ash born vampires - truth or dare - merris hawk

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8/16/2019 Ash Born Vampires - Truth or Dare - Merris Hawk http://slidepdf.com/reader/full/ash-born-vampires-truth-or-dare-merris-hawk 1/20 This eBook is published by Fictionwise Publications www.fictionwise.com  Excellence in eBooks Visit www.fictionwise.com to find more titles by this and other top authors in Science Fiction, Fantasy, Horror, Mystery, and other genres. This eBook copyrighted. See the first page of this book for full copyright information. Red Rose Publishing www.redrosepublishing.com Copyright ©2006 by Merris Hawk  First published in 2008-03-06, 2008  NOTICE: This work is copyrighted. It is licensed only for use by the original purchaser. Making copies of this work or distributing it to any unauthorized person by any means, including without limit email, floppy disk, file transfer, paper print out, or any other method constitutes a violation of International copyright law and subjects the violator to severe fines or imprisonment.  Truth or Dare By Merris Hawk * * ** This is a work of fiction. Names, characters, places, and incidents are products of the author's imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.  Truth or Dare by Merris Hawk 

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Page 1: Ash Born Vampires - Truth or Dare - Merris Hawk

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T hi s eBo ok i s p ub li sh ed b y

Fictionwise Publications

www.fictionwise.com

  Excellence in eBooks

V is it w ww .f icti on wi se.com t o f in d m or e t it les b y t hi s and o th er t op aut ho rs i n S ci en ce F icti on , F an tasy ,

H or r or , M ys t er y , and o th er g en res .

T hi s eBo ok cop yr ig ht ed . S ee t he f ir st p ag e o f t hi s b oo k f or f ul l cop yr ig ht i nf or mati on .

Red Rose Publishing

www.redrosepublishing.com

C op yr ig ht © 20 06 b y M err i s H aw k  

  F i rs t p ub l is h ed i n 2 00 8 -0 3 -0 6, 2 00 8

  N OT IC E: T hi s w or k i s cop yr ig ht ed . I t i s l icen sed o nl y f or u se b y t he o ri gi nal p ur ch as er . M ak in g cop iesof this work or distributing it to any unauthorized person by any means, including without limit email,

f lo pp y d is k, f il e t rans fer, p ap er p ri nt o ut , o r any o th er m et ho d con st it ut es a v io lati on o f I nt er nati on al

cop yr ig ht l aw and s ub ject s t he v io lato r t o s ev er e f in es o r i mp ri so nm en t.

  T ru th o r D ar e

By

Merris Hawk 

* * * *

T hi s i s a w or k o f f ic ti on . N am es , c ha ra ct er s, p la ce s, a nd i nc id en ts a re p ro du ct s o f t he a ut ho r' s

i ma gi na ti on o r a re u se d f ic ti ti ou sl y a nd a re n ot t o b e c on st ru ed a s r ea l. A ny r es em bl an ce t o a ct ua l e ve nt s,

locales, organizations, or persons, living or dead, is entirely coincidental.

  T ru th or D ar e b y M er ri s H aw k  

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  Red Rose Publishing

  C o p yr i gh t© 2 00 7 M err i s H aw k  

  ISBN: 978-1-60435-121-7

  ISBN: 1-60435-121-7

  C o ver A rt is t : M er r is H aw k  

  Editor: WR. Gabbidon

  A ll r ig ht s r es er ve d. N o p ar t o f t hi s b oo k m ay b e u se d o r r ep ro du ce d e le ct ro ni ca ll y o r i n p ri nt w it ho ut

w ri tt en p er mi ss io n, excep t i n t he cas e o f b ri ef q uo tati on s emb od ied i n r ev iews . D ue t o cop yr ig ht l aw s y ou

c an no t t ra de , s el l o r g iv e a ny e bo ok s a wa y.

  Red Rose Publishingwww.redrosepublishing.com

F or e st p or t , N Y 1 33 38

T ru th o r D ar e

By

Merris Hawk 

CONTENTS

C h ap t er O n e

  C h ap t er T wo

  Chapter Three

  C h apt er F o ur  

  Chapter Five

  Chapter Six

  M or e a bo ut t he a ut ho r  

  * * * *

Chapter One

C am eo t ug ge d h er h em d ow n a s s he l oo ke d a t h er se lf i n t he f ul l- le ng th m ir ro r. T he h al te r d re ss w as m ad e

of s of t r ed s il k, h el d u p by one s ma ll bu tt on a t t he ba ck of he r ne ck. Th e s hor t he m s howe d of f he r l egs

a nd t he f ro nt w as d ar in gl y l ow -c ut . H er b ac k w as c om pl et el y b ar e, a nd s he k ne w t he t hi n s il k j ac ke t

w as n' t g oi ng t o p ro vi de any w ar mt h. E ven t he m at ch in g r ed s ho es w er e i mp ract ical . L oo ki ng h er self o ver  

a ga in, s he f row ne d a t he r r ef le ct ion. She l ook ed l ike a s ex t oy a nd i t ma de h er wa nt t o c ha nge .

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  W hy w as s he e ve n d oi ng t hi s?

  Th e a ns we r be ing s he o we d h im . H e' d s ave d h er f ro m hi s ow n k in d o nc e, ne ar ly l os in g h is l if e i n t he

 process. They'd been almost certain they were going to die that night, waiting in the dark for a chance to

e sc ap e. C am eo h ad p la ye d h is g am e o f q ue st io ns a nd a ns we rs w it h h im , l ik e t ru th o r d ar e. I t w as t he

o nl y t im e s he 'd e ve r s ee n h im d ro p h is ‘ as sh ol e’ f ac ad e a nd b e h im se lf . T he y' d s ha re d s om e o f t hei nt im at e d et ai ls o f t heir l iv es and f ou nd a q uest io n t hat n ei th er o f t hem cou ld ans wer. I n an i mp ul si ve act o f                  

l un ac y, s he 'd g iv en h im h er n um be r a nd g ot h is p ro mi se t o c al l i f h e e ve r di sc ov er ed t he a ns we r.

  He hadn't called until tonight.

S he ans wered h er p ho ne and r ecog ni zed h is v oi ce i mm ed iately .

  " Ca n C am eo c om e o ut t o p la y? "

  " P la y w ha t? ” S he k ne w b et te r t ha n t o j us t a gr ee w it h h im .

  " Me et m e a t M ur ph y P ar k. P la y a rm c an dy f or a c ou pl e o f h ou rs . T hi nk y ou c an h an dl e t ha t? "

  S he di dn' t l ike be ing r us he d a nd he kne w i t. He w as us ua ll y a pa in i n t he a ss a nd s he kne w i t.

  "Where's the party?”Would he tell her what his plans were?

  "Sundown."

  T he A sh B or n d an ce c lu b? S he t ho ug ht i t o ve r. H e n ee de d h er h el p f or s om et hi ng , b ut i t w as n' t g oi ng t o

 be quite the picnic he made it sound like. She knew enough about him to figure that out.

  " Ti ck t oc k, C am eo . T en . .. n in e . .. e ig ht —"

" Ok ay , I 'l l m ee t y ou t he re i n . .. t wo h ou rs .” C am eo h ad i gn or ed t he r ip pl e o f a nt ic ip at io n. A ft er a ll , t he re

c ou ld n' t b e a ny th in g t oo d an ge ro us a bo ut w ea ri ng a d re ss f or a c ou pl e h ou rs .

  "One.” He disconnected.

  S ome p eo pl e j us t h ad t o ha ve t he l as t wo rd . C am eo ke pt h er s ar ca sm t o he rs el f a nd we nt t o di g t hr oug h

h er clo set f or s om et hi ng t o w ear t hat w ou ld f it t he ‘ ar m can dy ’ d es cr ip ti on .

  " Ca mi , y ou r c ab 's h er e! ” L ex i' s y el l c ar ri ed a ll t he w ay t o C am eo 's r oo m.

  L ex i w as excit ed f or h er . C am eo h ad n' t g on e o n a d at e i n m on th s— never m in d any th in g els e— an d t hi s

w as t he b es t e xc us e s he c ou ld c om e u p w it h f or t on ig ht 's e sc ap ad e. S he s ur e a s h el l w as n' t g oi ng t o o ff er  

any o th er i nf or mati on . S he'd t ol d L ex i t o m in d h er o wn b us in es s and m ay be t hi s t im e t hi ng s w ou ld w or k  

out.

  Yeah right.

H ow do yo u t el l a pot ent ia l boyf ri end t ha t he c an' t c om e t o y our pl ac e be ca us e you l iv e i n a s ec re t

u nd er gr ou nd f or tr es s w it h a b un ch o f F re ak s, o r t ha t y ou r b es t f ri en d t ur ns t o s to ne a t d aw n e ve ry d ay ?

C am eo a cc ep te d t he f ac t t ha t s he c ou ld n' t h av e a n or ma l r el at io ns hi p w it h a g uy a nd t ri ed n ot t o t hi nk  

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a bo ut w ha t t ha t m ea nt f or h er f ut ur e.

  Sl ip pi ng on t he s il k j ac ke t, s he ma de he r wa y t o t he d oo r.

  L ex i w ai te d f or h er a nd n od de d h er a pp ro va l o f t he o ut fi t, t he n h el d u p a c ir cl e o f b lu e f oi l.

  " Oh , u hh , L ex i, I d on 't t hi nk I 'l l n ee d t ha t. ” C am eo s id e- st ep pe d h er f ri en d t o a vo id t he c on do m.

  " Jus t i n c as e. ” L ex i t uc ke d i t i nt o h er c oa t p oc ke t a s Ca me o o pe ne d t he do or .

  Se x w as n' t g oi ng t o b e a n i ss ue t on ig ht , b ut s he c ou ld n' t t el l L ex i t he t ru th . S he h us tl ed d ow n t he s te ps

a nd i nt o t he c ab.

  L ex i w av ed a nd c al le d a ft er h er , “ Ha ve a g oo d t im e, C am i! S ee y ou i n t he m or ni ng !"

  C ame o r ol le d he r e ye s a nd ga ve h er f ri end a w ea k s mi le a s t he c ab p ul le d a wa y f ro m t he hous e.

  [ Ba ck t o T ab le o f C on te nt s]

  ChapterTwo

Ca me o pa id t he dr iv er a nd s tood on t he s ide wa lk unt il t he c ab wa s ou t of s igh t. Wa lki ng dow n t o t he e nd

o f t he b lo ck , s he t he n t ur ne d r ig ht , h ea di ng i nt o t he p ar k. S he d id n' t w an t a ny on e t o k no w w ha t s he w as

u p t o t on ig ht , esp eciall y h er f ri en ds . T hey t ho ug ht s he w as g oi ng o n a d at e, w hi ch w as n' t ent ir el y a l ie.

S he j us t di dn 't t el l t he m t ha t he r de st ina ti on w as a n A sh B or n c lub a nd t he da te wa s . .. K ez re d.

  L ex i w ou ld h av e a f it i f s he f ou nd o ut . D am ie n w ou ld be w or se , m uc h w or se . H e m ig ht be L ex i' s

 boyfriend in private but everyone else knew him as the leader of the Warders in the area. As a Warder, it

w as h is j ob t o p ro tect t he o bl iv io us h um an p op ul at io n f ro m t he v am pi res t hat s talk ed t hem. C am eo d id n' t

kn ow i f h e ha te d Ke zr ed p er son al ly, t he y d id kn ow e ac h o the r, or b ec aus e h e wa s a v am pi re a nd

D am ie n w as a W ar de r. M ay be D am ie n d id n' t c ar e w hi ch a nd s he w as n' t g oi ng t o a sk a ny ti me s oo n.

C am eo 's k no wl ed ge o f W ar de rs c am e f rom l ivi ng wi th L ex i a nd D am ie n a s w el l a s w or ki ng w it h t he C ry

o f S ou ls , a s ec re t u nd er gr ou nd f ac il it y t ha t a ll ow ed t he W ar de rs t o k ee p w at ch o n t he c it y. C am eo h ad

s pe nt h er f ai r s ha re o f t im e i n t he h ot s ea t, w at ch in g f or d ang er w hi le D am ie n a nd L ex i go t t o g o o ut a nd

k ic k v am pi re b ut t. B ei ng h um an , s he d id n' t h av e t he s tr eng th o r d ur ab il it y o f h er t wo f ri en ds s o i t m ad es en se t ha t s he s ta y b eh in d. T ru th w as , m os t t im es s he d id n' t m in d b ut l at el y s he 'd h ad a n i tc h t o g et o ut

a nd d o s om et hi ng , e ve n a s ma ll s om et hi ng, j us t t o pr ov e t o h er se lf t ha t s he w as s ti ll i n t he l an d o f t he

living.

  T ha t t ho ug ht m ad e h er r ol l h er e ye s. S he w as s ta nd in g i n t he p ar k w ai ti ng f or a v am pi re , n ot w ha t s he

considered ‘living’ but it promised a little adventure.

  C am eo p ac ed s lo wl y a cr os s t he f ro nt o f t he p ar k, k ee pi ng h er e ye s o n h er s ur ro un di ng s. W ha t w as

t ak in g t hat v am pi re s o l on g?

  A sh B or n. T he v am pi res cal led t hems el ves A sh B or n, t ho ug h o nl y t hey k new w hy . C am eo m ad e a

m en tal n ot e t o avo id s ay in g v am pi re t on ig ht , o r any o f t he o th er d es cr ip ti ve w or ds D am ien l ik ed t o u se

f or t he m. S he 'd m em or iz ed a f ew o f D am ie n' s f av or it es w hi le h e' d t au gh t h er s om e o f w ha t h e k ne w.

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T he ir m ai n g oa l i t s ee me d w as t o r ul e t he pl an et a nd e ve ry th in g o n i t, t o h av e a n e nd le ss s up pl y of f oo d

and entertainment under their control without the restrictions of secrecy.

C am eo d id n' t d ou bt D am ie n' s c la im t ha t t he re w er e t ho us an ds o f t he m, s ca tt er ed a ll o ve r t he g lo be , s he

d ou bt ed t he W ar ders abi li ty t o s to p t hem f ro m s in ki ng t heir f an gs i nt o p os it io ns o f p ow er and m ak in g

t he ir pl an a r ea li ty. Th er e w er e s im pl y t oo f ew W ar de rs t o ge t t he j ob d one .

  T he A sh B or n w er e M ot he r N at ur e' s d ir ty s ec re t. T he l in es h ad b ee n d ra wn c en tu ri es b ef or e C am eo

ha d be en bor n. The b at tl es a re w on a nd los t i n t he da rk of ni ght wi th no huma n a li ve to wi tne ss s ave a

v er y s pe ci al f ew . O nl y o ne v am pi re w al ke d t he e dg e o f t he b la de b et we en t he t wo e ne mi es : K ez re d.

D an ce d i s m or e l ik e i t, C am eo s no rt ed . K ez re d e nj oy ed h im se lf t oo m uc h t o c al l i t w al ki ng . T he

W ar ders d es pi sed h im , t he o th er v am pi res l ef t h im alo ne and n ob od y r eall y k no ws w hi ch s id e h e' s o n.

Ca me o ha d c ome t o t he c onc lus io n t ha t he 's on hi s own s ide a nd j us t l ik es t o pi ss of f e ve ryone who t ri es

to control him.

  Y ou ng f or a n A sh B or n, b ar el y a h un dr ed y ea rs h e' d t ol d h er , a nd y et m os t o th er v am pi re s a cc or de dh im s tr ang e v er si on s o f f ea r a nd r es pe ct . A f ew m ont hs a go, Ke zr ed ha d he lp ed he r f ind t he ke y t o t he

C ry of So ul s. Ton igh t, Ca me o wa s p ayi ng he r de bt , a s a rm c andy i n M ur phy P ar k. Th er e wa s mo re t o i t,

s he kn ew t he re wa s b ut Ca me o di dn 't da re t hi nk a bou t i t t oo m uc h, or s he 'd t ur n r igh t a roun d a nd l ea ve

h im t o i t. W ha te ve r ‘ it ’ w as .

  A m ov em en t i n t he s ha do ws , m ad e h er b re at h p au se a nd s et h er h ea rt p ou nd in g. S he h ad n' t b ro ug ht a ny

w ea po n o th er t ha n h er s ur uc hi n. I t w as t ri pl e- wr ap pe d a ro un d h er w ai st l ik e a l on g s il ve r b el t, t he

w ei gh te d e nd s s wi ng in g n ex t t o h er t hi gh a s s he w al ke d. I t w as n ea rl y u se le ss n ow . S he w oul dn 't h ave

t im e t o un wr ap i t be fo re t he v amp ir e w as on he r. A m an s iz ed s ha do w s te ppe d a wa y f rom a t re e a nd

c am e t ow ar d h er . C am eo k ne w A sh B or n o n s ig ht , t he y w er e g ra ce fu l, p re da to ry a nd s ou ll es s. T he

f ig ur e c om in g t ow ar d h er w as a ll o f t ha t, b ut i t w as n' t K ez re d.

  C am eo s t op ped w here s he w as , w ei gh in g h er o pt io ns . S he cou ld r un , b ut w it ho ut t he v am pi re's

 preternatural speed she would be too slow. She reached into her jacket for her cell phone. The

app ro achi ng f ig ur e s to pp ed . D id h e t hi nk s he h ad a g un ?

  " Pi ss o ff , F uckt ar d, t hi s o ne's m in e. "

  K ez re d' s v oi ce b eh in d h er m ad e h er j um p, a nd C am eo r ea li ze d t ha t i t w as h is p re se nc e t ha t h ad g iv en

h er a r ep ri ev e.

T he o th er v am pi re s ta re d f or a f ew s ec ond s b ef or e h e t ur ne d a nd w al ke d a wa y. Sh e r ou nde d o n

Kezred, giving him a disgusted look.

  "That was charming."

  " Ye ah , s o I 'm a p os te r b oy f or t he s oc ia ll y d ef ic ie nt . L et 's g o. "

  H e s ta rt ed w al ki ng b ac k t ow ar d t he s tr ee t, a nd C am eo h ad t o t ak e a c ou pl e o f q ui ck s te ps t o c at ch u p.

  " Yo u s ai d arm can dy o n t he p ho ne; I 'm ass um in g t hat m eans t he d um b b lo nd r ou ti ne?"

  " Yo u' re p er fect f or i t. "

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  Sh e pu ll ed u p s ho rt . “ Ar e yo u c al li ng m e a b im bo ?"

  " No , b im bo s a re n ic e a nd w ar m; a ny m an y ou t ou ch ed w ou ld g et f ro st bi te .” K ez s to pp ed a nd l oo ke d

 back, He wore his jackass smile, the one that said; I know this is bullshit, but I make it look good.

  " Yo u' re s uch an ass ho le.” C am eo s tart ed w al ki ng again .

  "I try."

  S he w oul d h av e g on e r ig ht p as t h im , b ut h e k ep t u p w it h h er e as il y.

  T he y m ov ed d ow n t he s tr ee t s id e b y s id e, n ev er t ou ch in g. C am eo w as p is se d. F ir st o ff , b ec au se f ro m

t he m om en t s he 'd a gr ee d t o h el p, s he 'd f el t l ik e t he w or d ‘ su ck er ’ w as p ri nt ed o n h er f or eh ea d.

S ec on dl y, b ec au se t he p is si er s he g ot , t he h ap pi er K ez re d s ee me d t o b e.

  S he 'd k no wn h e w as a s ar ca st ic pa in i n t he a ss , bu t s he 'd a gr ee d t o h el p a ny wa y. H e' d s tuc k h is n ec k  

ou t f or h er s o s he o we d h im . A nd o wi ng h im m ea nt t ha t t oni gh t s he w as w al ki ng d ow n t he s tr ee t i nt hr ee -i nc h h ee ls w it h a d re ss t ha t b ar el y c ov er ed h er a ss et s.

  Why ha d s he put th e t hi ng on? Be ca us e i t w as t he o nl y dr es s in t he c los et t ha t di dn' t l ook l ike i t wa s f or  

a f un er al , t hat' s w hy . T he f ri vo lo us r es ul t o f g iv in g i n t o L ex i' s p eer p ress ur e.

  Ke z d id n' t s ee m t o n ot ic e. H e' d d it ch ed h is u su al o ut fi t o f j ea ns , b oo ts a nd t -s hi rt , a nd r ep la ce d t he m

w it h a c ha rc oa l g re y s ui t a nd s il k s hi rt . H is l ong c in na mo n h ai r w as t ie d b ac k w it h a s il ve r c li p. T he b oo ts

h ad b ee n r ep la ce d w it h s hi ny b la ck s ho es . E ve n t he e ve r- pr es en t l ea th er t re nc h c oa t w as n ow he re i n

s ig ht . S o t hey w er e b ot h p layi ng d ress -u p t on ig ht .

  [ Ba ck t o T ab le o f C on te nt s]

  ChapterThree

K ez re d s to pp ed s o s ud de nl y t ha t C am eo w obb le d a b it on t he h ee ls .

  " W hat i s i t?"

" We 'r e h er e. D on' t t al k, do n' t l oo k, a nd do n' t s mi le . J us t s ti ck yo ur I ce P ri nc es s n os e i n t he a ir a ndi gn or e e ve ry th in g b ut m e. ” K ez re d p la ce d h im se lf a t h er s id e a nd g av e h er h is e lb ow ; i t t oo k a s ec on d f or  

C am eo t o r ea li ze w ha t h e w as d oi ng a nd c ur l h er h an d a ro un d h is f or ea rm . H e w hi sp er ed s om et hi ng , a nd

s he f el t t he ha ir o n he r a rm s s ta nd up a s a r ip pl e o f p ow er wa she d o ve r t he m.

  "W ha t w as t ha t? ” T he s en sa ti on p as se d o ve r h er a nd f ad ed .

  " Ou r d is gu is e. U nf or tu nately , i t w il l o nl y cov er y ou r app earance, n ot y ou r v oi ce o r y ou r s cent .” K ezred

r ea ch ed i nt o a n i ns id e p oc ke t a nd c am e o ut w it h a p er fu me b ot tl e. “ He re , i t' s t he s am e t hi ng s he w ea rs .

I t' ll k eep y ou f ro m s mell in g l ik e a f ree b uf fet. "

  "Whow ea rs i t? ” C am eo s ni ff ed t he c ap ; i t h ad a s li gh t m us k s me ll a nd r em in de d h er o f s we et g ra ss . S he

s pr ay ed h er d re ss w it h t he s tu ff a nd o ff er ed i t b ac k.

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  " Ke ep i t, I d on 't s me ll l ik e f oo d. ” H e d id n' t b ot he r t o a ns we r h er q ue st io n.

  " Ge e t ha nk s, I f ee l s o m uc h b et te r n ow .” C am eo s tu ff ed t he b ot tl e i n h er p oc ke t.

He l ed her down a s et of st eps to a gre y me ta l door wit h a pe ephole and knoc ked twi ce . Ca me o f el t

s ud denl y n er vo us , s he k new s om eo ne w at ch ed t hem t hr ou gh t hat t in y cir cl e o f g lass . T he d oo r o pened

w ide a ft er a fe w mo me nt s. A t al l, l ea n ma n s tood j us t i ns ide , a nd he w ave d a ha nd t o us he r t he m i nt o ashort hallway, closing the door behind them.

  S he cou ld h ear m uf fl ed t hu mp in g and r em em bered t hey w er e g oi ng t o a n ig ht cl ub , m eani ng l ot s o f s ou nd .

K ez re d o pe ne d t he i nn er d oo r a nd s he k ne w t he d oo r, t he w al ls , p ro ba bl y t he e nt ir e l ow er f lo or o f t he

 building was soundproof.

T he f ai nt s ou nd s he h ea rd f ro m t he h al l w as a ct ua ll y a p ou nd ing b ea t o f t ec hno m us ic t ha t t hun de re d

t hr ou gh h er b on es . K ez re d w al ke d r ig ht i nt o t he p re ss o f b od ie s w it h C am eo a lo ng f or t he r id e. T he

 people moved enough to let them through to the other side of the dance floor. Small tables and chairs

c ro wd ed c lo se t og et he r a nd b ey on d t he m w er e s ev en c ur ta in ed a lc ov es . F iv e o f t he m h ad t he c ur ta in sclo sed; t he m id dl e t wo w er e o pen and o ccup ied. C ir cu lar b en ch s eats u ph ol st er ed i n b lack v in yl h el d

men and women sporting designer clothing and expensive jewelry.

  E ve ry p ai r o f e ye s a t t ho se t wo a lc ov e t ab le s w at ch ed t he m a pp ro ac h. C am eo t ho ug ht s he c ou ld t el l t he

d if fe re nc e b et we en p at ro n a nd e nf or ce r. O ne t yp e s ee me d t o p ro je ct a b or ed i nd if fe re nc e, a nd t he o th er  

h ad t hat t en se, m en acin g p os tu re com mo n t o b od yg uard s and b ou ncer s .

  T he y s to pp ed a g oo d t en f ee t a wa y f ro m t he t ab le s a nd K ez re d f le xe d t he m us cl es i n h is a rm , t el li ng

Cameo it was time to pl ay. He di dn' t bow his he ad so muc h a s he nodded to thos e a t t he ta bl es . Ca meo

c op ie d h im a nd t he y w ai te d w hi le t he s po il ed E li te o f t he A sh B or n s tu di ed t he m.

  W ha t i f t he y s aw t hr ou gh t he d is gu is e? C am eo r ec og ni ze d a f ew o f t he f ac es ; t ho ug h s he w as n' t

t echn ical ly a W ar der, s he'd h el ped t he W ar ders f ig ht t hem o ff b ef or e. S he w ou ld b e r ecog ni zed eas il y i f                  

t hey t es ted t he i ll us io n. H er w hi te-b lo nd e h ai r w ou ld b e a d ead g iv eaway, r eall y d ead.

  K ezred w as n' t p ow er fu l, s ti ll h e s eemed f earl es s. A s i f n ot hi ng cou ld t ou ch h im o r h e t ru ly d id n' t car e

w hat h ap pened t on ig ht as l on g as s om et hi ngdid     h ap pen. H e w as r eck l es s and u np red ict ab l e. C ol d,

unc er ta in f ea r ma de he r e ye s wi de n a nd he r br ea th qui cke n. Ha d s he pu t he r l if e i n t he h ands of a

madman who valued nothing?

  " St at e y ou r b us in es s. ” A b la ck h ai re d m an a t t he b ac k o f t he c lo se st t ab le r ai se d o ne t hi ck e ye br ow .

  " We h av e c om e t o t ry t he D aw ni ng S to ne .” K ez re d' s v oi ce w as l ow er , r as py a nd q ui et l ik e h is v oc al

ch or d s w ere d amag ed .

  C am eo r ec og ni ze d t he v oi ce a nd r ea li ze d e xa ct ly w ho t he y w er e s up po se d t o b e! S he n ea rl y s ai d t he

na me s o ut l ou d. S qu ee zi ng h is f or ea rm , s he l et h im kn ow s he ha d f ig ur ed i t o ut a nd j us t h ow m uc h t he

k no wl ed ge d is tu rb ed h er . W as h e i ns an e?

  " Wait o ver t here u nt il y ou are s um mo ned. ” T he b lack h ai red m an l oo ked away and f li ck ed a r in g- laden

h an d at t hem i n d is mi ss al .

K ez re d s ta ye d i n c ha ra ct er , s mo ot hl y t ur ni ng h is b od y i nt o h er s s o t ha t C am eo 's f ac e w as b lo ck ed f ro m

their view, hiding her shocked expression.

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" Co me . W e w il l e nt er ta in o ur se lv es .” H e m ai nt ai ne d t ha t r as py v oi ce a s h e l if te d a ha nd t o t he s ma ll o f          

he r ba ck a nd u rg ed he r t o t ur n a nd w al k i nt o t he c ro wde d d an ce f loo r.

  T he y m ov ed f or wa rd i nt o t he c ru sh o f b od ie s a nd K ez re d' s h an d s li pp ed t o h er w ai st . C am eo 's b ra in

w as s ti ll s pi nn in g aro un d t heir d is gu is e w hen t he s ub ject cam e b ack i nt o f ocus . .. t he D aw ni ng S to ne.

H ol y b at sh it ! S he 'd h ea rd o f t he t hi ng , a nd s he w as n' t e ve n a v am pi re —A sh B or n— wh at ev er . I t w as

r um or ed t o b e p ow er fu l a nd d an ge ro us . W hy w as t he re a lw ay s a ‘ da ng er ou s’ w he n t he re w as a

 powerful? If the rumors were half true, the Stone could give vampires the power to withstand sunlight and

t o s tay awake d ur in g t he d ay li gh t h ou rs .

  T he re h ad t o be s ome s or t of d ra wb ac k or t he c it y wo ul d be c ro wd ed w it h A sh B or n a ll da y a nd a ll

n ig ht t oo . W hy w as i t h er e t on ig ht ? W as s om et hi ng s pe ci al g oi ng o n? W ar lo rd s w er e t he g ua rd s a nd

enf or cers o f t he E li tes, w er e t hey d is gu is ed as T an deri ou s and S il ka f or a s peci al o ccas io n?

  Ca me o l ea ne d t ow ar d h im t o s pe ak . Q ui ck ly , h e t ur ne d t o f ac e h er . H is s il ve r- sm ok e e ye s w ar ne d h er  n ot t o s ay t he w or ds o ut l ou d. H e l ai d o ne f in ge r a cr os s h is l ip s, t he n h er s. T he l ig ht t ou ch d is tr ac te d h er  

l on g e nou gh f or K ez re d t o g iv e h er a p us h t o g et t he m m ov in g a ga in . H e n ev er t ou ch ed a ny on e, n ot i f h e

c ou ld a vo id i t. S he 'd n ot ic ed t ha t p ar ti cu la r t ra it w he n s he 'd f ir st r un i nt o h im . H e w as s li ck e no ug h a bo ut

h is a ve rs io n t ha t y ou h ad t o p ay a tt en ti on t o n ot ic e i t. H is h an ds w ou ld b e i n h is p oc ke ts o r h ol di ng

s ome thi ng o r h e wa s t oo f ar a wa y f or a ny s or t of c as ua l c ont ac t.

Now he 'd a ct ua ll y t ouc he d he r t hr ee t im es i n le ss t ha n a mi nut e. W as t hi s pa rt of t he r ole he pl ay ed

t on ig ht ? I t w as u ns et tl in g a nd s o r ar e t ha t C am eo c ou ld n' t h el p b ut f oc us o n t he f ee l o f h is h an d p re ss in g

again st h er b ack.

  T he y m ad e t he ir w ay t hr ou gh t he c ro wd t o a no th er h al lw ay t ha t l ed t o a p ri va te c or ne r. W it h h is b ac k t ot he w al l h e s tr ok ed a h an d o ve r h er c he ek , s li di ng f in ge rs i nt o t he h ai r a t h er n ap e t o p ul l h er t ow ar ds h im .

H e wi de ne d hi s s ta nc e s o t ha t s he c ou ld s ta nd be twe en hi s kn ee s. As h e t il te d h is he ad s ide wa ys t o

w hi sp er i n h er ear , any on e l oo ki ng t heir w ay w ou ld ass um e t hey w er e d oi ng m or e t han t al ki ng . “Yo u

n ee d t o s ta y c lo se f or t he i ll us io n t o w or k. "

  " Th is i s c ra zy .” S he w hi sp er ed t he w or ds i nt o h is e ar a nd w as g la d t he A sh B or n w er e b eh in d h er . T hi s

w as t he f ou rt h t im e h e' d t ou ch ed h er , a nd s he w as s ti ll a l it tl e s tu nn ed a t K ez re d' s i de a o f a d is gu is e. H e' d

cov er ed t hem w it h t he i ll us io n o f T an deri ou s and S il ka, t he A sh B or n W ar lo rd s o f t he w es tern cit ies. T he

E li te s a t t he t ab le h ad n' t d ar ed t o p ro be t he m in or i ll us io n t he y w or e; s uc h a n a ct io n c ou ld b e c on si de re d

a n a tt ac k. N o o ne w an te d t o d ie o ve r s om et hi ng a s s im pl e a s a n i ll us io n o f a pp ea ra nc e. T he y w ou ld perceive it as Silka's vanity and leave it alone. Only Kezred had big enough balls to try and pull this off.

  " If y ou 'd t ol d m e t hi s e ar li er I w ou ld n ev er h av e c om e. ” C am eo 's h an ds l ay f la t o n h is c he st a s s he

w hi sp er ed i n h is e ar . T he m us cl es u nd er h er p al ms w er e f ir m u nd er t he s of t s il k. I t b ot he re d h er t ha t s he

noticed.

  " I k no w. ” H e s mi led.

As s he f el t t he mov eme nt of h is l ips on he r e ar , go os e b umps s pr ea d dow n he r a rm s a nd s he s ti ff ene d.

A ny on e e ls e w ou ld h av e l et i t g o. K ez re d' s q ui et c hu ck le s en t c ol or r ac in g u p h er f ac e.

  " We ll , w el l, t he I ce P ri nc es s h as a s of t s po t. ” H e b re at he d t he w or ds a cr os s h er s ki n, g et ti ng t he s am e

involuntary response.

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  " So do yo u. ” Ca me o s hi ft ed he r w ei gh t t o one f oot s o s he c ou ld r ai se he r kn ee i n f ro nt of K ez re d' s

crotch.

  H e d re w b ac k e no ugh t o s ni ff t he a ir . “ I s me ll f ea r. "

  " Ha ve y ou n ot ic ed w he re w e a re ? Y ou s ho ul d b e a fr ai d t oo .” C am eo l et h er l eg d ro p. S he w as n' t g oi ngt o kne e hi m i n t he nut s he re . She 'd s ave i t f or l ate r.

"T ha t' s not who you 'r e a fr ai d o f.” He l if te d hi s h ea d t o l ook a t he r f ac e.

" Who? I 'm not a fr ai d of you.” A t t he mo me nt s he w ant ed t o s oc k hi m.

  " No, n ot m e. Y ou rs el f. ” A h al f s mi le t ur ne d u p t he c or ne rs o f h is m ou th.

" Yo u d on 't k no w a d a. .. ” K ez re d l ai d t wo f in ge rs a cr os s h er l ip s, s ta rt li ng h er i nt o s il en ce .

  " I k no w       you . A lw ay s i n c ont ro l, a lw ay s c los ed o ff b eh in d yo ur w al ls .” H e l et h er m ove h is f ing er s a wa y

f ro m h er m ou th a s h e l ac ed t he ir f in ge rs t og et he r. “ Yo u' re s ca re d s hi tl es s t o l et a ny on e i n, a fr ai d t o c ar e

 because if you do it's a weapon."

  " Tha t' s not t rue .” Ca me o de ni ed i t e ve n a s he r mi nd s ea rc he d f or a ny r ea son t o m ake i t a l ie . H ow mu ch

di d h e kn ow, o r g ue ss ?

  K ezred' s s il ver- sm ok e eyes f lash ed at h er , t he i ri ses b ri gh teni ng f or a s econ d, a s ig n o f s tr on g emo ti on .

He wa s be ing s er ious, givi ng up a l it tl e bi t of hi mse lf a t t he s ame ti me he took a l it tl e bi t of he r. “ Ke ep

h id den b eh in d y ou r w al ls , C am eo . E vent uall y y ou 'l l s uf fo cate i n t he d ar k and n o o ne w il l k no w. "

  S he r ea li ze d w he n h is e ye s m et h er s t ha t h e k ne w, b ec au se h e l iv ed w it h t ha t s am e c lo se d i n, l os t

da rk ne ss . S he k ne w t he f am il ia r s en se o f b ei ng a lo ne i n a c ro wd , u nw il li ng t o r is k a not he r b lo w t o a n

alr eady d am ag ed h eart . A r us h o f p ai nf ul s ym path y w en t t hr ou gh h er .

" Wh at h ap pe ns i f y ou t ak e a c ha nc e? ” H e di pp ed h is h ea d s o t ha t t he y s ha re d a br ea th be tw ee n t he m.

“Wh at h ap pens i f y ou l et y ou rs el f f eel f or j us t a w hi le?"

  Ke zr ed' s f ac e w as s o c los e, t ha t o nl y s he ha d t o mo ve t he l as t i nc h t o t ouc h hi s m out h w it h he r own , t o

s how t ha t s he u nd er st oo d. H e f ro ze a ga in st he r mo ut h f or a ha lf a s ec on d be for e h e ki ss ed h er ba ck. Hi s

t on gu e p re ss ed i nt o h er m ou th , t as ti ng h er . H e l if te d h is h ea d a ft er a f ew m om en ts t o s ee h er f ac e, t os ea rc h he r e xpr es si on wh il e hi s o wn w as s o gu ar de d, a s i f he wo re a ma sk.

  C am eo g av e h im t he s am e j ac ka ss s mi le h e' d u se d b ef or e. “ No w w ho 's a fr ai d? ” S he w as n' t s ur e i f s he

m ea nt i t a s a qu es ti on o r a s ta te me nt . K ez re d t ook i t a s a n i nv it at ion .

  H i s l ip s t ou ch ed h er s a nd s ta ye d t he re , s ha ri ng h er b re at h. H is h an ds k ne ad ed h er h ip s a nd p ul le d h er  

f or wa rd t o p re ss a ga in st h is b od y.

S he f el t hi s e re ct io n t hr ou gh t he s il k o f h is s la ck s. T he b ea t of t he m us ic p ul se d t hr ou gh t he ir b od ie s. S he

d id n' t p ul l a wa y, n o bl us he s t hi s t im e. A s w ro ng a s i t w oul d b e i n t he l ig ht o f d ay , s he h ad f ou nd c om for t

w it h t he e ne my. A n ee d t he y bot h f el t— to l et dow n t he ba rr ic ade s a nd b e a c re at ur e of t he mo me nt . T o

 be able to show need without any risk of censure or damage. They didn't know each other well enough

to throw emotional stones.

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  C am eo 's h and r ub be d a p at h t o h is ne ck, w he re h is s ki n w as e xp os ed a nd w ar m. S he r an t he pa ds o f                  

h er f in ge rs u p h is t hr oa t, c at ch in g h is c hi n t o c ha ng e t he a ng le a nd g et a b et te r t as te . A l ow r um bl e o f                  

s ou nd , alm os t a p ur r, v ib rated t hr ou gh h is chest and i nt o h er m ou th cau si ng an ans weri ng r us h o f h eat t hat

s pr ea d o ut wa rd f ro m h er n av el . C am eo f el t m us cl es c on tr ac t l ow i n h er b od y, a nd h er m ou th l et g o o f h is

t o pul l i n a ir .

  H is l ips t ouc he d t he c or ne r of h er m ou th , “ I c an s me ll yo u. "

  A s hi ve r s ta rt ed a t he r s pi ne a nd c am e ou t he r mo ut h. She l ic ke d t he s of t s ki n of h is bo tt om l ip a nd dr ew

i t i nt o h er m ou th . H er f in ge rs e xp lo re d b en ea th t he j ac ke t. S he f el t a t hr il l o f s at is fa ct ion w he n h e s uc ke d

i n air as h er f in gers t raced h is abd om en , m ak in g t he m us cl es clench. H e r et ur ned t he f eeli ng , s li di ng h is

 palms over her backside and kneading his fingers into her flesh. She could feel the heat of his hands

thr ough he r dr es s. H e pul le d he r hi ps i nt o his a nd r ai se d he r up ju st e nough t o ge t the he m of th e s hor t

dr es s o ut of t he w ay .

  " Yo u a re s um mo ne d. ” O ne o f t he v am pi re s s to pp ed a f ew f ee t a wa y.

  C am eo 's e ye s w en t w id e f or j us t a m om en t b ef or e s he p re ss ed h er f la mi ng f ac e t o K ez re d' s s hi rt a nd

t ri ed t o r eg ai n h er u su al c oo l c om po su re . S he 'd f or go tt en w he re t he y w er e, t he d an ge r t he y w er e i n.

She'd been completely distracted.

  K ez re d' s ha nd s s hi ft ed f ro m he r a ss t o t ug h er he m ba ck i nt o pl ac e. I t m ade h er l oo k up a t hi m; h e w as

u su al ly any th in g b ut h el pf ul . H e l icked h is l ip s and C am eo cou ld n' t h el p b ut w at ch .

  " We c om e. ” K ez re d' s w or ds w er e f or t he s er va nt , h is e ye s w er e on C am eo .

  She caught the double meaning easily enough.

  [ Ba ck t o T ab le o f C on te nt s]

  Chapter Four

T he y f ol lo we d t he va mp ir e t o t he b ac k o f t he h al lw ay a nd u p a f li gh t o f s ta ir s. T he s ta ir s l ed t o a h al l w it h

s ev er al d oo rs a nd a n e le va to r. A ll t hr ee o f t he m g ot i n t he n t he v am p h it t he d ow n b ut to n. C ur io us ,

C am eo l oo ke d a t K ez re d, b ut he on ly pa tt ed he r r ea r. D id t he r ea l S il ka p ut up w it h t hi s m uc h c ra p f ro mTanderious?

  W he n t he e le va to r b um pe d t o a s to p t he y w al ke d i nt o a c av er no us r oo m. E ve ry e ye t ur ne d t ow ar d

t he m, e xc ep t t wo . T he y b el on ge d t o a m al e f ig ur e c ur le d o n t he f lo or , h ol di ng hi s h an ds o ve r hi s b loo dy

f ac e a nd k ee ni ng . T he A sh B or n f ro m t he e le va to r w al ke d up t o t he i nj ur ed v am pi re , k ne el in g d ow n t o

 pick him up and carrying him back the way they had come.

  T he f ew o th er E li te s p re se nt i gn or ed t he m an a nd s po ke q ui et ly t o e ac h o th er . T he y w er e j us t f ar e no ug h

a wa y f rom t he e le va tor t o be c ons ide re d i n t he r oom . A s ne er a nd t he j ut of a c hi n by one of t he El it es

w av ed t he m f or wa rd t o a w ro ug ht -i ro n s ta nd a t t he o th er e nd o f t he e gg -s ha pe d r oo m.

  A pp ar en tl y e ve n t he E li te s d id n' t w an t t o s ta nd t oo c lo se t o t he S to ne . T he e le va to r d oo rs c lo se d o n t he

o nl y e xi t t o b e s ee n, Ca me o r ea li ze d j us t h ow m uc h t rou bl e s he w as i n. Sh e f in al ly n ot ic ed t he pu ls in g

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e ne rg y i n t he r oo m t ha t m ad e t he a ir f ee l t hi ck . K ez re d' s m us cl es t ig ht en ed u nd er h er h an d. H e s ee me d t o

 be straining to move smoothly, to keep up with her.

  W as i t be ca us e of t he D aw ni ng St one ? T he re w as a l is t o f s ca ry ‘ I d on 't k no w’ t ha t s cr ol le d a cr os s he r  

 brain. There was nothing else in the room that she could see. The Stone had to be the reason.

She t ri ed t o be unobt rus ive a s she pull ed hi m al ong w it h he r. The y ma de i t t o t he s tand a s e venl y a s the yc ou ld a nd s to od t he re .

Ca me o t ri ed t o wh is pe r a s q ui et ly a s s he c ou ld . “ Wha t d o— ” K ez re d' s e ye br ow w en t up a nd s he

s to pp ed t al ki ng . T he E li te s c ou ld n' t s ee t he ir f ac es b ut t he y c ou ld s ti ll h ea r. A w ic ke d s mi rk s li d a cr os s

hi s fa ce a s s he wa it ed f or hi m t o s how he r wh at c ame ne xt .

He ha d no f ea r of de at h, pun is hme nt or pa in, s he wa s c er ta in. He c ar ed not hi ng f or t he r ul es of th e A sh

B or n o r t he W ar de rs . E ve ry th in g h e d id w as f or h is o wn r ea so ns a nd e ve ry on e e ls e b e d am ne d. C am eo

wi sh ed s he ha d e ve n a l it tl e of t ha t c ou ra ge . T o b e s o s tr ong a s t o t el l t he who le w or ld t o go t o he ll onc e

in a whil e. To do a s s he wa nt ed no ma tte r how wil d i t mi ght be .

  K ez re d w as l ik e a t as te o f t ha t p ow er . H e e xu de d t he s el f- co nf id en ce a nd s tr en gt h t o s ta nd a lo ne o r  

care ab ou t co ns equ ences.

  A s s he l oo ke d d ow n a t t he D aw ni ng S to ne 's c le ar a mb er c ol or , s he w on de re d i f s he c ou ld b or ro w

eno ug h o f K ezred' s p ow er t o m ak e i t t hr ou gh t he n ex t f if teen m in ut es .

  " T og et her. ” H e w hi sp er ed t o h er .

  H e pl ac ed hi s p al m ove r t he ba ck of he r ha nd a nd l if te d t he ir h and s t o hov er j us t a bov e t he S tone .

C am eo r esi st ed as h er f in gers n ear ed t he S to ne. T hi s t hi ng w as s up po sedl y d an gero us .

  " It can 't h ur t y ou , y ou 'r e h um an ."

  Sh e b ar el y h ea rd t he w or ds . C am eo 's h an d t ou ch ed i t. N ot hi ng . S he l et o ut t he b re at h s he d id n' t r ea li ze

s he 'd b ee n h ol di ng . T he S to ne w as j us t b ar el y w ar m t o t he t ou ch , n ot w ha t s he 'd e xp ec te d. T ru th , s he 'd

e xp ec te d b ur ni ng h ea t o r e le ct ri ci ty o r s om e o th er h or ri bl e e ff ec t t ha t w ou ld l ea ve h er i n t he s am e s ta te a s

t he m an w it h t he b lo ody f ac e.

  K ez re d' s q ui ck g ri n l et h er k no w t ha t h e c ou ld t el l h ow s he f el t. S lo wl y, h e w ra pp ed t he ir f in ge rs a ro un d

t he S to ne, h is o wn n ev er q ui te t ou ch in g i t. H e car ef ul ly t ur ned t heir h an ds o ver, l if ti ng t he s to ne andtipping his sleeve forward while flexing the muscles in his arm.

  A r oun de d, p er fe ct c opy of t he s to ne r ol le d i nt o t he h ol de r a nd K ez re d us ed t he r us e of a k is s t o m ov e

t he ir j oi ne d h an ds t o h is c oa t. C am eo s to od s pe ec hl es s a nd h or ri fi ed . T he y w er e s te al in g o ne o f t he

o bj ec ts o f p ow er r ig ht i n f ro nt o f t he E li te s! K ez re d' s l ip s t ou ch ed h er s a nd s he w an te d t o d ra w b ac k, t el l

him the game was over a nd s he didn't want to pla y. It wa s too la te t o bac k out now, s he knew, but the

s ta ke s w er e s o h ig h!

  K ez re d s aw e ve ry th in g w ri tt en p la in ly o n h er f ac e a nd h is k is s b ro ug ht h er o ut o f h er s ta te o f s ho ck , i nt o

a wh ol e n ew a re a o f e mba rr as sm en t. H e m ov ed t he s ton e t o a p oc ke t o f h is c oa t bu t h e k ep t t he ir h an ds

       joined, pressing her fingers into the silk slacks over his groin.

  S he f el t hi s h ar dn es s a s s he t ipp ed he r h ea d b ac k t o g la re up a t h im . S he w as go ing t o b e t or tu re d a nd

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k il le d be ca us e K ez re d g ot h is j ol li es b y s te al in g f ro m t he E li te s! A ll t he y n ee de d n ow w as t o ha ve t he r ea l

W ar lo rd s p op i n f or a v is it . C am eo c ur le d h er n ai ls i nt o h is f le sh , b et te r t o b e a ng ry t ha n p et ri fi ed b y f ea r.

  K ez p ul le d h er h an d a wa y. H is l ow c hu ck le r ol le d t hr ou gh t he r oo m a s h e k ep t h is e ye s f ix ed o n h er .

O ne e ye br ow l if te d i n que st ion. W as s he goi ng t o gi ve t he m a wa y now . .. or pl ay t he ga me t o t he e nd?

  C am eo 's a ns we r w as a s mi le t ha t s ho we d h er t ee th w it ho ut b ei ng t he l ea st b it f ri en dl y. H er e ye s promised dire retribution if they made it out alive.

  K ez re d' s s mi rk t ur ne d i nt o a b ig , h ap py g ri n. H e t uc ke d h er h an d i nt o h is e lb ow a ga in a nd f ac ed t he

g at he re d E li te s. “ Th e S to ne h as a cc ep te d u s, w e w il l r et ur n t o t he h un t. ” H e u se d t ha t s am e r as py v oi ce

t ha t g av e C am eo s hi ve rs . T he E li te s o nl y n od de d a nd w en t b ac k t o t he ir t al k. W ar lo rd s w er e b en ea th t he

n ot ice o f t he E li tes u nl es s t hey w an ted act io n.

  Ca me o t ho ug ht t he E li te s w er e m ak in g a m is ta ke , b ut s he w as n' t a bo ut t o c or re ct t he m. I f t he W ar lo rd s

t ur ne d o n t he ir s no ot y m as te rs i t w as a ll g oo d f or t he W ar de rs . A f ig ht a mo ng t he A sh B or n w ou ld k ee p

t he m t oo b us y t o c au se t ro ub le f or a ny on e e ls e, r ig ht ? N ow t ha t t he y' d ‘ pa ss ed ’ w ha te ve r t es t w ase xp ec te d i t w as t ime t o ge t o ut .

T he y w al ke d b ac k a cr os s t he c ha mbe r w it h Ca me o d oi ng m os t of t he wo rk a nd K ez re d ke ep ing up a s

 best he could. The elevator seemed miles away, and by the time they finally got in, Cameo was nearly

ga sp in g w it h t he e ff or t t o b re at he n or ma ll y. S he h it t he b ut to n a nd l ea ne d on t he w al l n ex t t o K ez . H er  

m out h f el t dr y a nd he r ha nds we re s wea ty. Hi s s ki n wa s pa le r t ha n us ua l, a nd a fa int s he en of s we at

 beaded his forehead.

  T he D aw ni ng S to ne h ad t o b e t he r ea so n; i t w as d ra in in g h is s tr en gt h j us t b ei ng c lo se t o i t.

T he e le va tor s to pp ed a nd t he d oo rs s li d o pe n. T hr ee o f t he e nf or ce rs s to od r ea dy t o e nt er . C am eot en se d a s K ez re d m ad e e ye c on ta ct w it h e ac h o f t he m, d ar in g t he m t o d o s om et hi ng . T he y s te pp ed a si de

a nd w ai te d f or C ame o a nd Ke zr ed t o l ea ve t he e le va tor s o t he y c ou ld g et on .

  S he h el d h er b re at h w he n on e o f t he A sh B or n b ehi nd h er s ni ff ed t he a ir a nd s ai d, “ Hu ma n. "

  T he y w er e s o c lo se t o e sc ap in g! C am eo f or ce d h er f ea tu re s i nt o a f er al s mi le a nd l oo ke d o ve r h er  

s hou lde r a t t he t hr ee va mpi re s. The y wa tc he d a s s he l ic ke d he r l ip s l ike s he 'd j us t ha d a t as te of                  

s om et hi ng s av or y. O ne o f t he m s mi le d b ac k a s a no th er h it t he b ut to n a nd t he d oo rs c lo se d a ga in . C am eo

l et o ut a s ig h o f r el ie f a nd t ri ed t o m ak e e ve ry th in g l oo k n or ma l a nd c as ua l a s s he h el pe d K ez re d t hr ou gh

t he c row d a nd o ut t he doo r t o t he s tr ee t. The doo rma n l et t he m out a nd Ca me o f el t t he t ingl e of f adi ng power as they made their way up the steps and down the sidewalk.

" St op, wa it .” K ez re d s ti ll ed h is f ee t, a nd C ame o ha d t o s to p o r dr op h im .

" Wh at ?” C am eo l oo ke d a ro un d; t he y w er e a lo ne a t t he e dge of t he p ar k.

  " The re 's a p ouc h i n t he re .” He poi nt ed a t a t ra sh c an c ha ine d t o a be nc h. “ It wi ll hi de t he s tone f rom

them."

  Sh e di dn' t ha ve t o a sk w hothey  w er e. A s s oo n a s t he s to ne w as d is co ve re d m is si ng , t he E li te s w ou ld

t ea r t he c lu b a pa rt a nd t he n g o h un ti ng f or t he ir o wn W ar lo rd s.

  Sl ow ly C am eo w or ke d K ez re d t o t he n ea re st t re e, l ea ni ng h im a ga in st t he t ru nk . T he t ra sh c an w as n ot

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h er i de a o f a p er fe ct h id in g p la ce . S he c ou ld n' t s ee m uc h o f a ny th in g b ey on d h er n os e i n t he s em i- da rk .

S he l if ted t he l id t o car ef ul ly r each ed i ns id e. T he f eel o f n ew sp ap er cam e f ir st , t hen s om et hi ng l eath er y

and s of t .

  " Pl ea se b e t he p ouc h. D ig gi ng i n g ar ba ge i s s o no t o n m y l is t o f f un t hi ng s t o d o. ” Th e m ut te re d w or ds

w er e a lm os t a p ra ye r. T he g lo w f ro m t he s tr ee tl ig ht w as j us t e no ug h t o m ak e o ut t he s ha pe o f t he b ag .

C am eo p ut t he l id b ac k o n t he t ra sh c an a nd r et ur ne d t o K ez re d.

  H is h ea d w as b ac k, r es ti ng a ga in st t he t ru nk a nd h is e ye s w er e c lo se d. D ar kn es s m ov ed o ve r h is f ac e a s

t he l ea ve s s wa ye d i n a l ig ht b re ez e. C am eo s ta re d, f as ci na te d b y t he p la y o f s ha do w o n t ha t

too-handsome face.

  H is e ye s o pe ne d s lo wl y, l ik e he w as c om in g a wa ke . O ne s id e o f h is m ou th t ur ne d u p i n a h al f s mi le .

  " So meth in g I can d o f or y ou ?"

She di dn' t e ve n wa nt t o t hi nk a bout wha t he c oul d do fo r he r— to he r— if s he l et hi m.

  C am eo h el d u p t he p ou ch a nd i gn or ed t he b lu sh s pr ea di ng a cr os s h er s ki n. “ Wh er e' s t he s to ne ?"

  [ Ba ck t o T ab le o f C on te nt s]

  Chapter Five

" Yo u' ll h av e t o s earch m e. "

H is s id ew ay s gr in ha d h er r ol li ng he r e ye s. H e l oo ke d dow n t o o pe n hi s j ac ke t a nd s ta rt ed t o t ip o ve r.

C am eo c au ght h im . S he h ad t o f igh t t o g et hi m u pr ig ht . H is g re at er he ig ht a nd w ei gh t di dn' t m ak e i t e as y

t o h ol d h im a nd s ea rc h a t t he s am e t im e. S he pu she d h is ha nds a si de a nd r an h er ha nds ov er hi s po cke ts .

S he f el t t he l um p t ha t w as t he S to ne o n hi s r ig ht s id e. U si ng h er l ef t s ho ul de r t o ho ld h im a ga in st t he t re e,

s he s tu ff ed h er h an d i n h is p oc ke t a nd f ou nd i t e mp ty .

" Wha t t he he ll ?” S he mov ed he r f inge rs a rou nd t o f ind a s li t i n t he ba ck of th e poc ke t t ha t t he St one ha d

s li pp ed t hr ou gh . S he u nb ut to ne d h is j ac ke t t o r ea ch i ns id e t o f in d t he S to ne t hr ou gh t he t hi n s il k o f t he

li ni ng a nd push i t ba ck t o whe re s he c oul d ge t t o i t.

  " I' ve g ot i t, j us t h ol d o n o ne m or e m in ut e. ” C am eo w or ke d t he s to ne b ac k i nt o t he p oc ke t. K ez re d s li d

s id ew ay s t he n f el l, t ak in g h er w it h h im . H er h an d w as t ra pp ed i n hi s p oc ke t, p ul li ng h er d ow n a cr os s h im

s o t ha t s he l anded wi th he r e lbow i n hi s gut wi th he r kne es in the w et gr as s.

  " Da mm it , K ez ! D on 't y ou d ar e p as s o ut o n m e! ” T he s to ne r ol le d i nt o h er p al m. S he p us he d o ff h is c he st

t o d ro p i t i nt o t he p ou ch . “ Ke zr ed .” C am eo w at ch ed t he f ro wn f or m o n h is f ac e b ut h is e ye s s ta ye d s hu t.

“Kez! ” S he s ho ok h is s ho ul der.

  H e f ro wn ed s om e m or e, f in al ly c ra ck in g h is e ye s o pe n. S he h el d u p t he p ou ch s o h e c ou ld s ee i t b ef or e

s tu ff in g i t i nt o h er o wn p ocket.

  " Be au ti fu l, ” h e w hi sp er ed a s h is h an d c am e u p t o f ee l t he b ac k o f h is h ea d.

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  C am eo p ul led h im i nt o a s it ti ng p os it io n and t hen s to od u p, o ff er in g h im a h an d.

  H e l if ted an eyebr ow i n t he f ai nt l ig ht , “Ni ce u nd ies. "

  Sh e t ook a s te p ba ck a nd gl ar ed a t hi m. “ Ca n y ou t ry not t o be a n a ss hol e f or f ive mi nut es ?"

  " Su re , w hi ch f iv e? ” E ve n h al f d ea d, h e h ad t o h av e t he l as t w or d.

She s ta ye d w he re s he wa s a s he go t t o hi s f ee t, on ly mo vi ng f or wa rd t o s te ady hi m whe n i t l ooke d l ik e

he wa s go ing t o f al l ove r a ga in. Ca me o gr owl ed un de r he r br ea th a s s he d ra pe d hi s a rm ove r he r  

shoulders.

  " Wh er e a re w e g oi ng n ow ?” T ha t w as n' t w ha t s he 'd m ea nt t o s ay . T he ir l it tl e a dv en tu re w as o ve r; t he y' d

m ad e i t o ut a li ve . T ho se d am n s ho es w er e ki ll ing h er a rc he s. W hy d id n' t s he j us t l ea ve ?

He p oi nt ed a cr os s t he d ar k e xpa ns e o f t he p ar k t o t he a pa rt me nt s o n t he ot he r s id e. “ In t he re , n um be r  one-fourteen."

  C am eo h el pe d h im a cr os s t he p ar k w hi le h is s tr en gt h w as r et ur ni ng a t t he s am e r at e i t h ad l ef t n ow t ha t

t he S to ne w as s af el y c oc oo ne d i n t he p ou ch i n h er p oc ke t. B y t he t im e t he y r ea ch ed t he a pa rt me nt h e

wa s b ac k t o no rm al . K ez re d op en ed t he d oo r a nd wa lk ed i n un de r h is o wn p ow er , l ea vi ng C am eo t o

ma ke up he r o wn m ind . She kne w i f sh e s te ppe d i n i t wa s he r ow n de ci si on. The c ur ios it y wa s t oo muc h

for he r, s he had to have a l ook ar ound.

  Inside the small space everything looked absurdly average.

K ez re d w al ke d i nt o t he b ed ro om a nd s ta rt ed p ul li ng o ff h is c lo th es . T he j ac ke t h it t he f lo or f ir st , t he n t hetie.

  C am eo s aw h is u su al c lo thi ng l yi ng o ve r t he b ac k of a k it ch en c ha ir , e xc ep t f or h is t re nc h c oa t; i t h un g

ne at ly f ro m a h oo k on t he c lo se t d oo r.

" Wha t a re yo u g oi ng t o do wi th i t? ” Sh e c oul d j us t s ee i nt o t he be dr oom f rom whe re s he s to od.

H is f in ge rs w or ke d t he ir w ay d ow n t he s il k s hi rt , o pe ni ng b ut to ns a s h e s cu ff ed h is s ho es of f. H e p ul le d

t he s hi rt o ff a nd s hr ug ge d, “ Not hi ng, yo u c an h av e i t i f yo u w an t i t. "

Ca me o s ta red a t hi m a s he pul le d the s il ve r c lip out of his ha ir . He wa s gi ving i t up? Jus t li ke tha t? Af te r  

e ve ryt hi ng t he y' d j us t d one t o ge t i t a nd he di dn' t wa nt i t? Ke zr ed' s h and s w ent t o h is b el t a nd p aus ed, he

l oo ke d a t h er .

  S he r eali zed s he'd b een w at ch in g h im u nd ress w hi le s he w as t hi nk in g o ver w hat h e' d s ai d. H is f in gers

car es sed t he m et al b uckl e and h er i magi nati on s up pl ied t he m en tal i mage o f t ho se f in gers car es si ng h er  

s ki n i ns tead . H er h eart beat i ncr eased. I t' s o nl y a p hy si cal r eact io n s he t ol d h er sel f, t he l og ical r es po ns e t o

s tari ng at a h al f n ak ed m an aft er s ur vi vi ng a d an gero us encou nt er . S he d id n' t n eed t o con si der  

adrenaline-induced fantasies.

  S hi t! W as s he g oi ng t o d o t hi s every t im e s om et hi ng i nt im at e o r emo ti on al cam e u p? I gn or e every th in g

s he f el t a nd r ed uc e i t t o s impl e ph ys ic s, c ol d l og ic , a nd s te ri le r ea son ? W he n h ad i t be com e s o h ar d t o

l ive i n t he m ome nt ? W hy w as s he de nyi ng h ers elf t he ne ed t o f ee l, t o do wha t he r body u rge d he r t o do?

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W as s he goi ng to hol d e ve ryone a t a rms l engt h f or eve r j us t s o s he di dn' t g et hur t? Wa s s he goi ng t o p ut

every th in g els e f ir st f or ev er ? W hat abo ut w hat s he r eall y w an ted?

" I t houg ht yo u' d b e gon e by now .” T he s ound of hi s voi ce br ough t he r mi nd ba ck t o w ha t he r e ye s we re

w at ch in g. H e s li d t he l ea th er o ut o f t he b uc kl e. H is e ye s w er e w ar y, h is m ov em en ts s lo w a nd p re ci se .

  S he cou ld alm os t h ear h im t hi nk in g, w on deri ng i f s he w as u p t o s om et hi ng .

" So di d I .” S he w at che d t he b el t s li de f re e t o dr op t o t he c ar pe t. H ea t s wi rl ed u nd er he r s ki n, g at he ri ng

i n h er c en te r. C om mo n s en se s ai d t ha t s he s ho ul d g o, s he d id n' t n ee d t hi s. S he c ou ld s ur vi ve j us t f in e o n

h er o wn .

  " Ar e y ou g oi ng t o s tay, C am eo ?"

  Th e s ound o f hi s v oi ce a s he s ai d he r n am e ga ve he r g oo se bu mp s. T he w or ds he 'd s poke n e ar li er c ame

 back to her. She knew with sudden clarity that she could survive alone behind her walls, but she couldn't

live .

  W al ki ng t hr ou gh t he d oo rw ay i nt o h is b ed ro om f el t l ik e j um pi ng o ff t he h ig h d iv e. T he d ecis io n w as

m ad e, n o m or e o bj ecti on s t on ig ht . S he w an ted t he i nt im acy b ack. T om or ro w m ig ht h av e i ts o wn

con sequ en ces, b ut s he w as t ak in g t hi s f or h er self .

  "I'm not going anywhere."

  S he r ea ch ed o ut s lo wl y, b ru sh in g t he t ips o f h er f in ge rs o ve r t he s mo ot h s ki n o f h is s ho ul de r, up t o h is

n ec k t o t an gl e i n t he t hi ck f al l o f h is c inn am on h ai r. H is h an ds s ti ll ed a t h is s ide s, f ac e b la nk e xc ep t f or hi s

e ye s, t he re w as a ne ed t he re t ha t ma tc he d h er o wn a nd j us t a hi nt o f f ea r.

  C am eo r ub be d h er l ip s a cr os s h is , s ha ri ng h is b re at h. “ I s me ll f ea r. ” S he s ai d h is w or ds b ac k t o h im ,

f ee li ng hi m r ea ch up t o s li de t he j ac ke t o ff he r s ho ul de rs .

  He m ov ed , d rawi ng b ack f ro m h er m ou th , r ep eati ngher   w or ds ba ck t o h er , w ea ri ng a c oc ky s mi rk t ha t

curved his lips.

  "I 'm n ot afr ai d o f y ou ."

  H e s te pp ed s id ew ay s a nd w al ke d a s lo w h al f c ir cl e t o s ta nd b eh in d h er a s h is f in ge rs o pe ne d t he c li p

t ha t h el d h er s ur uc hi n i n p la ce . T he s il ve r c ha in f el l o n t he c ar pe t. K ez re d s ta ye d a t h er b ac k, a nd s hec oul d f ee l t he h ea te d l engt h of hi s body s o ne ar he r own .

  " No t o f m e, b ut o f y ou rs el f, ” s he m an ag ed . H er v oi ce s ou nd ed b re at hl es s t o h er o wn e ar s. C am eo h el d

s ti ll a s hi s h ands t ouc he d h er s ho ul de rs a nd mo ve d he r h ai r a si de . Hi s br ea th wa s w ar m on t he b ac k of                  

h er n ec k a nd s he c ou ld n' t h el p t he s hi ve r t ha t r an u p h er s pi ne .

  " Yo u d on 't k no w w ha t I 'm a fr ai d o f. ” K ez re d' s v oi ce w as a n ea r w hi sp er .

  H is h an ds t en se d f or a m om en t, m ak in g C am eo w on de r i f h e w as g oi ng t o t ry a nd f ee d f ro m h er . I ns te ad

s he f el t t he p re ss ur e a ro un d h er n ec k f ro m t he c ol la r o f t he d re ss a s h is m ou th c lo se d a ro un d t he b ut to n.

  "I k no w       you , ” s he s ai d. S he f el t h im bi te dow n a nd he ar d h is t ee th s na p of f t he but ton. Sh e h ad t o

s wall ow b ef or e s he cou ld t al k. “Hi di ng b eh in d y ou r w al ls , alw ay s i n con tr ol .” T he d ress s tart ed t o s li de

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a nd her hands came up t o ca tch it.

  H e l ea ne d i nt o h er , f lu sh w it h h er c ur ve s. H is h an ds c ov er ed h er s o n t he t hi n s il k. “ Wh at h ap pe ns i f y ou

t ak e a c ha nc e? W ha t h ap pe ns i f y ou l et yo ur se lf f ee l f or j us t a l it tl e w hi le ?"

  Sh e c ou ld n' t r em em be r i f t he re w er e a ny m or e w or ds , s he d id n' t c ar e.

  C am eo l et h im l if t h er h an ds , a ll ow in g t he s il k s he at h t o s li de o ff he r b od y. S he s ta rt ed t o t ur n, b ut h e

 pressed her hands back to her chest, his teeth biting down carefully on the back of her neck.

  Stay.

  H er e nt ir e b od y t ens ed, s he d idn 't w ant h im t o f ee d, s he wa sn' t h er e f or t ha t. H e l et go a nd r an hi s

t on gu e o ve r t he b it e, t as ti ng h is w ay d ow n t o h er s ho ul de r. H er e ye s c lo se d t o f oc us o n t he t in gl es o f                  

elect ri ci ty t hat s ho t t hr ou gh h er as h is t eeth n ip ped at h er s ki n and h is t on gu e f ol lo wed, l av in g t he

s ens it i zed areas as h e exp lo red.

C am eo c ou ld f ee l t he l en gt h o f h is e re ct io n t hr ou gh h er p an ti es a nd h is s la ck s. S he g ro un d b ac kw ar d

w it h h er h ip s, s mi li ng w hen a g ro wl r um bl ed t hr ou gh h is chest and s he d id n' t h id e h er t ri um ph an t p ur r.

  H e l et g o of h er ha nds t o s li de hi s f inge rs i nt o t he wa is tba nd of h er l ac y un de rwe ar . She dr ew i n a ga sp

o f a ir a s h is t hu mb s b ru sh ed t he i ns id e o f h er hi ps i n a f ea th er y c ar es s.

  T he t ickl in g s en sati on s m ad e h er h ol d h er b reat h and s he f el t h is s mi le again st h er f lesh . K ezred' s m ou th

l ef t h er s ho ul de r t o t ra il d ow n h er b ac k. H is h an ds s tr ok ed t he ir w ay d ow n h er l eg s, t ak in g h er p an ti es t o

the floor.

  S he j um pe d a s he bi t down on t he s we ll o f he r a ss , t he n he l et go a nd l ic ke d t he pa in a wa y. The l it tl e bi to f pa in e as ed i nt o a wa rm bur n wh en he r an hi s t on gue o ve r t he s pot . Th e di ff er enc e be tw ee n t he he at of                  

his m outh a nd t he c ool ai r ma de he r s hive r onc e, a ll ove r. How fa r di d he t hink he w as goi ng t o go wi th

t ho se t ee th ? S he 'd n ev er l et a ny on e e xp lo re h er b od y l ik e h e d id , w it h h is h an ds a nd h is m ou th . W ha t d id

h e s ee ? C ou ld h e h ea r h er b re at h p au se w he n h is h an d s li pp ed b et we en h er t hi gh s t o t ou ch h er ?

E ve ry th in g e ls e f ad ed i nt o t he b ac kg ro un d a s t he p ad s o f h is f in ge rs t ra ce d o ve r h er f le sh .

Q ui ck s tr ok es o f h is f in ge rs t ea se d h er h ip s i nt o r oc ki ng f or wa rd t o m at ch t he m ov em en t o f h is h an d.

He r e ye s we re ha lf s hut , he r l egs we re s ha ki ng. S he r ea che d t o f ind s om e p ar t of hi m t o ho ld o n t o, s he

di dn' t wa nt t o go t he r es t o f t he w ay a lone .

  C ame o ha d to t wi st a ro und t o ge t a ha ndf ul o f hi s ha ir , pul li ng hi s he ad ba ck t o l ook up a nd me et he r  

eyes.

" My t ur n. ” T he m ea ni ng w as c le ar e no ug h t ha t h e u nde rs too d, s he w as n' t g oi ng t o l et hi m t ak e o ve r, t he y

wo ul d s ha re t hi s a s m uc h a s t he y w er e a bl e.

  K ez re d s to od u p s lo wl y a nd C am eo u se d t he u pw ar d m ot io n t o r un h er f in ge rt ip s o ve r h is n ec k a nd

do wn hi s c he st . T he s ki n t he re wa s a s s moo th a s he r ow n unt il s he n ea re d t he s hor t da rk ha ir s t ha t m ad e

a f ai nt pa th d own i nt o hi s pa nt s. S he di dn' t s ee a b ut ton on t he s la cks s o s he a voi de d h avi ng t o de al wi th

i t. C ur li ng h er f in ge rs i n t he w ai st ba nd s he m ad e t he r equ es t s ou nd l ik e a n o rd er .

  "Get them off."

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  H e t ip pe d h is he ad do wn t o ki ss he r a s he f re ed t he hi dde n but ton a nd pu ll ed dow n t he z ip pe r.

  C am eo t ug ge d t he s il k a wa y f ro m h is b od y, r el ea si ng h is m ou th t o p re ss h er l ip s t o h is c hi n, j aw , n ec k  

a nd c ol la rb on e. H er e ye s r ol le d d ow nw ar d t o w at ch w ha t h er h an ds c ou ld f ee l. T he re w as n ot hi ng

u nd er ne at h b ut s ki n. S he h id a s no rt . S he s ho ul d h av e k no wn h e' d g o c om ma nd o. N ow s he c ou ld s ee

w ha t s he 'd o nl y f el t b ef or e a nd t he u rg e t o t ou ch w as s tr on g a nd i mm ed ia te . S he l ig ht ly w ra pp ed h er  

fingers around his upright erection.

Fe el ing hi s body t ens e up a ga ins t t he ba ck of he r h ands , s he l ooke d up t o s ee hi s e ye s ha lf s hut , t ot al ly

i mm er se d i n t he f ee l of h er ha nd s on hi m.

  T he k no wl ed ge t ha t s he p ut t ha t l oo k o n h is f ac e m ad e h er b lo od h ot , s he c ar ef ul ly t ou ch ed h er l ip s t o

h is , t he b ar es t b ru sh o f a n o ff er in g. K ez re d' s l ip s w er e s of t u nd er h er s, a nd t he t ip o f h er t on gu e s li pp ed

o ut t o t as te h is f ul l l ow er l ip . H e s mo ot he d o ne h an d a ro un d h er h ip t o t ug h er i n c lo se r, e ff ec ti ve ly

t ra pp in g h er h an ds b et we en t he ir b od ie s a nd g iv in g h im c on tr ol . H is o th er h an d t ra ce d u p h er s id e a s h e

a cc ep te d t he k is s s he o ff er ed .

  C am eo 's n ai ls d ug i n l ig ht ly alo ng h is s haft , g iv in g f ai r w ar ni ng o f w hat s he cou ld d o t o h im . K ezred' s s ki n

       jumped under her touch, and his breath came out in a quiet laugh. Taking a step back, he captured her 

h an ds a nd r ai se d t he m t o h is s ho ul de rs . I n a n a lm os t e ff or tl es s m ot io n, h e l if te d h er u p s o s he c ou ld w ra p

h er l eg s aro un d h is h ip s.

  T hr ee s te ps t o t he be d, s he f el t e ve ry o ne a s t he ir h ip s gr ou nd t oge th er . He s an k t o hi s k ne es o n t he

m at tr es s a nd l ea ne d f or wa rd u nt il s he w as l yi ng u nd er h is b od y. H is m ou th d ip pe d t o h ov er o ve r h er s,

 barely making contact before he moved lower. Her eyes closed as his mouth found the sensitive spot just

u nd er h er c ol la rb on e. H e t ea se d t he s po t f or a m om en t b ef or e h is l ip s t ra ve le d d ow n a nd t ou ch ed t he

s we ll o f h er b re as t.

  C am eo d re w i n a s ha ll ow b re at h a nd l et i t o ut a s a s ig h. S he w ai te d, a nt ic ip at in g h is n ex t a ct io n. W he n

h e s im pl y l et h is f or eh ea d r es t o n h er c he st , h er e ye s o pe ne d i n s ur pr is e. S he t il te d h is c hi n u pw ar d, a nd

f ou nd h is e ye s w er e d ar k s te el g re y a nd h is b re at hi ng w as h ar sh .

  H e w at ch ed h er w it h a p re da to r' s g az e; C am eo h ad t o w il l h er se lf t o h ol d s ti ll .

  S he s li d h er f in gers i nt o h is h ai r, s mo ot hi ng t he l on g s tr an ds away f ro m h is f ace, h op in g t he s lo w

m ov em en t w ou ld d is tr act h im . H e l et h is eyeli ds d ri ft s hu t as h er f in gers m as saged h is s calp . W hen h e

l oo ke d u p t he s il ve r- sm ok e c ol or o f h is e ye s w as b ac k. H e s hi ft ed h is b od y f or wa rd ; s he f el t h is s ex

 brush the dark blond curls at her center.

  I mp at ie nt , C am eo l if te d h er h ip s, t ry in g t o m ak e h im m ov e, b ut h e r ef us ed t o b e r us he d.

K ez re d' s a rms be nt s o he c oul d r ea ch h er mo ut h, “ Do y ou t ru st me ?"

  S he g ave h im t he o nl y h on es t a ns we r s he h ad, “ As m uc h a s y ou t ru st m e. "

  O ne c inn am on e ye br ow l if te d a t h er a ns we r a nd a s mi le f li rt ed w it h t he c or ne rs o f h is m ou th b ef or e h e

ki ss ed h er . S he ki ss ed h im ba ck , l et ti ng h im f ee l ho w f ru st ra te d s he f el t w it h h is t ea si ng . H e g av e i n t o h er  

u rg in g, m ov ing s o s lo wl y s he w an te d t o s cr ea m. H er n ai ls d ug i nt o h is s hou ld er s a s s he g row le d h er  

i rr it at io n at h im . H e p us hed o ne l as t t im e and b ur ied h im self i ns id e h er .

  Ca me o c ou ld f ee l e ve ry i nc h a s h er m us cl es c on tr ac te d a ro un d h im . I f h e d id n' t m ov e s he k ne w s he

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w ou ld l os e h er m in d. H e l if ted h is h ip s, n earl y l eavi ng h er b ef or e h e p lu ng ed i n again , C am eo 's s of t m oan

c ar es si ng h is c he ek . H er l eg s c ra dl ed h is h ip s, t o k ee p h im f ro m g oi ng t oo f ar . H e m ov ed a ga in , s et ti ng a

r hy th m o f s lo w s tr ok es t hat b ui lt i n s peed t il l s he w as s qu ir mi ng u nd er h im . T hen h e s lo wed d ow n again .

C am eo wa s s o c los e, he r e nt ir e b od y t en se d, bu t e ve ry t im e s he w as r ea dy t o go , he c ou ld f ee l i t, a nd

w ou ld s lo w h is p ace.

  " Ke z . .. d am mi t! ” C am eo b ur ne d w it h h er n ee d, h er h ea rt p ou nd ed i n t im e w it h h is .

  H is h ip s s ti ll ed , m ak in g h er g ro an , “Yo u t hi nk y ou can d o b et ter?” K ezred l ow er ed h is f ul l w ei gh t o n h er ,

r ol li ng t he m b ot h s o t ha t h e w as u nd er h er .

C am eo c ou ld s we ar h e f el t b ig ge r f ro m t hi s p os it io n, l ik e h e c ou ld p en et ra te d ee pe r. S he r ol le d h er h ip s

f or wa rd a nd b ac k, w at ch in g h is f ac e. H is b re at hi ng q ui ck en ed a nd s he r ep ea te d t he m ot io n j us t t o s ee

t he h ea t b ui ld i n h is e ye s. N ow s he k ne w t he s am e w ic ke d p le as ur e h e' d f el t w it h h is t ea si ng . H is

f in gert ip s t raced h er r ib s u nt il h is p al ms cou ld cup h er b reas ts .

  S he w an te d t o t ak e h er t im e, e nj oy h er n ew s en se o f c on tr ol , b ut h er b od y w as n' t l is te ni ng . K ez re d' shi ps l if te d t o me et he rs a nd hi s ha nds gr ippe d he r hi ps a s s he r ode hi m. Sh e br ac ed he r pa lms on hi s

c he st , f ee li ng t he pou ndi ng b ea t o f h is h ea rt a s h e m at ch ed h er pa ce a nd dr ove he r ove r t he t op i n

s hu dd er in g r ip pl es o f r el ea se . H is e nt ir e b od y w en t r ig id u nd er h er a s h e c am e i n o ne l as t t hr us t.

C am eo l ai d h er bo dy o n h is t ryi ng t o c at ch h er b re at h, s ti ll f ee li ng t he s pa sm s p ul se t hr ou gh t he m b ot h.

K ez re d' s a rm s h el d h er t he re , o ne h an d i dl y s tr ok in g d ow n h er s pi ne . S he f el t t ir ed , s at is fi ed a nd a l it tl e

s el f- co ns ci ou s n ow . S hi ft in g s li gh tl y s he f el t h im m ov e i ns id e h er , h is h an ds d ri ft ed d ow n t o t he s mall o f                  

h er b ac k, h ol di ng h er e w he re s he l ay .

  C ameo b ar el y h eard t he w hi sp er ed “St ay. "

Sh e wa nt ed t o l ook a t hi s f ac e ba dl y; t he onl y t hi ng t ha t ke pt he r c he ek r es tin g on hi s s houl de r wa s t he

k no wl ed ge t ha t h e w ou ld b e a bl e t o r ea d h er e xp re ss io n t oo .

T he y s ha re d a n ee d t o b e a cc ep te d a nd u nd er st oo d, b ut a ny th in g b ey on d t ha t i mp li ed a r el at io ns hi p.

T ha t w as n' t p os si bl e f or t he m, t he y w er e o n t wo d if fe re nt s id es o f a p re te rn at ur al w ar t ha t w as n' t g oi ng t o

end any ti me s oo n . .. b ut j us t f or t on ig ht .. .

  C am eo s tr et ch ed he r l eg s o ut o ve r h is a nd s nu gg le d i nt o h is b od y h ea t, c lo si ng h er e ye s w he n h is a rm s

w rapp ed aro un d h er again . W it ho ut m eani ng t o, s he d ri ft ed i nt o s leep .

  [ Ba ck t o T ab le o f C on te nt s]

  Chapter Six

Ca me o w oke s lowl y t o t he f ee l of s moo th mu sc le un de r he r c he ek a nd t he s ce nt o f wa rm s ki n. I t t ook a

m om en t f or h er t o r eali ze h er cel l p ho ne w as r in gi ng . K ezred l ay t ot al ly s ti ll b en eath h er . H is h eart beat

w as f ai nt a nd s lo w u nd er h er e ar a nd h is b re at hs w er e s ha ll ow .

  Ca me o k ne w t hr ou gh f ri en ds t ha t v am pi re s w er e t or pi d d ur in g t he d ay . A s s he r ea ch ed f or h er j ac ke t o n

t he f lo or s he f el t K ez re d' s a rm s s li p t o t he m at tr es s a s s he s at up . He 'd h el d he r wh il e s he s le pt . A pa rt o f                  

h er h ea rt w as t ou ch ed b y t ha t g es tu re , t he p ar t t ha t d id n' t s ee h im a s a d an ge r t o e ve ry on e, i nc lu di ng

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himself.

  S he m an ag ed t o ans wer b ef or e t he m es s ag e s er vi ce p icked u p. “Hel lo ?"

  "Cameo, this is Damian."

O h! S he c ar ef ul ly got of f of K ez a nd pa dde d i nt o t he ba thr oom t o t al k t o hi m. S he c oul dn 't s it onK ez re d a nd t al k t o L ex i' s f ia nc é a t t he s am e t im e, s he j us t c ou ld n' t.

  " Al ex zi na ask ed m e t o cal l y ou i f y ou d id n' t r et ur n b ef or e d aw n. "

Em ba rr as se d he at r us he d up he r f ac e a s s he r ea li ze d h e t ho ugh t s he 'd go ne on a d at e l as t ni ght . He 'd

g ue ss ed w hy s he h ad n' t c om e h om e. H e' d s ai d A le xz in a, n ot L ex i, h e w as p is se d. S he l oo ke d a t h er se lf                  

i n t he m ir ro r, h er h ai r w as a m es s, t he w hi te -b lo nd e s tr an ds h un g a ro un d h er s ho ul de rs a nd t he re w as

s om et hi ng . .. S he m ov ed h er h ai r a si de a nd s aw t he r ed m ar k j us t u nd er h er c ol la rb on e. H e' d g iv en h er a

hickey!

  "Cameo?"

  " I' m h er e. I 'm j us t g et ti ng r ea dy t o h ea d h om e. "

  " Do y ou n ee d a r ide ?"

" No ! N o, I 'm f in e r ea ll y. I 'l l be ba ck s oon , d on 't w or ry a bo ut m e."

  "All right, I'll see you soon.” Damian disconnected.

C am eo w as l ef t w it h t he i mp re ss io n t ha t h e w ou ld c om e l oo ki ng f or h er i f s he d id n' t r et ur n s oo n. D am ia nt reat ed h er as f am il y t ak in g h is d ut y t o h is f am il y v er y s er io us ly . S he w en t s earchi ng f or h er clo th es .

  H er d re ss w as o nl y u se fu l a s a s ki rt n ow , w it ho ut t he b ut to n t he t op w ou ld n' t s ta y u p. K ez re d' s b la ck  

s hir t s ol ve d t he p robl em. Sh e s li ppe d i t o n t he n t ie d th e e nd s i n a kno t t o h ol d up t he s ki rt . Wi th he r  

       jacket on top, it almost looked like she planned the outfit.

  T he o dd w ei gh t i n h er p oc ke t r em in de d h er t ha t s he s ti ll h ad t he D aw ni ng S to ne . S he k ne w s he w as n' t

g oi ng t o l ea ve i t f or K ez re d t o p la y w it h. W ha twould     h e d o w it h i t? H e h ad n' t a ct ua ll y t ou ch ed i t w he n

t he y' d t ak en i t; c oul d i t d o w or se t hi ngs t ha n s ap pi ng hi s s tr en gt h? W ha t i f i t m ade h im m or e p ow er ful ?

A s p ea ce ful a nd i nn oc ent a s he l ooke d l yi ng on t he b ed, s he kn ew h e wa s j us t t he o ppo si te . Sh e w ou ld

h av e t o f in d a w ay t o exp lain t he S to ne w it ho ut m en ti on in g K ezred. S he cou ld d eal w it h D am ian chewi ng

h er ou t f or h av in g a on e n ig ht s ta nd, bu t s he c oul dn 't de al w it h h im f ind in g o ut i t wa s w it h K ez .

  D am ian w ou ld g o h un ti ng f or h im . H ow ev er t hat w as s om et hi ng s he d id n' t w an t t o t hi nk abo ut . S tand in g

o ve r h im n ow , C am eo w as j ol te d w it h t he r ea li za ti on t ha t s he c ar ed w ha t h ap pe ne d t o h im . S he d id n' t

w an t h im t o g et h ur t b ec au se s he 'd t ak en a dv an ta ge o f w ha t h e' d o ff er ed .

  " Kez. ” S he n ud ged h is s ho ul der. N ot hi ng . S he u sed b ot h h an ds t o s hake h im , “Kez! ” S ti ll n ot hi ng . H e

w as c om pl et el y o ut . S he c ou ld d o a ny th in g t o h im n ow a nd h e w ou ld n ev er k no w, o r w ou ld h e? C am eo

t ho ug ht o ver t he o pt io ns and f in al ly d ecid ed t hat i f s he w ou ld n' t app reci at e s om eo ne m es si ng w it h h er , h e

w ou ld n' t e it he r. S he p ul le d t he b ed sp re ad u p t o t uc k i t a ro un d h is s ho ul de rs .

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  It wa s time to go. She walked to the door and pa use d with her hand on t he knob. I f thi s wa s the only

t im e s he e ve r g ot t o c om e o ut f ro m b eh in d h er w al ls .. .

  She w al ke d ba ck t o t he b ed a nd l ea ne d o ve r, l ayi ng a ge nt le ki ss on hi s l ips .

  "Thanks."

  S he loc ke d the door as she l ef t a nd c al le d f or a ca b f rom the ot he r s ide of the par k.

  S he n ev er g ot t o s ee K ez re d' s e ye s o pe n o r h ea r h is r ep ly , “ An yt im e. "

Hi s f ing er s s ea rc he d ne xt t o t he b ed un til he f ound wha t he w as a ft er . H e he ld t he but ton up. A wi cke d

smile changed his features from handsome to sinful.

  "Beautiful.” Everything was going just the way it should.

  T HE E ND

[ Ba ck t o T ab le o f C on te nt s]

  More about the author

www.MerrisHawk.com

I 'v e b een w ri ti ng s in ce t he s ix th g rade, n ot alw ay s r eg ul ar ly , M ur ph y' s L aw d oesn 't p er mi t t hat k in d o f                  

f ib er i n y ou r l if e d iet. I g uess i t m ig ht b e a g radu at io n f ro m p layi ng m ak e- beli ev e w it h t he o th er  

n ei gh bo rh oo d k id s. A lw ay s a g am e o f C op s a nd R ob be rs o r K ni gh ts a nd D ra go ns . W e w er e E xp lo re rs ,

B ui ld er s, H un te rs a nd P ir at es a nd i t s ee me d l ik e l if e w as o ne n ev er e nd in g w ee ke nd o f p la y.

  N ob od y c ou nt ed t he d ay s a nd s um me r w as f or ev er . I h av e a lw ay s l ov ed t ha t t im e a nd t he c re at iv e w ay s

w e cam e u p w it h t o ent er tain o ur selv es .

  W ri ti ng f or m e i s l ike t ak in g t im e o ut t o p la y, n o c ou nt in g t he ho ur s o r w or ryi ng , I h av e w or ld s t o e xp lo re

and t reasu re t o f i nd .

  Arr!

Visit www.redrosepublishing.com for information on additional titles by this and other authors.