artschool catalog - fall 2011

ART CLASSES

fall 2011

for adults and youth

The ArtsCenter Always Inspiring.

digital arts

writing

drawing & design

painting & mixed media

ceramics

jewelry making

photography

applied arts

theatre

dance

music

health & healing arts

JULIA CLIFT

Love the front cover?Meet the artist.

She could be your painting instructor.“At The Artscenter I’m able to work amongst a warm communi-ty of fellow artists while sharing my knowledge and passion for the craft of painting with con-sistently wonderful students. It’s truly a pleasure.”

Julia is a full-time artist whose focus

is representational oil painting and

drawing. She holds a BFA in Painting

and English Literature from Washing-

ton University in St. Louis, and she is

a student of the international painter,

Odd Nerdrum. She is currently a Re-

gional Emerging Artist in Residence

at Artspace, in Raleigh.

This fall, Julia is teaching “Classic

Oil Painting” and “Figure Painting,”

located on page 12 of this catalog

The ArtsCenter Always Inspiring.

CLASSES FOR FALL 2011

Adult Classes by Day of the Week. . 4-5

ArtSchool for Adults

Fine Arts Classes Digital Arts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Writing .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Drawing And Design. . . . . . . . . . . . . . . . . . . . . . 8 Certificate Program Information . . . . . . . . .11 Painting And Mixed Media. . . . . . . . . . . . . . . . 12 Ceramics and Sculpture . . . . . . . . . . . . . . . . .14 Jewelry School. . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Applied Arts Classes . . . . . . . . . . . . . . . . .20

Performing Arts Classes Theatre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Dance . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . .23 Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Health & Healing Arts . . . . . . . . . . . . . . 26 Cuisine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Youth Courses Information . . . . .27-31

About The Instructors . . . . . . . . . . . . . . 32

ArtSchool Registration Form . . . .38

Youth Registration Form. . . . . . . . . 39-40

Adult and Youth Scholarship Application . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41-42

WELCOME!ArtSchool at The ArtsCenter is Orange County’s most comprehensive non-prof-it resource for continuing education in the arts on a non-degree, community ba-sis. Opportunities abound for students of all ages—toddlers to seniors—to try their hand at a variety of artistic media or to increase their skills in intermedi-ate/advanced classes.

SCHOLARSHIP INFORMATION

A limited number of scholarships, based on financial need, are available. Please ask for an application at The ArtsCenter front desk. Scholarships are considered on a first come, first serve basis, so please turn in your application promptly.

SCHOLARSHIP FUND The ArtSchool Scholarship Fund is in need of contributions! Please help make it possible for those with finan-cial need to have access to the benefits of taking an ArtSchool course. We’ll gratefully accept your tax-deductible donation in any amount.

THANKS!Thanks to Adam Dodds, Mandey Brown and Adam Graetz for the use of their photographs; Many thanks to Julia Clift for the use of her painting “Exaltation” for the outside front cover.

The ArtsCenter receives financial support from the North Carolina Arts Council.

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4 • Fall 2011 Register on-line @ www.ArtsCenterlive.org

Question about an ArtSchool class? Contact Phaedra Kelly at 919-929-2787 x207

MONDAYS

TUESDAYS

WEDNESDAYS

1002. INTRO TO GRAPHIC DESIGN Page 61011. WRITERS AT WORK Page 81020. FIGURE LIFE DRAWING I Page 101021. FIGURE DRAWING II Page 101030. CLASSIC OIL PAINTING Page 121032. FIGURE PAINTING Page 121033. PORTRAIT PAINTING Page 12 1040. CONTINUING WATERCOLOR Page 14

1045. WHEELTHROWING Page 151046. CHEERS TO THE HOLIDAYS! Page 161052. BASSE-TAILLE ENAMELING Page 171059. BEGINNING B&W DARKROOM Page 181060. THE FINE PRINT Page 181085. BEGINNER HIP-HOP DANCE Page 241086. MODERN DANCE Page 24 1092. WEDNESDAY SWING (EAST COAST&BLUES) Pg 25

1003. INTRO TO ADOBE PHOTOSHOP Page 6 1008. CHILDREN’S BOOK I Page 71009. CHILDREN’S BOOK II Page 71010. PRIMING THE PUMP Page 81016. EXPRESSIVE DRAWING Page 91019. REPORTAGE Page 91022. CONT. FIGURE DRAWING Page 101023. CHILDREN’S BOOK ILLUSTRATION Page 101028. INTRO TO PASTEL PAINTING Page 12 1033. PORTRAIT PAINTING Page 121036. COLLAGE Page 131038. INTRO TO WATERCOLOR Page 141039. MORE ON WATERCOLOR Page 14

1042. CERAMICS OPEN STUDIO Page 141045. WHEELTHROWING Page 151054. BEADMAKING Page 171056. BEG PHOTOGRAPHY: FILM OR DIGITAL Page 181058. ADV. PHOTO TECHNIQUES Page 181076. INTRO TO IMPROV Page 221077. INTERMEDIATE IMPROV Page 23 1078. ADVANCED IMPROV Page 231079. INTRO TO BALLROOM DANCE Page 231080. TRIBAL BELLY DANCE Page 231081. INTERMEDIATE BELLY DANCE Page 231096. ETHNIC VEGETARIAN COOKING Page 26

1001. MAKE A MOVIE IN 7 WEEKS Page 61024. PORTRAIT DRAWING Page 11 1025. MAGAZINE CARTOON WORKSHOP Page 11 1026. NORMAN ROCKWELL WORKSHOP Page 111027. OBSERVATION DRAWING WORKSHOP Page 111029. INTRO TO ACRYLIC PAINTING Page 12 1031. OIL/ACRYLIC PAINTING STUDIO Page 121040. CONTINUING WATERCOLOR Page 141042. CERAMICS OPEN STUDIO Page 14 1045. WHEELTHROWING Page 15

1049. BEG METALSMITHING: BASIC TECHNIQUES Page 161050. BEG METALSMITHING: COLD CONNECTIONS Pg 161067. PHOTO WS: MACRO PHOTOGRAPHY Page 201072. BEG/CONT STAINED GLASS Page 211074. ACTING ON-CAMERA Page 221082-1084. TAP DANCE Pages 23-241091. TUESDAY SWING (LINDY HOP) Page 251093. AFRICAN DRUMMING Page 251097. INDIAN COOKING Page 26

Adult Classes by Day of the Week

The ArtsCenter Always Inspiring.Our Youth

courses begin on page 27.

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Register on-line @ www.ArtsCenterlive.org Fall 2011 • 5

1004. ADOBE PHOTOSHOP ELEMENTS Page 6 1005. WEBWEAVING I Page 61006. WEBWEAVING II Page 7 1013. BASIC DRAWING AND DESIGN I Page 8 1014. BASIC DRAWING AND DESIGN II Page 8 1015. LIFE DRAWING STUDIO Page 8 1042. CERAMICS OPEN STUDIO Page 14 1045. WHEELTHROWING Page 151051. SILVER METAL CLAY BASICS Page 16 1055. INTRO TO DIGITAL PHOTOGRAPHY Page 17 1057. ADV DIGITAL PHOTOGRAPHY Page 181062. PHOTO WS: HIGH DYNAMIC RANGE Page 19

1063. PHOTO WS: PHOTO RESTORATION Page 191064. PHOTO WS: COMPOSITION TECHNIQUES Page 191065. PHOTO WS: POSING Page 191066. PHOTO WS: DIGITAL WORKFLOW Page 191069. FRAMING DESIGN Page 201072. BEG/CONT STAINED GLASS Page 211073. ACTING INTENSIVE Page 211087.BOLLYWOOD DANCE Page 241088. LATIN HIP-HOP DANCE Page 241089.SALSA/LATIN DANCE Page 241090.SALSAROBICS Page 24

1007. ADOBE PHOTOSHOP LIGHTROOM Page 71012. CREATIVE JOURNAL WRITING Page 81017. LANDSCAPE DRAWING Page 91018. PERSPECTIVE DRAWING Page 91035. EN PLEIN AIR Page 131040. CONTINUING WATERCOLOR Page 141041. ENCAUSTIC PAINTING Page 14 1042. CERAMICS OPEN STUDIO Page 141044. HANDBUILDING Page 151045. WHEELTHROWING Page 15

1047. PLATES AND PLATTERS Page 161048. INTERMEDIATE WHEELTHROWING Page 161053. INTRO TO LAMPWORKING Page 171054. BEADMAKING Page 171068. SCREENPRINTING Page 201070. GLASSBLOWING WS Page 201071. STAINED GLASS CRASH COURSE Page 211094. DREAM CIRCLES Page 261095. T’AI-CHI Page 26

SATURDAYS

SUNDAYS1013. BASIC DRAWING AND DESIGN I Page 81034. COLOR PRACTICE Page 131043. SUNDAY CERAMICS STUDIO Page 151078. ADVANCED IMPROV Page 23

1037. CONT. ACRYLIC/MIXED MEDIA PAINTING Page 13 1042. CERAMICS OPEN STUDIO Page 14

1061. AUTUMN PHOTOGRAPHY WS Page 19

FRIDAYS

Adult Classes by Day of the Week

THURSDAYS

We now have classes on Sunday! See below!


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digital arts

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Our digital studio has six G5 Macintosh computers, a color printer and a scanner.

1001. MAKE A MOVIE IN 7 WEEKS!This course will teach the basics of video production. Students will learn skills to use 3-chip digital video cameras, tripods, professional lights and audio equipment. Students will also learn basic shot com-position and digital editing techniques. Throughout the 7-week course, students will pick a subject or an issue to focus on, and produce, depending on the size of the class, a number of short group projects, which will be premiered on The Peoples Channel. No experience is necessary, just a willingness to play and learn. Once the course is completed, students will be cer-tified to use The Peoples Channel’s equip-ment for further productions as long as pieces are able to air on the public access station. For more information about The Peoples Channel, go to: www.thepeople-schannel.org.$5 fee for one 60-minute MiniDV cas-sette, paid to instructor at first class. Participants using the lab's computers should have a rudimentary understanding of Macs. The Staff of TPC (W. Axel Foley, Chad Johnston & Jeremy Taylor) uTuesday, 5:30-7:30pm, September

13-October 25 (7 weeks) $154 public, $139 Members

1002. INTRODUCTION TO GRAPHIC DESIGNIn this hands-on, overview class, students will explore the nuts and bolts of graphic design with a variety of assignments in-cluding logomarks, posters, mailers, ads, and brochures. Through the study of ty-pography, design concepts, and design problem-solving, students will learn about visual communication, creating and finess-ing a design and working with the creative process with a final product in mind. We’ll work on real world assignments, and we will view and discuss a variety of profes-sional work samples. We’ll work in Illustra-tor and InDesign. Please bring a flash drive to save your work.Please let us know when you register if you are bringing in your own laptop.Participants using the lab’s computers should have a rudimentary understanding of Macs.A rudimentary understanding of Illus-trator and InDesign are helpful, but not required. Annette deFerrariuWednesday, 6-8:30pm, September 7 -October 12 (6 weeks) $165 public, $149 members

1003. INTRODUCTION TO ADOBE PHOTOSHOP In this introductory course, you’ll learn how useful and vigor-ous Photoshop can be in practically any art form or trade, such as photography, graphic design, website fabrication, comics, fiber art, animation, scrap-booking—the capabilities are practically endless. Become proficient in image manipulation, scanning, composite-works-of-art, flyer creation, newspaper ads, comics, trick-photography, “zines”—the list goes on and on. Discover this dexterous computer program’s many uses of which even the practiced user may not be aware. Please let us know when you register if you are bringing in your own laptop.Participants using the lab's computers

should have a rudimentary understanding of Macs. TBAuMonday, 6-8pm, September 19-October 31 (7 weeks) $154 public, $139 Members

1004. USING ADOBE PHOTOSHOP ELEMENTS Learn how to enhance your photos to professional quality. Photoshop Elements 9 is a consumer-friendly version of Photo-shop without all the confusion. It gives the same great results with easier commands! This course will teach you to enhance, col-or correct and remove unwanted marks or objects in photos. We will also learn to create post cards, cards, posters and more.Please let us know when you register if you are bringing in your own laptop.Participants using the lab’s computers should have a rudimentary understanding of Macs. Derrick BryantuThursday, 6:40-9:10pm, September 15- October 27 (7 weeks) $191 public, $172 Members

1005. WEBWEAVING WITH ADOBE DREAMWEAVER AND FIREWORKS ICreate a basic Web site using industry standard software. We begin with a peek behind the scenes to develop an under-standing of how the Web works, then ex-amine the core principles of visitor-friendly page design before we begin bringing your vision to reality. Using Dreamweaver’s friendly interface, we create a site, home page and a few content pages complete with images and links. We use Fireworks to prepare and create images and learn how best to present them on our pages, gaining in the process a better understand-ing of image file formats and resolution.Participants using the lab's computers should have a rudimentary understanding of Macs. Please let us know when you register if you are bringing in your own laptop.Elizabeth “B” HolroyduThursday, 5-6:30pm, September 15-

digital arts1000. DIGITAL ARTS

OPEN STUDIOThe Digital Arts Open Studio is avail-able to all students enrolled in digital arts courses. Patrons not currently enrolled in a digital arts course can purchase Open Studio time for $32 a month at the front desk of TAC. Ac-cess to the Digital Studio is limited to the open studio hours. These hours are posted on the door of the Digital Studio at the beginning of every month. Some computer experience is required in order to purchase open studio time.

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November 3 (8 weeks) $132 public, $119 Members

1006. WEBWEAVING WITH ADOBE DREAMWEAVER AND FIREWORKS IIImages and code take front stage in this class as students explore Web creation be-yond the basics covered in the first course. Increase your familiarity with the HTML codes that underlie every web page. Learn how to identify and manipulate blocks of content using cascading style sheets and behaviors, easily controlling the look of an entire site from only a few files. Incor-porate video, audio and objects from the Internet in your pages. “Right-size” your images, create and add graphic buttons to your pages, and explore layer-based and GIF animation.Participants should have a rudimentary understanding of Macs (if they are using the lab's computers) and a basic under-standing of Dreamweaver.Please let us know when you register if you are bringing in your own laptop.Elizabeth “B” HolroyduThursday, 10:30am-noon, September 15-November 3 (8 weeks) $132 public, $119 Members

1007. ORGANIZING AND MANIPULATING IMAGES WITH ADOBE PHOTOSHOP LIGHT-ROOM—at the Century CenterOnce in a while a new computer pro-gram comes out that is both relatively easy to learn and has the power to make a tremendous change in what we can ac-complish. Lightroom is such a program for casual, amateur, and professional pho-tographers. It is tailored to the needs of the photographer, handling theirworfklow needs from the time they attach their camera or memory card to the computer through sorting, organizing, editing, pre-paring for printing, slide shows, and web publishing. After covering important con-cepts of “workflow” (everything that you do from when you take the picture till you

have the desired result), we will demon-strate key features of Lightroom. You can download a trial version of the software to use during the class. Just watch and take notes or bring your Mac or Windows lap-top to class and “play along”. You will find Lightroom to be a time-saver in managing and presenting your pictures, whether you take a dozen pictures a month or a few hundred in a day. Please note: This class takes place at the Century Center at the intersection of Weav-er and Greensboro Streets in Carrboro.Cosponsored with Carrboro Recre-ation and Parks DepartmentDilip BarmanuSaturday, 11am-1:20pm, October 22- November 19 (5 weeks) $116 public, $104 Members

1008. I’VE ALWAYS WANTED TO WRITE A CHILDREN’S BOOK I—at the artist’s studioFor years you’ve dreamed of writing a chil-dren’s book. You even have a vague idea

for one. But how do you give that idea the strength and structure it needs to become a real story? Susie Wilde, children’s book columnist for the Raleigh News and Observ-er, brings together her 30 years of writing and reviewing experience to reveal the steps to give your story form. This class focuses on fiction, from creating original characters to developing their motivations, conflicts and finally resolutions. The class blends hands-on exploration of children’s books with writing exercises and opportu-nities to share your writing and ideas. Susie WildeuMonday, 7-9pm, September 26-October 24 (5 weeks) $101 public, $91 Members

1009. I’VE ALWAYS WANTED TO WRITE A CHILDREN’S BOOK II—at the artist’s studio How do you get the idea for a children’s book down on paper? What makes for a book that sparkles with style? Susie Wilde, children’s book columnist for the Raleigh News and Observer, brings her 30 years of writing and reviewing experience to reveal the steps to make your story sing. Wilde focuses on fiction and covers the all-important writing elements needed

writing


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to craft a strong story—images, dialogue, vivid verbs, and more. The class blends hands-on exploration of children’s books with writing exercises and opportunities to share your writing and ideas. Prerequisite: Part 1 of this course or instructor approval. Susie WildeuMonday, 7-9pm, November 7-December 5 (5 weeks) $101 public, $91 Members

1010. PRIMING THE PUMP Aerobics for the imagination: In-class, no-threat experiments with writing and with elements that go into finding and making a story, whether it’s fiction or drawn from personal experience. Priming the Pump is newly expanded to six sessions this fall to allow time for more discussion and explo-ration. We’ll talk about the craft of writing, look at techniques that help bring a story to life, and we’ll try things out. There’s no way to do any of this wrong—it’s all ex-periment and practice. Priming the Pump is for someone who hasn’t been writing, but wants to try out the experience, or for someone who has done some writing but wants to get more practice with the craft, jump-start new ideas or break the dreaded Writer’s Block. Joyce AllenuMonday, 6:30-8:30pm, September 19 -October 24 (6 weeks) $120 public, $108 Members

1011. WRITERS AT WORKA supportive and constructive workshop for those who want to write fiction or creative non-fiction—story, novel, mem-oir, personal essay, etc. New writers, as well as those with some experience are welcome, and the group regularly includes both. The workshop-style format is flex-ible and focused on the individual writing projects; designed to help class members progress with the work, increase their skill with the craft, and learn more about the process of writing. We’ll also give some attention to the process of marketing. Come in with a project you’re already

working on, or come in with an idea or two for something you might like to begin. Or come in ready to find some ideas, and we’ll try to help.Joyce AllenuWednesday, 6:30-8:30pm, September 14-November 9 (no class Sep. 28) (8 weeks) $160 public, $144 Members

1012. CREATIVE JOURNAL WRITINGIn this course, participants will experiment with a variety of techniques for self-dis-covery and self-expression. Not only will they explore the inner workings of their minds, they will maintain a record of their lives in a variety of forms. Participants will respond to prompts, free-associate, write in free verse, compose couplets and hai-ku, sketch and color, create collages, and more.$5 materials fee, paid to instructor at first classHilda BukowskiuSection A: Saturday, 10-11:30am, September 10-October 15 (6 weeks) $92 public, $83 MembersuSection B: Saturday, 10-11:30am, October 29-December 10 (no class Nov. 26) (6 weeks) $92 public, $83 Members

1013. BASIC DRAWING AND DESIGN Icert. course Develop your observational abilities and rendering skills in this intro-duction to the principles of drawing and two-dimensional design. Use pencil, char-coal and other media while learning the fundamentals of composition, perspective, line and space. Begin to develop your own unique drawing style through quick sketches as well as technical rendering. You can draw!Obtain materials list at The ArtsCenter front desk, prior to first class.

Carrie Alter & Steve McClureuSection A (Alter): Thursday, 6:30-9pm, September 8-October 20 (7 weeks) $174 public, $158 MembersuSection B (McClure): Sunday, 2-4:30pm, October 30-December 18 (no class Nov. 27) (7 weeks) $174 public, $158 Members

1014. BASIC DRAWING AND DESIGN IIcert. course If you are having trouble get-ting your drawings to look just “right,” this class is for you! In this class, you continue to refine your drawing and design skills as you use a variety of materials to draw still-lifes, cityscapes and botanical subjects. Gain a greater understanding of how to create believable two-dimensional representa-tions and compositions. Further develop your observational skills as you study light and shadow, correct proportion, and learn how perspective and foreshortening affect the rendering of subjects.Obtain materials list at The ArtsCenter front desk, prior to first class.Carrie AlteruThursday, 6:30-9pm, October 27-December 15 (no class Nov. 24) (7 weeks) $174 public, $158 Members

drawing & design

1015. LIFE DRAWING STUDIO

This is an informal weekly session geared for individual development in drawing, with nude models. No instructor provided.

Tuition includes models’ fees.

uThursdays, 6:15-8:15pm, ongoing

Punch card may be purchased for $57, allowing attendance at four sessions over a three-month period, with expi-ration date fixed at time of registration. A punch card is given to you when you register at the front desk. Please call the ArtSchool Director at 929-2787 x 207 for more information.

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1016. EXPRESSIVE DRAWING Drawing reveals the mind and intention of the artist by communicat-ing a personal vision, energy and spirit. It is fundamental to artistic expression. This course is designed to help participants de-velop a personal style. Inspired from life and imagination, working in both black and white and in color, we will explore draw-ing as an expressive source, Two classes will use a live model. Classes include dem-onstrations, specific instruction, critiques during the studio time. Homework is en-couraged but not required. Individualized instruction permits the beginner as well as the experienced artist to be challenged and comfortable working at his/her own level. Tuition includes models’ fees. Obtain materials list at The ArtsCenter front desk, prior to first class.Linda PassmanuMonday, 9:30am-noon, September 12 -October 31 (no class Oct. 3) (7 weeks) $187 public, $171 Members

1017. LANDSCAPE DRAWING cert. course In this part studio, part plein air course, we’ll explore the various concerns artists have when drawing the landscape. Through specific weekly assign-ments and viewing professional samples,

we’ll study composition, spatial concerns, color, the effects of light, creating mood, and how to approach on-site work. Each week we’ll meet at a different location, and students will focus on the particular scenes that interest them, creating sketch-es and finished works in pencil, charcoal and ink on paper. We’ll discuss the use of sketches and photos in the studio and will have ongoing individual evaluations and the sharing of student work. Students are en-couraged to bring a variety of materials. First class will meet at the ArtsCenter.Obtain materials list at The ArtsCenter front desk, prior to first class.Annette deFerrariuSaturday, 1-3:30pm, September 24-October 29 (6 weeks) $150 public, $135 Members

1018. PERSPECTIVE DRAWING If the word “perspective” conjures up images of you and your draw-ing being ensnared in a cobweb of perplex-ing lines, come and get untangled! You will learn how simple the “laws” of linear per-spective really are, and the class will pro-vide the opportunity for you to gain pro-ficiency with both the theory and practice of drawing in three dimensions. Focus will

be on developing a correct and convincing representation of depth and three-dimen-sionality on the two-dimensional surface of your drawing paper or canvas. This class is for the true beginner as well as for those wishing to increase their fluency with perspective. The primary materials will be pencil and marker but students are encouraged to use any drawing material of their choice. Professional examples will be provided as well as a brief history of the development of linear perspective.Obtain materials list at The ArtsCenter front desk, prior to first class.Please contact the instructor prior to first class meeting.Jock WickuSaturday, 1-3pm, November 5-December 17 (no class Nov. 26) (6 weeks) $120 public, $108 Members

1019. REPORTAGE —at Focal Point Gallerycert. course This drawing class is not for the faint of heart! Reportage is a high-energy, high-speed attempt to capture the essence of an event—or moment—in a sketchbook. It is an incredibly dynamic way to record your experiences out in the world without using a camera. We will start in class, drawing from the model, cov-ering skills and techniques needed to have a rewarding, expressive, journaling experi-ence. In later classes, we will venture out into the real world where you will get to experience the thrills and challenges of re-portage and likely produce some very raw and expressive gems! It is highly recommended that you have considerable drawing skill and experience before taking this class.Tuition includes models’ fees.Obtain materials list at The ArtsCenter front desk, prior to first class.Stacye LeanzauMonday, 6:30-9pm, September 12-October 10 (5 weeks) $165 public, $138 Members

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1020. FIGURE LIFE DRAWING Icert. course Heighten your visual aware-ness with tools and exercises designed to access the creative (right) side of your brain. We will draw from the model, focus-ing on process (skill-building) more than product. This is a high-energy class! It will help you loosen up as your drawing skills improve. Demos, lots of practice and in-dividual guidance are provided. Ideal for beginners as well as practicing profession-als! Limited to 12 students.Tuition includes models’ fees.Bring an 18 x 24” newsprint pad and soft/medium vine charcoal to first class.Contact instructor for Materials List prior to the first class: [email protected] LeanzauWednesday, 6:30-9pm, September 14- October 19 (6 weeks) $200 public, $185 Members

1021. FIGURE LIFE DRAWING IIcert. course This class is for people who have completed the basic Figure Life Draw-ing class and want to continue honing and practicing their drawing skills. We will go into more detail, studying foreshortening, setting, heads & hands and different media. Three class sessions will focus on anatomy (body, hands & feel, and heads). We will review and use the skills learned in the ba-sic class. This is another high-energy class with demos and individual instruction.Tuition includes models’ fees.Bring an 18 x 24” newsprint pad and soft/medium vine charcoal to first class.Contact instructor for Materials List pri-or to the first class: [email protected] LeanzauWednesday, 6:30-9pm, October 26-December 14 (no class Nov. 23) (7 weeks) $232 public, $216 Members

1022. CONTINUING FIGURE DRAWING —at Focal Point Gallerycert. course For students who have completed the first two Figure Life Draw-ing classes and want to continue practicing their observation/realistic drawing skills. The class will be student-focused; the in-structor will provide individual guidance based on each student’s goals in place of formal lessons. Possible topics for students to consider are: exploration of different black & white media, the figure in the set-ting and composition. Each class will have gesture drawings for warm-ups, as well as short and long poses. Tuition includes models’ fees.Obtain materials list at The ArtsCenter front desk, prior to first class.Stacye LeanzauMonday, 6:30-9pm, October 17-November 7 (4 weeks) $134 public, $124 Members

1023. CHILDREN’S BOOK ILLUSTRATION —at Focal Point Gallerycert. course Feel like you have some-thing to say to the average six-year old? Think pictures will help? This course cov-ers the basics of illustrating children’s books and graphic novels, including char-acter development, sequential illustration, pacing, rhythm, and two media techniques. Students can bring in their own writing to work from, or someone else’s. (Rough draft is OK, but please keep it short! Options will be provided if you don’t have your own manuscript). We will go through the steps necessary to create a 24-page “dummy,” which can be sent off to publishers when finished. There will be a combination of critiques and work ses-sions in class. We will not, however, cover drawing skills, beyond character develop-ment! If you need help with your drawing skills, it’s recommended that you take a drawing class first.$5 materials fee, paid to instructor at first class. Instructor will discuss other materials at first class.

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Stacye LeanzauMonday, 6:30-9pm, November 14-December 19 (6 weeks) $150 public, $135 Members

1024. PORTRAIT DRAWINGcert. course Correct proportions, val-ues, perspective, composition and likeness are areas of concentration in this course on portraiture. Beginners and interme-diates are given individual instruction at their own pace.Models’ fees will be split amongst stu-dents at the first class.Obtain materials list at The ArtsCenter front desk, prior to first class.Herb SlapouSection A: Tuesday, 6:15-8:15pm, September 6-October 11 (6 weeks) $120 public, $108 MembersuSection B: Tuesday, 6:15-8:15pm, October 25-November 29 (6 weeks) $120 public, $108 Members

1025. DRAWING WORKSHOP: MAGAZINE AND EDITORIAL CARTOONING Do you subscribe to The New Yorker just to read the cartoons? Much can be said with a single panel! From light social commentary to weighty editorial opinion to whimsical entertainment, the one panel gag cartoon has inspired people through magazines and newspapers for over a hundred years. Learn the basics of this still young art form and try your hand at creating your own cartoons in this fun workshop. $5 materials fee, paid to instructor at first class.Richard CloudtuTuesday, 6:30-9:30pm, September 20 (one-day workshop) $35 public, $31 Members

1026. DRAWING WORKSHOP: ILLUSTRATION TECHNIQUES OF NORMAN ROCKWELL If you saw the recent Norman Rockwell exhibit at NCMA, you’ll love this work-shop! Rockwell was a master at telling a whole story with a single frame. Learn

some of his techniques in this engaging and informative workshop. We will study many of the artist’s pieces, then try our hand at some of our own. $5 materials fee, paid to instructor at first class.Richard CloudtuTuesday, 6:30-9:30pm, October 4 (one-day workshop) $35 public, $31 Members

1027. BREAKING DOWN DRAWING: OBSERVATION AND MECHANICS Most drawings that fail do so in the be-ginning stages due to limited observation of the subject, poor planning and limited drawing mechanics–usually because the artist tries to render surface detail and small structure before adequately treat-ing primary considerations like overall placement and composition, proportion and balance, and larger shape and struc-ture. This workshop focuses on first things first. Using comparative measurement to aid observation, students will learn how to scope out their work before committing errors with the pencil, and how to break out of relying on only finger and hand me-chanics in drawing to use the whole range of arm drawing mechanics. $5 materials fee, paid to instructor at first class.Richard CloudtuTuesday, 6:30-9:30pm, October 18 (one-day workshop) $35 public, $31 Members

THE ARTIST AT WORK CERTIFICATE PROGRAM

Discover your inner artist! The ArtsCenter offers two certificate pro-grams in the fine arts: the Certificate in Drawing and the Certificate in Oil and Acrylic Painting. Artists enrolled in the programs will learn technical skills in their discipline and will develop their own personal style of expression as they create their own portfolios. Each Certificate Program will culminate in the Critique and Portfolio course,

where students will discuss and critique each other’s portfolios as well as get advice and criticism from profes-sional artists.

Certificate in Drawing:Basic Drawing and Design Intermediate Drawing Figure Life Drawing

Drawing with Color Art History (can be taken concur-rently with any other certificate class)Critique and Portfolio + 36 hours of electives

Certificate in Oil and Acrylic Painting:

Basic Drawing and Design Introduction to Painting Intermediate Painting or Painting StudioFigure Life Painting OR Landscape Painting Color Theory and Abstract Painting Art History (can be taken concurrently with any other certificate class)Critique and Portfolio I Critique and Portfolio II + 24 hours of electives

Electives: Any ArtSchool class marked as a certificate class may be taken to fulfill elective hours, so long as the class is not a required one in your curriculum. If you are unsure whether a class fulfills the elective re-quirements, or if you have any other questions about the Artist at Work Program, please contact the ArtSchool Director at [email protected].

Certificate courses are labeled “cert courses” in the catalog.


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1028. INTRODUCTION TO PASTEL PAINTING Enter the world of soft pas-tels with this informative and structured class designed to give you the opportunity to create colorful, well-presented pastel paintings. Pastel painting techniques, un-derstanding color theory, tools of good composition and some art history are included in this course. Students new to painting, as well as returning students, are welcome.Obtain materials list at The ArtsCenter front desk, prior to first class.Evan HirasawauMonday, 6:30-8:30pm, November 7-December 12 (6 weeks) $120 public, $108 Members

1029. INTRODUCTION TO ACRYLIC PAINTING This class primes you and your canvas with the basics of how to get started painting. Explore the fundamentals of acrylic painting, including color-mixing, underpainting, glazing and washing, dry brushing and use of the palette knife. Dis-cuss the principals of composition, line, color, value and texture. While structured lessons in various techniques are an im-portant part of this class, experimentation and the development of your own person-al style is encouraged, and individual at-tention is given to each artist. This course includes regular demonstrations of mate-rials, techniques and applications. Obtain materials list at The ArtsCenter front desk, prior to first class.Derrick BryantuTuesday, 6:15-9:15pm, September 13 -October 25 (7 weeks) $207 public, $186 Members

1030. CLASSIC OIL PAINTING: AN INTRODUCTION This class provides a com-plete introduction to oils, allowing students to discover the distinct expressive pos-sibilities of this truly classic medium. No painting experience is required! We will cover fundamentals such as composition, color, tone, and line, as well as the tradi-tional techniques and processes involved in making an oil painting. Students will learn skills such as underpainting, glazing, and scumbling, as well as how to mix and use mediums. This class will emphasize paint-ing from life, but students will have the opportunity to choose their own subject for a final project. Obtain materials list at The ArtsCenter front desk, prior to first class.Please contact the instructor prior to first class meeting, [email protected] CliftuWednesday, 6:15-9:15pm, September 7-October 19 (7 weeks) $207 public, $186 Members

1031. PAINTING STUDIO FOR OILS AND ACRYLICS cert. course Freely explore your individ-ual creative nature through painting in oils and acrylics. In the supportive working environment of this course, self-expres-sion, experimentation and the develop-ment of your painting skills are the goals. There will be regular demonstrations in various techniques, and students are given individualized instruction as needed. Enjoy discussions about philosophy, color theory, composition and art history.A basic understanding of acrylics or oils is advised. This class is not for beginners.Obtain materials list at The ArtsCenter front desk, prior to first class.Derrick BryantuTuesday, 6:15-9:15pm,November 8-December 13 (6 weeks) $179 public, $161 Members

1032. FIGURE PAINTING Learn to paint the human figure from life! While we will address

anatomy, proportion, and other life draw-ing topics in this class, our focus will be color, mixing flesh tones, and paint applica-tion. Students will create fast, high-energy sketches as well as more refined paintings from long poses. While the emphasis of this class is accuracy and creating a like-ness, we will also investigate how different painting techniques can be used to convey expressive qualities. Enjoy demonstrations and plenty of individual instruction. Draw-ing experience is encouraged.Obtain materials list at The ArtsCenter front desk, prior to first class.Please contact the instructor prior to first class meeting, [email protected] includes models’ fees.Julia CliftuWednesday, 6:15-9:15pm, November 2-December 14 (no class Nov. 23) (6 weeks) $239 public, $191 Members

1033. PORTRAIT PAINTING cert. course This course provides a wonderful opportunity to paint from a clothed model who is posing for you! (If you prefer, you may also bring a reference photo and create a painting from your own chosen subject). You may use oils, acrylics or mixed media to create your paintings. We’ll talk about various tech-niques and styles, from the Old Masters to Contemporary. We will also discuss the methods and materials of painting, includ-ing the palette, underpainting, paint mixing and different ways to apply paint. Discus-sions of lighting, color, form and composi-tion will be included as well. A model will pose for each class. All are welcome–from beginner to advanced. Instruction will be individualized for each student.Obtain materials list at The ArtsCenter front desk, prior to first class.Models’ fees will be split amongst stu-dents at the first class.Elizabeth MayuSection A: Monday, 6:30-9pm, Septem-ber 12-October 24 (7 weeks) $174 public, $158 MembersuSection B: Wednesday, 10am-12:30pm, October 26-December 14 (no class

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Nov. 23) (7 weeks) $174 public, $158 Members

1034. COLOR PRACTICE This 7-week class will focus on color. Beginning with an intro-duction to color theory and continuing with experiments with light and continu-ing with the application and removal of color layers, the student will begin to develop a understanding of how color works in paints and paintings. Each week, we will focus on a new color concept: value, glazing, additive and subtractive mixing, physical vs. biological colors, and color relationships. We will also explore the planning, progression and applications of layers as well as the development of color wheels. This is a technical class where experimentation is encouraged. Obtain materials list at The ArtsCenter front desk, prior to first class.Steven McClureuSunday, 2-4:30pm, September 11-October 23 (7 weeks) $174 public, $158 Members

1035. EN PLEIN AIRcert. course Painting out-of-doors can be a challenging but incredibly reward-ing experience. Out of the studio, we are faced with the dynamic forces of nature which challenge us to develop visual sensi-tivity, flexibility and resilience. In this class, students will learn how to view the land-scape and build a painting with an effective composition and use of color. Individual expression is encouraged, and students are free to employ the medium of their choice. The class will take place both in the studio and in various locations around the Chapel Hill/Carrboro area.Obtain materials list at The ArtsCenter front desk, prior to first class.Note: This class focuses on the use of oils & acrylics only.Jason WhitleyuSaturday, 10am-12:30pm, September 24-November 5 (7 weeks) $174 public, $158 Members

1036. COLLAGE Explore the joy of making art from cut paper! Collage can be used to create playful, expressive, wild or qui-etly subdued and deeply serious works. The works can be simple or complex, ab-stract or pictorial. In this class, we’ll use exercises to get started and loosen up, and discuss design concepts to help develop your work. We’ll use a variety of materials such as newspapers, magazines, wallpaper, ticket stubs and other found papers, along with textured papers we create in class. Students will be encouraged and guided in experimenting with this medium so they can explore and develop their own per-sonal expressions. We’ll view and discuss collage samples for inspiration.Annette deFerrariObtain materials list at The ArtsCenter front desk, prior to first class.

uMonday, 6:15-8:45pm, September 12 -October 17 (6 weeks) $150 public, $135 Members

1037. CONTINUING ACRYLIC/MIXED MEDIA PAINTING Fun with acrylics! For paint-ers with some experience who want the inspiration and challenge of projects, demos and critiques. The sections may be taken in-dividually, but are designed to be taken con-secutively. Each section is unique and builds on the skills from the previous classes.Bring painting materials to first class.Please, no oils!$10 material fee paid to instructor at first class.Luna Lee RayuSection A: Friday, 11am-2pm, September 16-October 21 (6 weeks) $179 public, $161 MembersuSection B: Friday, 11am-2pm, Novem-

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ber 4-December 16 (no class Nov. 25) (6 weeks) $179 public, $161 Members

1038. INTRODUCTION TO WATERCOLOR This course takes a close look at the unique qualities of watercolor and gives a thorough presentation of the basics of watercolor, including set-up, brush handling, washes and glazes, color-mixing, and wet-on-dry, wet-on-wet and dry-brush applications. Demos will be provided, and students will be guided through a series of hands-on painting exercises designed to increase their understanding of the basic concepts. This course is open to beginners or to any students who want a refresher in watercolor technique.Obtain materials list at The ArtsCenter front desk, prior to first class.Julie EastmanuMonday, 10am-noon, November7-December 12 (6 weeks) $120 public, $108 Members

1039. MORE ON WATERCOLOR This course is geared for the continuing student who already has some experience in watercolor. Through instructor-guided exercises or independent projects, students will expand their under-standing of wet-on-dry and wet-on-wet techniques and how to explore the color, texture and spontaneity that are unique to watercolor. The use of photo references to develop paintings will also be covered with emphasis on creative approaches.Obtain materials list at The ArtsCenter front desk, prior to first class.Julie EastmanuMonday, 7-9pm, November 7-December 12 (6 weeks) $120 public, $108 Members

1040. CONTINUING WATERCOLORcert. course This course is for intermedi-ate to advanced level students who want to continue to be stimulated and inspired by creative challenges and focused cri-tiques. The emphasis is on experimenta-

tion and individual interpretation of the projects. Please bring your painting materials to the first class.Luna Lee RayuSection A: Tuesday, noon-3pm, September 13-October 18 (6 weeks) $179 public, $161 MembersuSection B: Wednesday, 11am-2pm, September 14-October 19 (6 weeks) $179 public, $161 MembersuSection C: Saturday, 11am-2pm, September 17-October 22 (6 weeks) $179 public, $161 MembersuSection D: Tuesday, noon-3pm, Novem-ber 1-December 13 (no class Nov. 22) (6 weeks) $179 public, $161 MembersuSection E: Wednesday, 11am-2pm, November 2-December 14 (no class Nov. 23) (6 weeks) $179 public, $161 MembersuSection F: Saturday, 11am-2pm, November 19-December 17 (no class Nov. 26) (4 weeks) $120 public, $108 Members

1041. ENCAUSTIC PAINTING—at the artist’s studio This workshop teaches par-ticipants the basics of encaustic painting as well as a variety of advanced techniques. Encaustic painting involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface—usually prepared wood, though often other materials are used. The infor-mation and techniques taught in this work-shop include equipment and safety issues, tools, grounds and substrates, application and painting techniques, fusing, color mix-ing, incising, sgraffito, creating texture, sur-face manipulation and collage. Open to all levels, including those who have no experi-ence with encaustic painting or even those who have no painting experience at all but are willing to take the leap and come ex-plore.$35 materials fee, paid to instructor at first class (unless student is going to pur-chase own materials for course)Please also bring 2 small, rigid

wooden panels, approximately 10”x10”.Obtain a map to the artist’s studio at The ArtsCenter front desk, prior to the first class. The studio is located at 8711 Drew Lane, Chapel Hill.Lynn Bregman BlassuSaturday, 10am-2pm, October 1 & 8 (2 weeks) $91 public, $82 Friends

Please note: tuition for clay courses includes one bag of clay and studio fees, unless otherwise noted. If a student wishes to use more clay, bags may be purchased for $20 each. Tuition does not include a basic tool kit. Classes may be can-celed if enrollment is below 3 students; please sign-up in a timely manner. Visit www.carrboro-clay.com for specific info.

1042. CERAMICS OPEN STUDIO Open Studio enables students to prac-tice techniques, pursue individual skill development and enjoy the community of other potters; however, no instruc-tion is provided. Open Studio is included in the course fees for currently enrolled ce-ramics students. A two-week grace period is allowed after class finishes in order to complete projects started in class. Previous students may enroll in Open Studio by the month. The monthly fee includes 25 pounds of clay, firing fees and the use of all glazes. Please bring your own tools and pas-sion for clay. Cards can be purchased for a month’s use of the studio at The ArtsCenter front desk. $70 / monthCurrent Open Studio Times:uMonday: 9am-noon; Tuesday: 9am-noon; Thursday: 9am-noon; Friday: 9am-noon and 6-9pm; Saturday: 5-8pm; Sunday: 10am-4pmPlease Note: Open Studio times are subject to change. See www.carrboro-clay.com for the most updated schedule.Please Note: There will be no Open Studio on November 24-27.

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1044. HANDBUILDINGIn this class we’ll focus on functional forms and slip decorating techniques. We will cover plates, bowls, mugs, pitchers, and jar forms. Techniques will include slab building, drape molding, and free draping. Students will have the chance to make their own forms for plates as well as work with existing plaster “hump” molds.

Decorating techniques will include feather combing, scrifitto, stamping, marbling, and slip trailing. Each week we will focus on completing one form as we work towards more and more complex vessels. Students will be encouraged to think in terms of themes when it comes to their decorating and to develop specific ideas about how their decorations relate to the form and function of their work.Tuition includes materials fees, but not tools. Please click on “Adult Classes” at www.carrboroclay.com for info about tools.Christopher DonalduSaturday, 10am-12:30pm, September 10 -October 22 (7 weeks) $185 public, $170 Members

1045. WHEELTHROWINGThese introductory wheelthrowing classes are open to both beginners and advanced beginners. Beginners will learn to center the clay and throw basic utilitarian forms. More advanced students will improve their throwing skills, enabling them to work with larger amounts of clay and create more complex, assembled pieces. All stu-

dents will learn to work with glazes and other decorating methods that will result in lovely, functional pieces of pottery.Tuition includes materials fees, but not tools. Please click on "Adult Classes" at www.carrboroclay.com for info about tools.Jason Abide, Anya Avrutskaya, Rebecca Clewell, Karla Nagy and James WarduSection A (Clewell): Wednesday, 6:30-9pm, September 7-October 12 (6 weeks) $165 public, $152 MembersuSection B (Abide): Monday, 6:30-9pm, September 12-October 24 (7 weeks) $185 public, $170 MembersuSection C (Nagy): Tuesday, 6:30-9pm, September 13-October 18 (6 weeks) $165 public, $152 MembersuSection D (Ward): Saturday, 2-4:30pm,September 10-October 22 (7 weeks) $185 public, $170 MembersuSection E (Avrutskaya): Thursday, 6:30-9pm,September 15-October 27 (7 weeks) $185 public, $170 Members

1043. SUNDAY CERAMICS OPEN STUDIO (SUNDAYS ONLY)For those with limited time and a tight budget, Sunday Open Studio allows students to attend ONLY the Sunday session of Open Studio. Please see the Ceramics Open Studio description for more details. Cards can be purchased for a month’s use of the studio at The ArtsCenter front desk. $45 / monthuSunday, 10am-4pmPlease Note: Open Studio times are subject to change. See www.car-rboroclay.com for the most updated schedule.Please Note: There will be no Sunday Open Studio on November 27.

Instructor Chris Donald demonstrates a technique to his class.


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uSection F (Ward): Tuesday, 6:30-9pm, November 1-December 13 (7 weeks) $185 public, $170 MembersuSection G (Avrutskaya): Thursday, 6:30-9pm, November 3-December 15 (no class Nov. 24) (6 weeks) $165 public, $152 Members uSection H (Abide): Monday, 6:30-9pm, November 7-December 12 (6 weeks) $165 public, $152 Members

1046. CHEERS TO THE HOLIDAYS!In this class, we will focus on making the vessels you need for your holiday party! We will make everything you need to enter-tain your guests in style, from wine goblets, serving bowls and chip-and-dip platters, to wheel-thrown Christmas ornaments they can take home as party favors. We will use wheel-throwing and sectional techniques to create the desired shape and sizes of your pieces. Given time and interest, we can also explore decorative techniques Let us fill the holidays with beautiful pottery!Prerequisite: At least one beginning wheelthrowing class. Tuition includes cost of one bag of clay, glazes and firing feesBecky ClewelluWednesday, 6:30-9pm, October 26-December 7 (no class Nov. 23) (6 weeks) $165 public, $152 Members

1047. PLATES AND PLATTERSThis class will cover making plates and platters using all handbuilding techniques. I will also demonstrate some wheel meth-ods to interested students. We will ex-plore using drape molds and will make our own molds during class. We will looks at alternative ways of draping clay to create plates and platters of almost any size or shape, and decorating techniques such as embossing, stamping, masking, slip decorat-ing and carving.No experience required; all levels wel-come. Obtain materials list at The ArtsCenter front desk, prior to first class.Tuition includes materials fees, but not

tools. Please click on “Adult Classes” at www.carrboroclay.com for info about tools.Christopher DonalduSaturday, 10am-12:30pm, October 29-December 17 (no class Nov. 26) (7 weeks) $185 public, $170 Members

1048. INTERMEDIATE WHEELTHROWINGStudents will learn more advanced tech-niques. We will address, in greater depth, pulling handles, trimming feet, making vari-ous lids, throwing with ribs, working with greater amounts of clay, decorating, alter-ing and finishing pottery. Students should be comfortable center-ing 2+ pounds of clay.Tuition includes materials fees, but not tools. Please click on “Adult Classes” at www.carrboroclay.com for info about tools.James WarduSaturday, 2-4:30pm, October 29-December 17 (no class Nov. 26) (7 weeks) $185 public, $170 Members

1049. BEGINNING METAL-SMITHING: THE FIRST STEP—BASIC TECHNIQUESThis class is the first step into the creative world of metalsmithing. In this class, stu-dents will learn basic techniques and tool care, and projects will start with metal preparation, design layout, and sawing. Students will learn filing and sanding tech-niques and finally how to apply a texture and final finish and/or patina. A copper or brass pierced pendant, earrings or key chain will be made. Students will be expected to follow along with the class projects.$12 studio fee and an $8-$20 materials fee, based upon current market prices of metals, paid to instructor at first class.This is a prerequisite to all other metal-smithing classes.

Chrissy Jahnes u Tuesday, 6:30-9pm, September 6-27 (4 weeks) $101 public, $91 Members

1050. BEGINNING METALSMITH-ING: COLD CONNECTIONS—WIRE AND TUBE RIVETSCold Connections is a great next step for beginning jewelry makers. Without having to solder or use a torch, you can create high quality pieces that you will be proud to wear. Once you learn some simple ways to join metal, you will be able to fash-ion a wide array of jewelry using tools that are inexpensive and readily available. The riveting techniques that you will learn al-low you to join different metals and incor-porate “found” and non-metal accents into your pieces that would not be able to be soldered. A pin or pendant in copper and/or brass will be made. Students will be expected to fol-low along with the class projects. $12 studio fee and an $8-$20 materials fee, based upon current market prices of metals, paid to instructor at first class. Students wishing to use sterling silver in their projects can obtain a list of suppliers from the instructor. Prerequisite: Beginning Metalsmithing: The First Step—Basic Techniques.Chrissy Jahnes uTuesday, 6:30-9pm, October 4-25 (4 weeks) $101 public, $91 Members

1051. SILVER METAL CLAY BASICSSilver metal clay is pure silver metal sus-pended in a binder. It works very much like ceramic clay. When fired in a kiln at 1650°F, the binder burns out and pure metal remains. Students will learn about the tools used to sculpt and create jewelry with the clay. The class will cover mak-ing your own texturing plates, imprinting, forming, firing and finishing. Each student should be able to make one ring and sev-eral small pendants / charms or earrings. Each student will need to being a deck of cards and one can of OLIVE oil spray (not canola or Pam).

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Students will be charged for a 25-gram package of silver metal clay which costs $60 at the time of printing. The actual cost at the start of class may be higher or lower depending on the silver market. If the cost of silver is close to $50 an ounce, then we will use the alternative copper or bronze clay.Monica HunteruSection A: Thursday, 6:30-9pm, Septem-ber 8-22 (3 weeks) $77 public, $69 Mem-bersuSection B: Thursday, 6:30-9pm, Novem-ber 3-17 (3 weeks) $77 public, $69 Mem-bers

1052. THE BEAUTY OF BASSE-TAILLE ENAMELINGLearn the techniques of this intriguing style as it applies to the forms of jewelry design. Basic Techniques- The A-Z of Enamel-ing will be reviewed in this 2-part class (Sections A & B).$25 studio fee per section, paid to instructor at first class. Please contact instructor prior to first class to discuss necessary materials. Prerequisite: Beginning Metalsmithing: The First Step—Basic Techniques. Experi-ence with enamels is helpful but not nec-essary.Completion of Section A of this course is required in order to take Section B. Barbara McFadyenuSection A: Wednesday, 6:30-9:30pm, September 14-October 19 (6 weeks) $179 public, $161 MembersuSection B: Wednesday, 6:30-9:30pm, October 26-December 7 (no class Nov. 23) (6 weeks) $179 public, $161 Members

1053. INTRODUCTION TO LAMPWORKING—at the artist’s studioCurious about hot glass? Wondering if lampworking is for you? This half-day in-troductory class provides you the oppor-tunity to try your hand at lampworking on a table-top propane/oxygen fueled torch.

Students will learn basic information about safety, the use of the torch and other lamp-working equipment, and an introduction to some basic glass beadmaking techniques. There will be plenty of torch-time—class size is limited to 4, so every student gets use of their own torch!$10 materials fee, paid to instructor at first classNote: Students must be at least 16 years of age. Please wear cotton clothing (long pants and sleeves) and closed-toed shoes with long hair tied back. Safety glasses provided. Please bring water.Please obtain directions to artist’s stu-dio at The ArtsCenter front desk.Sandra BeemanuSection A: Saturday, 10am-1:30pm, September 17 (one-day workshop) $67 public and MembersuSection B: Saturday, 10am-1:30pm, Octo-ber 15 (one-day workshop) $67 public and Members

1054. GLASS BEADMAKING ON THE TORCH—at the artist’s studioThis is a comprehensive beginning lamp-working course. Students will learn about safety, lampworking and beadmaking equip-ment, glass properties, beadmaking tech-nique and annealing. Using table-top oxy-gen/propane fueled torches and soft glass, students will learn to make wound glass beads of many shapes; the use of shaping, raking and poking tools; surface decora-tion; pulling and using stringers; and basic encasing. Class size is limited to four—so every student gets use of their own table-top torch and plenty of individual atten-tion from the instructor! “Introduction to Lampworking” is not required before taking this class.$40 materials and equipment fee, paid to instructor at first classNote: Students must be at least 16 years of age. Please wear cotton clothing (long pants and sleeves) and closed-toed shoes with long hair tied back. Safety glasses provided. Please bring water and lunch both days if attending Section B.

Please obtain directions to artist’s stu-dio at The ArtsCenter’s front desk.Sandra BeemanuSection A: Monday, 10am-1:30pm, Sep-tember 19-October 10 (4 weeks) $247 public and MembersuSection B: Saturday & Sunday, 10am-5pm, October 22 & 23 (two-day work-shop) $247 public and Members

1055. INTRO TO DIGITAL PHOTOGRAPHY—at the Century CenterDo you have a digital camera and want to learn how to use it more effectively? In this class, we will talk about general photographic technique such as framing, composition, and lighting, as well as gen-eral photographic terms that you should be aware of to use to take great pictures such as focus, depth of field, lens speed, aperture, shutter speed, effective ISO/ASA, white balance, and continuous high-speed shooting. In between classes, you will have shooting assignments, and we will review what you did in class. We will also delve into features specific to digital photogra-phy, such as suggested best practices for storing and archiving digital images, shoot-ing in RAW vs. other formats, panoramic shots, and sound and video capture. It will be a fun class that will help you to become a better master of your digital camera.Please note: This class takes place at the Century Center at the intersection of Weaver and Greensboro Streets in Car-rboro.Cosponsored with Carrboro Recre-

photography

DARKROOM RENTALThe darkroom is available for rental to experienced developers. Please inquire at The ArtsCenter’s front desk for more information. Rental is $35 per month ($30 Members) or $85 for three months ($70 Members).


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ation and Parks DepartmentDilip BarmanuThursday, 6-8:20pm, September 8-October 20 (no class Sept. 29) (6 weeks) $140 public, $126 Members

1056. BEGINNING PHOTOGRAPHY: FILM OR DIGITALFilm or digital, the elements of a good photograph remain the same. Understand these elements, and learn how to use them to create what your eye sees. Learn what to expect, from what your camera tells you to the final print. Weekly assign-ments will emphasis the concepts.Students must have a film or digital SLR (single lens reflex) camera with lens, or a camera that can control exposure manu-ally. Brady LambertuSection A: Monday, 6:30-8:30pm, September 12-October 3 (4 weeks) $82 public, $74 MembersuSection B: Monday, 6:30-8:30pm, November 21-December 12 (4 weeks) $82 public, $74 Members

1057. ADVANCED DIGITAL PHOTOGRAPHY: COMPOSITION AND CAMERA CONSIDERATIONS—at the Century CenterAre you familiar with basics of pho-tography, such as effectively com-posing images, using aperture- and shutter-priority, the exposure tri-angle and depth of field? Are you also comfortable with digital pho-tography with some understanding of workflow, file formats, white bal-ance and color management? In this new 4-week class, we continue with more compositional considerations in creating artful images for effect, such as balance, symmetry and asymmetry, golden ratio, golden spiral, triangulation, and avoiding “mergers.” We consider color theory to help in creating pleasing images.

We problem-solve several potentially chal-lenging shooting scenarios. Also, we dis-cuss equipment choices that you may want to make, including tripods, monopods, and other portable stabilizing devices. For Dig-ital SLR (DSLR) users, we consider types of lenses that may be useful for you. We discuss shooting in fully manual mode as well as “RAW” mode and present trad-eoffs of RAW vs. JPG photography.Please note: This class takes place at the Century Center at the intersection of Weaver and Greensboro Streets in Car-rboro.Cosponsored with Carrboro Recre-ation and Parks DepartmentDilip BarmanuThursday, 6-8:20pm, November 3-December 8 (no class Nov. 24) (5 weeks) $116 public, $104 Members

1058. ADVANCED PHOTO TECHNIQUESMastering photography takes an under-standing of how light and your camera work together. In this course, we will dis-

cuss different types of light: natural light, man-made light, flash and studio lighting. We will also explore camera techniques with long exposure, multiple exposure and other trickery. This will be a very hands-on class, so expect to shoot a roll per week (or digital equivalent), as each student will be asked to present one or two photos for discussion in every class.Students need an SLR camera, either film or digital, with a hotshoe and external flash.Brady LambertuMonday, 6:30-8:30pm, October 17-November 7 (4 weeks) $82 public, $74 Members

1059. BEGINNING BLACK & WHITE DARKROOMEver want to make your OWN prints?

Develop your OWN film? Take control of your artistic vision with a basic introduction to black and white darkroom photography. Take one roll of black and white film completely through the steps needed to go from film to print. Process your film, make a contact sheet and a final print, while gain-ing solid understanding of the pro-cess behind the process.Recommended but not re-quired: Beginning Photography or similar experienceBring a roll of exposed/unde-veloped 35mm standard b/w film. Sorry, no APS or C-41 process film.$15 materials fee for chemicals, paid to instructor at first classTony BakeruWednesday, 6:30-8:30pm, September 14-October 5 (4 weeks) $82 public, $74 Members

1060. THE FINE PRINTThis is a great follow-up course to the Be-ginning Black & White Darkroom course or equivalent experience. Improve all your printing techniques including exposure,

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contrast control, dodging, burning, toning, retouching and framing. This is a repeat-able darkroom course in which you will gain skills that last a lifetime.Some darkroom experience is strongly recommended.Required: processed, ready to print, 35mm b/w negatives and a 25-sheet pack-age of 8x10 RC Photo Paper$15 materials fee for chemicals, paid to instructor at first classTony BakeruWednesday, 6:30-8:30pm, October 12-November 16 (6 weeks) $120 public, $108 Members

1061. AUTUMN PHOTOGRAPHY WORKSHOPTake this Friday afternoon small-group workshop to briefly review photographic technique, composition, and lighting and then shoot! We will pick an area site where you can spend a few hours photo-graphing with guidance and feedback. You will also have the opportunity to share your images with others. Come with a digital (preferred) or film camera and ac-cessories (such as tripod and flash) with which you are familiar. We will meet for a second time to project images that you have shot and critique them.Note: The second class meeting is lo-cated at The Century Center.Dilip BarmanuFriday, 4:30-6:45pm, October 7 & 6:15-8:15pm October 21 (2 weeks) $49 public, $45 Members

1062. PHOTOGRAPHY WORK-SHOP: HIGH DYNAMIC RANGE (HDR) PHOTOGRAPHYYou will learn what gear is needed to shoot HDR images correctly, plus cam-era settings and shooting techniques. ln a special segment of the course, you will learn how to extend the apparent dynamic range of your camera, giving you greater tonal range than you thought possible. We will use various software programs to cre-ate HDR images. Among the programs we will touch on are Photoshop CSx, Photo-

matrix Pro, and FDR. Tone mapping, expo-sure blending and detail enhancement will be covered in detail. Various software set-tings for best performance and image en-hancement will be demonstrated. You do not need a computer to take this course, only a desire to broaden your photograph-ic horizons and the abilities to ask ques-tions and to take notes.$15 materials fee, paid to instructor at beginning of classTheodore SalamoneuThursday, 6:30-9:30pm, September 8 & 15 (2 weeks) $86 public, $77 Members

1063. PHOTOGRAPHY WORK-SHOP: PHOTO RESTORATION, REPAIR, AND PRESERVATION This course is ideal for anyone who has old prints or negatives (family photos, va-cation images, etc.) that you would like to restore, repair and preserve. Restored im-ages of their early years make great pres-ents for parents and grandparents, plus they become treasured documents for future generations who are interested in their family history and genealogy. You will learn how to quickly calculate the best set-tings to scan prints and negatives or what questions to ask a scanning lab if you want to hire out this part of the operation. You will also learn how to correct fading and improve density, remove and repair stains, make color corrections, rebuild missing and damaged color, remove dust and un-wanted textures, properly crop the image for better storytelling and repair and re-place image sections. Finally, we will cover toning, tinting and hand coloring, plus noise reduction, sharpening and lens correction techniques to correct pin cushioning, bar-rel distortion and vignetting. You do not need a computer to successfully take this class, only a desire to broaden your pho-tographic horizons, and the abilities to ask questions and to take notes.$15 materials fee, paid to instructor at beginning of classTheodore Salamone

uThursday, 6:30-9:30pm, September 29 & October 6 (2 weeks) $86 public, $77 Members

1064. PHOTOGRAPHY WORKSHOP: COMPOSITION TECHNIQUES Have you mastered exposure and other technical aspects of photography, but stillstruggle with your creative “eye” or vi-sion? This basic class will teach you how to properly compose photos to tell a bet-ter story. You will learn all the basics, in-cluding simplicity, framing, mergers, lines (diagonal, converging), the Rule of Thirds, patterns, repetition and Dutch angles. Sample images will be displayed for review and critiquing to help you visualize “good” composition from “bad” or none.$15 materials fee, paid to instructor at beginning of classTheodore SalamoneuThursday, 6:30-9:30pm, October 13 & 20 (2 weeks) $86 public, $77 Members

1065. PHOTOGRAPHY WORKSHOP: POSINGDo you have trouble placing people for photos, or would you like to learn how the pros do it so quickly? By taking this class you will learn the basics of how to properly pose individuals, couples and small groups. Go from snapshots with too much headroom and no feet to wonderful portraits with grace, drama and attitude. You will learn how to pose for formal and casual settings. We will also cover “C” curves, “S” curves and geometrics. For Digital SLR and point-and-shoot cameras. Bring your camera, its manual, memory cards and fresh batteries.Optional: Bring your external flash, its manual and fresh batteries.$15 materials fee, paid to instructor at beginning of classTheodore SalamoneuThursday, 6:30-9:30pm, October 27 & November 3 (2 weeks) $86 public, $77 Members


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1066. PHOTOGRAPHY WORKSHOP: DIGITAL PHOTOGRAPHY WORKFLOWYou will learn what a digital workflow is and how the right one can help you speed up your proofing and editing processes while producing better images at the same time. Every step in making an image will be covered from start to finish, with a special step-by-step editing demonstra-tion emphasizing which tools to use, why you should use them and not others, and the correct order for using them as you de-noise, sharpen, white balance, adjust exposure, color correct, and more. You will also learn economical shooting, the necessity for multiple back-up techniques, ways to protect your images during and after the session, how the album design process fits and how displaying your im-ages impacts your workflow.$15 materials fee, paid to instructor at beginning of classTheodore SalamoneuThursday, 6:30-9:30pm, November 10 & 17 (2 weeks) $86 public, $77 Members

1067. PHOTOGRAPHY WORKSHOP: MACRO PHOTOGRAPHY FOR UNDER $20You will learn how to take excellent macro photos (not close-up faux macro photos using the tulip icon) by spending as little as $20 in extra gear. This class is ideal for anyone who owns a digital camera (DSLR or advanced Point & Shoot with Ap-erture Priority mode) and wants to learn the best ways to take close-up images or true macros (1:1 life size or—better—up to 16:1 with the right equipment). Whether taken as a refresher course or as an introduction, this course steps you through all you need to know to make unbelievable Macro im-ages. Upon completion, students will know what camera settings to use, the best lenses to use for various

subjects (working distance), other equip-ment needed, lighting techniques and how to download / upload images to / from a computer. Equipment and techniques demonstrated in class include: bellows, rails, reversing rings, lens stacking, diopters, extension tubes and a real macro lens. A macro workstation with various piec-es of gear will be set up for everyone to use, so you DO NOT need to bring your own equipment.$15 materials fee, paid to instructor at beginning of classTheodore SalamoneuTuesday, 6:30-9:30pm, November 29 & December 6 (2 weeks) $86 public, $77 Members

1068. SCREEN PRINTING FOR EVERYONEArtists, teachers and anyone else interest-ed in creating multiples of original art work will benefit from this one-day workshop. The paper stencil and drawing fluid/screen filler methods will be taught. Students will print their own designs on T-shirts, cards, fabric and/or paper. Even if you have never printed before, you will be amazed at the results. Special emphasis will be placed on helping teachers incorporate screen-print-ing into their curriculum. Beginning and more experienced printers are welcome.Vidabeth Bensen$40 materials fee, paid to instructor at first class, includes a screen and squeegee for each student to keep. Stencil materials, inks, and cleaners for use during the class will also be supplied.uSaturday, 10am-4pm, October 22 (one-day workshop) $62 public, $56 Members

1069. FRAMING DESIGNLearn picture framing methods and

design, and how to choose a framer. Students will receive a free matted print, and will be invited to bring their own items for discussion. Michelle DraughonuThursday, 6-7pm, September 29-October 20 (4 weeks) $48 public, $43 Members

1070. BLOWN GLASS PAPERWEIGHT WORKSHOP—at The Thermal Lab studioThis one-day workshop, held at Sally Rockriver’s Thermal Lab, is a solid foundation for future glass blowing courses. Intensive and hands-on, the day includes demonstrations on how to work with molten furnace glass accompanied by class exercises. Students will have close-up contact with the equipment, processes, con-cepts and materials. Each par-

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screen print from Vidabeth Bensen’s workshop

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ticipant will gather hot glass on a long pipe and make their own colored glass paper-weight and swizzle-stick canes.Students should wear 100% cotton long-sleeve shirt, non-synthetic pants, closed-toed shoes with hair back. Cameras are fine. Bring water and a bag lunch.Tuition includes all materials.Obtain directions to the artist’s stu-dio at www.thermallab.com or at The ArtsCenter front desk.David Schaeffer uSection A: Saturday, 10am-5pm, October 29 (one-day workshop) $175 public and MembersuSection B: Saturday, 10am-5pm, November 19 (one-day workshop) $175 public and MembersuSection C: Saturday, 10am-5pm, December 3 (one-day workshop) $175 public and MembersuSection D: Saturday, 10am-5pm, December 17 (one-day workshop) $175 public and Members

1071. STAINED GLASS CRASH COURSE —at the artist’s studioIf you have always appreciated the beauty of stained glass, come find out how it’s done by doing it yourself. In a completely relaxed and casual atmosphere at the art-ist’s studio in Mebane, overcome the in-timidation of breaking glass with your bare hands (and a few handy tools). This one-day workshop is designed for complete be-ginners, but is also perfect for those who need a quick refresher course or want to gain more experience. We will cover all the basics of the copper foil method, in-cluding: glass cutting, grinding, foiling & sol-dering. Students will be allowed to choose from several patterns and glass combina-tions including seasonal, traditional, con-temporary and whimsical. This is a fun and fast-paced day with a 30 minute break for lunch- which each student should bring. Each student will complete a small panel, ornament or suncatcher and will leave with suggested reading, resource informa-

tion and a wealth of knowledge and expe-rience that prepares the student for the intermediate copper foil level.This class only employs the copper foil method.Students will be charged an estimated $40 for materials, paid to instructor on the day of the workshop (cash or check only, please). Students should bring a bag lunch and bottled drink.Dress should be casual with closed-toe shoes.Please obtain directions to artist’s studio at The ArtsCenter’s front desk or contact the instructor at [email protected] AustinuSection A: Saturday, 9am-5pm, September 17 (one-day workshop) $105 public, $94 MembersuSection B: Saturday, 9am-5pm, October 15 (one-day workshop) $105 public, $94 MembersuSection C: Saturday, 9am-5pm, Novem-ber 12 (one-day workshop) $105 public, $94 MembersuSection D: Saturday, 9am-5pm, Decem-ber 10 (one-day workshop) $105 public, $94 Members

1072. BEGINNING / CONTINUING STAINED GLASS—at the artist’s studioIf you have always appreciated the beauty of stained glass, come find out how it’s done by doing it yourself. In a completely relaxed and casual atmosphere at the art-ist’s studio in Mebane, overcome the in-timidation of breaking glass with your bare hands (and a few handy tools). Beginning students will learn glass cutting basics and the terms and techniques of stained glass using the copper foil method. Students will be allowed to choose a medium sized (roughly 17” x 22”) pattern from several styles and glass combinations (prices vary on glass types). The instructor will assist and supervise students with previous ex-perience who have ideas, personal projects

or ‘works in progress’. Students will not be required to purchase expensive equip-ment–only materials that are used in the creation of the project. Beginners will gain experience that prepares them for the intermediate copper foil level, and Inter-mediates will leave ready for the Design & Leading Class.This class only employs the copper foil method.Students proficient in the copper foil method can contact instructor to be placed on the list for the next Leading & Design ClassStudents will be charged an estimated $85 for materials, paid to instructor at first class meeting.Intermediate students should bring pat-terns and ideas for planning purposes.Dress should be casual with closed-toe shoes.Please obtain directions to artist’s studio at The ArtsCenter’s front desk or contact the instructor at [email protected] AustinuSection A: Tuesday, 9:30-11:30am, September 13-November 1 (8 weeks) $155 public, $140 MembersuSection B: Thursday, 7-9pm, September 15-November 3 (8 weeks) $155 public, $140 Members

1073. ACTING INTENSIVEStudents will express their creativity while learning fundamental acting skills. This class is designed to focus on two specific areas of acting technique: Instinct and Prepara-tion. Class will begin with exercises and improvisations to deepen the actor’s sense of open honest listening and responding. This moment-to-moment reality will be explored within the framework of behaving truthfully under imaginary circumstances. The actor will explore character creation, needs, obstacles, and being in the moment.

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Exercises are used to help actors dive into a character’s physical and emotional life, increase relaxation and concentration, and open up the actor’s instrument and imagi-nation. Next, scenes are carefully chosen that both suit and challenge the actor. A step-by-step approach to scene work fol-lows from analyzing text and making to specific effective choices, to developing a character and creating the role. This class is for the beginner AND ad-vanced student. However, careful consid-eration will be given to the scripts chosen. Virginia Queen DanforduThursday, 6:15-8:15pm, September 8 -December 15 (no class Nov. 24) (14 weeks) $275 public, $247 Members

1074. ACTING ON-CAMERAStudents will become both creatively and technically comfortable while acting in front of the camera. Students will be ex-posed to a variety of on-camera acting techniques and will apply those skills to improv, exercises and scenes. They will ex-plore different on-camera genres including film, episodic television, commercials, soap

operas and industrials. Students will learn about the framing of different shots, as well as important technical aspects including hitting your mark and physical and emo-tional continuity. The main focus of this workshop will be on the minimalistic style of film acting, the importance of listening and reacting and the challenges actors face in finding truthful organic behavior in front of the camera.Virginia Queen DanforduTuesday, 6-9pm, November 15-December 13 (5 weeks) $150 public, $135 Members

1075. IMPROV CAMP FOR ADULTS!—at University SquareBack by popular demand! A whole week of improv fun. Have you ever wanted to learn improv theater? Or perhaps you’ve taken improv classes, but would like more time to dedicate to it? Are you ready to become a more spontaneous and creative person? This week-long immersion is for you! In this class, we will meet nightly to learn the art of improv theater. Through playful games and exercises, we will ex-

plore how to build imaginary worlds without the use of props, create interesting characters in a moment's time through body and voice as well as many other improv tenets that allow us to create powerful and compelling scenes on stage. The week will end with an informal perfor-mance celebration for friends and family!Transactors Improv Co. is the South’s oldest improv company. For more information, please visit http://transactors.org/. No experience necessary. Anoushka Brod of Trans-actors Improv Co.uMonday-Friday, 6:30-9pm, October 10-14 (one week workshop) $113 public, $102 Members

1076. INTRO TO IMPROVThis class is for the novice who would like to explore the world of improv theatre. Through fun games and exercises we will learn how to work together in a group, cre-ating "group mind" to create scenes with-out a script or props! Relying on imagi-nation and simple, easy-to-learn tools, we discover how to make scenes interesting and exciting on stage. Come join the fun!Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. No experience necessary. Anoushka Brod of Transactors Improv Co.uMonday, 6-8:30pm, September 12-October 3 (4 weeks) $101 public, $91 Members

1077. INTERMEDIATE IMPROV —at University SquareThis is for the improvisor who has already learned the basics and wants to deepen into the improv experience! Focus will be on creating believable characters in a

2011 Summer Improv Camp for Adults!

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moment’s time, saying “yes” to your team-mates’ offers and developing even greater confidence on-stage as a performer. Come join the fun and bring some more play into your life! Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. “Intro to Improv” or equivalent experi-ence is required for this course.Anoushka Brod of Transactors Improv Co.uMonday, 7-9:30pm, October 17-Novem-ber 7 (4 weeks) $101 public, $91 Members

1078. ADVANCED IMPROV AND PERFORMANCEThis class is for the ongoing learner. of im-prov. In this session, we will delve deeper into scenework while staying rooted in the basics of “yes, and,” full commitment on stage , and creating a rich environ-ment through spacework. We will create characters that come alive through strong physical and vocal choices. Also, we will begin going beyond short scenes into the world of long-form improv. The class will culminate with an informal performance for friends and family on the last night. This class is for those of you who just can’t get enough improv and are serious about play! Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. This class is for those who have com-pleted Intro and Intermediate Improv or have equivalent experience. Note: Section B will be held at Univer-sity Square.Anoushka Brod of Transactors Improv Co.uSection A: Sunday, 2:30-4:30pm, September 11-October 30 (8 weeks) $144 public, $130 MembersuSection B (at Univ. Square): Monday, 7-9pm, November 14-December 19 (6 weeks) $108 public, $97 Members

1079. INTRODUCTION TO BALLROOM DANCELearn to dance fun, easy, basic steps in Rumba, Swing, Waltz and Tango.Shoes make a big difference. They must stay firmly on the feet and have leather or leather-like smooth, hard, non-stick soles with moderate, not-too-high heels for women (but no flats, please). Please, no sneakers, hush puppies or other soft soled shoes.Jon Paul McClellanuSection A: Monday, 8:30-9:30pm, Sep-tember 12-October 3 (4 weeks) $64 public, $58 MembersuSection B: Monday, 8:30-9:30pm, Octo-ber 17-November 7 (4 weeks) $64 public, $58 MembersuSection C: Monday, 8:30-9:30pm, No-vember 21-December 12 (4 weeks) $64 public, $58 Members

1080. BEGINNER / INTERME-DIATE TRIBAL BELLYDANCE: SHAKE IT UPIncrease your grace and confidence with a fun and challenging introduction to Tribal Fusion Bellydance! Students will learn a beautiful choreography to show friends & family along with the fundamental bel-lydance movements, and Intermediate students will begin to layer moves for ex-tra dazzle. Class opens with a 15 minute strengthening/stretching routine to keep you strong through fall and winter.Please wear comfortable clothing.Dancers of all levels and abilities are welcome! Maqui OrtizuSection A: Monday, 6:15-7:30pm, September 19-October 24 (6 weeks) $85 public, $76 MembersuSection B: Monday, 6:15-7:30pm, October 31-December 12 (no class November 28) (6 weeks) $85 public, $76 Members

1081. INTERMEDIATE / ADVANCED TRIBAL FUSION BELLYDANCE FOR ELECTRIC PERFORMANCES: SHIMMY IT UP A NOTCHWhat makes for a mesmerizing dance per-formance? In this class, students will devel-op the skills to delight an audience, whether you’re dancing for one person or one hun-dred! Basic dance skills will be advanced through traditional drilling, but the focus will be on stage presence, confidence and projection; as well as developing the abili-ties to both improvise and choreograph. This course is designed to push intermedi-ate and advanced students through typical performance barriers, such as stage fright, in a supportive and encouraging environment. Please wear comfortable clothing.Knowledge of basic Bellydance moves is required, but no performance experience of any kind is necessary.Maqui OrtizuSection A: Monday, 7:45-8:45pm, September 19-October 24 (6 weeks) $68 public, $61 MembersuSection B: Monday, 7:45-8:45pm, October 31-December 12 (no class Nov. 28) (6 weeks) $68 public, $61 Members

TAPPIN’ IS A BLAST!Nothing is more fun than tap dancing, and these classes are off the hook! Choose a level and stay in it until you feel ready to move on. Members will enjoy these jam sessions while exploring such moves as: brushes, ball-changes, flaps, time steps and much more. These classes are a blast that all ages will love. Note: Students will be invited to per-form their dances during a special “Dance Night” at the ArtsCenter at the end of each session.Virginia Queen Danford

1082. TAPPIN’ IS A BLAST (BEGINNING LEVEL)uTuesday, 6-7pm, September 13-November 8 (9 weeks) $101 public, $91 Members

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1083. TAPPIN’ IS A BLAST (ADV / BEG LEVEL)uTuesday, 7:15-8:15pm, September 13 -November 8 (9 weeks) $101 public, $91 Members

1084. TAPPIN’ IS A BLAST (INTERMEDIATE LEVEL)uTuesday, 8:30-9:30pm, September 13 -November 8 (9 weeks) $101 public, $91 Members

1085. BEGINNER HIP-HOP You don’t want to miss this popular class! Enhance your coordination, rhythm and strength while learning basic hip-hop moves. This is a beginner to advanced be-ginner dance class that includes a warm-up, combination drills in place, as well as a dance that we add to each week, followed by a cool down. Be prepared to sweat and have fun while finding your own style and increasing your dance skills. It’s a blast. Come and join us!TBAuSection A: Wednesday, 6:15-7:15pm, September 7-October 19 (7 weeks) $79 public, $71 MembersuSection B: Wednesday, 6:15-7:15pm, Octber 26-December 14 (no class Nov. 23) (7 weeks) $79 public, $71 Members

1086. MODERN DANCEAt the heart of Modern Dance we find artistic expression and the celebration of individuality. The workshop will teach Mod-ern Dance with an emphasis on release-based technique. Release technique focuses on body alignment, momentum and fluidity in dancing. This practice will share a healthy and sustaining understanding of the core, breath and energy. Technique will include invigorating floor work and dynamic move-ment exercises using release, weight and momentum. Elements of dance improvi-sation will be used to explore the range of movement. Together, we will enhance our strength, agility, flow and expression through movement. The class will be a safe, open, and fun environment for anyone in-terested in learning through dance.

Experience is not required and all mov-ers are greatly welcomed! Erin Casanega uSection A: Wednesday, 7:30-9pm, September 14-October 19 (6 weeks) $92 public, $83 MembersuSection B: Wednesday, 7:30-9pm, October 26-December7 (no class Nov. 23) (6 weeks) $92 public, $83 Members

1087. BOLLYWOOD / BHANGRA DANCE The first session will focus on Bollywood. Bollywood dancing is a fun, high-energy and contemporary form of Indian dance. It combines the styles of classical Indian dance, belly dancing and hip-hop with a hint of mystique. This class will provide a great workout while exposing you to a cultured dance form. Come and learn the sensual and breath-taking moves that have captured the eyes of Bollywood cinema lovers worldwide!! The second session will focus on bhangra. Bhangra is a traditional Indian dance form from the state of Punjab. It is very upbeat and energetic and will never have you bored! The rhythm of bhangra music lends itself to mixing with hip-hop and very popular beats. It is the perfect cardio workout, so come learn an exciting new dance form that will leave you feeling great every time!No experience is necessary. This is designed as a beginner level course. Come dressed in comfortable clothing that is easy to move in.Bianca PateluSection A: Thursday, 6:10-7:10pm, Sep-tember 8-October 13 (6 weeks) $68 public, $61 MembersuSection B: Thursday 6:10-7:10pm, October 27-December 8 (no class Nov. 24) (6 weeks) $68 public, $61 Members

1088. LATIN HIP-HOPLearn funky free-style, mixing salsa, samba, & other Latin steps with hip-hop moves, using Latin and American music.Wear comfortable clothes. Michelle “La Rubia” Draughon

uThursday, 7:15-8:15pm, September 8 -October 20 (7 weeks) $86 public and $77 Members

1089. SALSA / LATIN DANCELearn salsa, merengue, bachata. For begin-ning and continuing students. No partner needed. Please wear dress shoes.Each section has different steps. Michelle “La Rubia” DraughonuSection A: Thursday, 8:15-9:15pm, September 8-October 20 (7 weeks) $86 public and $77 MembersuSection B: Thursday, 8:15-9:15pm, Octo-ber 27-December 15 (no class Nov. 24) (7 weeks) $86 public and $77 Members

1090. SALSAROBICSGet some exercise and learn all the Latin dances. This is a dancing only workout, for all levels.Wear comfortable clothes. Michelle “La Rubia” DraughonuThursday, 7:15-8:15pm, October 27 -December 15 (no class Nov. 24)(7 weeks) $86 public and $77 Members

SWING DANCE

PLEASE NOTE: You may now register in advance for a month’s worth of swing (either online or through our Box Office). However, to buy a single class, you must purchase at the Box Office shortly be-fore the class begins. Check Swing flyers available near The ArtsCenter box office, or contact Richard Badu at 383-7054 or [email protected] for specific information on monthly classes since the class content or level may change.No partner necessary.

Lindy Hop—originally was the energetic form of partnered swing dancing that be-gan in Harlem in the late 1920’s and con-tinues to thrive today. Lindy works well with big band or jazz and can be danced to slower music as well. It takes a bit longer to get started as the basic is technically more difficult for both the Leader and the

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Follower, but the result is worth it as this dance has many fun variations.

East Coast Swing—the most popular swing dance in the area and the easiest one to learn. Recommended if this is your first partner dance. Originally danced to Rock and Roll and Rhythm and Blues in the 1950’s, this style can be danced to many different kinds of music.

1091. TUESDAY SWING:

September 6-27uBeginning Lindy 1: 6:15-7:15pm (Learn the original fun swing dance from Harlem!)uIntermediate Lindy: 7:15-8:15pm (at least 4 months of Lindy required)uAdvanced Lindy: 8:15-9:15pm (at least 6 months of Lindy required and permission of instructor)Four 1-hour classes: $44 public, $40 Members and college students with ID; single class: $12

October 4-25uBeginning Lindy 2: 6:15-7:15pm (Begin-ning Lindy 1 or equivalent required)uIntermediate Lindy: 7:15-8:15pm (at least 4 months of Lindy required)uAdvanced Lindy: 8:15-9:15pm (at least 6 months of Lindy required, and permis-sion of instructor)Four 1-hour classes: $44 public, $40 Members and college students with ID; single class: $12

November 1-22 (Nov. 29 TBA) uBeginning Lindy 3: 6:15-7:15pm (2 months of Lindy required)uIntermediate Lindy: 7:15-8:15pm (at least 4 months of Lindy required)uAdvanced Lindy: 8:15-9:15pm (at least 6 months of Lindy required and permission of instructor)Four 1-hour classes: $44 public, $40 Members and college students with ID; single class: $12

December 6 & 13uBeginning Lindy 3.5: 6:15-7:15pm (3 months of Lindy required)uIntermediate Lindy: 7:15-8:15pm (at least 4 months of Lindy required)uAdvanced Lindy: 8:15-9:15pm (at least 6 months of Lindy required and permission of instructor)Two 1-hour classes: $22 public, $20 Members and college students with ID; single class: $12

1092. WEDNESDAY SWING

September 7-28uBeginning East Coast Swing: 6:15-7:15pmuIntermediate East Coast Swing: 7:15- 8:15pm (starts with the Blues)uAdvanced East Coast Swing: 8:15-9:15pm

Four 1-hour classes: $44 public, $40 Members and college students with ID; single class: $12

October 5-26uBeginning East Coast Swing: 6:15-7:15pmuIntermediate East Coast Swing: 7:15-8:15pm (starts with the Merengue Turn)uAdvanced Coast Swing: 8:15-9:15pmFour 1-hour classes: $44 public, $40 Members and college students with ID; single class: $12

November 2-30 (no class Nov. 23) uBeginning East Coast Swing: 6:15-7:15pmuIntermediate East Coast Swing: 7:15- 8:15pm (starts with Tucks)uAdvanced East Coast Swing: 8:15-9:15pmFour 1-hour classes: $44 public, $40 Members and college students with ID; single class: $12

December 7 & 14uIntermediate East Coast Swing: 6:15-8:15pm (intensive 2-hour class; starts with Blues)uAdvanced East Coast: 8:15-9:15pmTwo 2-hour classes: $44 public, $40 Members and college students with ID; single 2-hour class: $24Two 1-hour classes: $22 public, $20 Members and college students with ID; single 1-hour class: $12

1093. ADULT AFRICAN DRUMMINGInterested in West African rhythms? Join Diali Keba Cissokho, “griot” from Senegal, for African drumming. You are guaranteed to have a good time, and you will leave the first class able to play at least two African

Instructor Diali Cissokho (far left) and his African Drumming Class

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rhythms! This course will focus on building a strong foundation of rhythm and tech-nique upon which to build a basic reper-toire of traditional West African rhythms and chants. Come join the fun!No experience necessary; all ages wel-come. Bring your drum if you have one, or use one of ours. Drums are also available for purchase at a great price. Please note: This class takes place at Zog’s Pool Hall at 108 1/2 Henderson St. in downtown Chapel Hill.. The bar will be closed to the public during class times.Diali CissokhouSection A: Tuesday, 5:30-6:30pm, September 13-October 18 (6 weeks) $68 public, $61 MembersuSection B: Tuesday, 5:30-6:30pm, October 25-November 29 (6 weeks) $68 public, $61 Members

1094. DREAM CIRCLESHave you ever wanted to do more or journey further with a dream or an im-age? Come join Dream Circles and find new approaches to exploring your dreams in a fun and relaxed atmosphere. You will work in small groups guided by a dream practitioner who has over 20 years ex-perience leading Circles. In these groups, you will practice the listening /witnessing of someone’s dream and then using guide-lines offered by the instructor to facilitate support and exploration for the dreamer. Each person will have a chance to speak a dream within their group. The instructor will offer information about how dreams are used in different cultures as well as of-fer ideas to take home so that the dream-ers can use different creative expressions to unlock more information from their dreams. The instructor will create a safe and relaxed atmosphere where students

will feel comfort in working with their dreams. Tina SiragusauSection A: Saturday, 10-11:30am, September 17-October 15 (5 weeks) $77 public, $69 MembersuSection B: Saturday, 10-11:30am, No-vember 5-December 10 (no class Nov. 26) (5 weeks) $77 public, $69 Members

1095. T’AI-CHIT’ai-Chi, an ancient Chinese art based on natural laws, teaches relaxation, erases tension and boosts energy. It works for all, regardless of age. Regard the art as a walk into your inscape, a dance of circles and a superior form of moving meditation. An added bonus is that T'ai-Chi may add to your sense of emotional well-being.Frank WonguSection A: Saturday, 10-11:30am, September 10-October 22 (7 weeks) $103 public, $93 MembersuSection B: Saturday, 10-11:30am, October 29-December 17 (no class Nov. 26) (7 weeks) $103 public, $93 Members

1096. ETHNIC VEGETARIAN COOKING—at the Century CenterWhether for health, environmental or ethical reasons, or to expand their reper-toire, many people are increasingly inter-ested in learning to cook vegetarian dishes. This class will introduce students to basics about plant-based cooking, including veg-etarian nutrition, and serve as a hands-on introduction to cooking a variety of ethnic dinners that are vegan, or fully plant-based. We will cover cuisines of countries likeIndia, Greece, Italy, Mexico, Thailand and Indonesia, and America. In each class, stu-dents will work in teams of four to make several side dishes, one or two main dishes, and a dessert. We will eat at the end, andgenerally have yummy leftovers to take home. $80 for food, paid to instructor at first class.Please note: This class takes place at

the Century Center at the intersection of Weaver and Greensboro Streets in Car-rboro.Cosponsored with Carrboro Recreation and Parks DepartmentDilip BarmanuMonday, 6-9:15pm, November 7-December 19 (no class Nov. 21) (6 weeks) $179 public, $161 Members

1097. INDIAN COOKING—at the Century CenterThere are many varied flavor combina-tions throughout India, with dishes vastly different between the north and the south. Learn about the many ways of cooking the traditional and ethnic fare of India. Cook exotic foods filled with fresh produce and herbs, delicate spices, hot curries, home-made dairy products and semi-homemade ingredients. The cuisine is not only tasty, but nutritionally balanced. The course in-troduces students to ingredients for mak-ing both vegetarian and non-vegetarian recipes, main and side dishes, and desserts. Students will learn how to make “Dosa,” “Sag Paneer,” “Chicken Curry,” “Chicken Biryani,” rice pudding and more.$30 for food, paid to instructor at first class.Please note: This class takes place at the Century Center at the intersection of Weaver and Greensboro Streets in Car-rboro.Cosponsored with Carrboro Recreation and Parks DepartmentRani ImandiuSection A: Tuesday, 6-9pm, September 13-27 (3 weeks) $92 public, $83 MembersuSection B: Tuesday, 6-9pm, October 11-25 (3 weeks) $92 public, $83 MembersuSection C: Tuesday, 6-9pm, November 8-22 (3 weeks) $92 public, $83 Members


youth classes


Question about a Youth class? Contact Shirlette Ammons at 919-929-2787 x209

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YAC.01 THE PLAY’S THE THING (grades 4-5)Students explore theatre through games, creative movement and improv while us-ing their imagination to learn character development, build worlds and create sto-ries. Students apply these skills to short plays and perform in a sharing at the end of the semester. David McClutcheyuMonday, 4-6pm, September 12-December 5 (no class Nov. 7) $250 public, $225 Members

YAC.02 PAINTING (grades 4-9)Students will explore a variety of water-based painting media and experiment with different techniques including color mixing and brush handling. Students will also uti-lize historical art references as inspiration toward developing their own artistic skills in a supportive atmosphere.Jean Cerasani uSection A: Monday, 4-6pm, September 12-October 7 $160 public, $144 MembersuSection B: Monday, 4-6pm October 24-December 5 (no class Nov. 7) $160 public, $144 Members

YAC.03 DRAWING FOR KIDS (grades 3-5)Students learn to draw animals and people by using basic shapes and backgrounds using basic perspective and composition. They will also learn drawing mechanics and the elements of art: color, shade, line, texture and other drawing techniques. This course only has one session and is meant to compliment cartooning for kids. Richard Cloudt

uTuesday, 4-6pm, September 6-October 18 $135 public, $122 Members

YAC.04 CARTOONING (grades 3-6)Students in this course will learn to illus-trate and write their own stories, comic strips and comic books. They will also ex-plore the history and development of car-tooning as well as the chemistry of humor and drama as told in pictures and words. They will also learn the art of caricature and draw their favorite pop icons! Richard CloudtuTuesday, 4-6pm, October 25-December 6 $135 public, $122 Members

YAC.05 IMPROVISATIONAL THEATRE PERFORMANCE CLASS (grades 6-12)No experience needed. Come learn im-prove techniques in a safe, fun group envi-ronment that fosters teamwork. Through games and exercises, students learn com-mitment on stage, saying yes to scene partners and how to create characters in a moment’s time! Learn how to create funny, interesting scenes without a script! Students perform in a sharing at the end of the semester. This class is for the begin-ning/intermediate improviser. Transactors Improv Co. is the South’s

oldest improv company. For more infor-mation, please visit http://transactors.org/. Anoushka Brod of Transactors Improv Co.uTuesday, 4:30-6pm, September 6-December 6 $250 public, $225 Members

YAC.06 ON-CAMERA KIDS (grades 3-5)Students learn the techniques of acting for the camera! They will also master movement and blocking, scene study, cold reading, improvisation, memorization and expression in relation to the camera. Stu-dents apply skills to actual scripts from TV, film and commercials. Students perform an in-class sharing at the end of the se-mester. TBAuWednesday, 4-5:30pm, September 7-December 7 (no class Nov. 23) $250 public, $225 Members

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YAC.07 ACTING FOUNDATIONS (grades 6-8)Students learn the building blocks of act-ing using improvisation, acting exercises and scripted scenes. Students master the actor’s process by learning how to follow impulses, make strong acting choices and analyze text. The semester closes with stu-dents sharing techniques they’ve learned. Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. Virginia Queen DanforduWednesday, 4-6pm, September 7-December 7 (no class Nov. 23) $250 public, $225 Members

YAC.08 BEGINNING SEWING (grades 3-7) This class is for those with little or no sewing experience. Learn how to oper-ate a sewing machine and do some hand stitching. Experiment with a variety of ma-chine stitches. Students will also be given take-home projects, which have included pillows, drawstring bags, and other items as time permits. Chris GreenuSection A: Wednesday, 4-6pm, Septem-ber 7-October 19 $140 public, $126 MembersuSection B: Wednesday, 4-6pm, October 26-December 7 (no class Nov. 23)(6 weeks) $140 public, $126 Members

YAC.09 POTTERY FOR KIDS (see below for ages)Students in this course will explore the creative possibilities of clay. They will learn hand-building techniques and how to cre-ate both functional and decorative pieces. They will also learn to throw small vases, bowls and mugs on the potter’s wheel. They will also decorate their pieces with underglaze or glazing. Beginners and expe-rienced students are welcomed! Jason AbideuSection A (grades 2-3): Wednesday, 3-4:30pm, September 7-October 19 $116 public, $105 Members

uSection B (grades 4-5): Wednesday, 4:30-6pm, September 7-October 19 $116 public, $105 MembersuSection C (grades 2-3): Wednesday, 3-4:30pm, October 26-December 7 $116 public, $105 MembersuSection D (grades 4-5): Wednesday, 4:30-6pm, October 26-December 7 $116 public, $105 Members

YAC.10 CURTAIN UP (grades 3-5)Students will sing and dance like pros in this class that combines Broadway style dance with songs from some of Broadway’s most popular shows! Possible medleys stu-dents will work on include songs from “Bye Bye Birdie,“ “Annie,“ and “Wicked.” Stu-dents perform in a sharing at the end of the semester. Mark LewisuThursday, 4-6pm, Septem-ber 8-December 8 (no class Nov. 24) $250 public, $225 Members

YAC.11 ENSEMBLE ACTING (grades 7-8)In this advanced acting class for middle school students, participants will apply new acting skills to monologues, scenes and short plays. Stu-dents explore character de-velopment and acting choices while working with partners and as an ensemble. Students perform an in-class sharing at the end of the semester. One year of acting founda-tion is recommended as a pre-requisite. Please contact Shir-lette Ammons for exceptions.Virginia Queen Danford

uThursday, 4-5:30pm, September 8-December 8 (no class Nov. 24) $250 public, $225 Members

YAC.12 LET’S MAKE A PLAY / PLAY ON!! (grades K-3)Students use their imaginations, explore movement, and master creative play. The-atre and improvisation games help stu-dents create characters and stories from fairy tales, books and their imaginations. Students build teamwork, observation and artistic skills. Students perform short

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plays in classat the end of the semester.Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. Anoushka Brod of Transactors Improv Co.uFriday, 3:30-4:30pm, September 9-December 9 (no classes Oct 28, Nov. 11, and Nov. 25) $250 public, $225 Members

YAC.13 POTTERY FOR HOME-SCHOOLERSStudents in this course will explore the creative possibilities of clay. They will learn hand-building techniques and how to cre-ate both functional and decorative pieces. They will also learn to throw small vases, bowls and mugs on the potter’s wheel. They will also decorate their pieces with underglaze or glazing. Beginners and expe-rienced students are welcomed! Jason AbideuSection A: Friday, 1-2:30pm, September 9-October 21 $116 public, $105 Mem-bersuSection B: Friday, 1-2:30pm, October 28-December 9 (no class Nov. 25) $150 public, $135 Members

YAC.14 POTTERY FOR KIDS (see below for ages)Students in this course will explore the creative possibilities of clay. They will learn hand-building techniques and how to cre-ate both functional and decorative pieces. They will also learn to throw small vases, bowls and mugs on the potter’s wheel. They will also decorate their pieces with underglaze or glazing. Beginners and expe-rienced students are welcomed! Jason AbideuSection A (grades 2-3): Friday, 3-4:30pm, September 9-October 21 $116 public, $105 MembersuSection B (grades 4-5): Friday 4:30-6pm, September 9-October 21 $116 public, $105 MembersuSection C (grades 2-3): 3-4:30pm, No-vember 4-December 9 (no class Nov. 11 & Nov. 25) $116 public, $105 Members

uSection D (grades 4-5): 4:30-6pm, No-vember 4-December 9 (no class Nov. 11 & Nov. 25) $116 public, $105 Members

YAC.15 ADVANCED IMPROVISATIONAL THEATER (grades 7-12)This class is for the experienced impro-viser who is ready to take their skills to the next level! Through fun exercises and techniques, students will continue to hone their skills, creating even more believable and interesting characters and making even more daring choices on stage. Focus will be on increasing confidence and be-coming great on stage as well as in class. This class will include 3-4 performances at select venues in the community through-out the semester. Instructor approval required!Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. Anoushka Brod of Transactors Improv Co.uFriday, 4:30-6pm, September 9-December 9 (no class Oct. 28, Nov. 11 & Nov. 25) $250 public, $225 Members

YAC.16 ON-CAMERA ACTING (grades 6-12)Students learn the techniques of acting for the camera including movement and blocking, scene study, cold reading, im-provisation, memorization and expression in relation to the camera. Students apply skills to actual scripts from TV, film and commercials and share an in-class perfor-mance at the end of the semester.David McClutcheyuSaturday, 11:30am-1pm, September 10 -December 10 (no class Nov. 26) $250 public, $225 Members

YAC.17 STAGE COMBAT (see below for ages) Students learn fundamental techniques in fight choreography with a focus on accura-cy, safety and a command and understand-ing of their bodies in relation to theatrical physical conflict. In addition to hand-to-hand combat, students will be introduced to the basic techniques of sword fighting: parries, movement, evades and attacks. Stu-dents perform scripted and written fight

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Instructor Jason Abide observes a student in his Pottery for Kids class.

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sequences in an end-of-semester sharing.David McClutcheyuSection A (grades 9-12): Saturday, 1-2:30pm, September 10-December 10 (no class Nov. 26) $250 public, $225 MembersuSection B (grades 6-8): Saturday, 2:30-4pm, September 10-December 10 (no class Nov. 26) $250 public, $225 Members

YAC.18 ROCK BAND (grades 5-12)Students will explore the history of rock and roll while learning to play with other musicians, improvise in a band, write songs and develop stage presence. The class will form their own bands that will play clas-sic and modern rock songs along with their own original music. At the end of the semester, students will put on their own rock show at Cat’s Cradle! Billy Sugarfix Students must have some experience playing an instrument to participate in this class. uSaturday, 4-6pm, September 10-November 12 (performance Nov. 19) $150 public, $135 Members

YAC.19 THE ACTOR’S CRAFT (grades 9-12)Students learn acting techniques from Meisner, Viewpoints and Grotowski and create distinct and unique characters. Us-ing scenes from different styles of theatre, students apply techniques to performance. Students master character development, sharpen their ability to make strong acting choices and analyze text in preparation for a role and work in ensembles. A sharing performance will be held at the end of the semester.Chris BurneruSaturday, 3-5pm, September 10-December 10 (no class Nov. 26) (13 weeks) $150 public, $135 Members

YAC.20 YOUTH REPERTORY TOURING TROUPE (grades 4-12) This audition-based ensemble acting com-pany rehearses a play for touring perfor-mances. Auditions for this troupe of 10-14 students is open to any student in grades 4-12. Students must be available for 3-4 performances throughout the community at various locations (possible performance venues including the lawn at Weaver Street, Southern Village and Carolina Meadows among others).NOTE: Auditiion Date will be an-nounced upon registration.David McClutcheyuSaturday, noon-4pm, dates TBA, (no class Nov. 26) $225 public, $203 Members

YAC.21 LULUPALOOZA: MU-SIC AND LEARNING (see below for ages w/ caregiver)Lulupalooza is music & learning for ages three months to nine months with accom-panying parent or caretaker. The class will include music, movement, music-making and age-appropriate social learning basics! Laura “Lulu” Royster, Ed.D.

uSection A (ages 3-9mo): Tuesday, 9-9:45am, September 6-October 18 (7 weeks) $80 public, $72 MembersuSection B (ages 2-5yr): Tuesday, 10-10:45am, September 6-October 18 (7 weeks) $80 public, $72 MembersuSection C (ages 3-9mo): Tuesday, 9-9:45am, October 25-December 6 (7 weeks) $80 public, $72 MembersuSection D (ages 2-5yr): Tuesday, 10-10:45am, October 25-December 6 (7 weeks) $80 public, $72 Members

YAC.22. MUSICAL THEATRE FOR PRESCHOOLERS (ages 3-5 years)This is a musical theatre combination that introduces very young children to solo and multiple musical theatre styles from Mother Goose to Broadway-style production. If your child loves to sing and dance, this is an opportunity for them to learn theatrical basics. Students will bring favorite stories to life, singing songs, dressing in character and learning dances. Everyone is invited to the show at the last class! Laura “Lulu” Royster, Ed.D.uSection A: Tuesday, 11-11:45am, September 6-October 18 (7 weeks) $80 public, $72 MembersuSection B: Tuesday, 11-11:45am, October 25-December 6 (7 weeks) $80 public, $72 Members

YAC.23 PLAYING WITH CLAY FOR TODDLERS (ages 3-4 w/ caregiver)This class will give children an excellent start in experiencing the art of clay. Tod-dlers will actually participate in creating finished products that will be either func-tional or decorative. We will use pottery tools, stamps and glazes! Jason AbideuSection A: Wednesday, 11am-noon, September 7-October 19 (7 weeks) $80 public, $72 MembersuSection B: Wednesday, 11am-noon, October 26-December 7 (7 weeks) $80 public, $72 Members

Toddler A.M. classes



instructors


Jason Abide is the Mississippi-born child of two artists and the brother of another two. He is passionate about clay as an artistic medium and finds the special requirements and stages involved in working with clay to be conducive to artistic creation and expression. When his hands aren’t in clay, he customizes open source software to create easily updated websites for himself and other artists. See examples of his ceramic and design work at reallyprettycardi-nals.com.

Joyce Allen has taught writing classes in the ArtSchool and in the Duke Continuing Studies program since the early 1990’s and conducts occasional writing workshops. Her publications include two novels, short fiction and creative non-fiction. Her latest novel, Hannah’s House (Wolf’s Pond Press) was released in September 2008. Her new book, a young-adult fantasy in-volving Greek mythology and computer hacking, is scheduled to come out this year. Website and blog: www.joyceallenwords.com.

Carrie Alter grew up in Miami, Florida. She re-ceived a BFA from Ringling School of Art and Design in Sarasota, FL, where she studied Draw-ing and Painting, and a BFA from University of Tampa, where she concentrated on Art His-tory. She also studied art at Skidmore College in Saratoga, New York and Bennington College in Vermont before coming to UNC-Chapel Hill where she earned her MFA. With an obvious love for school, she went on to teach Drawing and Painting locally through the Friday Center’s Continuing Education Program, Durham Techni-cal College and Elon University. Carrie Alter is an oil painter who believes in the foundation of drawing. As a teacher, she feels a responsibility to nurture and respect the individual’s view of the world—while offering the tools and lessons to aid them in their own artistic journey.

Jennifer Austin has been working in stained glass since 1995. She received instruction in the Tif-

fany/Copper Foil method at the former Stained Glass Art Design Studio in Durham, NC. Ad-vanced instruction in Design and Leading was acquired through the Durham Arts Council. She holds a diploma in Interior Decorating conferred by The Professional School of Inte-rior Decorating, Atlanta, GA. Her studio, “The Kaleidoscope,” is located near her home in Me-bane, NC. She teaches both privately and pub-licly. She has taught for the Alamance County Arts Council and CCCC in Pittsboro, NC. She also enjoys designing for private commission, experimenting with hot glass and 3-D stained glass creations and painting children’s murals.

Anya Avrutskaya, a resident of Durham, has studied pottery for the past thirteen years with a focus on functional forms in stoneware and porcelain. Anya started her studies at The ArtsCenter’s wheelthrowing classes, and pot-tery quickly became a favorite hobby and a pas-sion. She is a frequent participant in local shows and fairs. Anya had been teaching pottery at Art Center for the past six years and is excited to share her love for pottery and the inspirational process of clay forms creation.

Richard Badu has been teaching classes and work-shops in the various forms of swing dancing—Lin-dyhop, East and West coast swing, St. Louis shag and Cajun jitterbug—in the Triangle since 1989. He is a founder of the Triangle Swing Dance Society and teaches Lindy in the dance program at Duke Uni-versity. He attended the Berklee College of Music. Richard also teaches T’ai Chi, locally and in work-shops for dance camps and co-founded the award-winning music group Big Zucchini Washboard Ban-dits, learning Cajun dancing during the band’s annual tours to the Bayou. Since 1988, Richard has studied lindyhop with Frankie Manning, choreographer for Whitey’s Lindyhoppers during the 1930s. Movie credits include dance consultant to choreographer Toni Basil and actress Julia Roberts for the film Something To Talk About; and choreographer and featured dancer in Chesterfield, a Black Mariah fea-ture film. He co-founded Swing Steppin’ and Swing Feats, two performance groups for schools and special events. Since 1993, Richard has been teach-ing workshops and dancing in Europe, Mexico and Canada, as well as around the US.

Tony Baker has solved problems with the pho-tographic tools at hand for more than 25 years. His mottos: “You don’t need to make it too complicated. Not every negative is perfect. Vi-sualize what is possible and work toward that goal.”

Dilip Barman is President of the very active Triangle Vegetarian Society (TVS, www.triang-levegsociety.org). He is a Vegetarian Union of North America (VUNA) counselor; a teacher of courses ranging from film studies to com-puter science, cooking and photography and is a senior software engineer. He has spoken on vegetarianism and given cooking demonstra-tions in many venues across the United States, Canada, Europe and Brazil, including as an in-vited presenter for multiple World Vegetarian Congresses and the first annual Cooking Show in Raleigh in 2003. Dilip has published cooking articles in a number of books and newspapers and has taught vegetarian cooking for several organizations. He has a keen interest in pho-tography, which he has been involved in since elementary school. A photographic portfolio of Dilip’s can be found at dilipb.smugmug.com; he occasionally photographs weddings and has had some of his nature photography published in books. You can visit Dilip on the web at his homepage that he has maintained since 1994, www.dilip.info.

Sandra Beeman lives and maintains a glasswork-ing studio in rural Orange County. After 11 years as a professor of social work, she left be-hind the academic world to pursue art full-time. She has taken courses in photography, drawing, painting, printmaking and color theory at the Minneapolis College of Art and Design and bo-tanical drawing, colored pencil and watercolor at the Minnesota School of Botanical Art. Turn-ing to glasswork in 2003, Sandy has taken glass courses with Malcolm Potek, Doni Hatz, Andrea Guarino, Amy Johnson and Kate Fowle. She is a member of the Orange County Artist’s Guild and International Society of Glass Beadmakers.

Vidabeth Bensen is a retired high school art teacher who has resided in the Triangle since 1991. Prior to that, she taught overseas and

about the instructors



instructors


worked as an illustrator and graphic artist in Europe, Asia and the Middle East. Her medium of choice since college days has been screen printing and her original prints are in many private and corporate col-lections. She teaches locally and throughout the U.S. and conducts workshops for the National Art Education Convention and the NC Art Education Association. She has also been an Artist in Resi-dence in the Durham and Cha-tham County schools. Her work may be seen at the Chatham Arts Gallery in Pittsboro, and the NC Incubator Gallery in Siler City. She is a member of the Printmakers of North Carolina (PONC) and the North Carolina Printmakers Guild. Her recent book, A Simple Guide to Screen Printing, was published in April 2010 by Royal Fireworks Press.

Lynn Bregman Blass came to her art career first through the field of psychology and a deep involve-ment in the arts of Los Angeles in the 70s and 80s. As a psychotherapist, she was always inter-ested in the creative process. It wasn’t until the late 90s that she began to re-explore her own creative needs. She took off from there both as an artist with many gallery shows and a teacher of creative process. Encaustic became her me-dium of choice because she loved both the lu-minous and textural quality of the wax. She has taught both individually and in the schools. One of her students referred to her as the Julia Child of the art world because of her passion and skill as a teacher. She and her family moved to Cha-pel Hill from Boulder, Colorado in June 2005.

Anoushka Brod has been performing improv professionally since 1997. She is a current mem-ber of Transactors Improv Company and per-forms locally and nationally. She teaches improv and life skills to people of all ages in a variety of venues. She is passionate about fun, play and living a deeply soulful life and inspiring others to do the same!

Derrick “Benetez” Bryant is a New Bern, NC native. Bryant graduated with a degree in Arts from NC A&TSU and received his Masters in

Illustration at The Academy of Arts in San Fran-cisco. Bryant has been featured in galleries in NYC, NC, Florida, and California. Bryant is cur-rently a professional artist working in the medi-ums of oils, acrylics, inks and computer graphics. Bryant is a featured artist in Exotique Gallery in downtown Durham which displays his latest works. Bryant is also a professor at Durham Tech Community College teaching arts as well. Visit him at www.benetez3.com

Hilda Bukowski is a North Carolina native whose varied background includes newspaper reporting, freelance writing, and teaching. She received a bachelor’s degree in communications from the University of Tennessee and took her first job as a reporter on the Outer Banks of North Carolina. She has taught in elementary school classrooms for the last 20 years. Besides her interest in art, poetry, and nature, she has a passion for journal writing that began thirty years ago when she stumbled upon the diaries of Anais Nin. Since then Hilda’s personal journal writing has been enriched by reading the diaries

of many famous people. For twenty years Hilda has introduced her elementary grade students to journal writing. Many of them continue to

enrich and honor their lives today through their journal writing.

Erin Casanega received her BFA and teaching licensure in Dance from the University of North Carolina at Greensboro. She has trained under the study of B.J. Sul-livan, Duane Cyrus, John Gamble, Amy Beasley, Madaline Reber, Hel-en Simoneau, Jill Green, and Amy Ginsburg. With a focus on release technique, improvisation, and so-matic based practices, she has a wide range of experience teaching elementary aged creative move-ment to adult modern classes. Her choreography was nominated and selected to be performed work at the American College Dance Festival and was presented at the UNCG. Her choreographic works have been performed locally and out of state. Erin has performed

with The Naked Stark dance company based out of Philadelphia and Andrew Arts in Greens-boro. She has taught as a guest artist at Weaver Academy and continues to teach around the triangle area. Erin has performed in works at UNCG, Greensboro Fringe, Goose Routes Fes-tival in West Virginia, Patchwork Arts Benefit, and other local arts based performance events. She continues to dance for local choreogra-phers in the community and is working to share her emerging voice as an artist through dance.

Jean Cerasani studied at Pratt Institute in Brooklyn, NY, and at L’Academia in Venice, Italy. She began fabric design while at the School of Batik in NYC in 1969. She has worked as an interior designer and has several installations of her work in businesses and homes. She has de-signed and executed costumes for theater and dance and has created art-to-wear garments. Jean moved here from Miami, where she taught for many years. Primarily a fabric dyer, she also works in watercolor, clay and collaged box con-structions.

Anoushka Brod, improv instructor for adults and children



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Diali Keba Cissokho is a renowned kora player and percussionist from the Casamance region of Senegal. Diali moved to the United States after years of performing and teaching in Sen-egal and in Europe. Born into a rich ancestry of Manding griots (the musician caste), Diali has been playing traditional West African music for as long as he can remember. Running deep in his blood, Diali has a great passion for music, from the strings of the kora to the beat of the drum. Crossing cultural boundaries with a wide range of sounds, he brings a unique personal style to this respected traditional art form.

Rebecca (Becky) Clewell is first and foremost a scientist, with a sense of curiosity that extends well past her day job. As a potter, she’s amazed (still) that it is possible to take a handful of clay and create a beautiful, useful and enduring piece of art. During her time at UNC, Becky found working with clay to be a much needed depar-ture from the routine of graduate school. Yet, over time, it became clear to her that science and art are not quite as different as they may seem—the process of creating is in itself an ex-periment. Becky has had the pleasure of work-ing at The ArtsCenter for several years and learning under the instruction of very talented potters, and she welcomes the opportunity to share what she’s learned with others who want to experiment with their own artistic tenden-cies.

Julia Clift is a full-time artist whose focus is rep-resentational oil painting and drawing. She holds a BFA in Painting and English Literature from Washington University in St. Louis, and she is a student of the international painter, Odd Nerd-rum. She has studied with Mr. Nerdrum in Nor-way and, most recently, in France. She is cur-rently a Regional Emerging Artist in Residence at Asrtspace, in Raleigh. To view examples of her work, please visit www.juliaclift.com, or stop by Artspace on a First Friday Artwalk!

Richard Cloudt studied philosophy at David-son College. He has worked as an editorial and comic strip cartoonist and done freelance car-toon illustration work for 25–everything from book covers to full-length comic books. He is best known, however, as a professional carica-

turist. Beginning in 1986 at Carrowinds theme park in Charlotte, he has drawn live at count-less venues and events all over the state and caricatured over 20,000 live subjects. In 1992, he began teaching cartooning at Sertoma Arts Center in Raleigh and in 1999 at The ArtsCen-ter in Carrboro. In the fall of 2002, he was se-lected to serve as Artist in Residence at Guy B. Phillips Middle School for a special project ar-ranged by the Chapel Hill Public Arts Commis-sion. In 2009, he was selected by the Carrboro Merchant’s Association to create the Town’s first “Walk Carrboro” cartoon map to promote local businesses.

Virginia Queen Danford has a BFA in Acting from West Virginia University and an MFA in Acting from The School of Arts at Pennsylvania State University. She exercises a broad range with her craft and has a lifetime of performance experience. She relocated to the Triangle from New York City where she’d been working for seven years as a professional actor, teacher, dance choreographer and director and where she co-founded Broad Horizons Theatre Com-pany. Virginia is very passionate about her teaching and has worked with children exten-sively in New York City, teaching drama and dance programs as well as creative classes that addressed issues of conflict resolution and vi-olence prevention. In 2002, she was hired by FEMA to work as a crisis counselor through creative arts to deal with feelings of loss follow-ing the tragedy of 9/11. In 2003, she wrote and directed “Freedom and the American Revolu-tion,” a series of one-act plays that also included songs and dances. The fourth grade classes at Public School 87 in Queens, NY, performed the piece. She and the school were both rec-ognized by The New York Times for integrating arts into the curriculum and for being advocates of arts education.

Annette deFerrari is a visual artist, graphic designer and illustrator. Her visual art encom-passes both representational and non-represen-tational works, has been exhibited throughout the eastern US, and is included in numerous private collections. Her design clients include North Carolina Museum of Art, W.W. Norton Co, Princeton University Press and American

Scientist Magazine. Samples of her work can be seen at deferraridesign.com and annettedefer-rari.net. Her teaching philosophy is that each person has a unique way of perceiving the world and an individual voice to discover, and so she sees teaching as helping students develop skills along with finding their own creative paths.

Christopher Donald received his BFA in Ce-ramics from the Center for Creative Studies in Michigan and has been a ceramic artist for 20 years. He was the head of the Greenfield Vil-lage and Henry Ford Museum Pottery which produced reproductions of Early American ce-ramics. He has worked as a production artist making both wheelthrown and handbuilt ceram-ics and most recently taught ceramics at Boston University. A sample of his ceramic work can be seen at: http://www.chrisdonald.net/ceramics/index.html.

Michelle “La Rubia” Draughon entered the world of Latin night club dance in 1991 after years of ballet, ballroom and swing dance train-ing. She was official instructor for Salsa Carolina for nine years. She has studied with a multitude of salsa professionals around the country, and she has taught and/or performed at hundreds of events at schools, universities, festivals, parties, clubs and private affairs, as well as appeared on local television. Michelle also has over 12 years’ framing experience. She can be contacted at [email protected].

Julie Eastman grew up in Illinois and received her B.A. from Kalamazoo College in Michigan. Over the years, she has explored many forms of visual expression. While living in the Boston area, she took watercolor classes from Linda Bond and a plein air workshop with nationally known watercolorist Betty Lou Schlemm, AWS. Since Julie’s move to North Carolina in 1997, she has taught watercolor at both the Sertoma Art Center and Pullen Art Center in Raleigh and also at CCCC in Pittsboro. Julie now paints in watercolor and acrylics. She exhibits regu-larly in the Triangle area.

W. Axel Foley was born and raised in New Jersey and attended Rutgers University before making the leap to the big city of Manhattan. Axel worked in journalism for 6 years before



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starting his own video production company, Fifth Column Films. In 2006 Axel switched gears and taught High School video production at a Charter School in Manhattan. New to the area, Axel and his wife moved to Durham in early 2009.

Chris Green has been sewing, knitting, quilting, embroidering and crocheting since she was ten years old. She enjoys teaching her needlecraft and sewing skills. For ten years, she worked and taught sewing at the Cotton Boll, as well as teaching privately in her home. She loves chil-dren, having raised eleven of them, both biologi-cal and adopted, as well as many foster children. With her husband, she is currently developing a history farm which is a model of the small family farm of 1880-1930, when needlecrafts and sew-ing were an essential part of daily life.

Evan Hirasawa is a local artist and art teacher with 25 years of experience teaching painting and drawing. She works with 2-D materials and her greatest inspirations come from nature. Her focus on the ethereal aspects of natural light, changing seasons, still life, landscape, sky and water, is an attempt to bring her intuitive scope into form with paint, pastel, charcoal and wa-tercolor. She is a former student of The Corco-ran School of Art in Washington D.C. and has a B.F.A. and Teacher’s Certification from The Mas-sachusetts College of Art in Boston. Her M.Ed. with a focus on the Creative Arts in Learning was earned at Lesley College in Cambridge, MA.

Elizabeth “B” Holroyd, began as a print journal-ist and became an information delivery special-ist during the course of her writing career. She now helps individuals and small businesses with computer and software issues and develops a wide range of informational materials, both text- and image-based, including patent draw-

ings, Web sites, instructions, directions and pro-motional communications.

Monica Hunter: There are some things that can only be created by hand, like great dentistry and creative jewelry. Monica is a licensed general dentist and has filled many teeth in her lifetime. As she slowly bids farewell to fixing teeth, she

is allowing for a different craft in her life thanks to the generosity of Fran Schultzberg. Monica took classes and made jewelry for the past sev-eral years under Fran’s tutelage. It is time to share the knowledge accumulated thus far and continue growing as a goldsmith. Her other in-terests include painting, ceramics, snow skiing, scuba diving and being at peace.

Rani Imandi has a Bachelor’s Degree of Arts from Garhwal University in India. She has studied art and crafts in many forms and media like oil, acrylic, glass, nib painting, pot decora-tion, block printing with vegetables and making models with recycled materials and dry leaves. She has been teaching arts and crafts for over a decade. She loves Indian folk art and has been drawing Rangoli, a traditional Indian method of drawing using rice flour, since she was a child. Rani would like to increase awareness of Indian folk art in today’s world. Besides Rangoli, she also loves the art of Henna and Indian cooking. and teaches classes in these subjects. Rani has been cooking and serving for a decade and loves to teach her cooking skills to new students.

Chrissy Jahnes finds great joy in making fun and unusual Art Jewelry and loves infusing that pas-sion into her students. Her interest in jewelry making began with a metals class in Connecti-cut in the 80’s. She rekindled that interest with classes at The ArtsCenter with Fran Schultzberg in 2003. She has continued learning from some of the most talented jewelers in the area and nationally known jewelers through many classes at The ArtsCenter and other classes and work-shops sponsored by the North Carolina Society of Goldsmiths, Pullen Arts Center in Raleigh and Warg Enamel and Tool Center in Scarborough, Maine. Chrissy is currently a board member of the North Carolina Society of Goldsmiths and a member of the Chatham Artists Guild. She

shows her jewelry on the Chatham Studio Tour, at Frank in Chapel Hill, the North Carolina Museum of Natural Sciences in Raleigh and the Arts Incubator in Siler City. She has lived in Chatham County for 18 years.

Chad A. Johnston is originally from Salt Lake City, Utah, but spent most of his adult life in

Columbus and Yellow Springs, Ohio, where he attended and worked for Antioch College in a variety of roles. Chad has always been involved in collaborative, community-oriented arts and graduated with a double BA in moving image media and theater. He has been involved in the public access world since he first picked up a video camera fourteen odd years ago and has worked in community public access as an independent producer, media activist, teacher, board member, media literacy trainer and talk show host. He is currently the Director of The Peoples Channel.

Brady Lambert has been a professional photog-rapher since 1969, working 12 years as a Senior Medical Photographer at Duke Medical Cen-ter before moving into the architectural, com-mercial, food and advertising venues in the mid 1980s. Brady has conducted large format pho-tography workshops for years before coming to The Arts Center and enjoys the interaction with students of film and digital photography.

Stacye Leanza is a professional muralist & il-lustrator, with a BFA from Parsons School of Design in NYC. Her cartoons for kids have been published locally. She has taught drawing and art to grown-ups and kids, privately and in classes and workshops in both instructional and therapeutic settings. Her focus in the drawing class is on learning how to see, by accessing the creative, perceptive Right Brain. The immediate result is the ability to draw more realistically. Another result is that the capacity for abstrac-tion is embellished by the increased “vocabu-lary” of images gained from drawing what you truly see, instead of what you think you see. This enriches the art-making process, whether your goal is to draw realistically or to deepen your abstract work.

Elizabeth Andersen May has a BFA from the School of Visual Arts in New York. She also stud-ied at the New York Academy of Art and at the Art Students League of NY. She received a Merit Scholarship from the New York Academy of Art and has painted reproductions in the Metropoli-tan Museum of Art. She has exhibited her work



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in New York and North Carolina and has been teaching painting since 2002.

Jon Paul McClellan has taught hundreds of people to dance in the Triangle over the last 20 years.

Steve McClure’s prints and works on paper have been exhibited in group and solo shows throughout the south and northeast. Group shows include Art on Paper at the Weather-spoon Museum in Greensboro, NextWave at the Brooklyn Academy of Music and New Prints/07 at the International Print Center in NYC. He is the recipient of two winter fel-lowships from the Fine Arts Work Center in Provincetown, a Special Editions Residency at the Lower East Side Printshop, and the AIM resi-dency at the Bronx Museum of Arts. Mr. Mc-Clure was born in Atlanta, Georgia in 1971. He graduated from the University of South Florida in 1995. While living in Durham from 1995 to 2003 he opened the Willie Shaker Gallery, an artist run gallery space, and produced the ex-perimental noise show CMP on WXDU 88.5. Steve McClure recently returned to Durham from NYC and is currently working on, Across the Ice, a series of prints inspired by arctic expe-ditions and the work of Selma Lagerlof.

Originally from Michigan, David McClutchey is thoroughly enjoying his third year here in the south. Born and raised in northern Michigan, David attended Central Michigan Univer-sity receiving degrees in English, Interpersonal Communications as well as Theatre. After graduation, he continued his graduate studies in Communications, but found himself ducking into the theatre every opportunity he got. In addition to teaching public speaking, debate, and speech 101, David also taught or co-taught in-terpretation, acting and stage combat.

Barbara McFadyen has been a professional jeweler and enamelist for 35 years. She has ex-hibited through the national crafts arena over the last 15 years producing one-of-a-kind and limited-edition jewelry. Participation in numer-ous juried and invitational exhibits include shows sponsored by the Smithsonian Institu-

tion, American Craft Enterprises, The Enamel-ist Society, Piedmont Craftsmen Guild, Carolina Designer Craftsmen and NC Museum of His-tory. Originally, Barbara studied cloisonne in NYC, and then pursued graduate level studies in limoges, basse-taille and champlevé enamel. She currently serves on The ArtsCenter’s Board of Directors.

Karla Nagy, who currently resides in Carrboro, was introduced to pottery in a high school class in Omaha. In 2005 a demonstration workshop by Randy Brodnax in Las Vegas rekindled her fascination with mud. Another workshop in Chicago, 2007 fanned that fascination and here at The ArtsCenter her fascination became a way of life. Her precise and artistic wheel techniques make her a wonderful and natural fit to teach the Beginning Wheel Classes. Along with teach-ing, she is also Coordinator of The ArtsCenter's ClayStudio.

Maqui Ortiz has been spreading the “bliss gos-pel” of bellydance as a performer since 2003, with a dance style distinguished by her joyful presence and fluidity of movement. As a teach-er, she focuses on creating a supportive environ-ment that all people can enjoy and feel beauti-ful in. She performs solo and with the Devoted Bellydance Collective, and is a member of the Association of Central Carolina Middle Eastern Dancers. “My whole-hearted mission is to share the physically and emotionally transformative power of bellydance!”

Linda Passman is an artist and teacher. She re-ceived a BA in Art History and Studio Art and an MAT in Printmaking and Teaching. She spent many years teaching at the college and high school level. Her artwork has been exhibited at university and commercial galleries in West-chester County, NY. Since moving to North

Carolina in 1996, she has been an exhibiting artist with Associated Artists of Winston-Salem, participating regularly in their shows. Her work has been shown at Braddigans Gallery, Hills-borough; SECCA, in Winston-Salem; the Main Gallery at The ArtsCenter and the McDougle School Library in Carrboro; the NC Arts Gal-lery and Green Tara in Chapel Hill; and the

Durham Arts Guild. She has been a member of the Orange County Arts Guild and been on the OCAG Art Tour since 2000. Linda has been teaching at The ArtsCenter for the past nine years where her courses have included Mixed Media Painting, Pastel and Mixed Media and Expressive Drawing. Her artwork features the human figures. She also works on landscapes and still lifes.

Bianca Patel is a Senior student at UNC-Chapel Hill and has been dancing since a young age. Her passion for dancing has developed ever since and has led her to become captain of “Bhangra Elite,” a dance group on the UNC campus. She has also been performing Bollywood dances since a young age, accompanied by a love for Bollyood movies. In addition, Bianca has been classically trained in Indian dancing for five years and has participated in Indian folk performances (Garba/Raas) for ten years.

Luna Lee Ray received her BFA from the Pacific Northwest College of Art in Portland, Oregon in 1988, in printmaking. She has lived and shown her work in Oregon, Hawaii, Arizona and New Mexico before relocating here in 1998. She now focuses on mixed media drawings and paintings, and shows her work locally at Frank in Chapel Hill.

Sally Resnik Rockriver, a visiting scholar at UNC, does art work that bridges a gap be-tween art and science. She works primarily with geochemical processes such as crystalline glazes, calcite formations and salt-gas bubbles. She mixes ceramic glazes with glass to formu-late prismatic effects and lunar surface textures. Brian Stoner, PhD at the UNC Material Sciences Department, is documenting her crystal grow-ing techniques and other processes. They hope to use this research further in developing an in-

terdisciplinary field.

Laura Janelle Royster has appeared as Mother Goose in Children’s Educational Theatre from New York to Miami. She recently completed a doctorate in Curriculum and Instruction with a focus on Arts in Education at UNC. She has her MFA from UNC in acting working with



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Playmakers Repertory Company. She studied and performed Children’s Educational Theatre doing graduate studies at New York University and Shakespeare in England. Now specializing in performing her own written educational and music curriculum, called “I Feel Better With Music,” she works with preschoolers diagnosed with cancer and their parents implementing the curriculum to reduce stress caused by the disease and treatment. She is active in design-ing and implementing educational theatre pro-grams in arts-based locations, hospitals, school systems, as well as teaching and performing at many other venues around the community.

Theodore “Ted” Salamone is the Official Photog-rapher of Carolina Ballet and the Photography Editor for the Raleigh Downtowner Magazine. Ted operates PERC (Photographer’s Education & Resource Center), North Carolina’s premiere photography school (www.perconline.org). He also manages a full service photography studio that specializes in weddings (www.2020photo-video.,com.) With 30 years of experience across 6 continents, Ted is a master photographer with expertise in portrait, architectural, editorial, fash-ion, and event photography.

David Schaeffer has a BFA in Sculpture from Florida International University, a MFA in Sculp-ture from the University of Cincinnati and an MFA in Glass from Southern Illinois University at Carbondale. Currently, he is working as an Adjunct Instructor of Digital Art at Elon Col-lege, in addition to teaching glass blowing. He has exhibited regionally and nationally, includ-ing several solo shows. His work is included in both private and museum collections.

Tina Siragusa has been studying art since her teens and is a licensed Family Therapist and Sub-stance Abuse Counselor in NC working in the field for over 25 years. She works at UNC and has a private practice in Durham. She also has 15 years experience teaching in her field and teaching Spanish. She has studied and worked with Dreams for 10 years and finds that it is both a healing realm and a way to enhance our creativity. While living in Costa Rica, she learned the power of the arts in healing. In 2006 she

received her certification in Expressive Arts Therapy and uses the tools such as journaling, poetry, mask making, drumming, painting, move-ment, etc, both in her work with people and for her own daily practice. Tina is a member of the International Expressive Arts Therapy Associa-tion, the American Association of Family Thera-pists, and the International Association for the Study of Dreams. She wants to invite people to a realm we often ignore, a place to find gifts and play. She finds that one dream can give us years of unfolding information and inspiration. To learn more about Tina and her work please feel free to visit www.tinasiragusa.com.

Herb Slapo has been painting and teaching por-traiture for twenty years, receiving top awards in various arts organizations. His work is in private and public collections from Florida to Canada.

Jeremy Taylor: Hailing from the beautiful city of Richmond, VA, Jeremy storms North Cackalaka with a plentiful history of Media Production and Distribution. He is well versed in techni-cal support on Mac and PC platforms as well as digital cameras and audio. Jeremy is armed with a smile that warms the coldest of hearts. Currently, he is on staff at The Peoples Channel.

Transactors Improv Co., founded in 1983, is the South’s oldest improvisational theater, and it has developed a national reputation for excellence and innovation. The company tours mainly in the Southeast, performing and teaching in a wide variety of venues.

James Ward was drawn to clay in order to make pots for his many Bonsai trees. Since taking his first wheelthrowing classes some five years ago, he has been intensely studying pottery tech-niques and is currently an instructor at The ArtsCenter. Along with taking care of his many trees, James enjoys reclaiming clay scraps and trying to fashion them into functional forms. He throws daily on an old kick wheel that he has in his shed next to his home on the north side of Chapel Hill where he hopes to one day create the perfectly imperfect tea bowl.

Jock Wick earned a B.A. in architecture from the University of Notre Dame and an MLA in Landscape Architecture from the University of Virginia. He has been on the faculty at Louisiana State University, The University of Virginia and NC State University teaching both design and drawing. He currently is in private practice in Landscape Architecture here in Carrboro. Jock pursues his own abiding interest in two and three dimensional design and drawing, working in pencil, pen & ink, and watercolor.

Susie Wilde has reviewed children's audios and books for twenty-five years. Currently, she writes a monthly column for Raleigh’s News and Observer and reviews and interviews for Audio-File Magazine. Her published works include a picture book, Extraordinary Chester, and a book for teachers, Write-A-Thon! How to Conduct a Writing Marathon. Presenting has led Wilde from continuing education classes at Meredith College to workshops in Cardiff, Wales. Wilde is a teaching artist who has spent the last fif-teen years encouraging children and adults to think and write like writers. Wilde is an expert at making her work fun, but it’s taken her a lot of work to learn to have fun in her leisure time. To learn more about Wilde, visit her website: ignitingwriting.com.

Jason Whitley has been an exhibiting oil painter, courtroom artist, editorial illustrator, interac-tive illustrator/developer, animator, comic-book artist/writer, comic-strip artist/writer, children’s book illustrator and book illustrator—all of which he continues to pursue at www.under-currentart.com. Jason taught figure drawing in Cortona, Italy, with the University of Geor-gia, where he studied studio art. He has also coached many designers and illustrators in both private and public sectors. Jason is approachable to his students and wants to help them achieve their goals.

Frank Wong studied t’ai-chi under the world-renowned grand master Cheng-Man Ch’ing. He has been teaching in the Triangle since 1975 and is the author of several articles about t’ai-chi.

REGISTRATION INFORMATION:* You will not be contacted prior to the first class unless there is a problem with your registration.* Please register in advance to ensure your enrollment. Courses with insufficient enrollment may be cancelled up to 72 hours in advance of the first class meeting. * All courses are open to adults and teens ages 15 & up unless otherwise noted. Thirteen and 14 year olds may be admitted to many courses— please check with the instructor prior to registering.* All materials fees are paid directly to the instructor at the first class meeting (please bring exact change), except where otherwise noted in the course description.* You may register in person at The ArtsCenter front desk; by mail with the registration form below; or by phone (929-2787 x 201) with a charge card (Visa, Discover, Master Card or American Express). You may also register online at www.artscenterlive.org.* Please make checks payable to The ArtsCenter.* The ArtsCenter front desk is open 10am-6pm weekdays and noon-4pm on Saturdays.*There will be a $25 service charge on returned checks.*College students with ID are eligible for Members’ prices on up to two courses per session.

REFUND INFORMATION:All refund requests must be made in writing.The ArtsCenter will retain a $10 processing fee on all registrations. When the course is held as scheduled, the refund policy is as follows:* Full tuition refund (less $10 processing fee) up to one week prior to the first class meeting.* 50% tuition refund (less $10 processing fee) during the week prior to the day of the first class meeting.*The etix fee for registering online is non-refundable.* SORRY, NO TUITION REFUNDS ONCE THE COURSE HAS STARTED.

PLEASE PRINT Today’s Date _______________

Last Name ___________________________________ First Name _____________________________________

If under 18 years old: Age _____ Parent’s Name ___________________________

Address ____________________________________________________________________________________

City/State / Zip _______________________________________________________________________________

Day Phone _____________ Night Phone ______________

E-Mail Address _________________________________________________________________________

Become an ArtsClub Member of The ArtsCenter and receive discounted prices on ArtSchool Classes!

$ 100 + up ______ amount (Minimum individual contribution is $100).

#1 Course # ______ Section _____ Start date ____________ Fee $________

Title ___________________________________________

#2 Course # ______ Section _____ Start date ____________ Fee $________

Title ___________________________________________

Subtotal $________Note: All materials fees are paid directly to the instructor unless otherwise indicated.

Why not round up your tuition payment, and let the balance benefit scholarship students! Contribution to ArtSchool (Your donation to this fund may be in any amount over $1) Scholarship Fund $________

CREDIT CARD # _______________________________________________/ (expiration date) __________ CASH CHECK #_______________ Total Amount Enclosed $________

Students are requested to register early! Insufficient registration could cause cancellation of some courses, in which case tuitions will be fully refunded. There will be a $5 fee for all day-of registrations except for Swing Dance. Students may register via credit card in person at The ArtsCenter, by mail, by phone (929-2787 ext. 201) or on our website at www.artscenterlive.org. Registration constitutes enrollment. You will not be contacted prior to the first class unless there is a problem with your registration. Checks should be written payable to The ArtsCenter. Mail completed registration to: ArtSchool at The ArtsCenter 300-G East Main Street, Carrboro, NC 27510

NO TUITION REFUNDS ONCE THE COURSE HAS STARTED.

ArtSchool registration policies and registration form

Student’s Name:___________________________ Today’s date:_____________ Date of Birth:_____________________Age:________ Grade:_________ School:________________________Parent/Guardian’s Name:___________________________________Address:____________________________________________________ City:____________________ State:__________ Zip:___________ Phone (Day):_______________ Cell:______________ Phone (Eve):_______________________ *Email:________________________________ Best contact during the day:________ * BY PROVIDING YOUR EMAIL ADDRESS, YOU WILL BE ADDED TO THE Á LA CARTE PARENT LISTERV & RECEIVE UPDATES, SPECIAL INVITES, & ANNOUNCEMENTS!

Transportation Transportation is available for those who register for 3, 4, or 5 days of á la carte programming. TRANSPORTATION IS PROVIDED FROM THE FOLLOWING ELEMENTARY SCHOOLS ONLY: Carrboro, Estes Hills, Frank Porter Graham, Glenwood, McDougle, St. Thomas More, Scroggs, and Seawell. Transportation is based on availability, and schools served are subject to change. Transportation is not provided from middle schools.

Will your child need transportation from one of these schools? (Please Circle) YES NO If Yes, please indicate which school: CARRBORO ESTES HILLS FPG GLENWOOD MCDOUGLE ST. THOMAS MORE SCROGGS SEAWELL PLEASE CIRCLE THE NUMBER OF DAYS YOU WILL NEED TRANSPORTATION & SUPERVISION:

3 DAYS ($14/WEEK) 4 DAYS ($18/WEEK) 5 DAYS ($22/WEEK)

Payment Information Would you like to purchase an ArtsClub family membership ($150) and receive 10% off arts á la carte tuition? __________

PAYMENT OPTIONS:

◊ *Visa/MC/Discover/AmEx #: ____________________________ Expiration Date: ______

◊ Check: # __________________

◊ Cash:___________________ Total Amount Paid: ____________

PLEASE NOTE: REGISTRATION IS INCOMPLETE UNTIL CONFIRMED BY THE YOUTH CLASSES

COORDINATOR.

arts á la carte registrationPART TIME AFTERSCHOOL ARTS OPTIONS, FALL 2011

Register for at least 3 á la carte classes to take advantage of our transportation option (at an additional cost).

Your child will be safely transported from school to The ArtsCenter on class days. Upon arrival, he/she will enjoy supervised snack, homework time and free play (if time permits) before being escorted to his/her a la carte classes. Please be sure to provide a snack for your child. If you choose to register your child for our á la carte classes without transportation, please make sure your child arrives at The ArtsCenter 5 minutes prior to class time. All a la carte participants should be picked up promptly when

class ends.

Find and circle your class choices on the back of this form.

arts á la carte registrationPART TIME AFTERSCHOOL ARTS OPTIONS, FALL 2011

Choose Your Options!

SECTION (GRADE LEVEL) DATES TIME COST (PUBLIC/ARTSCLUB)

TRANS-PORTA-TION?

TOTAL

MONDAY The Play’s The Thing! (4th-5th) Sept.12-Dec. 5 (13 wks) 4-6P $250/225

Sec. A: Painting I (4th-9th) Sept. 12-Oct. 17 (6 wks) 4-6P $160/144

Sec. B: Painting I (4th-9th) Oct. 24 - Dec 5. (7 wks) 4-6P $160/144

TUESDAY Intro/Intermedia Improv (6th-12th) Sept. 6 - Dec. 6 (14 wks) 4-5:30P $250/225

Kids Drawing (3rd-6th) Sept. 6 - Oct. 18 (7 wks) 4-6P $135/122

Cartooning (5th-9th) Oct. 25 - Dec. 6 (7 wks) 4-6P $135/122

WEDNESDAY Sec. A: Pottery for Kids (2nd-5th) Sept. 7 - Oct. 19 (7 wks) 3:30-5P $116/105

Sec. B: Pottery for Kids (2nd-5th) Oct. 26 - Dec. 7 (7 wks) 3:30-5P $116/105

Sec. A: Pottery for Kids (2nd-5th) Sept. 7 - Oct. 19 (7 wks) 5-6:30P $116/105

Sec. B: Pottery for Kids (2nd-5th) Oct. 26 - Dec. 7 (7 wks) 5-6:30P $116/105

On Camera Kids (3rd-5th) Sept. 7 - Dec. 7 (14 wks) 4-5:30P $250/225

Sec. A: Beginning Sewing (3rd-7th) Sept. 7 - Oct. 19 (7 wks) 4-6P $140/126

Sec. B: Sewing (3rd-7th) Oct. 26 - Dec. 7 (7 wks) 4-6P $140/126

Acting Foundations (6th-8th) Sept. 7 - Dec. 7 (14 wks) 4-6P $250/225

THURSDAY Curtain Up! (3rd-5th) Sept. 8 - Dec 8 (14 wks) 4-6P $250/225

Ensemble Acting (7th-8th) Sept. 8 - Dec. 8 (14 wks) 4-5:30P $250/225

FRIDAY Pottery for Homeschoolers Sept. 9 - Dec. 9 (14 wks) 1-2:30P $116/105

Let’s Make a Play/Play On! (K-3rd) Sept. 9 - Oct. 21 (7 wks) 4:30-6P $116/105

Sec. A: Pottery for Kids (2nd-5th) Sept. 9 - OCt. 21 (7 wks) 3:30-5P $116/105

Sec. B: Pottery for Kids (2nd-5th) Nov. 4 - Dec. 9 (6 wks) 3:30-5P $116/105

Register for at least 3 á la carte classes to take advantage of our transportation option (at an additional cost)

If you choose to register your child for our á la carte classes without transportation, please make sure your child arrives at The ArtsCenter 5 minutes prior to class time. All a la carte participants should be picked up promptly when class ends.

Find and circle your class choices below.

Total Enclosed: _________

The ArtsCenter300-G East Main Street, Carrboro, NC 27510919.929.2787www.ArtsCenterLive.org

Adult and Youth Scholarship Application

Applications will be processed only after all information is submitted and the application is filled out completely. Please return this application with requested support materials to The ArtsCenter Box Office during business hours, or mail to the address above.

Please provide all requested information on this form so that The ArtsCenter can grant scholarships in a fair and consistent manner. All information provided herein is kept confidential for The ArtsCenter’s use only and is used solely to determine eli-gibility. Please bear in mind that scholarships are limited and available only to those who express significant financial need. The ArtsCenter reserves the right to determine criteria for scholarship awards. Many scholarships are partial and require some financial participation from the family.

In the Chapel Hill-Carrboro City School District (CHCCS) eligibility for free or reduced school lunches is based on gross monthly income and family size. For our Youth Scholarships, The ArtsCenter has taken CHCCS guidelines and expanded them so as to increase eligibility. Meeting these guidelines does not guarantee a scholarship. In addition to income and family size, scholarships are awarded based on the information you provide on this application and the order in which we receive requests. We are rarely able to fulfill all scholarship requests.

To process your application, please attach one of the following: - (for youth scholarship only) award letter from school district indicating student’s eligibility for free or reduced lunch or - copy of your most recent tax return or - copies of the last two pay stubs for all adults contributing to household expenses or - copy of your current Medicaid Identification Card (MID)

Today’s Date: _____________________

Student’s Name: ________________________________________________________________

Address: ______________________________________________________________________

City: _______________________________State: ______________ Zip: ___________________

Daytime Phone: _________________________ Evening Phone: ___________________________

Email address: _________________________________@__________________________

If Youth Scholarship, Student’s Age: _______ ; Student’s Grade:_______; Student’s School: ________________________

If this is Youth Scholarship, Parent/Guardian’s Name(s): __________________________________________________

Please list the program(s) for which you are requesting assistance in order of preference.

1. ___________________________________ 3. ___________________________________

2. ___________________________________ 4. ___________________________________

Employment Information (Parent’s Employment for Youth Scholarships)

Employer: _________________________________________ Work Phone: ________________

Position: ____________________________________ Length of Employment: _______________

Full-time: _________ Part-time: ________ (If Part Time, do you work another paid job? YES NO)

Are you a full time student? YES NO If yes, where?_______________________________

Spouse/Partner Information (If applicable:)

Spouse/Partner’s Employer: __________________________________ Work Phone: _______________

Position: ____________________________________ Length of Employment: _______________

Full-time: _________ Part-time: ________ (If Part Time, does s/he work another paid job? YES NO)

Is your spouse/partner a full time student? YES NO If yes, where?____________________________

HOUSEHOLD GROSS MONTHLY INCOME*: $__________________________*Including child support, government assistance and combined income of all adults sharing household expenses

Total number in household: _________

Does your family receive child support? YES NO

Does your child receive free or reduced school lunch? YES NO

Do you receive government assistance? YES NO

How much tuition can you afford to pay? $ ________________

Is there anything else you would like us to know when considering this application, particularly about your financial situation, the reason you are applying for scholarship assistance, or if this is a youth scholarship, information about the student?

_____________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

I verify that all the information submitted is correct and accurate. If I submit inaccurate information, I understand that I will lose my scholarship and be charged the full price for the class.

________________________________________ _______________Signature of Applicant (or Parent, if Youth Scholarship) Date

FIRST ROW: Brooke Kesterson; Shirlette Ammons, Louise Tremblay; Phaedra Kelly. SECOND ROW: Brad Porter; Tess Mangum Ocaña; Natalie Griffin; Jeri Lynn Schulke; Julie Tomkovick. THIRD ROW: Adam Graetz; Jay Miller.

Shirlette Ammons, Youth Arts Coordinatorext. 209, [email protected]

Mandey Brown, ArtSchool Assistantext. 208, [email protected]

Adam Graetz, Marketing Directorext 240, [email protected]

Natalie Griffin, Accounts Directorext. 211, [email protected]

Phaedra Kelly, ArtSchool Directorext. 207, [email protected]

Brooke Kesterson, School Outreach and Performances Coordinatorext. 214, [email protected]

Jay Miller, Interim Executive Directorext. 271, [email protected]

Tess Mangum Ocaña, Concerts and Facility Directorext. 206, [email protected]

Brad Porter, Operations Directorext. 205, [email protected]

Jeri Lynn Schulke, Director, ArtsCenter Stageext. 221, [email protected]

Tracy Thomas, Arts in Education Coordinatorext. 400, [email protected]

Julie Tomkovick, Director of Developmentext. 213, [email protected]

Louise Tremblay, Summer Camps Coordinatorext. 204, [email protected]

Non-ProfitOrganization

US POSTAGE PAIDPermit No. 21

Carrboro, NC 27510

300-G East Main StreetCarrboro, NC 27510919.929.2787 ext. 201

artschool catalog - fall 2011

Documents

figure painting page

portrait painting page

adult classes classes

classic oil painting

work page

wheelthrowing page

craft of painting

painting exaltation