begins on page 290 chapter 33 neoclassicism and tone row music
TRANSCRIPT
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Begins on page 290
Chapter 33
Neoclassicism and Tone Row Music
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Neoclassicism
“Neo” means “new”
Attempted to capture attitude of artists and composers of the Classical period
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Neoclassicism in Music
Composers believed in intellectual control of music
Shorter works
Usually fewer performers
Use of classical forms
Neat and concise
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Prokofiev: Classical Symphony, First Movement
Sonata form
Less than four minutes long
Themes consisting of short phrases linked together
Smaller orchestra
Neat, concise music
Copyright © 2010 by Schirmer Cengage Learning
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Hindemith: Kleine Kammermusik, Op. 24, No. 2, Fifth Movement
Woodwind quintet
A B C B A form
No key signatures
No meter signatures
Copyright © 2010 by Schirmer Cengage Learning
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Hindemith: Kleine Kammermusik,Op. 24, No. 2, Fifth Movement
First theme: Important notes on the beat
Second theme: Contrary motion between oboe and bassoon; oboe not on the beat
Third theme: Wide-ranging melody played by flute
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Tone Row Music
No tonal center
All notes in chromatic scale equally important
Tone row the basis of music; not just a theme
Much attention to timbres
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Tone Row Music
Tone row appears in four forms
Original
Retrograde (in reverse)
Inversion (upside down)
Retrograde-inversion (in reverse and upside down)
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Schoenberg: Variations for Orchestra (Theme) Row played by cellos
Row played by violins in retrograde-inversion starting on a different note from original
Row played by violins in retrograde using same notes as original
Row played in high notes by violins
in inversion using same notes as
retrograde-inversion
Copyright © 2010 by Schirmer Cengage Learning
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Serialism: Beyond Tone Rows
Principle of rows of pitches applied to rhythm, timbre, and articulations (style of playing a note)► Notes could appear in different octaves
Anton Webern leader in composing using serialism
Represent intellectual control over music
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Summary
Neoclassicism
Neoclassicism in music
Prokofiev: Classical Symphony, first movement
Hindemith: Kleine Kammermusik, Op. 24, No. 2, first movement
Tone row music
Schoenberg: Variations for Orchestra
Serialism: Beyond tone rows