bhu pet 2010 m.mus(vocal)

8/12/2019 BHU PET 2010 M.Mus(Vocal)

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~ , us '\ yO(..Q\jQuestion Booklet No. (Ult O.

lOP/260/2To be filled lip by tire candidate by bille/black /lall-point pen)

Roll No . IL ._ - -_ - -_ - -_ - -_ - -_ . .L ._ . .L ._ -Roll No. (Write the digits in words)Serial No. of Answer Sheet .............................................Day and Date ................................................................... . ( Signature of Invigilatol )

INSTRUCTIONS T C NDID TES(Use only blueiblacA ball-point pell in the space abmc and on both sides of the Answer Sheet)1. Within \ 0 minutes of the issue of the Question Booklet. check the Question Booklet to ensure that itcontains all the pages in correct sequence and that no page/question is missing. In case or faultyQuestion Booklet bring it to the notice of the Superintendent/lnvigilators immediately to obtain afresh Question Booklet.2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Cardwithout its envelope.3. A separate Answer Sheet is given. It should not be foldeti or mutilate{l A second Answer Sheet

~ h a l l not be provided. Only the Am-wer Sheet will be evaluated.4. Write your Roll Number and Serial Number of the Ansv. er Sheet by pen in the space prvided above.5. On ti,e front page of he Answer Sheet, write by pen your Roll Number in the .wace provided atthe top and by darkening the circles at the hottom. Also, wherever applicable, write the QuestionBooklet Number and the Set Number in appropriate places.6 No overwriting is allowed in the entrie )' of Roll No., Que.fition Booklet 110. alld Set 110 arally)011 OMR sheet ami Roll No. l m i OMR sheet no. on the Queston Booklet.7 Ally change in the aforesaid entries is to be verified by the invigi/otor, otherwise it will he taken

(t.\ unfilirmealls.8. Each question in this Booklet is followed by fOllr altemative answers. For each question, youare to record the correct option )II the Answer Sheet by darkening the appropriate circ:le in thecorresponding row of the Answer Sheet. by pen as meutiOlled ;11 the guideline given Oil thefirst page of the Answer Sheet.9. For each question, darken only one circle on the Ans\ver Sbect. If you darken more than one circleor darken a circle partially, the answer will be treated as incorrect.10. Note that the allswer ollce filled ill ink CWl110t be changed If you do not wish to attempt aquestion. leave a/l the circles in the corresponding row blank (')Uch question will he G)t'l1rdedzero marks).11. For rough work, lise the inner back page of the title cover and the blank page at the end of thisBooklet.12. Deposit both the Questioll Booklet and the Answer Sheet ut the end of the Test.13. You are not permitted to leave the Examination Hall until the end ofthc Test.14. If a candidate attempts to lise any form of unfair means. he/she shall be liable to such punishment asthe University may determine and impose on him/her.

Total No. of Printed Pages :32 ~ R r 1FiI ;r iJ1TiKUT f 3 'R fi iT I 'O

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Time: HoursfT1'W: 2 W t

lOP/260/2Noo of Quest ions: 100

-w-if I'l


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~ U T i l - 'pr'rfu t(1) fil'. i (2) (3) (4)

03 This Raga has Audav Arah Avaroh -1) Hindol 2) Desh(3) Chhayanat (4) Shyamkalyan

~ U T ' i1 3ll1"ro - t(1) 1%iIc1 (2) ~ (3) tllQI'1c04 Raga Chandrakauns has this as Agantuka Swara

(1) S (2) M (3) R (4) P

(1) UT (2) 11 (3) (4) 105 Bhupali Deshkar and Shuddhakalyan have this Aroh -. . .(1) SRGPNS (2) SRGPDhS (3) SRGPDhS (4) SRGPDhS

~ ~ ~ I , * , I \ aiR ' l O & , * , ~ l u I ' i1 l j ( 3ll1"ro t(1) UT 1] 1 f.nrt (2)


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07 Which pair of Raga s is different from o t ~ r s -1) Patdeep - Bhimpalasi 2) Chandrakauns - Malkauns3) Rageshri Bageshri 4) Hindol Hansdhvaniqi]onjj WI - 31" fl f'fl %(1) - rq("llm(3) Wlm - "ilT'lm

(2)

08 M Dh N S R S is used in this Raga -(1) Pilu (2) Paraj P) Sohini

'1 f'nrr


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(2) (3) \ 9 1 ~ I R12 Which Raga has both Gandhar and both Nishad -

I) Rageshri (2) Miya Malhar (3) Jijaiwanti

(I) -wtm13 Addha and Tilwada are similar because of -

I) Vilambit Khyal3) Matra, division

(2) Theka(4) To:ppa

aih: [;1"11 I 1 'Ii) Hdl Of>


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3f l wiT < IT WAf it


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WI ~ 0ffiUT -llG 0 fT m 'lit l i n -(1)


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23 Shruti interaval for shadja Grama isI Iq liT '8Yr 1 \1(1 (1 t

(I) 4 3 2 4 4 3 2(3) 3 - 4 - 3 - 2 - 4 - 4 - 2

(2) 4 - 4 - 3 - 3 - 4 - 2 - 2(4) 2 3 2 4 3 4 4

24 Praman Shruti is the difference betweenI) Shadja Grama Sand shadja Gram N

(2) Shadja Gram M and Madhyam Gram M(3) Shadja Gram P and Madhyam Gram P(4) Shadja Gram G and Shadja Gram M..,. it liT 3R R WlT T'8Yr t(1) llflnrr afu: Jllll R(3) Jllll l afu: = Jllll l

(2) Jllll afu: = Jllll(4) Jllll afu: Jllll

25 Sangeeta Ratnakara deals with(I) 15 Gamaka(3) 2010 Swar prastara

( 1) 15 l fI1 I;(3) 2010 j {Q@{

(2) 25 Murchana(4) 11 Kaku

(2) 25 't;oJ'11(4) 11

26 Sangeeta Ratnakara is also known as ;I) Ashtadhyayi

(3) Gitadhyayi

9

(2) Rasapanchadhyayi(4) Saptadhyayi

P.T.O.

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Wfu ,M f; 'lIT it n ;;n:;rr "fffiT t(1) il1l 1uw:il (2) {lf lcj>jluw:il(3) "1ftaTuw:il (4) ~ u w i l

27 Bharata describes Chatussarana under this name(1) Swaradarshana(3) Nadanirupana

(2) Shrutinidarshana4) Sarananiru pana

28 Which Raga is not found in folk songs1) Virindavani Sarang

(3) Mandqi\-;f fIT WT ct\if;'nffi i l -(1) ~ I C i f l mt>T(3) lis

(2) Pahadi(4) hhayanat

(2)

(4)


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30 Who is Vaggeyakar ?(1) the composer(2) the lyricist(3) the singer(4) the lyricist - composer - performer

~ I ' ~ ~ ' R 'h'l'l %(1) ~ ' i 1 < I ' 1 {(2) q;fcr(3 ) l]fl['fi"(4) q;fcr - ~ ' i l d ' l { am tioqQ*ljRt 'df

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31 Toory - Tritaya - Chaturyam means expert in this art -(1) Singing(3) Dancing

(2) Playing the instrument(4) All three

~ - fur'l 11\14 a:roffit i Q luldl -(1) 'IT'R (2) CI1G' (3) '1fu (4)


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33 Vitala is -

34.

35.

36.

(1) demerit of vocalist(3) demerit of poet~ t

(I) ~ I i T(3) fuq liT

Natya Kutapa means -( I) a group of students(3) a group of stage performers''1I81'fdY' 31'lfu -( I) fcm f$i\'liTW "(3) i OJ h 11 iW] liT W "Bharata describes this -( I) 6 Kaku 2) 2 Kaku1B 't quf.j M t

( I) 6 Iil f (2) 2 Iil fKshetra Kaku is -(I) field

(2) demerit of student(4) merit of instrument

2) a group of dancers(4) a group of singers

2) ~ ' l i T W "(4) liT W "

(3) 12 Kaku (4) 4 Kaku

(3) 12 Iil f (4) 4 Iil f

(2) sound related with performer s body3) composition about farmer

(4) sound of musical instrument used bf farmers

12

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0 ' ..., " * i I ~ " -(I)(2) '1iC'11'li1( il; ITfu: it ' f i '''If.(3) r'hBI'I it ' f i D'flT(4) r'hB 111 mu m f't;it IR ' ll ' l ott lR

37 This is a kind of Rupakalapti(I) Sthayee(3) Pratigrahanika


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40 Mayamalav gaund mela is similar to .(1) Marava Thata(3) Bhairv Thata

~ 1 < i 1 ~ I < i l q n S i\ 'Iuf (2) ~ I I W ~ q(3) fqtlRoq (4) ~ , ~ { j < l >

4

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44 Matanga used this word for first time -(1) Prabandha (2) Raga (3) Gandharva (4) Swara1l


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48 Rupakam Tala of Karnataka system has(1) 5 Matra (2) 8 Matra (3) 6 Matra (4) 7Matra

q ; i ~ q ; if; qq;,\


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52. Which relates with Karnataka Tala Panddhati(1) Sankeerna (2) Sampoorna (3) Sanyuktaifi'1 ?:ifi


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56 Which one is a common name for an instrument and a Tala(I) Narad 2) Durga 3) Rudra (4) Saraswatiqm 3ih lWf iii fui\ 3 '1qf, 'd 1ll l mw t(I) (2) (3) ~ m : q f f i 4)

57 Which God is not related to music(1) Indra (2) Vishnu 3) Krishna (4) Shankara

1) R 2) 3) 1 4)58 Which Tala has T irki Dhi 1 Na Dhi 1 Dhi Nay

(1) Jhumara (2) Matta (3) Adachautal (4) JhaptalRHfilic \ 111 \ 1 \ 11 f'I>B lWf il ti41) 1IfR1 2) 1N 3) 4) ;;I4dld

59 Which Tala is used in a style other than Khyal(1) Tilwada (2) Rupak(3) Ektala (4) Deepchandi

1) fdZ1ql$1 2) 3) Q l'dlZ1 4) ~ 1 4 . j < l

60 Which classical vocalist did not sing or films(1) D. V. Paluskar(3) Balwant Rai Bhatt

(2) Bade Gulam Ali Khan(4) Parveen Sultana

8

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f'l;B II ~ lflIij; 'I f I qc iI; fWi 'IW TJrIl1 -( 1 t cit 0 q1+4 ( (2 ) 'Jffi'l 1Sii(4) ~ i R { (1(1HI

61 What is common n Darburi and Pooriya -(1) Raganga(2) Thata(3) Swar - Samvad(4) Peaceful Alap in Mandra Spatak

< ml am: lft rr 1l.'f' W1R 'FIT t -(1)

P.T.O.

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64 Thakur cJaidev Singh learnt music from1) Vishnu Narayan Bhatkhande 2) Shrikrishna Hari Hirlekar3) alauddin Khan 4) Kri shmrao Shankar Pandit

01 I'I


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' Iff i l >IGR Wn 1J'1T i -(1) ~ ~ I { I ,(3) "Q lo ~

(2) ~ ~4) f q \ 1 f q l I ~ - @68 This composition is not the base of a film song

(1) Mana tu Kaha na dhir dharat ab - Ye.man(2) Bol re papihara - Miya Malhar3) Prem Ki mar katar sohini4) Banat banau bana nahi ave Paorvi

fu: 1'ffiI 31'1 - f'R(2) 1m ~ Wi "IT'l(3) ~ I [ ~ ' j ~ WI (4) 1Wn.w ~ 'I

70 Jeevaswar is a kind of(1) Sthayee (2) Jati (3) Raga (4) Gamak

21 P.T.O.

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.i\1C18F >riW t -(1) (2) Ilfu (3) ,TTl (4) T[1iif;

71. Names for composition are -1) sthayee Antara Sanchari(3) Prabandh Vatu Rupak

(2) Shuddha Kamal Teevra(4) Drut Mdhya Vilambit

i t IT'l t -(1) ~ , 3 R f f i ,(3) ] : [ C I ' [ , ~ ,

(2) 'il'l', ~ ~(4) l';i , ' lUI, fq


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75 Vaggeyakar of Hindi Geet Ramayan is -(1 ) Arun Kumar Sen (2) Kumar andharva(3) Jasraj (4) D. V. Paluskarfi i\ f l c t { I A I ~ O I 'if; i i l ~ ~ l i l { t -(1 ) ~ ' 1 'Pffi fA (2) 'Pffi(3) "I,HI"I (4) it 0 eft 0 q j'? M

76 Vande Mataram was composed in Raga Desh by(1) Ravindranath Thakur(2) Bankimchandra Chattopadhyaya(3) K. C. Dey(4) Omkarnath Thakur

(1) (oft""'1I" 01(3) 'if;o BIo

77 The sign of Dhruv Tal in Karnatak Music is :


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3) ,'H,i'1 di (4)


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82. Resonace means1 echo 2) singing tc gether3) drum 4) wind insti-ument

fl n '(1 q;] 3 > -(1 ) 2) "ill' "ill' TJT'lT3) 1 \ M c H ~ 4 ) WR Rl

83. Melody is(1 ) single note progression 2) triple note progression3) notes arranged with rythm 4) rythmic arrangement, ~= -(1 ) """h8 q;] m 2) fu ~ "" Uh 8 q;] wwr3) B f - i 1 1 q;] m 4) Z1 -'lkt=lCf)

84. Harmony IS related to(1 ) timbre 2) major scale3) chord 4) medium or sound

~ q ; ] ~ ~1) l R ~ 2) ir R m3) B f ( ~ 4) 'lR q;] mum

85. Who belongs to Gwalior Gharana1 Ajay Chakravary 2) Laxman Krishnarao Pandit3) Rashid Khan 4) Dinkar Kwkini

5 P.T.O.

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m q l r < 1 ~ ( mR B( 1 il1"f' '1 iiiq


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"lmft< 1T'l ; 8 q l f ~ 1 1 t(1) fireR (2) , w i f f ~ ~ (3) fir lRl (4) f+100f1I$"1(

93 Bhimsen Joshi has this unique quality -1) Melodious voice(3) Speedy tana

qft 1 1 l ; : d 1 ~ fC/i)4(j1 t( 1 ) 'l l' 31T'lT'i(3) -(IT.'

(2) Long steady breath4) Slow Composition

(2)


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I. 1R' 3ffi'l'li' it 10 fiRe it 3R< m;-@ #1'", 1 'R'l' illllj[ '1'" t m1R' 'Iffi ~ F f i I l i l ~ ~ Wl 'R 'I'l'lT 'lil\l-RU'% i t1 'R'l' 'liT ~ F f i ' I ' l i l = '"' Tit II lfiW; JfR it Jo;f{iilo; 3nT it Wf'I .3TTfT Iit 3nT rr;r oft ,.".,Wd rifiRr it Imf.t 'Tit '[ff oft 3nT rr;r it r 'l"'" I f f 'Tit

f. ff it 3IjmC itr it ,., ' 19. 1R' it '3'R ii; ful : ~ m[i f i t 1fi J , I ~ it 3TI'l'Ji ')'if i t 1fi J

'R 3Fl'l1 ~ ' [if 'lit m 'R a:Q 3iR 1Ti'l?: lJRT ;;rriMr I10, if' fiF; ("Ii ' '


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