bbcc music licensing slides

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MUSIC LICENSING: EARNING REVENUE WITH YOUR SONGS Band Business Crash Course November 3, 2012 Dana Myers, Esq.

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The talking points on Music Licensing from the Band Business Crash Course held at the Plea for Peace Center on Nov. 3, 2012. Presented by the Pacific Music Management Club, faculty and alumni.

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Page 1: BBCC Music Licensing slides

MUSIC LICENSING: EARNING REVENUE WITH YOUR SONGSBand Business Crash Course

November 3, 2012

Dana Myers, Esq.

Page 2: BBCC Music Licensing slides

LICENSING: WHAT IS IT?

Permission from the copyright owner to use their work Bundle of Rights

Licenses can be bought and sold Types of Payment

Flat fee Royalty

Exclusive vs. Non-exclusive Any and every time you hear music, in

theory, the copyright owner (or his/her representative) has licensed that right to use their music

Page 3: BBCC Music Licensing slides

TYPES OF LICENSES

There are a variety of licenses for different types of uses of your music. Mechanical License: song copyright

Royalties are usually based on the statutory rate, which is currently 9.1 cents for songs under 5 minutes, and are due for every record “manufactured and distributed.”

Master Use License: sound recording copyright Royalties are negotiated with the master owner, and for

popular recordings, can get very expensive Public Performance: song copyright

Royalties based on the amount of times your song is played

Synch: use of your music to synchronize with, or relate to, something visual on a screen Fee is based on the length of the song, the manner of use,

and the intended reach (ex. national/regional) of the video

Page 4: BBCC Music Licensing slides

PERFORMING RIGHTS ORGANIZATIONS

Performing Rights Organizations (PRO) act as intermediaries on behalf of copyright owners to track and collect payments for the public performance of your songs

The more your song is played, the more you will earn

There are 3 Performing Rights Organizations in the United States. Each has its own website with detailed information about the organization. ASCAP BMI SESAC

Page 5: BBCC Music Licensing slides

PUBLISHERS

Music publishers exploit your songs by finding potential users, issuing licenses, collecting fees, and paying the writers. Copyright owner will license certain rights to the

publisher Publishers generally charge 50% Until you get “picked up” by a publisher, you

have the right to license your own music Many publishers do not accept unsolicited

materials

Page 6: BBCC Music Licensing slides

LICENSING YOUR MUSIC

Network! Songwriter workshops and competitions Become known locally before moving into a

bigger market Prepare a demo Social Media/Promotion Be patient!

Page 7: BBCC Music Licensing slides

EXERCISE Match the genre of music with the most appropriate

client (aka the “licensee”) Metal a) documentary on medical marijuana clinics Classical b) TV show about the history of the piano Reggae c) Reality TV show in tattoo parlor Alternative Rock d) slow-paced short film in Iceland’s rolling hills Ambient Electronica e) TV show about indie band making it in the biz

In order for your musical act to cover a song that has already been released by another singer/songwriter, what kind of license do you have to obtain, and to whom does the money go?

A. Mechanical license; original artist’s manager

B. Mechanical license; original writer’s publisher

C. Master use license; original artist’s record label

D. Synchronization license; original artist’s producer

E. Master use license; original writer’s publisher