auteur theory
DESCRIPTION
A2 Media and Film StudiesTRANSCRIPT
Auteur theory Auteur film
Director Is the ‘author’ not the writer
Director’s style is distinctive and recognizable
Clear influence over the look, feel and language of the film
Origins in French New Wave Cinema of the 1960s e.g. Truffaut Chabrol& Godard
Auteur films tend to be more stylistically sophisticated and distinctive in terms of mise-en-scene.
In an industry which is highly collaborative, the auteur-director has almost complete control over the film-making process
Favours style over content; artistic expression over commercialism
Andrew Sarris:
The strong director imposes his own
personality on a film; the weak director
allows the personalities of others to run rampant.
Hitchcock, Kubrick, Orson Welles, Nicholas Roeg , Coen brothers are among the many who could be considered to be ‘auteur’-directors.
Arguably, every director who has made a non-mainstream film could be defined as an ‘auteur’.
A real auteur however is one who manages to combine commercial success with artistic merit
Criticisms of auteur theory
Every director has his/her own style of film-making; so every director could be considered an auteurIgnores the collaborative nature of film
In favour of auteur theory
successful auteur-directors can stand up to producers and studio executives in the face of real commercial pressures to make genre films whose formula has been tried and tested in the market-place
TaskWatch any films by Tim BurtonTo what extent can they be described as ‘auteur’ films
Look at: Distinctive style similar themes e.g. the misfit/ outsider Other recurring elements (actors, music etc) Gothic aspectsUse of animation