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BRITISH ACADEMY SCOTLAND AWARDS

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Welcome from Claire Mundell Page 7

Welcome from John Willis Page 9

Industry Comment Page 10

Winners 2012 Page 11

Previous Winners Photoshoot Page 12

Juries 2013 Page 22

Nominations 2013 Page 24

In Memoriam Page 29

Award Partners Page 45

Thanks Page 46

CONTENTS

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Understanding your vision, delivering quality

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Understanding your vision, delivering quality

Glasgow 0141 429 4200 Edinburgh 0131 229 5000London 020 7622 9888 Manchester 0161 604 0701

Find us online @ procam.tv

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British Airways would

like to offer the best

of luck to all of this

evening’s nominees.

The Airbus A380 operates out of London Heathrow Terminal 5.

SWK8739 BAFTA Scotland Ad-A4.indd 1 03/10/2013 10:04

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It’s been another eventful and memorable year for the screen industries in Scotland and we’re here tonight to recognise, celebrate and reward the best of our film, television and games talent. We’re very pleased to welcome back Edith Bowman to host our ceremony after doing such a great job last year and we’re delighted that you’re all here to enjoy what we hope will be another great night.

While these awards and this ceremony are the focal point of our year, BAFTA Scotland continues to evolve and grow in other areas. The BAFTA Scotland New Talent Awards earlier in the year attracted record numbers of entries and the quality and range of the work on show was greater than ever. Our events programme is expanding all the time and we have done around 30 master-classes, panel sessions and Q&A’s this year across the whole of Scotland. Some of these have celebrated the talent of Scottish based practitioners while others have brought world class talents to Scotland to share

their experiences, including film producer Stephen Woolley, comedy legend Henry Normal and our very own home grown star James McAvoy. We’re also doing more and more outreach work in colleges, universities and with emerging creators and we’ve recently launched our first internship. It’s an exciting time and we’re proud that more and more people are joining BAFTA Scotland and engaging with the diversity of activity we’re trying to produce.

Earlier this year, our committee decided to look at some changes to the individual categories in our awards so that Scottish actors, actresses, directors and writers could be given the opportunity to enter work in British as well as Scottish productions. It was the source of a lot of debate and not a decision we were going to take lightly, but our view was that we wanted Scottish practitioners to be able to have the chance to win a competitive BAFTA award in Scotland. I’m delighted to say that the Board at BAFTA backed us in our ambitions and you may see the results of that reflected in some of our nominations tonight. I hope you will agree with me when I say it adds to the quality and credibility of what is increasingly becoming a highly respected awards ceremony.

A big thank you as ever to all the sta! at BAFTA Scotland, our colleagues at BAFTA in London, all our partners, suppliers and volunteers for all their hard work tonight in putting on

this ceremony and the preparation undertaken during the weeks and months since our call for entries. We’re all working together to give our beloved industry a British Academy Scotland Awards ceremony to be proud of and cherish, which we also hope will be great fun. I would like to congratulate all our nominees this evening and wish them good luck. I would also like to wish you all a fantastic evening and I look forward to speaking with many of you later.

All my best wishes.

Claire Mundell Chair of BAFTA Scotland

HELLO EVERYONE AND A VERY WARM WELCOME TO THE BRITISH ACADEMY SCOTLAND AWARDS 2013

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The Awards are presented annually to recognise, honour and reward individuals and productions for their outstanding achievements across Scotland’s screen industries. We also get the chance to celebrate and reward excellence for Scottish practitioners working in British productions.

BAFTA’s charitable work isn’t all about the Awards – its year-round learning and events activity reaches out to communities all round the UK and the USA. We work hard to nurture and develop the interests of the public in the art forms of the moving image, particularly among young people who are the future of our industries; For example our recent Breakthrough Brits initiative, supported by Burberry, included some brilliant emerging talent from Scotland - Sharon Rooney, Paul Brannigan, Chloe Pirrie and Zam Salim.

The Awards could not be delivered without the generosity of our many partners and volunteers, as well as the hard work of our sta!. I would also like to thank the BAFTA Scotland Committee led by Chair Claire Mundell and to all our jurors who gave their time and energy in judging what has been an exceptional range of entries.

Finally, I would like to congratulate all the nominees for their outstanding achievements and for upholding the gold standard that is the British Academy Scotland Awards. Your talent, passion and commitment to excellence continues to raise the bar for the screen industries in Scotland.

I wish you all a wonderful evening.

John WillisChairBritish Academy of Film and Television Arts

IT GIVES ME GREAT PLEASURE TO WELCOME YOU TO THE BRITISH ACADEMY SCOTLAND AWARDS 2013

BA

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IAIN SMITH FILM PRODUCER

“I often say this, but cinema is like a public square where people of the world gather. On the screen, we see people living in di!erent parts of the world and we share the full spectrum of their emotions and come to understand them. When we see them happy, we’re happy. When they su!er, we su!er too. So I say that cinema is a system that can inspire people of the world to get along.” - Akira Kurosawa

On the reconvening of Scotland’s parliament after 292 years, Ian Bell said:

“History is memory. This moment was memory reclaimed, a right restated, a truth a"rmed. The nation of Scotland, with all its thrawn suspicions, numberless confusions, apathy, clumsy rivalries and disparate hopes, had remembered.”

The coming year will require us even more to remember who we are and who we really want to be. This is the same moment for the Scottish people as it was in Tiananmen Square 1949 when Mao declared: “The Chinese people have stood up”

I believe that people stand up when a nation’s identity is not only reflected in its cinema but is also shaped by it.

We have always referred to ‘the Scottish film industry’, choosing to side-step the fact that there has never been a viable industrial structure, or a proper commercial environment, within which Scottish film (rather than TV) could thrive.

Our passionate intensities, and our well intended arguments, have never persuaded any Edinburgh administration, or Scottish government, to consider significant investment in infrastructure, or seriously commercial levels of production.

This next year I sincerely hope will see a fundamental change of direction.

For a start Scottish films and filmmakers have roared forward into a new prominence with the recent release of four films that not only show the full diversity of our talents but also display the growing capability of our skills, crafts and infrastructure. “Under the Skin”, “Filth”, “Not Another Happy Ending” and “Sunshine on Leith” have raised the profile of our filmmakers at a crucial moment.

But alongside that, and for the first time, there is a sound economic rationale for strategic intervention by the Scottish Government. The Chancellor’s introduction of high end TV tax relief is designed to stimulate an inflow of high quality TV production into the UK, and is doing just that.

From North America alone, that inflow is estimated by the TV coalition to

be worth £350m a year to the UK economy. It is important that Scotland competes for a significant share of that potential revenue. Which is why the need for adequate and expandable studio space in Scotland is now so important.

With a studio facility in place, Scotland’s technical and human infrastructure will have an industrial/commercial environment within which it can begin to sustain itself, and grow. A properly resourced skills and talent development agenda will have purpose as never before. All these things will be essential in helping us build an export economy, with which to underpin our imperilled domestic one.

This, of course, is an economic argument, but it will inevitably have far reaching cultural and creative benefits that will ultimately support and enable our indigenous productions and home grown talents. International relationships of knowledge and trust will begin to build up, and Scotland’s film and TV makers will, as a small but viable part of a joined-up world, be able to stand up.

At its best, film is, and always has been intrinsically international. When a film is made truthfully and well, it joins the great river of cinema, a huge body of work that arises from humanity as a whole.

That is where the true voice of the people of Scotland belongs, and where we must help it to be.

Iain Smith OBE

INDUSTRYCOMMENT

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BRITISH ACADEMY SCOTLAND AWARDS 2012

ACTOR/ACTRESS FILMPAUL BRANNIGAN The Angels’ ShareSixteen Films & Entertainment One

ACTOR/ACTRESS TELEVISIONGREGOR FISHERRab C NesbittComedy Unit for BBC Scotland

ANIMATIONTHE MAKING OF LONGBIRDDirected by Will AndersonProduced by Donald HolwillEdinburgh College of Art (eca)

CURRENT AFFAIRSRANGERS – THE MEN WHO SOLD THE JERSEYSDirected and Produced by Murdoch Rodgers BBC Scotland

DIRECTORZAM SALIM Up ThereWilder Films, BBC Films & Eyeline Entertainment

ENTERTAINMENT PROGRAMMEMRS BROWN’S BOYSDirected by Ben KellettProduced by Stephen McCrumBocPix in association with BBC Scotland

FACTUAL SERIESAFGHANISTAN: THE GREAT GAME, A PERSONAL VIEW BY RORY STEWARTDirected by Iain Scollay and Olly LambertProduced by Iain Scollay and Ross Wilson Matchlight for BBC Scotland

FEATURES/FACTUAL ENTERTAINMENTANTIQUES ROAD TRIPDirected and Produced by Duncan Barnes & Oli SloaneExecutive Producer, Wendy Rattray; Series Producer, Paul TuckerSTV Productions for BBC

FEATURE FILMUP THEREDirected by Zam Salim Produced by Annalise DavisWilder Films, BBC Films & Eyeline Entertainment

GAMEBAD HOTELLucky Frame

SINGLE DOCUMENTARYAFTERLIFE: THE STRANGE SCIENCE OF DECAYDirected and Produced by Fred HepburnBBC Scotland for BBC Four

WRITERPAUL LAVERTY The Angels’ ShareSixteen Films & Entertainment One

SPECIAL AWARD FOR ACHIEVEMENT IN 2012Callum MacraeDirector, Sri Lanka’s Killing Fields

SPECIAL AWARD FOR ACHIEVEMENT IN 2012Paul McGuiganDirector, Sherlock

SPECIAL AWARD FOR ACHIEVEMENT IN 2012Christopher YoungProducer, The Inbetweeners Movie

OUTSTANDING CONTRIBUTION TO BROADCASTINGStuart Cosgrove

OUTSTANDING CONTRIBUTION TO CRAFT (In Memory of Robert McCann)Trisha Biggar

OUTSTANDING CONTRIBUTION TO TELEVISION AND FILMBilly Connolly

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BRITISH ACADEMY SCOTLAND AWARDS – PREVIOUS WINNERS

BAFTA Scotland teamed up with photographer Rich Hardcastle during the summer and autumn to do a series of stylised photos with some previous BAFTA Scotland winners.

Photographer: Rich HardcastlePhotoshoot Producer: Janette Dalley. Thanks to M.A.C Cosmetics and Vivien of Holloway.

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16Peter Capaldi Winner, Best Actor Film for In The Loop, 2009

17Daniela NardiniWinner, Best Actress TV for New Town, 2009

18Greg McHughWinner, Best Entertainment Programme for Gary’s War, 2008

19James McAvoyWinner, Best Actor Film for Last King Of Scotland, 2007

20Shirley HendersonWinner, Best Actress Film for Frozen, 2005

21T H E O F F I C I A L M A K E U P P A R T N E R T O T H E B R I T I S H A C A D E M Y S C O T L A N D AW A R D S

C O N G R AT U L AT E S T H I S Y E A R ’ S N O M I N E E S

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BAFTA Scotland and Cineworld have a long standing partnership and collaborated again this year to bring back the Audience Award, giving the film going public in Scotland the opportunity to vote for their favourite film.

During the last two weeks in October, film fans in Aberdeen, Dundee, Edinburgh and Glasgow got the chance to watch 8 Scottish films and vote for their favourite. The films in line for the Audience Award this year are:

BLACKBIRD Young ballad singer, Ruadhan, despairs as the fabric of his Scottish hometown erodes. There are no fish in the sea, no jobs and a steady exodus to the city. Life as he loves it is slipping away and Ruadhan’s idol, town bard Alec, has little stomach to fight the change.

FIRE IN THE NIGHT Reliving the tragic events that occurred on the Piper Alpha rig on 6th July 1988, the film features astonishing testimonies from men who found themselves in the midst of an inferno that destroyed a rig which was, at one time, the world’s single largest oil producer.

I AM BREATHING Within one year, Neil Platt becomes paralysed from the neck down. As his body fails, he tries to make sense of his life in order to communicate who he is in a letter to his one year old son.

THE DEVIL’S PLANTATION A journey into the history and psyche of Glasgow: 66 films, 2 life stories and the revelation of an ancient secret, with an atmospheric soundtrack that includes the voices of Kate Dickie and Gary Lewis.

THE HAPPY LANDS Inspired by true stories from local families in Fife, the Happy Lands follows the journey of law-abiding citizens who become law-breakers in a heroic battle against the state.

THE WEE MAN Based on the true life story of Glasgow gangster Paul Ferris, the film follows his life as a young boy growing up on the tough streets of Blackhill and his rise through the ranks of the criminal underworld of Glasgow’s east end.

WE ARE NORTHERN LIGHTS How do you capture the essence of Scotland in just one film? You invite people all across the country to submit their unique visions in a mass participation project and combine them into an impressionistic self portrait that is poignant, thrilling and often very funny.

SAWNEY: FLESH OF MAN Sawney, a religious psychopathic killer, drives a devilish taxi and stalks the towns and cities of Scotland, abducting unholy souls for his communion of sacrifices. His insane family of inbred killers, Judd and Jake, use their agility to wreak slaughter and havoc among their victims, who are then dragged to Sawney’s lair in the hills.

Alan de Pellette, Acting Director of BAFTA Scotland, said: “2013 has been an extremely strong year for home-grown productions in Scotland. We’re delighted to be able to bring back the Audience Award this year to encourage more people in Scotland to see these wonderful and diverse films on the big screen.”

Clare McCollum, Film Marketing Manager at Cineworld added: “We are incredibly excited to work with BAFTA Scotland to provide this platform for filmmakers to showcase their work on a public stage. The diversity of the films demonstrates that it’s been a stellar year for Scottish productions. Cineworld wishes all the nominees the very best of luck.”

AUDIENCEAWARD

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ACTOR/ACTRESS FILMChair – David SmithChristopher AirdHolly Daniel Allan Hunter Mark Leese Siobhan Synnot

ACTOR/ACTRESS TELEVISION Chair – Amanda MillenAli de Souza Gavin DochertyJanice Forsyth Andrew Murray Margaret Scott

ANIMATIONChair – Sheila Grier Iain Gardner Jonny Harris Rory Lowe Debbie RossSueann Smith

CHILDREN’S PROGRAMME Chair – Ian Mackenzie Harry BellTom Cara David Cosgrove Deborah DunnettEileen Herlihy

COMEDY/ENTERTAINMENT PROGRAMMEChair – John McKayMuriel GrayAndrew Jackson Rebecca Porter Toby Stevens

CURRENT AFFAIRSChair – Sarah Walmsley Kaye Adams Henry EaglesStephen McGintyDrea McGurkShereen Nanjiani

DIRECTOR Chair – Paul Murray Michael HinesAngus Lamont Bob Last Carole Sheridan

FACTUAL SERIESChair – Robbie Allen Ed Crick Jacqui HaydenKatie LanderMargaret Mary Murray Celia Stevenson

FEATURES/FACTUAL ENTERTAINMENTChair – Joanna Dewar GibbRobin Gray Katie McHughElspeth O’Hare

FEATURE FILM

Chair – Andrew LockyerGillian BerrieTrisha BiggarPaul McGuigan Ross McKenzieDenise Mina

GAMEChair – Brian Baglow Louise Blain Kirsten Kearney Graeme Strachan Tom Welsh Scott White

SINGLE DOCUMENTARYChair – Sandy RossStephen Jardine Catriona Logan Cathy MacDonaldJane MuirheadAndrew Snowball

TELEVISION DRAMA Chair – Gill Petrie Oliver CheesmanPaul EnglishMike GunnCarolynne Sinclair Kidd

WRITERChair – May MillerEric Coulter Andrea GibbClare KerrEd McCardieColin McLaren

JURIES2013

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CONGRATULATIONS TO ALL THE NOMINEES AT THIS EVENING’S

BRITISH ACADEMY SCOTLAND AWARDS

TAKEYOURPLACE

Image: Courtesy of Film City Glasgow

Creative Scotland supports the development of Scotland’s arts screen and creative

industries. We champion projects from emerging and established talent, encouraging

the creation of distinctive and engaging work. We’re delighted to be strengthening

our partnership with BAFTA Scotland, celebrating and promoting the Film, Television

and Games industries all year round.www.creativescotland.com

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NOMINATIONS2013

IAIN DE CAESTECKER Not Another Happy EndingSynchronicity Films

MARTIN COMPSTONThe Wee ManCarnaby International

GEORGE MCKAYFor Those in PerilWarp X

HART’S DESIRE Gavin C Robinson

THE MAN WHO MISTOOK HIS WIFE FOR A HATRoss Hogg

SEAMS AND EMBERSClaire Lamond

ACTOR/ACTRESS FILM

ANIMATION

FORD KIERNANThe Field of Blood: The Dead HourSlate Films for BBC Scotland

PETER MULLANThe FearWorld Productions Ltd for Channel 4

SHARON ROONEYMy Mad Fat Diary Tiger Aspect for E4

ACTOR/ACTRESS TELEVISION

COMIC RELIEF DOES GLEE CLUB LIVE FINAL Chris Hulme, Yvonne Jennings, Julie Kelling BBC Scotland for CBBC

MY STORY, RNLI Rachel Bazeley, Sara HarkinsBBC Scotland for CBeebies

NINA AND THE NEURONS GO ENGINEERING Sara Harkins, Jennifer MorrisonBBC Scotland for CBeebies

BOB SERVANT INDEPENDENT Owen Bell, Neil Forsyth, Simon HyndBBC Scotland for BBC Four

LIMMY’S SHOWRab Christie, Brian Limond, Jacqueline SinclairComedy Unit for BBC Scotland

MRS BROWN’S BOYSBen Kellett, Stephen McCrum, Brendan O’CarrollBocPix for BBC Scotland

CHILDREN’S PROGRAMME

COMEDY/ENTERTAINMENT PROGRAMME

PANORAMA: THE TRUTH ABOUT PILLS AND PREGNANCYRichard Cookson, Shelley Jofre, Nicole KleemanFirecrest Films for BBC 1

ROAD TO REFERENDUMATBrendan O’Hara, Alan ClementsSTV Productions

SINS OF OUR FATHERSMark Daly, Peter Macrae, Murdoch RodgersBBC Scotland

CURRENT AFFAIRS

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KENNY GLENAANCase HistoriesRuby Film and Television for BBC Scotland

EMMA DAVIE & MORAG MCKINNON I Am BreathingScottish Documentary Institute & Danish Documentary Production

PAUL WRIGHT For Those in Peril Warp X

DIRECTOR

A CULTURE SHOW SPECIAL: SINCERELY, F. SCOTT FITZGERALDJanet Lee, Jan McInerney, Tim NielBBC Scotland for BBC Two

MAKING FACESElspeth O’Hare, Louise Pirie, Sara WoodfordIWC Media for Channel 5

OPERATION ICEBERGMatt Barrett, Louise Ferguson, Mark Hedgecoe, Andrew Thompson BBC Scotland for BBC Two

FACTUAL SERIES

BANK OF DAVE - FIGHTING THE FAT CATSIan Lilley, Katie LanderFinestripe Productions for Channel 4

KIRSTIE’S FILL YOUR HOUSE FOR FREEPaula Campion, Martin Connery, Andrew JacksonRaise the Roof Productions for Channel 4

VICTORIA WOOD’S NICE CUP OF TEAVictoria Wood, John Moulson, Paula Tra!ordKEO North for BBC 1

FEATURES/FACTUAL ENTERTAINMENT

FIRE IN THE NIGHTMichael McAvoy, Alan Clements, Anthony WonkeSTV Productions and Berri! McGinty Films for BBC Scotland

FOR THOSE IN PERILMary Burke, Polly Stokes, Paul WrightWarp X

THE WEE MANRay Burdis, Michael Loveday, Andrew Loveday, Terry LovedayCarnaby International

FEATURE FILM

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COOLSON’S ARTISANAL CHOCOLATE ALPHABETThings Made Out Of Other Things

IMPOSSIBLE ROADPixels on Toast

MR SHINGU’S PAPER ZOOStormcloud Games

GAME

I AM BREATHINGEmma Davie, Sigrid Dyekjær, Sonja Henrici, Morag McKinnon Scottish Documentary Institute & Danish Documentary Production

FIRE IN THE NIGHTMichael McAvoy, Alan Clements, Anthony WonkeSTV Productions and Berri! McGinty Films for BBC Scotland

THE MURDER TRIAL Kate Barker, David Dugan, Ian Duncan, Nick Holt, Marina ParkerWindfall Films West for Channel 4

SINGLE DOCUMENTARY

CASE HISTORIESKenny Glenaan, Peter Harness, Eric CoulterRuby Film and Television for BBC Scotland

THE CRASH Dominic Barlow, Terry Cafolla, Nick Pitt, Sarah Walker, Julian WareDarlow Smithson Productions for BBC Scotland

MURDERRobert Jones, Birger Larsen, Kath Mattock, Rob Pursey, Matthew ReadBBC Scotland and Touchpaper TV for BBC 1

TELEVISION DRAMA

BRYAN ELSLEYSkinsCompany Pictures for E4

ROBERT JONESMurderBBC Scotland and Touchpaper TV for BBC 1

PAUL WRIGHTFor Those in Peril Warp X

WRITER

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JACK ALEXANDEREntertainer11/11/1935 – 02/11/2013

RONA ANDERSONActress03/08/1925 – 24/07/2013

IAIN BANKSAuthor16/02/1954 – 09/06/2013

MARTIN BELSHAWSound Recordist15/02/1949 – 07/09/2012

ANTONIA BIRDDirector27/05/1951 – 24/10/2013

RICHARD BRIERSActor14/01/1934 – 17/02/2013

NIGEL DAVENPORTActor23/05/1928 – 25/10/13

ALLAN DICKSONSound Supervisorc. 1929 - 24/02/2013

LESLEY FITZ-SIMONSActress23/09/1961 – 26/01/2013

DENIS FORMANProducer13/10/1917 – 24/02/2013

IAIN JOHNSTONEGrip04/02/1955 - 19/09/2013

PAT LOVETTAgent16/08/1945 – 24/12/2012

IAIN MCCOLLActor07/06/1955 – 04/07/2013

JIM O’BRIENDirector15/02/1947 – 13/02/2012

BOB PATIENCEProducer27/06/1942 – 16/03/2013

HARRY RITCHIEProduction Buyer30/01/1934 – 22/06/2013

ALAN SHARPScreenwriter12/01/1934 – 08/02/2013

ROBERT TROTTERActor07/03/1930 – 12/08/2013

SCOTT WARDDirector of Photography16/05/1966 – 29/01/2013

BAFTA Scotland has made every e!ort to compile an accurate list of Scottish related deaths during 2012/13.

IN MEMORIAM

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BAFTA Scotland would like to say a huge thanks to our committee, members and industry colleagues who share our ambitions and have contributed their time, talent and enthusiasm to help us tonight and throughout the year. We would like to give an equally massive thanks to all our jurors who helped judge this year’s entries with their customary mixture of conviction, dedication and passion for the work submitted.

For their help in putting together the ceremony and production, we would like to thank Aimee Parkin and all the sta! at the Radisson. We would also like to say a big thank you to all our partners and suppliers and our colleagues at BAFTA in London, Wales, New York and Los Angeles. We would like to thank our gifting partners Accessorize and Noble Isle and our audit partner, Deloitte. An extra special thanks to all our volunteers and also to Claire Brown, Phil Eacott, Amy Elton, Cassandra Hybel, Mariayah Kaderbhai, Mark Leese and Natalie Moss.

Congratulations once again to all our nominees, thanks to all our presenters and a final thank you to our wonderful host, Edith Bowman.

BAFTA Scotland Committee:

Claire Mundell, Chair

May Miller, Deputy Chair

Robbie Allen

Brian Baglow

Holly Daniel

Joanna Dewar Gibb

Andrea Gibb

Sheila Grier

Andrew Lockyer

Ian Mackenzie

John McKay

Amanda Millen

Andrew Murray

Paul Murray

Gill Petrie

Sandy Ross

David Smith

Sarah Walmsley

BAFTA Scotland Team:

Alan de PelletteActing Director

Jude MacLavertyDirector

Karen RosieAwards Producer

Jenna CunninghamProduction Manager

Beverley McMillanLearning & Events Producer

Lucy SneddonAssistant

Isla McTearIntern

John SmithAwards Director

Charles MarksFloor Manager

Martin KellyArt Director

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50BRITISH ACADEMY SCOTLAND AWARDS 2013