austen’s pride · 2019-04-30 · thank you for auditioning for austen’s pride at the 5th avenue...

Thankyouforauditioningfor

AUSTEN’SPRIDE

atThe5thAvenueTheatre,Seattle

ROLE:JANEAUSTEN

PREPARE:

• Thisentirepacketofmaterial.Therearecurrentlynocallbacksscheduled(thisisouronlyday)soitisuptothedirector’sdiscretionhowmuchmaterialwewillhearintheroom.

• Pleasealsohaveyourmusicbookwithyouincasetheteamneedstohearsomethingdifferent(ashortselectioninaverylegitstylepreferred).

• Allrolesmusthaveastandard,RPaccent.

INSTRUCTIONS:Besuretobringyourpictureandresume,otherwisewewillnothaveoneintheroom!Tofamiliarizeyourselfwiththestyleofthisshow,feelfreetoexploretheshow’swebsite:

https://www.austensprideamusical.com

Thankssomuch!W|SCasting

’19-’20 SEASON AUSTEN’S PRIDE JANE AUSTEN/MRS.REYNOLDS 1

JANE AUSTEN SIDE #1

START AUSTEN

Cassandra! Cassandra!!!

CASSANDRA

Jane?

AUSTEN

(Handing a letter out to CASSANDRA)

Here, dear Sister.

CASSANDRA

What on earth?

AUSTEN

Read!!!

CASSANDRA

“Dear Miss Austen, we are pleased to inform you that all copies of ‘Sense and Sensibility’ have been sold –” Jane!

AUSTEN

(Giddy with excitement)

Keep reading!

CASSANDRA

“… Owing to its success we would like to consider more of your work for publication –” Oh, Jane! I am so proud of you. What are you going to send?

AUSTEN

Oh! What do I have? …

CASSANDRA

(Getting an idea)

I know! ‘First Impressions!’


AUSTEN

What?

CASSANDRA

(She points at the manuscript on the table)

I started reading it again ...

AUSTEN

Again?! You must be joking. I couldn’t possibly.

CASSANDRA

Why not?

AUSTEN

(Reading)

“Mr. Bingley was once upon a time coming of age when he was tempted to look at Netherfield House.”

There. That’s why. It doesn’t even have a good opening line.

CASSANDRA

But you could rework it. Like you did with ‘Sense and Sensibility.’

AUSTEN

Good God, Cassandra! ‘Sense and Sensibility’ was … froth --

CASSANDRA

Froth?!

AUSTEN

Granted, good froth, but now I have a chance to write something significant.

CASSANDRA

Why can’t ‘First Impressions’ be significant?

AUSTEN

Because it’s a love story. Romantic novels aren’t taken seriously. And I don’t write love stories.


CASSANDRA

Since when?

AUSTEN

I write ... commentaries about love.

CASSANDRA

Jane! --

AUSTEN

No, Cassandra. END


JANE AUSTEN/MRS.REYNOLDS SIDE START

CASSANDRA Jane? Stop! You are going to break a string!

(AUSTEN stops playing. Music stops)

AUSTEN (Annoyed)

Mr. Darcy is being rather familiar with Elizabeth.

CASSANDRA (Not seeing the issue) … Alright …

AUSTEN He looks at her --

ELIZABETH (Rolling her eyes) Only to criticize.

AUSTEN -- with a steadfast gaze.

ELIZABETH Absence of mind.

CASSANDRA And?

AUSTEN Don’t you see? Mr. Darcy … is in love with her.

ELIZABETH Don’t be absurd!

CASSANDRA Isn’t that how the story goes?

AUSTEN It’s how the story went. It’s not realistic.


CASSANDRA

But it’s romantic.

AUSTEN And I am not romantic!

CASSANDRA You were.

AUSTEN And look where that got me. Happy endings are – silly! Foolish! Unrealistic! I refuse to write one.

CASSANDRA But what is the alternative? Misery?

AUSTEN You are one to talk. You would have married for money.

CASSANDRA I said given the chance I would have been open to making a practical match. But that doesn’t mean I don’t enjoy a good love story.

AUSTEN CASSANDRA Yes! Always longing for fantasies you can’t have. All agog over Mr. Darcy. He isn’t a hero. He is just another selfish man who enjoys the power of doing what he likes. In fact, Darcy divided Bingley from Jane.

(Trying to get a word in, speaking over AUSTEN)

Happy endings give people hope! Jane! Stop !!! Just stop it.

ELIZABETH

What?!

CASSANDRA When did you become so bitter? So selfish that you have no regard for the feelings of others?!

END

’19-’20 SEASON AUSTEN’S PRIDE

JANE AUSTEN/MRS.REYNOLDS 3

JANE AUSTEN/MRS.REYNOLDS SIDE

START

AUSTEN

(Chasing after him)

Tom -- What is it?

TOM

Jane. – My dear Miss Austen … In vain have I struggled, it will not do. I’m afraid the day is come

on which we are to flirt our last.

AUSTEN

(Shocked, where is this coming from?)

Tom !? --

TOM

We ought not involve ourselves in an affection which the want of fortune would make so very

imprudent.

AUSTEN

We don’t care about fortune.

TOM

Our families do. I cannot afford to marry, and you have no dowry.

AUSTEN

I’m not good enough?!

TOM

(Pulling a letter out of his jacket)

Please. Do me the honour of reading that letter.

AUSTEN

Tom! I love you.

TOM

Love? … Love, it seems, is not good enough …

END


JANE AUSTEN/MRS.REYNOLDS SIDE START

MRS. GARDINER (To CASSANDRA) May we see the house, Mrs. Reynolds?

(CASSANDRA takes on the role of MRS. REYNOLDS, the Pemberley housekeeper and invites the GARDINERS and ELIZABETH into Pemberley)

CASSANDRA

“Of course! This is the portrait gallery.”

AUSTEN No, wait. (Looking at ELIZABETH) I need to read this part. (CASSANDRA hands AUSTEN the manuscript)

AUSTEN (as MRS. REYNOLDS) (Continues) “This is the portrait gallery.”

MR. GARDINER (Pointing out a portrait of Darcy) Is that Mr. Darcy?

AUSTEN (as MRS. REYNOLDS) “Yes, and very like him.”

MRS. GARDINER It is a handsome face.

AUSTEN (as MRS. REYNOLDS) (To ELIZABETH) “Do not you think him a very handsome gentleman, Ma’am?”

ELIZABETH (As if seeing him for the first time) Yes. Very handsome.

MR. GARDINER Is he much at Pemberley in the course of the year, Mrs. Reynolds?


AUSTEN (as MRS. REYNOLDS)

“I daresay he may spend half his time here.”

MRS. GARDINER If he were to marry, he might spend more.

AUSTEN (as MRS. REYNOLDS) “Yes, Ma’am; but I do not know when that will be. I do not know who is good enough for him.”

ELIZABETH (Taken aback) It is very much to his credit that you should think so.

AUSTEN (as MRS. REYNOLDS) “I say no more than the truth. Some people call him proud; but I am sure I never saw anything of it. I have never had a cross word from him in my life, and I have been in service here since he was a child.”

MRS. GARDINER His father was an excellent man.

AUSTEN (as MRS. REYNOLDS) “Yes, Ma’am, and his son will be just like him. – Already he is just as generous to the poor.”

MR. GARDINER You are lucky to have such a master.

AUSTEN (as MRS. REYNOLDS) “Yes, sir, I know I am. There is not one of his tenants or servants but what will give him a good name.”

END

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No. 2e - CHOICES (Finale) - 3 [rev. 3/20/2019]

Matt Perri

START

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(The Assembly dissolves, leaving AUSTEN at her table)

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(The Assembly dissolves, leaving AUSTEN at her table)

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-- -

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N.B.

- - -

NOTROMANTIC

Copyright © 2002 - 2018

(Austen, Wedding Guests)

Cue: ELIZABETH: Charlotte![rev. 3/12/2019 - v2]

15AUSTEN'S PRIDEPiano/Vocal

Music and Lyrics byLINDSAY WARREN BAKER &

AMANDA JACOBS

Wojcik Seay

START

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- - - - - - -

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Austen

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√- - -

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Austen

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15

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- - - -

No. 15 - NOT ROMANTIC - 2 [rev. 3/12/2019]

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19 ∑

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œœ ˙ œœœœ ˙ œœ∑

- - - - - -

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Austen

Pno.

22 ” œ œI did

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Œ œœœœ œœœœ Œœ œœœœ Œ ”œœ Œ ‰ œ œ œ


Matt Perri

PLAY 2X’s ONLY�

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WeddingGuests

Pno.

24

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CASSANDRA(as CHARLOTTE): I see what you are feeling,but I hope you will be satisfied with what I have done.

(ELIZABETH and CHARLOTTE (CASSANDRA) embrace)

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pushing forward

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29

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(MR. COLLINS and CHARLOTTE (CASSANDRA) come together for their wedding -- a simple, practical affair.Winter-time. ELIZABETH, the BENNETS and other GUESTS attend)

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WeddingGuests

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34 ∑

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- - - - -

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37 −œ œ œ œ œ œLove does n't al ways en

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n

−˙dure...

∑

∑Œ − −−−−

œœœœœ œ œ −−œœ−−˙

−œ œ œ œ œ œWhen a girl mar ries, she

∑

∑−−−œœœ −−−œœœ−−˙ −œ −œ

rit.

rit.

rit.

œ œ œΤ Œ ιœtakes a chance. There's

∑

∑−−−œœœ −−−œœœ

Τ

−−−œœœ −−−œœœΤ

Τ

Τ

- - - -


Matt Perri

PLAY 2X’S ONLY�

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33

33

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Austen

Pno.

41 −œ œ œ œ œ œno way of know ing for

−−−−œœœœ −−−−œœœœ−−−œœœ

−−œœ

˙ ‰ œΤ œ œsure. She is ro

Œ œœœ, ˙Τφφφφφφφ ˙

œœœ, œœ,

”Τœœ↓ )

Œ

q. = q

q. = q

(To ELIZABETH)

--

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31

31

31

Austen

Pno.

43

œ œ ‰ œ œ œman tic; she'll al ways

˙ ˙

∑π

B

B √œ œ œ œbe a true ro

˙ ˙

∑

œ œ ‰ œ œ œman tic who can not

˙ ˙

∑

˙ œ œ œsee how some

œ œ œα œ˙α œ œ œœœ œ œ Œ œα˙ ˙

Ο

- - - - -

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33

33

33

Austen

Pno.

47 œ œ œ œchoose to live life˙‰ ιœ œ œ˙

œ œ œ œ œpru dent ly. They don't˙‰ ιœ œ œ˙

œ œ œ œwait for love to˙‰ ιœ œ œ˙

˙ ‰ œ œ œ œcall. She is not ro

(Watching CHARLOTTE /CASSANDRA marry MR.COLLINS)

˙ œœŒ−˙ Œ

‰ œ œ œ ˙˙ ˙Ê (easy)

- - -


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72

72

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Austen

Pno.

51

œ œ ‰ œ œ œman tic. She won't deœœ −−˙˙ ˙

œ œ œ œ œœ ˙cresc.

˙ œ œ œ œny that what heœœ œœ ˙˙ ˙‰ œ œ œ ˙ϖ

œ −œ ιœ œ, œα ,of fers can sat is

˙α Œ œ≅ œ œ œ œ œ6

‰ œ œ œ œ œ œ œ œ Œ5

˙ ˙

- - - - -

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72

72

72

33

33

33

Austen

Pno.

54 −œ,fy.

−−œœΙœ Ιœ Ιœ‰ ιœ ιœ−œ

Ε

Light Waltz

Light Waltz

−œ−−œœΙœ Ιœ Ιœ

‰ ιœ ιœ−œ %

∑−−œœΙœ

Ιœ Ιœ !

‰ ιœ ιœ !−œ >

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31

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Austen

Pno.

57 ” œ œ œ œWhen I think it

∑Τ

∑Τ

œ œ œ œ œ œo ver, I know that

ϖœ œœ˙

ϖϖΟ

Τ œ œ œ + œI was once... ro

˙Τ ”œ œ œτ˙

τ ”

œ œ ‰ œ œ œman tic, and when he

˙œœ− Œ˙ ”

˙ ”

pull back

pull back

- - -


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Austen

Pno.

61 œ œ œ ≈ œbroke my heart, I

˙

œ œ œ

release

release

œ œ œmade a choice

˙

œ œ œ

−œ ιœ −œ ιœnot to love atŒ œœ Œ œœ˙ ˙αœ œ œ œ œ œ œ

√rit.

rit.

3 3

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Austen

Pno.

64

˙all.

(The wedding party exits with CASSANDRA as CHARLOTTE – she has entered the story world.AUSTEN is left alone onstage)

−−œœ œœ œœ œœ œœ œœ3 3

œ œ œ œ œ œ3

3

˙ο

˙˙Τ˙φφφφφφφφœœ œœ

Τ

˙Τπ

∑

∑

œ− Œ−


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∀∀∀∀

∀∀∀∀

∀∀∀∀

∀∀∀∀

∀∀∀∀

∀∀∀∀

Austen

Cassandra

SA

TB

Pno.

Company

68 ∑

” ŒJane?œœœœ→ Œ ”

long!œœœœ→ Œ ”œœœœ Œ ”œœœ

∑

(Approaching)

(To CASSANDRA)

!

!

!

!

!

!

Œ œ, œ, œ,I am ro

∑

∑

∑

∑

ϖϖÊΤ

ο

œ, œ ‰ œ œ œman tic. I choose to

∑

˙ ˙Ooh˙ ˙

œ œ œ œœ œ œ œ


œ œ œ œ œ œ œ œ œ œ œ œ

D

D

(Ferme la bouche)

Ε

A tempo

A tempo

A tempo

˙ œ œ œ œbe a true ro

∑

˙ ˙˙ ˙

œ œ œ œ œ œœ œ



-

3

--

No. 30 - FINALE - 12 [rev. 3/20/2019]

Matt Perri

START

%

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>

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∀∀∀∀

∀∀∀∀

∀∀∀∀

∀∀∀∀

∀∀∀∀

Austen

SA

TB

Pno.

Company

72 œ œ + 3

œ œ œµman tic who longs to

˙ ˙˙µ œ œ

œµ œ œ œµœ œ œ œµ


œ œ œ œ œ œœ œ œµ œ œ œµ

−œ Ιœ œ œ œ œsee the mir a cle of

−˙ Œ−−˙ Œ

œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ


- - -

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>

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∀∀∀∀

∀∀∀∀

∀∀∀∀

∀∀∀∀

∀∀∀∀

α

α

α

α

α

Β

Β

Β

Β

Β

Austen

SA

TB

Pno.

Company

74 ˙ œ œ œ œlove beau ti ful and

œ −˙Ooh

ϖ˙ ˙µ

œ œ œœ œœ œ œ œ œœœ œ œœµ œœ œ œ œœµ œœ

œ œ œ œ œ œœµ œ œµ œ œ œµ

dolce

−˙ Œfree!

−˙ Œ−˙−˙ Œ

œ œ œ œ œ œ œ œ œ œ œ œ œœœœµµµœœ

œ œ œ œ œ œ œ œ œœœœœµµµ

- -

No. 30 - FINALE - 13 [rev. 3/20/2019]

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α

α

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Β

ΒΒ

Austen

Pno.

76 ˙ ˙I will

œ œ œ œ œ œ œ œœ œ œ œ œ œ

Triumphantly h = 96

Ε

E q = h

q = h˙ ˙write of


ϖlove.


œ œ œ œ œ œ

ϖ


œ œ œ œ œ œ

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α

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Austen

Pno.

80 ˙ ˙I will


˙ ˙write the


˙ ˙sto ries


œ œ œ œ œ œ

ϖof


œ œ œ œ œ œ

-

No. 30 - FINALE - 14 [rev. 3/20/2019]

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α

α

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Austen

SA

TB

Pno.

Company

84 ˙ ˙learn ing

ϖAhhϖ

œœœ œœ œœ œœœ œ œ œ œ œ

FULL COMPANY + CASSANDRA:

ο

˙ ˙from a

ϖϖ

œœœ œœ œœ œœœ‰œ œ œ

”˙ ˙

˙ ˙past mis

ϖϖ

œœœ œœ œœ œœŒ œ ˙ϖϖ

˙ Œ œtake, of

˙ ”˙ ”

œœœœ œ œ œœœ œ œ œ œ œ

- -

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>

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α

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Austen

SA

TB

Pno.

Company

88 ˙ ˙self less

ϖAhhϖ


œ œ œ œ œ œ

˙ Œ œlove, of

ϖϖ

œœ œœ ˙

œœ œœ œœ œœ

˙ ˙risks we

ϖϖϖϖ

œœœœ Œ Œ œœœœŒ œœ ˙ϖ

ϖtake!

ϖϖϖϖ

3œœ œœ œœ 3œœ œœœœ

˙˙

ϖ

ϖϖϖϖ

3œœ œœ œœ3œœ œœ œœ

˙ ˙

-

No. 30 - FINALE - 15 [rev. 3/20/2019]

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SA

TB

Pno.

Company

93 ” œ œI will

∑

∑˙ ˙

œœœœœ œœœ œœœ

ε

ϖwrite...” œ œ

"First Im

” œ œ” œ œ” œœ œœ

” œœ œœ” œœœœ œœœœ

ε

ϖ

˙ ˙pres sions"...

˙ ˙˙ ˙˙ ˙

˙ ˙œœœœ œœœœ œœœœ œœœœ

Œ ˙ œI will

∑

∑

” œœ œœ

Œ ˙ œœœ

ϖwrite...

œ= œ ˙Sec ond

œ œ ˙œ= œ ˙œ œ ˙

œœœœ œ ˙

Œ œ œ œϖϖϖ

ϖ

= ˙Chanc es...

˙ ˙= ˙˙ ˙

˙ ˙˙

˙

-- - -

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75

75

75

75

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Austen

SA

TB

Pno.

Company

99 ” ˙I

∑

∑

” œœœ œœŒ −−˙ϖϖ

(Embracing her manuscript)

˙ ˙will

∑

∑˙ ”˙

”˙ ”˙ ”

ϖwrite...

∑

∑

∑

∑

−˙

œ œ œ œ œ œIs n't love won der ful?

∑−−−−œœœœ −−−−œœœœ

−−˙ε

Slightly Broader

Slightly Broader

Slightly Broader

−˙

−˙

œ œ œ œ œ œYes, it is won der ful!−−−−œœœœ −−−−œœœœ

−−˙

- -

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No. 30 - FINALE - 16 [rev. 3/20/2019]

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α

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β

β

β

ββ

Austen

SA

TB

Pno.

Company

√

104 −˙

œ œ œ œ œ œLove is so won der ful!

œ œ œ œ œ œ−−−−œœœœ −−−−œœœœ

−−˙

∑

(Writing the iconic openingline to what will become“Pride and Prejudice”)“It is a truth universallyacknowledged that a singleman in possession of a goodfortune must be in want of awife.”

∑

∑−−−−œœœœ, Œ −Τ

−−œœ,Œ −Τ

Τ

Τ

Τ

−=of

−=Of−=

∑∑

ε

- -

No. 30 - FINALE - 17 [rev. 3/20/2019]

Matt Perri

(Say the line)

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β

β

β

β

Austen

SA

TB

Pno.

Company

107 ϖlove!ϖϖlove!

ϖϖϖϖϖϖ

œœ œ œœ œœœ œ œœœœ

œœ œ

œœ œ œ œœ œ œœ œ œœε

ƒ

q. = q

q. = q

ϖ

ϖϖϖϖϖϖϖϖ

œœ œ œœ œœœ œ œœœœ

œœ œœœ œœ œœ œœ œœ œœ

33

œœ œ œ œœ œ œœ œ œœ

ϖΤ

ϖϖΤϖϖϖϖΤϖϖ


˙Êœ ˙

œœ œœ ˙ÊΤ

œ œ œœ Œ ”Τ

ƒ

∑

∑

∑œœœœ˘Œ ”œ

œœŒ ”

(Blackout)

fl

No. 30 - FINALE - 18 [rev. 3/20/2019]

austen’s pride · 2019-04-30 · thank you for auditioning for austen’s pride at the 5th avenue...

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