audition packet morticia addams - south arkansas ......mar riage of ten dis ap œœ œ œœ œ œœ...
TRANSCRIPT
AUDITION PACKET
MORTICIA ADDAMS
GOMEZ 1
SCENE TWO: MORTICIA'S BOUDOIR
... Revealing GOMEZ, fencing with LURCH, who holds his foil absolutely still while GOMEZ swipes at it extravagantly.
GOMEZ
Fight sir, fight like a man! Feel the kiss of my Spanish steel! Ha! Ha! Ha! Ha! Foiled again!
GOMEZ strikes LURCH's sword down. LURCH pokes GOMEZ with it.
GOMEZ
Oww! Damn your lightning reflexes!
GOMEZ retains his sword. MORTICIA enters with a bouquet of yellow flowers.
MORTICIA Gomez, look.
GOMEZ
Ugh! Flowers! Who would send something so tasteless?
MORTICIA
(reads the card) "The most precious gift there is, More goody-licious than gold, Is that blessing we call friendship, Whether new or
very old."
GOMEZ
"Goody-licious?" Who talks like this?
MORTICIA removes the flowers from the stems, during:
MORTICIA
The Beinekes. Wednesday's friend Lucas and his parents. They're coming for dinner tonight.
GOMEZ Lucas?
MORTICIA
Yes.
GOMEZ
But Lucas is a boy's name.
MORTICIA Yes.
GOMEZ
Wednesday has a friend who's a boy?
They both look at Lurch. Finally:
MORTICIA It's nothing, darling. Puppy love.
(hands Lurch the stems) Put these in water.
WEDNESDAY enters, carrying her crossbow and a goose with an arrow sticking out of it.
WEDNESDAY
Here. I shot dinner.
MORTICIA
(taking it) Oh, Wednesday, that's lovely. Wherever did you find it?
WEDNESDAY
Petting zoo.
MORTICIA
Thank you, dear. Come, Lurch - we'll whip up something really special. And this time, we'll actually cook it.
(shares a laugh with Lurch) Oh, Gomez - guests for dinner! Fresh meat!
They exit. WEDNESDAY looks nervously after them.
WEDNESDAY
Daddy, I need your help with this dinner. Can you keep a secret?
WEDNESDAY produces a ring from around her neck.
GOMEZ
Of course.
WEDNESDAY Look.
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SCENE 8
(MORTICIA'S BOUDOIR) (MORTICIA is showing ALICE the family photo album. ALICE sips on her wine.)
MORTICIA And this is Cousin Helga from Baden-Baden.
ALICE Who's that looking over her shoulder?
MORTICIA Oh, no. That's her other head.
ALICE She has two heads?
MORTICIA Well, you know what they say.
(MORTICIA and ALICE share a laugh, then MORTICIA turns to another page.)
ALICE (sees the photo)
And who's that man in the dress?
MORTICIA Oh. That's Aunt Herman. Wednesday's uncle, twice removed.
ALICE I don't understand.
MORTICIA Well, they removed it once - but it grew back.
(turns to another photo) And here's Gomez and me, at our wedding.
ALICE What's that?
MORTICIA Our wedding vows.
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ALICE That's so romantic.
(reading) "We promise to tango at least three times a week."
MORTICIA - for passion.
ALICE (reading)
"We promise to tell each other everything."
MORTICIA - for truth.
ALICE Everything?
MORTICIA Of course.
ALICE And you're still married?
MORTICIA More than ever.
ALICE Boy, it sure doesn't work that way in our house.
MORTICIA How does it work?
ALICE Well -
(rhymes) “What's good for the gander is a nice quiet goose; If I told Mal my secrets, all hell would break loose.”
MORTICIA Alice, I'm shocked. What kind of a marriage is it where you keep secrets?
ALICE A long one.
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SCENE 7
(CROSSOVER - PUGSLEY'S BEDROOM)
#19A BEDTIME STORY (MORTICIA rides PUGSLEY'S bed as it travels SL.)
MORTICIA What's wrong, my little cockroach?
PUGSLEY I can't sleep.
MORTICIA Why not?
PUGSLEY There's no monster in the closet.
MORTICIA (wearily, her mind elsewhere)
I'm sure he's hiding someplace else.
PUGSLEY Mommy ... I have a Full Disclosure.
MORTICIA Yes?
PUGSLEY What if you tried to do something to somebody and you ended up doing it to somebody else by mistake?
MORTICIA Are we talking about anyone we know?
PUGSLEY Well, I was talking to Grandma before, and she told me –
MORTICIA Don't listen to that ancient woman. She may not even be part of this family.
PUGSLEY Is Wednesday really gonna marry that guy?
102
MORTICIA She might.
PUGSLEY Oh, no!
(then) Make me feel better, Mommy.
MORTICIA Life is a tightrope, my child, and at the other end is your coffin.
(then) Better?
PUGSLEY Uh-huh. Thanks, Mommy.
MORTICIA Now close your eyes or the monster won't come out and eat you up.
(looks closely at him) Pugsley? Pugsley?
(MORTICIA sees that PUGSLEY is fast asleep. She strokes his head as...)
Sleep well, my little vermin. Your mommy's life has fallen apart and she needs to go away for a while. And, years from now, when your marriage collapses and you want to know who put us all on the road to hell, you can thank your father.
(A MONSTER IGUANADON's feet, tail and finally, head, emerge from under the bed and walk the bed off.) (to the monster under the bed)
Look after my baby, will you? Keep him in harm's way. (The MONSTER carries off the bed, MORTICIA and PUGSLEY.)
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SCENE 9
(PARK BENCH AND TAXI SIGN--IN FRONT OF GATES) (MORTICIA sits on a park bench, a valise by her side.)
GOMEZ So it's true.
MORTICIA I can't live with a man who keeps secrets.
(She lights the TAXI sign)
GOMEZ There's another secret I haven't told you.
MORTICIA Hunh. What?
GOMEZ That you are the most exquisite, the most magnificent, the most desirable of all women.
MORTICIA That's no secret.
GOMEZ No. But even you had a secret - once.
MORTICIA Never.
GOMEZ And if you're wrong.
MORTICIA I never am.
GOMEZ But if you are, what will you give me?
MORTICIA Name it.
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GOMEZ A dance.
MORTICIA Go on.
GOMEZ Many years ago, when you loved me and you wanted to marry me, we came to your father and told him, and he said, "Wonderful, let's go tell your mother." And what did you say?
MORTICIA How could I possibly remember what I -
GOMEZ You said, "No! She'll ask a lot of embarrassing questions and wreck the whole thing."
MORTICIA That's different. My mother was condescending, judgmental, and withholding, and loved nothing more than stirring up trouble.
GOMEZ Uh huh.
MORTICIA (realizes)
Oh God, I've turned into my mother.
GOMEZ And Wednesday is you. Isn't it wonderful?
MORTICIA You did that like a lawyer.
[MUSIC IN]
GOMEZ No, just a husband and a father. Not so easy. In fact, very difficult.
#21 LET'S LIVE BEFORE WE DIE
LET'S LIVE BEFORE WE DIE LET'S LAUGH BEFORE WE CRY
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œœ œ œœ œ œœ œ œœ œ
MORTICIA: “Out.”GOMEZ: “Cara -”MORTICIA: “Out!” [MUSIC]
!
p
Simple2 Ó Œ ‰ jœ
My
œœ œ œœ œ œœ œ œœ œ
!
MORTICIA:
vocal 8vb
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.. ..3 œ œ œ œ œ œ ‰Jœdaughter's get ting mar ried, I
œœ œ œœ œ œœ œ œœ œ
!
Vamp (vocal last x)
4 .œ œ œ œ œ ‰ jœcan't be lieve it's true. She
œœ# œ œœ œ œœ œ œœ œ
Ó Œ œ
5 œ œ œ œ œ œ ‰ Jœdoesn't ask her parents be
œœ# œ œœ œ œœ œ œœ œw
6 œ œ œ œ œ ‰ Jœfore she says "I do"? And
œœ œ œœ œ œœ œ œœ œ
˙ ‰ jœ œ œ
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7 œ œ œ œ œ œ œ ‰ Jœwhat a bout my husband? Ob
œœœ œ œœœ œ œœœ œ œœœ œ˙ ˙
8 œ œ œ ‰ Jœ œ ‰ Jœli vi ous, na ive. This
œœœ œ œœœ œ œœœ œ œœœ œ
˙ ˙
9 œ œ œ œ œ œ œ œ œevening's getting serious, these O
œœœ œ œœœ œ œœœ œ œœœ œ
w
10 œ œ œ ‰ Jœ œ ‰ jœhi o ans won't leave. But
œœœœ œœœœ Œ Œ œœœ#
œ œ Œ Œ œ
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12JUST AROUND THE CORNER
[Rev. 10/12/10]
Music and Lyrics byANDREW LIPPA
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11 œ œ œ œ œ œ œ œI can't let these latest troubles
œœ œ œœ œ œœ œ œœ œ
˙ œ œ œ œ
12 œ œ œ œ œ ‰ Jœrob me of my bliss, for
œœ# œ œœ œ œœ œ œœ œ
˙ œ œ# œ œ
13 œ œ œ œ œ œ œ œwhen I'mscared of true disaster
œœ œ œœ œ œœ œ œœ œ
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rit.14 œ œ œ œ œU Œ
I remember this...
˙˙̇ ...jœœœ#U" Œ
˙̇n ..œœU
œ .œ# œ#
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15
œ œ œ œ œ œDeath is just a round theŒ
œœŒ
œœ. .˙ Jœn
œŒ œ Œ
Swing 8ths16 œ ˙ Œ
cor ner,Œœœ
Œœœ. .˙ Jœn
œŒ œ Œ
17
œ œ œ œ œ œwait ing pa tient ly toŒ
œœŒ
œœ.˙ œ œn
œŒ œ Œ
18 ˙ Óstrike.Œ
œœŒ
œœw
œŒ œ Œ
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19 œ œ œ œ œ œOne un planned e lec troŒ
œœœŒ
œœœwœ Œ
œŒ
20 œ œ Ócu tion,Œ
œœœŒ
œœœwnœ Œ
œŒ
21 œ œ œ œ œ Œthat's the kind of end
œœœœœŒ ‰ jœœœœ œœœœ
œŒ ‰ jœ œ
22 œ œn œ# œ œ ŒI can comp re hend.
œœœnŒ Ó
œœ Œ ‰œ œ œ
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23
œ œ œ œ œ œWhen my life is un inŒ
œœŒ
œœ. .˙ Jœn
œŒ œ Œ
24 œ œ Óspi red,Œ
œœŒ
œœ. .˙ Jœn
œŒ œ Œ
25
œ œ œ œ œ .œor I need a lit tleŒ
œœŒ
œœw
œŒ œ œn
26 .˙ Œspree.Œ
œœœŒ
œœœ˙ ˙n
œ Œœ
Œ
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Piano/Vocal – 2 – 12. Just Around The Corner [Rev. 10/12/10]
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27 œ œ œ œ œI'm re born dream ingŒ
œœœŒ
œœœ˙ ˙n
œŒ œ Œ
28 œ œn œ# œn œ# œ œ œdeath is just a round the cor nerŒ
œœŒ
œœn˙ ˙œ Œ œ Œ
29 œ œ œ œcom ing af ter
œœœœ œ œœœœ œ
œŒ œ Œ
30 œ Œ Óme.
Œ Jœœœœ ‰ J
œœœœ ‰ Œ
jœ‰ jœœœœ ‰ jœœœœ ‰ j
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31 Œ Jœœœœ ‰ J
œœœœ ‰ ŒMORTICIA: “Coroner. Get it? Death is just around the coroner?”
jœ‰ jœœœœ ‰ jœœœœ ‰ j
œ‰& ?
32 Œ Jœœœœ ‰ J
œœœœ ‰ Œ
jœ‰ jœœœœ ‰ jœœœœ ‰ j
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33 Œ Jœœœœ ‰ J
œœœœ ‰ Œ
jœ‰ jœœœœ ‰ jœœœœ œ œ œ
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.. ..34
œ œ œ œ œ œDeath is just a round the
œœœ œœœ œœœ œœœ
œŒ
œ‰ j
œ
F
Vamp (vocal last x)35 œ ˙ Œ
cor ner,
œœœn œœœ œœœ œœœ
œŒ
œ‰ jœ
36
œ œ .œ œ .œ œwait ing high up on the
œœœ œœœ œœœ œœœ
œŒ
œ‰ jœ
37 ˙ Óhill.
œœœ œœœ œœœn œœœ
œŒ œ œn
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38 œ œ œ œ œ œSome one bur ied in an
œœœ œœœ œ œ œ œ
œ Œœ
‰ jœ
39 œ œ Óav' lanche?
œœœn œœœ œœœ œœœœ Œ
œ‰ jœ
40 œ œ œ œ œ ŒThat's the kind of gig
œœœœœŒ ‰ jœœœœnn œœœœ
œŒ ‰ jœœnn œœ
41 œ œn œ# œ œ ŒI could real ly dig.
œœœœ Œ Œ rœn œœ#
œœ Œ Œœ
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Piano/Vocal – 3 – 12. Just Around The Corner [Rev. 10/12/10]
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42
œ œ œ œ œ œMar riage of ten dis ap
œœœ œœœ œœœ œœœ
œŒ œ ‰ jœ
43 œ œ Ópoints you,
œœœn œœœ œœœ œœœ
œŒ œ ‰ jœ
44
œ œ œ œ œ œnot each hus band is a
œœœ œœœ œœœ œœœ
œŒ
œn‰ j
œ
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45 .˙ Œgem.
œœn œœ# œœn œœ#
œ œ œ œn
46 œ œ œ œ .œSo, I'll mourn know ing
œœœœ œœœœ œœœœn œœœœ
œŒ œ Œ
47 œ œn œ# œn œ# œ œ œdeath is just a round the cor ner
œœ œœn œœ# œœn œœ#n œœ œ
œ ‰ jœn œ# œ
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48 œ œ œ œcom ing af ter
œœœœ œœœœ œœœœ œœœœ
œ‰ jœ œ œ
49 œ Œ Óthem.
œœœœ3
œn œ# œ3
œn œ# œn3
œ# œn œ#
œœ 3
œ œn œ3
œn œ œ3
œn œ œn
50 Œ œ œ œIf life's allœœ
>œœ œœ
œœœœ>
œ œ œ
- -
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51 ˙ Óplums
œœœœ œœœ- œœœ. ‰ Jœœœ- œœœ.
œ Œœ
Œf
52 Œ œ œ œI'll mud dle
œœ Œ œœwwnn
œ Œœ
Œ
53 ˙ ˙through some.
œœ œœ˙̇ ˙̇
œŒ œ Œ
54 Œ œ œ œBut when death
œœœœ œœ œœœœ
œ œ œ œn
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Piano/Vocal – 4 – 12. Just Around The Corner [Rev. 10/12/10]
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55 ˙ Ócomes
œœŒ œœww
œŒ œ Œ
56 Œ œ œ œI hope it's
œœn œœ œœ œœ
œŒ
œŒ
57 ˙ ˙grue some.
œœ œœ˙̇ ˙̇
œœ Œ œœ Œ
58 ¿ ¿ ‰ j¿ Œ ‰ jœHot cha cha! Some
œœ> Œ Óœ œ ‰ #
œœ>
Œ Œ3
œ œ œ
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59 œ œ œ œ œ œn œ# œpeople die from pub lic stoning,
!
œœœŒ œœœn
Œ
œ Œ œ Œ
A Tempo - Straight 8ths60 œ œ œ œ œ œn œ# œ
faulty wiring, faul ty zoning,
!
œœœŒ œœœn
Œ
œ Œ œ Œ
61 œ œ œ œ œ œn œ# œcherry pits they did n't know were
!
œœœŒ œœœn
Œ
œ Œ œ Œ
MALE ANCESTOR 2:
62 œ Œ Œ ‰ jœthere. Per
Œ ¿ ¿ Œ(cough) (cough)
œœœnŒ Œ œœ
œn Œ Œ œ
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63 œ œ œ œ œ œ œ ‰haps it's by a jungle cat.
Ó Œ ‰ jœA
!
œœœœnnŒ œœœ#
Œ
œn Œ œ Œ
FEMALE ANCESTOR 2:
64 Ó Œ ‰ jœPer
œ œ œ ‰ Óslippery mat.
Œ ‰ jœ œ œ œ ‰A baseball bat.
œœœœnnŒ œœœ#
Œ
œn Œ œ# Œ
MALE ANCESTOR 3:
65 œ œ œ œ œ œ œ œhaps an un success ful love af
!
!
œœœœnnŒ œœœ#
Œ
œn Œ œ Œ
66 œ Œ Œ ‰ Jœfair. It
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Œ œœœœ œœœœ Œ
œŒ Œ œ
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Piano/Vocal – 5 – 12. Just Around The Corner [Rev. 10/12/10]
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67 œ œ œ œ œ œ œ œcould be in a speed ing train. It
œœœŒ œœœ
Œ
œ Œ œ Œ
68 œ œ œ œ œ œ ‰ œcould be un der wa ter. It
œœœn œœœ œœœ# œ Œ
œ œn œ# Œ
69 œ œ œ œ œ œ œ œcould be too much no va caine. Or
wwwnnæ
wwnnæ
Í
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70 œ œ œ œ œ œ Œe ven by your daugh ter.
Ó Œ ‰ jœPer
!
œœœœŒ Œ œœ
œœŒ Œ œœ
^œ
FEMALE ANCESTOR 1:
71
!
œ œ œ œ œ œ œ ‰haps a bad mos qui to bite.
Ó Œ ‰ jœA
œœœœ<œœœœn <
œœœœ# <œœœœ<
œ̄ œn ¯ œ# ¯ œ̄
FEMALE ANCESTORS 3&4:
MALE ANCESTORS 1&4:
72 Ó Œ ‰ JœMy
Œ ‰ jœn œ# œ œ ‰Re li gious rite.
œ œ œn ‰ Óti tle fight.
œœœœn <œœœœn <
œœœœ## <œœœn <
œn ¯ œ< œ̄ œn <
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n n n n nn n n n nn n n n n
73 œ œ œ œ œ œ œ œdarlings, itmight even be to
˙˙̇̇n ˙˙˙˙n˙̇nn ˙̇nn
74 œ Œ Ónight!..œœ œœnn œœ œœnn œœœœ œœ œœ
..œœœœnn œœ##
œœnn œœ##œœœœnn œœ##
75
!
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’ ’ ’ ’drum march
76
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’ ’ ’ ’
77
!
3
œœœnn œœœ œœœ3
œœœn œœœ œœœ3
œœœ# œœœ œœœ3
œœœn œœœ œœœ
œœnnœœnn œœ##
œœ
Swing 8ths
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Piano/Vocal – 6 – 12. Just Around The Corner [Rev. 10/12/10]
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78 œ œ œ œ œ œDeath is just a round the
œ œ œ œ œ œDeath is just a round the
œ œ œ œ œ œDeath is just a round the
œœœœœœœœ
œœœœ
œœ œœ
œœœœ œ
œœœ
MORTICIA:
ANCESTORS:
f
79 œ ˙ Œcor ner.
œœ ˙̇ Œcor ner.
œœ# ˙̇ Œcor ner.œœœœ# ˙̇̇̇
Œ
œœœœb
œœœœ
80 œ œ œ œ œ œNo one's e ver been im
œ œ œ œ œ œNo one's e ver been im
œ œ œ œ œ œNo one's e ver been im
œœœœ
œœœœ
œœ œœ
œœœœœ
œœœœ
81 .˙ Œmune.
..˙̇b Œmune.
..˙̇# Œmune.œœœœb
œœœœ œœœœ##œœœœ
œ œ œ# œ
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82 œ œ œ œ œ œTurn ing off a res pi
www
œœœœ
œœœœF
83 œ œ Óra tor,
œœœb ...˙̇̇
œœœœb
œœœœ
84 œ œ œ œ œ Œwith a simp le click
œœœœ Œ ‰ Jœœœœbb œœœœ
œœœ Œ ‰Jœœbb œœ
85 œ œ# œ œ œ Œscan dal ous ly quick.œœœœ# Œ ‰ J
œœœœb Œ
œœ Œ ‰ Jœœœœbb
Œ
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86 œ œ œ œ œ œI can face a new to
œ œ œ œ œ œI can face a new to
œ œ œ œ œ œI can face a new to
œœœœœœœœ
œœœœœœ œœ
œœœœ œ
œœœf
87 œ ˙ Œmor row
œœ ˙̇ Œmor row.œœ# ˙̇ Œmor row.œœœœb ˙̇̇̇ Œ
‰ jœ œ
œœœœb
œœœœ
88 œ œ œ œ œ œif I make it past to
œ œ œ œ œ œIf I make it past to
œ œ œ œ œ œIf I make it past to
œœœœœœœœ
œœœœœœœœ
œœœœ œ œb
89 .˙ Œday...˙̇b Œday...˙̇ Œday.....˙̇̇̇# Œœœœ œœœbb œœœ œœœnbœ œ œ œb
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Piano/Vocal – 7 – 12. Just Around The Corner [Rev. 10/12/10]
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90 œ œ œ œ œI feel good say ing
œœœœ œœœœ œœœœb œœœœ œ
œœœœœœ œœ
œœœœb
91 œ œ# œ œ œ œ œ œdeath is just a round the cor ner
œœœœ Œ Óœœ Œ Ó
92 œ œ œ œswift ly on its
œœœœ œ œœœœ œ
˙̇ ˙̇
93 ˙ Óway.
œœœœœœ œœ
œœ
œœœœ œœ œœbb
- - - -
&
&?
94 Œ3
œœœ. œœœ# . œœœ. ...œœœ. œœœ. ...œœœ. œœœ.ww
œœœœ
œœœœ
95œœœb^ Œ Óœœœœbb^ œœ œœ
œœŒ œœœb œ œœœœ
96 Œ3
œœœ. œœœ## . œœœ. ...œœœ. œœœ. ...œœœ. œœœ.˙̇ ˙̇
œœœœ œ
œœœ
97œœœ Œ Ó
Œœœ œœ
œœ
œ œ œ œb
&
&
?
$
98
!
Jœœœ ‰ ‰ J
œœœ Œœœœœ-
Jœ ‰ ‰ Jœ Œœ-
"The Clicks"
99
!
œœœœ#^
œœœœ
œœœœœ#
œ̂ Œ Ó
100
3œœ œœ œœ˙̇
˙̇̇̇ œœœ œœœ3
œ œœ
3
œ œ œ3
œ œ œ3
œ œ œ
"The 12 count- Lift"
101
3œœ œœbb œœ˙̇
˙̇̇̇bb œœœ œœœ3
œb œb œ3
œb œ œb3
œ œb œ3
œb œ œ
102 œ> œ œ œœ> œ œ œ
œ> œ œ œœ> œb œ œ
œœœœœœœœ
œœœœœœœœb
wwæ
~~~~ ~~~~~
&
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bbbb b
b b b b b
b b b b b
103
!
...œœœœœœœœœ œœœ ˙̇̇˙̇̇ ‰ J
œœœ œœœ œœœ œœœ œœœ
˙̇ ‰ jœœ œœ œœ œœ œœ
"The procession"
Straight 8ths
104
!
...œœœbœœœœœœ œœœ ˙̇̇˙̇̇b ‰ J
œœœ œœœ œœœ œœœ œœœ
˙̇bb‰ jœœ œœ œœ œœ œœ
105
6
œœœœœœ
6
œœœœœœ6
œ œb œœœb œ
6
œœœœœœ
˙̇̇̇ ˙̇̇̇#
Π3
œœ œœ œœŒ 3
œœ œœ œœ
106
6
œb œœ œbœœ
6
œb œœœœœ6
œn œb œ# œn œb œ#6
œn œœœœœ
˙̇̇̇##˙̇̇̇b#
Π3
œœ œœ œœŒ 3
œœ œœ œœ
Piano/Vocal – 8 – 12. Just Around The Corner [Rev. 10/12/10]
&?
bbb b b
b b b b b
107‰ Jœœœœ Œ J
œœœœ ‰ ‰ Jœœœœnnnn
jœœ‰ ‰ jœœ
Œ œœ
Swing 8ths
108 Œœœœœ
3
œœœœ œœnn
3
œœ œœnnœœ
‰ jœœŒ ˙̇æ
Big Pullback
&
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b b b b b
b b b b b
b b b b b
b b b b b
$
109 œ œ œ œ œ œDeath is just a round the
œ œ œ œ œ œDeath is just a round the
œ œ œ œ œ œDeath is just a round the
‰ Jœœœœœœœœ
œœœœ œœœœ ‰œœœœ
œœœœœ œœ
œœœ
Stripper Tempo
110 œ ˙ Œcor ner
œœ ˙̇ Œcor nerœœn ˙̇ Œcor nerœœœœn œœœœ ‰
œœœœ ‰ Jœœœœnnœœœœ
œœnœœœn œœb
œœœ
111 œ œ œ œ œ œand you have to heed the
œ œ œ œ œ œœand you have to heed the
œ œ œ œ œ œœand you have to heed the
‰ Jœœœœœœœœ
œœœœ œœœœ ‰œœœœ
œœœœœ œœ œœnn
straight 8ths
straight 8ths
straight 8ths
112 .˙ Œcall...˙̇n Œcall...˙̇ Œcall.
3
œœn œ œœ3
œœ œ œœ3
œœn œ œœ3
œœ œ œœ
œœœœ
œœ œœnn
-
-
-
-
-
-
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bbb b b
b b b b b
b b b b b
b b b b b
b b b b b
113 Ó Œ œ œFor your
œœ œœ œœn ŒDon't ask why.
œœ œœ œœ ŒDon't ask why.œœœœ œœœœ œœœœn Œ
œœœœœ œœ œœnn
Œ
Straight 8thsaccel. poco a poco
114 œ œn œ œ œ œ œ œdeath is just around the corner.
!
!
œœ œœn œœ œœ œœ œœb œœ œœœœ Œ
œœ Œp
115 Ó Œ œ œHap py
œœ œœ œœn ŒYou and I.
œœ œœ œœ ŒYou and I.
œœœœ œœœœ œœœœœn Œ
œœœœœ œœnn
Œf
116 œ œn œ œ œ œ œ œbe ing both the mourned and mourner.
!
!
œœ œœn œœ œœ œœ œœb œœœn œœœ˙̇ œœ œœp
- - - - -
Piano/Vocal – 9 – 12. Just Around The Corner [Rev. 10/12/10]
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bbb b b
b b b b b
b b b b b
b b b b b
b b b b b
117 Ó Œ œ œBe causeœœ œœ œœn œ œ
Say good bye be cause
œœ œœ œœ œ œSay good bye be cause
œœœœ œœœœ œœœœn Œœœœ œœœ œ œœœnn Œœ œ œ œn Œ
f
118 œ œn œ œ œ œ œ œdeath is just a round the cor ner
œ œ œ œ œn œ œ œdeath is just a round the cor ner
œ œn œ œ œ œ œ œdeath is just a round the cor ner
œœ œœnn œœ œœ œœn œœb œœ œœ
˙̇ œ œ œ œn
119 ˙ ˙com ing
˙ ˙com ing
˙ ˙com ing
‰ Jœœœœœn ‰ J
œœœœ Jœœœœœ ....œœœœ
œ œ œ œn
Swing 8ths120 ˙ ˙
for us
˙ ˙̇for us
˙ ˙̇nfor us
œœœœ œœjœœnn ..œœbb
œ œ œn œ
,
,
,
,
,
-
- -
- -
- -
- -
- -
-
-
-
&
&
V
&
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bbb b b
b b b b b
b b b b b
b b b b b
b b b b b
b b b b b
121 wall!wwwall!wwall!
œ œ œ œ œ
3
‰ œœœœ
3
œœœœœœ 3
‰ œœœœ
3
œœœœœœ
œœœ œœœ œœœ œœœœ œ œn œ
122w
wwwww˙ ˙n
3
‰ œœœœ
3
œœœœ œœ
œœnn œœbb œœ œœœœœ œœœ œœœnn œœœœ œ œn œ
123 .˙ Œ...˙̇̇ Œ..˙̇ Œ
˙ .œnJœb
‰ œœœœn ‰ œœnnœœœœnb œœœœ ‰
œœœœœœœn œœœ œœœb œœœ œœœœ œ œn œ œb
124
!
!
!
.˙Œ
wwww .˙wwww
Db6 Harp Gliss
125
!
!
!
!
œŒ Ó
œœŒ Ó
[APPLAUSE SEGUE]
~~~~~~~~~~~~~
Piano/Vocal – 10 – 12. Just Around The Corner [Rev. 10/12/10]
&
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&
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bbb b b
b b b b b
b b b b b
b b b b b
b b b b b
42
42
42
42
42
44
44
44
44
44
drum fill
A
!
!
!
!
œ œ
1
!
!
!
’ ’ ’ ’
œœœœ œœnn
œœ
Swing 8ths
ANCESTORS:
2 Ó Œ œ œFor yourœœ œœ œœn Œ
Don't ask why.œœ œœ œœ ŒDon't ask why.œœœœ œœœœ ‰ J
œœœœœœœœn œœœœn
3‰ œœ œœnn
œ œ œn œ
MORTICIA:
f P
3 œ œn œ œ œ œ œ œdeath is just a round the cor ner.
!
!
œœœœ3
œœ œœnn œœbb œœœœœœœœ
œœœœ œ
œœœ
- -
&
&
V
&
?
bbb b b
b b b b b
b b b b b
b b b b b
b b b b b
4 Ó Œ œ œHap py
œœ œœ œœn ŒYou and I.œœ œœ œœ ŒYou and I.œœœœ œœœœ ‰ J
œœœœœœœnn œœœœœ ‰
jœœ
œ œ œn œf
5 œ œn œ œ œ œ œ œbe ing both themournedand mourner.
!
!
œœœœ œœnnœœœœœœ
œœœœ œœœœn
œœœœ œ
œœœF
6 Ó Œ œ œBe causeœœ œœ œœn œ œ
Say good bye be causeœœ œœ œœ œ œSay good bye be cause
œœœœ œœœœ œ œœœœn œœœœ œ
œ œ œn œf
7 œ œn œ œ œ œ œ œdeath is just around the corner
œ œ œ œ œn œ œ œdeath is just around the corner
œ œn œ œ œ œ œ œdeath is just around the corner
œœœ œœnn œœœ œœ œœœ œœbb œœœn œœ
œ œœœ œ œn3
œœ œnF
Straight 8ths
- -
- -
- -
-
- -
- -
--
12AJUST AROUND THE CORNER ~
PLAYOFF[Rev. 3/24/10]
Music and Lyrics byANDREW LIPPA
&
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&
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bbb b b
b b b b b
b b b b b
b b b b b
b b b b b
8 ˙ ˙com ing
˙ ˙com ing
˙ ˙com ing
3
œœn œœn œœn œœb .3
œœ œœnb œœn œœb .œœœn œœœ œœœ œœœœ œ œ œf
Swing 8ths9 ˙ ˙
for us
˙ ˙̇for us
˙ ˙̇nfor us
3
œœ œœ œœnn œœ.3
œœ œœbb œœnn œœ.œœœ œœœ œœœ œœœ
œ œ œ œ
10 wall!
wwwall!
wwall!
3
œœ œœn œœn3
œœn œœn œœb3
œœnn œœb œœn3
œœnb œœn œœn
3
œœ œœn œœbn3
œœnb œœbn œœb3
œœnn œœbb œœn3
œœbn œœnb œœbn
-
-
-
&?
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b b b b b
11 œœœœ Œ jœn œ Œœœœœ Œ jœn œ Œ
12
jœœœœ
Œ Ó
Œ œœ Ó[APPLAUSE SEGUE]
Piano/Vocal – 2 – 12A. Just Around The Corner~Playoff [Rev. 3/24/10]