bib van eyck
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JAN VAN EYCK, WEDDING PORTRAIT
Allen, Janet and John Holden. The Home Arts. New York: Van Nostrand Reinhold, 1979.
Acquinas, Thomas St. Summa Theologia. Part 3., Question 60., Article 3.
Baker, Samm Sincalir and Natalie Boner. Introduction To Art. New York: Abrams, 1969.
Baldass, Ludwig, Jan Van Eyck. London, 1952. [277f]
Baldwin, Robert. “Marriage As a Sacramental Reflection of the Passion: the Mirror in Jan van Eyck’s Arnolfini Wedding.”
Oud Holland XCVIII/2 (1984): 57.
Batternberry, Michale. Art of the Early Renaissance. New York: McGrow-Hill, 1968.
Basin, Germain. The Avant-Garde in Painting. New York: Simon & Schuster, 1969.
Bedaux, jan Baptist. “The Reality of Symbols: the Question of Disguised Symbolism in Jan van Eyck’s Arnolfini Portrait.”
Simolus XVI/1 (1986): 237.
Bogdan, Deanne. “From Stubborn Structure to Double Mirror: the Evolution of Northrop Frye’s Theory of Poetic Creation and Response,” Journal of Aesthetic Education, Vol. 23. No. 2 (Summer 1989):
Bol, J.L. Jan van Eyck. New York: Barkers & Noble, 1965.
Buettner, Stewart. “The Mirrored Interiors of Henri Matisse,” Appolo , (February 1983): 126-129.
Campbell, Ann. Paintings: How to Look at Great Art. New York: Franklin Watts, 1970.
Carelton, David L. “A Mathematical Analysis of the Perspectiveof the Arnolfini Portrait and Other Similar Interior Scenes by
van Eyck,” Art Bulletin LXIV/1 (March 1982):
________. “Reply,” The Art Bulletin LXV/4 (1983): 686.
Carrier, David. “naturalism and Allegory in Flamish Painting,” Journal of Aesthetic and Art Criticism. XLV/3 (September 1987):
Collier, James M. “Letters,” The Art Bulletin LXV/4 (1983);
Daniel, Howard. Encyclopedia of Themes and Subjects in Painting: Mythological, Biblical, Historical, Literary, Allegorical and Topical . New York: Abrams, 1971.
Davies, Martin. Early Netherlandish School, National Gallery Catalogues . 2nd ed. London, 1955, pp. 38-40.
Denis, Valentin. All The Paintings of Jan van Eyck. New York: Hawthorn, 1961.
Desneux, J. “Underwritings and Pentimenti in Pictures of Jan vanEyck,” Art Bulletin XL (1958): 13f.
Dhanens, Elisabeth. Hubert and Jan van Eyck. New York: AlpineFine Arts Collection, 1980.
Dorra, Henri. Art in Perspective: A Brief History. New York: Harcourt Brace Jovanovich, 1972.
Economou, George D. “Januarie’s Sin Against Nature: theMerchant’s Tale and the Romance of Rose.” ComparativeLiterature, XVII, 3 (1965): 251-257.
Friedlaender, Max J. From van Eyck to Bruegel. London: Phaidon, 1956.
Fuchs, R.H. Dutch Painting. New York: Oxford University Press, 1978.
Gibson, Walter S. “Hieronymus Bosch and the Mirror of Man. The Authorship and Iconography of the Tabletop of the Seven Deadly Sins.” Oud Holland LXXXVII/4 (1973): 205-226.
Grabes, Herbert. Speculum, Mirror and Looking Glass. Tubingen, 1973, pp. 185-187. [A recent English translation exist, Cambridge, Eng., 1983]
Havlica, Patricia Pate. World Painting Index. New York: The Scarecrow Press, 1977. [vol. 1-2]
January 3, 1995