroduction to a unique subject, this text provides a closeexamination of actor and audience perspectives that is essentialreading for students and academics of Theatre, Performanceand Audience Studies.

RoutledgeMarket: Drama and Theatre StudiesApril 2020: 234x156: 232ppHb: 978-1-138-21006-6: £110.00

Market: art history/performing art/Chinese dramaApril 2020: 234x156: 312ppHb: 978-0-367-46215-4: £240.00eBook: 978-1-003-02759-1* For full contents and more information, visit: www.routledge.com/9780367462154



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Dummy text to keep placeholderDummy text to keep placeholderBlue Sky BodyAmerican Accent Drills for British and Australian

Speakers Thresholds for Embodied ResearchBen Spatz, Huddersfield UniversityBlue Sky Body: Thresholds for Embodied Research is thefollow-upto Ben Spatz's 2015 book What a Body Can Do, charting a coursethrough more than twenty years of embodied, artistic, andscholarly research. Emerging from the confluence of theory andpractice, this book combines full-length critical essays with akaleidoscopic selection of fragments from journal entries,performance texts, and other unpublished materials. Invaluableto scholars and practitioners working through and beyondperformance, Blue Sky Body is both an unconventionalintroduction to embodied research and a methodologicalintervention at the edges of contemporary theory.

RoutledgeMarket: Theatre and Performance StudiesDecember 2019: 216x138: 306ppHb: 978-1-138-60854-2: £120.00

Amanda QuaidAmerican Accent Drills for British and Australian Speakers providesa comprehensive guide to learning a General American Accent,made specifically for native English speakers.

Unlike most American accent guides, which are geared towardESL learners, this handbook covers only the shifts that Englishspeakers need to make – nothing more, nothing less. This is anexcellent resource for students of Speech and Dialects courses,actors from the UK, Australia, and New Zealand, and advancedESL learners who need to use an American accent on screen oron stage. It also includes access to downloadable audio files ofthe practice drills featured in the book.



RoutledgeMarket: Theatre and Performance / ActingMarch 2020: 198x129: 128ppHb: 978-0-367-36564-6: £120.00Pb: 978-0-367-36565-3: £22.99eBook: 978-0-429-34712-2* For full contents and more information, visit: www.routledge.com/9780367365646

Civic PerformanceApplication of the Michael Chekhov Technique toShakespeare’s Sonnets, Soliloquies and Monologues Pageantry and Entertainments in Early Modern London

Edited by J. Caitlin Finlayson and Amrita SenSeries: Studies in Performance and Early Modern DramaCivic Performance brings together a group of essays from acrossmultiple fields of study that examine the socio-cultural, political,economic, and aesthetic dimensions of pageantry in sixteenthand seventeenth-century London. The collection elucidates theforms in which the period itself recorded its public rituals,pageantry, and ephemeral entertainments. The diversity ofapproaches contained in these chapters reflects the collaborativenature of pageantry and civic entertainments, as well as thebroad socio-cultural resonances of this form of drama, and indoing so offers a study that is multi-faceted and wide-ranging,much like civic performance itself.

Mark MondayApplication of the Michael Chekhov Technique to Shakespeare’sSonnets, Soliloquies and Monologues illustrates how to apply theMichael Chekhov Technique, through exercises and rehearsaltechniques, to a wide range of Shakespeare’s works.

Offering a wide range of pieces that can be used as auditionmaterial,thisis an excellent resource for acting teachers, directors,and actors specializing in the work of William Shakespeare.

The book also includes access to a video on PsychologicalGesture to facilitate the application of this acting tool toShakespeare’s scenes.

RoutledgeMarket: Theatre/ActingDecember 2019: 229 x 152: 20ppHb: 978-0-367-34968-4: £110.00Pb: 978-0-367-34970-7: £29.99eBook: 978-0-429-32907-4* For full contents and more information, visit: www.routledge.com/9780367349684

Dummy text to keep placeholderAutomated Performer Flying

RoutledgeMarket: Drama and Theatre StudiesFebruary 2020: 216x138: 246ppHb: 978-1-138-22839-9: £120.00eBook: 978-1-315-39270-7* For full contents and more information, visit: www.routledge.com/9781138228399

Collaborative PlaywritingPolyvocal Approaches from the EU Collective Plays ProjectThe State of the Art

Edited by Paul C CastagnoIn Collaborative Playwriting, five collectively-written plays applypolyvocal methods in which clash and frisson replace synthesis,a dialogic approach to collective writing that has never beforebeen articulated or documented. Based on the EU CollectivePlays Project, this collection of plays showcases offers an entirelynovel approach to new play development that challenges thesingle (and privileged) authorial voice. Castagno’s case studyapproach provides detailed commentary to each of the variousexperimental methods, thus encouraging and promoting thewriting of collective, hybrid plays as having profound benefitsfor all playwrights.

RoutledgeMarket: Drama and Theatre StudiesNovember 2019: 234x156: 384ppHb: 978-0-367-35239-4: £110.00

Jim ShumwayAutomated Performer Flying shares the secrets of performer flyingin the entertainment history and provides step-by-stepinstructions on how to create a performer flying effect fromscratch.

It sheds light on all aspects of performer flying, covering itshistory, providing guidance on how to calculate stoppingdistances and forces, and sharing tips how to build successfulrelationships with performers. Written for technical directors,theatrical riggers, and students of rigging, technical direction,and stagecraft courses, this book takes readers through theprocess of creating a performer flying effect from the first sparkof the idea to opening night.

RoutledgeMarket: Live Production/Event ProductionNovember 2019: 229 x 152: 242pp

Pb: 978-0-367-35242-4: £29.99Hb: 978-0-815-35213-6: £110.00eBook: 978-0-429-33016-2Pb: 978-0-815-35214-3: £36.99* For full contents and more information, visit: www.routledge.com/9780367352394eBook: 978-1-351-13151-3



THEATRE & PERFORMANCE14














Dummy text to keep placeholderConcert Design

7th Edition Designing with LightAn introduction to Stage LightingThe Road, The Craft, The Industry

J. Michael Gillette and Michael McNamaraNow in its seventh edition, Designing with Light introducesreaders to the art, craft, and technology of stage lighting andmedia projection.

The new edition is fully updated to include current informationon the technology of stage lighting: lighting fixtures, lamps,cabling, dimmers, control boards, as well as electrical theory.Written for students of Lighting Design and Technology as wellas professional technicians and designers, Designing with Lightoffers a comprehensive survey of the practical and aestheticaspects of stage lighting design.

Seth JacksonConcert Design: The Road, The Craft, The Industry offers anexceptional journey though the world of concert design,exploring its unique design attributes, the industry that hasgrown around it, and how to make a career of ‘the road’.

Concert designer Seth Jackson analyzes how the industry haschanged over the last three decades – from its early days of ‘norules’ and ‘cowboys’ to a thriving and growing industry withcountless career opportunities. Written for aspiring concertlighting designers and students of Concert Lighting and TheatreLighting courses, this is an excellent resource for anyone whohas ever wondered what backstage life is really all about. Routledge

Market: Theatre/LightingDecember 2019: 235 x 191: 374ppHb: 978-0-367-00062-2: £110.00Pb: 978-0-367-00069-1: £43.99eBook: 978-0-429-44467-8* For full contents and more information, visit: www.routledge.com/9780367000622

Dummy text to keep placeholderEmbodiment and Disembodiment in Live Art

RoutledgeMarket: Live Entertainment / LightingApril 2020: 198x129: 216ppHb: 978-1-138-29547-6: £120.00Pb: 978-1-138-50386-1: £30.99eBook: 978-1-315-14560-0* For full contents and more information, visit: www.routledge.com/9781138295476

2nd EditionContemporary European Theatre Directors

From Grotowski to HologramEdited by Maria M. Delgado and Dan Rebellato, RoyalHolloway University, London, UKThis expanded second edition of Contemporary European TheatreDirectors is an ambitious and unprecedented overview of manyof the key directors working in European theatre over the pastthirty years, situated lucidly in its artistic, cultural, and politicalcontext. Now revised and updated, this is an ideal text for bothundergraduate and postgraduate directing students, as well asthose researching contemporary theatre practices, providing adetailed guide to the generation of directors whose careers wereforged and tempered in the changing Europe since the end ofthe Cold War.

RoutledgeMarket: Drama and Theatre StudiesApril 2020: 234x156Hb: 978-0-367-02314-0: £120.00

Ke Shi and Xiujuan LiuSeries: China PerspectivesThe book explores contemporary live-art practices from bothpractical and theoretical perspectives. By applyingphenomenological theory to performance, it investigates thepossible realisation of aesthetic dynamics in live art via are-engagement with the notions of embodiment. The authorpresents a new interpretation model for the human-material inlive genres, successfully providing an ecological paradigm forperformance art, experimental theatre and live art.

Pb: 978-0-367-02316-4: £36.99eBook: 978-0-429-40028-5Prev. Ed Hb: 978-0-415-46250-1* For full contents and more information, visit: www.routledge.com/9780367023140

Dummy text to keep placeholderCybernetic-Existentialism

RoutledgeMarket: Performing ArtsDecember 2019: 234x156: 228ppHb: 978-0-367-43016-0: £130.00eBook: 978-1-003-00084-6* For full contents and more information, visit: www.routledge.com/9780367430160

Exercises for Embodied ActorsTools for Physical ActioningFreedom, Systems, and Being-for-Others in Contemporary Arts and

Performance Scott IllingworthExercises for Embodied Actors builds on the vocabulary of simpleaction verbs to generate an entire set of practical tools from firstread to performance that harnesses modern knowledge aboutthe integration of the mind and the rest of the body.

Including over 50 innovative exercises, this book leads actorsthrough a rigorous examination of their own habits, links thosediscoveries to creating characters, and offers dozens of exercisesto explore in classrooms and with ensembles. This step-by-stepguide can be used by actors working individually or by teacherscrafting the arc of a course.

RoutledgeMarket: Theatre/ActingMarch 2020: 229 x 152: 232ppHb: 978-0-367-43383-3: £120.00

Steve DixonThe book offers a unique discourse, and proposes an originalaesthetic theory of Cybernetic-Existentialism. It argues that fusingthe perspectives, insights and philosophies of these twodisciplinary fields provides an entirely new analytical lens anddeconstructive methodology with which to consider and critiqueartworks.

Dixon’s groundbreaking book demonstrates how fusing insightsand knowledge from these fields can throw important new lighton fundamental issues and developments within contemporaryarts, culture and everyday life, including interactivity,telepresence, frames, questioning, Angst, and the notion of‘separation with communion’.

RoutledgeMarket: Performance Pb: 978-0-367-43384-0: £32.99December 2019: 234x156: 324pp eBook: 978-1-003-00281-9Hb: 978-0-367-14249-0: £115.00 * For full contents and more information, visit: www.routledge.com/9780367433833eBook: 978-0-429-03089-5* For full contents and more information, visit: www.routledge.com/9780367142490















Dummy text to keep placeholderIntroduction to Puppetry ArtsHistorical Pattern Archive

Cheralyn Lambeth, Freelance costume/puppet designerIntroduction to Puppetry Arts shares the history, cultures, andtraditions surrounding the ancient performance art of puppetry,along with an overview of puppet construction and performancetechniques used around the world.

Written for students in puppetry arts and stagecraft courses,Introduction to Puppetry Arts offers a comprehensive look at thisenduring craft and provides a starting point for creating a widerange of puppets, from marionettes and hand puppets tomascots and character costumes.

RoutledgeMarket: Theatre/PuppetryDecember 2019: 235 x 191: 148ppHb: 978-1-138-33673-5: £110.00

Women’s Clothing 1837-1969Thomas John Bernard and Marcy LintonHistorical Pattern Archive is the first book of its kind to capturesuch a wide range of women’s period patterns in one book,featuring 83 patterns spanning over a century of clothing.

The book offers an accurate pattern of each garment on a 1/8"graph that can be used to scale the pattern up to its originalsize, drawings of each piece from multiple angles, andinstructions about how the original garment was constructed.Written for historians, reenactors, costumer makers, and costumedesigners, this book enables readers to study the history behindeach piece, implement their original techniques, and recreate



unique and historically accurate garments.

RoutledgeMarket: Theatre/CostumeDecember 2019: 279 x 216: 272ppHb: 978-1-138-70849-5: £110.00Pb: 978-1-138-70851-8: £32.99eBook: 978-1-315-14622-5* For full contents and more information, visit: www.routledge.com/9781138708495

2nd EditionLighting DanceHistorical Wig Styling: Ancient Egypt to the 1830sA Study of Technical, Philosophical, and Psychological ShadowsAllison Lowery, Wig and Makeup Specialist, Austin

Performing Arts Center, University of Texas, Austin, TX, USASeries: The Focal Press Costume Topics SeriesHistorical Wig Styling, Second Edition is a guide to creatingbeautiful, historically accurate hairstyles for theatrical productionsand events.

This volume covers hairstyles from Ancient Egypt through

Flaviana Xavier Antunes SampaioLighting Dance pioneers the discussion of the ability of lightingdesign to foreground shadow in dance performances.

Through a series of experiments integrating light, shadow andimprovised dance movement, it analyses what it advances asan innovative expression of shadow in dance as an alternativeto more conventional approaches to lighting design. Fromlighting to psychology, from reviews to academic books,shadows are examined as a symbolic and manipulative entity.

This book is a valuable resource for lighting designers, dancepractitioners, and theatre goers interested in the visuality ofdance performances.

RoutledgeMarket: LightingApril 2020: 234x156: 248ppHb: 978-0-367-21916-1: £110.00Pb: 978-0-367-21917-8: £29.99eBook: 978-0-429-26874-8* For full contents and more information, visit: www.routledge.com/9780367219161

Dummy text to keep placeholderMinstrel Traditions

Romantic/Biedermeier styles of the 1820s and 30s. Chapters begin with an overview of historic figures and styles that influenced the look of each period, followed by step-by-step instructions and photographs showing the finished look from every angle. Historical Wig Styling: Ancient Egypt to the 1830s is an excellent resource for professional costume designers and wig makers, as well as for students of Costume Design and Wig Making and Styling courses.

RoutledgeMarket: Theatre/CostumeDecember 2019: 229 x 229: 324ppHb: 978-1-138-39140-6: £110.00Pb: 978-1-138-39143-7: £32.99eBook: 978-0-429-42271-3Prev. Ed Hb: 978-0-240-82123-8* For full contents and more information, visit: www.routledge.com/9781138391406

2nd Edition Historical Wig Styling: Victorian to the Present

Mediated Blackface in the Jazz AgeAllison Lowery, Wig and Makeup Specialist, AustinPerforming Arts Center, University of Texas, Austin, TX, USASeries: The Focal Press Costume Topics SeriesHistorical Wig Styling, Second Edition is a guide to creatingbeautiful, historically accurate hairstyles for theatrical productionsand events.

This volume covers hairstyles from the Victorian era through thecontemporary styles of today. Chapters begin with an overview

Kevin James ByrneMinstrel Traditions: Mediated Blackface in the Jazz Age takes us through the late work of BertWilliams, Aunt Jemima advertising, amateur minstrel performances, vaudeville touringcircuits, and African American Broadway musicals. All reflecting, and sometimesincorporating, the mass-culture technologies of the time, either in their subject matter ormethod of distribution. The book oscillates between two different types of performances,the live and the mediated, and will be of great interest to scholars and researchers in theatrestudies, communication studies, race and media, and musical scholarship.of historic figures and styles that influenced the look of each period, followed by step-by-stepRoutledgeinstructions and photographs showing the finished look from every angle. Historical WigMarket: 20th Century TheatreStyling: Victorian to the Present is an excellent resource for professional costume designersApril 2020: 234x156: 232ppand wig makers, as well as for students of Costume Design and Wig Making and Styling

courses.Hb: 978-0-367-36764-0: £120.00eBook: 978-0-429-35128-0* For full contents and more information, visit: www.routledge.com/9780367367640Routledge

Market: Theatre/CostumeDecember 2019: 229 x 229: 339ppHb: 978-1-138-39151-2: £110.00Pb: 978-1-138-39156-7: £32.99eBook: 978-0-429-42267-6Prev. Ed Hb: 978-0-240-82124-5* For full contents and more information, visit: www.routledge.com/9781138391512















Dummy text to keep placeholderDummy text to keep placeholderOne-Hour ShakespeareMoving through ConflictThe Early Comedies and RomancesDance and Politcs in Israel

Julie Fain Lawrence-EdsellSeries: One-Hour ShakespeareThe One-Hour Shakespeare series is a collection of abridgedversions of Shakespeare’s plays, designed specifically toaccommodate both small and large casts. This volume, The EarlyComedies and Romances, includes the following plays: AMidsummer Night’s Dream, Two Gentlemen of Verona, TheTempest and The Winter’s Tale. Supplementary materials makethe plays valuable not only for actors, directors and professors,but for any environment, cast or purpose. Ideal for bothacademics and professionals, One-Hour Shakespeare is the perfectcompanion to teaching and staging the most universally readand performed playwright in history.

Edited by Dina Roginsky and Henia RottenbergThis book proposes a framework for research and discussion ofthe changing nature of relations between Jews and Arabs asreflected in dance from the late 19th century Palestine untilpresent-day Israel. Drawing on multiple disciplines it examinesa variety of social and theatrical venues (communities, dancegroups, evening classes, and staged performances), dance genres(folk-dancing, social dancing, and theatrical dancing) anddifferent cultural identities (Israeli, Palestinian and American). Itwill be if great interest to students and scholars of sociology,anthropology, dance studies, art history, education and culturalstudies.

RoutledgeMarket: Dance Routledge

Market: Drama / Theatre StudiesDecember 2019: 216x138: 256ppHb: 978-0-367-20637-6: £120.00

December 2019: 234x156: 176ppHb: 978-0-367-40687-5: £115.00eBook: 978-0-367-80851-8* For full contents and more information, visit: www.routledge.com/9780367406875 Pb: 978-0-367-20639-0: £34.99


Dummy text to keep placeholderDummy text to keep placeholderOne-Hour ShakespeareObjectives, Obstacles, and Tactics in PracticeThe TragediesPerspectives on Activating the Actor

Julie Fain Lawrence-EdsellSeries: One-Hour ShakespeareThe One-Hour Shakespeare series is a collection of abridgedversions of Shakespeare’s plays, designed specifically toaccommodate both small and large casts. This volume, TheTragedies, includes the following plays: Hamlet, Julius Caesar,Macbeth, Othello and Romeo and Juliet. Supplementarymaterials make the plays valuable not only for actors, directorsand professors, but for any environment, cast or purpose. Idealfor both academics and professionals, One-Hour Shakespeare isthe perfect companion to teaching and staging the mostuniversally read and performed playwright in history.

Edited by Hillary Haft Bucs and Valerie Clayman PyeThis is the first book that compiles practical approaches of thebest practices from a range of practitioners on the subject ofworking with Stanislavski’s "objectives", "obstacles" and "tactics".

It offers instructors and directors a variety of tools from leadingacting teachers, who bring their own individual perspectives tothe challenge of working with Stanislavski’s principles for today’sactors, in one volumeThis is an excellent resource for Acting andDirecting instructors at the university level, Directing and TheatrePedagogy students, high school/secondary theatre teachers,and community theatre leaders.

Routledge RoutledgeMarket: Drama / Theatre StudiesJanuary 2020: 216x138: 370ppHb: 978-0-367-20648-2: £120.00

Market: Theatre/ActingDecember 2019: 229 x 152: 270ppHb: 978-1-138-33593-6: £120.00Pb: 978-1-138-33597-4: £29.99 Pb: 978-0-367-20649-9: £34.99eBook: 978-0-429-44341-1 eBook: 978-0-429-26271-5* For full contents and more information, visit: www.routledge.com/9781138335936 * For full contents and more information, visit: www.routledge.com/9780367206482

Dummy text to keep placeholderDummy text to keep placeholderOne-Hour ShakespeareOne-Hour ShakespeareThe TragicomediesThe Comedies

Julie Fain Lawrence-EdsellSeries: One-Hour ShakespeareThe One-Hour Shakespeare series is a collection of abridgedversions of Shakespeare’s plays, designed specifically toaccommodate both small and large casts. This volume, TheTragicomedies, includes the following plays: All’s Well That EndsWell, Measure for Measure and The Merchant of Venice.Supplementary materials make the plays valuable not only foractors, directors and professors, but for any environment, castor purpose. Ideal for both academics and professionals, One-HourShakespeare is the perfect companion to teaching and stagingthe most universally read and performed playwright in history.

Julie Fain Lawrence-EdsellSeries: One-Hour ShakespeareThe One-Hour Shakespeare series is a collection of abridgedversions of Shakespeare’s plays, designed specifically toaccommodate both small and large casts. This volume, TheComedies, includes the following plays: As You Like It, Love’sLabour’s Lost, Much Ado About Nothing and Twelfth Night.Supplementary materials make the plays valuable not only foractors, directors and professors, but for any environment, castor purpose. Ideal for both academics and professionals, One-HourShakespeare is the perfect companion to teaching and stagingthe most universally read and performed playwright in history.

RoutledgeMarket: Drama / Theatre StudiesJanuary 2020: 216x138: 208ppHb: 978-0-367-20652-9: £120.00

RoutledgeMarket: Drama and Theatre StudiesDecember 2019: 216x138: 274ppHb: 978-0-367-20632-1: £120.00

Pb: 978-0-367-20653-6: £34.99Pb: 978-0-367-20633-8: £34.99eBook: 978-0-429-26274-6eBook: 978-0-429-26263-0* For full contents and more information, visit: www.routledge.com/9780367206529* For full contents and more information, visit: www.routledge.com/9780367206321















Dummy text to keep placeholderPlaywrights on TelevisionConversations with Dramatists

4th EditionPerformance StudiesAn Introduction

Hillary MillerPlaywrights on Television features interviews with eighteen writersof award-winning stage plays and celebrated television showsreflecting on the successes and challenges of being a playwrightin the post-network television era.

A valuable resource for aspiring stage and television writers, aswell as theatre and media scholars investigating the works ofthese dramatists, Playwrights on Television sheds light on the roleof the contemporary playwright in the latest Golden Age of TV.

RoutledgeMarket: Theatre/PlaywrightingMarch 2020: 229 x 152: 320ppHb: 978-0-815-35223-5: £120.00

Richard Schechner, Tisch School of the Arts, NYU, USA andSarah Lucie, Bronx Community College, CUNY, New York,USAThis fourth edition of Richard Schechner's pioneering textbookhas been revised with two new chapters, up-to-date coverageof global and intercultural performances, and an in-depthexploration of the growing international importance ofPerformance Studies. Among the book’s topics are theperforming arts and popular entertainments, rituals, play andgames, social media, the performances of the paleolithic period,and the performances of everyday life. Performance Studies: AnIntroduction is the definitive overview for undergraduates at alllevels and beginning graduate students in performance studies,

the performing arts, and cultural studies.

RoutledgeMarket: Performance StudiesJanuary 2020: 276x219: 390ppHb: 978-1-138-28455-5: £120.00

Pb: 978-0-815-35224-2: £29.99eBook: 978-1-351-13103-2* For full contents and more information, visit: www.routledge.com/9780815352235Pb: 978-1-138-28456-2: £39.99

eBook: 978-1-315-26939-9Prev. Ed Hb: 978-0-415-50230-6* For full contents and more information, visit: www.routledge.com/9781138284555

Dummy text to keep placeholderDummy text to keep placeholderProfessional Wrestling and the Commercial StagePerforming Home

Eero LaineSeries: Routledge Advances in Theatre & Performance StudiesProfessional Wrestling and the Commercial Stage examinesprofessional wrestling as a century-old, theatrical form that spansfrom its local places of performance to circulate as a popular,global product. This book acknowledges that professionalwrestling shares many theatrical elements such as plot, character,scenic design, props, and spectacle, and Laine argues that it isan exemplary form of globalizing, commercial theatre. He askswhat theatre scholars might learn from pro wrestling and howpro wrestling might contribute to conversations beyond thering, by considering the laboring bodies of the wrestlers, andanalyzing wrestling’s form and content.

Stuart AndrewsSeries: Routledge Advances in Theatre & Performance StudiesPerforming Home is the first sustained study of the ways in whichartists create artworks in, and in response to, domestic dwellings.In the context of growing interest in ideas and practices thatcross between architecture, arts practice and performance, it isvaluable to understand what happens when artists make workin and about specific buildings. The book focuses on a range ofrecent artistic projects to identify and investigate critical waysby which artists practise domestic dwellings, and will be ofparticular relevance to scholars, students and practitioners inarchitecture, art and performance, and to anyone seeking tomake sense of the place in which they live.

RoutledgeRoutledgeMarket: Drama and Theatre Studies / SportsMarket: Theatre Studies / ArchitectureDecember 2019: 234x156: 148ppDecember 2019: 234x156: 200ppHb: 978-0-815-35399-7: £115.00Hb: 978-0-415-78745-1: £120.00eBook: 978-1-351-13439-2eBook: 978-1-315-22590-6* For full contents and more information, visit: www.routledge.com/9780815353997* For full contents and more information, visit: www.routledge.com/9780415787451

Dummy text to keep placeholderDummy text to keep placeholderRodgers and Hammerstein's The Sound of MusicPina Bausch’s Aggressive TendernessJulian WoolfordRepurposing Theater through DanceSeries: The Fourth WallTelory D. Arendell

Pina Bausch’s Aggressive Tenderness: Repurposing Theater throughDance maps Bausch’s pieces alongside methodologies of keytheater and film practitioners. Beginning with her approach asone avenue of dance dramaturgy, the author connects thecontent expressed in these pieces with theoretical conversations,works from other artists inspired by Bausch, and her ownexperiences, providing an examination that is both academicand personally insightful. Arendell reads all of these theatricaland film approaches into Bausch’s work to highlight how thetime frame involves a cross-pollination between Bausch and theother artists that looks both backward and forward in itsinfluences.

Often dismissed as kitsch sentimentalism, The Sound of Music has proven an enduringlypopular and surprisingly influential cultural icon. This book examines how the musicalheralded the end of an era on Broadway; its reinvention of history and biography; how thefilm has influenced future stage productions; the ways in which it put child performerscentre stage; and how, nearly 60 years after its stage debut, the musical still has a directimpact on the modern world, from the United States to the Middle East. Julian Woolfordre-examines the musical from seven different perspectives, revealing the ways in which itcontinues to impact the twenty first century.

RoutledgeMarket: Drama and Theatre StudiesMarch 2020: 172x119: 88ppPb: 978-1-138-68283-2: £6.99eBook: 978-1-315-54487-8

Routledge * For full contents and more information, visit: www.routledge.com/9781138682832Market: Pina BauschNovember 2019: 234x156: 136ppHb: 978-0-367-40781-0: £115.00eBook: 978-0-367-80902-7* For full contents and more information, visit: www.routledge.com/9780367407810





http://www.routledge.com/textbooks/9780415372466











Dummy text to keep placeholderDummy text to keep placeholderShakespeare & CompanySafety and Health for the StageWhen Action is EloquenceCollaboration with the Production Process

Bella Merlin and Tina PackerShakespeare & Company is the first comprehensive insight intothis internationally acclaimed company founded in 1978 inLenox, Massachusetts, by actor-director Tina Packer and voicepioneer Kristin Linklater, with the transformative power ofShakespeare’s language at its heart.

Actors, directors, students, educators, scholars and theatre-loversalike will find practical acting strategies, inspirational approachesto theatre making and lively insights into the sustaining of aunique and robust theatre company that has been thriving forover forty years.


William J. ReynoldsThisis a practical guide to integrating safety and health into theproduction process for live entertainment in the context ofcompliance with applicable codes, standards, and recommendedpractices.

Written for practitioners who are engaged in all aspects oftheatre production and live entertainment, as well as educatorswho train and influence the next generations of thesepractitioners, this book explores the need for safety and healthto become an integral aspect of theatre production and liveentertainment, focusing on specific steps to take and policiesto employ to bring a safety and health program into fullcollaboration in the production process.

RoutledgeMarket: Theatre/Health and SafetyJanuary 2020: 235 x 191: 216pp

Pb: 978-0-367-26255-6: £34.99Hb: 978-0-815-35325-6: £120.00eBook: 978-0-429-29223-1Pb: 978-0-815-35326-3: £30.99* For full contents and more information, visit: www.routledge.com/9780367086848eBook: 978-1-351-13698-3


Dummy text to keep placeholderDummy text to keep placeholderShakespeare in SingaporeScreens Producing & Media OperationsPerformance, Education, and CultureAdvanced Practice for Media Server and Video Content Preparation

Philip SmithSeries: Routledge Advances in Theatre & Performance StudiesShakespeare in Singapore provides the first detailed and sustainedstudy of the role of Shakespeare in Singaporean theatre,education, and culture. By uniting the critical interest inSingaporean theatre with the substantial body of scholarshipthat concerns global Shakespeare, the author overs a broad, yetin-depth, exploration of the ways in which Singaporeanapproaches to Shakespeare have been shaped by, and respondto, cultural work going on elsewhere in Asia. A vital read for allstudents and scholars of Shakespeare, this book offers a uniqueexamination of the cultural impact of Shakespeare, beyond itsusual footing in the Western world.

Laura FrankMedia servers have established themselves as the dominantvideo playback tool for live events; however, the practice ofdelivering content to these systems and the structure of themedia operations team is still evolving. This book outlines aworkflow for video content delivery and describes teamcommunication that can be applied to any entertainmentproduction and is designed to evolve with future technologiesas they become established in the field. Provides insightsbeneficial to students and current practitioners of media servertechnology, screens producers, and video content developers.

RoutledgeMarket: TheatreMarch 2020: 234x156: 224ppHb: 978-1-138-36673-2: £120.00eBook: 978-0-429-43015-2* For full contents and more information, visit: www.routledge.com/9781138366732


Additional content, including full-color versions of the images, is available online.

Focal PressMarket: Theatre/Live PerformanceNovember 2019: 235 x 191: 246ppHb: 978-1-138-33802-9: £110.00Pb: 978-1-138-33807-4: £32.99eBook: 978-0-429-44195-0* For full contents and more information, visit: www.routledge.com/9781138338029

6th EditionStage Management Theory as a Guide to PracticeScript Analysis for Actors, Directors, and DesignersCultivating a Creative ApproachJames Thomas, Professor of Theatre, Wayne State University;

Head of the PhD Program in Directing and TheatreScholarship, Detroit, MI, USAScript Analysis for Actors, Directors, and Designers teaches the skillsof script analysis using a formalist approach that examines thewritten part of a play to evaluate its potentials for performanceand production.

This new edition offers a more streamlined experience for thereader and features new and revised content, such as a fullyupdated chapter on postmodern drama, new sections onAssociative Thinking and Ambiguous Terms in the Introduction,and revised appendices. An excellent resource for students ofActing, Script Analysis, Directing, and Playwriting courses, this

book provides the tools to effectively bring a script to life on stage.

Narda E. Alcorn and Lisa PorterStage Management Theory as a Guide to Practice offers theory andmethodology for developing a unique stage management style,preparing stage managers to develop an adaptive approach forthe vast and varied scope of the production processes, forgetheir own path, and respond to the present moment with careand creativity.

It provides tactile adaptive strategies, enabling stage managersto navigate diverse populations, venues, and projects. Exploringtopics such as group dynamics, ethics, culture, conflict resolution,and strategic communication, this is an essential tool foradvanced stage management students, educators, andprofessionals.

RoutledgeMarket: Theatre/Script AnalysisNovember 2019: 229 x 152: 300ppHb: 978-0-815-35230-3: £110.00

RoutledgeMarket: Theatre/Stage ManagementDecember 2019: 198x129: 134ppHb: 978-0-815-35227-3: £120.00

Pb: 978-0-815-35229-7: £32.99 Pb: 978-0-815-35228-0: £29.99eBook: 978-1-351-13071-4 eBook: 978-1-351-13083-7* For full contents and more information, visit: www.routledge.com/9780815352303 * For full contents and more information, visit: www.routledge.com/9780815352273















Dummy text to keep placeholderDummy text to keep placeholderThe Dancing GodStaging SexStaging Hindu Dance in AustraliaBest Practices, Tools, and Techniques for Theatrical Intimacy

Amit SarwalThe Dancing God charts the sensational and historic journey ofde-provincialising and popularising Hindu dance in Australia.The intricately symbolic Hindu dance was virtually unseen andunknown in Australia until Louise Lightfoot brought it onto thestage. Her experimental changes, which modernized Kathakalidance through her pioneering collaboration with Indian dancerAnanda Shivaram, moved the Hindu dance from the sphere ofritualistic practice to formalized stage art. Sarwal argues that thismovement enabled both the authentic Hindu dance and dancerto gain recognition worldwide and created in his persona acultural guru and ambassador on the global stage.

Routledge

Chelsea PaceStaging Sex lays out a comprehensive, practical solution forstaging intimacy, nudity, and sexual violence.

After an overview of the challenges directors face when stagingtheatrical intimacy, this book offers practical solutions andexercises, provides a system for establishing and discussingboundaries, and suggests efficient and effective language forstaging intimacy and sexual violence. Written for directors,choreographers, movement coaches, stage managers,production managers, professional actors, and students of actingcourses, this is an essential tool for theatre practitioners whoencounter theatrical intimacy or instructional touch.

RoutledgeMarket: Theatre/Acting

Market: Indian DanceJanuary 2020: 235 x 191: 120ppNovember 2019: 216x138: 150ppHb: 978-1-138-59648-1: £110.00Hb: 978-0-367-26600-4: £45.00Pb: 978-1-138-59649-8: £29.99eBook: 978-0-429-29411-2eBook: 978-0-429-48761-3* For full contents and more information, visit: www.routledge.com/9780367266004* For full contents and more information, visit: www.routledge.com/9781138596481

Dummy text to keep placeholderDummy text to keep placeholderThe Performative Power of VocalityTeachers in Early Modern English Drama

Virginie MagnatSeries: Routledge Voice StudiesThe Performative Power of Vocality offers a fresh perspective onvoice as a subject of critical inquiry by employing aninterdisciplinary and cross-cultural approach. An excellentresource for qualitative researchers, artist-scholars, and activistscommitted to decolonization, cultural revitalization, and socialjustice, The Performative Power of Vocality opens up new avenuesof understanding across Indigenous and Western philosophy,performance studies, musicology, ethnomusicology, sound andvoice studies, anthropology, sociology, phenomenology,cognitive science, physics, ecology, and biomedicine.

Pedagogy and AuthorityJean LambertSeries: Studies in Performance and Early Modern DramaStarting from the early modern presumption of the incorporationof role with authority, Jean Lambert explores male teachers asrepresenting and engaging with types of authority in Englishplays and dramatic entertainments by Shakespeare and hiscontemporaries from the late sixteenth to the early seventeenthcentury.

Teachers in Early Modern English Drama is a fascinating studythrough two centuries of teaching Shakespeare and hiscontemporaries and will be a valuable resource forundergraduates, postgraduates and scholars interested insixteenth- and seventeenth-century drama, writing and culture.

RoutledgeMarket: Theatres Studies / MusicDecember 2019: 234x156: 240ppHb: 978-1-138-65917-9: £115.00eBook: 978-0-429-34033-8* For full contents and more information, visit: www.routledge.com/9781138659179

The Routledge Anthology of Early Modern DramaEdited by Jeremy Lopez, The University of Toronto, CanadaThe Routledge Anthology of Early Modern Drama is the first newcollection of the drama of Shakespeare’s contemporaries in overa century. This volume comprises seventeen accessible,thoroughly glossed, modernized play-texts, intermingling a widerange of both unfamiliar and familiar works. Each play is editedby a different leading scholar in the field of early modern studies,bringing specific expertise and context to the chosen play-text,and offering vital new perspectives on early modern drama forscholars, students, and performers alike.


RoutledgeMarket: ShakespeareNovember 2019: 234x156: 236ppHb: 978-0-367-13766-3: £115.00eBook: 978-0-429-02849-6* For full contents and more information, visit: www.routledge.com/9780367137663

2nd Edition The A to Z of Arts ManagementReflections on Theory and Reality

Ann TonksThe A to Z of Arts Management, Second Edition covers 97 topicsabout the management of arts and cultural organisations. Eachsection offers a theoretical and conceptual introduction to thetopic, as well as storytelling and reflections about the meaningand application of such theories in the real world.

Written for arts managers, students and board membersanywhere in the world, The A to Z of Arts Management providesinformation about research and academic best practice in artsmanagement alongside stories about the reality of working inthe arts and cultural industries.

RoutledgeMarket: Theatre / Arts Management / BusinessMarch 2020: 448pp Pb: 978-1-138-95380-2: £32.99Hb: 978-0-367-35135-9: £120.00 eBook: 978-1-315-66718-8Pb: 978-0-367-35139-7: £42.99 * For full contents and more information, visit: www.routledge.com/9781138953796eBook: 978-0-429-33000-1* For full contents and more information, visit: www.routledge.com/9780367351359
















Dummy text to keep placeholderThe Theatrical ProfessoriateContemporary Higher Education and Its Academic Dramas

Emily RoxworthyThis book argues that today’s professoriate has becomeincreasingly theatrical, largely as a result of neoliberal policies inhigher education, but also in response to an anti-intellectualscrutiny that has become pervasive throughout the Westernworld. Roxworthy examines how the Western professoriateincreasingly finds itself enacting command performances thatutilize scripting, characterization, surrogation, and spectacle—thehallmarks of theatricality—to deftly intervene in PerformanceStudies’ still-unsettled debates over the differential impact oflive versus mediated performances.

RoutledgeDecember 2019: 234x156: 178ppHb: 978-0-367-40679-0: £120.00eBook: 978-0-367-80845-7* For full contents and more information, visit: www.routledge.com/9780367406790

Dummy text to keep placeholderViktor SimovStanislavsky’s Designer

Edited by PAUL FRYER and Anastasia TorosViktor Simov is the first English-language biography of KonstantinStanislavsky’s principal scenic designer at the Moscow Art Theatrefrom the company’s formation in 1898. His ground-breakingwork included the designs for the premieres of Anton Chekhov’smajor stage plays, and his approach to theatre design stillinfluences contemporary scenography.

Written for theatre scholars and students of Scenic Design andDrama courses, Viktor Simov: Stanislavsky’s designer re-establishesSimov as one of the most influential theatre designers of the20

th century.

RoutledgeMarket: Drama/Theatre StudiesDecember 2019: 229 x 152: 250ppHb: 978-1-138-35917-8: £120.00

Dummy text to keep placeholderThe Routledge Companion to PerformancePractitionersEdited by Franc Chamberlain, University of Huddersfield, UK and Bernadette Sweeney, University of Montana, USASeries: Routledge CompanionsThis companion collects the outstanding biographical and theoretical overviews of key theatre practitioners first featured in the widely used Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure and places their work in its social and historical context. Summaries and analyses of their key writings also cite each practitioner's approaches to performance and the performer. All 20 volumes in the original series are represented in this volume, as well as specially commissioned new chapters on Artaud, Suzuki, Strasberg and Adler, and Martha Graham. RoutledgeMarket: Drama / Theatre StudiesMay 2020: 246x174: 1192ppHb: 978-0-367-90348-0: £280.00eBook: 978-1-003-02798-0* For full contents and more information, visit: www.routledge.com/9780367903480

Dummy text to keep placeholderThe Routledge Companion to PerformancePractitionersVolume 1

Edited by Franc Chamberlain, University of Huddersfield,UK and Bernadette Sweeney, University of Montana, USASeries: Routledge CompanionsThis companion collects the outstanding biographical andtheoretical overviews of key theatre practitioners first featuredin the widely used Routledge Performance Practitioners seriesof guidebooks. Each of the chapters is written by an expert ona particular figure and places their work in its social and historicalcontext. Summaries and analyses of their key writings also citeeach practitioner's approaches to performance and theperformer. All 20 volumes in the original series are representedin this volume, as well as specially commissioned new chapters


Dummy text to keep placeholderYour Body KnowsA Movement Guide for Actors

Dr. Meade Andrews and Jana TiftYour Body Knows provides the foundation actors need to movewith ease and power. It is a practical guide to movement startingat the very beginning: knowing your body and experiencinghow it works.

Through the work of F.M. Alexander, Rudolf Laban, and MichaelChekhov, this book offers basic training in movementfundamentals, focusing on three main areas of exploration: bodyfacts, movement facts, and creative inspiration. This is anexcellent resource for acting students and their teachers,promoting a strong onstage presence and awakening unlimitedpotential for creative expression.

on Artaud, Suzuki, Strasberg and Adler, and Martha Graham.RoutledgeMarket: Drama / Theatre StudiesMay 2020: 246x174: 544ppHb: 978-0-367-41732-1: £190.00eBook: 978-0-367-81599-8* For full contents and more information, visit: www.routledge.com/9780367417321

Dummy text to keep placeholderThe Routledge Companion to PerformancePractitionersVolume 2

Edited by Franc Chamberlain, University of Huddersfield,UK and Bernadette Sweeney, University of Montana, USASeries: Routledge CompanionsThis volume collects the outstanding biographical andtheoretical overviews of key theatre practitioners first featuredin the widely used Routledge Performance Practitioners seriesof guidebooks. Each of the chapters is written by an expert ona particular figure and places their work in its social and historicalcontext. Summaries and analyses of their key writings also citeeach practitioner's approaches to performance and theperformer. All 20 volumes in the original series are representedin this volume, as well as specially commissioned new chapters

on Artaud, Suzuki, Strasberg and Adler, and Martha Graham.

RoutledgeMarket: Theatre & Performance StudiesFebruary 2020: 254 x 178: 396pp

Routledge Hb: 978-0-367-25881-8: £120.00Market: Drama / Theatre Studies Pb: 978-0-367-25882-5: £37.99May 2020: 246x174: 648pp eBook: 978-0-429-33056-8Hb: 978-1-138-95375-8: £190.00 * For full contents and more information, visit: www.routledge.com/9780367258818eBook: 978-1-315-66720-1* For full contents and more information, visit: www.routledge.com/9781138953758














Remixing European Jazz Culture ................................ 10History of Chinese Theatre in the 20th Century I,A ................................................................................................. 13A Rodgers and Hammerstein's The Sound of

Music ....................................................................................... 18History of the Symphony, A .............................................. 6A to Z of Arts Management, The .................................. 20 Routledge Anthology of Early Modern Drama,

The ............................................................................................ 20HONK! ........................................................................................ 8Hot Art, Cold War – Western and Northern EuropeanWriting on American Art 1945-1990 ............................ 2

Actors and Audiences ....................................................... 13Aesthetic Theology in the FranciscanTradition ................................................................................... 2

Routledge Companion to African American ArtHistory, The .............................................................................. 4

IAmerican Accent Drills for British and AustralianSpeakers ................................................................................. 14Andrei Tarkovsky's Sounding Cinema ......................... 6

Routledge Companion to Interdisciplinary Studies inSinging, Volume II: Education, The ............................. 11Routledge Companion to Interdisciplinary Studies inSinging, Volume III: Wellbeing, The ............................ 11

Introduction to Puppetry Arts ....................................... 16

JApplication of the Michael Chekhov Technique toShakespeare’s Sonnets, Soliloquies andMonologues ......................................................................... 14Artistic Circulation between Early Modern Spain andItaly ............................................................................................. 2

Routledge Companion to Music Theory Pedagogy,The ............................................................................................ 11Routledge Companion to Performance Practitioners,The ............................................................................................ 21

Jazz Diaspora ......................................................................... 8

LAutomated Performer Flying ........................................ 14

BRoutledge Companion to Performance Practitioners,The ............................................................................................ 21Routledge Companion to Performance Practitioners,The ............................................................................................ 21

Labor and Creativity in New York’s Global FashionIndustry ..................................................................................... 2

Beggars Banquet and the Rolling Stones' Rock andRoll Revolution ....................................................................... 6

Routledge Handbook of Music Signification,The ............................................................................................ 11

Learning Music Theory with Logic, Max, andFinale ......................................................................................... 8

Blue Sky Body ....................................................................... 14 Routledge Handbook to Music under GermanOccupation, 1938-1945, The ......................................... 11

Legend of Veronica in Early Modern Art, The ............ 4Liberalism, Nationalism and Design Reform in theHabsburg Empire .................................................................. 3C

SLighting Dance ................................................................... 16Lives in Music .......................................................................... 8Civic Performance .............................................................. 14

Collaborative Playwriting ............................................... 14 Safety and Health for the Stage ................................... 19MCompositional Process in Elliott Carter’s String

Quartets .................................................................................... 6Comprehensive Aural Skills .............................................. 6

Scottish Dance Beyond 1805 ........................................ 10Screens Producing & Media Operations ................... 19Script Analysis for Actors, Directors, andDesigners ............................................................................... 19

Made in Poland ..................................................................... 9Made in Taiwan .................................................................... 9Concert Design .................................................................... 15

Concise Dictionary of the Avant-Gardes, A ............. 13 Shakespeare & Company ............................................... 19Making Art History in Europe After 1945 ..................... 3Contemporary Art and Disability Studies .................. 2 Shakespeare in Singapore .............................................. 19Mannerism, Spirituality and Cognition ...................... 3Contemporary European Theatre Directors ........... 15 Social History of British Performance Cultures

1900-1939, A ........................................................................ 13Minstrel Traditions ............................................................. 16Mongol Court Dress, Identity Formation, and GlobalExchange ................................................................................. 3

Cruel Theatre of Self-Immolations, A ......................... 13Cybernetic-Existentialism ............................................... 15

DSoundtrack Album, The ................................................... 11Stage Management Theory as a Guide toPractice ................................................................................... 19Staging Sex ........................................................................... 20

Moving through Conflict ................................................ 17Mural Painting in Britain 1630-1730 ............................ 3Music, Health, and Power ................................................. 9

Dancing God, The .............................................................. 20 String Methods for Beginners ....................................... 10NDesigning with Light ........................................................ 15

Developing and Applying Assessments in the MusicClassroom ................................................................................ 6 T

New Approaches in Applied Musicology .................... 9

E Teachers in Early Modern English Drama ............... 20Theatrical Professoriate, The ......................................... 21Theodore Gericault, Painting Black Bodies ................ 4

OEinstein on the Beach: Opera beyondDrama ....................................................................................... 7

Tragic Odes of Jerry Garcia and The Grateful Dead,The ............................................................................................ 12

Objectives, Obstacles, and Tactics inPractice ................................................................................... 17

Electronic and Experimental Music .............................. 7

VOne-Hour Shakespeare ................................................... 17One-Hour Shakespeare ................................................... 17One-Hour Shakespeare ................................................... 17

Embodied Imagination in Antebellum American Artand Culture, The .................................................................... 4Embodiment and Disembodiment in LiveArt ............................................................................................. 15

Viktor Simov ......................................................................... 21Voices Found ........................................................................ 12

One-Hour Shakespeare ................................................... 17Opera Coaching .................................................................... 9

Exercises for Embodied Actors ...................................... 15

WOperatic Archive, The ....................................................... 10Origin of Musical Instruments, The ............................ 10

P

Expertise in Jazz Guitar Improvisation ........................ 7

FFilm Music in the Sound Era ............................................ 7

Wayfinding, Consumption, and Air TerminalDesign ........................................................................................ 4Women’s Patronage and Gendered Cultural Networksin Early Modern Europe ...................................................... 4

Performance Studies ......................................................... 18Performative Power of Vocality, The .......................... 20Film Music in the Sound Era ............................................ 7

Film Music in the Sound Era ............................................ 7 World Elsewhere, A ............................................................ 13Performing Faith ................................................................... 9Focus: Music of the Caribbean ........................................ 8 WPA Posters in an Aesthetic, Social, and Political

Context ...................................................................................... 5Performing Home .............................................................. 18Performing Popular Music ............................................. 10Focus: Popular Music in Contemporary

India ........................................................................................... 8

YPina Bausch’s Aggressive Tenderness ........................ 18Playwrights on Television ............................................... 18Portuguese Artists in London .......................................... 3

Form and Meaning in Avant-Garde Collage andMontage ................................................................................... 2

H Your Body Knows ............................................................... 21Professional Wrestling and the CommercialStage ........................................................................................ 18

RHistorical Pattern Archive ............................................... 16Historical Wig Styling: Ancient Egypt to the1830s ....................................................................................... 16Historical Wig Styling: Victorian to thePresent .................................................................................... 16


INDEX BY TITLE22


Wood, Brent .......................................................................... 12Lambeth, Cheralyn ........................................................... 16A Woolford, Julian .................................................................. 18

ZLangford, Jeffrey .................................................................... 6Lawrence-Edsell, Julie Fain .......................................... 17Lawrence-Edsell, Julie Fain .......................................... 17Lawrence-Edsell, Julie Fain .......................................... 17Lawrence-Edsell, Julie Fain .......................................... 17

Alcorn, Narda E. ................................................................... 19Alhadeff, Albert ...................................................................... 4Andrews, Dr. Meade ........................................................ 21Andrews, Stuart .................................................................. 18

Ziółkowski, Grzegorz ........................................................ 13Le Menestrel, Sara ................................................................ 8

Arendell, Telory D. ............................................................. 18 Lee, Jonathan Rhodes ....................................................... 7

B Lee, Jonathan Rhodes ....................................................... 7Lee, Jonathan Rhodes ....................................................... 7Lopez, Jeremy ...................................................................... 20

Ballantyne, Patricia ............................................................ 10 Lowery, Allison .................................................................... 16Berkoff, Steven ..................................................................... 13 Lowery, Allison .................................................................... 16Bernard, Thomas ................................................................ 16

MBosch, Lynette M. F. ............................................................ 3Brown, Katherine T. ............................................................. 4Byrne, Kevin ........................................................................... 16 Magnat, Virginie ................................................................. 20

C McConnell, Bonnie .............................................................. 9McGee, Kristin ...................................................................... 10Merlin, Bella ........................................................................... 19

Cashman, David .................................................................. 10 Merritt, Justin .......................................................................... 6Castagno, Paul C ................................................................ 14 Miller, Hillary .......................................................................... 18Chamberlain, Franc .......................................................... 21 Modesti, Adelina ................................................................... 4Chamberlain, Franc .......................................................... 21 Monday, Mark ...................................................................... 14Chamberlain, Franc .......................................................... 21 Montgomery, Alan ............................................................... 9Chambers, Eddie ................................................................... 4 Moon, Christina H. ............................................................... 2

D Nde Haro García, Noemi ...................................................... 3 Novak, Jelena .......................................................................... 7de Oliveira, Leonor .............................................................. 3

ODelgado, Maria M. ............................................................. 15Dixon, Steve .......................................................................... 15Dragu, Magda ......................................................................... 2 Ockelford, Adam ................................................................... 9

E PEmmery, Laura ....................................................................... 6 Pace, Chelsea ........................................................................ 20

F Parkes, Kelly A. ........................................................................ 6Pillen, Cory ................................................................................ 5Pontara, Tobias ....................................................................... 6

Fanning, David .................................................................... 11 Poplawska, Marzanna ........................................................ 9Finlayson, J. Caitlin ............................................................ 14

QFrank, Laura ........................................................................... 19FRYER, PAUL .......................................................................... 21Fu, Jin ........................................................................................ 13 Quaid, Amanda ................................................................... 14

G RGale, Maggie B. .................................................................... 13 Rampley, Matthew .............................................................. 3Galuszka, Patryk ..................................................................... 9 Reinsch, Paul ......................................................................... 11Garofalo, Reebee ................................................................... 8 Reising, Russell ....................................................................... 6Gillette, J. Michael .............................................................. 15 Renihan, Colleen ................................................................ 10Giray, Selim ............................................................................ 10 Reynolds, William J. .......................................................... 19Gudmundsdottir, Helga R. ........................................... 11 Roginsky, Dina ..................................................................... 17

H Roxworthy, Emily ............................................................... 21

SHaft Bucs, Hillary ................................................................. 17Hamlett, Lydia ......................................................................... 3 Sampaio, Flaviana .............................................................. 16Heim, Caroline ..................................................................... 13 Sarrazin, Natalie ..................................................................... 8Helmstutler Di Dio, Kelley ............................................... 2 Sarwal, Amit .......................................................................... 20Heydon, Rachel ................................................................... 11 Schaeffner, André .............................................................. 10Holmes, Thom ........................................................................ 7 Schechner, Richard ........................................................... 18Holochwost, Catherine ..................................................... 4 Seubert, Xavier ....................................................................... 2Hopkins, Claudia ................................................................... 2 Shea, Eiren L. ............................................................................ 3Hubregtse, Menno .............................................................. 4 Sheinberg, Esti ..................................................................... 11Hutchinson, Sydney ............................................................ 8 Shi, Ke ........................................................................................ 15

I Shumway, Jim ...................................................................... 14Smith, Philip .......................................................................... 19Solstad, Stein ........................................................................... 7

Illingworth, Scott ................................................................ 15 Spatz, Ben ............................................................................... 14

J TJackson, Seth ........................................................................ 15 Thomas, James .................................................................... 19Johnson, Bruce ....................................................................... 8 Tonelli, Chris .......................................................................... 12

K Tonks, Ann ............................................................................. 20Tsai, Eva ....................................................................................... 9

VKidde, Geoffrey ....................................................................... 8Kostelanetz, Richard ......................................................... 13

L VanHandel, Leigh .............................................................. 11

WLaine, Eero .............................................................................. 18Lambert, Jean ...................................................................... 20 Wexler, Alice ............................................................................ 2


23INDEX BY AUTHOR

Taylor & Francis Group2 Park Square, Milton Park, Abingdon. Oxon. OX14 4RN Tel: 02070176000 • Fax: 02071076699

ISBN: 978-0-367-47778-3

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