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Issue No 2 – 10/2014-‐ph

ART THEATRE NEW MILLS

TECHNICAL INFORMATION

For more Information / technical advice contact

Paul Holt, Technical Director Telephone: 07713214540

Email: [email protected]

Art Theatre Technical Information Pack Sound and Lighting Only

Subject to review and Change at any time without prior notice

Issue No 2 – 10/2014-‐ph

2

TECHNICAL INFORMATION OVERVIEW TECHNICAL DETAILS 3 SOUND

FOH AUDIO 4

MONITORS 4

EQUIPMENT 4

MICROPHONES 5 PROJECTION AND AUDIO VISUAL 6 COMMUNICATION SYSTEMS 7 INFRASTURCTURE 8

LIGHTING

DIMMERS 9

CONTROL 9

RIGGING POSITIONS 9 CONVENTIONAL FIXTURES 10

MOVING FIXTURES 10

FOLLOW SPOTS 10

MISCELLANEOUS 10

APPENDIX PLANS AND LAYOUTS 11

Issue No 2 – 10/2014-‐ph

3

Technical Details Technical Staff The Art Theatre is a wholly self-financing Amateur Theatre with Facilities of a Semi Professional venue. Staffed by in house technicians that are top-quality, professional, stagehands. Crew is hired on a per show basis to suit the specific needs of the production. Seating Capacity TOTAL CAPACITY: 511 Stalls: 286 Stalls Box Left: 5 – Currently not used for Audience Stalls Box Right: 5 – Currently not used for Audience Stalls Wheelchair positions 3 Circle: 210 Circle Box Left: 5 Circle Box Right: 5 Load-In and Storage • Loading area is through the main scene dock entrance of the theatre on Wood Street. • Loading takes place at street level, on a flat and even road, however there is a pavement to negotiate • There is a drop of approx 500mm from the scene dock door to stage level, ramping can be provided. • Loading area can accommodate pieces not in excess of 10' x 4'. • There are no lifts • Stage Loading Doors are located off-stage left and are NOT DIRECTLY accessible by truck. • They are 10’h x 4’w and are 2’ off the ground.

Issue No 2 – 10/2014-‐ph

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Sound FOH Mix Position: FOH Left. Under the circle balcony with an overhang of 9.5mtr. Open control position and enclosed in booth. Speakers: Stalls 2 - T&M Systems FG112 250WMain front Left and Right 2 – T&M Systems XS4.2 80-watt front fills 2 - Bose 101A Under Balcony Delays 2 – Citronics CL115 500-Watt Subwoofer 2 - Wharfdale Force 9 Subwoofer Circle 2- T&M Systems FG115 250W Main front Left and Right on circle boxes 2 - Bose 101A Rear Circle Delays Control & Processing – Lighting Control Room: Main System 5 – Peavey CX1000S 2 Channel Power amplifiers 1 - Peavey CS 400X 2 Channel Power amplifier 1 - Citronics PPX900 2 channel Power Amplifier 2 - Behringer DCX2496 Loudspeaker Processors 1 - InterM Dual 31 Band Graphic Equaliser Monitors 1 - Cloud VX 750 2 Channel Power amplifier (Monitors) Monitor Speakers: 4 – Wharfedale Force 9 250 Watt Passive Speakers Control Position: 1 – Soundcraft K3 48/8/2 Channel Console 3 - Soundcraft CPS275 Power Supplies – Two Use, one spare 1 - Allen & Heath GL3 24/4/2 Channel Console, can be setup for Monitor Mix if required 1 - Behringer X32 Digital Mixer and 1 x S16 Digital Stage Box is Available as a sub hire Outboard, Playback & Recording: 1 - Tascam CD-CD200 CD/MP3 Playback 1 – American Audio UCD 100 CD/ USB Player 1 – Tascam MD350 Minidisk Player and Recordcer 2 – Behringer MDX4600 Compressor / Gates 2 – Behringer GEQ 1502 Dual15 band Graphic Equiliser 1 – Behringer DEQ2496 Digital Sound Processor c/w Sensing Mic 1 – Yamaha SPX 900 Digital Effect Unit 1 – Lexicom MX 200 Dual Effect Engine 1 - Behinger Multiway Patch bay for Effect rack and Desk connections

Issue No 2 – 10/2014-‐ph

5

MICROPHONES Wired 3 - Crown PCC160 2 - Audio Technica ATPro 2 – Audio Technica AT Pro 47 Mic’s 4 - Audio Technica AT 4041 Short Riffle Mic’s 6 – Generic Handheld Instrument Microphones 2 – Studio Condenser Overhead Mic’s 2 – Generic retro 50’s Style Ribbon Mic’s 1 - Shure SM58 w/switch Wireless Microphone System: 4 – Trantec S4.16 Radio Microphones Lapel With Antenna Distribution Additional Equipment that can be sub hired 8 No MI Pro channel 38 Professional Lapel Microphones complete MISCELLANEOUS 10 – Black Boom Microphone Stands 12 - Music Stands w/lights 4 Passive DI Boxes

Issue No 2 – 10/2014-‐ph

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Projection and Audio Visual Projection EQUIPMENT

1 - Sanyo XP46L mounted on the front of the circle handrail 2 - Sanyo XT11 Projectors mounted on front of circle handrail 1 - Electrically operated 3.5 Mtr 4:3 screen mounted in front of the main House rag CONTROL / INPUT 1 – Kramer 4 x 4 Matrix switch in main Rack in Lighting control Room 5 – Input points a) Lighting Control b) Sound Control c) Stage managers corner (ASL) d) House PC Lighting Control room Rack e) Orchestra Pit Right Facility Panel The Projection system is still in the process of upgrading so these details are subject to change without notice. The theatre also possesses a larger format electrically operated screen that may be installed at request.

Audio Visual The theatre is currently in the process of updating the existing Black and White Visual Systems to colour, which will be completed for March 2015. The existing systems allows vision of the stage from the following locations a) Box office b) Rear of Bar c) Lighting Control d) Foyer e) Bar Foyer f) Stage managers desk g) ASM Position Currently there are no visual monitors in the dressing rooms, props or Wardrobe but this is subject to the current upgrading of the existing system The installed Video patch system can provide Video relay to any of the positions with Video, Connection via the switcher AV racks in the Lighting Control room to allow for full flexibility The camera feed from the stage is a Standard definition Colour Low Light Camera. The theatre also posses a Day and Night Camera that can be install if so requested There are also Two 24” Screen Mounted on the front of the balcony for Relay of any required Visual to the stage for Actor Comfort. Again all these can be interconnected to display a variety of images from several different sources as required

Issue No 2 – 10/2014-‐ph

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Communication Systems Theatre paging The theatre has a comprehensive paging system with plug in points at various locations to allow access to the four zone paging matrix. All dressing room speakers have individual volume controls with Bar foyer and Technical areas each have their own area volume controls. Show relay feed is supplied to each of the areas and is overridden by priority paging into an individual or all zone page from any of the connected microphones. There is also a matrix output feed into the paging system to enhance the Show relay aspect of the performance The main paging plug in points are as follows Stage Manager Desk – Permanent Location Lighting Control – Permanent Location Sound Control Box office 1st floor Bar The four paging Zones are as follows Zone 1 All backstage dressing rooms, wardrobe and Props Zone 2 All Technical Areas Zone 3 Ground Floor Foyer and Toilets Zone 4 1st floor Bar Technical Comms The theatre is provided with technical communications system connection points at all strategic locations in the theatre; all facility panels have two circuits of technical comms channel A & B are presented on facility panels The theatre has the following system accessories 7 No single channel Beltpack 1 no Dual Channel Beltpack 8 No Single Muff headsets 1 High output Xenon Flasher All the above can be plugged into any location on either channel A or B with the master dual comms beltpack located in the lighting control position The Main Power supply system is located in the Sound control Position with access for Aux input from the Mixing desk from one of the matrix Outputs Hard of hearing System (AFILS) The theatre has in induction loop system installed to the circle only at present and this provides a clean show relay feed of the show for the hard of hearing. This system will be extended to the stalls by the end of 2015 season There are signs in the theatre advising users to listen to the show via their own hearing aids on the “T” setting on the hearing aids.

Issue No 2 – 10/2014-‐ph

8

Infrastructure Generally all areas of the theatre have connectivity panels all wired back to either the AV racks in the Lighting control room or the Sound control position at the rear of the auditorium where they are terminated on industry standard XLR connectors or Multiway patch bays Panels All panels are fully labelled and all details for cable tieline ways and routing can be found on the attached schedule and line drawings appended to this package (if not included please email a request to [email protected]) In general the connection count is as follows Audio Tieline count from stage (8 Panels) 62 Sends – 24 Returns Video Tie Line count from Stage (8 Panels) 18 Speaker tie Line count from Stage (8 Panels) 14 Network Tie line count form stage (8 Panels) 16

Equipment Racks Please see the attached equipment rack layouts for the main systems racks and these are located in the following positions Lighting Control Room AV Rack No 1 AV Rack No 2 Sound Control Room AV Rack No 3 Replay and Effects Rack Desk Patchbay Rack

Issue No 2 – 10/2014-‐ph

9

Lighting System DIMMERS Front of House - Lighting Control, Room 8 – Zero 88 Dual 15A Betapack Series 1 0 – 10V analogue control 1 – ShowTec 72 way DMX to 0 – 10V Demux 1 – 54 way 15A Cord Patch to Front of House Positions Stage Area - High Level Perch Above ASL 12 – Zero 88 Dual 15A Betapack Series 1 0 – 10V Analogue control 1 – ShowTec 72 way DMX to 0 – 10V Demux 1 – 98 way 15A Cord Patch to Internally wired Bars and Low Level outlets CONTROL 1 – Strand Palette 750 Channels c/w Dual Monitors 1 - Strand Pocket Palette Remote on PDA 1 - Jands Event Plus 48 Console c/w Monitor – Backup desk 1 – ETC Congo Desk is available as a Sub Hire c/w Monitor and Wireless ELC remote RIGGING POSITIONS STAGE No. 1 Bar 16 Channels No 1 - 16 Winched with SWL of 175Kg U.D.L. No. 2 Bar 16 Channels No 17 - 32 Winched with SWL of 175Kg U.D.L. No. 3 Bar 16 Channels No 33 - 48 Winched with SWL of 175Kg U.D.L. No. 4 Bar 12 Channels No 49 - 60 Fixed with SWL of 175Kg U.D.L. Side Booms rear of proscenium Stage Left 5 Channels No 61 - 65 Stage Right 5 Channels No 66 - 70 Stage Low Level Points DSL 5 Channels No 71 - 75 PIT 6 Channels No 76 - 81 DSR 5 Channels No 82 - 86 USL 6 Channels No 87 - 92 USR 6 Channels No 93 - 98 FROUNT OF HOUSE MAIN FOH BAR 10 Channels No 1 - 10 AR Circle Box 6 Channels No 13 - 18 AL Circle Box 6 Channels No 19 - 24 AR Stalls box 6 Channels No 25 - 30 Roof Void* 12 Channels No 31 – 42 AL Stalls Box 6 Channels No 43 - 48 AR Stalls 3 Channels No 49 - 51 AL Stalls 3 Channels No 52 - 54 *There is currently no bar position for this advance truss position, although a truss is available

Issue No 2 – 10/2014-‐ph

10

Fixtures CONVENTIONAL FIXTURES 4 - Strand Cadenza 2KW 12/25 degree Profiles 2 - Strand Alto 2.5Kw 8/14 degree Profiles 4 - Strand Cantata 18/32 degree Profiles 10 - Strand Cantata 26/44 degree Profiles 2 - Strand Cantata fresnels 12 - Strand Harmony 15/28 degree Profiles 5 - Strand Harmony 24/44 degree Profiles 5 - Strand Harmony Fresnels 1.2Kw 2 - Strand Harmony Pebble Convex 2 - Strand Pattern 803 Fresnels 2 - Strand Leko Profiles 30 Degree 4 - Strand Preludes Fresnels 10 - Strand Iris One 1.25Kw Cyc Lights 4 - Strand Orion 1.25Kw Ground Row Lights 2 - Strand Coad four 500Watt Cyc Batten 15 - CCT Starlet Fresnels 1.2Kw 24 - Generic Par64 Parcans various Beam Angles LED FIXTURES 4 – LEDJ Colour Storm Tri battens 2 – LED Tri Par Cans 24 x 3 Watt MOVING FIXTURES 4 – Showtec Explorer 575 MISCELLANIOUS FIXTURES 2 - QTX Jumbo DMX Controlled Strobes FOLLOW SPOTS 2 – Pani Short Throw 1200w Spots complete with colour changers MISCELLANEOUS Various - Barn Doors 2 - QTX Smoke Machines c/w Remote Control 1 - QTX Atmospheric Hazer c/w Remote Control

Issue No 2 – 10/2014-‐ph

11

Appendix PLANS, LAYOUTS & CAD

Plans of the current rigging positions are available on request and we hope to have a WYSIWYG template available in the near future as it is currently under construction. A Capture layout is also in the process of development

APPENDIX A RACK LAYOUT DRAWINGS

APPENDIX B AUDIO SCHEMATICS

APPENDIX C FACILITY PANEL SCHEDULE

APPENDIX D LIGHTING SCHEMATICS

APPENDIX E RIGGING PLANS

APPENDIX F MISCELLANIOUS

Issue No 2 – 10/2014-‐ph

12

APPENDIX A

Rack Layout Drawings

XXX XXX XXX XXX XXXXXX XXX XXX XXXXXX XXX XXX XXX XXX XXXXXX

XXX XXX XXX XXX XXXXXX XXX XXX XXX XXX XXX XXX XXX XXX XXXXXX

36U RACK

XXXXX XXXXXXXXXX XXXXX XXXXX XXXXXXXXXX XXXXX XXXXX XXXXXXXXXX XXXXX XXXXX XXXXXXXXXX XXXXX

XXXXX XXXXXXXXXX XXXXX XXXXX XXXXXXXXXX XXXXX XXXXX XXXXXXXXXX XXXXX XXXXX XXXXXXXXXX XXXXX

104 way tieline BPO patch

36 way SDI-BNC Video Patch

LINE VOLTAGE

DIMMER

PULL PULL

A

M

P

OFF

ON

OFF

SWITCHED OUTLETS

ON

OFF

LIGHTS

POWER CONDITIONER

AND LIGHT MODULE

PL PLUS E

10

FOUR CHANNEL POWER AMPLIFIER

CX - A41234

POWER

SIGNAL

PEAK

PROTECT

SIGNAL

PEAK

PROTECT

0

LINE VOLTAGE

DIMMER

PULL PULL

A

M

P

OFF

ON

OFF

SWITCHED OUTLETS

ON

OFF

LIGHTS

POWER CONDITIONER

AND LIGHT MODULE

PL PLUS E

10

KRAMER

SELECTOR

1 2 3 4 5 6

OUTPUT

INPUT

ALL OFF

OUTPUT

INPUT

STATUS

2066

POWER

6 X 6 VIDEO AUDIO MATRIX SWITCHER

8 way bufferKV1701E

32way DMX Patch Bay

48 way Cat 5 Data Patch

1 Zone Amp Backstage Paging

4 Zone Amp FOH Paging

8 way Opto Buffer

SVGA switcher

60 way desk/amp BPO patch

AA 7 Way PDU 16A

AA 7 Way PDU 16A

LHS AMPLIFIER RACK

I

O

LEVEL AMPLIFIER

MONO

I

O

LEVEL AMPLIFIER

MONO

I

O

LEVEL AMPLIFIER

MONO



Digital Audio

8X8 Video switcher

24way POE Netgear Switch

Rackmount PC (Local)

Rackmount screen

36U RACK

R

A

CLIP

-2

-5

-10

-20

-30

-40

MUTE

CLIP

-2

-5

-10

-20

-30

-40

MUTE

CLIP

-2

-5

-10

-20

-30

-40

MUTE

CB

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

1 2 3 4 5 6

R

ARCHITECTURAL

ACOUSTICS

DUAL CHANNEL

INDUSTRIAL POWER AMPLIFIER

TMSPS

ACTIVE

POWER

TMSPS

ACTIVE

POWER

MADE IN U.S.A.

POWER

OFF ON

TM

TM

R

ARCHITECTURAL

ACOUSTICS

DUAL CHANNEL


TMSPS

ACTIVE

POWER

TMSPS

ACTIVE

POWER

MADE IN U.S.A.

POWER

OFF ON

TM

R

ARCHITECTURAL

ACOUSTICS

DUAL CHANNEL


TMSPS

ACTIVE

POWER

TMSPS

ACTIVE

POWER

MADE IN U.S.A.

POWER

OFF ON

TM

R

ARCHITECTURAL

ACOUSTICS

DUAL CHANNEL


TMSPS

ACTIVE

POWER

TMSPS

ACTIVE

POWER

MADE IN U.S.A.

POWER

OFF ON

TM

R

ARCHITECTURAL

ACOUSTICS

DUAL CHANNEL


TMSPS

ACTIVE

POWER

TMSPS

ACTIVE

POWER

MADE IN U.S.A.

POWER

OFF ON

CX 1000 - Subs Ch 6

CX 400 - Delays Mono

CX 1000 - Cluster

CX 1000 - Circle Main ch 3/4

CX 1000 - Stalls Main ch 1/2

Speaker Patch bay

Loudspeaker Managment

Professional Power Amplifier

V T X 750PROTECT SIGNAL PEAK

PROTECT SIGNAL PEAK

POWER BRIDGE

LEVEL

LEVEL

0 10

0 10

A

B

I

O

LEVEL CH1 LEVEL CH2

LINE VOLTAGE

DIMMER

PULL PULL

A

M

P

OFF

ON

OFF

SWITCHED OUTLETS

ON

OFF

LIGHTS

POWER CONDITIONER

AND LIGHT MODULE

PL PLUS E

10

LINE VOLTAGE

DIMMER

PULL PULL

A

M

P

OFF

ON

OFF

SWITCHED OUTLETS

ON

OFF

LIGHTS

POWER CONDITIONER

AND LIGHT MODULE

PL PLUS E

10

16 In 32 Out

2K

2K

EQ-9231

20 25 32 40

-12

+12

-12

0

20 25 32 40

+12

0

50 63 80 100 125 160 200 250

50 63 80 100 125 160 200 250

800500315 400 630 1.25K1K 1.6K

800500315 400 630 1.25K1K 1.6K

GRAPHIC EQUALIZER

OFF

LO-CUT

OFF

OFF

OFF

LO-CUT

12.5K

12.5K

3.15K2.5K 4K 5K 6.3K 8K 10K

3.15K2.5K 4K 5K 6.3K 8K 10K

16K 20K LEVEL

-12

+12

-12

-12

0

16K 20K

+12

LEVEL

-12

ON

RIGHT0

ON

EQ

PEAK

ON

+12

0

+12

0 LEFT

ON

EQ

PEAK

POWER

OFF

ON Inter M Main EQ

Cloud Amp 2 x 750 W

Spare space for amp 2U

T & M SA600 Amp

AA 7 Way PDU 16A

AA 7 Way PDU 16A

RHS PATCHBAY RACK

R

A

CLIP

-2

-5

-10

-20

-30

-40

MUTE

CLIP

-2

-5

-10

-20

-30

-40

MUTE

CLIP

-2

-5

-10

-20

-30

-40

MUTE

CB

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

CLIP

-40

MUTE

LIMIT

-2

-5

-10

-20

1 2 3 4 5 6

LINE VOLTAGE

DIMMER

PULL PULL

A

M

P

OFF

ON

OFF

SWITCHED OUTLETS

ON

OFF

LIGHTS

POWER CONDITIONER

AND LIGHT MODULE

PL PLUS E

10

25 40 63 100 160 250 400 630 1k 1.6k 2.5k 4k 6.3k 10k 16k

6421

0

12

4

6

0

12

12

8

8

5

52

2

LEVEL

CHANNEL 1 MASTER CONTROL

BYPASS

0 10

8

64

2 GRAPHIC

EQUALIZER

POWERCHANNEL 2 MASTER CONTROL

STEREO

25 40 63 100 160 250 400 630 1k 1.6k 2.5k 4k 6.3k 10k 16k

6421

0

12

4

6

0

12

12

8

8

5

52

2

LEVEL

BYPASS

0 10

8

64

2

POWER

PARAMETRIC

EQUALIZER

INPUT LEVEL

0

1

2

3

45

6

7

8

9

10

IN

OUT

OVERLOAD

EQ

FREQUENCY BANDWIDTH EQUALIZATION

20

30

50

100

180

215

250

375

400 1/3

1/2

1

2

3

4

-20

-18

-9

-3

Flat

+3

+6

+9

12

+18

+20

Hz OCTAVE dBPEAK

SHELF


20

30

50

100

180

215

250

375

400 1/3

1/2

1

2

3

4

-20

-18

-9

-3

Flat

+3

+6

+9

12

+18

+20

Hz OCTAVE dB


20

30

50

100

180

215

250

375

400 1/3

1/2

1

2

3

4

-20

-18

-9

-3

Flat

+3

+6

+9

12

+18

+20

Hz OCTAVE dB


20

30

50

100

180

215

250

375

400 1/3

1/2

1

2

3

4

-20

-18

-9

-3

Flat

+3

+6

+9

12

+18

+20

Hz OCTAVE dBPEAK

SHELF

POWER

TRACK INDEX RANDOM INTRO

STEPTOTAL

EACH

REMAIN

WW SEC

OPEN/CLOSE PLAY AUTO CUE STOP

REMOTE SENSORSKIP SEARCH

PHONES

PAUSE

H M S

POWER100

100

INPUT

ON OFF

MIX CONTINUEEDIT

PRESET PRESET

^ ^

CURSOR CURSOR

< >

ADD DELETE

CHANNEL

INPUT LEVEL

L R

0

-15

-10

-5

inf

CHL CHR

CHANNEL

L R

0

-15

-10

-5

inf

OUTPUT LEVEL

BYPASS

STEREO

EFFECTOR

POWER


STEPTOTAL

EACH

REMAIN

WW SEC



PHONES

PAUSE

H M S

4 CHANNEL

NOISE GATE

1

I N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3

KEY FILTER Hz WIDTH OCT

15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

LINK LINKI N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3


15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

I N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3


15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

I N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3


15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

2 3 4

4 CHANNEL

NOISE GATE

1

I N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3


15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

LINK LINKI N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3


15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

I N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3


15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

I N EXT

KEYLISTEN

1k 25

10

15

500200

100 20k

56

8

100.5

1

3


15- 20 10 5 3 1 0 1 2 4 6 8

KEY LEVEL VU+PEAK

Hz

-50

5

10

15

OUT-50

-30

-20

THRESHOLD dBv

GATE OPEN

ATTACK RANGE

FAST

AUTO

20dB

70dB

RELEASE

1 mS

10

50

4 S

100300

1 S

2 S

2 3 4

25 40 63 100 160 250 400 630 1k 1.6k 2.5k 4k 6.3k 10k 16k

6421

0

12

4

6

0

12

12

8

8

5

52

2

LEVEL


BYPASS

0 10

8

64

2 GRAPHIC

EQUALIZER


STEREO

25 40 63 100 160 250 400 630 1k 1.6k 2.5k 4k 6.3k 10k 16k

6421

0

12

4

6

0

12

12

8

8

5

52

2

LEVEL

BYPASS

0 10

8

64

2

POWER

+

12

8

5

20

2

5

812-

+

12

8

520

2

5812-

25 31.5 40 50 63 80 100 125 160 200 250 315 400 500 630 800 1k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 20k

CHANNEL

LEVEL

CHANNEL

BYPASS

0

2

4

10

8

6

CHANNEL 1

EQUALIZER

GRAPHIC

STEREO

+

12

8

5

20

2

5

812-

+

12

8520

2

5812-

25 31.5 40 50 63 80 100 125 160 200 250 315 400 500 630 800 1k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 20k

CHANNEL

LEVEL

BYPASS

0

2

4

10

8

62

2

CHANNEL 2

CHANNEL

1

1

POWER


STEPTOTAL

EACH

REMAIN

WW SEC



PHONES

PAUSE

H M S

18U RACK

-36 -24 -12 -3 -1 0 +4 +8 -36 -24 -12 -3 -1 0 +4 +8Enter Esc

Volume

Rec Cue On Off

Send Caller

AA 7 Way PDU 16AAA 7 Way PDU 16AQuad Gate/CompQuad Gate/CompQuad Gate/Comp

Spectrum AnalyserBehringer Dual 31 Band

Behringer Dual 15 BandBehringer Dual 15 Band

Lexicon MX200 EffectsYamaha SPX 900 Effects

Tascam CD 200 Player

Tascam MD350 Player

UCD 100 CD/USBPlayer

REPLAY & EFFECTS RACK



6U RACK

10H.SET

VOL

0

SIDE

TONE

PTT

ON

OFF

A

B

A+B

CALL

A B

MIC

LINE

100

5

AUX

LEVEL

A

B

A+B

BA

DCV

POWER5

MASTER STATION

POWER

REMOTE

AC POWER

POWER

REMOTE

AC POWER

POWER

REMOTE

AC POWER

0 10

GROUP

ST4

0 10

ST3

0 10

ST2

0 10

ST1

0 10

6

0 10

5

0 10

4

0 10

3

0 10

2

0 10

L RC

1

0 10

GR

ST

AUX

CUE

ASSIGN

0 10

STEREO

POWER

ON

OFF

L RCL RC L RC L RC L RC MONITOR

AUX

CUE

PHONES

SUM

0 10 0 10

0 10

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

GR

ST

AUX

CUE

ASSIGN

25 40 63 100 160 250 400 630 1k 1.6k 2.5k 4k 6.3k 10k 16k

6421

0

12

4

6

0

12

12

8

8

5

52

2

LEVEL


BYPASS

0 10

8

64

2 GRAPHIC

EQUALIZER


STEREO

25 40 63 100 160 250 400 630 1k 1.6k 2.5k 4k 6.3k 10k 16k

6421

0

12

4

6

0

12

12

8

8

5

52

2

LEVEL

BYPASS

0 10

8

64

2

1 2

COMP

ON

OFF

OP 3 6 10 15 20

+20-20

THRESHOLD

(dB)

RATIO

1:1 30:1

POWER

COMPRESSOR

COMP

ON

OFF

OP 3 6 10 15 20

+20-20

THRESHOLD

(dB)

RATIO

1:1 30:1

COMPRESSOR

dB

SIGNAL

1

dB

SIGNAL

2

dB

SIGNAL

dB

SIGNAL

dB

SIGNAL

dB

SIGNAL

dB

SIGNAL

dB

SIGNAL

dB

SIGNAL

dB

SIGNAL

3 4 5 6 7 8 9 10Left Right Power

LINE VOLTAGE

DIMMER

PULL PULL

A

M

P

OFF

ON

OFF

SWITCHED OUTLETS

ON

OFF

LIGHTS

POWER CONDITIONER

AND LIGHT MODULE

PL PLUS E

10

16U RACK

AA 7 Way PDU 16A

Dual Comms PSU

Facility Panel FP12Paging Mic Mixer

Rane Dual CompressorDaul 15 Band Graphic

Paging Matrix Quest

Soundcraft PSU No 1

Soundcraft PSU No 2

Soundcraft PSU No 3

MIXING DESK PATCHBAYS

SOUND CONTROL RACK

Issue No 2 – 10/2014-‐ph

17

APPENDIX B

AV Schematic Drawings

Issue No 2 – 10/2014-‐ph

22

APPENDIX C

Facility Panels

Facility Panel schedule

Project New Mills Art Theatre

Date May 2014 Issue 275 Ohm 50 Ohm 50 Ohm

Analogue Analogue Show SDI Video Cat 5 Speaker 6 Pin 6 Pin Radio Radio Paging Comms Comms DMX Out DMX in Tech Cue Lite Computer SVGA SVGAPanel Ref. Location Designation Send Return Relay Tie Line Point Outlet LV Con LV Con Aerials Aerials Mic In A B Ring Point Mini input outputConnection 3 Pin F 3 Pin M Inputs BNC RJ45 NL4 Output Input Output Input RJ45 3 Pin M 3 Pin M 5 Pin F 5 Pin M 13A 4 Pin F Jack 15 HD 15 HD

FP 01 Orchestra Pit Left 12 4 4 2 4 1 1 1 1 1 FP 02 Orchestra Pit Right 8 4 2 2 2 1 1 1 1 1 1FP 03 Downstage Left 8 4 2 2 2 1 1 1 1 1 1 FP 04 Down Stage Right 8 4 2 2 2 1 1 1 1 1 1 1FP 05 ASL Perch ( Dimmer area) Dimmer control 6 2 3 1 1 3 1 1FP 06 Upstage left 8 4 2 2 2 1 1 1 1 1FP 07 Upstage Right 8 4 2 2 2 1 1 1 1 1FP 08 SM Manager 4 2 1 1 1 1 1 1FP 09 ASL Front Box 2 1 1 1 2 1 1 1 1 1FP 10 ASR Front Box 2 1 1 1 2 1 1 1 1 1FP 11 Lighting Box Lighting Control 4 2 4 4 2 6 1 1 1 3 1 1Local AV Rack 1Desk Mix Position Sound Control 24 12FP 12 Sound Control 6 4 4 2 1 1 1 2 1 1 1FP 13 Box Office 2 2 1 1FP13/1 Foyer Screen 1FP 14 Bar Area 2 2 1 1FP14/1 Bar Screen 1FP 15 Followspot Bay 1 1 2 1 1 2FP16 Roof Void 2 1 3 2FP16/1 ASL Front Box Top 1FP16/2 ASR Front Box Top 1FP16/3 ASL Circle Box Top 1FP16/4 ASR Circle Box Top 1FP17 Projector Location Projector 2 2 2 1 1 1 2 1 2FP18 Lighting Box Dimmer control 2 3 1FP19 ASL Circle Box Top 1 FP20 ASR Circle Box Top 1 FP21 Circle Front Bar 1

AV Rack Total Count 102 38 2 37 36 28 6 6 2 5 15 14 23 11 2 13 1 5 4

Patch Bay Count 140

Facilities

Issue No 2 – 10/2014-‐ph

24

APPENDIX D

Lighting Drawings

Issue No 2 – 10/2014-‐ph

27

APPENDIX E

Rigging Plans

Issue No 2 – 10/2014-‐ph

28

Issue No 2 – 10/2014-‐ph

29

APPENDIX F

Miscellaneous

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