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Artists • Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors • Artists used the technique of linear perspective to represent the three dimensions of real life on flat, two dimensional surfaces

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Page 1: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Artists

• Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

• Artists used the technique of linear perspective to represent the three dimensions of real life on flat, two dimensional surfaces

Page 2: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Difference in Painting

MedievalRenaissance (The Virgin and Child with Saint Anne by da

Vinci, 1510)

Page 3: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Difference in Painting

Renaissance (Pope Julius II by Raphael)

Medieval

Page 4: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

I. Self-Portrait -- da Vinci, 1512

1452 - 1519

� Artist

� Sculptor

� Architect

� Scientist

� Engineer

� Inventor

Page 5: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Leonardo, the Artist:From hisNotebooks of over 5000

pages (1508-1519)

Page 6: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Leonardo da Vinci (1452-1519)

• A great artist, but more than any other person of his age, personified the idea of the “Renaissance man”– Someone of broad

interests who is accomplished in both the arts and sciences

Mona Lisa uses light and shadow and perspective to make the figures fully human, enigmatic, and mysterious

Page 7: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The Last Supper captures the emotions of each of Jesus’ disciples at the exact moment of their learning one will betray

Him

Page 8: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The Last Supper - da Vinci, 1498& Geometry

Page 9: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

horizontal

vert

ical

Perspective!

The Last Supper - da Vinci, 1498

Page 10: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Leonardo da Vinci

da Vinci’s study of the proportions of the human body da Vinci’s plans for a helicopter

Page 11: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Leonardo, the Scientist (Biology):Pages from his Notebook

� An example of the humanist desire to unlock the secrets of nature.

Page 12: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Leonardo, the Scientist (Anatomy):

Pages from his Notebook

Page 13: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Giotto di Bondone (1266-1337)

• Overcame the obstacle of flat forms by skillfully contrasting light and shadow to create an illusion of depth that made human figures look solid and round

“The Mourning of Christ,” painted c.1305

Page 14: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Masaccio (Tomassco Guidi) (1401-1428)

• Used atmospheric perspective to show objects receding into a background and to make figures appear round and truly three dimensional

Trinity 1425-28 Fresco

Page 15: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

El Greco (Domenikos Theotokopoulos) (1541-1614)

• Used severe colors and elongated features to express Spanish religious zeal in powerful and emotional paintings

The Burial of Count Orgaz conveys the Catholic spirit of

communion among God, saints, and humans

Page 16: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Sculptors

• Sculptors depicted their subjects in natural poses that reflected the actual workings of human muscles rather than the awkward and rigid poses often found in earlier sculptures

Page 17: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

II. Michelangelo Buonorrati

� 1475 – 1564

� He represented the body in three dimensions of sculpture.

Page 18: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Michelangelo Buonarotti (1475-1564)

• Considered himself a sculptor first and painted with a sculptor’s eye

• Made the muscular masculine figure his ideal beauty

Michelangelo’s David and Moses show dramatic and

emotional postures and expressions

Page 19: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

� David

� MichelangeloBuonarotti

� 1504

� Marble

Page 20: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

� The Pieta

� MichelangeloBuonarroti

� 1499

� marble

The Popes as Patrons of the Arts

Page 21: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The Sistine Chapel

Michelangelo Buonarroti

1508 - 1512

Page 22: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Sistine Chapel

Michelangelo’s frescos covering the ceiling of the Sistine Chapel in the Vatican are perhaps the single greatest

achievement in Renaissance art

Page 23: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The Sistine Chapel Details

The Creation

of the Heavens

Page 24: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

III. Donatello (Donato di Niccoli di Betto) (1386-1466)

• Traveled to Rome to study the classics of antiquity

• Employed models and created studies of anatomy and the human body

Donatello’s David was the first nude statue of the Renaissance and is known for its

grace, proportionality, and balance

Page 25: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

IV. Raffaello Sanzio (1483-1520)

Self-Portrait, 1506 Portrait of the Artist with a Friend, 1518

Page 26: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Raphael Sanzio (1483-1520)

• Excelled in composition and use of soft colors

St. George Fighting the Dragon, 1505

Raphael is famous for his warm, pious, and graceful Madonnas such as The

Small Cowper Madonna, c. 1505

Page 27: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Raphael’s Madonnas (1)

Sistine Madonna Cowpepper Madonna

Page 28: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The School at Athens by Raphael

Page 29: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The School of Athens – Raphael, 1510 -11 One point perspective.

All of the important Greek philosophers and thinkers are included all of the great personalities of the Seven Liberal Arts!

A great variety of poses. Located in the papal apartments library. Raphael worked on this commission

simultaneously as Michelangelo was doing the Sistine Chapel.

No Christian themes here.

Page 30: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Aristotle:looks to thisearth [thehere and

now].

Plato:looks to theheavens [or

the IDEALrealm].

The School of Athens – Raphael, details

Page 31: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The School at Athens, with lines to

show perspective

Page 32: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

The School of Athens – Raphael, 1510 -11

Raphael

Da Vinci

Michelangelo

Page 33: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Portrait of Pope Julius II by Raphael, 1511-1512

� More concerned with politics than with theology.

� The “Warrior Pope.”

� Great patron of Renaissance artists, especially Raphael & Michelangelo.

� Died in 1513

Page 34: Artists Renaissance painters, sculptors, and architects drew inspiration from the classical Greek and Roman artists rather than their medieval predecessors

Birth of Venus – Botticelli, 1485

An attempt to depict perfect beauty.