SCENE 1- 2-SHOT / WIDE / ESTABLISHING - this could be from the corner of the room- MCU - RONALD - MCU - HELEN- CU - HANDS, for the whole coin flip and REVEAL- MCU - TOP-DOWN; coin is flipped and comes towards the camera

SCENE 2- MED - potentially play out the whole scene. Could reset for the door section.- CU's - cutaways of the contents of the room- 2-SHOT - up the LIGHTS going out and back on.- MCU - Helen; may have to have break this into 2 shots for before and after the LIGHTS going out- MCU - Ronald; see previus- CU - of hands and WEDDING RING, and the SQUEEZE- MCU - For the whole SUITING up focusing on the action of the BUBBLE WRAP, GLOVES, GAFFER TAPE- MCU - focusing on the METAL CANISTERS; maybe follow up to exit from bunker- 2 SHOT - the KISS moment - CU - the LOCK

SCENE 3- WIDE - As Ronald lays the table- MED - profile, the whole table as hey places SPOONS.This could play through. Our master.alt- MED - track from one chair to the next as he lays the table.- MED - Head-on, Ronald sat at the table- CU - SPOON, both(?)- CU - as Ronald looks dejected; nothing but peaches- CU - contents of the box, PEACH CANS- MCU - EMPTY CHAIR, we could get the midriff of Ronald as he passes by laying the SPOON- CU - POV, the BOWL and the SMILEY FACE

SCENE 4

- MED - behind Ronald, could track in/out

- CU - on Ronald

SCENE 5

- MED/WIDE - Ronald could be lost in the frame.The hot air from his mouth signals

this. LIGHTS GO OUT

- MCU - on Ronald for the whole scene

SCENE 6

- CU - Ronald’s EYES open

- MED - HH, Ronald getting into action. We can follow the action as far as possible

since its HH. Potentially play action to end. Can break this up.

- CU - LOCK

- 2-SHOT - for the HUG and up to end of scene

- MCU - on Helen as Ronald takes her mask off and up to end of scene. Could be

Ronalds POV.*

- MCU - on Ronald for the MASK and rest of scene. Could be Helens POV*

- CU - LIPS with BLACK LIQUID

*can do POV just for the BLACK LIQUID bit

SCENE 7

- MCU - Ronald enters frame as he jolts awake. He could sit up into frame.

BUNKER

SCENE 8

- MED - From behind - could track into Donald (can do digital zoom since 4K)

- LOW ANGLE - Close as Ronald towers over (want to suggest he’s going mad) alt

- HEAD ON -

SCENE 9

- CU - newspaper and the CROSSWORD

- MED - head-on Ronald, FLY BUZZES past. Could track in

- MCU - cutaway of the bottle as he chucks it. EMPTY CANS and WATER BOTTLES -

MCU - EMPTY CHAIR and the BALLOON*

- MCU - on action as he finds the BALLOONS

- MED/MCU - as he pulls the BALLOON out and starts to blow.

*scene 10

SCENE 10

- CU’s - a few cutaways of the detail of the MAKESHIFT WIFE. Can create a snappy

montage that would end with a reveal

- MCU - On Ronald, (HH) could follow as he goes to get ready

- MCU - continued from last shot; picking up the action from the last shot and up to

OPENING THE DOOR

- CU - GAS MASK as he grabs it

SCENE11

- MCU - Ronald WAKES, can follow up to LIGHTS OUT // reset for past this point

- MCU / CU - the BALlOON shrunk (could do a smash cut to it)

reset for

- as lights go out; balloon with a SNEER

- CU - PEACHES

- MCU - throws a CAN in the corner

- XCU - DEAD FLY

- LOW ANGLE / CU - as Ronald looks at the FLY // need to get AFTER LIGHTS OUT

- POV - the door

- CU - COIN flipped in the hand

- CU - coin rolls toward the camera // profile on the door as the coin rolls out of sight

- MCU - on Ronald gets himself ready, puts on MARIGOLD glove and peels the seal of

the BUBBLE WRAP and then the GAFFER TAPE* - play this up to - including the BIN

BAG - the EXIT

* we can do two versions here; one focusing on Donald and another focusing on the

props

- CU - on the BIN BAG as it starts to move

- MED - Inside BUNKER as the DOOR SLAMS SHUT can play out the LIGHTS OUT

and BACK ON (to be intercut with Donald outside).

- CU - FLY comes back to LIFE

BUNKER

SCENE 2

- MCU - reverse of previous as Ronald looks on. Door closes.

SCENE 11

- CU - from outside the door (in the tunnel) the door is opened slowly

OUTSIDE BUNKER DOOR

SCENE 2- OTS - behind Ronald as he looks.We see the tunnel beyond him.

SCENE 6

- MCU - Ronald’s POV looking at Helen - specificaly for when she’s outside

- MED/MCU - profile on Helen, with the tunnel extending beyond. Ronald off-screen. Up

to Helen going inside.

SCENE 10

- MCU / CU - On Helen, suggested Ronald POV

as she turn

- MCU - on Ronald as he looks (dialogue) at Helen

SCENE 11

- POV - from the DOOR looking into the TUNNEL

- LOW ANGLE - down the tunnel as a foot steps into shot. Play this to END. Could reset

and show the canisters for later in the scene; where Donald looks around to see the

CANISTERS

- MID - on Donald in the tunnel. He looks beyind the camera. DOOR SLAMS, he TURNS

and WALKS OFF.

- MED - Donald’s POV of an empty tunnel

- MCU - Donald’s POV looking at the CANISTERS

TUNNEL