art’s institutional critique of the library

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Art’s Institutional Critique of the Library Henry Pisciotta Arts and Architecture Librarian Pennsylvania State University Libraries

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Henry Pisciotta presentation for the "Inside Out: Examining Studio Artists' Perceptions, Presentations, Representations, and Actual Use in the Fine Arts Library" session at VRA + ARLIS/NA 2nd Joint conference. NOTE: Movies removed on slide 39 and 41 to conform to file size.

TRANSCRIPT

Page 1: Art’s Institutional Critique  of the Library

Art’s Institutional Critique of the Library

Henry PisciottaArts and Architecture Librarian

Pennsylvania State University Libraries

Page 2: Art’s Institutional Critique  of the Library

I’m thinking about the library being this place of projection and the production of certain myths.”

– artist Edgar Arceneaux 

Page 3: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 4: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 5: Art’s Institutional Critique  of the Library

Dr. Martin Luther King, Jr. Library, San Jose

Page 6: Art’s Institutional Critique  of the Library

Mel Chin

Page 7: Art’s Institutional Critique  of the Library

Mel Chin, et al., Sour Grapes , 2003, sculptural installation

Page 8: Art’s Institutional Critique  of the Library

Mel Chin, et al., Sour Grapes , 2003, sculptural installation

Page 9: Art’s Institutional Critique  of the Library

Mel Chin, et al., Self-Help Mirrors, 2003, sculptural installation

Page 10: Art’s Institutional Critique  of the Library

Mel Chin, et al., Self-Help Mirrors, 2003, sculptural installation

Page 11: Art’s Institutional Critique  of the Library
Page 12: Art’s Institutional Critique  of the Library

Mel Chin, et al., Raza Writers (‘48 Fleetline), 2003, sculptural installation

Page 13: Art’s Institutional Critique  of the Library

Ernesto Pujol

Page 14: Art’s Institutional Critique  of the Library

Harold Washington Library, Chicago

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Temporary Services

Page 16: Art’s Institutional Critique  of the Library

Temporary Services, Library Project, 2001, books gathered before installation

Page 17: Art’s Institutional Critique  of the Library

Temporary Services, Library Project, 2001, books gathered before installation

Page 18: Art’s Institutional Critique  of the Library

Temporary Services, Library Project, 2001, book Sexy Politzei by Bruno Richard

Page 19: Art’s Institutional Critique  of the Library
Page 20: Art’s Institutional Critique  of the Library

John Latham

Page 21: Art’s Institutional Critique  of the Library

John Latham, Art and Culture (preliminary state), 1966-1969, sculpture

Page 22: Art’s Institutional Critique  of the Library

John Latham, Art and Culture, 1966-1969, sculpture

Page 23: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 24: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 25: Art’s Institutional Critique  of the Library

Michael Clegg and Martin Guttmann

Page 26: Art’s Institutional Critique  of the Library

Clegg & Guttmann, Open Public Library, Hamburg, 1993, part of installation

Page 27: Art’s Institutional Critique  of the Library

Clegg & Guttmann, Open Public Library, Hamburg, 1993, part of exhibition

Page 28: Art’s Institutional Critique  of the Library

Clegg & Guttmann, Open Public Library, Hamburg, 1993, part of related study

Page 29: Art’s Institutional Critique  of the Library

Clegg & Guttmann, Open Public Library, Hamburg, 1993, part of installation

Page 30: Art’s Institutional Critique  of the Library

New York Public Library (photo by P.F.H.Lai)

Page 31: Art’s Institutional Critique  of the Library

Temporary Services, Library Project, 2001, books gathered before installation

Page 32: Art’s Institutional Critique  of the Library

Clegg & Guttmann, Open Public Library, Hamburg, 1993, preparations

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Page 34: Art’s Institutional Critique  of the Library

Temporary Services, Library Project, 2001, book Sexy Politzei by Bruno Richard

Page 35: Art’s Institutional Critique  of the Library

Temporary Services, Library Project, 2001, books in special collection area

Page 36: Art’s Institutional Critique  of the Library

Seattle Central Library

Page 37: Art’s Institutional Critique  of the Library

George Legrady

Page 38: Art’s Institutional Critique  of the Library

George Legrady, Making Visible the Invisible: What the Community is Reading, 2004, video data installation

Page 39: Art’s Institutional Critique  of the Library

George Legrady, Making Visible the Invisible: What the Community is Reading, 2004, video data installation

Page 40: Art’s Institutional Critique  of the Library

Seattle Central Library, workstations near Legrady installation

Page 41: Art’s Institutional Critique  of the Library

George Legrady, Making Visible the Invisible: What the Community is Reading, 2004, video data installation

Page 42: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 43: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 44: Art’s Institutional Critique  of the Library
Page 45: Art’s Institutional Critique  of the Library

Erik Desmazières, Library of Babel, Salle hexagonale, 2000, etching

Page 46: Art’s Institutional Critique  of the Library

Candida Hofer, Stockholm Public Library, 1993, photograph

Page 47: Art’s Institutional Critique  of the Library

Hofer, Stockholm Public Library, 1993

Andreas Gursky, Bibliothek, 1999, photograph

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Andreas Gursky, Bibliothek, 1999, photograph

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Andreas Gursky, Stateville Illinois, 2002, photograph

Page 50: Art’s Institutional Critique  of the Library

Clegg and Guttmann, Falsa Prospettiva: Reflections on Claustrophobia, Paranoia, and Conspiracy Theory, 2001, installation

Page 51: Art’s Institutional Critique  of the Library

Clegg and Guttmann, Falsa Prospettiva: Reflections on Claustrophobia, Paranoia, and Conspiracy Theory, 2001, installation

Page 52: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 53: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 54: Art’s Institutional Critique  of the Library

Rachel Whiteread, Holocaust Memorial, 1999, sculpture

Page 55: Art’s Institutional Critique  of the Library

Rachel Whiteread, Holocaust Memorial, 1999, sculpture

Page 56: Art’s Institutional Critique  of the Library

Andrea Fraser, Information Room, 1998, installation

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Edgar Arceneaux 

Page 58: Art’s Institutional Critique  of the Library
Page 59: Art’s Institutional Critique  of the Library
Page 60: Art’s Institutional Critique  of the Library
Page 61: Art’s Institutional Critique  of the Library

David Bunn, Here, There, and Everywhere, 1997, artists book

Page 62: Art’s Institutional Critique  of the Library
Page 63: Art’s Institutional Critique  of the Library

Projection of Interests

Authorship / Ownership

Projection of Order

Chaos / Creativity

Page 64: Art’s Institutional Critique  of the Library

Thanks to:Marc Fischer, Temporary ServicesDavid Bunn, Cal. Inst. of the Arts

Mary Rubin, San Jose Office of Cultural AffairsGeorge Legrady, U. of Cal. Santa Barbara

Rebecca Feind, San Jose State U.Carol Terry & Laurie Whitehill Chong, Rhode Island School of Design

AnneDorothee Boehme, School of the Chicago Art Inst.Tony White, U. of Indiana

William Brockman, Amanda Maple, & Eric Novotny, Penn State

Henry PisciottaArts and Architecture Librarian

Pennsylvania State University [email protected]