building in context
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BUILDINGin context
New development in historic areas
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BUILDINGin context
New development in historic areas
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Contents
Foreword 3
Introduction 4
The Need for Advice 4
The Case Studies
1 Abbots Cottages, Corfe Castle, Dorset 6
Careful exercise in local vernacular
2 Century Court, Cheltenham, Gloucestershire 8
Contemporary high density housing for a volume housebuilder
3 Gwynne Road Housing, Battersea, London 10
Setting a new context in a fragmented neighbourhood
4 Headland Caf, Bridlington,Yorkshire 12
Seafront regeneration encourages tourists back
5 Juniper House, Kings Lynn, Norfolk 14
Local architectural patronage delivers sustainable and neighbourly office building
6 Left Bank Village Restaurants, Hereford 16
Modern design a less intrusive option than imitation warehouse
7 Libert House, St Helier, Jersey 18
Initial reservations about modern design give way to enthusiasm
8 Library and Administration Building, Central School of Speech
and Drama, Swiss Cottage, London 20
Bridging the gap between domestic and institutional uses
9 Parish Room,Aldbury, Hertfordshire 22
Sensitive extension to a Grade I listed church
10 Picture House, Exeter, Devon 24
Enhancing a varied historic context through confident modern design
11 Retail Scheme, Davygate,York 26
Patient negotiation achieves approval for modern scheme
12 Supermarket, Ludlow, Shropshire 28
Accommodating a bulky use in an historic market town
13 The Bars, Chester 30
Reinterpretation of local vernacular for a volume housebuilder on a
complex inner city site
14 Thorp Architectural Model-Makers Studio, Sunningdale,Berkshire 32
Imaginative insertion enhances a village setting
15 Victoria Hall, Hanley, Stoke-on-Trent, Staffordshire 34
Picking up cues without resorting to imitation
Conclusions 36
Appraising a Proposal 37
Further Reading 37
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Foreword
English Heritage and CABE are asked to advise on many development
proposals in historic areas. We have commissioned this report to show thediversity of interesting recent projects, and to promote the lessons that can bedrawn from them.
Thoughtless haste on the one hand and ill-considered imitation on the otherhave both over the years damaged the fabric of our historic towns and cities.But there is another way, in the form of buildings that are recognisably of ourage while understanding and respecting history and context. The buildingsshown here belong in that category. While firmly of today, they draw intelligentinspiration from what surrounds them and in that sense are rooted in the past.That is true confidence and assurance.
We have in Britain today an abundance of architectural skill and every reasonto believe in our ability to add inspirationally to the built fabric wehave inherited. As this book shows, that skill is not exclusively vested inhousehold names. There is a wide variety of practices capable of respondingimaginatively to the challenges posed by building anew in historic contexts.
To release those skills, we need vision and commitment on the part of clientsand planners. Some of the schemes shown here came about only because theplanning authority had the courage and conviction to reject inferior schemesand demand something better. Sometimes this brought delay and difficulty; butproducing solutions that are lastingly satisfying does mean investing in time,effort and imagination. One of the heartening lessons of this book is that such
an investment is, in the end, almost always thought to be worthwhile, even bythose who started off as critics.
The examples here are not all perfect. But they do represent the kind ofintelligent and imaginative approach that can enrich historic environments. Wecan pay respect to those places best by continuing the tradition of pace-settingand innovation that they themselves represent. As always, this is a question notof style but of quality. And quality, whatever its stylistic guise, can bring a wholerange of benefits not only aesthetic but economic, social and environmental.The regenerative capacity of good new design is apparent in many of theexamples chosen here.
Sir Neil CossonsChairman, English Heritage
Sir Stuart LiptonChairman, CABE
Sir Stuart Lipton Sir Neil Cossons
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Text and Photography
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Text and Photography
Building in Context was written by Francis Golding with photographs byJames O. Davies
Steering group
Sophie Andreae CABE Commissioner
Robert Bargery CABE
Bridget Sawyers CABE
Geoffrey Noble English Heritage
Peter Beacham English Heritage
Acknowledgements
The architects, planning officers, clients and occupiers of the buildingsincluded were uniformly helpful and supportive of this project. The authorand photographer wish to thank them for their co-operation.
English Heritage is the Governments statutory adviser on all aspects of the historicenvironment.
English Heritage23 Savile Row,London W1X 1ABTelephone 020 7973 3000www.english-heritage.org.uk
CABE, the Commission for Architecture and the Built Environment, is the champion forarchitecture in England, promoting high standards in the design of buildings and the spacesbetween them.
Commission for Architecture and the Built EnvironmentTower Building,11 York Road,London SE1 7NXTelephone 020 7960 2400
www.cabe.org.uk
Although every care has been taken in preparing this publication, no responsibilityor liability will be accepted by CABE or its employees, agents and advisers for itsaccuracy or completeness.
Further copies of this publication are available from:English HeritageCustomer Services DepartmentPO Box 569,Swindon,Wiltshire SN2 2YPTel: 0870 333 1181Fax: 01793 414 926
Product code XH20186
English Heritage/CABE 2001
Designed by Clifford Manlow, English Heritage Design Department
Printed by Westerham Press Ltd
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This publication aims to stimulate a high standard of design whendevelopment takes place in historically sensitive contexts. It aims to do
this by example, showing a series of case studies in which achievement
is far above the ordinary and trying to draw some lessons both about
design and about the development and planning process. As a result, it
is hoped that people will be encouraged to emulate the commitment
and dedication shown by the clients, architects, planning officers and
committee members involved in the projects illustrated and be able
to learn from their experience.