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JAN VAN EYCK, WEDDING PORTRAIT Allen, Janet and John Holden. The Home Arts . New York: Van Nostrand Reinhold, 1979. Acquinas, Thomas St. Summa Theologia . Part 3., Question 60., Article 3. Baker, Samm Sincalir and Natalie Boner. Introduction To Art . New York: Abrams, 1969. Baldass, Ludwig, Jan Van Eyck . London, 1952. [277f] Baldwin, Robert. “Marriage As a Sacramental Reflection of the Passion: the Mirror in Jan van Eyck’s Arnolfini Wedding.” Oud Holland XCVIII/2 (1984): 57. Batternberry, Michale. Art of the Early Renaissance . New York: McGrow-Hill, 1968. Basin, Germain. The Avant-Garde in Painting . New York: Simon & Schuster, 1969. Bedaux, jan Baptist. “The Reality of Symbols: the Question of Disguised Symbolism in Jan van Eyck’s Arnolfini Portrait.” Simolus XVI/1 (1986): 237. Bogdan, Deanne. “From Stubborn Structure to Double Mirror: the Evolution of Northrop Frye’s Theory of Poetic Creation and Response,” Journal of Aesthetic Education , Vol. 23. No. 2 (Summer 1989): Bol, J.L. Jan van Eyck . New York: Barkers & Noble, 1965. Buettner, Stewart. “The Mirrored Interiors of Henri Matisse,” Appolo , (February 1983): 126-129. Campbell, Ann. Paintings: How to Look at Great Art . New York: Franklin Watts, 1970. Carelton, David L. “A Mathematical Analysis of the Perspective of the Arnolfini Portrait and Other Similar Interior Scenes by van Eyck,” Art Bulletin LXIV/1 (March 1982): ________. “Reply,” The Art Bulletin LXV/4 (1983): 686. Carrier, David. “naturalism and Allegory in Flamish Painting,” Journal of Aesthetic and Art Criticism . XLV/3 (September 1987): Collier, James M. “Letters,” The Art Bulletin LXV/4 (1983);

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JAN VAN EYCK, WEDDING PORTRAIT

Allen, Janet and John Holden. The Home Arts. New York: Van Nostrand Reinhold, 1979.

Acquinas, Thomas St. Summa Theologia. Part 3., Question 60., Article 3.

Baker, Samm Sincalir and Natalie Boner. Introduction To Art. New York: Abrams, 1969.

Baldass, Ludwig, Jan Van Eyck. London, 1952. [277f]

Baldwin, Robert. “Marriage As a Sacramental Reflection of the Passion: the Mirror in Jan van Eyck’s Arnolfini Wedding.”

Oud Holland XCVIII/2 (1984): 57.

Batternberry, Michale. Art of the Early Renaissance. New York: McGrow-Hill, 1968.

Basin, Germain. The Avant-Garde in Painting. New York: Simon & Schuster, 1969.

Bedaux, jan Baptist. “The Reality of Symbols: the Question of Disguised Symbolism in Jan van Eyck’s Arnolfini Portrait.”

Simolus XVI/1 (1986): 237.

Bogdan, Deanne. “From Stubborn Structure to Double Mirror: the Evolution of Northrop Frye’s Theory of Poetic Creation and Response,” Journal of Aesthetic Education, Vol. 23. No. 2 (Summer 1989):

Bol, J.L. Jan van Eyck. New York: Barkers & Noble, 1965.

Buettner, Stewart. “The Mirrored Interiors of Henri Matisse,” Appolo , (February 1983): 126-129.

Campbell, Ann. Paintings: How to Look at Great Art. New York: Franklin Watts, 1970.

Carelton, David L. “A Mathematical Analysis of the Perspectiveof the Arnolfini Portrait and Other Similar Interior Scenes by

van Eyck,” Art Bulletin LXIV/1 (March 1982):

________. “Reply,” The Art Bulletin LXV/4 (1983): 686.

Carrier, David. “naturalism and Allegory in Flamish Painting,” Journal of Aesthetic and Art Criticism. XLV/3 (September 1987):

Collier, James M. “Letters,” The Art Bulletin LXV/4 (1983);

Daniel, Howard. Encyclopedia of Themes and Subjects in Painting: Mythological, Biblical, Historical, Literary, Allegorical and Topical . New York: Abrams, 1971.

Davies, Martin. Early Netherlandish School, National Gallery Catalogues . 2nd ed. London, 1955, pp. 38-40.

Denis, Valentin. All The Paintings of Jan van Eyck. New York: Hawthorn, 1961.

Desneux, J. “Underwritings and Pentimenti in Pictures of Jan vanEyck,” Art Bulletin XL (1958): 13f.

Dhanens, Elisabeth. Hubert and Jan van Eyck. New York: AlpineFine Arts Collection, 1980.

Dorra, Henri. Art in Perspective: A Brief History. New York: Harcourt Brace Jovanovich, 1972.

Economou, George D. “Januarie’s Sin Against Nature: theMerchant’s Tale and the Romance of Rose.” ComparativeLiterature, XVII, 3 (1965): 251-257.

Friedlaender, Max J. From van Eyck to Bruegel. London: Phaidon, 1956.

Fuchs, R.H. Dutch Painting. New York: Oxford University Press, 1978.

Gibson, Walter S. “Hieronymus Bosch and the Mirror of Man. The Authorship and Iconography of the Tabletop of the Seven Deadly Sins.” Oud Holland LXXXVII/4 (1973): 205-226.

Grabes, Herbert. Speculum, Mirror and Looking Glass. Tubingen, 1973, pp. 185-187. [A recent English translation exist, Cambridge, Eng., 1983]

Havlica, Patricia Pate. World Painting Index. New York: The Scarecrow Press, 1977. [vol. 1-2]

January 3, 1995