arts & cultural strategies inaugural issue (sept/oct 2015)

Embracing the Future! REBRANDING

TEAM GOMEZ

Arts & Cultural Strategies It’s a personalized touch. . . . It’s a way of life ©

INAUGURAL ISSUE SEPTEMBER/OCTOBER 2015

Renee’s Art Gallery Accepted to CAM

Dion Strowhorn Film Producer, Actor

& Founder of a New Film Festival

FEATURED ARTIST

CESAR CONDE PASSIONATE ACTIVIST & AWARD WINNING INTERNATIONAL ARTIST

World Renowned

HOMER HANS BRYANT

A LEGEND IN THE MAKING

DROPPING IN ON

MARIAN HAYES

AT CAFÉ YEYE

Art & Cultural Strategies Inc. September/October 2015 2

C O N T E N T S

by Abraham

PUBLISHER’S NOTE 3

EMERGING

Samantha Haring 4

RENEE’S ART GALLERY

Renee’s Art Gallery Accepted to 6

Chicago Artist Month 2015

Abraham Braham Solo Exhibition ‘CONsealed’ 8

IGNITING CHANGE THROUGH ARTS

Tye Johnson Giving Back 12

HIGHTLIGHTING ART & CULTURE

World Renowned Homer Hans Bryant 16

A Legend in the Making

FEATURED ARTIST

Cesar Conde, Passionate Activist & 20

Award Winning International Artist

IN THE SPOTLIGHT

Embracing the Future! Rebranding 28

Team Gomez!

INTERNATIONAL SCENE

Real Talk with International Graffiti Writer 34

Zore - Mario Gonzalez Jr.

NURTUING VIBRANT ART COMMUNITIES

Joe & Kathleen Isacson 42

Barbara Skiba-Poniatowski 46

THE BUSINESS OF ART

Dion Strowhorn, Film Producer, Actor 50

& Founder of a New Film Festival

An Interview with Author 54

Kay James McCrimon

ON THE SCENE

Dropping in on Marian Hayes at Café Yeye 58

EDITORIALS

Seeking Sound Advice from Yanina Gomez 60

PUBLISHER’S NOTE SEPTEMBER/OCTOBER 2015

Throughout my career I’ve continued to reap the benefits

of successful outcomes by consistently providing quali-

ty, reliable personalized service and maintaining a repu-

tation of integrity. With no doubts I decided to launch a

magazine for the general public to share my rich cultural-

ly experiences as I transition from my previous career to

the arts/cultural industry.

In 2008, I began strategically to transition my wealth of

experience in public policy, political strategy, govern-

ment affairs, and government administration into a thriv-

ing art consulting service. I was met with a bit of skepti-

cism. Combining two industries considered at opposite

ends of the spectrum, seemed foolish to many. However,

with my wealth of knowledge, I did not allow these per-

ceptions to sway my vision, focus, nor determination.

There is no question that these supposedly, diametrically

opposed worlds have more similarities than people would

like to think. Nothing can get people more passionate or

provoke strong emotional reactions than an artist publicly

exhibiting controversial subjects causing the same viscer-

al reaction as a heated political debate. I see both disci-

plines influencing the way people view themselves, the

culture that surrounds us, and shapes the world we live

in.

I have always been passionate about getting involved

with projects that are committed to serving others and

enriching peoples' quality of life. This magazine project

is no different and embodies that commitment. I am com-

mitted to providing quality content with a fresh prospec-

tive.

I’m inviting you along my new journey. At this stage in

my life success for me is traveling my journey with integrity, trust, and love. I go forth in peace not knowing where my jour-

ney shall take me but I am fully engaged in the process of experiencing life. I will continue to promote visual arts so that

truly be recognized as beneficial to the well-being of mankind. Only through this path and inner strength can I be free to

paint on my canvas of life

Cheers!

Renée LaVerné Rose Principal Consultant

Arts & Cultural Strategies, Inc. [email protected]

www.artsandculturalstrategies.com

http://www.artsandculturalstrategies.com/


SAMANTHA HARING

Samantha Haring is a Midwest painter from Des Plaines, Illi-

nois. She makes quiet paintings that discuss the nature of loss

and the inherent duality of absence and presence. Haring

earned her MFA from Northern Illinois University (2014) and

her BFA from the School of the Art Institute of Chicago

(2011). She has also studied in Italy at the International School

of Drawing, Painting, and Sculpture; it was there that she fully

developed her commitment to light, color, and observational

painting. Haring received a scholarship from the Union League

Club in Chicago in 2013. Her paintings have been exhibited

across the country, recently in the ‘Art of Painting’ show juried

by William Bailey. Haring’s work is published in the Manifest

International Painting Annual 4; her work is also featured in

issue #119 of New American Paintings. She is one of the 2015

–2016 Manifest Artists in Residence.

Sam has always known that she was an artist. One of her earli-

est memories was at two years ago sitting at the kitchen table

with her mom and a little watercolor set, painting. Sam comes

from a long line of artists, and her family has always been

incredibly supportive. She feels very lucky that she gets to

spend her life doing what she loves.

Studio Time: The amount of time Sam spends in the studio

varies depending on the day, but She would say she spends at

least 40 hours a week in the studio. Of course, that part of her

brain never really shuts off; Sam finds herself scribbling notes

on post-its, sketching on napkins, and mentally reworking

paintings all the time. Sam will be the first to admit that she

struggles with balancing the rest of her life with her studio

practice… but she wouldn’t change a thing.

Body of Works: Sam’s current work is a continuation of a se-

ries she began in grad school. She uses her studio as subject

matter to create oil paintings that blur the line between repre-

sentation and abstraction. Sam said “The artist’s studio is full

of memory; its history is evident in the residue layered on the

walls and floor. These remnants serve as a metaphor for the

invisible yet palpable imprint people leave behind on each

other and on the world.” Sam is interested in the accumulated

detritus of daily life and the complicated narratives that it im-

plies. The duality of absence and presence, a reengagement

with the mundane, and an attempt at capturing fleeting quie-

tude are all part of my current research.

Samantha Haring “2015–2016 Manifest Artists in Residence”

EMERGING

Artist Residency: Sam recently left Chicago to participate in a

year-long residency at Manifest Gallery in Cincinnati. This is

an incredible opportunity for Sam. Manifest offers individual

studio spaces adjacent to their gallery to two artists for an

entire year. With that comes access to their weekly figure

drawing sessions at the Drawing Center, open studio nights

during every gallery reception, and a culminating solo show at

the end of the program. Sam is honored to be part of the Mani-

fest community; their consistent commitment to quality work,

across disciplines, is inspiring and invigorating. Sam is plan-

ning to use her time here to create a new body of work that is

a continuation of her current research.

In time where contemporary art is prevalent, how does it feel

being a representational artist? It feels great! Sam paints from

direct observation because, for her, reality is infinitely more

interesting, surprising, and complex than anything she could

possibly invent. Oil paint is her language. She enjoys its ver-

satility as well as its deep history and tradition.

Sam’s paintings are a quiet respite amidst a very noisy world.

Her search for quietude is a conscious choice: a way to elimi-

nate the distractions of everyday life. Sam believes that there

will always be a place for quality work, regardless of whether

the work is formal, conceptual, or some delicious amalgama-

tion of the two.

Important moments in Sam’s career: There was a pretty spec-

tacular moment earlier this year. Sam’s work was juried into

the Midwest issue of New American Paintings (issue #119).

Sam explains “It’s thrilling and humbling to be included in

such a prestigious publication alongside so many artists she

admires. “

Sam’s future plans: Make the next painting. And then make

another one. By the end of next May, Sam plans to have a new

body of work that she can exhibit in a variety of places. At

that point she will start looking seriously at the possibility of

gallery representation. She has recently had the opportunity to

jury a number of exhibitions and publications in multiple ven-

ues; Sam really enjoys that process and would like to explore

other opportunities in that vein. Sam’s long term plan is to

sustain her studio practice for the rest of her life. Anything

else that comes along with that is icing on the cake.

To view Sam’s portfolio of works and for more information

please visit her web site at www.samharing.com.

Encore 2015

By Samantha Haring

Oil on canvas 24’ x

EMERGING

http://www.samharing.com


Renee’s Art Gallery is thrilled to be accepted into Chicago Artists Month (CAM) 2015. Renee’s Art Gallery featured

artist for Chicago Artists Month 2015 will be international Chicago based artist Cesar Conde on 3rd Friday, Octo-

ber 16, 2015, 4th Floor @ Zhou B Art Center/Museum, 1029 W 35th Street, Chicago, Illinois 60609. Cesar will be

exhibiting his award winning series ‘In the Hood - Portraits of African American Professionals Wearing A Hoodie’

(http://cesarcondeart.tumblr.com) In addition In the Hood will be featured for the Bridgeport Art Walk weekend

(October 17, 2015 – October 18, 2015). For more details at Renee’s Art Gallery http://www.reneesartgallery.com

The 20th Annual Chicago Artists Month highlights the work of hundreds of artists throughout Chicago with performanc-

es, exhibitions, open studios, tours and neighborhood art walks. October 1 – November 15, 2015, Chicago Artists Month

will invite residents and visitors to meet artists and see their work at venues across Chicago. As the world comes to Chicago

to discuss the state of architecture, the CAM 2015 theme The City as Studio looks at Chicago as a place for investigation,

experimentation, innovation and production, and encourages a dialogue with the inaugural Chicago Architecture Biennial

opening in October.

Chicago Artist Month is presented by the Chicago Department of Cultural Affairs and Special Events (DCASE) in collabo-

ration with the Chicago Park District and the Chicago Public Library. In-kind support from Lettuce Entertain You Enter-

prises®, Inc. Meet artists, see their work and make your own at 300+ events across the city. For more information about

CAM please contact 312. 744.3316 or visit chicagoartistsmonth.org

Renee’s Art Gallery Accepted to

CAM 20th Annual

‘In The Hood - Portraits of African American Professionals Wearing a Hoodie’

Technique Mixte 48" x 48" 2013

Renee’s Art Gallery

http://cesarcondeart.tumblr.com



featured artist

Abraham

Solo Exhibition

‘CONsealed’

Artist & Curator Abraham www.brahmabrand.com


Artist & Curator Abraham

Abraham was drawn to visual arts at very early age in his

childhood and was inspired when he brought his first water

color set. . He was extremely influenced by cartoons and the

comics. He was fascinated with Mad magazine, DC & Mar-

vel Comics, Felix the Cat, Popeye, Sluggo, newspaper comic

pages and many more. Abraham was earning commission as a

budding artist by assisting his classmates with art projects and

tutoring them with homework assignments. Throughout the

his life Abraham has been bombarded and inspired by his

daily creative images which drives him to commit to at least

20 to 40 hours per week in his studio.

Armed with a double major and a unique wit, Abraham uses

his alternative point of view to re-imagine ideals, adding his

own brand of social commentary. Abraham stated “I give

huge credit to Hebru Brantley was has been a big influence on

my art career and Pia Johnson, Max Sansing and Meg Frazier

have also been extremely supportive. I in turn give back by

curating shows for other artist and sharing my experience. “

‘CONsealed’ Artist Statement

a. Something or someone that is kept secret or hidden.

b. Preventing the truth from being known.

We are bombarded by it every single day!

Perfect, 0% body fat spokesperson in designer fragrances and

rich clothes peddle dreams of the physical, sexual superiority

that can be achieved simply by possessing the product they

represent.

Charismatic politicians swear that they're for the people, run-

ning campaigns that swear to "make positive change" in our

lives above all else.

Advertisements revealing groups of laughing, ecstatic people

enjoying the absolute most of life by being part of a product

branded community of like individuals.

Religious idealists care for their flocks, cultivating respect and

trust through pious acts within the community.

But what are all these really saying? Are these material things

and high-standing officials really what are necessary to com-

plete our lives? Or is this all an illusion put on by mad hus-

tlers with hopes of making their narcissistic dreams come

true?

These drugs we wear, drive and consume can't make us hap-

py.

These people don't give a shit about us as we go about our

days.

These lies and deceptions mustn't blind and pacify us into

mindless sleep. Only after we clear away the lies and bullshit

can we discover what is hidden from us.

Only by looking past the smoke and mirrors put up by these

confidence men can we honestly understand the truth.

Only then can we see what's been CONsealed!

For more information visit Abraham’s web site at http://

www.brahmabrand.com.

by Abraham



Tye Johnson Giving Back

IGNITING CHANGE THROUGH THE ARTS

Tye Johnson is an educator in the Bright Red Apple Award winning Oak Park Public School district and a visual artist with a

studio in the world renowned Zhou B Art Center. She received a bachelors in studio art/graphic design from Michigan State

University and worked as a graphic designer/marketing specialist at the educational media company United Learning. She was

instrumental in the start-up of their video streaming brand, now owned by Discovery Education. She holds a Masters of Art in

Elementary Education from DePaul University and a Master of Science in Educational Media Design and Technology from

Full Sail University.

As an educator, Tye has served as a teacher leader on various committees and as Vice President of the Oak Park District 97's

Teacher Union, the second largest teacher's union in Illinois. Tye loves her students and is committed to making them awarre

of social justice, getting them involved in fundraising projects to raise awareness and inspiring them to be social change

agents. Tye wears several hats and also currently teaches 5th graders. She said “she enjoys every moment of the process! The

students inspire her and she learns so much from being around them.”

Tye has also worked on countless start-up companies and has planned events featuring Grammy-award winning artists such

as Beyonce' and Chris Brown. She serves as a mentor for at-risk youth, a certified holistic health coach, and does motivational

speaking to empower women. She was the board vice chair of the Dreamcatcher Foundation, an organization that specializes

in prevention and intervention of human trafficking. Her passion lies in empowering people to be who they were created to be.

To that end she has dedicated her life to finding creative ways to spread love in order to touch and change lives.

Keep Letting Go

24” x 30” Mixed Media

By Tye Johnson



Tye Johnson is the co-founder of a 501(c)3 non-profit called

Tye Johnson Artistry (TYA) that provides art experiences

that heal, inspire, and ignite change. The organization vision

is that direct engagement with the arts can transform the

world. We Offer service-learning fundraising projects for

youth through our afterschool programs and summer camps,

unique artwork & merchandise, experiential fundraising com-

ponent to events and fundraisers for direct care organizations,

empowering workshops for individuals, groups, and corpora-

tions.

TJA was officially formed in 2013, Tye and her high school

friend, Deidra Jackson are co-founders. Being a teacher and

visual artist, Tye approached Deidra (Senior Director and

Strategic Implementation Strategist at Blue Cross Blue

Shield) with the vision of a world being transformed, people

empowered and ignited through art. Moved by a documentary

about girls being trafficked more than a year prior, they real-

ized that the world would not see change unless change

agents were birthed. This led Tye to motivate her 5th grade

class to become more socially conscious and to take action.

That year, my students were instrumental in fundraisers that

combined art and social justice. As a result, we were featured

in the Chicago Tribune and on WCIU’s ‘You and Me This

Morning’ and became instrumental in an awareness campaign

about human trafficking in our city. Tye was also able to

organize a group of world-renowned artists to create artwork

for a gala event raising funds for this cause. The following

year, Tye embarked on another adventure with a new group

of 5th graders, empowered them to dream big by starting a t-

shirt campaign to raise money to help disenfranchised girls

that also received media attention. Somewhere along the way,

I began to realize that the future of our nation lies within the

hearts of our youth and that those hearts must be carefully

molded and shaped if we are to grow morally as a nation... as

a result, TJA was formed.

The motivating factor for launching Tye Johnson Artistry has

been the plight of people. Tye Johnson Artistry mission is for

people to understand and experience different social justice

issues through a variety of art forms. The organization goal

is: to engage in the struggles of our brothers and sisters.; to

ignite a complacent world to stand up for the voiceless; to

foster compassion for the less privileged; and to tell the story

of those who are often overlooked. Tye believes that art has

an amazing ability to connect souls and to touch hearts in a

way that no other outlet can. Through Tye Johnson Artistry,

Tye plan is to change the world through art and to raise mon-

ey for direct care service organizations in the process.

Tye’s non-profit resonates in the art community because art

has a long history of being socially driven. Our organization

uses art as a vehicle for social change. Through our exhibits

that seek to empower and by choosing artists that are socially

conscious, we aspire to use art to create an empathic link

between the viewer and the issue depicted in a particular

piece.

In 2014, Tye was asked artists all over the world to re-

spond the idea that human beings are not paper dolls or action

figures. After getting tremendous feedback from artists and

exhibit-goers, she decided to open up this idea to the masses

and designed workshops for people to recognize and nurture

their inner selves.

Through a partnership with Hubbard Street Dance, she asked

5th grade students to respond to the statement: People think I

am ___, but really I am ____. Their choreographed dance

responses, creative writing, and paintings inspired us to de-

sign a curriculum that allowed students to develop empathy

and sensitivity while expressing them artistically. From this,

Tye designed a camp and afterschool program to give chil-

dren this experience in an in-depth, personalized, and holistic

way. The results were phenomenal as parents and students

‘Vision Boys’ by Tye Johnson 51” x 34.5” Mixed Media


You’re a visual artist how does that blend into the bigger picture?

One day, I’ll paint more! For now, I’ll paint a piece of my heart in the people that I meet and in the world around me. My love

for art and my desire to create began early and led me to pursue a BFA in Studio Art from Michigan State University. After

graduating, I worked as a graphic designer/marketing specialist for an educational media company and decided that I preferred

to be in the trenches of the education system instead. From there, I received my MA in Elementary Education and became a

teacher. I consider my classroom, my ‘life canvas’ as I shape, inspire, and motivate my students to change the world. All of my

experiences combined have led me to create illustrative, abstract, and loosely figurative art that juxtaposes common shapes and

colors in atypical ways. When I create, I feel as if I am walking in the supernatural. Although frightening at times, it is the only

place where I find that I am truly free. It is my hope that my art will be a catalyst to spark social change and individual growth,

while shedding light on concerns that connects human hearts and experiences.

What is one of the important moments in your art career?

When Tye finally moved into my first studio, she realized that her art was bigger than herself. It was probably the most im-

portant moment in her art career.

Tye’s future plans

Tye plans are to continue to develop TJA and to take it worldwide. Tye en-

visions the paper heART program not only surpassing city limits, but being

in different countries. She wants children from all over to understand and

find themselves, what it means to be empathetic, to be sensitive to the plight

of others, and to express their artistic voices. Tye desire is for people of all

ages to recognize their light and to be agents of change.

TJA’s goals are to continue to organize events and exhibits that inspire peo-

ple to make a difference, to develop programs and projects that ignite

change in hearts and minds, and to design merchandise that empowers. TJA

has plenty of things in store and she is excited to lead the way in teaching

people how to care! To learn more about Tye Johnson Artistry projects and

events please visit the web site at http://www.tyejohnsonartistry.org.


World Renowned Homer Hans Bryant

A Legend in the Making by Renée LaVerné Rose

Sometimes opportunities come and you have to be ready to step up to the plate. Recently I was elected to Chairman for the

Board of Directors for the Chicago Multi-Cultural Dance Center (CMDC) and I am so honored to have the chance to serve

with the founder & artistic director Homer Hans Bryant Homer definitely embodies my commitment to providing quality arts

and cultural programming. I would like to thank Homer for encouraging me to serve as Chairman. Homer is gifted with having

a talent for reaching down and pulling out the best in people to ensure they tap into the reservoir of their full potential. I am

thankful to Homer for encouraging me to accept this leadership role! I would like to introduce to the world renowned. Homer

Hans Bryant However, Homer needs no introduction because it appears everywhere I go someone knows Homer So if you

have not met his acquaintance he is someone you should know.

For over 25 years, Chicago Multi-Cultural Dance Center has been under the direction of its renown founder and artistic direc-

tor, Homer Hans Bryant.

Homer Hans Bryant was born in the Virgin Islands

on the Isle of St. Thomas in 1950 and became in-

volved in dance in middle school. His teacher ar-

ranged for him to dance at the Jacob’s Pillow Dance

School where he studied under some of the most

prominent modern dance pioneers. Bryant then came

to the attention of dancer and choreographer Arthur

Mitchell, founder of the Dance Theater of Harlem,

the first African American classical dance company

in the United States. Mitchell extended an invitation

to Bryant to come to New York and study with the

company, which he accepted.

In 1972, Bryant began his professional career

when he won an audition to replace a member of

the company. He continued to dance and tour pro-

fessionally with the Dance Theater of Harlem and

took a hiatus in 1978 to perform in the Broadway

musical Timbuktu! alongside Eartha Kitt. He also

appeared in the film version of the musical The

Wiz along with Diana Ross and Michael Jackson.

He then worked with Donald McKayle’s dance

company and while on tour came to Chicago and

danced briefly with Maria Tallchief’s Chicago City

Ballet.

In 1981, Bryant returned to New York to oversee the

Dance Theater of Harlem’s pre-professional work-

shop ensemble. Four years later, Bryant moved to

Chicago to start his own dance company and school,

Bryant Ballet. In 1993, Bryant began working with

Cirque de Soleil, a relationship that continued for

three of Cirque de Soleil’s most popular productions,

Mystere, Alegria, and Quidam. Bryant also served as

ballet master for the Joel Hall Dancers and Dance

Chicago.

Homer Hans Bryant,

Founder & Artistic Director of

Chicago Multi-Cultural Dance Center

HIGHLIGHTING THE ART & CULTURE

Bryant's rigorous In 1997, in recognition of the school’s influence, Chicago Mayor Richard Daley issued a proclamation

officially renaming Bryant’s school the Chicago Multi-Cultural Dance Center. The next year, Bryant served as lead artist

for the city of Chicago’s Gallery 37.

Mr. Bryant has also shared his teaching gift in the role of ballet master for the Joel Hall Dancers. He is the recipient of

the Chicago Cultural Alliance’s 2007 Lifetime Achievement Award and was recognized nationally for significant

achievements in the field of Dance School Services in the Who’s Who in Dance Heritage Registry of Who’s Who. He is

the founder and artistic director of the Chicago Multi-Cultural Dance Center, located in Chicago’s South Loop in Histor-

ic Dearborn Station.

An important achievement occurred when Homer was presented the inaugural Human Potential Award by the Foundation

for Human Potential. The award celebrated Homer Bryant’s achievements and his contributions to the world of dance, his

commitment to the city of Chicago, and his devotion to the children he has served for the 23 years .

One of Homer’s proud career moments, as a world ballet master, was accompanying Arthur Mitchell to Russia 2012.

Homer was invited to teach his ‘Body By Bryant‘ Floor Barre at the Bolshi Ballet in Moscow and the Efiman Ballet

and Kirov Ballet in St . Petersburg.

Homer’s mission for CMDC has always been to offer the highest quality of dance training in an environment that cele-

brates the diversity of its students and embraces the community. The Homer Bryant method of instruction instills disci-

pline, and creates the right atmosphere for nurturing personal development that is carried throughout their life. For more

than 25 years, CMDC has served students of all abilities, from beginners, to mid-levels to professionals. CMDC’s goal is

to excite audiences with trendsetting choreography that infuses classical ballet with innovative and cultural dance styles.

Homer Bryant is known as a strict disciplinarian and his established slogan is “the fun is in the discipline and the discipline

is in the fun” Homer’s has repeatedly emphasized that “It’s about the daily intervention of the students coming to class,

giving all they have and the teachers giving back. We see the discipline comeback to us; we see better human beings, we

see better citizens; we see great dancers; and we see disciplinarians. So no matter where our students go in life they take

the discipline and our values with them.”

http://explorefhp.com/

http://explorefhp.com/


Bryant's rigorous and disciplined training style has launched profes-

sional careers that have broken new ground for African-Americans in

ballet. In addition to careers in dance, CMDC alums have attended

prestigious universities such as Northwestern, Wellesley, Syracuse,

New York University, and the University of Chicago, and have pur-

sued careers as diverse as medicine, law and broadcast communica-

tions. CMDC strives to make its year-round training programs availa-

ble to dancers from all of Chicago's neighborhoods, particularly those

from underserved communities..

Homer’s future aspirations are establishing a professional dance com-

pany and the Bryant Youth Professionals are being propelled in that

direction with their recent exemplary performed with the Illinois Phil-

harmonic Orchestra. One of the many fall performances of the Bryant

Young Professionals will be at the 3rd Friday, Zhou B Art Center on

October 16, 2015.

Chicago Multi-Cultural Dance Center at http://cmdcschool.com.

You will find Homer

stating his famous

quote “The fun is in

the discipline and

the discipline is in

the fun.”

HIGHLIGHTING THE ART & CULTURE

Photography by Preston Thomas


SEPTEMBER/OCTOBER 2015 Featured Artist

Cesar Conde Passionate Activist & Award Winning

International Artist

www.cesarcondeart.com


by Renée LaVerné Rose

It is not a mystery and one could even say it was fate that

Cesar Conde and formed a bond. Recognizing this quality

human being who fights for justice was exhilarating and

refreshing to the soul! I immediately noticed Cesar’s endless

commitment for shading light on social injustices, inequali-

ties and zest for standing up for humanity is exemplary.

With the increase in violence and blood shed that is too prev-

alent in the streets of Chicago and our nation today, it is

comfortable to introduce you to passionate activist, award

winning artist who using his exquisitely rendered realistic

portrait series to address our societal social ills. Here is the

story of Cesar Conde making a difference!

Cesar Conde, international Chicago-based artist

Conde is a Filipino-American artist whose work is series of

reflections from his own experience. They are photo docu-

ments, timepieces stamped on film, paper, and canvas. These

moments moved him towards the direction of social con-

sciousness and action. He believes that Art can not only be

beautiful but influential. They are his Big Heroes. They are

his Gurus, Teachers, and Saints. Cesar studied at Angel

Academy of Art in Florence, Italy with John Michael Angel,

who was an apprentice for Pietro Annigoni. Also, with Mas-

ter Painter of Technique Mixte, Patrick Betaudier in his atel-

ier in France. Cesar’s old master influences are Carravaggio,

Rehmbrant, and Goya. He has exhibited nationally and inter-

nationally. His favorite residency was in Monastir, Tunisia.

Cesar resides in Chicago and continues to paint in his atelier

in Chicago's West Loop.

Artist Statement

I communicate through the human form. I am a contempo-

rary realist painter who loves the human emotion and drama

expressed in the faces, eyes, hands and bodies of those I

paint. While painting, I get to celebrate them. Mourn with

them. Suffer with them. Contemplate with them. I feel their

presence.

My paintings are celebration of Humanity. They are homage

to the oppressed; to the beggars I call saint to women who

still suffer inequity and most of injustices in this post-

modern, post-colonial, mostly patriarchal world. They are

dedicated to children who are trapped in the cycle of poverty,

to the marginalized, forgotten, neglected; invisible they are

for us, immigrants, people of color who to this day suffer

brutality in the hands of the law and most inequity in our

world. You are all my big heroes, my gurus and my saints.

I paint because I truly believe that art can serve as a platform

for dialogue and debate. They can provide a safe space for

reflection and serve as a jumping point for action towards

social justice. I paint because I have to.

I paint because I truly believe that art can serve as a platform

for dialogue and debate. They can provide a safe space for

reflection and serve as a jumping point for action towards

Cesar Conde, Passionate Activist &

Award Winning International Artist

SEPTEMBER/OCTBER 2015 FEATURED ARTIST

‘In The Hood - Portraits of African American Professionals Wearing a Hoodie’

Technique Mixte 48" x 48" 2013

Conde has two exquisitely rendered realistic portraits series on exhibition tour ('In the Hood - Portraits of African American Pro-

fessionals Wearing a Hoodie' and ‘The Bang Bang Project’ that express his passion for social injustices and inequalities in our

nation

'In the Hood - Portraits of African American Professionals Wearing a Hoodie'

'In the Hood - Portraits of African American Professionals Wearing A Hoodie' is an award winning project were Conde created

riveting large scale (12 oil paintings, h 48” x w 48”) of African American professionals, male and female wearing a hoodie.

Conde was inspired by the tragedy of the African American teenager Trayvon Martin, who was shot while wearing a hoodie in a

Florida neighborhood. This is to continue the dialogue of “Perception” vs. “Reality”, race-relations, stigmas, images, stereotypes,

generalizations. This project was inspired by the tragedy of the African American teenager, Trayvon Martin who was shot and

killed while wearing a hoodie in a Florida neighborhood.

Conde’s paintings are created with technique is called “Technique Mixte”, an old master’s painting technique developed by late

Master Patrick Betaudier. The Renaissance painting technique starts out with a renaissance painting technique which starts out

with a charcoal under drawing. Once an exact likeness is drawn, Conde sprays a fixatant and let it dry for 24 hours. Then Conde

does an imprematura and let that dry for another 24 hours. Afterwards Conde starts layering lead whites on the lightest part and

molding the figure. Once the whites are in place, Conde does the darks and let it dry for another 24 hours. Conde repeats the pro-

cess 3 to 4 times, depending on the piece. It's an unforgiving process but rewarding results.

http://www.artprize.org/cesar-conde/2014/in-the-hood-portraits-of-african-american-professionals-wearing-a-hoodie


‘The Bang Bang Project’ Technique Mixte | 48"h x 60"w | 2015

The Bang Bang Project

web site: https://www.facebook.com/bangbangproject

In 2015 Cesar Conde conceived the Bang Bang Project to

speak out on the untimely death of Michael Brown and others

who have suffered social injustice resulting in their death

from a perceived threat of being Black. The Bang Bang Pro-

ject presents Conde’s captivating large-scale portraits while

featuring the dramatic stories or ‘Dream Shots’ of the artistic

collaborators while incorporating the stories of those we have

tragically lost at the hands of police officers who fail their

community and their fellow officers. These riveting ‘Dream

Shot’ portraits will seduce the audience and draw these ob-

servers into a dialogue reflecting on what we have lost, what

we stand to lose and how we must use our collective voices

to combat this bloody cycle. Conde’s uses the same old mas-

ter’s painting technique, to render exquisitely realistic large-

scaled portraits of each artistic collaborator posing incorpo-

rating the stories of lives tragically lost at the hands of police

officers who fail their community and their fellow officers.

In 2015 Cesar Conde conceived the Bang Bang Project to

speak out on the untimely death of Michael Brown and others

who have suffered social injustice resulting in their death

from a perceived threat of being Black. The exhibition tour

will present Conde’s captivating large-scale portraits while

featuring the dramatic stories or Dream Shots” of the artistic

collaborators while incorporating the stories of those we have

tragically lost at the hands of police officers who fail their

community and their fellow officers. The multimedia pro-

duction will seduce the audience and draw these observers

into a dialogue reflecting on what we have lost, what we

stand to lose and how we must use our collective voices to

combat this bloody cycle. Conde’s uses the same old mas-

ter’s painting technique, to render exquisitely realistic large-

scaled portraits of each artistic collaborator posing incorpo-

rating the stories of lives tragically lost at the hands of police

officers who fail their community and their fellow officers.

The Bang Bang Project mission is to address a culturally

diverse society in which the divides of race, class, ethnicity,

gender, geography, religion, language barriers and historical

conflicts must fade in order to successfully reach the true

collaborative spirit. Cesar believes “the arts can be a catalyst

for change by creating a safe arena where discussion of high-

ly sensitive issues can occur. I am committed to his portrait

series creating the right atmosphere where open discussions

occur on police brutality, racial profiling, race-relations, stig-

mas, and wrongful deaths. This exhibit introduces and nur-

tures a safe haven for public discussion and encourages a call

to action to eliminate “Dream Shots” from being a societal

norm. The Bang Bang Project will challenge ever exhibition

observer to ensure all of our children live free of fear and

grow to fulfill their destinies which serves to enrich every-

one’s lives.”

The Bang Bang Project debut exhibition is on Friday, No-

vember 20, 2015 at the Art NXT Level Projects Gallery, host-

ed by co-founders Sergio and Yanina Gomez, Zhou B Art

Center/Museum.

Cesar states Langston Hughes posed the question, "What

happens to a dream deferred?" Unfortunately, today we are

increasing called upon to ask what happens when a dream is

shot down, taken just as it is being formed.

SEPTEMBER/OCTBER 2015 FEATURED ARTIST

The Project Team request your support. Take a moment to review the video on the Bang Bang Project gofundme

page at http://www.gofundme.com/v3urs38.

Thanks for your support.

Cesar has entered the ArtPrize 2015 in Grand Rapids again with the Bang Bang Project. The Bang Bang Project will on ex-

hibit at ArtPrize 2015 in Grand Rapids, Michigan from September 23rd through October 11, 2015. This is an international

competition and there are over 1500 entries! Please show your support by voting Vote code 61592 at http://www.artprize.org/

cesar-co…/2015/the-bang-bang-project

Recently, Cesar was selected by the Field Museum for the project called Art and Anthropology, Filipinos As Objects. It is

ten (10) Filipino and Filipino Americans exploring the idea of Filipinos as Objects and our identity as we explore over 10,000

Filipino artifacts hidden in the sub-basement of the Field Museum. In October, the Field Museum project exhibition opens in

Chicago. The project murals created in the Museum will be in the permanent collection. and artists’ works will be exhibited

for over a year for public viewing.

http://www.gofundme.com/v3urs38

http://www.artprize.org/cesar-conde/2015/the-bang-bang-project



SPECIAL PROMOTION

Cesar Conde Solo Exhibition

‘In the Hood’ (Portraits of African American Professionals Wearing a Hoodie)

Opening

3rd

Friday, October 16, 2015

6:30 - 10:00 pm

http://www.reneesartgallery.com

Renee’s Art Gallery, 4th

Floor

The Bang Bang Project Exhibition

Opening

3rd

Friday, November 20, 2015 7:00 pm to 10:00 pm

Art NXT Level Projects Gallery, 4

th Floor

http://www.theartistnextlevel.com

http://www.gofundme.com/bangbangproject


SPECIAL PROMOTION




Each issue will spotlight innovative arts/cultural projects and people I have encountered as I strategically maneuver into

the arts and cultural arena. Since 2014 I have been fortunate for having the opportunity to collaborate with the dynamic

husband and wife team of Sergio and Yanina Gomez; whose dedication for providing quality art projects and profes-

sional development for artists is extraordinary. After years of success in the art world here is how Team Gomez strate-

gically repositioned themselves to rebrand and launch a new venture. First let’s talk about the innovative new venture

and then meet this brilliant entrepreneurial team!

Embracing the Future! REBRANDING

TEAM GOMEZ!

IN THE SPOTLIGHT

Art NXT Level Projects Gallery Photography by Sergio Gomez

The New Innovation Venture: Art NXT Level

Our mission is to assist contemporary artists to manage and advance their art careers to the next level. We are an online-

based platform designed to provide professional development opportunities through courses, coaching and strategic ses-

sions. Our courses and seminars offer in-depth learning about various topics relevant to artists. Our focus is on resources in

the areas of business strategies, marketing, organization, productivity, as well as, practical advice in the business of art and

emotional wellness. We believe that artists who adopt a wholeness approach (mind, body & soul) can enjoy a fulfilling bal-

anced-life.

Art NXT Level was designed for artists who are looking for practical advice and tools that will take their art career to the

next level. Our passion is to inspire our students to thrive and succeed in their art career while maintaining a healthy life-

style. In our free weekly podcasts, we share with our listeners tips and insights about topics related to the art career and

wellness. Our guests range from successful artists and professionals in the art world to professionals in the wellness arena.

Today, many artists lack the knowledge and understanding of business practices to succeed in their careers. Artists are hun-

gry for resources and relevant advice to navigate in a complex art world system. This is why we provide our students with

ongoing support rather than a one-time source of information.


IN THE SPOTLIGHT


SERGIO GOMEZ, MFA http://www.sergiogomezonline.com

Sergio Gomez is a Chicago based visual artist and creative entrepreneur. He received a Master of Fine Arts degree from

Northern Illinois University. Sergio’s work has been subject of solo exhibitions in the United States, Italy and Vienna. He

has participated in numerous group exhibitions in Spain, Sweden, London, Mexico and the US. Sergio’s work is found in

private and public collections such as the National Museum of Mexican Art, Brauer Art Museum, and the MIIT Museo

Internazionale Italia Arte among others.

In addition to being the co-founder of Art NXT Level, Sergio is also the owner and director of 33 Contemporary Gallery,

director of exhibitions at the Zhou B. Art Center, contributor for Italia Arte Magazine, Art/Design faculty at South Suburban

College and creative consultant for Idea Seat Marketing and Advertising. He has also curated special projects for the

Chicago Park District, ArtSpot Miami International Art Fair during Art Basel Week (2013, 2014), National Museum of

Mexican Art, and ExpoChicago (2014) among others. Finally, Sergio has been highly involved in the revival of the New Art

Examiner magazine (2014) and was the curator of the inaugural exhibition at the Evanston Art Center in Illinois titled

‘Hybrid’s Paradise’.

TEAM GOMEZ! IN THE SPOTLIGHT

Dr. A. YANINA GOMEZ, Ph.D.

Dr. Yanina Gomez, Ph..D. is the co-founder of Art NXT Level. In 2009, she obtained her Doctorate Degree in Educational

Psychology. Before co-founding Art NXT Level, she practiced as a school psychologist for 12 years and taught courses in

higher-education institutions in the areas of psychology and counseling for undergraduate and graduate programs. She is a

former Gallerist at 33 Contemporary Gallery in Chicago, IL.

Dr. Gomez’s insight and understanding of the psycho-emotional issues some artists experience gives her the opportunity to

research and develop practical resources for artists to help them live a fulfilling and balanced career. She also provides support

to artists who desire to maintain an optimal wholeness balance (Mind, Body, Soul). In addition, Dr. Gomez enjoys facilitating

seminars and creating programs that focus on helping artists experience success in their career. She is also a mother of two

amazing children.

TEAM GOMEZ! IN THE SPOTLIGHT


REBRANDING:

There is a saying if it ain’t broke don’t fix it. With that in mind, what went into the Team Gomez decision to rebrand? Why at this point in your careers? We have been in the art business for over 10 years. Through-

out the years, we have learned the ins and outs and have had

the pleasure to meet many amazing artists. As gallery owners,

we were able to establish international relationships with art-

related institutions, curate monthly exhibitions, develop a

strong follow, participate in international art fairs, and gave

opportunities to many artists to show their art. However, we

have always wanted to create a business in which we can com-

bine both of our personal and professional knowledge, experi-

ence and skills to make a difference in the lives of others. We

are passionate about education and lifelong personal and pro-

fessional learning. We believe that each artist ought to invest

in her/himself in professional development and wellness to

excel. Growth is a process that leads to success. That is why

we’ve created Art NXT Level, a professional development

platform for artists thriving to succeed in the art world while

maintaining optimal wellness. As an artist, curator, gallerist,

educator and entrepreneur, Sergio teaches effective and practi-

cal strategies to succeed in your art career. Dr. Yanina

Gomez’s understanding of the life of the artist and her insight

on emotional wellness drives her to provide practical advice

and resources to embrace the art career in a healthier fulfilling

manner.

How does your rebranding tell the right story and what story

are you telling?

33 Contemporary Gallery began as an artist-ran space that

evolved into a privately owned fine art gallery. The gallery’s

brand emerged from the idea that art should be accessible to

everyone. It also served as a platform for artists to show their

work.

We have evolved from a commercial gallery into a profession-

al development platform which primary focus is to educate

artists to take their art career to the next level. Hence, the new

brand Art NXT Level. Now, our space is available for selected

local and international artist projects. We believe that we ought

to be lifelong learners and continuously search for opportuni-

ties to grow and give back. If you want to experience success

in your art career, or any career, you need confidence,

knowledge and experience. The more you learn about the ins

and outs of the business of art, the more confident and pre-

pared you will be to maneuver and succeed in this highly com-

petitive world.

What makes the new brand relevant in the artist community?

As a professional development platform, we offer courses and

resources to help the contemporary artist advance their career.

We believe that, you don’t need to reinvent the wheel to suc-

ceed. Rather, you learn from others who are where you want to

be. As gallery owners and managing Sergio’s art career, we

have learn many things. From marketing your work efficiently

to selling and showing in national and international solo and

group shows and art fairs, we’ve learn what works and what

doesn’t. And that is what we teach in our courses; what to do

to succeed and what to avoid. We also believe that to manifest

your fullest potential, you ought to take care of yourself from

the inside out. Artists who maintain an optimal wholeness

balance (body, mind and soul) will be ahead of the game. Suc-

cess is a wholeness process. As you take care of your inner

self, it will be manifested through your outer self.

What makes this new product resonate with your loyal audi-

ence?

We have always been advocates for artists as gallery owners

and now as Art NXT Level. Our space continues to be a plat-

form for exhibitions. Yes, we have rebranded and changed our

focus but our values remain intact. Loyalty is a privilege and

you earn it over time. Thus, we value our loyal audience and

are truly grateful for their support.

Has your revitalized approach broadened your audience?

Absolutely! Since our products and services are accessible

online, we have reached local and international artists. Artists

from all over the world, such as Asia, Spain, Germany, South

America, Canada and many others, have attended our webi-

nars, downloaded our podcast episodes and enrolled in our

courses. Having online accessibility to our products and ser-

vices has broadened our audience significantly. And, that’s a

cool thing!

How has your history in the arts and education assisted with

your new venture? (we’ve already addressed this question

above) And what, if anything, has hindered you with your

new direction?

Professional development is a common practice in most pro-

fessions. Clinicians need continuing education credits to renew

their licenses. Business people are always looking for profes-

sional development opportunities to stay abreast of the latest

innovations.

Educators are constantly participating in professional develop-

ment opportunities to keep themselves up-to-date about effec-

tive teaching strategies. But, why many artists believe that,

once they are done with school, there’s no need to take more

courses? Many artists are experiencing hurdles in their art

careers. Yet, for one reason or another, they do not invest in

professional development. Learning does not stop when art

school is over. It is a lifelong process that need to be nurtured

so growth can occur. So, we have been educating artists about

the importance of professional development to advance their

career.


Chicago Multi-Cultural Dance Center

The School of Homer Bryant

2015 - 2016 Fall/Spring Programs Enroll Now!

for more details contact [email protected] or 312-461-0030

www.cmdcschool.com

Chicago Multi-Cultural Dance Center Dearborn Station Building,

47 West Polk, Lower Level

(intersection of Dearborn and Polk)

Chicago, IL 60605


REAL TALK WITH INTERTIONAL GRAFFITI ARTIST

ZORE—MARIO GONZALEZ JR

Photography by Sergio Gomez

Born 1970 and raised in the city of Chicago. Graffiti Writer ‘ZORE’ Mario Gonzalez Jr. has witnessed the beautiful murals

and the vast dead land of inner city decay while playing as a child under bridges and abandoned buildings from Lincoln Park

to South Chicago steel mills. At the early age of 11, exposed to urban art forms such as the custom low-rider culture, DJs and

breakbeats, he picked up a marker and started scrawling on any surface available to him.

Mario’s father and the neighborhood were instrumental for the learning of the ‘styles’ as he began to comprehend the art of the

letterform which came natural to him. Soon, the new and improved art form of the subways became the only natural venue for

him to express his ‘styles’.

At the age of 17, Mario received a full scholarship to attend the School of the Art Institute of Chicago. He has utilized various

art forms and genres to create, destruct and push himself not only in the Graffiti and Fine Art but in life itself. Mario has trav-

eled the globe painting subways, murals, performing, teaching and showing works in galleries and museums "searching for the

perfect beat" which he had always carried all along.


INTERNATIONAL SCENE


Understanding the world of graffiti writers and their free artis-

tic style from the perspective of a legendary international

graffiti writer Zore – Mario Gonzalez Jr.

Mario how early did you recognize that you are graffiti writer

and what were the influences early in your life?

I knew had creative soul at a young age; matter fact every

sense of the grammar school to be exact third grade. Even at

that age fascinated with my science classes and sculpting and

building projects for extra credit. By the sixth grade I won

third place in an art contest. I couldn’t help but nurture my

artistic style throughout childhood from being exposed by

family, friends and communities who embraced free urban art

forms. I was raised thinking everybody wrote on walls at

some point in their life. My parents influenced me the most

because they were originals straight up OG.

What is a graffiti writer?

We call ourselves writers because that's what we do we mas-

ter the form of our own calligraphy and share it with the

world. Graffiti is much bigger than art. The fine art is limited

and Graffiti has no limits so I choose to honor my roots my

genre my movement. I AM A GRAFFITI WRITER. All of

those other labels were invented by the media and public offi-

cials as usual.

Is there a difference, if any, between graffiti artists and street

artists?

I've always used the term street art for street performers or

renegade artists that put their work up, straight up, guerrilla

style. Once again the media and society, in order to candy

coat and sell a kindler gentler knock off of graffiti and street

renegades, have coined this term to cater to the masses. Real

writers bomb everything; aerosol artists paint pretty pictures

on walls with spray cans. Even now the Chicago art scene is

saturated with wanna-be knock off ‘street art’and these people

have never put time nor work in the streets let alone the sub-

ways. I mean real work like every day for years. To be honest

real graffiti/street renegades don't even have an email nor ever

show their face in public. They only associate themselves with

their work. every day for years. To be honest real graffiti/

street renegades don't even have an email nor ever show their

face in public. They only associate themselves with their

work.

How does an artist develop the techniques to become a skilled

graffiti artist? What length of time does it take?

Everybody is different and excel on different levels. However,

as a master and having shared techniques throughout my artis-

tic career, the best advice I would tell you is to pick up a can

and just going at it. That hands-one-experience would be the

best teacher. I've seen generations of kids that have mastered

the spray can but have never done graffiti a day in their

life. Painting at night looking over your shoulder not being

concerned about how pretty it is but rather focusing on how

big and bold your style is will teach you everything you need

to know.

Do you have a preference between creating your studio

work and creating graffiti work on the street? If so why?

I truly love it all. In retrospect I'd be worthless in the studio

without thirty years on the streets and twenty of them in and

out of subway yards worldwide In addition, a few years at

the School of the Art Institute (SAIC) working with the

‘Guild Complex and Randolph Street gallery’ in my late teens

early 20s. My wealth of experience layered with a rich cultur-

al history is evident in the body of works produced in my

studio.

Mario your artistic talents expand to curating projects; tell us

how that inspires you.

Yes it's true I've been curating just as long as I've been exhib-

iting and that’s been since the late 80s. First and second gen-

eration graffiti writers were so far ahead of the world that we

had to create our own shows usually in alternative spaces.

Being a persist man of color from hood painting only graffiti

letters which was the source of my creativity, did not blend

well with the main stream art scene in Chicago. Of course I

didn’t let that deter me. I’m simply not the type to sit around

and waiting for things to happen, so I explored curating group

shows. In addition, being art collector with a passion for the

naïf, I feel it's essential for me to take a step back, honor the

lost or forgotten masters, and through curating bring these

diverse art forms to the spotlight. Through my curation pro-

jects the public can witness the work that greatly influenced

me. Cross pollinating!

With the world being your canvas what was your first interna-

tional street graffiti and where?

In the late 90’s it was the subways in Europe, walls in Paris,

and Barcelona; then Amsterdam (2000 – 2003).

You’ve had numerous solo exhibitions, which one(s) pathed

the way for more opportunities? And why?

The solo exhibition at Zhou B Art Center curated by Sergio

Gomez was the game changer. I was expected to show 13

huge pieces in the main gallery. Instead my solo exhibition

expanded throughout the entire first floor inside and out

(including the VIP room with 64 pieces and a world tour and

solo exhibition book. There were people who doubted that

that I could handle this solo exhibition; the best way I quieted

those doubters was successfully pulling it off and now I’m

still creating history.


Zore Exhibiting at Zhou B Art Center

Tell us about your international projects.

It all started four (4) years ago. I decided to focus, return to the art world and locked myself in my studio for weeks even

months. Old colleagues, new dealers and galleries caught wind of my return to the studio and offers were slowly making their

way to my heart and soul. After being invited to Gwangju South Korea then Torino Italia, I decided to simply travel the world

in one direction making important connections along the way and following up on those offers. I've helped a lot of people

throughout my life and travels. I truly believe good karma will take good care of you and guide you in the right direction. You

can't rush a good thing and I'm a patient man that just so happens to paint fast. I do a lot of international reconnaissance and

book dates a few years in advance in order to build long lasting relationships and have kick ass shows.

Which countries fully embrace graffiti, support the graffiti artists’ communities and have the best public displayed graffi-

ti? And why?

I tend to keep my graffiti life and the art world separate. Europe, Asia and Latin America are not only hundreds of years older

than the United States but far more civilized and highly respective of the arts and culture. So you see, these people not only

respect graffiti artist on a human level but their love for graffiti as an urban expression is an obvious choice for young people

living in violence and disparity mixed with borderline poverty. We are hailed in other countries as pioneers that have influ-

enced society on a grand scale. The smarter galleries and museums tend to work harder for the next big thing and know that the

underground has always influenced the masses. Like the American art movement in the past we too have to work twice as hard

for acknowledgment. In the early 70s there was a graffiti boom in museums throughout the United States including Chicago.

The early 80s saw a huge return with New York subway writers in SoHo Paris and London; the 90s explosion on the west

coast; and the new millennium witnessed the biggest graffiti explosion throughout Europe that hit the big auction houses. This

demonstrates that graffiti art is not a trend, is well respected globally and has been exhibited for over forty years.

Does the U. S. fully embrace graffiti art and graffiti artist’s communities? Or is the U.S. lacking behind the latest graffiti art

trends? if so why?

The irony of it all is that ‘Graffiti’ is as American as baseball and apple pie. All of the best graffiti writers were young men of

color from poverty stricken areas. So I the U.S. chose to wait and groom they're own kinder, gentler, hand-picked younger

generation with that street look without the street edge. So, yes even though we've invented this art, the U.S. is twenty years

behind the rest of the world. I would venture to say this goes for the

American art movement as well. We seem to be walking backwards.

Tell us how local graffiti artists start getting on the international graf-

fiti scene.

Everybody is in a hurry to be the next art star!! I started this with zero

intentions of being an artist and I’m humbly taking this path one step

at a time. As a nonconforming underground renegade I can honestly

say that the fine art world is the end of the line for my work. However

I would recommend every single living human should travel the

world, lean where we all come from, study every ones’ roots, past our

ancestors, and the countries they originate from. I family has been in

Chicago for generations. Everyone comes from somewhere; start there

and keep on moving. If you really think your good enough to paint

with the best of the best I'd suggest attending the International Meet-

ing of Styles in over twenty-five countries annually; originating in

Wiesbaden Germany for over fifteen years by one single individual. I

have somehow connected and harvested the best of the best. We all

paint together with no crew, no ego, or competitive attitudes whatso-

ever.

What is one of the most inspiring moments in your career?

Walking home at 3am drenched in paint, at one with my surroundings

and lots of little birds singing.

Your future plans if you would like to share.

Let’s just wait and see!!


Zore Solo Exhibition at Zhou B Art Center curated by Sergio Gomez

Zhou B Art Center opens Exhibitions every 3rd Friday of the month with an evening reception from 7pm-10pm. These events are free of charge and provide the community of Bridgeport and the Chicago area a unique oppor-tunity to explore a blend of international and local art. The artists-in-residence at the Art Center open their studios to visitors, making this a unique opportunity for the community to meet working artists and discuss their work in person. The variety of the work produced by the artists-in-residence and the four in-house gallery spaces makes the Zhou B Art Cen-ter 3rd Friday Exhibitions one of the most diverse art experiences in the city. For inquiries about current exhibitions or upcoming 3rd Fridays at www.zhoubartcenter.com

For a rewarding cultural experience visit the Zhou B Art Center.


Joe & Kathleen Isacson

NURTURING VIBRANT ART COMMUNITIES

Joe Isacson

photographed by Heidi Allen

Joe Isacson is a mixed media, conceptual artist that has performed and exhibited in numerous venues in the Chicago area, in-

cluding the celebrated Randolph Street Gallery. Keith has studied at Columbia College, Chicago and Apicius, Florence, Italy.

He has experimented with a wide range of materials, such as found objects, fused glass, sheep's hair, bees' wax and exotic

woods.

There plenty of creative artistic talent happening in McHenry County and where a dynamic husband and wife artistic team are

a nurturing, economically valuable art communities.

Kathleen Sullivan Isacson

photographed by Heidi Allen

Kathleen Sullivan Isacson is a visual artist and art director living NW of Chicago. She has intensively studied and worked in

the creative process for most of her lifetime. Her paintings have won awards and reside in private and public collections.

Previously, Kathleen was editor and creative director for the arts and literary journal, The Miserere Review. She has taught as

literary & arts faculty for the Karitos Arts Conference.

Both Kathleen and Joe have been intimately involved and creative in the arts since their childhood. Together they currently

design large-scale fine art installations and lead a team of visual artists at Willow Creek Crystal Lake, Illinois. They also

curate local and national art exhibitions.

The Isacson team embraces each other’s strengths which increase their enthusiasm and synergy. Working on numerous pro-

jects, may it be design large-scale fine art installations at Creek Valley or brainstorming on one of their group or solo exhibi-

tions, the close collaboration process opens up more creative possibilities. Their successful creative collaboration process

working on smaller exhibitions for over a decade has open up opportunities, in the last five (5) years, for them to curate larger

fine art and artisan art projects.



What was the reason behind launching an art gallery at Willow Crystal Lake?

Kathleen Isacson says “First, Joe and I were asked to curate a show for in-house artists at the church. But when the opportuni-

ty arose for us to organize a large art show in Willow Creek church atrium, we thought, why keep this to ourselves? Let's

invite artists from the community to show their work in our space. Let's do it without fees, no strings attached and celebrate

them. And thus, Creek Gallery was born.”

What has been your biggest motivating factor in curating art exhibitions?

Joe: Educating the general public as to what art can be.

Kathleen: Mostly providing opportunities for the great artists around me to exhibit – there’s so much talent in McHenry Coun-

ty and the Chicago area! Kathleen feels that being an artist has assisted in her creative process. It’s also very true that curat-

ing shows helps her evaluate her own work with a stricter, more critical eye. She can’t think of a particular hindrance in her

professional career, but the most difficult aspect can be the jury process of selecting artists. The jury process is a necessary

part to have a cohesive exhibition and narrowing the artwork down to what is appropriate for show is always regrettable be-

cause we care about the artists personally.

Tell us about the artist community in your area? Galleries? Art Festivals?

“We are a tight-knit community overall. There is always something going on in our county and here are two examples. The

Lakeside Legacy Arts Park has 1st Friday openings each month. We will have a curated national show there on October 2,

2015. Woodstock’s historic square has the Old Court House Arts Center, which we are curating a show for in early 2016. We

have a call for artists for the Old Court House Arts Center going on now.” The Isacson team is collaborating year around to

ensure valuable exhibition opportunities; networking and support are available for the Northwest artist communities.

Are there any other types of art projects you work on together?

“We often create art installations for Willow Crystal Lake’s large atrium area, ranging from a third-world experience to 25 ft.

hanging structures. Often we are the lead designers as we lead a team to develop and implement large-scale projects to trans-

form a space.”

Creek Gallery crowd scene photographed by Steve Yoon


Tell us about one of the important accomplishments in your

art careers?

Joe: When we encourage a new artist to move forward and

see them develop over time.

Kathleen: Also helping to equip artists with practical art busi-

ness skills so they can thrive. It’s so great to see a need in the

community and find a way to meet it.

What are your future plans?

“Artists have asked for more opportunities to exhibit, learn

and we want to provide them! Right now on the calendar,

we have 2 projects we are very excited about:

Dangerous Lullabies: October 2016 National Exhibi-

tion. Don’t miss the opening night of this show; it’s

going to be delightfully eerie. Artists from across the

country have conspired to fill a historic mansion with

paintings, sculptures and fine art creations, which exam-

ine the beauty found in the ashes of terror and the mag-

netic pull things disturbing, on-edge or dark. Opening

night is the first Friday of October (Oct 2, 5-8pm) in a

historic mansion located in Crystal Lake.

Future So Bright: Jan/Feb 2016 We have an open call

for a national exhibition of traditional & new media

called Future So Bright which will be in the Old Court-

house Arts Park in Woodstock, IL. The call is open

through Oct 5.

For more information regarding art shows, artist lectures

and upcoming exhibitions of Joe and Kathleen Isacson

please visit: http://xculturearts.com

Dan Addington artist lecture (below) photographed by Joe Isacson



Barbara Skiba-Poniatowski


Barbara Skiba-Poniatowski

Barbara Skiba-Poniatowski is a full-time, award winning art-

ist, at BabZ'art Studio, in the historical Starline Gallery &

Studios, in Harvard, Illinois. Her paintings represent Abstract

Impressionism and Expressionism, as well as Contemporary

Realism. She is best known for her vibrant colors and unique

style of aqua media images. A native of Chicago, Barbara

also lived in southern California and Hawai'i. This experience

continues to inspire and influence much of her work.

Barbara studied at Chicago's Ray-Vogue School of Design

(now the Illinois Institute of Art), followed by earning her BA

in Graphic Design from the University of Illinois Chica-

go. Since then, she has studied with John Lovett, Robert Bur-

ridge, Rainey Kellogg and David Becker. She is currently

working on her MFA in painting, at the Academy of Art Uni-

versity, San Francisco. Barbara frequently exhibits her paint-

ings in juried and invitational exhibits, including at the Polish

Museum of America in Chicago and the White Ripple Gallery

& Co. Her work can be seen at Iowa State University's Me-

morial Union, The Chopin Theatre in Chicago, as well as in

private collections in New York and Chicago.

When did you know that you wanted to be an artist?

Barbara: I was an artist before knowing I wanted to be one. I

introduced myself to drawing at a very early age, starting with

blank pages of story books. I still have a few of these "early

abstracts". However, it all came together in High School,

when I found myself applying only to Art Colleges.

Tell us about your art career journey.

Barbara: When I graduated from UIC, I immediately started

working in the graphic design field. My first job involved

preparing slides for business meeting presentations. I then

worked as an Art Director in Retail Advertising, for a number

of years, mixed with freelancing. Because of my husband's

military career, I had the great fortune of living in southern

California and Hawai'i. During that time, I took a break to

raise our family. I returned to painting in 1998. My focus

was divided between painting and pottery. In 2011, I became

primarily focused on abstract painting, while attending work-

shops. In January of 2012, I opened my studio, BabZ'art Stu-

dio, at the historical Starline Gallery & Studios in Harvard,

IL. In January of this year, I started working on my MFA in

painting. I did not expect to ever attend school again, but here

I am!

Barbara’s Studio in the historical Starline Gallery & Studios, in Harvard, Illinois.



How much time do you spend in the studio?

Barbara: I try to spend at least 4 days out the week, in my studio. However, often continue work at home.

What is the inspiration behind your work?

Barbara: There are a few main inspirations behind my work, starting with amazing instructors like the late Rainey Kellogg,

John Lovett, Bob Burridge and David Becker. I've always been drawn to nature, the ultimate unending source of inspira-

tion. In addition, there's my "visual file" from having lived in warmer climates, where the sun is brighter and colors are in-

credibly vivid.

Tell us about one of the important moments in your art career.

Barbara: One of the most important moments was concretely deciding to apply for my MFA in painting. I realized after my

first course, in drawing, that the amount of learning was much more than I anticipated. By that I mean how much I was being

pushed to excellence, and outside my comfort zone. It's been very exciting to see my work change and improve.

Your future plans.

Barbara: My future plans are to continue working toward my MFA, one course at a time. To apply what I learn to my studio

work. I plan to continue entering art exhibits, nationally and internationally, with eventual gallery representation.

‘Fire and Ice w 24” x h 12” Acrylic on canvas by Barbara Skiba-Poniatowski


‘Big, Big Pear’ w16” x h 20” Acrylic on canvas by Barbara Skiba-Poniatowski



DION STROWHORN FILM PRODUCER, ACTOR & FOUNDER

OF A NEW FILM FESTIVAL

THE BUSINESS OF ART

Dion Strowhorn was born in Chicago, Illinois and studied at Chicago Filmmakers (film/video), The Second City (acting/improv)

and Refuge Productions (acting). He received his B.A. from Chicago State University (Liberal Arts) and is currently employed

as a Cook County Juvenile Probation Officer. Dion is a member in good-standings with SAG-AFTRA and he is a recent Diverse

Voices in Docs fellow, a partnership between Kartemquin Films and the Community Film Workshop. Dion is the producer and

director of the upcoming documentary: ‘Divorced... Now what?’ This project is a documentary which addresses the issues and

effects that men of color deal with after divorce.

Dion’s passion to be intricately involved in the film industry begin in 2008, he has no regrets and has never looked back. Dion’s

experience as an actor has had its ups and downs. Dion was honest “There are times when the auditions are abundant and then

there are times when you wonder if people have actually forgotten about you. The roles that I'm generally casted for are police

officers, priest, pastors and dads. Two film projects that come to mind are "Dark Shield" where I played the character of Detec-

tive Aaron Clay and another project was "Island of Man" where I was cast as Reverend Taylor.”

Dion is founder of an innovative film company called Totally Free Productions (TFP) which focuses on the development of

shorts, web series, documentaries and music videos. Totally Free Productions works with artists that think outside the box and

allow their mind to think beyond the norm. TFP has produced four (4) projects and three (3) are currently in development.

And as if Dion’s plate isn’t already full enough, Dion started the Chi-Town Multicultural Film Festival (CMFF) in 2014. The

CMFF was launched to create a platform for individuals from all cultural backgrounds to showcase their gifts and talents

through the media of film. CMFF is a festival that was born to be here in Chicago based on Chicago's rich cultural backdrop.

The motivating factor for launching both Totally Free Productions and the Chi-Town Multicultural Film Festival was giving

filmmakers, like himself, a voice to express themselves and connect with like-minded individuals in the industry.


Dion’s vision is for CMFF to resonate not only in Chicago but throughout the industry while serving as an instrument that

unites the global community and emphasizes our similarities for the love of film and filmmaking.

For the length of time that Dion has been in business, he has established rapports with individuals and partnerships with com-

panies that have supported, mentored and groomed him where he believes he can accomplish just about anything he conceives.

Dion smiled and then replied “The few hindrances that I have encountered are not being aware of the difference between

whether it is business and whether it is personal."

While on the set of ‘Chicago PD’, Dion had the opportunity to speak with Jon Seda and most recently while attending a Chica-

go film festival he met with ‘Chicago Fire’ Eamonn Walker. When Dion reflects on the body of work of Charles Chaplin

"The Great Dictator", Robert De Niro, ‘A Bronx Tale’, Omari Hardwick, ‘Power’ and Morocco Omari, ‘(Mis)Leading Man' he

is encouraged and motivated to continue achieving the outcome he desires. Dion has had the great opportunity to work and

really speak with Morocco Omari; the insight and advice Morocco shared was priceless.

Reflecting over his career, Dion has had some really great moments, but the one that is most significant is when his film,

"Overcome" was nominated for Best Picture by the African American Arts Alliance in 2010. Not only was the film nominated,

but it was also accepted and screened at The Black Harvest Film Festival where Dion was interviewed by Dick Johnson of

NBC News..

Dion is optimistic about his future aspirations. He’s going to continue to write, direct and produce film projects, as well as, use

the film festival platform to bring attention to groups and individuals who are making a positive difference in our society.

Chi-Town Multicultural Film Festival (CMFF) was accepted to the Chicago Artist

Month 2015, visit:

www.chicagoartistsmonth.org/chi-town-multicultural-film-festival

Chi-Town Multicultural Film Festival (CMFF)

http://www.cmfilmfestival.org

Totally Free Production (TFP) http://www.totallyfreeproductions.com

[email protected]

THE BUSINESS OF ART

http://www.chicagoartistsmonth.org/chi-town-multicultural-film-festival

Dion casted for the film ‘White robe ~ Island of Man’


Kay James McCrimon is a curator and

historian of African-American history.

Born in Vicksburg, Mississippi, she

grew up in Chicago, Illinois and is a

product of the Chicago Public School

system. She is a graduate of Southern

Illinois University in Carbondale, Illi-

nois (SIUC) where she received a BA in

Radio & Television and a MA in Mass

Communications and Media Arts. In

addition, she has a MS in Integrated

Marketing from Roosevelt University in

Chicago. Her research interests include

19th century African-American women,

the history of African-Americans in

broadcasting, the blacklisting of African

-Americans in the fine arts, and the

history of Black Chicagoans. Currently,

her social media interests include main-

taining a daily FB blog, “If You Don’t

Know, Now You Know,” that features

the accomplishments of African-

Americans in the arts.

Kay loves all aspects of African-

American history and has a special pas-

sion for 19th century African-American

history and African-Americans in the

fine arts. Her love of African- American history has led her to a myriad of professional opportunities, including broadcast-

ing, advertising, museums, teaching, and special event planning. Kay is currently the Assistant Director of the African-

American Cultural Center at at the University of Illinois in Chicago, IL. She comes to the AACC from Chicago’s DuSable

Museum of African American History, where she most recently managed membership, volunteers, and docent training;

over the years she also worked in the education department of the museum where she managed public programming for

adults and curriculum for Chicago Public Schools. Kay worked as an adjunct professor at Chicago State University for

several years where she taught public speaking and sales & marketing in the Department of Communications, Media Arts

and Theatre.

Kay is also the author of a children’s book entitled, Good Night Li’l Darlin,’ that highlights African-American jazz legends.

The book was written in commemoration of her grandmother, whose love of jazz music inspired this creation for children.

An Interview with Author Kay McCrimon

THE BUSINESS OF ART

How long have you been involved in the Arts/Culture and

your history?

I have been involved in the arts and culture for as long as I can

remember. My passion and compassion for culture, including

music, film, dance, and the visual arts came from home and

grammar school. My mother‘s passion for music, especially

jazz, blues, and R&B, was the first indicator. In the 1960s, she

was a member of the Columbia Records Jazz Club and would

receive jazz albums via regular mail on a weekly basis. Subse-

quently, I became an avid fan of Nancy Wilson, Count Basie,

Ramsey Lewis and Billie Holiday, respectively. Growing up,

Sunday afternoons and evenings at my house were devoted to the

classic Hollywood film series, Family Classics, where host Fra-

zier Thomas featured historical dialogue about the history film,

the stories and actors; he inspired my love for historical research.

What was your inspiration behind writing and self-

publishing your children’s book?

My children’s book, "Goodnight Li'l Darlin" is a book that was

inspired by a culmination of my love of teaching history, the arts,

and family. When my grandmother, “Mama John,” passed away

in 2003, I wanted a remembrance of her to share with my family

so that her legacy would be carried on. I decided to write a book.

And after some soul searching and thinking about my grand-

mother’s contributions to our family, I decided to write a chil-

dren’s book. It only took a few hours for me to determine what

the book would be about, however, it took almost eight years for

me to finally publish it. Once the book was written, I went in

search of an illustrator. After several rejections from children’s

book authors and illustrators, I was about to give up, when I met

my graphic artist, Pam Rice, who convinced me to self-publish.

She gave me excellent directions, which I followed, and voila, I

became a published author. My book is legitimate and currently

THE BUSINESS OF ART


Tell us about the arts & cultural projects you have developed.

I have always loved the arts and have always wanted to express myself artistically. However, I discovered early on that I could

not sing, dance, or draw, so I decided to express the arts of others. In 1990, I started my own event planning company, Expan-

sions Productions. One of the most delightful events that I developed was, “Angel Face”: A Tribute to Film and Stage Legend,

Dorothy Dandridge. It took place at the Drexel-Kenwood Mansion in 1998 and featured an exclusive film screening, live jazz

performances, a late-night supper and big-band ballroom dancing reminiscent of the 1950s late night supper clubs. With Ex-

pansions, I also developed an annual Mother’s Day Tribute to Chicago Women in Jazz that started in 1996. I started this series

with “Come to My Garden,” A Tribute to Minnie Riperton which was also a fundraiser for breast cancer awareness that took

place in the Winter Garden Room at the Harold Washington Library . This series was wonderful and people still ask me when

I’m going to do it again. The series ended when I left in 1999 to go to grad school in Carbondale, IL.

The most exciting project that I have done to date, however, is an exhibition about the African-American presence, or lack

thereof, at the 1893 World’s Columbian Exposition that took place here in Chicago. The exhibit was done at my current job,

the African-American Cultural Center at UIC. The exhibit, “The Reason Why the Colored American Is Not Included in the

World’s Columbian Exposition.” This fascinating exhibit was based on the book of the same title by Ida B. Wells and Freder-

ick Douglass, which focused on why African-American were not included in the planning of the greatest fair in world up to

that point, one that shaped the face of America in world politics, technology and culture. The Reason Why included those Afri-

can-Americans who did participate as well as the road traveled by those who did not.

Tell us why you decided to post historic content regarding African-Americans on Facebook to having a Facebook page

that has attracted an international audience?

I post historical and current African-American history on my FB page on a daily basis. I didn’t just want to be on FB as a con-

tributor of my life, although I do regularly about events in my life; however, the idea came to me out of the blue one day to

start posting current events on a daily basis. Low and behold, I didn’t know what I was getting myself into. I have been post-

ing now for over four years. I post about past and current events in the lives of African-Americans, and the response has been

awesome. I started a new FB page, “If You Don’t Know, Now You Know,” because I wanted to share the history of African-

Americans in the arts with my friends and family. But somehow, it has become so much more than that and now I have global

followers. I used to post on a daily basis, but fell behind, and the best part about that is, people are still following me, no matter

how far behind I get. With a full-time job and care-giver for a family member, it’s really hard to post daily, but I do the best I

can. The reward in all of this is when someone posts that they love what I am sharing and I have had teachers tell me that

they use my pages for their classrooms. I am truly thrilled when I get posts like that.

Tell us about one of the most exciting moments you have had being involved in the arts and cultural arena.

I’ve had several exciting moments with my involvement in the arts and culture arena. In the late 1990s I started an event plan-

ning company, “Expansions Productions,” where I created events about African-Americans in the arts. The first event that I

produced was a tribute to Chicago women in jazz. It was held in the Winter Garden Room of the Harold Washington Library

and featured some of Chicago’s top female jazz artists, including had a side business entitled. I will NEVER forget the grati-

tude that I received from these women, including saxophonists, Diane “Lil Sax” Ellis and Roxanne Stevenson; pianist, Earma

Jean Thompson, and jazz vocalists, Joan Collaso and Paula Greer, among others. No one had ever produced an event like this

one. It was an extremely proud moment for me.

Kay’s Future Plans

I have several plans for the future; the top three on my list of contenders are, 1) to create my own documentary film company to

document African-American history, 2) to write a book on the blacklisting of African-Americans in the arts in the 20th century

America, and 3) to develop programming and platforms for college students interested in African-American history. I know

that these goals may sound adventurous, but in the words of Adam Clayton Powell, Jr., I am going to “Keep the Faith Baby!”


DROPPING IN ON MARIAN HAYES AT CAFÉ YEYE

Photography by Tony Smith

ON THE SCENE

About Marian Hayes

I call myself ‘a Brown Baby’ because I was born in 1954, the

year of Brown vs the Board of Education. A life-long Chicago-

an, raised on the south side, I have had the privilege of pursu-

ing, harnessing and relinquishing the proverbial “American

Dream”. A student of ‘permission transfer’ in the late 60s, I

attended Hubbard High and was one of less than twenty-five

Black students in the school. Graduation lead me to the Univer-

sity of Illinois Chicago, thru the efforts of my late mother, Bet-

tye Lou Hayes. She took two of my sister and me to the famous

basement in the Ada B. Wells complex where the Silas Purnell

asked his standard question; “Do you want to go college?” I

really did not, I wanted to be a dancer with the Darlene Black-

burn group, but I knew my mother wanted us all to be college

educated, so I said yes.

College introduced me to portions of the Black Arts Movement

through the classes of the poet Sterling Plumpp. I also met har-

monica playing Blues man Billy Branch and through him I met

a multicity of people - spiritual, Gut-bucket, poetic, theatrical

and musical. Some like the late Oscar Brown Jr., Willie Dixon

and pianist Jimmie Walker and of course Palm Tavern’s Gerri

Tolliver. But, unlike Billy, I did not earn by college degree at

UICC, but decades later, I earned two at Chicago State Univer-

sity.

If I told you, I had a dream, you may think of Dr. King; yet I

did have a dream about a treasure of remnants of fabric, a

sword and the word ‘reconquistadore’. All of these is briefly

shared in a book by photographer Roland Freeman; ‘A Com-

munion of the Spirits’. I started making patchwork quilts which

lead to teaching at Urban Gateways, thanks to Billy Branch and

Susan Eluertrio. Since Billy was involved with a whole range

of arts and cultural people, I just tagged along with him, as well

as explored by passion for dance.

I was one of the many who use to go to Washington Park’s

field house on Sundays and dance to the drums of Alyso’s

troupe. Through that network plus being in Mr. Plumpps clas-

ses, I learned about Val Gray Ward’s Kuumba Theater and

many other cultural venues. Then I heard about Dr. Margaret

Burroughs various Arts and Crafts ventures, started displaying

my quilts and meeting other cultural arts people.

Tell us about your start at the Chicago State University Radio

Station.

In 1999 after being downsized from IBM I limped back to

college to finally complete my B.A. degree in communica-

tions. I enrolled in Chicago State University (CSU) via Project

Success. I only needed 25 credit hours, yet I stayed 5 years, all

of which I had a radio show. Being a former speech and com-

munication major at University of Illinois at Chicago I felt

obligated to continue what I had learned. Yet after graduating

in 2004 and returning to earn a degree in Art, I was inspired to

really stick with radio production/hosting. In 2008, I did a

study-abroad in Nice, France via CSU and came back deter-

mined to reproduce the vibe in music that I heard in France.

Yet it was only this year, after 8 years of producing, that I feel

my show ‘Café Yeye: Just Jazz’ has a serious mission. I truly

have to thank Professor Arthur Reese (formerly of CSU pro-

fessor CMAT) for having faith in my vision for Café Yeye

and also our present station manager Troi Tyler for encourage

me to do just Jazz.

Where did the name Café Yeye come from?

The name Yeye was given to me by my eldest granddaughter

(Ayshia Johnson) when she was only 2 years old. She did not

know it, but it means Mama or Grandmamma in a West Africa

language and in Chinese it means Granddad. I added Café

because I am a foodie and I’d love to have a small Café! My

most exciting moments are when someone who I thought

would never consent to being interviewed, calls in or show up.

Examples: Julie Dash of Daughters of the Dust and composer

Renee Baker.

When I heard Universal Studios calling, my heart almost

stopped! The interview with Michael Swanson of Faith Films

had me so nervous, mainly because he is my cousin and alt-

hough I’m older, I really did not know how to appear totally

professional and not geeked up over the fact that he is an

award winning producer. Another exciting moment was inter-

viewing Dr. Monique Wells of the Black Paris Tours. Alt-

hough she was back in the States, just her willingness to be

interviewed was major for me. Another thing with the Café

was our Well-Read campaign. On two occasions I had ap-

proached Christopher Gardner of ‘The Pursuit of Happiness’

concerning donating a copy of his book to our campaign. Fi-

nally Mr. Gardener was on campus at CSU and I did the un-

thinkable borgarded my way up to him, grabbed his hand and

would not let it go until he agreed to sign a copy of his book

for me. I think Gerard McClendon to giving me a ticket to see

Mr. Gardener that faithful day.

Tell me about your passion for jazz

The music is the most beautiful memory of the best times of my

life as a growing child. I have a poem called ‘Mama Met a Jazz

Man’, that somewhat details the pleasant entry into a composed

state of being. Mama’s Jazz man became our step-dad and

changed our world with his kindness, support, encouragement

and his LPs. He played Miles, Coltrane, Eddie Harris, and Milt

Jackson throughout the years growing up. My Mom met a jazz

man, the late Malachi Thompson, we both attended the same

Bible study classes. I started going to the Thursday night scenes

at the Sutherland on 47th and Cottage Grove. There I met peo-

ple, a number of Jazz greats and the poet Amira Baraka. Ari

and Kirk Brown were in one of his bands. Then I was intro-

duced to an array of Jazz greats in Chicago, including Dee Al-

exander and Harrison Bankhead. Recently, I was awarded the

opportunity to go to Jazz camp via the Jazz Institute of Chica-

go. Thorough this experience I saw the future of Jazz is ex-

tremely bright and lively!

Since I have been involved with ‘Just Jazz’, my whole world

has opened up. Recently, I was awarded the opportunity to go

to Jazz camp via the Jazz Institute of Chicago. Thorough this

experience I saw the future of Jazz is extremely bright and

lively!

Future Plans

For Café Yeye; Just Jazz, I’d love to work with Charles Heath’s

Ken Chaney Scholarship program and have a monthly Jazz

Session coupled with Dining with a D.J. Hopefully at Tuley

Park Cultural Center and even where Heath has his monthly

Jam; the Caribbean Cove on King Drive. I’d like to continue

Café Yeye at CSU and play all the CDs of Chicago’s Jazz

Greats, past/present/future.

ON THE SCENE


Seeking Sound Advice

sponsored by

Dr. Yanina Gomez, PH.D.

Co-founder of Art NXT Level

Filtering Feedback One way or another, you’ve likely experienced someone giv-

ing you unsolicited feedback. As you wait for your extra hot,

double expresso latte or just had a baby, people are eager to

give you their feedback. There are times in which the feedback

is encouraging and powerful, yet other times it can be quite

destructive and unwelcome. When it comes to feedback, it’s

you the receiver of the feedback who is in charge. It’s up to

you whether you choose to change and how much of the feed-

back you allow to let in.

There are a few feedback-giver categories. Understanding

people’s intentions is important because it could be the differ-

ence between accepting and internalizing the feedback versus

completely rejecting it. Let me share with you 3 that, in my

experience, are quite prevalent.

1. Authentic-minded individuals. These folks tend to demon-

strate care, compassion, honesty and a legitimate desire to help

and see you succeed. They might be part of your circle or a

complete stranger. They might be where you want to be, have

walked through your shoes or perhaps is someone who truly

has your best interest in mind. Whether or not it was solicited,

their feedback is constructive, powerful and life-changing.

2. Pessimistic/downer-minded individuals - They tend to see

the negative side of everything. Oh, they are so good at it!

Somehow, they believe that they are helping you because, they

claim, they’re telling you things as they are. Those who say

that “you’re nice, but you don’t have what it takes to make it”

or “your art is not good enough to make it in the competitive

world of art.” They willingly transfer their negative vibes to

you without your consent.

3. Opinionated individuals - These are the folks who have

something to say just because. Sometimes their feedback is

constructive others not so much. They feel entitled to give you

their opinion and often believe that they supersede yours be-

cause they know what they’re talking about. They might have

good intentions but rarely come across that way.

Receiving feedback is a skill we can get better at. And identi-

fying the source and its intentions is a must. When it comes to

taking in the opinions of others, let me give you a few sugges-

tions:

1. Choose wisely! By now, you know how to identify the

source. Consider the advice and opinions of authentic-

minded people (e.g., family, friends, successful individu-

als, etc.). Anyone can provide feedback. However, these

folks tend to provide feedback that will lead to growth

and success.

2. To analyze the source, ask yourself these key questions:

a. Has this person demonstrated to have my best interest

in mind?

b. Does this person have the experience and/or

knowledge necessary to understand the big picture?

Remember that a person can have your best inten-

tions in mind but may fail to comprehend your goals.

As a result, they may likely provide you with cau-

tionary rather than productive feedback.

c. Is this person already in the place where I want to

be?

d. Am I noticing a pattern in which people are telling

me the same thing?

As you surround yourself with individuals who have a broader

perspective and are thriving to succeed, you will be motivated

to grow. However, if you surround yourself with negative and

pessimistic individuals, you will likely become influenced or

affected by their feedback in one way or another.

Don’t internalize the words of others without analyzing and

filtering the source first! Discard negative and antagonistic

words that are delivered to you. It’s your choice!

About the Writer:

Dr. Yanina Gomez, Ph.D. is the co-founder of Art NXT Level.

In 2009, she obtained her Doctorate Degree in Educational

Psychology. Before co-founding Art NXT Level, she practiced

as a school psychologist for 12 years and taught courses in

higher-education institutions in the areas of psychology and

counseling for undergraduate and graduate programs. She is a

former Gallerist at 33 Contemporary Gallery in Chicago, IL.

Dr. Gomez’s insight and understanding of the psycho-

emotional issues some artists’ experiences give her the oppor-

tunity to research and develop practical resources to help them

live a fulfilling career. She facilitates seminars and creates

programs that focus on helping artists and creative minds ex-

perience success in their career. In addition, Dr. Gomez pro-

vides support to artists who desire to maintain an optimal

wholeness balance (Mind, Body, Soul). She is a mother of two

amazing children.

Follow Dr, Yanina Gomez at Art NXT Level: http://

www.theartistnextlevel.com

EDITORIALS

arts & cultural strategies inaugural issue (sept/oct 2015)

Art & Photos