bat boy: the musical—perusal score

BAT BOY THE MUSICAL

PIANO/CONDUCTOR

Story and Book by

KEYTHE FARLEY and BRIAN FLEMMING

Music and Lyrics by

LAURENCE OKEEFE

Arrangements and Orchestrations

LAURENCE OKEEFE ALEX LACAMOIRE

Licensed under agreement with WEEKLY WORLD NEWS

Piano/Conductor Copywork

ALEX LACAMOIRE

w w w . d r a m a t i s t s . c o m

BAT BOY THE MUSICAL

PIANO/CONDUCTOR

Story and Book by

KEYTHE FARLEY and BRIAN FLEMMING

Music and Lyrics by

LAURENCE O'KEEFE

Arrangements and Orchestrations

LAURENCE O'KEEFE ALEX LACAMOIRE

Licensed under agreement with WEEKLY WORLD NEWS

Piano/Conductor Copywork ALEX LACAMOIRE

DRAMATISTS PLAY SERVICE, INC. 440 Park Avenue South, New York, NY 10016

www.dramatists.com

:Sat :Sov: Cbe musical Piano/Conductor

1. OVERTURE 1 la. THE CAVE 3 2. HOLD ME, BAT BOY 5

2a. LIVING ROOM CUE 27 3. CHRISTIAN CHARITY 29 4. UGLY BOY 45 5. WHATCHA WANNA DO? 51 6. A HOME FOR YOU 62 7. ANOTHER DEAD COW 73 8. DANCE WITH ME, DARLING 84 9. MRS. TAYLOR'S LULLABY 103

10. SHOW YOU A THING OR TWO 108 11. CHRISTIAN CHARITY (REPRISE) 142 12. MAY I HA VE THIS DANCE? 149 13. A HOME FOR YOU (REPRISE) 153 14. PARKER'S EPIPHANY 161 15. COMFORT AND JOY 164

15a. COMFORT AND JOY (Part II) 185

16. A JOYFUL NOISE 199 16a. COME ON DOWN! 208

17. LET ME WALK AMONG YOU 209 18. A JOYFUL NOISE (REPRISE) 221

18a. A JOYFUL NOISE (PLAYOFF) 230 19. ALL HELL BREAKS LOOSE 231 20. STOP THE BAT BOY! 239 21. THREE BEDROOM HOUSE 243

21a. BABE IN THE WOODS 264 22. CHILDREN, CHILDREN 265

22a. BURN, YOU FREAK, BURN 285 23. MORE BLOOD/KILL THE BAT BOY! 290 24. INSIDE YOUR HEART 295 25. IS ALL THAT YOU TAUGHT ME A LIE? 309 26. APOLOGY TO A COW 313

26a. HELLO, FATHER 326 27. REVELATIONS 327 28. FINALE: I IMAGINE YOU'RE UPSET 344

28a. FINALE: I AM NOT A BOY 361 29. FINALE: HOLD ME, BAT BOY (REPRISE) 362 30. BOWS 369

lopt. OPTIONAL OVERTURE 377

BAT BOY A Note to the Music Director

THE PIANO/CONDUCTOR SCORE: This book has been carefully proofread by the Composer and original Music Director. It is mainly a "part" to be played by the Piano/Conductor in the band, but it is also a detailed score representing the other musicians' parts. Rehearsal pianists should try to cover as many of the parts as possible while still maintaining the groove and feel of the song. There will be instances where the rehearsal pianist will need to make decisions as to what to play; for example, they will usually need to play the smaller "cue notes" that represent the bass part as opposed to the actual Left-Hand of the P/C if it will provide a more accurate representation of the music. In general you can refer to the Cast Recording for basic feels and grooves. To make the music easier to read, many times the bass cue notes are written where a bass player would read them-that means that the Rehearsal Pianist should transpose these notes down an octave. Again, use your judgement; you may sometimes want to double the Left-Hand in octaves.

In regards to comparing this score with the Cast Recording: this P/C was cleaned and proofread after the album was pressed. We know the two may differ in places. This P/C is more current, and therefore it is the "correct" version of the Composer's and Orchestrators' intentions. There may also be minor inconsistencies in certain passages between the P/C and the pit parts; here again this P/C is the correct version. There may even be places where the lyrics on the sheet music differ from the lyrics in the script; again, the P/C version is correct.

On the other hand, there may also be minor inconsistencies between the actors' lines of dialogue as they are written in this P/C and how they may be written in the Published Script. For questions of dialogue, consider the Script the "correct" version and not the P/C.

THE ORCHESTRA TIO NS: Bat Boy was orchestrated for a 5-piece band. However, the music covers a lot of styles, many of which would ordinarily require a full orchestra. Therefore, the songs were orchestrated in a way to maximize the use of each musician in the pit. This makes Bat Boy a challenging score to perform, so choose your musicians wisely.

Be warned: it is a massive project to program the synths for this show, since there are many layers of sounds per patch, and many patches per song. There are many patch changes that occur quickly; for example, you'll play beat 4 on a Brass patch, then change quickly to a String patch and play on beat 1 of the following measure. We have played these books and know that the changes are all possible, but they are made more easily with a foot-pedal patch advancer. It will also take some time to get the volumes right inside the patches; for example, within a Piano/String layer, you'll need to figure out if the strings should be louder than the piano, if they should be of equal volume, etc. This should be left to the discretion of the Music Director.

What follows is an explanation of how the band and the instruments were organized for our first production in New York, 2001.

The PIANO/CONDUCTOR uses one 88-key sampling keyboard (with weighted keys, of course). All instructions for keyboard programmers in this P/C are marked in brackets.

EXAMPLES: [Piano/Strings] [Strings sound 8vb] [Vibes up to G#3, sounding-12]

Note: Instrument names that do not appear in brackets are simply cueing instructions for the Piano/Conductor, and are not meant to be programmed into the Keyboard I synth. For example: "+Tri" means that the percussionist plays a triangle on the specified beat, whereas "[+Timp]" means that there should be a layer of Timpani within the current keyboard patch. Also note that "+K2[Strings]" implies a Keyboard II entrance, on a String patch.

There are also many times where there is a different sound in the Right-Hand than there is in the Left-Hand. In these instances, sometimes the split-point for the two patches is specified, other times they are not. Make sure to have the Keyboard Programmer and the Music Director check the programming work carefully.

In this P/C score, patch advances/changes are indicated with the following symbol:

In general, the PIANO/CONDUCTOR chair plays a lot of Piano-oriented sounds-the basic groove of the songs-while the KEY II plays orchestral colors such as Strings, Brass, etc.

The KEYBOARD II player uses two synths: one 88-key sampling keyboard (weighted), and above it, a 61-key MIDI Controller connected to the 88-key synth via MIDI. This "secondary" or "upper" keyboard did not contain any internal sounds-it used the internal sounds of the "primary" keyboard to which it was connected. The second keyboard came in handy for a number of reasons: a) There are times when the Key II part is split into many "zones," and 88 keys aren't enough. .

Therefore, certain passages are intended to be played on the "secondary" or "upper" keyboard, as specified in the Key II parts.

b) Since the Key II part contains a lot of Hammond Organ parts, it just feels better to play these passages on a plastic un-weighted keyboard.

There may be moments when the Key II player may want certain sounds to be on the "upper" keyboard though they are not specified as such-feel free to adjust to their liking.

A note regarding the Hammond Organ sounds: The Orchestrators specify whether the Leslie effect should be "On" or "Off," and they also take into account the fact that on real organs, it takes a few seconds for the Leslie to speed up or slow down. You might want to try to program organs that can approximate the effect as realistically as possible. Furthermore, all Organ passages in the score and parts are written in CONCERT PITCH (make sure they sound in the correct octave, as most keyboard organs are transposed down an octave by default).

The GUITAR book plays both Electric and Acoustic Guitar, with some slide-guitar moments in CHRISTIAN CHARITY, some wah-wah in WHATCHA WANNA DO?, etc. Have them bring along a plethora of effects and funny-colored foot pedals, and tell them to have fun

The BASS player used only Electric, not Upright Acoustic in NYC (but only for economic reasons). If you can fit an acoustic bass in the pit, you may want to incorporate it into the more non-rock songs such as A HOME FOR YOU, SHOW YOU A THING OR TWO, etc. But the book can be played entirely on Electric. You'll probably need to use a 5-stringed bass.

The DRUM book is intended for one player, playing a real drum kit with some electric drum pads throughout. There are moments when they will need a few pads to trigger sounds such as Timpani, Chimes, Synth Snares, and most importantly, what we like to call "The Lion King Boom." This should be a colossal, deep, cavernous and reverby drum, and it's used to signal things such as the ends of big numbers, as well as other comedic moments in the show (see REVELATIONS). These moments are specified in the P.C. ("LK Boom" for short). The drummer will need toys such as woodblocks, mark trees, triangle, cowbell, etc., though in NYC all these sounds were triggered by electronic pads. Real is always better.

We do not recommend the use of"V-Drums" for the kick, snare and toms in this show. We just find that acoustic instruments work better, not least because almost all the other instruments are electronic; so we find it's useful to have the sound ofreal drums (and for that matter acoustic guitar) in the room. Going one further: if your Music Director and Keyboard Programmer have the means to put a real Acoustic Piano in the pit to play some of the piano parts (not all, mind you, because the Key II player also plays piano here and there) and thereby to take some of the pressure off the keyboard programmer, we welcome the attempt-anything that produces a warmer and more "real" sound can only help.

:Sat :Soy: Cbe musical Piano/Conductor

Allegro J = 185

-1-

OVERTURE [Rev. 11/13/01]

[Stgs/Brass] [Stgs doubled 8va, Brass sounding 8vb]

q qe 3 -

[Stgs/Brass]

L6148-802-2001

Music and Lyrics by LAURENCE O'KEEFE

Arranged and Orchestrated by LAURENCE O'KEEFE ALEX LACAMOIRE

4

Lion King Boom r A -

Piano/Conductor -2-

is page is intentionally left blank for pa e turns

Overturefl'he Cave - [Rev. 11/13/01]

I ~

:eat :eov: 'Cbe musical Piano/Conductor

[RUTHIE craters]

Dms 3

{RICK takes out a bong ... RON's light shines on BAT BOY] (go)

NOTE: Omitm5

~ Presto RON: "Sweet Jesus!"

-3-

THE CAVE [Rev. 12/2/0i]

II



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Piano/Conductor

CUE: [BAT BOY pushes off back wall]

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[Spooky Pno]

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-4- The Cave - [Rev. 12/2/01]

{they freeze]

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1W. ---------------------------------------------------------------~-----'

RON: "What is it?" RUTHIE: "It's some deformed kid." RICK: "It's a Bat Boy ... " (go)

.. .It's okay, little guy. I'm Rick Taylor. This is my brother Ron. And this is my sister Ruthie." RUTIDE: "Can you say Ruthie?"

I

F I RON: "Shut up, Ruthie!" RICK: "Dude, we are totally keeping this thing." ree Y RON: "We won't hurt you." (gw)-----------------------------------------------------------------------------------------------------

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RON: "I'm getting him!" RUTHIE: "Oh, mama! I don't wanna die!" RICK: "You freakin' animal!"

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:Sat :0ov: Cbe ffiu&ical Piano/Conductor

-5-

HOLD ME, BAT BOY [Rev. 11/13/01]

8 9

L6148-802-2001



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Piano/Conductor -6- Hold Me, Bat Boy- [Rev. 11/13/01]

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Hold Me, Bat Boy- [Rev. 11/13/01]

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Hold Me, Bat Boy- [Rev. 11113/01]

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Piano/Conductor -9-

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Hold Me, Bat Boy- [Rev. 11/13/01]

Piano/Conductor -10- Hold Me, Bat Boy- [Rev. ll/13/0l]

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-12- Hold Me, Bat Boy- [Rev. 11113/01]

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3 - -3 They beat him like a gong; And he was kicked re --..

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Piano/Conductor -13- Hold Me, BatBoy- [Rev. 11/13/01] IMPASSIONED FEMALE SOLOIST (WOMAN #3)

ad lib. 49

Won't you hold him! Won't you touch him!_

Boy; 'lbuch the Bat __ Boy;

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Love Boy; Save the Bat Boy; Make it all_ turn

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Turn out All right!

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SHERIFF: "You say it's the Bat Boy?" RICK: "Yeah! It bit Ruthie." RON: "She's in the hospital." RICK: "It's huge." RON: "And it's fast." RICK: "And it hates Fritos. You gotta lock it up, Sheriff." RON: "And make it stand trial." (He kicks the bag.) BAT BOY: [squeal]

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SHERIFF "Now boys! You go on and look after your sister, I'll take care of this ... Bat Boy." (go)

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-15- Hold Me, Bat Boy- [Rev. 12/2/01]

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To be sung by those not in the ...

MEN'S or LADIES' scenes Would 2MEN:

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3 -none hear his cry? Yeah, would none hear his cry, y'all?

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Piano/Conductor - 17 - Hold Me, Bat Boy- [Rev. 1212/01] MEN'S SCENE DILLON: "You say you got the Bat Boy in that bag? CLEM: "Dang!" BUD: "Whatcha gonna do with it, Sheriff?" SHERIFF: "I figure I'll just take it up to Dr. Parker." CLEM: ''I'll bet that's one powerful critter." BUD: "I knew those stories were true." DILLON: "You think Dr. Parker can handle a Bat Boy?" SHERIFF: "It can't be that difficult. The Taylor kids managed to capture him all by themselves."

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BUD: "But they're all hopped up on dope, so that's like fighting six people!" SHERIFF: "Dr. Parker's a good veterinarian, I'm sure he'll just put it down with no trouble."

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.. -.. -

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7 I

-

-- - - - - - - - -I I I I I I I I I

MEN: "Ahh! Sweet wounded Jesus!" SHERIFF: "So long, boys!" (go)

...68 VAMP

\ 69 .. - - -.. -

.. - - -. . .....

' r (hold through Vamp)

--

. . -. I I I I I I I

~ -., -..

Same group as m57 Or

-., -, ' Or

~ d 'A\ .. .,. . .,. ... -...... u - - - - ,_ - ,_ -- . - ~ ~ ... ... -. ..

""" ..... - -- tJ --sub.f Drum fill - -.. -,, - - . - . - -

' u u r l.L.1 LbJ b[J~ t

2WOMEN: ~

~ - -- - ~ _, ... -,J,.__.;il -----rest him,_ Mo - lest him?_ Or

- - ~ - -------~ ~ -- ............

rest him,_ Mo - lest him?_

I ~

-

- ! ~ ,. ' " _r IJ ~--r .... _-_c __ -_c _r r r r r

I <

I

<

I

I

Piano/Conductor -18-

' 72 -tl

I\ 01 -,;

" "' ~

' -tJ

. .. ,

- ALL: ,..... 73 '... - -- - ~ .. ~ - - - - - - ~ - -I I"'

just let him die? You can't just

' - - -'

>- >- :> :> :>

- - - - -.. 1:.......1 =--'I

-. , __ ,_ ,_ ,_. ,_ .... - - ~ - ~ - - -- - -- - -

f -- ;: ~. .. 1:........1

>- >- >- >- >-

LADIES' SCENE LORRAINE: "You say you got the Bat Boy in that bag?" DAISY: "What are you going to do with it?" SHERIFF: "I'm headed to Dr. Parker's." LORRAINE: "He's gonna put it down, right?"

--~

I"'

:> :>

- -- ; -

->-

>-

MAGGIE: ''That seems like a waste of resources. He might be useful around town." LORRAINE: "Maybe we could train him to rustle up the cows--like a sheepdog." DAISY: "Do we own it?"

-

:>

-

-;

->-

---I

stand a_ ---

II'::"

--,._ ,._ 111

>-

MAGGIE: "Sure we do. You know, we could put him on display and charge admission." LORRAINE: "People would pay good money to see a Bat Boy. We could be the next Branson." DAISY: "Can we see it?"

Hold Me, Bat Boy- [Rev. ll/l3/0l]

.....--- - -~ - - -- - - ~ - I by! ~~ - - - ' - -

'

11:: :> - . - . I

.....--- - -- --- --- - ' ~ I --

>- r I

LORRAINE: "Let's have a little peek, Sheriff. [ SHERIFF: "All right." (go)

5Xs VAMP I\ J/4 01 -. ~ f

sub. p L.,.0 .. ,

'I I I I

I\ 77 ~ .. - -..

" -~ I\ .. - -.. ~

" ... ~ ~ I

+Gtr . .. - .. ---, .. - r r

- 75 -#f

--0 - -- - - - - - - - - -I I I I I I I I I L-....J

ALL EXCEPT SHERIFF: "Aaah! Sweet wounded Jesus!" SHERIFF: "Good day, ladies."

78 - -

-~ ;: " ~ ,_

~

I I

- -i i r r r r r

\. )!6 \,. .. ... - - -& .. - --. ..

~ . -& .. - - - -I f rr ( 'I L.....J L.....J r

WOMAN4: I..

- - -' You -

~

t I __,..,...,-

r t: r - -t r r r

Piano/Conductor -19- Hold Me, Bat Boy- [Rev. 11113/01]

-I\ 79 ....... 80 ...-...... ~ ' - - - - - -- - - ~ - ., - ~ -- - - - - - ~ -: t) I I"'

can't let him die! ___ You can't just stand by! r--3--i

" MANS: *' -- - - - ., -: ,) He has

I\ ...-...... ~ - - - -#{ - - ., - - ,_ - - ,_ --: ~ - - - - - -~ ,.. - I

You can't just stand by!

' ~- ~ ,;;---:--,. ' - - -- - - -- - - ., - - - -- -: ' ' , ,.. " ~

,.........., ...-...... l - - - - - -- - ,_. -- - - - - - - ; '- - ,_ -~ - - - -: ~ ~ ~ ~ ~ ~ ~ ~ ~ " - -- -

~ - - -- - -- - - - - - ''I L........t I ~ f Drum fill - -. .. - - -,

~ ~ ... .... ,.._..,.. --- -. ..

=---i,.. ,.. ,.. ,.. ,.. ~ -,.. ,.. ,.. ,.. ,.. r

' 81 .. .. JL 82 .. - - >I -- ,. - -r r ~ -,

suf - fered, and now it's your tum. You are

, " ---- t ,, ~ ' - - LL " . - ",, - t) u 11 r. ~ Aah, aah ...

j

- ~. -:.. - = . ~ -~

I

Gtr i ~

> i ~ ~ fL > > >_ :::-- - - - - - - - - - -. ~ ,

== I == I L I J I L J l J I I j\ - Joi. - a, ,_ - -. -I - ., - - ., - -- ... . - - - - - - ~ - - ,,. . t.l :: :: I , . ~ I .. ~ .. ~ .. ::. -=- .. ~ ... ... ... .. ........, .. ... . -- - t r I I J . - - - -l - .. ~ --- - - - - - - - - -l::::::::j '1 I == '1 I ~ I ol I l I _. I ,.. ,.. ,.. - ,..

Piano/Conductor -20- Hold Me, Bat Boy- [Rev. 11113/01]

' 83 .. ... .. JL 84 -- - - T - - -,)

here not to laugh, but to learn! WOMAN4: 3 3 -

" j\ ~ - I , ~ . ~ -- " - ~ - -- 11 r..1 - -._) u Tl r -

Aah, aah ... Lis - ten to __ his un -\ - ,, I - -- r -

' ,) I

i it. > .. .. /I. fl.. =::- =::- > > ---~ - ~ . .. - - - - - -

== I == I L. I J L_J L_J I I ' - ... - a I - - -~ -- ~ - - ~ - - -- ". . - ; ; - - - ~ " - - ". . - . , .. :: :: I '':: ~ I .. ~ .. :i .. ...= '-"-= .. :i ll 111 111 ............. 111

I - - ~ _,.,... . - ' - ~ .. , - - - - - - - - -6::::d 'I I 6::::d 'I I [ I .I r I ---' I r r >- - - >-- - >- >- >- >-, ' 85 86 - ~ ..., - - - - - - ~ - - - ~ - - ~ - - - - - - -._) I -......... - .. ...

3 god - ly shriek,_ Watch what we put him_ I--- through; Heed the tale_ of a

' MANS: .. -- - - -- - - - -

~ ,i Heed the tale_ of a

~ ~ ~ > ;,. ;,. ;,. ;,. > ~ ~ ~ .,._ - .. .. .. . - - - -

(Leslie Off) (Leslie On)

" I t... I I l - ~ .. - -- -~ - -._) t D-r I r r r < - - ~ ~ I!. '"I .. ~

L.0 ' ' -- -, ~ ~ - - - ~ - - ~ ~

I I >- >- >- >-

Piano/Conductor -21- Hold Me. Bat Boy- [Rev. 11/13/01]

+ENS: ,., "87 88 ~ - " - - ~ "ILT.11 - ~ ~ -~ - - ft ---,, ~ - -- -tJ - .. I ..

filth - y freak ... who's just like you! And j~ ~ - - - - - - -~ - ,. - - ,_ n, -- - - ---" ~) II I I I"

filth - y freak ... who's just like you! And e > > i F~ lt .. i..e :

I

fill

j A.

"" ~ I - ,_ ~ ., ., ~ ~ I ., . - - - -~ - -- " - -- - - -- ~ ~ " -

~ I L) - - - TT l-6 ti < - -~

. ; .. " - - .. - "" ,.

r I r ff( r i u-u i ...__,, ...__,, ,_ -

,., ' 89 90 I " - - . " - '"' - - - ., - ~ - - ., - . n ~ I v I I

you! And YOU! ... Oh!

~ - - . ~- - I ~-- --- .... ., - ~ ~- -" ., .

' ~ I r you! And YOU! ...

.. IL .. IL .. IL ~= ~ -.. -

I [Pno]

G gva ... , "' I f='- I I ~ I '"' . , . . ~ -. ~ ILlL'rl, ., . . " " ' .

1Lll .1r.Jl . " '

l ~-61-. .. TT C - -

I . ; - - ; .. - WI" .......... ,. " - - - k .

~ ffp 'I r

I <

~ <

~

Piano/Conductor -22- Hold Me, Bat Boy- [Rev. 11/13/01)

'

t

' -t)

" -,)

' -t.

. .. ~

' -t)

.. ' -t,l

' -, ,, -" t)

. .. ~

Note to vocal director: if you can achieve good "call" vocals volume using only 3 singers with huge voices, then by all means assign the "calVresponse" split to 316 rather than 415 ...

2 WOMEN/2 MEN: I 98 - 99 -.. - - - - ~ -. - - - - - - - - - - - -

Hold me Bat - boy, 'lbuch me Bat - boy, I 2WOMEN: - -..

:;." - - - - - -- - - - ~. - - - - - - - - - - - - -... -Hold me Bat - boy, 'lbuch me Bat - boy,

I 3MEN:., .. .-. ----,. ,_ - - - ,_ ,_ - - - - - - - - - - - - - -- -...... -ad lib.

I "\. - - - -. ~ ~ ~ - . -. - - - . . : -. - : : : : . . - - ~ - - ~ . . ~ - - .. .. _ .. .. : ... .. _ .. .. : .. . ----'* i. . . .._ ...... Gm E~Maj7 h I h ri I ~ I ~ II I - - - - - -.. - - - - - -; -" -

b:J '1 '1 bl I ==w b:! '1 '1 tJ I ==-.J - -

-I 100 101 r .......... - - - - - - - - - - - -. - - - - - - - -- - - ~ ... I ... - -- -Won't you help_ me through_ the night, __ Make it all_ tum out_ all right ... __

-I r ........ .. - - . - - - - --. - - - - - - ,_ - ~ -- - .. 1:......1 --= =.:J -Make it all_ tum out_ all right ... __

I ~- - - --...:. - - - - -- -- - - .. --- =-I - - ;- . . I -- - . - - - -. - . : - : -. . . ~ ~ . " . . . . .

1t: f:::;:::1l .. _ .. .. .. _ .. ''::i: ::i :::::::: .. .. -=-.. -- I

F D ~ I ~ ~ I ~ to.. I to.. to.. I - ~ - - - FL .. - - - - - - - - - - '" - - -. -

'61 '1 '1 b:J I 6J' '1 '1 ~ u '1 rr r r ~ - - -

-

Piano/Conductor -23- Hold Me, Bat Boy- [Rev. 11/13/01)

II I 102 - 103 -.. ~ - ~ - - - - - -- - - - - - - " -~ -

Love me Bat - boy, Save me Bat - boy, " j\ I - -.. ~ - - - - - - - -. - - - - - - - - - - - - - - - - - ._) .. -

Love me Bat - boy, Save me Bat - boy, j\ I --- .. .. ---~ ~ - - - - - - - - .... - - - - - - - - - - - ,_. . - -

I'- ,) ....... .......

' I - - - -j .. - !:." - . . - - .. - - . - . - : : - - - - - - . ~ .. . . .. ..__, it: . . ..__, 1: .. ....__, .. -r . ... .. .__,ill i. Gm E~Maj7 h I h ri I ~ I ~ ,--, I

~ . - - - - - -.. " - - - - -- - - ;: . - -b:f ., ., b:f 1 ==u- 6l ., ., u 1 I r - -

I've been call - ing out_ your name,_ Come and take_ a way_ my shame ... __ _


' II jjo 106 - 107 -_ ........ _ ~ -- - ~ - - - -.. ,.,. - - - - ~. - - - ~ ~ " - - -~

Hold me Bat - boy, Tuuch me Bat - boy, You

' II ~ .. .. - ---- - - - - - - - -- - - - - - -.. ~ " -,I

j\ II jjo - --U.11-... ,.,. _,, - ~ ~ - - -.. " - - - - - - - - - " - - - - - - - - - - t.l -Hold me Bat - boy, Tuuch me Bat - boy,

' II ~ .. .. -- ----IL'l"I - - - - - - - - - " -ll - - - - - - - - - - ,_. -.. I' ,) ....... -.....i

' II ~ - l: t-::=:: .. ... - I: it::=:: It .. I - .. - -. - ll - : : .. - - -.... .... - . - - -~ - - - - . -. ~

.. .. ..._., .. 1: . :.... .. .. ..._., .. i . . :.... < G#m

h 11 EMaj7

,, 'h I I ~ I ~ r----i I . - - - - - - - - U.11- - - - - - -r .. " _,. .. " ,, - - "I "I ~-bU - - - "I "I - - -- - - - - -- - - - -r u r >

' 11 IL 108 109 r -..... - U.11- ~ - - -- _,. - - - - - - - -" - - - - - - - - -" - - - - ~ tJ lo I lo - -- -hear me cry_ when no __ one hears,_ Won't you lick_ a -way_ my tears ... ___

' II jjo r -..... -U.11- - - - - .. _,, - - - - -.. " - - - - - - - --- - -,) lo I lo - -- -" j\ II ~ .. ,,. -......

MIL'l"I- - - . - .. ,. _,. - - - - - -" " - - - - ~ ".I ,., -~ lo I!. I ..I l:..J - -

Won't you lick_ a - way_ my tears ... I\ II jjo

/""" ~ .-.1-1 .. -U.11- - - ~ - .... _,, - - - - -" - - - - -" L.. r- ,) lo - --

- ~ II ~ - - ii . ' - .

~ - - -. . - ... ~ . . - - -.... . - . . .. -" -. . - - . . ~ - ~-. .. ....._., .. .

~I 1: 1~1 1 .. _ .. .._ .. ... ;..._.,; i -i :::::::;-i --- I ...

< F::tA# D# .. ll. ~ I ~ ~ I ~ Ii.. I ... Ii.. I ... . - - - ~ ~ ... IL - - - - - - - - - - - -r " ll - - - -

" - - -11 -- "I "I b:====> bL.L - -- "I "I - -- 'llJU -- - -- .___, ----r >

UJ >


' a l+ 110 - lll --1.LTI -- .. -.. - - - ~ - -.. .. ,. - - - - - - - .... " - -~) -

Love me Bat - boy, Save me Bat - boy, j a IL ---- ----- n - - - . ~ ~ - I - ~ - - -;.; -,

" ' a l+ - - l.Lll ~ - 1 TL Ill U. - ... ... - - -" .. ,. - - - - - - - - - - " - - - - - - - - - ... ~

... -Love me Bat - boy, Save me Bat - boy,

' a H ---- ---lflll.,_ - ~ - ~ ~ - - .. ,. ... - - - - - - - - ,.. -" ;.; - -t'- ,) ......, ...._,

" a H .. - l: ~ .. - l: .. ~ .. .. I _..IL'l'"I- ~ - - - " ... - - : : - " .. : .: - - - ~ . -" . Tl . -~ .. .. __ .. i . =- . . .. __ .. ii-. . =-G#m EMaj7 <

.. L1 'h I h 11 I ~ I ~ II I I

. .. " - - - IL1"1 - - - - - -, H - "

" " Tl - - '1 '1 ~--~ - - - '1 '1 - - -- - - - - -- - - - - -i u r WOMAN4:

j\ a l+ 112 - 113 IL'll- - - - - .. -.. - - - - - - -" ,.,. - - - - - - - -" - - - - -~ I -- -

Sink your fangs_ in - to __ my soul,_ On-ly you_ can make_ me whole!..

" ~ H MANS:

'""' - . ....-...... ___ . II/I IL.,_ ~ - --~ - ... - - - - - -" ~ - - -- ~ - - - - ~ - - - - -,) - I - -- -" j\ ~ l+ - ~ It'll- - - -- ;.; ... - - - - - - -,. TL - - - - - - - - ,.. .. - - - - -~ I -- -

Sink your fangs_ in - to __ my soul,_ On-ly you_ can make_ me whole!... j ~ l+ - ,,,,....._ -......_ ...... , .... - - -I 1 11 Ill LL - - - - - - -.. .. ,. - - - - - - - - -" - - - ~ ' , "' - I "' - -- -

a l+ -' -~

u.11 - .. -.. - . . -Tl ,. TL - . . - . . , " -. - - - . .. - ~ ~ : ~ ::::::::1 ..

._ .. .. .. .__. .. ~ G < F: IA# D#5 [Org] ,, \ I ~ ~ I ~ t I . - - - - - ' - IL'll - - - - - -, .. -.. -" - - - -Tl -- '1 '1 ~-t bLJ - ~ r r - r r ,,..,., --- ->


'~ JI II ~ -~ 116 ,.......,

ILU -. - - ~ ~ .. n ~ -

tJ I

Hold me in __ your -~ II II .. - ,......., nn -. .. - ~ " -- -

~ I

Hold me in __ your

"' ' 11 II ~I - l I i--- l ,......., I - .... ' ' -. "' ~ _, _, " - - - - - - - - ~. - - - - - - - - ~. --- -

tl ... I

~old me, Bat_ Boy, Touch me, Bat_ Boy, Hold me in __ your

' II II ----- - _,......__ ~ I - nM - - - . - - ~. ~ . ... ~ - - - - ,_. - -- -, ... -" -,) - , I - , I I [Org]

., JI II (Leslie Oft) I l l I l l ~ "f ~ I I

I -IL'll ' -- .. MU ~. ~. - - -.. ~ - - ~. - - - - - - - - -. ., tJ ,.r ... ... _ ... : ... ..._ ... .... vr r ff - ~ I / -,, -

'" - ' I - M IL"rl - -~ / n " ,, I D r .. 11 r D > > >

' II II .. 117 118 119 MIL'l"l - - - -- n " - -~ .. ''" ~ "

~

arms to - night! II II -'

,,,- ~ -nn M - - -- ~ -" - ~ "

" ,) arms to - night!

" J II II I ~ 1~J - .,,.. - ' ~ -. " -.. - -.... - - - ,_ " ~ ~- ~

~ I ~ 1~- /I I arms to - night!

.~ II II I - - .,,.. - - -. " ... - -- - - ~ " - - ,_ .. ~ ~- -" ~0 I r:__..,,1 I

II II 1Leslie On) ,J

' I - .. - .. - - - .. - .. - -~

IL'll - - - ' - ,_ ~ ~ ~ - .. - - - - - - ---- - - - - - -.. -' t' - r I - - ,

< LKBoom r - - ~ 11

~ . - - IL'rl -

/ .. .. " ,, r r r r r I I r ~ I J I L_J .bl.J r" T ] > r , - - - - - - - y

:eat :Sov: 'Cbe musical Piano/Conductor

-27-

LIVING ROOM CUE CUE: [Lights up]

Moderato J = 110 [Pno/EP Layer]

f [Pno/EP Layer]

L6148-802-2001

[Rev. 11113/01]

rit.

3

'1 -Bs



I":'. -



Living Room Cue- [Rev. 11/13/01]

~

<

j

:Sat :Sov: Cbe musical Piano/Conductor

- 29 -

CHRISTIAN CHARITY [Rev. 11113/01]


CUE: MEREDITH: "The wages of sin is death, sweetheart, that's all I'm saying." [Knock Knock] SHERIFF: "It's Sheriff Reynolds, Meredith!" (go)

Moderato J = 120 K2[Harp]

I\ 1 ~#1!:11 __ !:,..

f-1-- - !!aJL e:11-_ 2 .. .. n -

"" ~ - u- - .; I "I I I 7 7 7 7

[Stgs/Trem. Stgs/Brass] [Trem Stgs sounding 8va; Brass sounding 8vb]

.~ > .. " ~ I - .. n in R "-.. -n ,_ " -- - "

tl I ,, 1t;..

ff [Stgs/Brass] . .. I .. - - ~ ~ - ' . - ' .

~~ -~

I!:,. (II. sva------, ~#1!:11_ !!,-.11 I\ 3 ::::::.-._~_ ;::e_ L 4 (II.JI --n ,. _,. - -.; I 1'1 I I - 7 7 7 7 >

j\ > I f6\=: /L-,.> I+ A " - ~' '" - R - -- " - R - - . _,, - ~ - -" . .. ' . -

tl ,.

I fl ff~ I

L O .. ., ., ., ., ., I '

"

ff~ 9~ ~ #~ ,/ (~)~ #~ q~ -.. I~ )~

L6 l 48-802-200 I

I!: !: ::: ...:11-11.6.

i!:i!: ::: .....:11-11.6.

7 7


II- ~ .. :=!!,.JI; __ '-'-#JI L ~- -

7 7

f6\;;- /I.'\::: ~ ~ --- .. -- "'I 1 fl

~ "' ' - ' ~ TT..: i-= - -

11 n

---------1 A (II. _(II. fll.5 . I - ---- ' .

111 1tt1rr11 11 A

G 11 12 ~ t-- I .. ~ - :; '

Oms

J ~ J ~ A ifz

~ - ,_ ' '

.. I ]I ]I I ..::; .. -- - - - ..

~..__,~ ~ ~

Piano/Conductor - 30- Christian Charity - [Rev. 11113/01] SHELLEY:

'~ I 6 7

ly . ~ - - ~ ' ~ ~ ~ ..i ....

What - cha got? MEREDITH:

.~ I .. M er . ~ - - -.J _, - '

..i ff

SHERIFF: No, he's not.

.~ I I -.. ; ~ rf - :;- .. - ~ -~ Sh ~ ,) I I I

Ev - ning folks! Doc - tor home? K2[Rhodes]

sva-- --- --- --- ----- ----- -------- ------ ----- ----- ---- ------- ---- ----------------------- -- ---- --------- -------- ---------

/\ I ~t- ~ ~

"" @! mf

[Harp] 3 3

j\ I ~ ... .--- ~ .. - ,_ -I - ~ - - - ~ -"" ~ - ~-tJ I I I

mf 3 3 - -I

. .. / :;-

Bs I I - r I -

I 8 9

The heck is that?

Mer~~\~~,~~~~,-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ' ~ .... An hour or so.

When's he back? Well, I don't know.

(Sva )- --------------- --- ------ ----- ------ --- --------- --- ----- ----- --- ------- ------- ----------- ----- ----- ------- -- ------------------ ------------ -----------------

~ ~ I

3 3

II I ~I ...-- -II -= I I I

3 3 +Timp . .. ..

r >

r >

3

Piano/Conductor - 31 - Christian Charity - [Rev. 12/2/01]

' I 10 3 11 r-- ----, I 3 3 .. -:..

ly - - - - . y - ~ ~ ~ - ~ ~ Sh ~J ~ "

,. Where did you find? He's out of his mind!

3 j\ I , ~:i .. ..J -

M er - - - - ., -y - " - ~ - .,_ -tJ Tl I .g ii ~ " ~*

What in the world? What is he doi - ng? (Sva )- ----------------------------------------------------------------------------------------------------------------------------------------------------------

~,a ~ " I _,....-- - .. .. - - ~ ~ - -" - - "

~ 3 3 3 3

' I [Pno]

~ " - :; . .., . . , . ., . , . ., ., . . . . ' '

t.J +Gtr> > > > J J ' ' < >- >- >- >- >- >- >- >-[Pno] ~ ~ ~ ~ ""'

~ ~ ""' . .. .. - ., - ., .... , - ., ., :: ., ., ; ., ,

~ ~ ~ - ~ - -- - - -- - - - .. >-

j\ I 12 3 13 II ..

ly - :; - - ~ - .. Sh .. - -tJ ~

3 Is he in-sane?

' I .. M er - - - - - -. - " - ~ ... - ,,_ - -tJ 11 I

Is he in pain? 3 3 3 ,, I - - I .. rf - - - .. .. '" ~ . .. ~ -" .. ~ " ~ . . :x: ... Sh .. . .. -,)

May-be, and pos si - bly, let me ex-plain: (8"" )- --- -- -- --- ------------ --- ------------ ------------- -- ----,

" I ~ --- -;... - ,,_ - -" "" -~ 3 3 ,, I

l " .. - - . ., .. ., .. .., ., - - -... ' ..

" ' -tJ ' ' I ' ~~t < >- >- >- >- K2[0rg]/Gtr " ' ' ' ., t - ,./" I . ' ' - .. .. .. ., ., - ., - ., " - ~ , - ... . . y " - -

~:! .. .. .. Iii r [SHERIFF pistol-whips BAT BOY]

A rit. [BAT BOY hits the floor]

'I

MEREDITH/SHELLEY: "No!"

(.'., -'I

Piano/Conductor - 32- Christian Charity - [Rev. 11/13/01] SHERIFF: "Aw, heck. Maybe I shouldn't've done that.. .. (go) ... But that boy was hoppin like a scalded dog."

MEREDITH: "Boy?"

SHERIFF Gtr "Maybe. Frankly, that's why I'm here ...

A JI 16 17 18 0

t)

K2[Bell Synth] n p J J - L I J l .ri .r:i .LL 'I j) = = - J J I I ' - - - - - 'I I

I w ~

" . " ' . ,, -

,1 - -. +Dms .LL K2[Bell Synth] - - .,,. "L j w

I ... . ,, " -~ -. ~ . l"I l v

.. .I figure maybe we need a veterinarian to sort this out. .. .. .I'm hoping Dr. Parker will know what to do."

A ! J'9"'A ll 20 swe s 21 w/ slide

~

.IV _.. - -mp ......_____.... .LL - -' -w

I - - - ~ ~ ~ ~ - -.. I - 'I - t......J I

- r - r - r r - - -p r - ~r u r < - +Bs - -. - ~. - -. - -w

~ . ' - D I D--r

,, .LL 22 23 w

ly -. " - ~ -.

' ) I

Mom!

' .LL -M ~ ~ -er -"

" .. -" ._, .g. .. Shel-ley, qui- et!

' .LL I ---- ~ - ~ rf - ., - - - - ~ ~ - - ~ - ~ ~ . ~ ~ Sh ,\ r -I did - n't know __ where else to take him.

A LL

~

~ -'--" 0 [Pno/EP Layer] -I . -. ~

,1

7!if q~ ~ I . J> C,Pno/EP Layer] BsD~ 'I J t

I . - --- ...... , ~ ,. - - '

~t.I ~


" u 24 25 - . ly .-:. - - -- -~ -Sh

tl I Mom!

" a -M er - - - ., ., -" , - ""

~ Jt "i Shel-ley, qui- et!

' a - -rf - ., - - - - - - ., - - - - - - -Sh - -,) ,. I Can't go to jail, __ he's un - der-age. __ The

" u I - ~ - -~ " ,

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folks up at the med_ school, bet they'd carve him up or bake him, I'd

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l . -.. -, ,. , - ' ~v ~

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,, u 28 - - 29 I 30 I - - - - - - .. . - .. Sh rf - - ., - - - - - - - - - ~ -- - - - - - - - - - .. y .. u - - - - - ' -,) ....... ~ send the F. B. I._ a page, But I don't think we're at_ that stage- So,

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Piano/Conductor - 34- Christian Charity - [Rev. 11/13/01]

I 31 I 32 33 I -Sh

. :. - -- - - -rf . ~ - v- - - - .. - -v " .. ~ - - - -- - ~ . - ~ ~ -" . - -,) I - '-..:' --... I here he is folks, he's all __ yours!_ Could-n't leave him out of doors,

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Creep-in' on all fours._ We could al-ways shoot him, But that don't seem right to me,_ n'I

+K2[0rg]

-

can't rid_ my - self o' my Christ - ian__ Char - i - ty.


SHELLEY: MEREDITH: SHERIFF: "Listen to your mother, Shelley ... . .. You don't want to be near it if it wakes up."

K2[Rhodes, light phase]

"Can we see him?" "Shelley, get away."

Just a little faster J- 127 -42 ~ .. I 40 41 -

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MEREDITH: SHELLEY: SHELLEY: "Is it an animal or a ... " "Rick?" "Oh."

SHERIFF: SHERIFF: SHERIFF: "It bit one of the Taylor kids." "No, Ruthie." "She 'II be all right."

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T TT I .. ~ --. -i ii -i X' ~ff ... ,. Shel - ley, don't stare, Shel-ley, don't poke. What is this, Sher - iff, Some kind of sick joke?

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Shel, I was hop - in' you'd see it that way.

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Mom!

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Shel-ley, qui - et!

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I got - ta bring __ this thing to heel. __ A

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SHELLEY "It's a Bat Child? ... "

51 5s r.-.. II

Shrf~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ think I know how folks will feel once they hear this Bat Child is for real!

II

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Piano/Conductor

" ... Mom, we gotta keep it!" (beat, go)

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MEREDITH:

60

- 38 -

SHERIFF: "They're just callin' it that, Shelley. I can't say I know that's what it is. That's for your father to decide. (to Meredith) ... There's nobody else unless I go outside with this: ..

61 62

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SHERIFF:

63

Christian Charity - [Rev. 12/2/01]

... The ranchers have enough on their minds right now, if you know what I mean ... "

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''That's all right, Sheriff. You've done the right thing coming to us. I'll take care of the boy for you." "Ah~ that's great, Meredith. I can't thank you enough for the favor ... "

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... Do you need anything? He can be pretty feisty."

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MEREDITH: "We can manage, I'm sure."

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SHERIFF: MEREDITH: "You're certain?" "Dr. Parker has some cages ...

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I'm sure we can find one that works." SHERIFF: "Right. That's what I figured."

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Call me, I got stun guns __ and a chain! So,

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Piano/Conductor -40- Christian Charity - [Rev. 11/13/01]

j I 87 88 ' ~

ly - - - ~ . " - - -~ ~ --. - - ~ v -._; I - - - ,,_ Mom, look at him, I know but

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Don't stare, Shel - ley, please, __ don't poke.

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Mom, look at him, What's wrong with him?

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Could - n't leave him out of doors, Creep-in' on all fours._

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For now we'll wait and see. We

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For now we'll wait and see. We

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95

Shly

can't rid_ our - selves of our Christ - ian Cha - ri-ty.

Mer

can't rid_ our - selves of our Christ - ian Cha - ri-ty.

Shrf

can't rid_ our - selves of our Christ - ian __ Char - i- ty. So,

Piano/Conductor

Full-on Countrified Rock

Don't stare,

j I I

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here he is

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folks,

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-42-

Shel - ley,

Christian Charity - [Rev. 11/13/01)

please, __

_, -

don't poke.

He's all__ yours! __

I

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Piano/Conductor -43 - Christian Charity - [Rev. 11/13/01]

' I 100 101 ,, - -ly .- - - - -y ,, ... _ - ~ Sh ' ' y - - -._, -,j I v_.. "" We can't just let him be! We

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"" We can't just let him be! We /\ I I I

" - - - .......... -- - -rf - - - - - - - - - - - - - - -. ,, - - - - - ~ Sh '"I -,; ---... - I "" thun - der clouds are clo - sin' in,_ we can't just let him be! We

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can't rid_ our - selves of our Christ - ian Cha - ri-ty. We

" I I ~ I -" .. - - ' - - - .. ... rf - - - - - . - ~- .. - - - - - - - -. .. . - - -- & - & ~ ~ .. Sh - -,) - --...i "" can't rid_ our - selves of our Christ - ian __ Cha - ri-ty. We

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~ 11 Tom

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Piano/Conductor - 44-

can't rid_ our-selves of our Christ-ian

[Stgs/Brass]

107

Cha-ri-ty.

Cha-ri-ty.

Cha-ri-ty.

K2[0rg) /\

>-

~e-111 -

Christian Charity - [Rev. 12/2/01]

108

Mom? ...

Shel - ley, qui- et ...

[Stgs/Brass]

112

A

:Sat :Soy: 'Cbe musical Piano/Conductor

L6l48-802-2001

-45-

UGLY BOY [Rev. 11/13/01]

is page is intentionally left blank for page turns

.

I

:Sat :Soy: 'Cbe musical Piano/Conductor

CUE:

-46-

UGLY BOY [Rev. 11/13/01]

MEREDITH: "You need to eat ... go on ... go on ... "

[BAT BOY screams] (go)

Moderato ~ = 156 SHELLEY:



K2[Music Box] "Mom, why is he screaming at the chicken?! Mom, make him stop!"

8""- ------------------------------ -------- ------------------------------------J

------------------------------------------ - -----------------, " .II -' I I I 2 I J

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MEREDITH: SHELLEY: "He's just different"

' a 3 4 5 I - .... - -~ - -" ~ -' - - ~ ' -.I - Such an ug - ly boy, Like a stink - y

[EPiano] ~ ,.,-....... ~. ~ ~ ~ # .. ... ... - - ... .. # # - ,_ ,_ ,- ,_ ,_ " ,_ ,_ ,_ . - - - ., - - ,_ - - ., - - - - - ,,_ ~ - -" - - - " ' .. . ~

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efz MEREDITH: "You wanted to keep him!" MEREDITH: "Shelley!"

7 8

ho - ny rat. I did - n't know he'd look like THAT! Well,

<

Piano/Conductor

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.. . -

12

9

look at him!

I

[Thunder]

Stu - pid starv - ing

MEREDITH:

13

-47- Ugly Boy- [Rev. 11/13/01]

MEREDITH: "It's going to be quite a storm ... " 10 II

- " K2[Music Box]

8""- ---------- -----------1- ------ ----------------------------------------- --------- -r- ------, J I # I I J .J #

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I I I I I I

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MEREDITH: "Shelley, that's not nice."

14

freak. Does-n't have the

"I

"We just haven't figured out what he n-" MEREDITH: "Shelley!"

16 17

sense to eat. Drop- ping dead right at my feet, well,

"I

-"I "I

Piano/Conductor -48- Ugly Boy- [Rev. 11/13/01] MEREDITH:

' J.L 18 ~ 19 urns 0 aun

(Tearing up) "He's just ... tired." [SHEUEY t t t tBATBOY] -- - - - - -- - ~ - --~ - I

look at him! That's my

G 8M----------------------------------------------------------------------------, [Pno] ~ 11. q 11. 11. q~

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.~ J.L 20 i-........ 21 I 22 - . ~ ,_ - ~ - -" - - - - - - - -- - - - - ~ ~l I - I - q. -mom; See?, she cries ... Ev- 'ry time a stray_ dog dies._ ' J.L

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MEREDITH: "Well, I feel bad for them."

MEREDITH: "Sure they call. .. "

MEREDITH: "Sometimes ... "

24

No one calls, no one claims, So we

--

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I

Piano/Conductor -49- Ugly Boy- [Rev. 11/13/01]

" ~ 26 27 - .. .. - .. -.. ~ - & - - - - - ~ - [J- - ~ -tJ I - I -put them down ___ and ne - ver learn ___ their

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:> . - - ' .. - - IL

: - ~ ~ - -, " . - ~ ~ & H - -I I~

MEREDITH: "Well, we can name him, sweetheart. What would you like to call him?" SHELLEY: "Bat Boy." MEREDITH: 'That's cruel, dear."

j\ ~ 28 29 30 -.. & ,, .... -" .. -.,.)

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SHELLEY: 'That's what he looks like-" MEREDITH: "-we're not calling him a Bat Boy-" SHELLEY: "-but that's what he looks like-"

-

(~).;

~ -~-

MEREDITH: "Shelley." 3 Xs 33 \.

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MEREDITH: SHELLEY: "Perhaps Montgomery ... " "How about Ugly?"

- .. 37

# # : - - - - .. -- - ~ ~ ~ ' ' ' ' I ~I

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34

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SHELLEY: "What do you want to call him?" K2[Stgs/Clste]

;: ..

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MEREDITH: "Or maybe Edgar ... .. 39

~

- ---- -I

- .. - - -- -"' I

-'"'""""

l"I .. -- -... (calling) Ed-gar! ... " (CUT-OFF)

BAT BOY: "Gggnnnnww-

1~ gwoooo?" ~ .

!':". 1..qt: ~ -

I':". . - . . "' t) I



Ugly Boy- [Rev. 11/13/01]

~ <

:eat :eov: 'Cbe musical Piano/Conductor

-51-

WHATCHA WANNA DO? [Rev. 12/2/01]

CUE:



MEREDITH: "Stay away from the cage."

SHELLEY: "Okay. [Knock on the door] Rick!" (go)

RICK: "Are you guys okay? I heard the Sheriff brought the Bat Boy over here and--( sees Bat Boy; points; mouth open in shock) He's still alive?! He's in your house?!"

SHELLEY: "It's okay, Rick. He's confined."

RICK: ''That cage'll never hold him! My sister's in the hospital with a big ol' ... (indicates a neck wound) .. .I can't believe you have him in the house!"

SHELLEY: "Mom says we gotta keep him till Dad comes home.

RICK: "Your dad's just going to kill it, right? (GOON) SHELLEY:

(shrugging)

Moderato White-Boy Hip-Hop d = 108 VAMP

"Mm-mm-mm. [I don't know.] So ... Whatcha wanna do tonight?"

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L6148-802-2001

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= = = = ~ ~

-52- Whatcha Wanna Do? - [Rev. 12/2/01]

- 7 -- ::. = ~ = ~ = = ~ ~ ~ ~ ~ = ~ Hey there, lit - le freak, you re-mem - ber me? We were ne-ver in - tro-duced pro-per-ly ...

' JJ, - ~ - - -~) Drums continue

- -.......... .. - -/

r r r a little louder

" JJ, 8 I 9 10 - ~ - ' - - ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ = ~ = = = = ' ,)

Hey, you gon-na cry? You don't look so tough by the light of day. But we ain't gon - na

Gtr wail (wah)

JJ, - 1 ! - -I , - --~

- -.. -.... -/

- - - - ~ -i i

' J.111 12 -- -~ ~ ~ "" ~ ~ ~ ~ ~ ~ ~ ~ ~ = ' II ,) mur - der you right a - way. First we gon - na buy you lots o'

' JJ, -- - -~

- -.. A-. -- -/ ,. - - - - --i

f ' J.I 13 14 15 - ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ :x: :x: ~ ~ - ~ ~ J

r ,) fan-cy clothes! And make you clip your toes! Arid watch you walk a-round in make-up and pan -

JJ, K2[Weird Synth] -" -,, - - - nn "

~ Gtr: Funk Comp (Em) - - --

ii.. ....... --,. Ill ._ - - -/ ,. a ,, , " ,, ,

~ r ., ( r ., ( r

Piano/Conductor -53- Whatcha Wanna Do? - [Rev. 12/2/01]

SHELLEY: " ~ 16 17 18 ~ .. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ :x: ~ ~ - - ~ ~ ~ , , '"'

r . ~

We gon-na take you back out by the rail - road track! And leave your

' ~ - ~ ~ ~ ~ - - - - ., , . . ,) ty-hose! And leave your

' u -I - ::' ... no - -

~

< - - -. - -I .. .. - ,:; - , - J D >- p__.v >- v r r ., ( r

' ~ 19 20 - ~ ~ ~ ~ ~ ~ ~ ~ - -, r

~

bo - dy for the dogs as a mid - night snack!

' u - ~ = ~ ~ ~ :x: :x: :x: ~ ~ ~ ~ ~ - ., , r . ,)

bo - dy for the dogs as a mid - night snack! Your pa - pa u -'

I -- ;: ,, -~ Dms

j J ., )l ., )l j y - [Org] (Leslie On) I . - -. --.. "' , ., ( ~

" ~ 21 22 23 ,. - ~ ~ ~ ~ ~ - - ~ - -" r

~

Your ma-ma was a snake!

' u - ~ ~ :x: ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ I ,. - - ~ r ,)

was a pig! We gon-na snap you like a twig and dump you

[Org]

" ~ -I - - -- ~ ~ - - ;: ;: .,~ -- --

~ ,., - -

< mf - - -.. j .L. -.. - - - -, ~

'" J

r r ., (~ r (~ r


" ~ 24 25 26 - ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ x x ~ - - ., ., ., , , . . . ~

We gon-na chain your arm to an a - tom - ic bomb And make you j\ J.I - ~ ~ ~ - - - -

" , ,) in the lake!

~ - I I - -. " - - - - :: .>. -' -~

~ - ,, '\ - - -

IL. - - ~ .. - -. .. / - ,.

D > D--'11 > II r r 'f ( r

[SHELLEY makes hip-hop scratching noises, or tries anyway J

' ~ 27 28 29 30 ~ 7- ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ - -.... - ,. I I I I I ,. ,. ,. ,. ,. ,. ,. ,. ,. ,. .. r -~)

take your grand-ma-ma to the se - nior prom! + I I I I I I I I

~ -~ . .

I I 7 7 I 7

J.I -" - ,J J.I - ~ - - II l - ~ ... .. - ~ - - . .,,~ nn -' , ,. - LO ~ ~ ,,

- - -(2.\. I

. - - -.. - - - - -/ ,. ,. .. -'f ( r c_r r >

SHELLEY: "What?"

RICK: "Dude, you are so hot!" (go on) RICK

' ~ .JO a \. 30b 30c 11 --~ ~ - -. . u - - ... ~ II - U.11 .... , . I I - .. - ... - ,,_ " II '"TL .. . . .. .. ~ "

~ " -. ~ r " ,) '\ r -But first __ I'll show

) \. A

'f I h 'f h 'f j) ~ K - ~ ~ . -- - -" r I I ., ~ ., ~ ., r

A

' J.I J \. )r ~ ~ ti.. ti.. ti.. ~ ~

I - - -- . - - no - ., - ., - ., -.. ., ~ " . ~ - R- - -~ /

"':" 1T "':" ., < -I 11 l

... II ,, R .. - . - - no - I"\ -/ . " .. , . " ~ " . "

" r #r - v 'f 'f 'f Bs

Piano/Conductor -55- Whatcha Wanna Do? - [Rev. 12/2/01] Dirty R&B Groove

' .LI I+ 31 J 32 """"""" I 33 I - .._,_ - ' ~ ., ~ ~ - -~ - - ~ - - - - - -.. - : - _, - -\ - I"' I"' I"' r

you what I wan-na do __ to-night. I'm here to bounce it wit my crew_

Gtr .LI I+ ad lib (wah-wah)9 - -' I -"" - :: - - - - - .. -

t) 1 - r p 1 - - LJ 'I p 1 - ~r D - - - -i

- LJ . i -< F#m7(no5) Djf(no3) - - -IL ~

. - " - IL11 - ,.. - '"' M /

~~ "' w

r ..___,, i 'I ~ i '--"" i ~- - ........__..., i - -

j\ .LI I+ 34 35 36 ,, .. - - - - - ~ ~ t)

Ewww!

j\ .LI I+ ,........._ I -,.,, - - -- :~ ., - ~ ~ - - - -~ - - - - ~ , - ,. - - . . ,) - I I"' I"' I I I"' - to-night. We'll make __ sweet love in front o' YOU __ to - night ... _

.LI I+ - - -I ~

_,.,, - :: - - - -. ;: " ~) i - - LJ 'I D i - I. D i - - LJ i - - - - -Lr i

-Lr F#m7(no5)fE F#m7(no5)/B AS .E D > - -

' .LI I+ 37 38 opt. I ..-.. ,..,., ,, "" - - .,

" -~) - ~

You know_

II I+ -I I -- - ,.... _, - ~ -- - -- - - -,) I"' - -Uh huh! Uh huh! Uh huh! Uh huh!

j\ .LI I+ I I

l _,.,, - :: ., - ., ~ - -, ~ - - - - - ' t) - - -

~ ' N.C.

1! r I ., " J r I .,

" J ! l a.,... llf TL - ~ - .Ill IL'rl - - - - - -/ " " - -

i j 'I ~ I r j 'I ~ I

.J/l i > > --r


J JI fl 3ll-, 40 -- ' 41 -. ~ - - -- - -- . - ~ -~

- - - Ii" - my mom is right up - stairs __ to-night ...

/\ JI fl --- - - ---" - - -- - - ~ - ~ Ii " - - ., " - - -

,; -That chick is ful - ly un - a - wares_

JI fl - - -.~ -" I I ,.,, " - - - - .;- - -'- '- L .. ._; ~ - r . D t - - LJ 'I D -, - ffj D - - - - -F#m7(no5) r Li- Djt'(no3) r -- -,,

I . - " - MIL., - - ~ "

i i ::::__...- t 'I \~ i :::._.., t #- - '--"' I - - - i i

/\ JI fl 42 (mouthing) 43 44 ~ .n - ~ - I ~ ., - -= - :x:

" ' ' ._; r I

"Chick"? ... me? ...

/\ JI fl..--._ l ... - ... ----~ - , ~ - - - -Ii ,.,, - ., - - 1 1 -" - - - - - .... , I ~ ,; r I I I I

- to - night._ And if she catch- es us, who cares __ to - night?_

JI fl - - -J\ ~ - u " - - - - -'- . .

~ I - - LJ 'I D t - r. D t - - LJ I - - - - - -< F#m7(no5)fE W F#m7(no5)ffi f As Lr _E(no5);G# - -" ,; - . . - " -.

.. . 'n ~ -" ,., ,., . -'I ( i '--"" 'I 1-1 - 'I ( 1-1 > 1D > - -

46 47 48

Uh huh, __ uh huh ... Uh huh, __ uh huh ...

Uh huh, uh huh. Uh huh, uh huh.

I


50b

4Xs Toms

[They kiss] (mimicing RICK and SHELLEY)

" II ~ .,, "'""' - " " ' ,;

' II ~ --.. ,, . - " - Ill ,,

"

Uh huh, uh huh ... Uh huh, __ uh huh ...

.fi5 w ... . . . .

' j

-"

.) . n ~

': . ~'

'

RICK: "You freak! Can't you mind your own business, Bat Boy?"

SHELLEY: "Stay away from the cage!"

RICK: "What...You wanna bite me like you bit my sister? You wanna piece of me? Huh, tough guy?" (GO ON)

VAMP Tol\172 L h . ~ - .. D ..

~

r

I.

.. r

I. L h ~ -

I w - ~

r

72 .. . ..

~

... ..

... "

Ahhangh! Ahhangh! Ahhangh!

BAT BOY:

0. --

YAAAAAGH!!!!! >-

..l

I

CUE ANYTIME

sva- -----, ~#~l "

+Bs/K2

ifz

--

I

t

-~

--Gtr FIX; Feedback

I

I

-

---

Ah hangh!

Tom76

I

t

--

I

~

<

l <

~

Piano/Conductor RICK: ''That little freak. Did you see that?" SHELLEY: "I told you."

RICK: VAMP

' Jl6 (Last X only) I,. 71

r ~ ~ ~ ~ ~ ~ ~ . - .. .. .. ~ ,) "'\ r

-58- Whatcha Wanna Do? - [Rev. 12/2/01]

78 ~ ~ x ~ ~ ~ x x x ~ ~ ~ ' - -~

'

Why you tryin' to step to me, lit - tle creep? Are you throw-in' down with me, lit - tle freak? > > > > > >

) I I I I I,. I I I I I I I I r r r r r r .. - -"'\ I ~ I ~ r I ~ I ~ I ~ I ~

j\ ) I,.

~ - - -..i

-. - - - - - - - - - - - -/ - - - - - - I I I I - -"'\ r

' 79 80 81 - - - -' .. ..

~

Rick. ..

' ~ ~ ~ ~ x ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ;x: .... - --:- ~ , 3 What-cha gon- na do? Come on, lit - tle cow-ard, let's get it on, I'm - on - na make you

> > I I I I I I I I I I I I - r r r - -- - - - -I ~ I ~ l ~ I ~ I ~ I ~ Cue Oms

' - - -~)

. .. - - - - - I - - - I I -/ - - - - - - - - - - - -

"82 83 - - - jj_ .-11 ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ -~ -- ':' " ~ r " " ,) wish you were ne - ver born, When I'm through with you! I'll show

I I I I - -- -- -I I I I I I I I ' jj -.... - -~)

"I. .. ... 2 ... ... 3 ...

f . -.. - - - - '!". / - - - - --


84 85 86

Rick! ...

ad lib

spill your brain___ to-night, I'll run you o - ver like a train_

88 89

Stop it!... Help!

I'll put___ you in a world of pain __ _ to - night, ____ _ So

' J.I 90 91 -I - - -..... -~

~)

Mom?!

' J.I L_ .. - .. - - - L_ ~,L -- ~~ ~ ~ ..... ~ ~ - ~ .... ~ ~ ~ ~)

Come on! Come on! Come on! Come on! I

' J.I - . . - ' .. ~ ~ ~ _, ' ,_ - - - - - - ,_ - ,_ -) ~

... .. '-fl _,;. .. ) - -... " -.. - .. " ,

~p L p I r r I qr I ...__.,. ...__.,. > - >


92 93 94

MOM!

should - a brought my load - ed gun. __ _ to-night, But stomp - in' you will be more fun_

-

95 96 97

HELP!

gon - na pay for what you done __ _ to - night, __ so

99

(Kung Ju noises) ~

MOM, BE r ING RICK'S A PILL!_

I'm

Piano/Conductor -61-. Whatcha Wanna Do? - [Rev. 12/2/01]

j\ I I 100 101 - I 102 - k :;- - - -~ "" = ~

0-mi-god ...

\ I I # h .. # .. ... .. ~~-th .. # "' * h"' * "' * "' *-.. k - :;- ~ r - ., , ,, -~ r f

tak - in' out my Boo-ey Knife ___ to-night, I'm gon - na end your worth - less life_

' I I ~ -& -& 11 k .. . -Ii :;- v -.. . . . . .. ) (Leslie Oft) (Leslie On)

< > > > > >

h >

h > > > >

J. J. ~ J. ~ J. I\ "'; I\ > ~ .. .., ~ ~ - .. 11 k - -. - - - - , :;- y .., ,,. - .. - - - - - - - -I I I I I I I I I I I I I I I I r r r r r r r r

j J I 103 * 104 105 k - h - - - -y ~ ~

MOM!!!! ~ I\ I I ..--* h"' * h .. - # ~~-~ II h - - -- k y - ~ - ~ ~ - ~ , r y .. ..>. I' . , -,) r

- to-night! I'm ma-kin' you my pri - son wife __ to - night!

..---& -j\ I I l

k ; ~ - h - - -y k- ~ - - ~ y -~

/ - H DmsJ J J J I>" > PLAY! ~ I - -

I ~ .. o - ~ .. k ~ , k .., - ,.. ,.. v

r r r r r I r r > > ~ - -

o"(e) - ~ ~ (o) - ---o - - -

I - >- -

' I 106 - 107 - 108 - 109 - >- -.. k ': - k v y : ,) COME ON!

" I I hn -l

.. k ., M -- k v y .. k -. i....1-- v - T y -

~ r ljr I I lj"' < - - - - I l

. ... .. :;-,T k

, - - - - - - - - - - - --p L p L [.....J_ u L p ~ p I 1...-l,... L. ... .J I p I p I > > > > >

~ <

I .

I

:Sat :Sov: 'Cbe musical Piano/Conductor

-62-

A HOME FOR YOU

<

I

CUE: [THUNDER] MEREDITH: "There go the lights." (go)

' a . ~~ .. ~, '. ..i

' - ~~ .. ~-

~

Freely [Pno] sva- -,

&

'

mp

"" . ,_ --

~. .. ,

[Rev. 12/2(01]

b c 'I & ... 11:EP

. ..... - ~-v~ -- ~ -

d

~. ..



p~

. -- "' -= ~ -SHELLEY: "He doesn't look very good, Mom."

sva-, MEREDITH: "He's had a hard day, dear."

1\e " ~ .0. f ~ ,, .0. h

- ~ -. 'v - .. ~ . l ~~ ~~ t\ - - -

~ ~. - ,,, . .. ., . -- . .. ' " "' el .u. tJ .u. tJ -

SHELLEY: "You don't think he's going to die, do you?" iva--, MEREDITH: "I don't know."

' i h: k h~: I - . . .. ~ v~ V-d-J

j\ I ~.fi. . , ~.n. . - ~ - ~. . v ~ .. . - .. -- .. ~-v - "" -.) - iJ t.l

SHELLEY: "I'm never going to get another pet, never." [MEREDITH comforts SHELLEY]

~ (.'. ~.n.

o :L~~ ~~ _d!_ ~ , m :L --=- n p .. - ,. ~ ~ n . .. .. k- ,&;..

.1 Pp T:P-loco

' ~& - (~\(.'. I '"" . " ,, .. ~. - : . ... ,,, . .. .. J

,., .. .... ~, .1 - ~ P & -

L6148-802-2001

Piano/Conductor -63- A Home For You - [Rev. 12/2/01]

MEREDITH: "Shelley, why don't you go get ready for bed? ...

. .. I'll come tuck you in in a minute." ,, II a I I r - .. - ~ . .. -- . ~ .. --., - - " ~ J I :g -J)~ Cl

mf {.'., ~19" ..0. I {.'., . . - .

I .. - . ., - . / .. ~ , ~ ~ "

I 4 -u tJ

CUE: [MEREDITH lights the candle]

Moderato d = 66 gva ____ , [Clarinet/Celeste] [sounding -12] 8W----------------------------------d

I

,, a I J ~; 2 .p.. :!l-6- ~ I -

~

~ ~ ... . .. ~ -K2[Pno] G p < - -j a ! ! - ~ -::r - n ~ n ~ h 11 - - ,..; . .. ~"'

._) - , - ,

MEREDITH:

' 3 4 5 6 - ~ ... . .. " - - - - _, _, .. ... ......... -,; -:J. ~ ~ 4 -- ~-

Poor lit- tie per - son with eyes so sad, Where in the dark did they hide you?

[same patch] [Celeste] [sounding 8va] .(IL j\ .. ... .. ... ... - I

I - - - - -- ;; ... - -- -- -.. - --~ I I I I

mp

'I [Celeste] [sounding 8va]

~ . . ... ;; . . .. / .. -.) 0 -&

,, 7 8 9 10 . ~ w - -- - ~ ~ " -- - - - ,,_ ~ - - - - .C _, ..i Tl - 1 I

What have you seen that could teach you that haunt-ed stare?

K2[Harp] b. ~ l /\ Jl - .. ~ -

ti I

-" I .. ~ w -. -- .. " "" ~ ,,_ - ,,_ . -

J I - Tl ,, q-,J ~ ~~ ~rJ - u I "fhj)__J "I .. ~ +Gtr I . - ~. ., .. .. - -

/ ~ ~


' 11 12 13 - k ~ . - ' - - - - .... ._i ... ... ... -,; ~ ~ ~ ...__, ~I - ,. Poor lit - tle crea - ture, it makes me mad __ 'lb think of the child - hood de -

.n. II -& "' --

@)

8 [Pno] '' I I I I -- - ~ - :; ~ -- ~ - ~ - ,_ -' - - ~ - ~ ._i ~ "ti ... - ... I I I

< mp ]) _d. [Pno] "1 h I "1 ~-- - ., . -.. - .. -, k

v

' 14 15 1 6 I ~ - :; ., - - - - " - -- - - - - - - 11 - -.. - :61 JI JI - JI nied you, But give me a chance and we'll make it all right, I

8""- ----------------------- ------------------------------------------------------------------II Jl - ~- C11t ~

~ ~ - -~ " "' __, I I ' .. q t- ~ ~q ..:R I I - - . - - ~ I - k w- - ~ . -., ~ . ~~ r -~

._i I I I I

]) J 61' J ., "1 - .P- .. fl-j

. - ft~ -.. .. -~ - ~ , ;; .. I

'' 17 18 I

I swear. ______________________ _ 'Cause

(gva )- ---------------------------------------- -------------------------------- ---------'

I\ q11- -f:.~/L. - Jl - - Jl -I I ,.

' I ,..

~----i-----< +Bs

I

I


' ll 19 20 I 21 I I 22 ' - - -- ./ ~ - - - - - " - - ~ ~ ~ - - -t. - - I

we're not here to harm you, Or make you feel a-shamed. __

j f f K2[0boe]

II JI - - I - - -- ~ -tJ Gtr r r u rrr J flr C...J r r [J 1 r r J 1 r r I I r r J I r [_J - ..__, ..__, ..__, ..__,,

j\ ll --. - ,_ r r ~ -, t.l ~ ~ 4 4 '-6'"' -6"' .... ... "?; "l: "l: .. 111. mf

. - - ' .. - .. - -/ ,. - -- -& " . - ~ -~ i.

j\ ll 23 24 I 25 I 26 I .. - - - - -~ ~ ,.,, - - - ... ~ ~ -" ~ - - -t.J .. - --..i I I I You can make mis-takes __ here And you won't be blamed. So

II JI f I I J I I I J j f - - - ~ - ~ ~ : - -@) I r r~ I r I J I r I __j L....J.._,!,__ l!'!!!l LJ I I 4rU l..J 4/(f - -._; r: f ..__,, ..__, ..__,

8">------------------------------'

' ll I -- -~ -" ~ - - t. ~ i ~ ~ ~ -d ~ - r - r -6 r

~ .. - -.... -- -.. -- u - .:: I - - -

& u 7'

' ll 27 28 I 29 30 -- - - - ~ - -~ ,, - - ~ - - - - - -t.J - - I I I I I show us how to help you, And if we pull you through, Then

n~ J JI - - - 't -II -- .. . tJ r r rJ r r r I flJ C-.J r r rJ 'I r r 1 I r r J -- - .. j\ ll .

~ -- I ~ or' -,_ ,_ ,_

t.J ~ ~ 4 4 '-6"' -6"' ~ I "l: -c; <

., . - -.. - .. - -/ =- .. u - -


34

we will find a home for you. ___ _

mp J.

j 35 36 37 38

~I - . ~ Home is a word that you should have learned. Home is where peo - ple ac - cept you.

fl K2[Reeds/S~tg~s~] ----.

~ --....

..

- ~ :: --. -.. . .. -

39 40 41 42 . ;- ~ -~ ~ ~ ~ " ~-- - - - n- ~ " - - - -

' Tl - Tl I ~ ~

Peo - ple who treat you with love, which is aw - f'lly rare.

-fl .....--- --;--. -- JI - - ~ e f. e ~ ~- " - " -tJ " I I

~ a~ #~ e ~: j I II_ -- M- .M- ,_ - -. ~ ~ ~ ,_ - - -U.-""1~1- -" " -) tJ

11 I I I I

. hn. ~ I . .. r

I .. .. -~ - " ~ ~ . ~~ ~ -


' 43 44 45 46 ,., k ., -. - ~ - ' - - - - - - -.. J ... ... ... ... ~ ~ ~ ..._ ... ~I 4

Fam-'ly's a place where your trust is earned __ By folks who are hap - py they kept you.

~ ----- qp. --------/\ - -& ~ . t)

" I #

I -- k - - ,. ~ - -., ~ v -' - - -t) ~ ... ... I <

-. - - -- .. - .. ~ , :; - .. "

47 50

We'll find a fam - 'ly who won't let you down, I swear. __________ _ 'Cause

~ .n .n

sva--------------------------------5, 5

" a 51 52 I 53 54 -- - - ,. ,. - , ~ - - - - -t) - ., - - I we're not here to harm ___ you, Or-

BAT BOY: (sing 8va throughout)

' a _,

I ---- (.\ ,., :".' - - - - ~ -:- ~ - - - -:-- -t) I .,

Ooh.

/\ ~-~ ~ ~ ~ ~ ~ I":'.. ~ ~

t)

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f I (.\ I .. -- ...... ~ - - - -, .. ~ ~ ~ ' ..,,.

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Piano/Conductor Slowly

I\ .I.I 55 -- -, ..i ... ..

Ooh ...

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~ "'-'" ..i

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-

A Home For You - [Rev. 12/2/01]

58 I - -~ --

Ooh,_

----- I - - - -I I '-.._../

Ooh,_

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64 --- -- ---J -- - -

l -~ -t ,. 8

--I


is page is intentionall left blank for a e turns

A Home For You - [Rev. 12/2/01]


j ~~ 66 I I - :.. " k - - k " -- ~ . - " . " '-' " ~ I

No,

' ~- I I - II I~ - k . - " " ,_,_ ~

[Piano+ Strings]

' ~ I I I L .. I I ~

- -- ~- " k - ~ k - - . - h " - ,,_ . - . " ..... - -~) ~ ~ -,; .. -<

[Piano+ Strings] ~ .. L_ I I .. - -

~ .. - - ~- ,,_ k- " k r - - -- ::- . - . --

j I I 67 I 68 69 I - 70 " -..., k " - - -. - - - - - - .. - - - - -

~ - I I . I I -we're not here to harm ___ you, Or make you feel a-shamed,

j\ I I -- ' - ,,.- ---.... ::- ~ - - -. k . - - - - - - ~ ~ r - - - -., ~ . ~ - - - ~ -- - . - r - - -~ - I - I I J I -

Ooh,_oo, oo, __ oo, oo, Ooh,

I I ... -1

k - - - - - - - - - -- h - - - - ~ - -. " - - - - - k- , - - - -- - . - - -~ I - I - I I __J - I f D~2/F < E~2/G ~~7sus n~ comp chords for rehearsal . - ,, .. -.. " k - ~. .. ~ r ::- . - -- -

I p I ~ I I.I Bs

j I I 71 72 73 I 74 --..._, k - - -. - - - - r - -. " - - - - -- -

~ - - I I - I ......., I You can make mis-takes ___ here, And you won't be blamed. So

I c:=:- =--------- --- ----j I ~ - - - -- k . - - - ~ - - -., ~ . - - - - - - - - - - -- ~ - - - - - -~) I I -......___ - ~ * - -

oo, Ooh, oo,

' I - l I I -

" k - - ' - - -I - - . - - - ~ - -. - ~ - - - - - - - - - - -- ~ - - - - -~ I

- * - -Bb7 E~ A~ A~/C

- .. -LOO ~ .. - -

I .. k .. .. . . r ::- . - .. U ~ U - r I" r I 1,.....1 I


" I I 15 I 76 77 ,,........ 78

~ k - - - - - -- k - - ~ -.. - -.. - - ~ -t.J - I I -

show us how to love __ you, And once the night_ is_ through, Then

,, I I ----- ~ - , .--- I ----- __..- ~ ,, - , k v - - - - ~ ~ - - - - -. " - - - - - - '- _, - - -- . - -t) I I I I I Oo, Ooh, oo,

' I I '""""" - ' I

- -I - k - - - - - -v - - - ~ - - - - - - -' - ,,_ -tl I I I I I

. o~2 E~/G J\~7sus D~ ----

I . -- .. ,, ..

k v -" ~ - - n -I I I r I I f i r r I

j I I 79 80 I I poco rit.

81 82 I II ,, k

" -- k - - - - : " .. '~ . - , _, - .. - " - - " t.J I I

we might have a home for you. So

' I I(\, ------- - --.... II k ~ - - - - ... '.".' - :;- - -- ~ t.J

- Ooh! K2[Stgs]

" I ' II ~ -/ - ~ "'

~ ~ -,J poco rit. ,, I I I - II

l " k - - - - - -.. ... -- k ,. . " .,

t.J Bb7 E~sus E~ A~ <

~ - J I I -- J .. . - - - - ., - -.. " k

. . . . -/ k . - -. I I

A Tempo poco rit. Freely II II ' 11 83 84 I 85 86 - -- - - ~ : -~ " " - - .. ' - ,._ -~ ~ ~ -

tl ,, .,- 9 - - I I p -1 I

show me what to give __ you, See, look, I made a stew. And 17'..

K2[Harptrrem Stgs] ~ II " II II '

bat boy: the musical—perusal score

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