BRITISHACADEMYTELEVISION

CRAFTAWARDS

IN 2O13

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BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2O13

CONTENTS

WELCOME

2 A message from the President of the Academy

3 A message from the Academy Chairman

THE NOMINATIONS

7 Break-through Talent

9 Costume Design Digital Creativity

11 Director: Factual Director: Fiction

13 Director: Multi-camera Editing: Factual

15 Editing: Fiction Entertainment Craft Team

THE SPECIAL AWARD

16 Director Hamish Hamilton is the recipient of this year’s top award

THE NOMINATIONS (cont.)

21 Make-up & Hair Design Original Music

23 Photography: Factual Photography & Lighting: Fiction

25 Production Design Sound: Factual

26 Sound: Fiction Visual & Graphic Effects

27 Writer: Comedy Writer: Drama

28 MEET THE SPONSORS

31 JURIES

32 THANKS

4

5

CHAIRMAN'S WELCOME

This past year has been a terrific one for television viewers, often reflecting a monumental year in British history. Throughout our ups and downs, television has remained the medium that brings us as a nation together, allowing us to share moments that will be talked about for years to come.

Tonight, we celebrate the diversity of British creativity and the talent behind the programmes we’ve enjoyed. I’m thrilled to witness how the level of innovation and professionalism in this country has reached higher standards than ever before – let’s celebrate the achievements of tonight’s nominees and of top quality television in all its forms.

One of the most talked about events in recent memory was, of course, London 2012, the coverage of which was watched by an estimated 90 per cent of the population. I’m therefore delighted that Hamish Hamilton, the man who executive produced and broadcast directed the Opening and Closing Ceremonies of the Olympic Games and one of the

A warm welcome to the British Academy Television Craft Awards.

world’s outstanding multi-camera directors, is to receive tonight’s Special Award.

Huge thanks to our host, Stephen Mangan, to all our partners and supporters, and to category sponsors Brightcove, The Farm LA, G-Technology, HotCam, The London Studios, M·A·C and Sara Putt Associates. Thank you to BAFTA’s Television Committee, its chairman Andrew Newman and the many expert BAFTA jurors. Thanks also to Kelly Smith, Siobhan Pridgeon, Clare Brown and everyone at BAFTA who have worked tirelessly to bring us tonight’s ceremony.

We’ll be live-tweeting the winners via @BAFTA and publishing video highlights, features and winners’ interviews throughout the night on www.bafta.org.

Congratulations and best of luck to the nominees, who offer such great inspiration. I wish you all an enjoyable evening.

JOHN WILLISChairman of the Academy

195 PiccadillyPrestigious headquarters of the British academy of film and television arts

lead your guests up the red carpet into this glamorous and unique venue with versatile entertaining spaces and state-of-the-art screening facilities.

for events and reservations: events@195piccadilly.co.uk 020 7292 5860

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7

THE NOMINATIONS

9

The NomiNaTioNs

MIKE BARTLETTWriter, The TownBig Talk Productions/ITV

JULIE GEAREY Writer, Prisoners’ WivesTiger Aspect for BBC Scotland/BBC One

RHYS THOMASDirector, Freddie Mercury: The Great Pretender – Director’s CutMercury Songs, Eagle Rock/BBC Four

TIM WHITNALLWriter, Best Possible Taste: The Kenny Everett StoryMammoth Screen/BBC Four

BREAK-THROUGH TALENTSPONSORED BY

All of BAFTA’s online video is brought to you by Brightcovebrightcove.com/why-brightcove/our-customers/bafta

and is proud to be this year’s offi cial sponsor of the DIGITAL CREATIVITY AWARD

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11

The NomiNaTioNs

MRS BIGGSAmy Roberts ITV Studios/ITV

PARADE'S END Sheena NapierMammoth Screen/BBC Two

RICHARD II ( THE HOLLOW CROWN)Odile Dicks-MireauxNeal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two

RIPPER STREET Lorna Marie MuganTiger Aspect Productions, Lookout Point/BBC One

COSTUME DESIGN

CHANNEL 4 PARALYMPICSSteve Boulton, James Rutherford

deltatre, 13 Strides/Channel 4

EMBARRASSING BODIES: LIVE FROM THE CLINIC Production Team

Maverick Television/Channel 4

FOXES LIVE: WILD IN THE CITY Production Team

Windfall Films/Channel 4

THE GREAT BRITISH PROPERTY SCANDAL Production Team

Tiger Aspect, The Project Factory/Channel 4

DIGITAL CREATIVITY

SPONSORED BY ®

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13

The NomiNaTioNs

CALL THE MIDWIFE Philippa Lowthorpe

Neal Street Productions/BBC One

THE GIRLJulian Jarrold

Wall to Wall/BBC Two

HIT & MISS Hettie Macdonald

Red Production Company, AbbottVision/Sky Atlantic

MURDER Birger Larsen

Touchpaper TV/BBC Two

DIRECTOR: FICTION

7/7: ONE DAY IN LONDONBen Anthony Minnow Films/BBC Two

BRADLEY WIGGINS: A YEAR IN YELLOW John Dower Twofour Productions/Sky Atlantic

OUR WAR Katharine EnglishBBC Productions/BBC Three

THE PLOT TO BRING DOWN BRITAIN'S PLANESBen ChananRaw TV/Channel 4

DIRECTOR: FACTUAL

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15

The NomiNaTioNs

7/7: ONE DAY IN LONDON Rupert Houseman

Minnow Films/BBC Two

AMISH: A SECRET LIFE Sean Mackenzie

BBC Wales/BBC Two

BRITAIN IN A DAY Peter Christelis

Scott Free Films/BBC Two

THE SECRET HISTORY OF OUR STREETS Ð PORTLAND ROAD

Michael HarrowesCentury Films, Halcyons Heart/BBC Two

EDITING: FACTUAL

SPONSORED BY

THE LONDON 2O12 OLYMPIC CLOSING CEREMONY: SYMPHONY OF BRITISH MUSIC Hamish Hamilton, Tapani ParmDone and Dusted/BBC One

THE LONDON 2O12 OLYMPIC OPENING CEREMONY: ISLE OF WONDERHamish Hamilton, Tapani ParmDone and Dusted/BBC One

THE LONDON 2O12 OLYMPICS: SUPER SATURDAY Paul DaviesBBC Sport/BBC One

STRICTLY COME DANCING Nikki ParsonsBBC Productions/BBC One

DIRECTOR: MULTI-CAMERASPONSORED BY

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The NomiNaTioNs

DERREN BROWN: APOCALYPSE Stephen Bryce, Andrew Cooke, Simon Ainge, Nick Foster

Objective Productions/Channel 4

THE DIAMOND JUBILEE CONCERT Durham Marenghi, Steve Nolan, Sam Pattinson, Tim Routledge

BBC Productions/BBC One

TOP GEAR Dan James, James Hart, Richard Porter, Kate Jones-Mackay

BBC Productions/BBC Two

THE X FACTOR Ð THE FINALDave Davey, Robert Edwards, Florian Wieder, Falk Rosenthal

Thames/ITV

ENTERTAINMENT CRAFT TEAM

SPONSORED BY

THE FEAR Trevor WaiteWorld Productions/Channel 4

THE HOUR Ð EPISODE ONEGareth C ScalesKudos Film and Television/BBC Two

RIPPER STREET Úna Ní Dhonghaíle Tiger Aspect Productions, Lookout Point/BBC One

THE THICK OF IT Anthony Boys, Gary Dollner BBC Productions/BBC Two

EDITING: FICTION

18

AS A DIRECTOR YOU HAVE TO STEP INTO THE GALLERY WITH HUGE AMOUNTS OF CONFIDENCE AND A CLEAR DIRECTION.

From The oscars to the Rolling Stones, multi-camera director and executive producer Hamish Hamilton has been bringing the world’s biggest live events to the TV screen for almost two decades. But last year, as executive producer and broadcast director of the opening and closing ceremonies, the recipient of this year’s Special Award worked on the biggest of them all – the London Olympics.

“I was a small part of the most amazing cultural event that’s ever been staged in the UK, a conduit for the talents of people such as Danny Boyle and [closing ceremony creative director] Kim Gavin. It was a humbling experience but exhilarating,” Hamilton recalls.

Taking the opening ceremony out of the Olympic Stadium and into the living rooms of a worldwide audience numbering 900 million was not a job for the fainthearted.

“I get unbelievably nervous and have moments of panic, but as a director you have to step into the gallery with huge amounts of confidence and a clear direction,” says Hamilton. “The stakes are so high – you’re only nano-seconds from complete and utter disaster at any point. The highs are really high but the lows can be really low.”

Aside from the Olympics, Hamilton picks Robbie Williams at Knebworth and U2 in Boston as his highest highs. And the lowest low? That came directing his first live event, a 1996 MTV show in Hamburg.

“We came off air an hour or so early. I had to plead with MTV Network control to take us off air because

a riot was about to break out,” he notes. “At the time, I thought, ‘Career over – I’ve blown it.’ Thankfully, MTV and the German police agreed I had done the right thing.”

Despite his inauspicious start, Hamilton knew he had found his vocation. His second gig – British dance act The Prodigy in Red Square performing in

front of 150,000 crazed Muscovites in 1997 – confirmed it. “The Prodigy’s performance was amazing and the crowd were insane – the police waded in with batons at one point.”

He adds: “At the time, a lot of multi-camera concerts on television were really boring. I used to love going to gigs, jumping up and

down and becoming immersed in the experience, but that didn’t come over on television. With The Prodigy there was so much energy and passion, and I found a way to shoot music live and give it a sense of occasion and energy.”

The Blackpool-born Hamilton’s career had taken a sharp turn and there was no going back.

The multi-camera director has gone on to direct half-time Superbowl shows featuring The Who and Beyoncé, countless MTV and Brits Awards and live concerts by Coldplay and Jay-Z. But his TV career started on a smaller stage. After leaving university, he trained as a producer with the BBC in Northern Ireland and Scotland, working on youth programming. A move to London at the behest of Janet Street-Porter brought work on BBC Two youth strand DEF II, including the Rough Guide To… travel shows.

Tonight’s Special Award goes to multi-camera director Hamish Hamilton, the man who helped kick-start 2012’s inspirational London Olympic Games coverage. Words by maTTheW bell

THE SPECIAL AWARD

LIVE DIRECTAND

19

Hamilton’s first multi-camera experience on BBC Two’s The Sunday Show followed. “I had absolutely no idea what I was doing and it was live to air,” he recalls, but Richard Godfrey at MTV liked what he saw and offered him directing duties on the Hamburg concert.

Like many TV crafts, multi-camera directing is one that Britain does well. “Look at the people directing the outside broadcast and studio shows in America and they’re all Brits. The BBC should take a lot of credit for training people and MTV for giving them opportunities,” says Hamilton.

“I am delighted to be celebrated as a multi-camera director,” Hamilton concludes. “It’s a unique art form in its own right. The BAFTA isn’t just for me – it’s one that all multi-camera directors in Britain can share. We’re a small community of people and I’ve been inspired by so much of their work.”

Matthew Bell is a freelance television journalist.

The special aWard

20

Clockwise from top: the London 2O12 Olympic Opening Ceremony; Rihanna at the Victoria's Secret Fashion Show 2O12; Robbie Williams at London's O2 in 2O12; the UA E's 4Oth National Day show in 2O11; Johnny Depp and The Black Keys at the MT V Movie Awards 2O12

21

ALIVE PICTURESIN

A pictorial insight into the work of tonight’s Special Award winner Hamish Hamilton.

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t h e O f f i c i a l M a k e u p S p O n S O r t O t h e B r i t i S h a c a d e M y t e l e v i S i O n c r a f t aw a r d S i n 2 0 1 3

S a l u t e S a l l t h i S y e a r ’ S n O M i n e e S O f t h e M a k e u p a n d h a i r d e S i g n c at e g O r y !

BAFTA_CRAFT_AD 04-04-2013_A.indd 1 4/4/13 4:07 PM

23

The NomiNaTioNs

DOCTOR WHO Ð ASYLUM OF THE DALEKS

Murray Gold BBC Wales/BBC One

HENRY IV Ð PART I (THE HOLLOW CROWN)Stephen Warbeck

Neal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two

THE HOUR Kevin Sargent

Kudos Film and Television/BBC Two

THE SNOWMAN AND THE SNOWDOG Ilan Eshkeri, Andy Burrows

Lupus Films/Channel 4

ORIGINAL MUSIC

CALL THE MIDWIFE Christine Walmesley-CothamNeal Street Productions/BBC One

THE GIRL Nadine Prigge, Neill Gorton, Clinton Aiden SmithWall to Wall/BBC Two

PARADE'S END Jan ArchibaldMammoth Screen/BBC Two

RIPPER STREET Eileen Buggy, Sharon DoyleTiger Aspect Productions, Lookout Point/BBC One

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25

The NomiNaTioNs

BLACKOUT Christopher Ross

Red Production Company/BBC One

HUNTED Balazs Bolygo

Kudos Film and Television/BBC One

RIPPER STREET Julian Court

Tiger Aspect Productions, Lookout Point/BBC One

THE FEAR Gavin Finney

World Productions/Channel 4

PHOTOGRAPHY & LIGHTING: FICTION

AMISH: A SECRET LIFE Steve RobinsonBBC Wales/BBC Two

KINGDOM OF PLANTS 3D Tim Cragg, Robert Hollingworth, Tim ShepherdAtlantic Productions/Sky 3D

RETURN TO THE FALKLANDS Rupert BinsleyFactual North, Shiver/ITV

SUPERSIZED EARTH Julius Brighton, Paul O’CallaghanBBC Specialist Factual/BBC One

PHOTOGRAPHY:FACTUAL

SE1derland: where craft and creativity blossom.Without craft, it’s just another piece of paper. And without craft, a production is just another programme. The craft that lifts productions above the everyday is something we celebrate every single day down here on the South Bank, and we’re delighted to be celebrating those same crafts with all tonight’s winners here at BAFTA.

27

The NomiNaTioNs

BRAZIL WITH MICHAEL PALIN George Foulgham, Sebastian Dunn

Prominent Television/BBC One

THE LONDON 2O12 OLYMPICS: SUPER SATURDAY Peter Bridges

BBC Sport/BBC One

THE PLANE CRASH Grant Covacic, Pete Lee, Karl Mainzer, Michael Wood

Dragonfly Film And Television, MAP TV/Channel 4

TOP GEAR Chris Lebert, Robert Entwistle, Russell Edwards, Kiff McManus

BBC Productions/BBC Two

SOUND: FACTUAL

DOWNTON ABBEY Donal WoodsCarnival Film & Television/ITV

THE GIRL Darryl HammerWall to Wall/BBC Two

THE HOUR Eve StewartKudos Film and Television/BBC Two

PARADE'S END Martin ChildsMammoth Screen/BBC Two

PRODUCTION DESIGNSPONSORED BY

28

The NomiNaTioNs

DOCTOR WHO Ð ASYLUM OF THE DALEKS

The MillBBC Wales/BBC One

PARADE'S END Rupert Ray, benuts

Mammoth Screen/BBC Two

THE PSYCHOLOGY OF WINNING Robin Nurse, Julian Gibbs, Richard Gort

BBC Sport/The Intro Partnership/BBC One

TITANIC Tom Turnbull

ITV Studios/ITV

VISUAL & SPECIAL EFFECTS

ACCUSED Ð MO'S STORYGraham Headicar, Emma Pegram, Stuart Hilliker, Grant BridgemanRSJ Films/BBC One

THE HOUR John Mooney, Nigel Squibbs, Jamie Caple, Marc LawesKudos Film and Television/BBC Two

RICHARD II ( THE HOLLOW CROWN)Tim Fraser, Adrian Rhodes, Keith MarrinerNeal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two

WALLANDERPaul Hamblin, Matt Skelding, Jim Goddard, Martin BeresfordLeftbank Pictures/BBC One

SOUND: FICTION

29

The NomiNaTioNs

GETTING ON Jo Brand, Vicki Pepperdine, Joanna ScanlanVera Productions/BBC Four

HUNDERBYJulia DavisBaby Cow Productions/Sky Atlantic

THE THICK OF IT Writing TeamBBC Productions/BBC Two

TWENTY TWELVE John MortonBBC Productions/BBC Two

ACCUSED Ð TRACIE'S STORYShaun Duggan, Jimmy McGovern

RSJ Films/BBC One

THE GIRL Gwyneth Hughes

Wall to Wall/BBC Two

LAST TANGO IN HALIFAX Sally Wainwright

Red Production Company/BBC One

PARADE'S END Tom Stoppard

Mammoth Screen/BBC Two

WRITER: COMEDY

WRITER: DRAMA

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BRIGHTCOVECATEGORY SPONSOR FORDIGITAL CREATIVITY

®

Why are you sponsoring the Digital Creativity category?We firmly believe that digital innovation and creativity has and will change the way in which we watch and interact with television in the future. At Brightcove, we are constantly pushing the boundaries of digital and investing in the trends that we believe will shape the future. Creativity is something that is entrenched in our values and, as such, we wanted to honour those people in this industry who are bringing new and exciting developments to the table in order to enrich the way we consume and interact with television.

What does the future hold for the TV industry in your area of expertise?We believe that the way people watch and interact with television will transform in the coming years. With the innovations that many broadcasters and digital vendors, such as ourselves, are spending time on, we will see trends such as connected TV apps and second screen interactions changing the way we find and watch content. Those opportunities look set to expand the reach of television today and completely alter our traditional viewing experiences.

Visit: www.brightcove.com

THE FARM LACATEGORY SPONSOR FORDIRECTOR: MULTI -CAMERA

What do the British Academy Television Craft Awards mean to you?The Craft Awards are the most prestigious annual awards for the craftspeople who labour behind the scenes of the UK’s hugely successful TV productions. For any nominee, they are a true measure of having contributed to the industry.

What does the future hold for the TV industry in your area of expertise?The TV industry remains as exciting and challenging as ever before. The quantity and quality of shows originating in the UK is unparalleled, as is the UK’s current reputation for talent worldwide.

Visit: www.farmgroup.tv

G-TECHNOLOGYCATEGORY SPONSOR FOREDITING: FACTUAL

How does the Editing: Factual category relate to your work in the TV industry?G-Technology’s roots are deeply ingrained in delivering premium storage solutions for the professional content creation market, including editing and post-production professionals. From storing, transferring, editing and distributing content, G-Technology makes the workflow simpler, better and faster. Because G-Technology holds itself to the highest standards, its products can be found in premiere post-production facilities worldwide.

What is the best way to inspire the next generation of TV creatives?Now in its fourth year in Europe, G-Technology prides itself on inspiring the next generation through its Driven Creativity Awards, which reinforces its commitment to supporting the unique efforts of the creative community. Amateurs and professionals who work in, or have a passion for film and animation have the opportunity to have their unique work and talent celebrated and recognised, not just for its aesthetic qualities, but for the dedication, innovation and drive that has gone into creating it. Last year, in line with the Awards, we conducted some research into the creative community. When asked what drives creativity, 80 per cent said “passion”. That’s what will inspire the next generation.

Visit: www.g-technology.eu

HOTCAMCATEGORY SPONSOR FORENTERTAINMENT CRAFT TEAM

What do the British Academy Television Craft Awards mean to you?The Craft Awards are a crucial element of our industry allowing us to recognise, honour and pay tribute to the huge stable of technical talent we have in the UK. HotCam is proud to sponsor and work with BAFTA to acknowledge the technical prowess within this great entertainment business. Without the Craft Awards, many of these highly experienced technicians would remain unsung heroes. BAFTA symbolises the very soul of everything our industry was built on, and we should celebrate the great quality of technical talent we have right under our noses.

MEET THE CATEGORY SPONSORS

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What is the best way to inspire the next generation of TV creatives?HotCam believes the next generation of TV creatives are already inspired and inspiring us. Many of them are now leaders, pushing the creative and technical boundaries; it is HotCam’s job to evolve with them, collaborate and provide a strong and supportive foundation for their creative visions. We are all striving towards a common goal and embracing exciting and innovative ways to create and craft entertainment. We believe the future is exciting and that it’s a great time for new talent to be joining this industry.

Visit: www.hotcam.co.uk

THE LONDON STUDIOSCATEGORY SPONSOR FORPRODUCTION DESIGN

How does this category relate to your work in the TV industry?The London Studios is committed to delivering excellence to clients throughout the studio and post-production processes. To enable our clients to stand above the rest, we take pride in providing excellent craft facilities and workshops allowing designers and producers to build, adapt and evolve their sets onsite and in the studio. Within our one-stop-shop, we employ and train a full range of scenic crew, including carpenters, painters, studio hands and a signwriter, who all deliver the high level of service our clients demand during the production of their award-winning shows.

What is the best way to inspire the next generation of TV creatives?At The London Studios, we recognise the importance and

need to inspire both the current and future generations of artisans, it is something that we are committed to and our approach is multi-faceted. Some of the inspiration comes from providing an insight into the wide-ranging productions that our teams work on. It is also about ensuring that our facilities are up to date and reflect the technological changes happening in the industry. We have a commitment to delivering work experience, training and development, and we regularly work with colleges and individuals to provide access to our facilities and industry knowledge. Visit: www.londonstudios.co.uk

MáAáCCATEGORY SPONSOR FORMAKE-UP & HAIR DESIGN

What do the British Academy Television Craft Awards mean to you?The Craft Awards is a high-profile accolade honouring and acknowledging the vital contribution made by those working behind the camera. This ceremony raises awareness of the amount of vital cogs involved in making a production come to fruition. It is a privilege for M∙A∙C to be involved with the incredible work that these people do every day.

How does the Make-up & Hair Design category relate to your work in the TV industry?The Artist Relations Team has regular contact with make-up artists working in the TV industry and provides ongoing product support and advice on a continual basis, ensuring that make-up artists are aware of our brand’s newest innovations suitable for their

medium. M∙A∙C has a professional membership programme called M∙A∙C Pro, which encourages a sense of community and a coming together of exceptionally talented people at our special event, which is a similar ethos to the BAFTA membership and organisation.

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SARA PUTT ASSOCIATESCATEGORY SPONSOR FORBREAK-THROUGH TALENT

What do the British Academy Television Craft Awards mean to you?To us, the Craft Award nominees are the best of the best. As agents representing behind-the-camera talent, these are the Awards that are the most directly relevant to both us and our client base. Over the past two decades, many of our clients have been nominees, and indeed winners, and it’s therefore fantastic to be able to take our relationship with the Craft Awards to a new level. In short, a BAFTA Craft Award is a hallmark of good quality.

Why are you sponsoring the Break-through Talent Award?The Break-through Talent Award is a perfect one for us at Sara Putt Associates. As agents representing so many grades of behind-the-camera talent, it would be impossible to choose one (directing, camera, sound, editing etc) above the others; and as Break-through Talent can be recognised in any grade, it is the most democratic and exciting of all the awards for us. Having also established our own Sara Putt Associates Trainee Scheme in 2011, promoting and nurturing the next generation of talent in TV is at the heart of our business.

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BREAK-THROUGH TALENTSteve November CHAIR

Joyce Adeluwoye AdamsJonathan HarveyPolly HillMichael KelpiePaul MortimerStephen PriceElaine Pyke

DIRECTOR: FACTUALSteve Gowans CHAIR

Michele CarlisleCatherine CattonSue DavidsonBen GaleVicky HamburgerBruce HeptonJustine KershawDave NathSanjay SinghalAlex Sutherland

ENTERTAINMENT CRAFT TEAMJames Dean CHAIR

Rachel AshdownBen CaveyCarolyn PayneClaire PoyserMark WellsDebbie YoungAsif Zubairy

PHOTOGRAPHY: FACTUALAnne Morrison CHAIR

Tamara AboodLucy BlakstadSean BobbittMolly DineenLawrence GardnerSue GibsonPaul LangDavid NiblockNick ReadJanet ToveyAnthony Wonke

VISUAL & GRAPHIC EFFECTSHarvey Elliott CHAIR

Nev AppletonGary BrownIan DoddAlastair GrimshawRob HifleLouise KeanCarl KeelerSophie OrdeKate PhillipsCOSTUME DESIGN

Foz Allen CHAIR

Kathleen BeedlesVin BurnhamSusannah BuxtonJames KeastKaren McKinlay-GunnSammy SheldonCharlotte Walter

DIRECTOR: FICTIONBrian Woods CHAIR

Moira ArmstrongSarah BeardsallAndrew BillenPeter KosminskyGina McKeePeter MoffatTim SullivanDelyth ThomasDavid Yates

MAKE UP & HAIR DESIGNDominic Bird CHAIR

Marcus DF WhitePolly LeysCatherine ScobleAmber SibleyPenny SmithSuzanne Stokes-MuntonSanne Wohlenberg

PHOTOGRAPHY & LIGHTING: FICTIONOlivia Lichtenstein CHAIR

Sam CallisRobert Del MaestroAnna PriceRichard RankenGraham SmithMike SouthonDavid Thrasher

WRITER: COMEDYKrishnendu Majumdar CHAIR

Navin ChowdhryAnna CrillyBen GregorAnnie GriffinBoyd HiltonOliver LansleyDan MazerVictoria PileFintan RyanReece ShearsmithChloe Thomas

DIGITAL CREATIVITYGlynn Hayward CHAIR

Julie AdairMiles BulloughElizabeth EvansMike Flood PageMorwenna GordonAdrian HonMark OwenMahesh RamachandraVicky TaylorCarrie Wootten

DIRECTOR: MULTI -CAMERALucy Lumsden CHAIR

Richard BodenLisa ClarkIan FitzgibbonJonathan GershfieldPatrick KieltyDanielle LuxJason ManfordDave SkinnerRichard Valentine

ORIGINAL MUSICJulian Scott CHAIR

Chris BemandBen CocksSue de BeauvoirBev DoyleHeather FenoughtyNick HarrisAnne NikitinRoger PlanerAdam Seymour

PRODUCTION DESIGNAndrew Newman CHAIR

Harry BanksJulian HealyJulian HenryAnna HigginsonBecky MartinDavid RogerPaul SandlerTom Sayer

WRITER: DRAMAJane Lush CHAIR

George DixonIain JohnstoneTony JordanKate LewisDavid BaddielDominic MinghellaJohn O’FarrellFaith Penhale

THE JURIES

The Editing and Sound categories are voted for by chapters. Chapters are made up of Academy members with expertise and experience in the specialised field relating to a category. Members of each chapter vote in all three rounds to determine the shortlist, nominations and winner in their category.

34

The Academy chooses Regency, supporting excellence in print. Brochure printed on Regency Satin 270g/m² (cover) and 150g/m² (text). The carbon impact of this paper has been measured and balanced through the World Land Trust, an ecological charity. Regency is available exclusively from Howard Smith Paper Group. www.hspg.com

All nominations correct at time of going to press.

British Academy of Film and Television Arts195 Piccadilly, London W1J 9lNT: 020 7734 0022F: 020 7292 5869www.bafta.org

ChairmanJohn Willis

Chief ExecutiveAmanda Berry obe

Chief Operating OfficerKevin Price

FOR BAFTA

Awards ProducerClare Brown

Head of Television and GamesKelly Smith

Senior Awards OfficerSiobhan Pridgeon

Awards Event ProducerHelen Kierney

Production SecretarySophie Klein

Talent BookerDeena Wallace

Awards TeamBradley DownDavid LortalRob Jones

Production Manager and Content ProducerCassandra Hybel

Production AssistantGeorgina Cunningham

Video EditorTom Coope

Digital Communications ManagerPippa Irvine

Head of PartnershipsLouise Robertson

Senior Partner ManagerNatalie Moss

Partner ManagerAmy Elton

Partnership Campaigns ExecutivePhil Eacott

Managing EditorChristine Robertson

Print EditorToby Weidmann

Graphic DesignerAdam Tuck

OFFICIAL PARTNERS

Audi UKBadoitChampagne TaittingerDeloitteEvianGrolschHotel ChocolatVilla Maria Wines

CATEGORY SPONSORS

BrightcoveThe Farm LAG-TechnologyHotCamThe London StudiosM·A·CSara Putt Associates

TELEVISION COMMITTEE

Andrew Newman CHA IR

Jane Lush DEPUTY CHA IR

Dominic BirdJames DeanSteve GowansNeil GrantPatrick Keegan Olivia LichtensteinLucy LumsdenKrishnendu MajumdarSteven MoffatAnne MorrisonSteve NovemberKate PhillipsJulian ScottAndre SingerBrian Woods

WITH THANKS TO

HostStephen Mangan

Additional Content HostJenni Falconer

WriterJack Brough (Navelgazing)

DirectorToby Baker

Vision MixerMark Foster

Floor ManagerMark Harrison

Screen GraphicsFormat.LDN

Production DesignAlison Humphries

Lighting DirectorMark Ninnim

Lighting FacilitiesElstree Light & Power

Screens and Projection SystemGuy Mapley and XL Video

Sound DesignPlus4Audio

Autoprompt FacilitiesPortaprompt

Technical FacilitiesHotCam

Post Production PartnerThe Farm

Health and SafetyAndy Bilby (First Option)

Table ArrangementsRebel Rebel

Brochure and Ticket PrintingEmtone Print

PhotographyRichard KendalBrian Ritchie

Public Relationsfreuds

VenueThe BreweryChiswell Street, ec1

BRITISH ACADEMY TELEVISION CRAFT AWARDSSunday 28 April 2013, The Brewery, Chiswell Street, London ec1

For red carpet highlights and backstage interviews from tonight’s Awards, please visit www.bafta.org

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BAFTA_3.indd 1 09/04/2013 10:47

Hettie MacdonaldDirector – Fiction

Hit and Miss

Julia DavisWriter – Comedy

Hunderby

John DowerDirector – Factual

Bradley Wiggins: A Year in Yellow

proudly congratulates our nominees

BAFTA_TV_CRAFT_AD_AW.indd 1 05/04/2013 16:01