Bibliography

The writings of W. B. Yeats and criticism on his work have been systematically and extensively covered by Allan Wade (A Bibliography of the Writings of W. B. reats, third edition, revised R. K.Alspach, London, 1968), by K. G. W. Cross and R. T. Dunlop (A BibliograP'rl of reats Criticism: 1887-1965, London, 1971), and by J. E. Stoll (The Great Deluge: A reats Bibliography, Troy, 1971). I, therefore, confine myself to listing here only those works actually cited in, or bearing upon, my study. In the case of titles for which abbreviations have been used, the relevant symbols appear in brackets at the end of the entry concerned.

WoRKs BY W. B. YEATS

BOOKS AND CONTRIBUTIONS TO BOOKS

'Preface' and 'The Necessity of Symbolism', in E. J. Ellis and W. B. Yeats (eds.), The Works of William Blake: Poetic, Symbolic and Critical, I, London: Quaritch, 1893, pp. vii-xiii, 235-45, [WB].

'A Note on National Drama' and 'John Eglinton and Spiritual Art', inJ. Eglin­ton, W. B. Yeats et al., Literary Ideals in Ireland, London: Fisher Unwin, Dublin: Daily Express, 1899, [L//].

'The Literary Movement in Ireland' and 'Postscript' in Lady Augusta Gregory (ed.), Ideals in Ireland, London: Unicorn, 1901, pp. 87-102, 105-7, [II].

Collected Works in Verse and Prose, 8 vols., Stratford-upon-Avon: Shakespeare Head Press, 1908.

Poetry and Ireland (with Lionel Johnson), Dundrum: Cuala Press, 1908. 'Witches and Wizards and Irish Folklore' and 'Notes' in Lady Augusta Gregory,

Visions and Beliifs of the West of Ireland, London and New York: Putnam, 1920, pp. 247-62, 265-93.

'Preface' to J. B. Yeats, Ear()! Memories, Dundrum: Cuala Press, 1923. Plays and ConJroversies, London: Macmillan, 1923. Essays, London: Macmillan, 1924. Letters to the New Island, H. Reynolds (ed.), Cambridge, Mass.: Harvard Univer­

sity Press, I 934, [ L.NI]. 'Introduction' to Oxford Book of Modern Verse, 1892-1935, Oxford: OUP, 1936,

[OB]. A Vision, London: Macmillan, 1962 (reprint of 1937 edn.) [V]. The Ten Principal Upanishads (with Shree Purohit Swami), London: Faber, 1970

(reprint of 1937 edn.).

BIBLIOGRAPHY 213

Letters on Poetry from W. B. 'reats to Dorothy Wellesl~, Oxford: OUP, 1964 (re­print of 1940 edn.), [LDW].

Tribute to Thomas Davis, Cork: Cork University Press, Oxford: Blackwell, 1947. W. B. 'reats and T. Sturge-Moore: TheirCorrespondence, 1901-1937, Ursula Bridge

(ed.), London: Routledge, 1953, [LSM]. W. B. 'reats: Letters to Katherine Tynan, R. McHugh (ed.), Dublin: Clonmorc

and Reynolds, 1953. The Letters of W. B. 'reats, Allan Wade (ed.), London: Hart-Davis, 1954, (LJ. Autobiographies, London: Macmillan, 1956, [Au]. The Variorum Edition of the Poems of W. B. 'reats, Peter Alit and R. K. Alspach

(eels.), New York: Macmillan, 1957, [VP]. Mythologies, London: Macmillan, 1959, [M]. The Senate Speeches of W. B. 'reats, D. R. Pearce (ed.), London: Faber, 1961,

[SS). Essays and Introductions, London: Macmillan, 1961, [EI]. Explorations, London: Macmillan, 1962, [Ex]. The Variorum Edition of the Plays of W. B. 'reats, R. K. Alspach (ed.), London:

Macmillan, 1966, [VPl]. Ah Sweet Dancer: W. B. Teats-Margot Ruddock: A Correspondence, R. McHugh

(ed.), London: Macmillan, 1970. Uncollected Prose, Vol. I: 1886-1896,J. P. Frayne (ed.), London: Macmillan, 1970,

[UP]. Memoirs: Autobiograp/!)1-First Draft, Journal, D. Donoghue (ed.), London:

Macmillan, 1972. Uncollected Prose, Vol. II: 1897-1939,J. P. Frayne and C. Johnson (eds.),London:

Macmillan, 1975.

CONTRIBUTIONS TO PERIODICALS

'Young Ireland', Bookman, January 1"897, p. 120, (Uncollected Prose, II, pp. 33-5).

'Aglavaine and Selysette', Bookman, September 1897, p. 115, (Uncollected Prose, II, pp. 51-4).

'The Prisoners of the Gods', Nineteenth Century, January 1898, pp. 91-104, (Un­collected Prose, II, pp. 74-87).

'Mr. Lionel Johnson's Poems', Bookman, February 1898, pp. 155-6, (Uncollected, Prose, II, pp. 88-91).

'Celtic Beliefs about the Soul', Bookman, September 1898, pp. 159-60, (Uncollected Prose, II, pp. 118-21).

'The Irish Literary Theatre', Literature, 6 May 1899, p. 474, (Uncolle&ted Prose, II, pp. 162-4).

'The Irish Literary Theatre: 1900', The Dome, January 1900, pp. 234-6, (Un­collected Prose, II, pp. 198-200).

'Plans and Methods', Beltaine, No. 2, February 1900, pp. 3-6, (Uncollected Prose, II, pp. 201-4).

'The Way of Wisdom', The Speaker, 14 April 1900, pp. 40-1, (reprinted in Collected Works in revised form as 'The Pathway', Vol. VIII, pp. 191-6; and in V. Sena, 'W. B. Yeats and the Indian "Way of Wisdom'", Quest, No. 62,July-September 1969, pp. 77-9).

214 BIBLIOGRAPHY

'Irish Fairy Beliefs', The Speaker, 14 July 1900, pp. 413-14, (Uncollected Prose, II, pp. 216-18).

'Irish Plays and Players', Academy and Literature, 16 May 1903, p. 495, (Uncollected Prose, II, pp. 303-4).

'A Canonical Book', Bookman, May 1903, pp. 67-8, (Uncollected Prose, II, pp. 299-303).

'The Theatre of Beauty', Harper's Weekry, 11 November 1911, (Uncollected Prose, II, pp. 397-401).

'Some New Letters from W. B. Yeats to Lady Gregory', RevimJ rif English Litera­ture, July 1963, pp. 9-47.

'Modem Ireland', Massachusetts Review, Winter 1964, pp. 256-68. 'Discoveries: Second Series', Massachusetts Review, Winter 1964, pp. 297-306.

MISCELLANEOUS

Adams, Hazard, Blake and reats: The Contrary Vision, Ithaca: Cornell Univer• sity Press, 1955.

A. E. (George W. Russell), Song and Its Fountains, London: Macmillan, 1932. ---, Lelters from A. E., Alan Denson (ed.), London, New York, Toronto:

Abelard-Schuman, 1961. Anderson, Maxwell, Off Br11adway, New York: William Sloane, 1947. Arnold, Matthew, Poetry and Prose, J. Bryson (ed.), London: Hart-Davis, 1954,

[MAJ. Ayyub, A. S. and Datta, A. (eds.), Ten rears rif 'Quest', Bombay: Manaktalas,

1966. Bachchan, H. R., reats and Occultism, Delhi: Motilal Banarsidas, 1965. Bagchi, Jasodhara, 'Walter Pater's Criticism and Its Contemporary Relations',

Cambridge University doctoral dissertation, 1968. Barnet, Sylvia et al. (eds.), The Genius rif the Irish Theatre, New York: New Ameri-

can Library, 1960. Beerbohm, Max, 'In Dublin', reprinted in Sylvia Barnet, pp. 344-8. Bentley, Eric, What is Theatre?, Boston: Beacon Press, 1956. Bloom, Harold, reats, New York: OUP, 1970. Bomstein, G., reats and Shelley, Chicago: University of Chicago Press, 1970. Bowra, C. M., The Heritage rif Symbolism, London: Macmillan, 1962. ---,In General and in Particular, London: Weidenfeld and Nicolson, 1964. Bradford, Curtis, reats at Work, Carbondale: S. Illinois University Press, 1964. Bradley, A. C., Shakespearean Tragedy, London: Macmillan, 1905. Brooks, Cleanth, 'W. B. Yeats as a Literary Critic', A Shaping :Joy, London:

Methuen, 1971, pp. 102-25. Browne, E. Martin, The Making rifT. S. Eliot's Plays, Cambridge: Cambridge

University Press, 1969. Browning, Robert, Essay on Shelley, published with T. L. Peacock, Four Ages of

Poetry and P. B. Shelley, Defence rif Poetry, H. F. B. Brett-Smith (ed.), Oxford: Blackwell, 1921, pp. 63-83.

Bushrui, S. B., reats's Verse Plays: The Revisions 1900-1910, Oxford: OUP, 1965. Castiglione, Baldassare, The Book rif the Courtier, Thomas Hoby (trans.), London:

Dent, 1928.

BIBLIOGRAPHY 215

Chamben, E. K., 'The Experiments of Mr. Yeats', Academy and Literature, 9 May 1903, pp. 465-6.

Clark, David, Yeats and the Theatre of Desolate Reality, Dublin: Dolmen Press, 1964.

Clarke, Austin, 'A Centenary Celebration', Massachusetts Review, Winter 1964, pp. 307-10.

Coleridge, S. T., Biographia Literaria, 2 vols., J. Shawcross (ed.), Oxford: OUP, 1939.

Corrigan, R. W. (ed.), Tragedy: Vision and Form, San Francisco: Chandler, 1965. Craig, Gordon, On the Art of the Theatre, London: Routledge, 1957. Cruttwell, Patrick, The Shakespearean Moment, London: Chatto, 1954. Darling, Frank F., 'Where Does Responsibility Lie?', The Listener, 18 December

1969, pp. 847-52. Desai, Rupin W., Yeats's Shakespeare, Evanston: Northwestern University Press,

1971. Donne, John, The Po1ms of (see under Grierson). Donoghue, Denis, The Third Voice, Princeton: Princeton University Press, Lon­

don: OUP, 1959. Eglinton, John (William K. Magee), 'What Could Be the Subject of a National

Drama', 'National Drama and Contemporary Life', 'Mr. Yeats and Popu­lar Poetry', Literary Ideals in Ireland with W. B. Yeats et al., London: Fisher Unwin, Dublin: Daily Express, 1899, pp. 9-13, 23-7, 41-6, [LII).

---,Irish Literary Portraits, London: Macmillan, 1935. Eliot, T. S., 'The Poetic Drama', The Athenaeum, 14 May 1920, pp. 635-6. ---,'The Duchess of Malji: At the Lyric and Poetic Drama', Arts and Letters,

III, 1920, pp. 36-9. ---, 'Dramatis Personae', The Criterion, I, 1923, pp. 303-6. ---, 'Ulysses, Order and Myth', The Dial, November 1923, pp. 480-3. ---, 'The Need for Poetic Drama', The Listener, 25 November 1936,

pp. 994-5. ---, The Use of Poetry and the Use of Criticism, London: Faber, 1934. ---, Notes towards the Definition of Culture, London: Faber, 1948. ---, The Sacred Wood, London: Methuen, 1948. ---,Selected Essays, London: Faber, 1953. ---, On Poetry and Poets, London: Faber, 1957. --- (with George Hoellering), The Film of Murder in the Cathedral, London:

Faber, New York: Harcourt Brace, 1952. Ellis-Fermor, Una, The Irish Dramatic Movement, London: Methuen, 1939. ---, The Frontiers of Drama, London: Methuen, 1948. EHmann, Richard, Yeats: The Man and the Masks, London: Faber, 1961. ---, The Identity of Yeats, London: Faber, 1964. ---,Eminent Domain, New York: OUP, 1967. Elton, Oliver, Modern Studies, London: Edward Arnold, 1907. Engelberg, Edward, The Vast Design: Patterns in W. B. Yeats's Aesthetic, Toronto:

University of Toronto Press, 1964. Ewing, M. (ed.), Homage to Yeats: 1865-1965, Los Angeles: University of Cali­

fornia Press, 1966. Faulkner, Peter, William Morris and W. B. Yeats, Dublin: Dolmen Press, 1962.

216 BIBLIOGRAPHY

Fenollosa, E. and Pound, Ezra, 'Noh' or .Accomplishment, London: Macmillan, 1916, [N.A].

Fraser, G. S., 'Yeats as a Philosopher', Phoenix (Seoul), No. 10, Summer 1965, pp. 46-59.

Frazer, James G., The Scapegoat (Vol. 6 of The Golden Bough), London: Macmillan, 1913.

Freud, Sigmund, Beyond the Pleasure Principle, J. Strachey (trans.), London: Hogarth, 1961.

Frye, Northrop, 'Yeats and the Language of Symbolism', Fables of Identity, New York: Harcourt Brace, 1963, pp. 218-37.

---, .An Anatomy rif Criticism, Princeton: Princeton University Press, 1957. Fullwood, Daphne, 'Balzac and Yeats', Southern Review, Summer 1969,

pp. 935-49. ---'The Influence on W. B. Yeats of some French Poets', Southern Review,

Spring 1970, pp. 356-79. Gogartv, Oliver St. John, William Butler reats: .A Memoir, Dublin: Dolmen Press,

1963. Greene, David and Stephens, Edwards, J. M. Synge: 1871-1909, New York:

Macmillan, 1959. Gregory, Lady Isabella Augusta, Seven Short Plays, London: Maunsel, 1909. ---, Our Irish Theatre, London and New York: Putnam, 1914. ---, Visions and Beliefs in the West rif Ireland, London and New York: Putnam,

1920. --- (ed.), Ideals in Ireland, London: Unicorn, 1901, [II]. Grierson, H. J. C. (ed.), The Poems rif John Donne, 2 vols., Oxford: OUP, 1912. Guha, Naresh, W. B. reals: An Indian .Approach, Calcutta: Jadavpur University,

1971. ---, 'Yeats and Rabindranath: A Study in Tradition and Modem Poetry',

Ayyub and Datta, pp. 125-53. Gwynn, Stephen (ed.), Scattering Branches: Tributes to the Memory rif W. B. reals,

London: Macmillan, 1940, [Gwynn]. Hall, James and Steinmann, M. (eds.), The Permanence rif reats, New York:

Collier-Macmillan, 1961 (first printed 1950). Hallam, Arthur Henry, The Writings of, T. H. Vail Motter (ed.), New York:

MLA, London: OUP, 1943, [H]. Harper, George Mills (ed.), reats and the Occult, London: Macmillan, 1975. Henn, T. R., The Lonely Tower, London: Methuen, 1965. ---, 'Towards the Values', Southern Review, Summer 1969, pp. 833-49. --- (ed.), The Plays and Poems rif J. M. Synge, London: Methuen, 1963. Hoare, Dorothy M., The Works rif Morris and reals in Relation to Early Saga Litera-

ture, Cambridge: Cambridge University Press, 1937. Hone, Joseph, W. B. reats: 1865-1939, London: Macmillan, 1962, [Hone]. Hough, Graham, The Lost Romantics, London: Methuen, 1961. Ishibashi, Hiro, reats and the Noh, Dublin: Dolmen Press, 1965. Jeffares, A. Norman, W. B. reats: Man and Poet, London: Roudedge, 1949. ---, 'The Criticism of Yeats', Phoenix, No. 10, Summer 1965, pp. 27-45

(reprinted in revised form as 'Yeats, Critic' in Jeffares, The Circus .Animals, London: Macmillan, 1970, pp. 47-77.)

BIBLIOGRAPHY 217

Jeffares, A Commentary on the Collected Poems of W. B. Teats, London: Macmillan, Palo Alto: Stanford University Press, 1968.

Jeffares and Cross, K. G. W. (eds.), In Excited Reverie, London and New York: Macmillan, 1965.

Jensen, Ejner, 'The Antinomical Vision of W. B. Yeats', Xavier Universiry Studies, December 1964, pp. 127-45.

Johnson, Lionel, Post Luminium, Thomas Whittemore (ed.), London: Elkin Matthews, 1911.

Joyce, James, The Critical Writings of, E. Mason and R. Ellmann (eds.), New York: Viking Press, 1966.

Kenner, Hugh, 'The Sacred Book of the Arts', Sewanee Review, Autumn 1956, pp. 574-90.

--- ( ed. ), T. S. Eliot: A Collection of Critical Essays, Englewood Cliffs: Prentice-Hall, 1962.

Kermode, Frank, The Romantic Image, London: Routledge, 1961. Knight, G. Wilson, The Wheel of Fire, London: Methuen, 1949. Knights, L. C., How Many Children Had Lady Macbeth?, Cambridge, 1933 (re­

printed in Explorations, London: Chatto, 1951). Koch, Vivienne, W. B. Teats: The Tragic Phase, London: Routledge, 1951. Leavis, F. R., New Bearings in English Poetry, London: Chatto, 1932. (The dis­

cussion on Yeats is reprinted in Hall and Steinmann's collection-the source I use.)

Lentricchia, Frank, The Gaiery of Language: An Essay on the Radical Poetics of W. B. Teats and Wallace Stevens, Berkeley and Los Angeles: University of California Press, 1968.

MacBride, Maud Gonne, 'Yeats and Ireland', in Gwynn, pp. 17-33. ---,A Servant of the Queen, Dublin: Golden Eagle Books, 1950. MacKenna, Stephen, Journal and Letters, E. R. Dodds (ed.), London: Constable,

1936. ---, see also under Plotinus. Malone, Andrew E., 'The Early History of the Abbey Theatre', in L. Robinson

(ed.), The Irish Theatre, pp. 3-28. Marcus, P. L., Teats and the Beginning of the Irish Renaissance, Ithaca: Cornell

University Press, 1970. Masefield, John, Some Memories of W. B. Teats, New York: Macmillan, 1940. Maxwell, D. E. S. and Bushrui, S. B. (eds.), 1865-W. B. Teats-1965, Ibadan:

Ibadan University Press, 1965. Melchiori, Georgio, The Whole Mystery of Art, London: Routledge, 1960. Miller, Liam, The Noble Drama of W. B. Teats, Dublin: Dolmen Press, Atlantic

Highlands: Humanities Press, 1977. Mokashi-Punekar, Shankar, Interpretations of the Later Poems of W. B. Teats, Dhar­

war: Karnatak University Press, 1973. Moore, George, Hail and Farewell, London: Heinemann, 1911. Moore, Virginia, The Unicorn: William Butler Teats's Search for Realiry, London

and New York: Macmillan, 1954. O'Connor, Frank, 'Synge', in L. Robinson (ed.), The Irish Theatre, pp. 31-52. ---,'A Lyric Voice in the Irish Theatre', in Sylvia Barnet, pp. 354-8. O'Donnell, William H., 'Yeats as Adept and Artist', in Harper, pp. 55-79.

218 BIBLIOGRAPHY

Olney, James, 'The Esoteric Flower: Yeats and Jung', in Harper, pp. 27-54. Paige, D. D., see under Pound, Ezra. Parkinson, Thomas, W. B. Teats Self-Critic, Berkeley and Los Angeles: University

of California Press, 1951. ---, W. B. Teats: The Later Poetry, Berkeley and Los Angeles: University of

California Press, 1964. ---, 'The Modernity of Yeats', Southern Review, Summer 1969, pp. 922-34. Pater, Walter, Appreciations, London: Macmillan, 1910. ---, The Renaissance, London: Macmillan, 1910. Peacock, Ronald, The Poet in the Theatre, New York: Hill and Wang, 1960. Plotinus, The Enneads, Stephen MacKenna (trans.), London: Faber, 1970. Polletta, Gregory, 'The Progress of W. B. Yeats's Theories of Poetry', Princeton

University doctoral dissertation, 1961. Pound, Ezra, The Letters of E:r.ra Pound: 1907-1941, D. D. Paige (ed.), London:

Faber, 1951. Price, Alan, Synge and Anglo-Irish Drama, London: Methuen, 1961. Raine, Kathleen, 'Yeats's Debt to William Blake', Difending Anciet1t Springs,

London: OUP, 1967, pp. 66-87. ---, 'Yeats and Platonism', Dublin Magazine, Spring 1968, pp. 38-63. ---,'Yeats, the Tarot and the Golden Dawn', SeWllnee Review, Winter 1969,

pp. 112-48. Rajan, B., W. B. Teats: A Critical Introduction, London: Hutchinson, 1965. Reid, B.L., The Manfrom New Tork: John Quinn and His Friends, New York: OUP,

1968. Richards, I. A., The Principles tif Literary Criticism, London: Routledge, 1926. ---, Practical Criticism, London: Routledge, 1929. Robinson, Lennox (ed.), The Irish Theatre, London: Macmillan, 1939. ---, 'The Man and the Dramatist', in Gwynn, pp. 57-114. Ronsley, Joseph, Teats's Autobiography: Life as Symbolic Pattern, Cambridge, Mass.:

Harvard University Press, 1968. Rudd, Margaret, Divided Image: A Study of William Blake and W. B. Teats, Lon•

don: Routledge, 1953. Russell, George, W., see under A. E. Salvadori, Corinna, Teats and Castiglione: Poet and Courtier, Dublin: Allen Figgis,

1965. Saul, G. B., Prolegomena to the Study of Teats's Poems, Philadelphia: University of

Pennsylvania Press, 1957. ---, Prolegomena to the Study of Teats's Plays, Philadelphia: University of

Pennsylvania Press, 1958. ---,'Yeats's Dramatic Accomplishment', in Maxwell and Bushrui, pp. 137-

53. Seiden, Morton I., William Butler Teats: The Poet as a Mythmaker 1865-1939,

East Lansing: Michigan State University Press, 1962. Sena, Vinod, 'The Uniqueness of Theatre', in Ayyub and Datta, pp. 225-40. ---, 'Yeats on the Possibility of an English Poetic Drama', Modern Drama,

September 1966, pp. 195-205. ---, 'W. B. Yeats and the Indian "Way of Wisdom'", Quest, No. 62, July­

September 1969, pp. 76-9.

BIBLIOGRAPHY 219 Shapiro, Karl, A Pri'IIUif' for Poets, Lincoln: University of Nebraska Press, un·

dated. Singh, Brijraj, The Development of a Critical Tradition from Pater to Teats, Delhi:

Macmillan, 1978. Stallworthy, Jon, Between the Lines: Teats's Poetry in the Making, Oxford: OUP,

1963. ---, Vision and Revision in Teats's Last Poems, London: OUP, 1969. Stanislavsky, Konstantin, My Life in Art, Moscow: Foreign Languages Publish-

ing House, undated. Starkie, Walter, 'Yeats and the Abbey Theatre', in Ewing, pp. 3-38. Stauffer, Donald, The Golden Nightingale, New York: Macmillan, 1949. Stock, A. G., W. B. Teats: His Poetry and Thought, Cambridge: Cambridge Uni-

versity Press, 1964. ---,'Yeats on Spenser', injeffares and Cross, pp. 93-101. Strong, L.A. G., 'William Butler Yeats', in Gwynn, pp. 185-229. Symons, Arthur, Studies in Prose and Verse, London: Dent, undated but dedication

dated September 1904. ---,'The Ideas of Richard Wagner', Studies in Seven Arts, London: Constable,

1906, pp. 225-98. ---, The Symbolist Movement in Literature, New York: Dutton, 1958. Synge, J. M., Collected Works, II: Prose, A. Price (ed.), London: OUP, 1966. ---, The Plays and Poems of, see under Henn, T. R. Thompson, I. W., The Imagination of an Insurrection: Dublin Easter 1916, New

York: OUP, 1967. Tindall, W. M., The Literary Symbol, Bloomington: Indiana University Press,

1960. Tuve, Rosemond, Elizabethan and Metaphysical Imagery, Chicago: University of

Chicago Press, 1947. Ueda, Makoto, ,Zeami, Basho, Teats, Pound: A Study in Japanese and English Poetics,

Atlantic Highlands: Humanities Press, 1965. Unger, Leonard (ed.), T. S. Eliot: A Selected Critique, New York: Rinehart,

1948. Weber, Max, The Protestant Ethic and the Spirit of Capitalism, T. Parsons (trans.),

London: Allen and Unwin, 1967. Weisinger, Herbert, Tragedy and the Paradox of the Fortunate Fall, London: Rout·

ledge, 1953. Wellek, Rene, A History of Modern Criticism, IV: Later Nineteenth Century, London:

Cape, 1966. Wellek, Rene and Warren, Austin, Theory of Literature, New York: Harcourt

Brace, 1949. Whitaker, Thomas, Swan and Shadow: Teats's Dialogue with History, Chapel Hill:

University of North Carolina Press, 1964. Wilde, Oscar, Intentions, London: Methuen, 1916. Williams, Raymond, Drama from Ibsen to Eliot, London: Chatto, 1952. Wilson, F. A. C., W. B. Teats and Tradition, London: Gollancz, 1958. ---,Teats's Iconography, London: Gollancz, 1960. Yeats, J. B., Essays Irish and American, London: Fisher Unwin, Dublin: Talbot

Press, 1918.

220 BIBLIOGRAPHY

Yeats, J. B., Further Letters of, L. Robinson (ed.), Dundrum: Cuala Press, 1920. ---, Early Memories: Some Chapters of Autobiography, Dun drum: Cuala Press,

1923. ---,Letters to His Son and Others, London: Faber, New York: Dutton, 1946. Zwerdling, Alex, reats and the Heroic Ideal, New York: New York University

Press, 1965, London: Peter Owen, 1966.

Index

Abbey Theatre, 8, 9, 50, 93, 103, 104, 105, 106, 113, 122, 123, 126-30, 140, 175, 177, 183, 202

Academicians, The, 172 Acresia, 170 Adams, Hazard, 54 Addison, Joseph, 6 A.E. (George W. Russell), 17, 53, 84,

85,87,89, 106,140 Deirdre, 140 Song and Its Fountains, 53, 84, 89

Aeschylus, 49, 52 Persians, The, 177

Aesthetic Movement, 63-4, 88 After Strange Gods, see Eliot, T.S. Agincourt, 177 Aileel, 143 Alchemist, The, see Jonson, Ben Alexander the Great, 143 Allegory, 38 Allingham, William, 30 Alit, Peter, 13 Alspach, R.K., 13 Anatomy of Criticism, An, see Frye,

Northrop Anderson, Maxwell

Off Broadway, 139 Anima Mundi, 39-40, 42, 46, 49, 50,

64, 65, 87, 154, 193 Anna Livia Plurabelle, see Joyce, James 'Antinomical Vision of W. B. Yeats,

The', see Jensen, Ejner Antoine, A., 96 Appreciations, see Pater, Walter Arabian Nights, The, 89 Archer, William, 94, 96, 109, 210

Ariel, 95 Ariosto, 118 Aristode, 48, 71, 184-5, 187, 190, 206

Poetics, The, 190 Arms and the Man, see Shaw, George

Bernard Arnold, Matthew, 5-12, 14, 27, 48, 49,

51, 53, 68, 84, 88, 90, 144, 152, 172, 177-81, 183

Culture and Anarcl!J, 6 Empedoeles on Etna, 177-8, 181

'Function of Criticism at the Present Time, The', 5-6

'Literary Influence of Academies, The', 6

'Preface' to Poems (1853), 177-9 Sohrab and Rustum, 51 Art and Asceticism, 43-5, 83 'Art and the Law of Diminishing

Returns', see Koestler, Arthur Ash Wednesday, see Eliot, T.S. Auden, W.H., 143, 175, 202 Axel, 56

Bachchan, H.R., 54, 85, 89 Bagchi, Jasodhara

'Walter Pater's Criticism and Its Contemporary Relations', 87

Balzac, Honore de, 89, 90, 198, 202 Banim,John, 7, 31 Barnet, Sylvia

Genius of the Irish Theatre, The, 141 Basterot, Comte de, 92 Baudelaire, Charles, 15, 200 Beatrice, 160 Becket, Thomas, 188

222 INDEX

Beckett, Samuel, 99 Beerbohm, Max

'In Dublin', 140 Benson, A.C., 1 Benson, F.R., 140 Bentley, Eric, 127, 139

What is Theatre?, 139 Berkeley, Bishop, 198 Beyond the Pleasure Prin&iple, see Freud,

Sigmund Bible, The, 83-4 Binyon, Laurence, 132 Biographia Literaria, see Coleridge, S.T. Bjornson, B., 151 Blackmur, R.P., 15 Blake, William, 17, 34, 36, 37, 38, 39,

41, 42, 43, 4:4, 52, 54, 80, 86, 90, 137, 159, 202

Jerusalem, 35 Blanco Posnet, see Shaw, George Bernard Blank Verse, 77-8 Blind Man, The, 70, 73 Blavatsky, Mme. H.P., 19, 158 Boehme, Jacob, 4:4 Book of the Courtier, The, see Castiglione,

Baldassare Bowra, C.M., 37, 89, 197-8

Heritage of ~ymbolism, The, 86, 89 In General and in Particular, 210

Bradford, Curtis, 66 Bradley, A.C., ll1, 138, 191 Bridges, Robert, 2 Browning, Robert, 58-9, 70, 71, 88, 90

Essay on Shelley, 58-9 Buddha, Gautama, 3, 135 Burke, Edmund, 198 Burns, Robert, 155-6, 158, 172 Bushrui, S.B., 13, 66, 89, 210 Byron, Lord, 12,162,168

Caesar, 131, 143 Calderon, Pedro, 136 Caliban, 95 Cambridge Anthropologists, 32 Camera della Segnatura, 169 Campbell, Mrs. Patrick, 139 Campbell, Thomas, 31 Canws, The, see Pound, Ezra

Carleton, William, 7, 31 Carlyle, Thomas, 151 Castiglione, Baldassare, 147, 156, 171

Book rif the Courtier, The, 171 'Centenary Celebration, A', see Clarke,

Austin Chambers, E.K.

'ExperimentsofMr. Yeats, The', 140 Chatterjee, Mohini, 158 Chaucer, Geoffrey, 170 Cheshire Cheese, 63 Chevy Chase, 177 Christ, Jesus, 3, 201 Cicero, 171 Clark, David, 142 Clarke, Austin

'Centenary Celebration, A', 89 Cleopatra, 188 'Coleridge', see Pater, Walter Coleridge, S.T., 12, 36, 82, 91, 160, 182,

197, 211 Biographia Literaria, 211 'Dejection: An Ode', 182 'Kubla Khan', 13, 75

Columcille, 28 Commentary on the Collected Poems of W.B.

Teats, A, seejeffares, A. Norman Conchubar, 70 Congreve, William, 29, 99, 136 Coriolanus, 151 Comeille, Pierre, 136, 151 Corrigan, R.W.

Tragedy: Vision and Form, 195 Craig, Gordon, 103, 104, 105, 106-7,

130, 139, 140 On the Art rif the Theatre, 139

Cressida, 151 'Critic as Artist, The', see Wilde,

Oscar Cronan, Mary, 16 Cruttwell, Patrick

Shakespearean Moment, The, 196 Cubism, 38 Cuchulain, 70, 78, 107, 155, 166-7 Culture and Anarchy, see Arnold, Matthew

Dadaism, 47 Dance of Death, 177

INDEX 223

Dante, Allighieri, 45, 49, 61, 128, 159-61, 182, 184, 202

Divine Comedy, 202 'Dark Rosaleen, The', see Mangan,

James Clarence Darling, Frank F.

'Where Does Responsibility Lie?', 85 Darwin, Charles, 154 Davidson, John, 13-14 Davis, Thomas, 18, 30, 33 'Day of the Rabblement, The', see

Joyce, James 'Decay of Lying, The', see Wilde, Oscar Defending Ancient Springs, see Raine,

Kathleen Deirdre, 78, 188 Deirdre, see A.E. Deirdre of the Sorrows, see Synge, J .M. 'Dejection: An Ode', see Coleridge,

S.T. Desai, Rupin W.

Yeats'•· Shakespeare, 142, 195 Development of a Critical Traditwn, The,

see Singh, Brijraj Dickens, Charles, 210 Dido, 148 Divine Comedy, see Dante Allighieri D'Olivet, 6 Donne, John, 90, 166 Donoghue, Denis, 122 Dowden, Edward, 188 'Dramatis Personae', see Eliot, T.S. Duchess of Malfi, 188 'Duchess of Malfi, The: At the Lyric and

Poetic Drama', see Eliot, T.S. Duffy, Charles Gavan, 30 Duncan, Isadora, 105

'Early History of the Abbey Theatre, The', see Malone, Andrew E.

Early Memories, see Yeats, J.B. Eglinton, John (William Magee), 15,

22, 87 Irish Literary Portraits, 15, 87 Literary Ideals in Ireland, 151

Eliot, George, 198 Eliot, T.S., 1, 2, 10, 11, 12, 42, 47, 51,

69, 74, 75, 76, 77, 79, 87, 89, 90,

91, 92, 106, 107, 109-10, 114-16, 122, 133, 134, 136-40, 142, 151-4, 157-9, 162, 163, 172, 175-6, 189, 197,198,200,203,208,210,211

After Strange Gods, 114, 210 Ash Wednesday, 91, 203 'Dramatis Personae', 140 'Duchess of Malfi, The: At the Lyric

and Poetic Drama', 140 Family Reunion, The, 188 Film of Murder in the Cathedral, The,

139 Four Quartets, 51, 91, 203 'Function of Criticism, The', 12, 159 Little Gidding, 153 'Love Song of J. Alfred Prufrock,

The', 203 Murder in the Cathedral, 89, 107, 114,

188-9 'Music of Poetry, The', 75 'Need for Poetic Drama, The', 140 Notes Towards the Definition of Culture,

153 On Poetry and Poets, 90, 138, 140 'Perfect Critic, The', 12 'Poetic Drama, The', 140 'Poetry and Drama', 75, 76, 90 'Possibility of a Poetic Drama, The',

114,115 Sacred Wood, The, 15, 140 Selected Essays, 15, 86, 140, 141, 193,

194, 211 Sweeney Agonistes, 79, 140 'Three Voices of Poetry, The', 49,

69, 90-1 'Tradition and the Individual Tal­

ent', 151, 159 'Ulysses, Order and Myth', 89 Use of Poetry and the Use of Criticism,

The, 91 Waste Land, The, 74, 154, 203

Ellis, Edwin J., 34, 36, 86 Ellis-Fermor, Una, 4, 114, 122

Frontiers of Drama, The, 4 Irish Dramatic Movement, The, 140

Ellmann, Richard, 33, 53, 55, 57, 90, 114, 194

Eminent Domain, 68, 114

224 INDEX

Itkntity qf Teats, The, 90 Teats: The Man and the Masks, 194

Elton, Oliver, 85 Emer, 166 Eminent Dumo.in, see Ellmann, Richard Empedocles on Etna, see Arnold, Matthew Engelberg, Edward, 1, 15, 36, 55, 86,

87, 141 Vast Design, The, 1, 15

Epstein, Jacob Stone Drill, The, 94

'Esoteric Flower: Yeats and Jung, The', see Olney, James

Essay on Shelley, see Browning, Robert Essays Irish and American, see Yeats,

J.B. Euripides, 115, 134 Everyman, 89 Ewing, M., 141 'Experiments of Mr. Yeats, The', see

Chambers, E.K.

Falstaff, Sir John, 74 Fami{y Reunion, The, see F.Jiot, T.S. Farr, Florence, 92, 98, 106, 134, 177 Fay Brothers, Frank and W.G., 105,

127, 130, 138, 140 Fenollosa, Ernest, 132-5 Ferguson, Sir Samuel, 30, 33, 51, 52,

66,90 Fianna, 167 Field, Michael (Katherine Bradley),

108 Film of Murder in the Cathedral, The, see

Eliot, T.S. andHoellering, George Finn, 28, 155, 166-7 Fool, The, 70, 73 Fort, Paul, 78 Four Quartets, see Eliot, T.S. Fraser, G.S., 86 Frazer, Sir James George, 32, 191-2

Scapegoat, The, 191-2, 195 French Academy, 6, 9, 10 French Symbolists, 54, 55, 88 Freud, Sigmund

Beyond the Pleasure Principle, 192 Frontiers of Drama, The, see Ellis-Fermor,

Una

Frye, Northrop, 47, 187 Anatomy of Criticism, An, 195 'Yeats and the Language of Symbo­

lism', 87 'Function of Criticism, The', see

Eliot, T.S. 'Function of Criticism at the Present

Time, The', see Arnold, Matthew Further Letters, see Yeats, J.B.

Gaelic League, 86 Gawain, Sir, 117 Genius of the Irish Theatre, The, see

Barnet, Sylvia Goethe, Johann Wolfgang, 12, 49, 96,

111, 112, 134, 151, 162 Gogarty, Oliver St. John, 28, 84, 86,

194 Goldsmith, Oliver,29, 198 Gonne, Maud (Mme. MacBride) 25,

63, 72, 73, 74, 84, 127, 130,194, 205-6, 211

Gosse, Edmund, 9 Granville-Barker, H., 104, 106, 139 Greene, David, and Stephens, E., 15 Gregory Household, 149 Gregory, Lady Isabella Augusta, 18, 73,

78, 86, 91, 93, 106, 108, 113, 114, 126-30, 139, 140, 154-5, 168, 183, 194, 195, 210

Itkals in Ireland, 151 Our Irish Theatr~, 140 Seven Short Plays, 113 Visions and Beliefs in the West of Ire-

land, 195 Gregory, Robert, 176 Grierson, Sir H. J.C., 79, 90 Guha, Naresh, 89

Hall, James, and Steinmann, M., 140, 141, 211

Hallam, Arthur Henry, 11, 55, 60-5, 66, 72, 95, 118, 144, 145, 164-6, 168, 169, 205

'On Some of the Characteristics of Modem Poetry .•• ', 60-4

Hamlet, Prince, 74, 182 Hamlet,see Shakespeare, William

INDEX 225 Hand, 35 Hanrahan, 17 5 Harper, George Mills, 54, 87 Helen of Troy, 73 Hemans, Mrs. F.D., 31 Henley, William Ernest, 87 Henn, T.R., 84, 89, 193, 199, 210,211

Lonely Tower, The, 89, 210 Plays and Poems of J. M. Synge, The,

210 'Towards the Values', 84, 193, 211

Heritage of Symbolism, The, see Bowra, C.M.

Hermetic Society (Dublin), 19 History of Modern Criticism, A, see Wellek,

Rene Hodos Chameliontos, 44, 47, 86 Hoellering, George

Film of Murder in the Cathedrol, The, 139

Homer, 24, 49, 52, 61, 167 Horniman, Miss A.E., 103, 113 Hough, Graham, 19, 84, 86, 89, 194 How Many Children Had Lady Macbeth?,

see Knights, L.C. Hugo, Victor, 31 Hulme, T.E., 153, 159 Huxley, T.H., 154 Hyde, Douglas, 7, 13, 31, 78, 86, 144

Ibsen, Henrik, 37, 96, 106, 107, 108, 109, 120, 124, 127, 140, 151, 210

Ideals in Ireland, see Gregory, Lady Isabella Augusta

Identity of Teats, The, see Ellmann, Richard

Idylls of the King, see Tennyson, Lord 'In Dublin', see Beerbohm, Max In General and in Particular, see Bowra,

C.M. Intentions, see Wilde, Oscar Intima Teatern, 137 Irish Academy of Letters, 9, 10 Irish Dramatic Movement, 93, 94, 96,

101, 110, 125, 126, 139 Irish Dramati& Movement, The, see Ellis­

Fermor, Una Irish Literary Portraits, see Eg1inton, J.

P.C.-16

Irish Literary Theatre, 122 Irish National Theatre Company, 101,

113 Ishibashi, Hiro, 142 Ito, M., 136, 137

Jeffares, A. Norman, 15, 211 Commentary on the Collected Poems of

W.B. Teats, A, 211 W. B. Teats: Man and Poet, 15

Jensen, Ejner 'Antinomical Vision ofW. B. Yeats,

The', 89 Jerusalem, see Blake, William John of the Cross, St., 158 Johnson, Lionel, 36, 59-60, 74, 79, 88

Poetry and Ireland, 88 'Poetry and Patriotism in Ireland',

88 'Poetry and Politics', 59-60, 88 Post Luminium, 86, 88 'William Blake', 86

Johnson, Dr. Samuel, 206 Johnston, The Bookseller, 34 Jones, Henry Arthur, 94 Jonson, Ben

Alchemist, The, 120 Volpone, 120

Journal and Letters, see MacKenna, Stephen

Joyce, James, 71, 126, 141, 194 Anna Livia Plurabelle, 71 'Day of the Rabblement, The', 141 Ulysses, 74

Jubainville, D'Arbois de, 167 Jung, Carl Gustav, 46, 87

Keats, John, 49, 56, 60, 61, 162, 184 Kenner, Hugh, 5, 14, 83

'Sacred Book of the Arts, The', 15, 83-4, 91

T.S. Eliot, 15 Kermode, Frank, 65, 131, 141 King Lear, see Shakespeare, William Knight, G. Wilson, 87, 138

Wheel of Fire, The, 87, 191 Knights, L.C.

226 INDEX

How Many Children Had Lady Macbeth?, 191

Koch, Vivienne, 90 Koestler, Arthur

'Art and the Law of Diminishing Returns', 195

'Kubla Khan', see Coleridge, S. T.

Lady Chatterley's Lover, see Lawrence, D.H.

Landor, Walter Savage, 184 Lane Controversy, 38, 72, 127 Lawrence, D.H., 77, 210

Lady Chatterley's Lover, 210 Lays of Ancient Rome, see Macaulay,

Thomas Babbington Lear, 35, 80, 160 Leavis, Dr. F.R., 1-2, 114, 201-2, 211 Lentricchia, Frank, 50, 87 Letters of Ezra Pound, The, see Paige,

D.D. Letters to His Son and Others, see Yeats,

J.B. Literary Ideals in Ireland, see Eglinton,J. Literature as a 'criticism of life', II, 22,

48, 179 Little Gidding, see Eliot, T.S. Lonely Tower, The, see Henn, T.R. Longfellow, H.W., 31, 32, 155 Lorenzo de Medici, 164 'Love Song of]. Alfred Prufrock, The',

see Eliot, T. S. Lucifer, 57 Lyly,John, 170 'Lyric Voice in the Irish Theatre, A',

see O'Connor, Frank

Macaulay, Thomas Babbington Lays of Ancient Rome, 31

Macbeth, Lady, 191 MacBride, Maj. John, 72 MacBride, Mme., see Gonne, Maud MacKenna, Stephen

Journal and Letters, 90 Macleod, Fiona (William Sharp), 101,

102 McHugh, Roger, 211 Maeterlinck, Maurice, 56, 109, 137

Mallarme, Stephane, 50, 55-6 Malone, Andrew E., 113, 114, 140

'Early History of the Abbey Theatre, The', 140

Mangan, James Clarence, 30, 33, 42, 86

'Dark Rosaleen, The', 42 'O'Hussey's Ode for the Macguire',

42 Marcus, Phillip L.

Teats and the Beginning of the Irish Renaissance, 211

Martyn, EJward, 106 l'vbsefield, John, 92 Mask, 57, 58, 80-2, 91, 109, 159-60,

194, 199 Mathers, MacGregor, 19, 39, 52 Maxwell, D.E.S., 89 Melchiori, Giorgio, 33, 36, 86, 87, 99,

139 Mill,John Stuart, 74 Miller, Liam, 141, 142 Milton, John, 16, 114, 119, 172 M.M.B., 140 'Modernity of Yeats, The', see Parkin-

son, Thoma> lv!okashi-Punekar, S., S!j Moliere, 136 Mona Lisa, 195 l'vioore, George, 24, 78, 85, 90, 106,

139, 141, 194 Moore, Virginia, 54 Morris, William, 25, 87, 89, 90, 209 Moscow Art Theatre, 104, 139, 140 Mutter, T.H. Vail

Writings of Arthur Henry Hallam, The, 88

Murder in the Cathedral, see Eliot, T.S. Murray, Gilbert, 115 'Music of Poetry, The', see Eliot, T.S.

National Literary Society, 125 'Need for Poetic Drama, The', see

Eliot, T.S. New Irish Library, 30 Nietzsche, Frederick, 146 Notes Towards the Definition of Culture, see

Eliot, T.S.

INDEX 227 O'Casey, Sean, 175, 177-8, 198

Silr•er Tassie, The, 175, 177-8, 183 O'Connor, Frank, 16, 50, 128, 129,

141 'Lyric Voice in the Irish Theatre, A',

141 O'Donnell, W.H., 195 Oedipus, 80, 160 Oedipus at Colonus, see Sophocles Oedipus Tyrannus, see Sophocles Off Broadway, see Anderson, Maxwell O'Grady, Standish, 7, 13, 31 'O'Hussey's Ode for the Macguire',

see Mangan, James Clarence Oisin, 28 O'Leary, John, 36 Olney, James

'Esoteric Flower: Yeats and Jung, The', 87

On Poetry a11d Poets, see Eliot, T.S. 'On Some of the Characteristics of

1\lodern Poetry ... ', see Hallam, Arthur Henry

On the Art of the Theatre, see Craig, Gordon

Ophelia, 182 Order of the Golden Dawn, 19 Orpheus, 86 Our Irish Theatre, see Gregory, Lady

Isabella Augusta Owen, Wilfred, 175, 177-8

Paige, D.D. Letters of E;;ra Pound, The, 141

Paracelsus, 161 Parkinson, Thomas, 13, 66, 90, 210,

2ll 'Modernity of Yeats, The', 210, 2ll W.B. reats Self-Critic, 90 W.B. reats: The Later Poetry, 90

Parnell, Charles Stuart, 149 Pater, Walter, 12-13, 14, 21, 50, 54-5,

56, 63, 82, 87, 88, 90, 164, 166, 170, 194, 195, 198, 207

Appreciations, 15, 88 'Coleridge', 12 Renaissance, The, 87, 88, 164, 194 'Style', 12

Patrick, St., 28 Peacock, Ronald, 122, 136, 142 Pellisson, 6 People's Theatre, 64, 93, 130, 132, 202 'Perfect Critic, The', see Eliot, T.S. Pericles, 164 Persians, The, see Aeschylus Persian Sufi, see Rumi, Jalaluddin Phaedra, 170 Phidias, 162 Picture of Dorian Gray, The, see Wilde,

Oscar Plato, 59, 88

Republic, The, 88 Pla;•boy of the Western World, The, see

Synge,J.M. Plays and Poems of J.M. Synge, The, see

Henn, T.R. Plotinus, 83, 91, 194 Plutarch, 162 Pluto, 86 Poel, William, 139 Poems Chiefly Lyrical, see Tennyson, Lord 'Poetic Drama, The', see Eliot, T.S. Poetics, The, see Aristotle 'Poetry and Drama', see Eliot, T.S. Poetry and Ireland, see Johnson, Lionel,

and Yeats, W.B. (PROSE) 'Poetry and Patriotism', see Johnson,

Lionel 'Poetry and Politics', see Johnson,

Lionel Polletta, Gregory, 33, 86 Pollexfen, 17, 51, 65, 83, 84, 91, 144,

184 Pope, Alexander, 198 'Possibility of a Poetic Drama, The',

see Eliot, T.S. Post Luminium, see Johnson, Lionel Pound, Ezra, 71, 77, 80, 130, 131, 135,

140, 141, 149, 175 Practical Criticism, see Richards, I.A. Prayer Book, 188 Prelude, The, see Wordsworth, William Price, Alan, 200, 210, 211 Principles of Literary Criticism, The, see

Richards, I.A. Prolegome11a, see Saul, G.B.

228 INDEX

Prometheus, 28 Prometheus Unbound, see Shelley, P.B. Propertius, 80 Protestant Ethic and the Spirit tif

Capitalism, The, see Weber, Max Proust, Marcel, 71 Ptolemy, 195 Puritan Revolution, 172-4

Quartets, see Eliot, T. S. Queen, The, 121 Quinn, John, 73, 91

Racine, Jean, 95, 151 Raftery, Anthony, 25, 145 Raine, Kathleen, 54, 88, 89

Difending Ancient Springs, 89 'Yeats and Platonism', 88 'Yeats's Debt to William Blake', 87

Rajan, B., 133, 135, 141 Raleigh, Sir Walter, 149, 168 Ransom, John Crowe, 2

'T.S. Eliot: The Historical Critic', 15

Raphael, 169, 172 Reid, B.L., 91 Reinhardt, Max, 104 Renaissance, The, see Pater, Walter Renan, Ernest, 24 Republic, The, see Plato Rhymers Club, 14, 63, 145, 156, 162,

169 Richards, I.A., 47, 72, 87, 195, 196

Practical Criticism, 87 Principles of Literary Criticism, The,

72, 87, 195, 196 Robinson, Lennox, 103, 106, 114, 128,

129, 139, 140 Romeo, 80, 160 Ronsley, Joseph

Teats's Autobiography: Life as Symbolic Pattern, 88

Royal Irish Academy, 9 Rudd, Margaret, 54 Ruddock, Margot, 211 Rumi,Jalaluddin (Persian Sufi), 33 Ruskin, John, 6, 25 Russian Ballet, 104, 106

'Sacred Book of the Arts, The', see Kenner, Hugh

Sacred Wood, The, see Eliot, T.S. Salvadori, Corinna, 141 Salvini, Tomasso, 105 Samson, 119 Satan, 71 Saul, G.B.

Prolegomena to the Study of Teats's Plays, 211

ProlegomeM to the Study tif Teats's Poems, 211

Scapegoat, The, see Frazer, J.G. Schiller, Johann C.F., 178 Scott, Walter, 31 Seanchan, 146 Seiden, Morton 1., 33, 86 Selected Essays, see Eliot, T.S. Sena, Vinod, 89, 139

'Uniqueness of Theatre, The', 139 'W.B. Yeats and the Indian "Way

of Wisdom" ', 89 Seven Short Plays, see Gregory, Lady

Isabella Augusta Shakespeare, William, 31, 35, 49, 61,

68, 70, 77, 79, 89, 90, 91, 95, 102, 104, 107, 113, 121, 127, 133, 135, 151, 172, 183, 184, 186-8, 191, 195, 202, 209

Hamlet, 139, 182 King Lear, 202

Shakespearean Moment, The, see, Crutt­well, Patrick

Shapiro, Karl, 84, 91 'True Artificer, The', 84

Shaw, George Bernard, 10, 37, 94, 96, 105, 106, 114, 210

Arms and the Man, 94 Shewing-Up tif Blanco Posnet, The, 9

Shelley, Percy Bysshe, 11, 17, 23, 28, 29, 30, 45, 46, 60, 61, 64, 90, 162, 168

Prometheus Unbound, 28 Sherman, John, 174 Shewing-Up of Blanco Posnet, The, see

Shaw, George Bernard Sidney, Sir Philip, 149, 168 Silver Tassie, The, see O'Casey, Sean

Singh, Brijraj, 33, 87 Developmnrt of a Critical Tradition, The,

87 Smaragdine Tablet, ZO Smart, Christopher

'Song of David', 198 Socrates, 3, 154 Sllhrab and Rustum, see Arnold, Matthew Song and Its Fountains, see A.E. 'Song of David', see Smart, Christopher Sophocles,49, 135,184,192,202

Oedipus at Colonus, 187 Oedipus Tyrannus, 187

Spenser, Edmund, 68, 90, 170, 173 Stallworthy, Jon, 13, 66, 194

Vision and Revision in reats' s Last Poems, 194

Stanislavsky, Konstantin, 103-5, 140 Starkie, Walter

'Yeats and the Abbey Theatre', 141 Stauffer, Donald, 87 Stendhal, Henri Beyle, 190 Stock, Amy G., 15, 63, 85, 88, 89, 205,

211 'Yeats on Spenser', 15

Stone Drill, The, see Epstein, Jacob Strindberg, August, 96, 106, 137, 139 Strong, L.A.G., 53, 198 Stuart-Glennie, J .S., 32 Studies in Prose and Verse, see Symons,

Arthur Sturge-Moore, T., 38, 85 'Style', se~ Pater, Walter Surrealism, 4 7 Swedenborg, Emmanuel, 37,44 Swedish Academy, 124 Sweeney Agonistes, see Eliot, T.S. Swift,Jonathan, 153, 198 Swinburne, Algernon Charles, 109 Swineherd, The, 121 Symbolist Movement in Literature, The, se~

Symons, Arthur Symons, Arthur, 33, 50, 54, 55, 78, 89,

139, 194 Studies in Prose and Verse, 89 Symbolist Movement in Literature, The,

55 Synge, J.M., 18, 50, 72, 73, 76, 78,

229 90, 91, 106, 108, 112, 126, 127, 128, 147, 158, 162, 168, 186, 188, 199-200, 206, 210, 211

Deirdre of the Sorrows, 186, 188 Playboy of the Western World, The, 9,

73, 126, 127

Tagore, Rabindranath, 70, 147, 189 Taylor, Jeremy, 6 Taylor, John F., 18, 74-5 Tennyson, Lord, 51, 60, 66

Idylls of the King, 51 Poems Chiefly Lyrical, 60

Theatre of Silence, 122 Theory of Literature, The, see Wellek,

Rene and Warren, Austin Theosophist Lodge, 19 Thirty-six Situations of Drama, The, 111 Thompson, I.W., 87 'Three Voices of Poetry, The', see

Eliot, T. S. Timon, 57 Tindall, W. M., 45, 86 Tiresias, 80, 160 Todhunter, John, 157 Tolstoy, Leo, 198 Touchstones, 11, 52, 68 'Towards the Values', see Henn, T.R. 'Tradition and the Individual Talent",

see Eliot, T.S. Tragedy and the Pamdox of the Fortunate

Fall, see Weisinger, Henry Tragedy: Vision and Form, see Corrigan,

R.W. Tragic Generation, 63, 206. See also

'The Tragic Generation' under Yeats, W.B. (PRosE)

'True Artificer, The', see Shapiro, Karl T. S. Eliot, see Kenner, Hugh 'T.S. Eliot: The Historical Critic', see

Ransom,John Crowe Turner, Walter James, 77, 176,210 Tuve, Rosemond, 89 Tynan, Katherine, 89, 123, 204 Tyndall,John, 154

Ueda, Makoto, 86,89 Ulysses, see Joyce, james

230 INDEX

'Ulysses, Order and Myth', see Eliot, T.S.

Umawaku, 134 'Uniqueness of Theatre, The', see

Sena, Vinod lJnity of Being, 72, 169, 171, 190 Use of Poetry and the Use of Criticism,

The, see Eliot, T.S.

Van Eycks, 151 Vast Design, The, see Engelberg, E. Verlaine, Paul, 55, 66, 197, 208-9 Vers Libre, 77 Villon, Francois, 57, 90, 160-1, 182,

184, 202 Virgil, 56 Vision and Revision in Yeats's Last Poems,

see Stall worthy, Jon Visions and Beliefs in the West of Ireland,

see Gregory, Isabella Augusta Volpone, see Jonson, Ben

\Vagner, Richard, 14, 15, 18, 139 Walkley, A.B., 113 'Walter Pater's Criticism in its Contem­

porary Relations', see Bagchi, Jasodhara

War Poets, 175-7, 183, 198 \-\Tarren, Austin, 47, 87

Theory of Literature, The, 87 Waste Land, The, see Eliot, T.S. 'W.B. Yeats and the Indian "Way of

Wisdom" ', see Serra, Vinod W.B. Yeats: Man and Poet, see .Jeffares,

A. Norman W.B. Yeats Self-Critic, see Parkinson,

Thomas W.B. Yeats: The Later Poetry, see Parkin­

son, Thomas Weber, Max, 173, 194

Protestant Ethic and the Spirit of Capitalism, The, 194

Weisinger, Herbert, 192-3 Tragedy and the Paradox of the Fortunate

Fall, 196 Wellek, Rene, 47, 87, 88

History of Modern Criticism, A, 88 Theory of Literature, The, 87

Wellesley, Dorothy, 76, 100, 168, 175-6, 195, 210

What is Theatre?, see Bentley, Eric Wheel of Fire, The, see Knight, G. Wilson 'Where Does Responsibility Lie?', see

Darling, F.F. vVbitaker, Thomas, 51, 86, 87 vVilde, Oscar, 12-13, 57-8, 75, 76, 80,

93, 94-5, 105, 165-6, 168, 170, 207

'Critic as Artist, The', 13, 57 'Decay of Lying, The', 57-8, 93, 95,

165 Intentions, 15, 88, 194 Picture of Dorian Gray, The, 93 Woman of No Importance, A, 93

'William Blake', see Johnson, Lionel Williams, Raymond, 122 Wilson, F.A.C., 54 Wishfort, Lady, 99 Woman of No Importance, A, see Wilde,

Oscar Wordsworth, William, 3, 20, 22, 60-1,

79, 82, 85, 87, 90, 91, 133, 160, 161, 172, 209

Prelude, The, 3, 4 Writings of Arthur Henry Hallam, The,

see Motter, T.H. Vail

'Yeats and the Abbey Theatre', see Starkie, Walter

Yeats and the Beginning of the Irish Renaissance, see Marcus, Phillip L.

'Yeats and the Language of Symbolism', see Frye, Northrop

'Yeats and Platonism', see Raine, Kathleen

Yeats, Jack Butler, 11 Yeats, John Butler, I, 2, 17, 23, 38, 41,

50, 53-4, 65, 68, 69, 74, 80, 81, 83, 84, 85, 86, 90, 91, 142, 144, 149, 184, 194

Early Memories, 84, 85, 142 Essays Irish and American, 85 Further Letters, 86 Letters to His Son and Others, 142

Yeats Memorial Lecture, 114 'Yeats on Spenser', see Stock, Amy G.

INDEX

Yeats: The Man and the Masks, see EHmann, Richard

Yeats's Autobiography: Life as Symbolic Pattern, see Ransley, Joseph

'Yeats's Debt to \'\'illiam Blake', see Raine, Kathleen

Yeats's Shakespeare, see Desai, R.W. Yeats, \Villiam Butler

Basic Assumptions, 19-20, 24, 34·, 85; and the Doctrine of Spiritual

Gravitation, 53 and Romanticism, 14, 27, 84,

159-63, 204 and Time, 21, 91, 193

WORKS: PLAYS

At the Hawk's Well, 140 Cathleen ni Houlihan, 112, 205 Countess Cathlem, The, 13, 78, 107,

125, 143 Death ofCuchulain, The, 8!, 131 Deirdre, 109, 127, 133, 135, 137, 139 Dreaming of the Bones, The, 136 Fighting the Waves, 141 Full Moon in March, A, 121 Green Helmet, The, 78, 107, 109, 110 Hour-Glass, The, 41, 107, 131 Island of Statues, The, 28, 68 King's Threshold, The, 144, 146 Land of Heart's Desire, The, 94 .V!osada, 28, 68 On Baile's Strmzd, 70, 73, 109, 131,

137 Player Queen, The, 141 Seeker, The, 68 Shadowy lt'aters, The, !09, 131, 136,

137 Words upon the vVindow-Pane, The, 121

POETRY

'Acre of Grass, An', 90 'Among School Children', 73, 89,

201-2 'Dialogue of Self and Soul, A', 184 'Easter 1916', 71 'Ego Dominus Tuus', 163 'Fascination of What's Difficult,

The', 122

231

'Irish Airman Foresees his Death, An', 176

'Lapis Lazuli', 195 Green Helmet and Other Poems, The, 72 'Man and the Echo, The', 205 'No Second Troy', 73 'Prayer for My Daughter, A', 15, 85,

180 'Sailing to Byzantium', 73, 86, 202 Shadowy Waters, The, 67 'Statues, The', 15 Tower, The, 65 'Under Ben Bulben', 81 Wanderings ofOisin, The, 13, 41,66-7,

69, 86, 89, 143

PROSE

'Advice to Playwrights', 140 'Aglavaine and Sdysette', 88 Ah Sweet Dancer, 211 'Art and Ideas', 17 Autobiographies, 3, 88 'Canonical Book, A', 85, 195 'Celtic Beliefs about the Soul', 195, Celtic Twilight, The, 2, 5 'C.-rtain ?'\oble Plays of Japan',

17-18, 134, 138, 141 'Child and the State, The', 152 Collected 11lorks in l'erse and Prose, 85,

86, 89, 104, 193, 195 Cutting of an Agate, The, 5, 138 Discoveries, 3, •}, 17, 44, 64 'Discoveries: Second Series', 194 'Edmund Spenser', 173 'Emotion of Multitude', 3, 108-9 Estrangement, 2, 9, 183, 211 'First Principles', 101-3 'Friends of My Youth', 157 'General Introduction for My \'\'ork,

A', 80 'Greek Folk Poesy', 195 'Guitar Player, A', 3 Ideas of Good and Evil, 1, 4, 5, 17, 31,

51, 73, 108 'Ifl \'\'ere Four-and-Twenty', 18, 85 'Ireland and the Arts', 31, 33,85 'Irish Dramatic Movement, The',

17, 119

232 INDEX

'Irish Fairy Beliefs', 85 'Irish Literary Theatre: 1899', 141 'Irish Literary Theatre: 1900', 141 'Irish National Theatre, An', 31 John Sherman, 88, 89 Letters on Poetry from W.B. reats to

Dorothy Wellesley, 18 'Literary Movement in Ireland,

The', 85 'Magic', 34, 36, 193 Memoirs, 88 'Modern Ireland', 193 'Modern Irish Poetry', 86, 89 'Mr. Lionel Johnson's Poems', 88 'Necessity of Symbolism, The', 34-7,

41, 48,86 'Note on the First Performance of

"At The Hawk's Well"', 141 'Of Holy Places', 85 On the Boiler, 18 Oiford Book of Modern Verse, 18, 175,

195 'People's Theatre, A', 9, 130 Per Arnica Silentia Lunae, 18, 90, 193 'Plans and Methods', 85 Poetry and Ireland, 88 ' Poetry and Tradition', 17 'Poetry of Sir Samuel Ferguson,

The', 16, 48, 51-3 'Popular Ballad Poetry of Ireland',

146

'Prisoners of the Gods, The', 85 'Prophet, Priest and King', 3 'Reform of the Theatre, The', 101,

110 Secret Rose, The, 2 'Some New Letters from W.B. Yeats

to Lady Gregory', 139, 140, 141 'Symbolical Drama in Paris, A', 88 Ten Principal Upanishads, The, 90 'Theatre, The', 95, 116, 140 'Theatre of Beauty, The', 139 'Tower in the Apennines, A', 64-5,

66 'Tragic Generation, The', 166,

168-9, 206 'Tragic Theatre, The', 5, 9, 17, 111,

138, 185-7 'Tree of Life, The', 64, 71 Trembling of the Veil, The, 18, 168 Tribute to Thomos Davis, 89 Vision, A, 18, 19, 48, 54, 86, 194,

199 'Way of Wisdom, The', 85, 89 W.B. reats's Letters to Katherine Tynan,

211 'What is Popular Poetry?', 31-2 'Young Ireland', 86, 88

Young Ireland Writers, 29, 31, 62, 157

Zwerdling, Alex, 87, 141