branding & marketing that works for photographers & creatives

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BRANDING & MARKETING That Works for Photographers & Creatives Bill Cramer/CEO

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Branding & Markting

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Page 1: Branding & Marketing That Works for Photographers & Creatives

BRANDING & MARKETING That Works for Photographers & Creatives

Bill Cramer/CEO

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BRANDING +

MARKETING

Promotion equals…

Create a memorable identity for your photography

Introduce that identity to appropriate clients

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BRANDING

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▹  Who you are, what you do, how you do it

▹  Specialties, style, audience

▹  Not just about your “favorite” pictures

▹  A good portfolio looks forward, not back

▹  In a nutshell: these are the kinds of pictures you can expect to get from me

▹  Consistent, intelligent use of type, color and graphics builds familiarity

▹  Communicates your level of professionalism

▹  In a nutshell: this is what it’s going to be like to work with me

Branding

Choose the right pictures to show

Design marketing materials to support those pictures

PHOTOGRAPHIC IDENTITY GRAPHIC IDENTITY

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PHOTOGRAPHIC IDENTITY

Branding

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How do I determine my photographic identity?

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What you like to do.

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What you like to do.

What you are good at doing.

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What you like to do.

What you are good at doing.

What the marketwants from you.

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What you like to do.

What you are good at doing.

What the marketwants from you.

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What you like to do.

What you are good at doing.

What the marketwants from you.

PHOTOGRAPHIC

IDENTITY

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GRAPHIC IDENTITY

Branding

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Ties together all of your marketing materials:

Website

Blog / Social Media

Print Portfolio

Mailers / Leave Behinds

Stationery

Graphic Identity

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WEBSITE ▹  Match URL to your company name— yourname.com or yournamephotography.com

▹  Consistent use of work mark/logo, color, design

▹  Large images

▹  Logical sections with meaningful names

▹  Concise galleries < 30 images

▹  Intuitive navigation—show what gallery you are on, where you are in that gallery, make it easy to move forward and back

▹  No music, no elaborate intros, no splash page, no water marks, no “recent work” section

▹  Mobile device friendly

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WEBSITE ▹  Contact page with contact info and location

▹  About page with bio and picture of you

▹  Link to blog and social media

▹  If images can be dragged off your site, include metadata with name, copyright, and contact info

▹  Check spelling, punctuation, grammar

▹  Make sure copyright notice is current

▹  Update photos regularly

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BLOG/SOCIAL MEDIA ▹  Coordinate (but don’t duplicate) the look with your main website

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PRINT PORTFOLIO ▹  Still important for big jobs

▹  Makes a great conversation piece for face to face meetings

▹  Make it visually consistent with your website, but not a printed version of it

▹  Include your logo/word mark, contact information

▹  Pick materials that suit your style and audience

▹  Update regularly

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MAILERS/LEAVE BEHINDS

▹  E-Mailer

▹  Post card

▹  Accordion

▹  Booklet

Most get thrown away, so do what you can�

to stand out…

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MAILERS/LEAVE BEHINDS

▹  E-Mailer

▹  Post card

▹  Accordion

▹  Booklet

▹  Cupcakes

Most get thrown away, so do what you can�

to stand out…

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STATIONERY ▹  Business Card

▹  Letterhead

▹  #10 Envelope

▹  Crack-N-Peel Label

▹  Same look as your other marketing materials

▹  Design is important, but function comes first

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THE LITTLE THINGS

Branding

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THE LITTLE THINGS ▹  What’s your email address ? Should match your url

▹  What do your emails look like? Normal sized (black or dark gray) text

▹  Do you have a proper email signature?

▹  What do your estimates look like? Treatments when appropriate

▹  How do you answer the phone? What does your outgoing message say?

▹  How do you dress?

▹  Are you responsive to emails and phone calls?

▹  Are you nice? Are you easy to get along with?

▹  Do you send thank you notes to your clients after a big job?

▹  Everything you do, say and create is part of your brand

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Case study

Mark Katzman Lifestyle, St. Louis

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Case study

Jonathan Chapman Lifestyle, Minneapolis

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MARKETING

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BRANDING +

MARKETING

Promotion equals…

Create a memorable identity for your photography

Introduce that identity to appropriate clients

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▹  You never know who might relate to your work

▹  There are a lot of clients out there that you don’t know exist

▹  Take charge of your career path

▹  Get where you want to go

Marketing

Make it easy for clients to find you

Seek out clients who are right for you

PASSIVE MARKETING ACTIVE MARKETING

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PASSIVE MARKETING

Marketing

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Website Blog Social Media Online Photographer Directories Printed Source Books Ads Picture Agencies Reps Editorial Credits Contests News Releases SEO SMO

Passive�Marketing

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WEBSITE ▹  The only absolutely essential marketing tool

▹  Centerpiece of every photographer’s promotional efforts ▹  Your other marketing tools should drive viewers here

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▹  Highly recommended

▹  Opportunity to talk about your process and about your recent projects ▹  Helps bring out your personality, allows clients get to know you

▹  Helps with SEO

BLOG

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SOCIAL MEDIA

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ONLINE PHOTOGRAPHER DIRECTORIES

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PRINTED SOURCE BOOKS

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ADS

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PICTURE AGENCIES

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REPS

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EDITORIAL CREDITS

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CONTESTS

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NEWS RELEASES

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SEO (Search Engine Optimization)

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SEO TIPS ▹  Avoid Flash (unless you have an HTML ghost site behind it)

▹  Tag your photos so search engines can recognize them

▹  Example: Portrait Photographer Philadelphia, PA Bill Cramer Photography

▹  Link to other relevant sites and have relevant sites link to you

▹  A blog is a great place to include lots of relevant text that search engines look for

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SEM (Search Engine Marketing)

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ACTIVE MARKETING

Marketing

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Research Customer Relationship Management

(CRM) Prospect Contact Lists Email Broadcasting Services Mass E-mailers / Print Mailers Individual Emails / Print Mailers Phone Calls Portfolio Meetings Industry Events

Active�Marketing

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RESEARCH ▹  Record Companies

▹  Fashion, cosmetics

▹  Media Companies

▹  Architects

▹  Department Stores

▹  Institutions, schools, hospitals

▹  Ad Agencies

▹  Magazines

▹  Corporations

▹  Graphic Design Firms

▹  Non-Profits

▹  Book Publishers

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CUSTOMER RELATIONSHIP"MANAGEMENT (CRM)

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PROSPECT CONTACT LISTS ▹  Agency Access (now owns ADBASE and

Bikini Lists), Creative Access

▹  Find and target the right clients for you

▹  Build a list, then refine it over time

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EMAIL BROADCASTING SERVICES

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MASS E-MAILERS/PRINT MAILERS ▹  Spray and pray?

▹  Limit your list to relevant prospects (don’t add to the noise)

▹  Use catchy subject lines

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INDIVIDUAL EMAILS/PRINT MAILERS ▹  Personalize each email by drawing a connection between what you’re offering and the

needs of that particular client

▹  Much more time consuming than mass emails, but can be more effective too

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PHONE CALLS ▹  Have a purpose

▹  Get a meeting

▹  Pitch a project

▹  Send some emailers or print mailers first to build familiarity

▹  Create a script so you know what you’re going to say

▹  Research the client before you call so you know that you’re relevant to them

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PORTFOLIO MEETINGS ▹  Meet with clients who are

most important to you (and the best match for you)

▹  Clients are generally interested in meeting with photographers who are relevant to their needs

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INDUSTRY EVENTS ▹  Speed-Dating (pay-to-play) style

portfolio reviews ▹  Art Directors Club and other

associations are opportunities to meet clients

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WORD OF MOUTH / NETWORKING / CHANCE MEETINGS

Marketing

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You can’t do it all.

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Shoot pictures

Integrate them into your marketing materials

Show marketing materials to clients

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RESULTS

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WHAT’S ALL THIS TRYING TO ACCOMPLISH?

Results

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For the photographer: work with clients who are right for you.

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For the creative: build a level of comfort so that they’re willing to

take a chance on you.

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More Resources

Go to our blog and navigate to How We Help Photographers > Resources

Expert Advice Articles Go to our blog and type in “Expert Advice:” into the search field

Print & iPad Portfolios Go to our blog and scroll down to YouTube Videos

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Questions?

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Thank you!

(The End)