barry harris - wiki

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Barry Harris

Background information

Birth name Barry Doyle Harris

Born December 15, 1929

Origin Detroit, Michigan, U.S.

Genres Bebop, hard bop, mainstream jazz

Occupation(s) Musician, bandleader, composer,

teacher

Instruments Piano

Labels Prestige, Riverside, Xanadu

Associated acts Cannonball Adderley, Dexter

Gordon, Coleman Hawkins, Illinoi

Jacquet, Thelonious Monk, Charlie

Parker, Bud Powell, Max Roach

Website barryharris.com (http://www.barryh

arris.com/)

Barry HarrisFrom Wikipedia, the free encyclopedia

For the Canadian musician, see Barry Harris (Canadian musician).

Barry Doyle Harris (born Detroit, Michigan, December

15, 1929) is an American jazz pianist, bandleader,

composer, arranger and educator. He is known as an

exponent of the bebop style.[1]

Contents

1 Early life and career 2 Later life and career

2.1 1950s

2.2 1960s2.3 1970s2.4 1980s2.5 1990s2.6 2000–present

3 Jazz Cultural Theater 4 Theor etical concepts5 Awar ds6 Compositions7 Discography

7.1 As leader

7.2 As sideman8 References9 External links

Early life and career

Harris began learning the piano at the age of 4. His

mother was a church pianist and had asked if Harris was

interested in playing church or jazz music. Having picked jazz, he was influenced by Thelonious Monk and Bud Powell's music. He went to public areas to

play dances for clubs and ballrooms. Harris learned the bebop styles largely by ear, imitating the solos

played by Bud Powell in his teenage years.[2]

Later life and career

1950s

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Harris was based in Detroit through the 1950s and worked with musicians such as Miles Davis, Sonny Stit

and Thad Jones. He also performed in place of Junior Mance, who was Gene Ammons's regular pianist for

his group frequently. In addition, Harris toured with Clifford Brown and Max Roach's Quintet briefly in

1956 as a pianist after the group's resident pianist Richie Powell (younger brother of Bud Powell) died in a

car crash.[3]

1960s

Harris performed with Cannonball Adderley's quintet and even had a chance to do a television stint with

them.[4]

Harris relocated to New York City in 1960, where he became a performer as well as a jazz educator. Durin

his time in New York, Harris collaborated with Dexter Gordon, Illinois Jacquet, Yusef Lateef and Hank

Mobley through performances and recordings.[5]

Between 1965 and 1969, Harris performed extensively with Coleman Hawkins at the Village Vanguard.[6]

1970s

During the 1970s, Harris lived with Monk at the Weehawken, New Jersey home of the jazz patroness

Baroness Pannonica de Koenigswarter, and so was in an excellent position to comment on the last years of

his fellow pianist.[7]

Harris also sat in for Monk for rehearsals at the New York Jazz Repertory Company in 1974. [8]

By the mid-1970s, Harris and his band members gave concerts in European cities and Japan. In Japan, he

performed at the Yubin Chokin concert hall in Tokyo over two days and his performance were recorded an

compiled into an album released by Xanadu records.[9]

1980s

Between 1982 and 1987, Harris took charge of the Jazz Cultural Workshop on the 8th Avenue in New

York.[10]

Harris appears in the 1989 documentary film Thelonious Monk: Straight, No Chaser (produced by Clint

Eastwood), performing duets with Tommy Flanagan.

1990s

Since 1991, Harris has collaborated with Toronto-based pianist and teacher Howard Rees in creating a

series of videos and workbooks documenting his unique harmonic and improvisational systems and

teaching process.

2000–present

In 2000, he was profiled in the film Barry Harris - Spirit of Bebop.[11]

https://en.wikipedia.org/wiki/Tommy_Flanaganhttps://en.wikipedia.org/wiki/Clint_Eastwoodhttps://en.wikipedia.org/wiki/Thelonious_Monk:_Straight,_No_Chaserhttps://en.wikipedia.org/wiki/Nica_de_Koenigswarterhttps://en.wikipedia.org/wiki/Weehawken,_New_Jerseyhttps://en.wikipedia.org/wiki/Village_Vanguardhttps://en.wikipedia.org/wiki/Coleman_Hawkinshttps://en.wikipedia.org/wiki/Hank_Mobleyhttps://en.wikipedia.org/wiki/Yusef_Lateefhttps://en.wikipedia.org/wiki/Illinois_Jacquethttps://en.wikipedia.org/wiki/Dexter_Gordonhttps://en.wikipedia.org/wiki/Cannonball_Adderleyhttps://en.wikipedia.org/wiki/Richie_Powellhttps://en.wikipedia.org/wiki/Max_Roachhttps://en.wikipedia.org/wiki/Clifford_Brownhttps://en.wikipedia.org/wiki/Gene_Ammonshttps://en.wikipedia.org/wiki/Junior_Mancehttps://en.wikipedia.org/wiki/Thad_Joneshttps://en.wikipedia.org/wiki/Sonny_Stitthttps://en.wikipedia.org/wiki/Miles_Davis


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Harris continues to perform and teach worldwide. When he is not traveling, he holds weekly music

workshop sessions in New York City for vocalists, students of piano and other instruments.

Harris has recorded 19 albums as a lead artist.

Jazz Cultural Theater

Larry Ridley, Barry Harris, Jim Harrison, and Frank Fuentes were partners in creating the Jazz CulturalTheater beginning August 14, 1982. Located at 368 Eighth Avenue in New York City in a storefront

between 28th and 29th Streets in Manhattan, it was primarily a performance venue featuring prominent jaz

artists and also hosted jam sessions. Additionally, it was known for Barry's music classes for vocalists and

instrumentalists, each taught in separate sessions. Several artists recorded albums at the club, including

Barry on his For the Moment. Some of the many musicians and notable jazz figures who appeared at the

Jazz Cultural Theater were bassist Larry Ridley, guitarist Ted Dunbar, pianist Jack Wilson, trumpeter Bill

Hardman, tenor saxophonist Junior Cook, trumpeter Tommy Turrentine, alto saxophonist Charles

McPherson, pianist Mickey Tucker, guitarist Peter Leitch, tenor saxophonist Clifford Jordan, guitarist Mar

Elf, alto saxophonist Lou Donaldson, drummer Leroy Williams, drummer Vernel Fournier, bassist Hal

Dotson, bassist Jamil Nasser, pianist Chris Anderson, pianist Walter Davis, Jr., pianist Michael Weiss, tapdancers Lon Chaney and Jimmy Slyde, Francis Paudras (biographer of pianist Bud Powell), and the

renowned jazz patroness Baroness Pannonica de Koenigswarter, who would park her silver Bentley sedan

in front of the club.

The Jazz Cultural Theater (JCT) enjoyed a vibrant five-year run until August 14, 1987, when its lease ran

out and the rent was increased. Barry simply moved his jazz instrumental and vocal instructional classes to

other venues in New York City, Japan, and Europe, supported by a devoted and ever growing international

base of students. Many of them are now professionals, including Israeli-born, New York City-based jazz

guitarist Roni Ben-Hur, Armenian bebop pianist Vahagn Hayrapetyan, Italian-born brothers Luigi (alto sax

and Pasquale Grasso (guitar).

An advertisement appeared in New York Village Voice Newspaper announcing the last week of the Jazz

Cultural Theater performances:

Thursday, August 6, 1987: Haze Laser & Sextet featuring C-SharpeFriday-Saturday August 7 & 8, 1987: Charles McPherson with the Barry Harris TrioSunday, August 9, 1987: a vocal concert for Victor Lane

Wednesday, August 12, 1987: The Last Big Bash at the Jazz Cultural Theater

Theoretical concepts

Over many years Harris has developed a codified methodology and approach to the teaching of jazz. His

approach, drawing primarily from the melodic and harmonic concepts/techniques utilized by Charlie Parke

and Bud Powell, relies upon using the major and minor 6th chords and the 8-note major and minor 6th

diminished scales as a basis for creating melody and harmony.

The major 6th diminished scale is a major scale with an extra note between the 5th and 6th scale degrees. A

typical exercise using this scale involves playing a C Major 6th chord up the scale to a D diminished 7th

chord, back to C Major 6th in first inversion, to D diminished 7th first inversion, to C Major 6th in second

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inversion, and so on, up the scale. Applying voicings, such as Drop 2 and Drop 3, up and down the scale in

this way gives more possibilities for movement, as opposed to playing one static voicing when chording or

"comping" through jazz tunes. The same concept applies as well to the minor 6th diminished scale. His

concept of "borrowing notes," in which a related diminished note (or notes) is used in a major or minor 6th

chord voicing and then resolved (or a major or minor 6th chord note is used in the related diminished 7th

chord and then resolved) is an additional way of creating movement.

Harris also stresses the relationship of the major 6th chord to the minor 7th chord. Both share the same 4

notes and differ only by what note is considered the bass. The same relationship occurs between the minor6th chord and the half-diminished 7th chord, that is, that C minor6 and A minor7b5 are almost

interchangeable.

His approach to jazz harmony also relies heavily on diminished 7th chords and their relationship to

dominant 7th chords. Utilizing the diminished 7th chord, he has also formulated scales of chords, which

allow pianists and guitar players greater freedom in accompaniment and to play, in his own words,

"movement, not chords".

His fundamental scale is the major 6th diminished scale, but equally important are the minor sixth to

diminished, the dominant seventh to diminished, and the dominant seven flat five to diminished scale.Extending this concept, Barry relates all chord alterations (flat and sharp 9’s, sharp 11’s, flat 13’s, etc.) to

the tritone's minor sixth-diminished scale (Ab minor 6th diminished scale for G7altered), which provides

options for moving the alterations through the scales.

Awards

2000, American Jazz Hall of Fame for Lifetime Achievements & Contributions to the World of Jazz1998, Lifetime Achievements Award for Contributions to the Music World from the NationalAssociation of Negro Musicians

1998, Congratulatory Letter as a Jazz Musician and Educator by the U.S. White House1997, Dizzy Gillespie Achievement Award1997, Recognition of Excellence in Jazz Music and Education1995, Doctor of Arts - Honorary Degree by Northwestern University1995, Special Presidential Award Recognition of Dedication and Commitment to the Pursuance of Artistic Excellence in Jazz Performance and Education

1995, Honorary Jazz Award by the House of Representatives[12]

Compositions

LuminescenceLike this!Even Steven

NicaraguaFukai Aijo

iscography

As leader


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Breakin' It Up (Argo 1958) Barry Harris at the Jazz Workshop (Riverside 1960) Preminado (Riverside 1961) Listen to Barry Harris (Riverside 1961) Newer Than New (Riverside 1961)Chasin' the Bird (Riverside 1962)

Luminescence! (Prestige, 1967) Bull's Eye! (Prestige, 1968)

Magnificent! (Prestige, 1969)Vicissitudes (MPS, 1972)

Barry Harris Plays Tadd Dameron (Xanadu, 1975) Live in Tokyo (Xanadu, 1976) Barry Harris Plays Barry Harris (Xanadu, 1978) For the Moment (Uptown, 1984)The Bird of Red and Gold (Xanadu 1989)

Live at Maybeck Recital Hall - Volume Twelve (Concord 1991) First Time Ever (Evidence 1997) Live in New York (Reservoir Records, 2002) Live in Rennes (Plus Loin Music 2009)

As sideman

With Cannonball Adderley

Them Dirty Blues (Riverside, 1960)

With Charlie Byrd

Blues Sonata (Riverside, 1961)

With Donald Byrd

Byrd Jazz (Transition, 1955) - also released as First Flight (Delmark)

With Al Cohn

Play It Now (Xanadu, 1975) Al Cohn's America (Xanadu, 1976)

With Sonny Criss

Saturday Morning (Xanadu, 1975)

With Art Farmer and Donald Byrd

2 Trumpets (Prestige, 1956)

With Terry Gibbs

Bopstacle Course (Xanadu, 1974)

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With Benny Golson

The Other Side of Benny Golson (Riverside, 1958)

With Dexter Gordon

Clubhouse (Blue Note, 1965 - released 1979)Gettin' Around (Blue Note, 1965)

The Tower of Power! (Prestige, 1969) More Power! (Prestige, 1969)True Blue - with Al Cohn (Xanadu, 1976)Silver Blue with Al Cohn (Xanadu, 1976)

Biting the Apple (SteepleChase, 1976)

With Johnny Griffin

White Gardenia (Riverside, 1961)The Kerry Dancers (Riverside, 1961–62)

With Coleman Hawkins

Wrapped Tight (Impulse!, 1965)

With Louis Hayes

Louis Hayes (Vee-Jay, 1960)

With Jimmy Heath

Picture of Heath (Xanadu, 1975)

With Illinois Jacquet

Bottoms Up (Prestige, 1968)

With Carmell Jones

Jay Hawk Talk (Prestige, 1965)

With Thad Jones

The Magnificent Thad Jones (Blue Note, 1956)

With Sam Jones

Cello Again (Xanadu, 1975)Changes & Things (Xanadu, 1977)

With Clifford Jordan

Repetition (Soul Note, 1984)

https://en.wikipedia.org/wiki/Repetition_(Clifford_Jordan_album)https://en.wikipedia.org/wiki/Clifford_Jordanhttps://en.wikipedia.org/wiki/Changes_%26_Thingshttps://en.wikipedia.org/wiki/Cello_Againhttps://en.wikipedia.org/wiki/Sam_Jones_(musician)https://en.wikipedia.org/wiki/Blue_Note_Recordshttps://en.wikipedia.org/wiki/The_Magnificent_Thad_Joneshttps://en.wikipedia.org/wiki/Thad_Joneshttps://en.wikipedia.org/wiki/Jay_Hawk_Talkhttps://en.wikipedia.org/wiki/Carmell_Joneshttps://en.wikipedia.org/wiki/Bottoms_Up_(Illinois_Jacquet_album)https://en.wikipedia.org/wiki/Illinois_Jacquethttps://en.wikipedia.org/wiki/Picture_of_Heathhttps://en.wikipedia.org/wiki/Jimmy_Heathhttps://en.wikipedia.org/wiki/Louis_Hayes_(album)https://en.wikipedia.org/wiki/Louis_Hayeshttps://en.wikipedia.org/wiki/Wrapped_Tighthttps://en.wikipedia.org/wiki/Coleman_Hawkinshttps://en.wikipedia.org/wiki/The_Kerry_Dancershttps://en.wikipedia.org/wiki/White_Gardeniahttps://en.wikipedia.org/wiki/Johnny_Griffinhttps://en.wikipedia.org/wiki/SteepleChase_Recordshttps://en.wikipedia.org/wiki/Biting_the_Applehttps://en.wikipedia.org/wiki/Silver_Blue_(album)https://en.wikipedia.org/wiki/True_Blue_(jazz_album)https://en.wikipedia.org/wiki/More_Power!https://en.wikipedia.org/wiki/The_Tower_of_Power!https://en.wikipedia.org/wiki/Gettin%27_Aroundhttps://en.wikipedia.org/wiki/Clubhouse_(album)https://en.wikipedia.org/wiki/Dexter_Gordonhttps://en.wikipedia.org/wiki/The_Other_Side_of_Benny_Golsonhttps://en.wikipedia.org/wiki/Benny_Golson


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With Harold Land

West Coast Blues! (Jazzland, 1960)

With Yusef Lateef

Eastern Sounds (Moodsville, 1960) Into Something (New Jazz, 1961)

Suite 16 (Atlantic, 1970)

With Earl May

Swinging The Blues (Arbors, 2005)

With Charles McPherson

Bebop Revisited! (Prestige, 1964)Con Alma! (Prestige, 1965)The Quintet/Live! (Prestige, 1966)

McPherson's Mood (Prestige, 1969)Charles McPherson (Mainstream, 1971)Siku Ya Bibi (Day of the Lady) (Mainstream, 1972)Today's Man (Mainstream, 1973)

Live in Tokyo (Xanadu, 1976)

With Billy Mitchell

The Colossus of Detroit (Xanadu, 1978)

With Hank Mobley

The Turnaround (Blue Note, 1965)

With James Moody

Don't Look Away Now! (Prestige, 1969)

With Lee Morgan

The Sidewinder (Blue Note, 1963)

With Dave Pike

It's Time for Dave Pike (Riverside, 1961)

With Sonny Red

Breezing (Jazzland, 1960)The Mode (Jazzland (1961)

Images (Jazzland, 1961)

With Sonny Stitt

https://en.wikipedia.org/wiki/Sonny_Stitthttps://en.wikipedia.org/wiki/Images_(Sonny_Red_album)https://en.wikipedia.org/wiki/The_Modehttps://en.wikipedia.org/wiki/Breezing_(album)https://en.wikipedia.org/wiki/Sonny_Redhttps://en.wikipedia.org/wiki/It%27s_Time_for_Dave_Pikehttps://en.wikipedia.org/wiki/Dave_Pikehttps://en.wikipedia.org/wiki/The_Sidewinderhttps://en.wikipedia.org/wiki/Lee_Morganhttps://en.wikipedia.org/wiki/Don%27t_Look_Away_Now!https://en.wikipedia.org/wiki/James_Moody_(saxophonist)https://en.wikipedia.org/wiki/The_Turnaroundhttps://en.wikipedia.org/wiki/Hank_Mobleyhttps://en.wikipedia.org/wiki/The_Colossus_of_Detroithttps://en.wikipedia.org/wiki/Billy_Mitchell_(jazz_musician)https://en.wikipedia.org/wiki/Live_in_Tokyo_(Charles_McPherson_album)https://en.wikipedia.org/wiki/Today%27s_Man_(album)https://en.wikipedia.org/wiki/Siku_Ya_Bibi_(Day_of_the_Lady)https://en.wikipedia.org/wiki/Charles_McPherson_(album)https://en.wikipedia.org/wiki/McPherson%27s_Moodhttps://en.wikipedia.org/wiki/The_Quintet/Live!https://en.wikipedia.org/wiki/Con_Alma!https://en.wikipedia.org/wiki/Bebop_Revisited!https://en.wikipedia.org/wiki/Charles_McPherson_(musician)https://en.wikipedia.org/wiki/Arbors_Recordshttps://en.wikipedia.org/w/index.php?title=Earl_May&action=edit&redlink=1https://en.wikipedia.org/wiki/Suite_16_(album)https://en.wikipedia.org/wiki/Into_Somethinghttps://en.wikipedia.org/wiki/Prestige_Recordshttps://en.wikipedia.org/wiki/Eastern_Soundshttps://en.wikipedia.org/wiki/Yusef_Lateefhttps://en.wikipedia.org/wiki/Jazzland_Records_(1960)https://en.wikipedia.org/wiki/West_Coast_Blues!https://en.wikipedia.org/wiki/Harold_Land


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Sonny Stitt (Argo, 1958) Burnin' (Argo, 1958)Tune-Up! (Cobblestone, 1972)Constellation (Cobblestone, 1972)12! (Muse, 1972)

My Buddy: Sonny Stitt Plays for Gene Ammons (Muse, 1975) Blues for Duke (Muse, 1975 [1978])

With Don Wilkerson

The Texas Twister (Riverside, 1960)

References

1. Milkowski, Bill (1998). "Barry Harris: Young-hearted elder". Jazz Times.

2. Barry Harris: Spirit of Bebop. Efor Films. 2004.

3. Barry Kernfeld, ed. (2002). The New Grove Dictionary of Jazz Second edition. London, England: Macmillan

Publishers Limited. p. 177. ISBN 033369189X.

4. Barry Kernfeld, ed. (2002). The New Grove Dictionary of Jazz Second edition. London, England: MacmillanPublishers Limited. p. 177. ISBN 033369189X.

5. Barry Kernfeld, ed. (2002). The New Grove Dictionary of Jazz Second edition. London, England: Macmillan

Publishers Limited. p. 177. ISBN 033369189X.

6. Greg Thomas (16 July 2012). "Bebop legend Barry Harris set to burn up Village Vanguard with 2-week gig".

New York Daily News (New York). Retrieved 25 June 2015.

7. Watrous, Peter. "Be-Bop's Generous Romantic" (http://query.nytimes.com/gst/fullpage.html?res=9507E2DF153

F93BA15756C0A962958260), The New York Times, May 28, 1994. Accessed June 2, 2008. "Mr. Harris moved

to New York in the early 1960s and became friends with Thelonious Monk and Baroness Pannonica de

Koenigswarter, Mr. Monk's patron. Eventually, Mr. Harris moved to her estate in Weehawken, N.J., where he

still lives."

8. Carr, Ian; Fairweather, Digby; Priestley, Brian (1988). Jazz The Essential Companion. New York: Prentice Hall

Press. ISBN 0-13-509274-4.

9. Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2012). All Music Guide to Jazz: The

Definitive Guide to Jazz music. USA: Hal Leonard Publishing. ISBN 0-87930-717-X. Retrieved 11 June 2015.

10. Greg Thomas (16 July 2012). "Bebop legend Barry Harris set to burn up Village Vanguard with 2-week gig".

New York Daily News (New York). Retrieved 25 June 2015.

11. Barry Harris: Spirit of Bebop. Efor Films. 2004.

12. "Recognition Awards to Barry Harris for Outstanding Devotion to Music and Education". HarryBarris.com.

2014.

External links

Barry Harris Official Website (http://www.barryharris.com/)Jazzworkshops Website -- publisher of Barry Harris workbooks and instructional videos (http://www

jazzworkshops.com/order.html)Barry Harris (http://www.allmusic.com/artist/mn0000786228) at AllMusicArtist Profile: Barry Harris (http://www.wbgo.org/ontheair/artists/BarryHarris.php) at WBGOTranscription of Barry Harris Music (http://www.freejazzlessons.com/barry-harris-transcribed-solo-on-green-dolphin-street/)

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Categories: 1929 births Living people American jazz pianists Bebop pianists Hard bop pianists

Mainstream jazz pianists Musicians from Detroit, Michigan People from Weehawken, New Jersey

Xanadu Records artists Prestige Records artists Riverside Records artists

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