Busby

Fine Art & Antiques

Fine Art & Antiques

Started 17 Sep 2020 10:00 BST

Bridport Salerooms, The

Old Hemp Store

North Mills

Bridport

Dorset

DT6 3BE

United Kingdom

Lot Description

1 A pair of Victorian silver fiddle pattern tablespoons by William Eaton, London 1846, 4.5oz

2 A set of six Victorian silver dessert spoons by Elizabeth Eaton, London 1846, 8.2oz

3 A set of six silver fiddle pattern teaspoons by John Round & Son Ltd, Sheffield 1895, 4.2oz

4 A set of six Irish silver fiddle pattern forks, by Charles Marsh, Dublin 1827 and 1829, 12oz

5 A set of six Victorian silver fiddle pattern dessert forks, by Elizabeth Eaton, London 1856, 9.4oz

6A set of twelve fiddle pattern tablespoons; six by Richard Britton, London 1814; and six by John & Henry Lias, and John, Henry &

Charles Lias, 1821 and 1824 (12), 26oz

7A set of six Georgian fiddle pattern forks, various makers including William Eaton, Richard Crossley & George Smith IV, etc, several

quite worn (6), 13.1oz

8 A set of six Victorian fruit forks, five by Charles Wallis, and one by, Chawner & Co, London 1854, 8.7oz

9A set of six Victorian Old English pattern silver table forks and six dessert forks by Samuel Hayne & Dudley Cater, London 1849 and

1850; together with one other Georgian table fork, 22.8oz

10 A set of six large and six smaller Victorian Old English pattern forks by Chawner & Co (George William Adams), London 1854, 25oz (6)

11 A set of seven Old English pattern table spoons, the terminals monogrammed 'JEPC', by Garrard & Co Ltd, London 1967, 17.5oz

12 A mixed set of eight Old English pattern tablespoons, at least four by Thomas Chawner, London 1775, other marks rubbed, 17oz

14A small collection of silver teaspoons and sugar tongs, to include a William Bateman I George III teaspoon; several Victorian teaspoons;

a set of five 20th century coffee spoons with pierced terminals; a large Victorian set of sugar tongs by Robert Williams, etc, 6.3oz

15Two silver tablespoons by William Woodman, Exeter, one 1830; an old English pattern tablespoon by Richard Poulden, London 1820;

three old English tablespoons by Josiah Williams & Co, London 1923; and two others (8), 17.6oz

16Five Victorian and Georgian silver fiddle pattern teaspoons, various makers; together with a set of five Edwardian silver handled butter

knives by John Biggin, 1924, together with a silver knife (af), and a bone handled slice

17A pair of Victorian silver salad servers by John Grinsell & Sons, Birmingham 1890, of shell form, having turned wood handles, each

26cm

18 A Chinese export silver part canteen of fruit knives and forks, Cutshing, Canton, currently complete for 12 place settings

19 A 12 place setting canteen of fruit knives and forks, by Martin, Hall & Co.

20A cased set of originally 12 silver coffee spoons and sugar tongs, now containing 10 spoons, by Goldsmiths & Silversmiths Co., in red

velvet and leather case; together with two cased sets of coffee spoons; and a silver christening set

21Three large Armada/alms dishes by Solomon Joel Phillips, London 1996 and 2007, awarded as trophies for the Tattersall Stakes 1999,

2000, and 2009, each 21cm diameter, 38oz

22 Two large Armada/alms dishes by Solomon Joel Phillips, London 2010, awarded as racing trophies, each 18.5cm diameter, 20.3oz

23 Two large Armada/alms dishes by Solomon Joel Phillips, London 2010, awarded as racing trophies, each 18.5cm diameter, 20.3oz

24Two large Armada/alms dishes by Solomon Joel Phillips, London 2009 and 2011, awarded as racing trophies, each 18.5cm diameter,

20.3oz

25Three small Armada/alms dishes by Mappin & Webb, London 2008 and 2009, boxed, awarded as racing trophies at Royal Ascot, 2008

and 2009, each 10.8cm diameter, 8.3oz; together with two larger Royal Ascot trophy presentation boxes

26Two silver Armada/alms dishes by Richard Lawton Ltd, London 1990 and 1993, the larger 20cm diameter, awarded as a trophy for the

Fillies Stakes, Epsom 1990, the smaller 10.8cm diameter, awarded 1996, 15.5oz

27Two Armada dishes by Carr's of Sheffield Ltd, awarded as racing trophies 2001 and 2003, together with one other by Solomon Joel

Phillips, awarded 1996, 17.5, 12.5, and 13.5cm diameter, 16.1oz

28 A very large silver Armada/alms dish by Deakin & Francis Ltd, Birmingham 2012, 35.5cm diameter, 32.4oz

29 A pair of cased Armada/alms dishes, each Sheffield 2019, 14.5cm diameter, 10oz

30 A silver trophy cup with twin scrolling handles, 13.5cm high excluding handles, 8.3oz

31A very large twin handled silver trophy cup by Harrison Brothers & Howson (George Howson), Sheffield, 1908, on ebonised plinth base,

inscribed 'Behar Golf Clubs, The Kellner Challenge Cup, Open Men's Singles', approximately 21cm high excluding base, 37.4oz

32

A small lot of silver to include a pair of Victorian silver sugar tongs by John Stone, Exeter 1847; a silver teaspoon by William M Traies,

London 1824, together with another 20th century teaspoon; and a Danish .830 silver stirring spoon with engraved bowl, marked H.O for

Henning Oddershede, Copenhag ...[more]

33

A mixed lot of silver, to include a number of napkin rings, a cased set of Victorian apostle spoons by Sibray, Hall & Co. (one missing),

cased set of coffee bean terminal coffee spoons, cigarette box, Georgian tablespoon, Victorian King's Pattern sugar sifter c.1891; a set

of four George III tea ...[more]

34

A William IV/Victorian five piece tea service by Edward, Edward junior, John & William Barnard, London 1836 and 1839, comprising

teapot, coffee pot, burner, milk jug, and sugar bowl, all chased with all over floral and foliate decoration, with scrolling handles, the

teapot and coffee pot with iv ...[more]

35 A silver teapot of compressed cylindrical form by Thomas Ducrow & Sons, Birmingham 1946, 19oz

36A silver three piece teaset, by James Deakin & Sons, Sheffield 1908 and 1909, of rectangular form with gadrooned edge on four hoof

feet, the teapot with ebonised harp handle and finial, the milk jug and sugar bowl with acanthus capped handles, 46.3oz

37

A four piece silver teaset by Goldsmiths & Silversmiths Co., London 1911, comprising coffee pot, teapot, milk jug, and sugar bowl, of

compressed circular form, the pots with pineapple finials and acanthus capped wood handles, egg and dart edges, on spreading circular

feet, 49.2oz

38 A George III silver teapot by Crispin Fuller, London 1801, of oblong octagonal form, having harp handle, bright cut decoration, 13.8oz

39A Dutch silver tea caddy, bearing mark of Willem Diemont, Amsterdam 1843, of oval form with pineapple finial on hinged lid, raised on a

spreading foot, approximately 13cm high, 11.2oz

40A late Victorian three piece silver teaset by George Nathan & Ridley Hayes, Chester 1899 and 1900, comprising teapot (af), milk jug,

and sugar bowl, each half fluted, the teapot with ebonised harp handle; together with a needle case and pair of sugar tongs, 13.2oz

41A late Victorian three piece tea set by Goldsmiths & Silversmiths Co., London 1899, the teapot with ebonised harp handle, all chased

with floral and scrolling decoration, 32.5oz

42 A modern silver coffee pot with wooden scroll handle by Francis Howard Ltd, Sheffield 1973, 27.5cm high, gross weight 24oz

43A modern three piece silver coffee set, by Roberts & Belk, Sheffield, 1973, in Queen Anne style, the pot approximately 25cm high,

38.9oz

44 A George II silver milk jug by Thomas Wallis II, London 1800, 3oz

45 A George III silver milk jug and sugar bowl by Alice & George Burrows II, London 1807, half fluted bodies on ball feet, 8.9oz

46An Edwardian silver milk jug and sugar bowl, Elkington & Co. Ltd, London 1910; together with a silver tray, W. Bruford & Son, London

1903, 20cm diameter; and a very small spill vase, 22.4oz

47A cased pair of Edwardian silver sugar bowls, maker's mark L&W, Birmingham 1904, of octagonal form with pierced decoration, each

with a small set of sugar tongs, 3.5oz

48A cased matched cruet set, various makers, comprising two salts and two lidded mustards with blue glass liners, two peppers, and four

spoons

49 A pair of George II silver salts, maker's mark rubbed, London 1738, silver gilt interior, bright cut decoration, on three hoof feet, 4.3oz

50A pair of pierced silver salts by Thomas Bradbury & Sons, London 1897, of pointed oval form with blue glass liners; together with two

small salt spoons, and a 20th century salt and pepper of turned baluster form (6)

51A lot of silver cruet items, to include a lidded drum mustard of oval form by Stokes & Ireland Ltd, Chester 1916; two other 20th century

lidded salts, all with blue glass liners; and a Queen Anne style sugar caster, London 1933, 10oz

52 A silver capstan pepper mill by Hukin & Heath, London 1896

53A pair of silver salts of canted rectangular form with blue glass liners, together with a pair of pepper shakers, Goldsmiths & Silversmiths

Co., London 1928

54A pair of Georgian style silver salts by E S Barnsley & Co. (Edward Souter Barnsley), Birmingham 1912, of oblong form, with hinged lid

and gadrooned edge, blue glass liner, on four paw feet, 5.3oz

55 A pair of pierced silver salts by William Hutton & Sons Ltd, London 1894, 3.1oz

56 A pair of probably Indian silver salts, lightly chased with Eastern motifs, each approximately 6cm high

57An Indian silver pedestal bowl bearing the mark of Grish Chunder Dutt, of Bhowanipore, Calcutta, circa 1900, the circular body finely

chased with Bengali village scenes, on a raised circular foot, 25.5cm diameter, 19.5cm high, 35.7oz

58 A silver fruit bowl by Wakely & Wheeler, London 1969, 21cm diameter, 15.4oz

60An Art Nouveau silver bonbon dish, London 1923, with swept twin handles, on pedestal base with spreading foot, diameter of bowl

approximately 14.8cm; together with a pierced silver bonbon dish by Joseph Gloster Ltd, Birmingham 1918 (2), 18.2oz

61A shaped circular salver by William Bush & Sons, Sheffield 1960, on three scroll feet, the top inscribed 'Presented by the Gentlemen

Cadets of the Second Course', awarded at the Abyssinian Officer Cadet School under Haillie Salessie, 30.5cm diameter, 25oz

62A small silver salver by Carr's of Sheffield Ltd, Sheffield 2006, 20.2cm diameter, together with another smaller by Wakely & Wheeler,

London 1965, 15.5cm diameter, 17.8oz

63 A modern silver salver on four scrolling feet, Sheffield 2015, 30cm diameter, 28.5oz

64A small colonial silver trinket box by Peter Nicholas Orr, 6.3cm wide x 3.8cm deep x 3.8cm high; together with an engine turned

cigarette case, 13.8cm wide, 8.3oz

65An engine turned silver and silver gilt cigarette case, together with a silver compact, by Garrard & Co. Ltd, Birmingham 1957 and 1958;

together with a cut glass scent bottle with silver top

66A silver cigarette case by Munsey & Co. Ltd, Birmingham 1909; another by Deakin & Francis Ltd; silver belt buckle by Charles Stuart

Harris; button hook; loaded spill vase (af), etc

67An Edwardian silver cigarette box, London 1907; together with and engine turned cigarette case by Frederick Field, Birmingham 1935;

and a silver lidded pot, Birmingham 1933

68A Victorian silver spirit tot, by Hilliard & Thomason, Birmingham 1876, modelled as an oversized thimble with the applied motif 'Just a

Thimbleful' and vacant plaque, 5.6cm high, 1.2oz

69 Two modern silver shot glasses, the smaller 7.5cm high, Birmingham 1971 and 1984, 4oz

70 A pair of early 20th century .925 silver grape scissors, bearing import marks for Adolph Barsach Davis, 16.5cm long, 3oz

71 A silver figure of a kingfisher by Edward Barnard & Sons Ltd, London 1991, on wooden plinth with vacant plaque, 11.5oz (AF)

72A 1950s silver and guilloche enamel nine piece dressing table set by Garrard & Co., with applied garnet and marcasite cluster,

comprising two pairs of brushes, hand mirror, cut glass powder bowl, lidded trinket box, perfume bottle, and comb (9)

73 WITHDRAWN

74 A scalloped silver bonbon dish, by Frank Cobb, Sheffield, 1930, 4.4oz

75 A silver bonbon dish by D & J Wellby Ltd, London 1913, 21cm diameter; together with a small Gorham silver dish, 14cm diameter, 18oz

76 WITHDRAWN

77An 18th century white metal toddy ladle, with twisted horn handle, the bowl inset with Queen Anne half crown and chased with foliage

and bird of paradise, 32.5cm long; together with one other, also with twisted white metal and horn handle (2)

78Two Victorian silver dressing hand mirrors: one by Henry Matthews, Birmingham 1898, bevelled oval plate, the back chased with five

cherubs among scrolling decoration; the other London 1882, scrolling handle, the bevelled shaped plate within a pierced frame (2)

79 A pair of early 20th century silver mounted spherical glass match-strikers, marks rubbed, 5.5cm high

80A silver repousse address book, marked William Comyns & Sons, London, 1905; together with a small leather folder with silver mounts,

makers mark rubbed, London, 1891

81A silver and silver gilt egg cup and saucer by Asprey & Co., London 1990, the egg cup 6cm high, supported on three seated Disney

Mickey Mouse figures, the dish 14cm diameter with Mickey Mouse characters to rim, 13oz

82

A mixed lot of silver items: a pair of scallop shell trinket dishes by Albert Edward Jones, Birmingham 1970; a small milk jug by Bishton's

Ltd, Birmingham 1970; chased trinket dish by Cooper Brothers & Sons Ltd; hip flask with silver top and cup; hip flask cup; an .800 silver

salt in the form of ...[more]

83A pair of silver candlesticks by William Hutton & Sons Ltd, London 1908, in the Adam style, having detachable sconce, oval tapering

fluted and knopped column to a loaded base, 29cm high

84A pair of unusual silver candlesticks, Birmingham 1929, hemispherical bobeches on square taped columns and square bases, 20cm

high, loaded, both with repairs

85 A very large silver plated meat cloche with armorial crest bearing motto 'Omnia Pro Bono Tendit Ad Astra Fides', 50cm long, 40cm deep

86 9ct gold and jade long necklace with small pendant depicting a Kiwi bird in a green Garrard & Co. box

87 Silver Art Nouveau style posy brooch, with a cherub playing a horn, 5.5cm high together with a silver propelling tooth pick, approx 6cm

88 A 9ct gold Victorian brooch, makers mark B&W, in a box from GE Searle & Sons, Plymouth, gross weight 2.6g

89 A 9ct gold muff chain, with gold propelling pencil fob set with amethyst, approximately 153cmL, 29g

90 Contemporary silver gilt pendant on chain, hallmarked 925 and with the makers name Antoine Sandoz. With box

91 Prosteel heavy link silver chain 43g together with 2 Prosteel dogtags on chain 16g, and a pair of small hoop earrings

92 1893 gold 10 dollar coin in 9ct gold holder and yellow metal chain

93An amber necklace (approx 169g) purchased in Jerusalem 1918, beads approx 2.5cm x 1.75cm with variations in shape in a Tiffany &

Co. bag

94A string of hardstone beads together with a further set of green agate stones (both need re-stringing)Provenance: purchased by a family

member on the Grand Tour in the Middle East, thence by descent

95 A Yard-o-Led 18ct gold propelling pencil

96 An 18ct gold ladies half hunter fob watch, 30mm diameter, attached by a gold swivel to a 14ct gold brooch

97 14ct gold ladies fob watch, the face marked C Lannier, Geneve, approximately 33m diameter, 27g

98A 9ct gold ladies open face top wind pocket watch, the engine turned case marked Dennison Watch Co., Roman numerals to white dial

with subsidiary seconds at six, 32g

99A Record Watch Co. gent's stainless steel wrist watch c.1960s, champagne dial with luminous Arabic numerals Movement: 30mm

diameter, 16J manual Case: screw back, marked Record Watch Co. Geneve Strap: metal, marked Kreisler Quality USA

100

A Rolex Oyster stainless steel gent's wrist watch c. 1940, silvered dial with Arabic and Roman numeral California style hour markers,

black outer minute track, and syringe hands with luminous inserts, with Jeffs & Son receipt from 2003 Movement: manual wind Case:

30mm diameter, cushion form, sna ...[more]

100A A 14ct gold ladies Rolex wrist watch, with mesh strap, the clip marked 'RW Co. 585', approximately 21mm diameter, in Rolex box

101A Tag Heuer Formula 1 Professional 200m stainless steel gentleman's wristwatchref. WAC1111-0, no. SJ0820, white dial with Arabic

numerals on quarters, black rotating bezelMovement: quartzCase: 40mm, screw backStrap: bracelet

101A

A Certina Argonaut 220 gents stainless steel wristwatch 1973, blue dial with two tone hour markers, purchased by the vendor in Saas

Fe, Switzerland. Fully serviced in 2017 Movement: 28J automatic, cal.25-651 Case: diameter approximately 33mm, Certina screw back

Strap: stainless steel bracelet

102

A Cartier 'Santos de Cartier' gent's stainless steel wristwatchref. 1564, square dial with Roman numerals, centre seconds, date aperture,

complete with box and papersMovement: quartz, 7 jewel Cartier quartzCase: two piece screw case, 30mm diameterStrap: stainless

steel bracelet

103An IWC Chronograph Rattrapante gent's stainless steel wrist watch Circa 2000s Movement: Manual wind Case: Diameter approx.

41mm, case back secured by four screws, signed International Watch Co, numbered Strap: Original IWC leather strap & pin buckle

104

A Girard Perregaux Ferrari 250 GT TdF limited edition automatic chronograph stainless steel gentleman's wristwatch Ref. 809, no.

1972, circular black dial with Arabic numerals, outer tachymeter scale, subsidiary constant seconds, hour and twenty-four hour dials,

chronograph centre seconds and minute ...[more]

105A Must de Cartier silver gilt ladies tank wristwatchBlued hands, black Arabic numerals, cream dial, sapphire set crown and quartz

movement, on brown leather strap, case diameter 22mm, serial number LMC10556With box, papers, and guarantee

105AAn Omega 9ct gold ladies cocktail watch, integral mesh bracelet, the silvered dial with baton hour markers, diameter approximately

16mm, gross weight 24g

106A 19th century French gilt metal ormolu style figural mantel clock, in the form of a reclining lady with cherub and lovebirds, the white

enamelled dial with Roman numerals, two train movement, 40cm high

106AA French bronze ormolu and porcelain clock, the 8cm white enamel dial signed 1 HRY MARC, Paris, the movement stamped HY.

MARC Paris 41097, under oval glass dome with black ebonised stand

107A Vienna regulator style wall clock, walnut with satinwood marquetry, within an architectural case surmounted with a foliate carving,

97cm high

108A late 19th century German oak cased mantel clock, by Lenzkirch, architectural case with pediment top, square brass dial with copper

Roman chapter rings, twin winders, the sides with mounted twin loop handles, 47.5cm high

109 A French gilt metal carriage clock, Roman numerals to enamel dial, with key, 11.5cm high

110 A London Clock Co. brass cased carriage clock with 11 jewel movement by Fema of London, 11cm high

111

A very rare Victorian rosewood mercury Patent Compensating Portable Barometer or mercury sympiesometer by William Harris and

Son, London, mid 19th century, the rectangular silvered scale applied with short U-shaped mercury tube terminating with open bulb to

left hand column opposing sealed bulb to t ...[more]

112An ivory S. Mordan & Co. propelling pencil, nib engraved 'M', the handle tapering to a ball finial, 8cm; together with a bone bodkin case,

decorated with metal dots, with cork stopper, 6cm high

113 A 14ct gold bound folding pocket knife, with small steel blade and pair of scissors, 6.7cm long

114A yellow metal fob seal with carnelian intaglio, bearing the Montefiore crest; together with a small glass intaglio seal with the message

'go where I wish to be' (2)

115 A steel and gold plated Dunhill Rollagas lighter with indented gold stripes

116A tortoiseshell trinket box with hinged lid, together with a guilloche enamel and gilt metal cigarette box, and a hand painted Limoges

porcelain pin box retailed by Harrods, 'Joyeux Nowell'

117 A pair of gilt metal hanged handles inscribed Depose L. Pinet, no.108

118 An Italian white metal mounted giant clam shell, approximately 50cm wide

119A George III marquetry and parquetry tea caddy, of canted square form, with lined interior and internal parquetry cover, 12.9cm square,

18cm high

120An early 19th century burr walnut sewing box, the top with shell marquetry inlay, cross banded with barber's pole stringing, twin loop

handles, with key, 36.5cm wide, 24cm deep, 15.5cm high

121A 19th century parquetry writing box, having fitted interior with inkwell and pen rest, the slope with purple velvet, 30cm wide, 22.5cm

deep, 17.5cm high

122A George III mahogany tea caddy of rectangular form, with blue glass mixing bowl, and two lidded compartments with boxwood

stringing, 30.5cm wide, 15cm deep, 15cm high

123

A 19th century kingwood writing slope, having brass and mother of pearl inlay to hinged lid and keyhole, opening to reveal a blue

morocco skiver, again hinged, below a fitted interior of several lidded compartments, ink wells, pen holder, etc, 36cm wide, 25.5cm

deep, 9.5cm high

124

A Jennens & Bettridge of Birmingham papier mache Japan lacquer writing slope, inlaid with mother of pearl and heightened in gilt,

depicting a turreted building amidst trees, the hinged lid opening to a red satin lined and fitted interior decorated with further gilt

spandrels, 31.5cm wide, 26.5cm ...[more]

125 Two 19th century papier mache trays, one 48cm diameter, the other 48cm long, 38.5cm wide

126 A three decanter oak tantalus with brass fittings, single drawer below

127 A two decanter silver plated oak tantalus, by Martin Hall & Co., Sheffield, square cut glass decanters, with key

128 A bone page turner with with chased white metal handle, 32cm long

129A George IV policeman's truncheon, turned wooden handle, black painted body with gilt 'GR IV' below crown, 47cm long; together with

one other similar (2)

130 Two carved Black Forest bears, one standing on all fours, the other seated, 13cm and 9cm high

131 A very large piece of carved quartz upon a fitted hexagonal hardwood plinth, 47.5cm high including base

132 A pair of decorative Indian brass chalices, each 10.5cm high; together with a pair of unusual brass bangles, each having six prongs

133

A collection of late 18th/19th century fans, to include a hand fan with green lace leaf intricately embroidered with metal sequins, pierced

sticks and guards with floral design heightened in gilt; together with a hide hand fan in the form of a peacock, hand coloured, with

entwined handle; and two ot ...[more]

134 A pair of Matthew Hilton for SCP cast aluminium chargers or bowls, marked 'HILTON' with signature, 50.5cm diameter

135An ivory and onyx Art Deco dish, after Ferdinand Preiss, with carved figures of a nude lady and a mouse in ivory (af), 9.5cm high;

together with an onyx inkwell, letter rack and blotter

136A 19th century carved serpentine statue 'The Dying Gaul', raised on a stepped oval plinth, which sits upon an additional serpentine

plinth with four feet, 25cm high

137 A pair of 19th century bronze cherub figures upon red marble plinths, each 17.5 cm high

138 A pair of bronze candlesticks, decorated with masks of Bacchus and trailing hops, the base encircled by vines, 28cm high

139A collection of nine Persian As Nas playing cards, illuminated oil paintings lacquered on cardboard, each approx. 4x6cm Provenance,

from the collection of Herbert Sykes

140A Japanese Meiji era ivory Okimono of a fisherman holding a teapot, 8cm high; together with one other holding a basket (af), 6cm high;

an ivory elephant (af), 2cm high, and small fishing boat

141A Japanese carved Okimono of a lady seated in a rickshaw holding a small dog and parasol, 9cm high; together with a Chinese carved

ivory pincushion clamp depicting figures in a garden

142A prototype design for an advertising poster for The Society of Motor Manufacturers Fourteenth Motor Exhibition, Olympia, signed

indistinctly lower right, approximately 50 x 32cmSign Ahearn

143 A 19th century needlework sampler, dated 1887 37x42cm; together with one other, dated 1899, 32x32cm (2)

144 A 19th century ink on glass pastoral silhouette scene, signed indistinctly lower left, 6.5x11.5cm

145Two Swiss 19th century silhouettes depicting gentlemen, 'St.Gallen, Juni 1852' and 'St.Gallen, 22 August 1851', in Sebastian D'Orsai

frames, each 8.5x9

146Three late eighteenth century silhouettes, oval glass with black lacquered frames, two heightened in white with floral hanging loops,

9x7cm

147A pair of late 19th century Chinese cloisonné enamel vases on hardwood stands, depicting cherry blossom on a black ground, each

25.5cm high

148A pair of early 20th century Chinese lidded cloisonné urns, depicting dragons on a black ground chasing a flaming pearl, each 14cm

high

149 A Chinese cloisonné bottle vase with lid (af), depicting dragons chasing a flaming pearl on a white ground, 22cm high

150 A pair of 19th century Chinese blue and white tea cups, marked to base, on hardwood plinths, 5.5cm high

151A very large 19th century Chinese famille verte baluster vase (af), with kui dragon handles, depicting court figures within a garden

landscape, 63.5cm high

152A Chinese ginger jar, painted in polychrome with images of a rooster and a chrysanthemum, marked to base with Jingde Town stamp,

13cm high

153

A Chinese famille rose plate, featuring four gilt panels surrounding a central ring, decorated with images of fans and birds amongst

foliage; together with another famille rose plate, depicting butterflies and a bird amongst foliage, the border heightened in gilt, 24cm

diameter (2)

154A small 18th century enamelled Chinese cloisonné vase, decorated with a scrolling lotus on a turquoise ground between ruyi borders,

Qianlong Nian Zhi four character mark inscribed to gilt-bronze base, 14cm high

155 A Cantonese famille rose cylindrical mug, decorated with court scenes, heightened in gilt, 13cm high

156A matched pair of Chinese bottle vases, the first decorated with butterflies and dragons, 16cm high; the other decorated with butterflies,

fruit and birds, 17cm high, each heightened in gilt (2)

157 A Chinese blanc de Chine porcelain figure of Guanyin, the Bodhisattva of Compassion (af), 36.5cm high

158 An Imari bowl with scalloped edges and hand painted interior and surround detail, on carved hardwood stand, 25.5cm diameter

159 A Japanese bronze figure of a hare, with impressed seal mark to base (Norimitsu?), on hardwood plinth, 18cm high

160 A Japanese carved wooden koi jizai kagi, 42.5cmL

161 A Japanese carved wooden koi jizai kagi, 40cmL

162A large Japanese Meiji period bronze sculpture of an elephant (af), impressed character marks to underside, on hardwood plinth, 46cm

high

163 A Japanese Meiji era bronze elephant, seal mark to underside, on carved hardwood base, 22cm high

164A Chinese brass censer with twin loop handles, with Xuande seal to base, 16.5cm high, approx. 2.5kgProvenance: collected by the

current vendor's great uncle who travelled extensively in the Far East.

165Two unusual Chinese 19th century blue and white Cadogan teapots (af), each formed in the shape of a peach, one painted with a crane

and a flowers; the other with flowers and a swallow, each with Kangxi character marks to base, 16.5cm high (2)

166 A Chinese famille rose plate, Yongzheng character marks to base, 24.5cm diameter

167 A pair of Chinese blue and white crackle glaze baluster vases, with incised Chenghua character mark to base, 26.5cm high

168 A set of three glazed polychrome porcelain foo dogs (af), two of which 9.5cm high, the other 8cm high

169A pair of famille verte biscuit porcelain Budai figures, with green underglaze robes, reclined upon pierced aubergine washed bases,

possibly Kangxi period, each 7.5cm high

170A pair of Chinese famille jaune rectangular brush pots, each panel decorated with a spray of flowers, on hardwood plinths (af), 13.5cm

high

171 A Korean blue and white Joseon Dynasty vase, 10cm high

172 A Japanese blue and white plate depicting a tree and flowers, heightened in gilt, Edo period, no marks to base, 20cm diameter

173A large brass Chinese censer, seal marks to base, 23.5cm diameter, approx. 5kgProvenance: collected by the current vendor's great

uncle who travelled extensively in the Far East.

174AA large 20 th century Chinese famille rose baluster vase, profusely decorated in enamel with images of fans and flora, the rim

heightened in gilt, with Qianlong seal to base, 63cmH

175

A pair of Chinese ivory snuff bottles with one side having carved scenes depicting scholars and students, the other engraved and inked

with a landscape scene, each 9.5cm high; together with one other intricately carved ivory snuff bottle, depicting a court scene, 8.5 cm

high (3)

176

Fassam, Thomas and Shaw-Lawrence, Betty. 'An Herbarium for the Fair, Being a Book of Common Herbs with Etchings', London: Hand

& Flower Press, 1949, 4to, brown three quarter morocco, number 197 of 260 copies, printed by the Ditchling Press and signed by the

author, etched title and 20 plates etc ...[more]

177Wilfred Owen, 'Poems', 'Thirteen poems by Wilfred Owen, with drawings by Ben Shahn, printed at the Gehenna Press, in Northampton

Mass MCMLVI', with leather bindings and hardcover slipcase, Northampton: 1957

179'The Penny Cyclopedia of the Society for the Diffusion of Useful Knowledge', vols 1-27 with 2 supplement vols within 16 editions,

Charles Knight and Co., London, 1837 (16)

180Fleming, Ian, 'Live and Let Die', London: Jonathan Cape. With original dust jacket crediting artist Kenneth Lewis, missing pages 1-4,

public library stamp on final page

181Fleming, Ian, 'Diamonds are Forever', London: Jonathan Cape, with correct but not original dust jacket, library stamps on front and back

inside covers, missing frontispiece

182 Fleming, Ian, 'Octopussy and The Living Daylights', London: Jonathan Cape, 1966 with original dust jacket, (10s 6d)

183Fleming, Ian, 'You Only Live Twice', London: Jonathan Cape, 1964 first edition, black cloth boards embossed in silver and gold,

inscription to frontispiece 'April 2nd 1964'

184

A selection of Ian Fleming's James Bond novels, to include: 'Dr No', London: Cape, 1958 edition; 'The Man with the Golden Gun',

London: Jonathan Cape, 1965, replacement dust jacket, library stamped; 'The Spy Who Loved Me', London: Jonathan Cape, 1962, no

dust jacket; 'On Her Majesty's Secret Service ...[more]

185 Stoker, Bram, 'Dracula', New York: Grosset & Dunlap, bound in yellow cloth with red embossed title and Constable Westminster to spine

186

Orwell, George, 'Nineteen Eighty-Four', London: Secker & Warburg, 1949 First edition, bound in full red leather with embossed brick

design, spine embossed 'MCMLXXXIV', the endpapers decorated with Orwell's eyes, including a secret panel to reveal a £5 note folded

to display the Queen's eyes

187Orwell, George, 'Animal Farm', London: Secker & Warburg, first edition published 1945, in faded green cloth binding with white

embossed title to spine

188Du Maurier, Daphne, 'Jamaica Inn', London: Victor Gollancz, 1936 first edition, bound in full leather in the style of a gentleman's jacket,

with gilt buttons

189 Lewis, Frederick Christian, 'The Scenery of the River Exe', London: 1827, quarter bound in red leather with gilt embossed title

190Romaine, William, 'A Treatise Upon the Life of Faith', London: M. Jones, Paternoster-row, 1807, in leather bindings with gilt embossed

title

191

Milne, A.A, 'Now We Are Six', London: Methuen & Co. ltd, 1927 first edition, red cloth boards with gilt embossed cover and spine; 'The

House at Pooh Corner', London: Methuen & Co ltd, 1928 first edition; 'Winnie the Pooh', London: Methuen & Co ltd, 1927 third edition;

and 'When We Were V ...[more]

192A Victorian Sowerby opaque Aesthetic Green glass posy vase, decorated with three swans within bulrushes, makers mark to base,

dated 1879, 10cm high

193A Victorian Sowerby Patent Ivory Queens Ware glass posy vase, decorated with three swans within bulrushes, makers mark to base,

8cm high; together with two Sowerby Ivory uranium glass baskets, makers mark on interior, dated 1878, 5cm high (3)

194 A Mary Gregory style cobalt blue glass jug, with white enamel decoration of a young girl holding a bird in a pastoral setting, 18cm high

195

Four pieces of Victorian Sowerby 'Sorbini' blue and white malachite slag glass, to include two square vases, each 6.5cm high, marked to

base, dated 1872; a tri-handled vase (af), marked inside, dated 1878, 7cm high; and a small double handled pot, marked to base, dated

1878, 5cm high (4)

196 A John Walsh uranium vaseline glass thorn vase (af), 10cm high; together with a yellow Davidson uranium glass jug, 12cm high

197

Four pieces of Victorian black pressed glass, to include a four-sided vase, the panels decorated with ferns and holly, 9cm high; two

small cylindrical vases decorated with vine leaves, each 8cm high; and a small jug decorated with thistles, roses and crowns, 11.5cm

high (4)

198 A pair of Burtles and Tate pressed opalescent glass swans, reg no. 20086, each 9cm high

199An early 20th century French opalescent glass bowl, decorated with doves and a triangular flower head in relief, reg no.780212, 18.5

diameter

200A pair of Mary Gregory style cranberry glass baluster vases, hand painted with white enamel, one depicting a young boy with a net and

the other a young girl with a basket, both within a pastoral scene, each 28cm high

201A pair of Mary Gregory style cranberry glass baluster vases (af), hand painted with white enamel, one depicting a young boy pointing at

a flock of birds, the other a girl holding a fan, each 23.5cm high

202A pair of Mary Gregory style green glass vases with scalloped edge detailing (af), each painted with white enamel depicting a young boy

and girl holding a tree branch, 17.5cm high

203A pair of Mary Gregory style green glass tumblers, each decorated with white enamel depicting a young girl with a handful of grass, 9cm

high

204 Four pieces of Victorian Davidson purple malachite slag glass, to include two tumblers, a jug and a spray vase

205 A mixed lot of Victorian glass, to include Sowerby and Davidson (9)

206 Livio Seguso (b. 1930), a large freeform glass sculpture with gilt detail, signed to base

207A pair of Bengt Edenfalk for Skruf Swedish cut glass vases, of rectangular form, each signed and numbered A 4/8 to base, each 18.5cm

high

208A quantity of George Davidson Opalescent Pearline blue glass, to include bonbon dishes, tumbler, bowl with dish, basket etc, no.

130643 and 96945 (7)

209A modern set of Continental enamelled glasses, decorated with cornflowers, grasses and other flowers, comprising: champagne flutes

(16); red wine glasses (15); white wine glasses (5); and water glasses (6)

210 A set of 12 gilt and enamel octagonal shot glasses; together with six further clear glass shot glasses (18)

211 A studio glass scoop and bowl, 41cm long, and 25cm diameter

212Twelve Rosenthal Studio Linie brandy balloon glasses, supported on stems with mottled opaque-white inclusions, acid-etched marks,

15.5cm high

213 Early 20th century Czech glass cracker pig charms (af), two with collars and glass droplet pendants, each 3cm high

214A pair of post-war Lalique 'Hirondelle' Swallow bookends, one af, each etched with signature to base, includes broken wing tip, 15.5cm

high

215 An 18th century ale glass with flared trumpet bowl, on plain stem with folded foot, 15.5 high

216An 18th century porcelain twin handled cache pot, bearing red trumpet fanfare Chantilly mark to base, painted with Oriental style design

depicting flowers, figures, and birds, 11cm high

217A pair of Aynsley coffee cans and saucers, the cans set within pierced silver holders with scroll handle, hallmarked for James Dixon &

Sons Ltd, Sheffield 1918, together with two small silver coffee spoons

218A pair of Royal Worcester twin handled baluster vases, hand painted with scenes of a boat at sea, signed by R. Rushton, heightened in

gilt, each 17cm high

219A Royal Worcester bottle vase with moulded neck and base heightened in gilt, hand painted with the image of a peacock within a forest,

signed A. Lane, 16cm high

220A pair of Royal Worcester bottle vases (af) heightened in gilt, hand painted with scenes of peacocks on a branch, signed F. J Bray, each

20.5cm high

221A Royal Worcester potpourri vase with pierced lid and base, hand painted scene of pheasants within woodland on three scroll supports,

signed by James Stinton, shape G474, c.1903, 19cm high

222A Royal Worcester potpourri vase with pierced lid, heightened in gilt, hand painted with blackberries and leaves, signed by Kitty Blake,

shape no. 279, 13cm high

223 A Royal Worcester cabinet plate depicting a Lapwing, hand painted and signed by James Stinton, 22cm in diameter

224A pair of Coalbrookdale style two-handled porcelain landscape vases with encrusted floral decoration amongst two hand painted

vignettes, heightened in gilt, each 24cm high

225 A Coalbrookdale style twin-handled vase profusely encrusted with flowers, heightened in gilt, 30cm high

226 A twin-handled Coalbrookdale style bottle shaped vase, florally encrusted and heightened in gilt, 26cm high

227A floral encrusted porcelain bottle, heightened in gilt and decorated with insects, underglazed with crossed Meissen swords to base,

19cm high

228 A Coalbrookdale style urn shaped vase, the handles decorated with acorns and heightened in gilt, 28cm high

229 Three Coalbrookdale style twin handled floral encrusted lidded porcelain potpourri pots, each approx. 16.5cm high (3)

230A Sitzendorf wall mirror, with encrusted floral decoration alongside a cherub, with three removable candle holders, underglaze blue

marks on reverse, 43x26cm

231 A Goldscheider of Austria Art Deco wall mask, makers stamp to reverse, incised no. 6427, 27cm high

232A Herend porcelain figure of a white seated rabbit, 14cm high; together with a Royal Copenhagen figure of two rabbits, 5.5cm high; and

a USSR Lomonosov rabbit, 4cm high, all with marks to base (3)

233 A Swansea Dillwyn pottery jug, decorated with domestic Oriental scenes, c.1795, 13cm high

234 An early-mid 20th century porcelain jaguar, possibly Keramos of Vienna, 9.5cm high

235 A pair of Karl Ens porcelain songbirds, each 9.5cm high

236 Two Karl Ens porcelain bird figurines, a blue tit, 7cm high, and another songbird, 10cm high, each marked to base

237 A Karl Ens porcelain finch, 12cm high; together with another, 11cm high, each marked to base (2)

238 A Karl Ens porcelain bird, 12cm high; together with another, 11cm high, each marked to base

239 A Karl Ens porcelain figure of a wren, 9cm high; together with a thrush, 15cm high, each marked to base

240 A Karl Ens porcelain figurine of a kingfisher, 12.5cm high; together with a crested tit

241 A Karl Ens porcelain figurine of a woodpecker, 24cm high, marked to base

242 A Karl Ens porcelain figurine of a golden oriole, 22cm high, marked to base

243 A Karl Ens porcelain figurine of a lapwing, marked to base, 19cm high

244 A Karl Ens porcelain figurine of two bee-eaters perched on a branch (af), marked to base, 22.5cm high

245 A Karl Ens porcelain figurine of a hawk, marked to base, 23.5cm high

246 A Karl Ens porcelain figure of a parrot, marked to base, 32.5cm high

247 A Karl Ens porcelain figure of an eagle (af), 23.5cm high

248 A Hutschenreuther porcelain figure of two Arctic Terns (af), marked to base 'GR', 35cm high

249 A set of ten Sitzendorf monkey band figurines, each marked to base, the tallest 11cm high (10)

250 A Continental porcelain figure of an 18th century gentleman and lady, heightened in gilt, marked with a crown over an N, 21cm high

251 A Coalport dessert service, comprising of 33 pieces, to include plates, lidded tureens, meat plates and cake stands

252 A Karl Ens porcelain figure of a pair of herons, marked to base, 32.5cm high

253 A Japanese blue and white Arita ware plate depicting, Edo period, marked to base, 17cm diameter

254 An early 20th century figurine of a recumbent boy wearing a tam o'shanter, marks to base, 9.5cm high

255 Rebecca Lardner (b.1971), untitled, oil on canvas, signed lower left, 20 x 50cm

256Stephen Bishop (British, contemporary), 'Regeneration - Purbeck Meadow', oil on linen, signed lower right, titled and dated 2012 in

pencil to verso, 182 x 122cm

257 Alex Lowery (b.1957), 'West Bay 68', oil on canvas, signed, titled and dated 1997 to verso, 50.5 x 91cm

258 Magdy Basstorous (contemporary, Egyptian, b.1951), fish abstract, mixed media on canvas, 50 x 61cm

259 Magdy Basstorous (contemporary, Egyptian, b.1951), abstract, mixed media on canvas, 50 x 61cm

260 Ataual ?, 'Serenade pour un Canard', signed and dated 1990 lower left, mixed media on board, 55cm x 65cm

261 Leslie Gooday O.B.E. (1921-2013), still life, acrylic on board with collage, signed lower right, framed and glazed, 39 x 55cm

262 Francois Lombardi (French, contemporary), Paysage de Provence, landscape, oil on canvas, 54 x 73cm

263 Felicity Swan, landscape abstract, acrylic and oil on canvas, 49 x 60cm

264 Frederick Donald Blake (Scottish, 1908-1997), 'Sunday Morning', watercolour and ink, signed lower right, 35cm x 47cm

265 Marian Wenzel (1932-2002), 'The Mendicant Walks On', watercolour and gold leaf, titled and signed in pencil, 24 x 24cm

266 Galina Rusak (Russian, 1930-2000), 'Men (Moujik) Hives', mixed media on canvas, 90.5 x 80.5cm

267 Russian, dated 1999, man with violin, oil on canvas, 80 x 100cm

268 Ghislaine Howard (b.1953), Study of trapeze artist, 2001, signed and dated lower left, 49 x 70cm

269 John Sullivan (b.1940), 'Odalisque', 1987, oil on canvas, a reclining lady, signed and dated lower left, 76 x 76cm

270 Early 20th century French school, promenade scene, oil on canvas, signed indistinctly lower right, 65cm x 60cm

271 20th century Russian school, 'Figure of a Lady with a Small Dog', oil on canvas, signed and dated lower right 2001, 120x50cm

27220th century European school, Nojiri(?), 'Figures with Donkey', oil on canvas, signed lower right 1985, the reverse reading 'Henri

Anastaze', 60x39cm

273 Miguel Rajonlai(?), 'Tropico', oil on canvas, signed and dated '62 lower right, 105x85cm

274 21st century Vietnamese school, Lim Khim Katy, untitled '08, oil on canvas, signed and dated lower left, 80x95cm

275 Russian school, Nikolai Reznichenko, 'Photographer', 2000, signed, titled and dated to the reverse, with gallery label, 80x100cm

276 John Sullivan (b.1940), 'Model by the Studio Stove', 1995, oil on canvas, initialled and dated top right 30cm x 40cm

277Circle of Stephen Wiltshire (b.1974), An Aerial View of London, showing Westminster, Lambeth and Southwark beyond, oil on canvas,

89 x 107

278 Charles Robert Doyly-John (1906-1993), oil on board, signed lower left, 52x42cm

279 Bernard Munch (b.1921), abstract woodblock print signed in pencil and titled 'Nous reverrrons des Écureuils', 44cm x 37cm

280 Bernard Munch (b.1921), abstract woodblock print signed in pencil, untitled, 42cm x 52cm

281Robert O. Lenkiewicz (1941-2002); pencil study of a group of people; 25.5cm x 33cm, studio stamp lr. rt.; framed by Studio 4 Picture

Framing.

282 Robert O. Lenkiewicz (1941-2002); pencil study of a two men; 25cm x 27cm, studio stamp lr. rt.; framed by Studio 4 Picture Framing.

283Jeremy Barlow ROI (b.1945-), 'Open Door, Ramatuelle, Provence', oil on board, signed lower left, 48 x 38cmProvenance: bears label for

Mall Galleries, 2007, also The Bourne Gallery catalogue number 41, June 2009

284Jeremy Barlow ROI (b.1945-), 'Ramatuelle, Provence', oil on board, signed lower left, 48 x 38cmProvenance: bears label for The Bourne

Gallery catalogue number 39, June 2009

285 Andrew TOZER (b.1974), fishing village in blue, oil on board, signed lower right, 29x44cm

286 Phil Greenwood (British, b.1943), Season of Mist, screen print, numbered 32/100, signed and dated 1976 lower right, 43cm x 49cm

287 Phil Greenwood (British, b.1943), Claremont Park, screen print, numbered 25/350, signed and dated 1982 lower right, 38cm x 43.5cm

288Sarah Spackman RBA (b.1958), Self Portrait, oil on canvas, signed and dated to verso 1982, 76x63cmProvenance: purchased from or

given by the artist to the vendor, a former teacher

289Sarah Spackman RBA (b.1958), Battersea Bridge at Night, oil on board, signed to verso, 68x90cmProvenance: purchased from or given

by the artist to the vendor, a former teacher

290 Hans Schwarz, RP (1922-2003), Portrait of Baron Thorneycroft, CH, PC 1909-1994, 1st April 1985, pencil and watercolour, 72x49cm

291 Circle of Cy Twombly, abstract mixed media on paper, 50.5 x 75cmProvenance: from the collection of John Hubbard, thence by descent

292 William Woodhouse (1857-1935), 'Feeding Time', ink and pencil, 7.5x10.5cm

293

A collection of engravings of William Shakespeare, to include an engraving after William Marshall of Shakespeare 'from the edition of his

poems 1640', 11x17cm; after S Harding, Le Goux sculp. 'From an original picture in the posession of the late Duke of Chandois',

13.5x19cm; after Abraham Wivell, W ...[more]

294Mezzotint after M. Dahll, Portrait of William Bromley, half-length in an oval, wearing long wig, lace cravat, and robe of office; coat of

arms in lower margin, engraved by J. Smith, paper watermarked, the plate 34.5 x 25cm

296Walter W. Burgess (1856-1908), four etchings of London, each signed in pencil lower left, to include 'The Physic Garden, Chelsea', 25.5

x 15.5cm (4)

297Walter W. Burgess (1856-1908), 'A view of the Palace of Westminster and Westminster Abbey', coloured etching printed by Frederick

Keppel, signed and dated 1902 in pencil lower left, 53 x 78cm

297A

A collection of ten 19th century chromolithographs after William Havell, 'An Island On The Thames Near Park Place Oxfordshire'; 'View

of Taplow, from Maidenhead Bridge'; 'Wallingford Castle, Taken in 1810 While the Bridge Was Repairing'; 'Caversham Bridge, Near

Reading'; 'Oxford, From the Banks Of T ...[more]

298Walter Burgess (1856-1908), etching of Salisbury cathedral, signed in pencil lower right, label to reverse 'The Beaufort Gallery,

Watercolours and Drawings', 27.5 x 20cm

299 Walter W. Burgess (1856-1908), four etchings of London, each signed in pencil lower left, to include 'Old Church Street', 25.5 x 18cm (4)

300Walter W. Burgess (1856-1908), four etchings of London, each signed in pencil lower left, to include 'Old Swan Wharf and Cadogan

Pier', 25.5 x 11.5cm (4)

301 Rowland Langmaid, Peter Pan in Hyde Park, drypoint etching, signed in pencil with studio blind stamp lower right, 27 x 20cm

302 Manuel Robbe after George Henry RA (1858-1943), colour mezzotint, with studio blind stamp

303 WITHDRAWN

304After Holbein, a set of 12 aquatints of Swiss costume, published by Christian von Mechel, Basel c.1790, all frames by Sebastian

D'Orsai, 77 ELizabeth Street London, the plate 26.5 x 18cm

305 After Rembrandt Harmenz van Rijn, 'Beggars receiving alms at the door of a house, 1648', drypoint etching, 13 x 17cm

305A After Guercino, 'St. Dominic Presenting St. Catherine of Siena to the Madonna', etching by William Wyne Ryland, 33 x 41cm

306Early 19th century British, pencil sketch on paper of a lady, 23 x 18.5cmProvenance: bears Christie's label to verso for the house sale of

Myles Place, Salisbury, 25-26 October 1993, lot 646

307George Cruikshank (1792-1878), pencil sketch self portrait and study of a horse from behind, signed, further sketches on reverse visible

through a window in the frame, 8.5 x 15cm

308 Léon Gambey (1883-1914), two pencil nude studies of a woman, the first 6.5 x 17cm, the other 11 x 18cm (2)

309 Léon Gambey (1883-1914), a pencil study of a polo player and horse, 6 x 11.5cm

310 Edward Wakeford ARA (1914-1973), 'Hawkshead', pencil sketch, signed and dated 12.8.29 lower right, 12 x 19cm

311 A 19th century pencil study of two young women, heightened in white, signed '... Dunn, 1857', 41.5 x 33cm

312 Pedro Bueno Villarejo (Spanish 1910-1993), seated woman with child, pencil sketch, signed lower right, 31 x 21cm

313Attributed to Jean Michel Moreau, 18th century French school, 'Moreau le Jeune', pen and ink with wash, label to reverse, 'Cabinet de

Bayser Expertise Dessins', 18.5 x 25cm

314 Frank Lewis Emanuel (British, 1866-1948), A Delft Mill, pen and ink, signed and dated 1890 lower left, approximately 16 x 15.5cm

315

'Upon the Frost in the Year 1715-16', a rare 18th century personalised souvenir woodcut to commemorate the Thames Frost Fair,

belonging to 'Mr Jonathan Bowles', 'Printed upon the Ice on the Thames, at the Maidenhead, the Second Booth, at Old Swan Stairs, Jan

18. 1715-16', measures approx. 32.5 x 20. ...[more]

316Blaeu, J. (c. 1645), map of the county of Dorset, 'Comitatus Dorcestria sive Dorsettia vulgo Anglice Dorsetshire', for volume IV of the

"Atlas Novus", arranged with shields, coats of arms and several galleons heightened in gilt, 38 x 50cm

317John Ogilby, a strip road map 'The Roads from Exeter to Dorchester and from Plimouth to Dartmouth', two strip road maps on one

sheet, engravings on laid paper, 32.5cm x 46.5cm; together with 'A Correct Map of Dorset Shire', 16 x 18cm

318Frederick Rowland Emett (1906-1990), '"George III", A Royal Engine, The Brighton Pavilion Type. Emett Railway Festival Gardens', pen

and ink, signed lower right, 38 x 65cm

319An unusual early 20th century framed vintage fashion silhouette of a young woman gazing into a mirror, comprising of black card and

fabric, 15.5 x 24.5cm

320William Lionel Wyllie RA (1851-1931), two Maritime scenes, 'The Wind Falls Light' and 'The Bustling Mersey', drypoint etching, signed

lower left, both bearing label for Richard Haworth, Blackburn, each 12 x 16.5cm

321William Lionel Wyllie (1851-1931), 'National Dinghy Race, Portsmouth 1927', etching, signed in pencil lower left, Beaufort Gallery label

to verso, with plaque bearing title and incribed 'Presented by W.L. Wyllie R.A., Won by Lt. Comdr. H.M. Denham RM', 15 x 25cm

322William Lionel Wyllie (1851-1931), 'The Lower Pool, Wapping, with tug, Thames Barge, & other shipping', drypoint etching, artist's proof

signed in pencil lower right, bears label for The Wyllie Gallery, 28 x 45cm

323William Lionel Wyllie (1851-1931), fishing fleet at sea with tall ship, drypoint etching, signed in pencil lower left and numbered CXLIII

(143), 14.5 x 35cm

324William Lionel Wyllie (1851-1931), 'Portsmouth Harbour', showing HMS Vengeance, HMS Prince George, and HMS Victory, drypoint

etching, signed in pencil lower left, 8.5 x 34cm

325William Lionel Wyllie (1851-1931), 'British Light Cruiser HMS Chester engages the German Light Cruisers at the Battle of Jutland 31st

May 1916', drypoint etching, signed in pencil lower right, 12 x 16.5cm

326 William Lionel Wyllie (1851-1931), 'Yachting off No Man's Land Fort', drypoint etching, signed in pencil lower left, 8.5 x 33.5cm

327William Lionel Wyllie (1851-1931), 'The German High Sea Fleet caged at Scapa Flow', drypoint etching, signed lower left, bears label to

verso, 8.5 x 33cm

328William Lionel Wyllie (1851-1931), 'The Shivering Sand Bell Buoy', photogravure after a watercolour (af), 30 x 24cm; together with 'The

Upper Pool', photogravure after a watercolour, signed in pencil lower right, 35 x 24cm (2)

329 William Lionel Wyllie (1851-1931), 'Last Trickle of Flood - Thames', drypoint etching, signed lower left, 23 x 35.5cm

330 William Lionel Wyllie (1851-1931), 'On Medway', drypoint etching, signed lower in plate lower left, 22.5 x 14cm

331 William Lionel Wyllie (1851-1931), 'Sheerness', photogravure print, 19 x 26.5cm

332Rowland Langmaid (1897-1956), 'The Houses of Parliament and Westminster Bridge', drypoint etching, signed in pencil lower right, 15.5

x 38.5cm

333 Rowland Langmaid (1897-1956), 'Westminster', drypoint etching, signed in pencil lower right and titled, 15.5 x 20cm

334 Rowland Langmaid (1897-1956), 'Fairway into Portsmouth', drypoint etching, signed and titled in pencil, 8.5 x 32cm

335Rowland Langmaid (1897-1956), 'Thames Embankment with St Paul's', and 'Shipping on the Thames', drypoint etchings, signed in

pencil lower right, with Academy Proof blindstamp lower left, 29 x 23.5cm (2)

336 Rowland Langmaid (1897-1956), '"Fantome" & "Valhalla" off Cowes', drypoint etching, signed and titled in pencil, 17 x 35cm

337 Rowland Langmaid (1897-1956), 'The Big Class Racing Off Ryde, Isle of Wight', 16 x 30.5cm

338Rowland Langmaid (1897-1956), Yachts & dingies, etching, signed in pencil lower right, with Academy Proof blindstamp lower left, 27 x

21cm

339 Walter Greaves (1846-1930), untitled, etching, signed within plate and signed in pencil lower left, 11 x 22.5cm

340Will Pye, 'Weymouth, Harbour Side by Town Bridge', etching, signed in pencil lower left, 20 x 31cm; together with Edward Slocombe

(British 1850-1915), 'The Tyne at Shields', etching, signed in pencil lower left, 18 x 23.5cm (2)

341 Andrew Watson Turnbull (1874-1957), 'Barges on Thames', and one other, etching, both signed in pencil lower right, each 18 x 25cm

342Joseph Gray (1890-1962), 'Volendam', boats at rest on the Markermeer Lake, etching, signed lower right and numbered 52/71 lower

left, 21 x 37cmProvenance: bears label to verso 'Robert Bunting, The Rembrandt Gallery, Liverpool'

343

James Abbott McNeil Whistler (American, 1834-1903) 'The Little Pool - An Advert for an exhibition of Whistler's works at E. Thomas

Publisher', drypoint etching laid on paper, signed and dated 1861 lower left, 10.2 x 12.7cmPart of the 'Thames Set' publication, 1871.

Whistler has included a self portr ...[more]

344 George Stainton (1855-1899), 'Morning on the Thames', watercolour on paper, signed lower right, 30 x 21cm

345 Frederick James Aldridge (1850-1933), Ship in a Choppy Sea, watercolour, signed lower right, 17.5 x 27cm

346 Frederick James Aldridge (1850-1933), Tall Ship coming in to harbour in a Choppy Sea, watercolour, signed lower right, 22.5 x 28cm

347Walter Cannon (exh. 1908-1913), 'Shipping in a Choppy Sea', watercolour, signed and dated 1906 lower left, bears label to verso for

The Beaufort Gallery, 26 x 71.5cm

348 William Henry Pearson (1849-1923), 'A Gray Morning', watercolour, signed and titled lower left, 49.5 x 24.5cm

349 19th century British school, David Cox, boat on a shore, watercolour on paper, signed lower left, 9 x 17cm

350 Alfred de Breanski RBA (1852-1928), rowing boat in the Highlands, watercolour, signed and dated 1882 lower right, 22 x 33.5cm

351 William Callow R.W.S. (1812-1908), boats at rest, watercolour, 20 x 36cm

352 Attributed to Anthony Vandyke Copley Fielding (1787-1855), 'Fishing boat in a choppy sea', watercolour, 15.5 x 25cm

353C. J. Ashford (British, 20th century), The 'Queen Elizabeth' and 'Queen Mary', watercolour heightened in white, each signed lower right,

each 25 x 35cm

354Ian Hansen (b. 1948), 'Clipper Blackadder' a study of a tall ship in choppy seas, oil on canvas laid on board, signed lower right, 20.5 x

29.5cm

355 Attributed to Henry Redmore (1820-1887), tall ships in rough seas, oil on canvas, 60 x 90cm

356

William Minshall Birchall (American, 1884-1941), H.M.S. Hawke, watercolour, signed and dated 1914 lower left, 20.5 x 30cmH.M.S.

Hawke, an Edgar class cruiser launched 1891, was sunk by a German U-boat in the North Sea while protecting a troop convoy from

Canada in 1915Provenance: bears label to vers ...[more]

357 Thomas Bush Hardy (British, 1842-1897), Portsmouth harbour, watercolour, signed and titled lower right, 16 x 22.5cm

358A 19th century watercolour depicting tall ships at sea, 17.5 x 27.5cm; together with one other small watercolour of a Napoleonic French

fleet, initialled 'ER' lower left and dated 1832, 9.5 x 6.2cm

359John Warwick Smith (1749-1831), Bamburgh Castle, Northumberland, watercolour, 50.5 x 68.25cm Provenance: from the collection of

Michael and Justina Ryan

360 John Warwick Smith (1749-1831), Borradaile, watercolour, 15 x 21.5cmProvenance: from the collection of Michael and Justina Ryan

361William Payne (1760-1830), Bridge over a river in Devon, watercolour, 25 x 34.5cmProvenance: from the collection of Michael and

Justina Ryan

362David Hall McKewan (1816-1875), Angling in the Highlands, watercolour, 23.5 x 34cmProvenance: from the collection of Michael and

Justina Ryan

363 20th century watercolour of a gentleman in Middle Eastern garbProvenance: from the collection of Michael and Justina Ryan

364 Leyton Forbes, (act. c.1900-1925), landscape and cottage, watercolour, signed lower right, 24.5 x 34.5cm

365Joshua Cristall (1769-1847), 'On the Common', watercolour, signed lower left, 17 x 14.5cm Provenance: bears label to verso for the

Beaufort Gallery, London SW3

366

John F. Supple (British, 19th century), a pair of watercolours of coastal scenes, each 16 x 35cm, and 'Fishermen in a Rough Sea', 19 x

32cm; together with English School, Dover 1838, watercolour, 17 x 34.5cm, all bearing labels from the Beaufort Gallery, London SW3

(4)

367 Emil Axel Krause (Danish 1871-1945), Bamburgh Castle, watercolour, signed and titled lower right, 35 x 54cm

368 William Bennett R.W.S (1811-1871), 'In Cleveland, Yorkshire', watercolour, signed lower left, 24.5 x 37cm

369 19th century British school, David Cox, Mountain view, watercolour on paper, signed lower right, 12.5 x 21cm

370 John Glover (1767-1849), 'Chapel Ruins', watercolour, unsigned, 16.5 x 25.5cm

371 James Burrell Smith (1822-1897), 'Approaching Dolgellau', watercolour, signed and dated 1868 lower right, 22.5 x 33.5cm

372 William Manners (1860-1930), cart and cottage, watercolour, signed lower left, 16.5 x 24cm

373 William Manners (1860-1930), droving sheep, watercolour, signed lower right, 17 x 24.5cm

374 William Manners (1860-1930), fishermen with cart, watercolour, signed lower left, 17 x 25cm

375 Henry James Johnstone R.B.A (1835-1907), 'A young girl gathering spring flowers', watercolour on paper, signed lower left, 25 x 17cm

376 19th century British school, 'Exmouth', watercolour, titled, initialed GTP, and dated 1852 lower right, 26 x 36cm

377 19th century British school, 'Windsor Castle', watercolour, titled, initialed GTP, and dated 1851 lower right, 26 x 36.5cm

378 19th century British School, Highland cliff, watercolour, 24 x 34cm

379 Theodor Renkewitz (1833-1913), still life with apples and pear, watercolour, signed lower right, 18 x 27cm

380 18th century Italian, A View of Mount Etna, watercolour, 25 x 37cm

381 Anne Anderson (1874-1952), 'The Pied Piper of Hamelin', watercolour on paper, signed lower right, 17 x 22.5cm

382John Callow O.W.S (1822-1878), 'On The Lledr', watercolour, signed and dated 1866 lower right, 15cm x 26cmBears label to verso for

George Hogarth Turner, Regent Street, London

383Ebenezer Wake Cook (1843-1926), 'The Rivals', watercolour, signed and dated 1891 lower left, 21cm x 14cmBears label for Marble Hill

Gallery

384 Rowland Hilder (1905-1993) Still life of plants, signed lr. rt.' watercolour over pencil, 26cm x 37cm

385 Rowland Hilder (1905-1993) Study of Irises, watercolour over pencil, 27cm x 38cm

386 Circle of George Leslie Hunter (1877-1931), study of a Fifeshire beach, watercolour on paper, signed and titled lower right, 22 x 17cm

387Lucy Knight, 'An Old Lacemaker, Bruges', c.1900, signed lower right, watercolour, bears label on reverse 'Richard Ivor, Bournevale

Road, London, 17 x 14.5cm

388 19th century gouache, children at play, signed indistinctly lower right, 19 x 37cm

389 John Henry Henshall (1856-1928), 'Unwillingly to School', watercolour, signed lower left, 26.5 x 18.5cm

390 Walter Emsley (1860-1938), Whitby street scene, watercolour, signed and dated 1920 lower left, 25 x 36cm

391 Newlyn school, fishermen, possibly Penzance, watercolour, 33 x 52cm

392 R.B. Ogle, toddler studies, gouache on paper, signed and dated 1916 lower left, 35 x 22cm

393Howard Gull Stormont (1844-1923), Evening 'Windsor Castle from the Thames', watercolour, signed and dated 1899 lower right, 40 x

65cm

394Circle of Sir Godfrey Kneller (1646-1723), portrait of Robert Walpole, 1st Earl of Orford, KG, KB, PC, 1676-1745, oil on canvas, 124 x

100 cm

395 John Ponsford (c.1790-1870), portrait of Rev. Robert Hawker, D.D. (1753-1827), oil on canvas, 102 x 77cm

396Robert Goodloe Harper Pennington (1854-1920), portrait of Professor James Joseph Sylvester 1814-1897, mathematician, oil on

canvas, 76 x 64 cm

397 George Dowdney (ex. 1730-1750), portrait of the Reverend Christopher Pitt 1699-1748, 7th July 1740, oil on canvas, 76 x 64 cm

398 Michael Dahl (1659-1743), portrait of Peter Mews 1619-1706, Bishop of Winchester, oil on canvas, 76 x 64 cm

400Thomas Kearsley (1773-1802), portrait of Sir Thomas Plumer, Master of the Rolls and First Vice Chancellor of England 1753-1824, oil

on canvas, 89 x 69 cm

401

Thomas Hudson (1701-1779), portrait of Thomas Heath (1705-1759) Alderman and Merchant of Exeter, oil on canvas, bears two

handwritten labels to verso 'Thomas Heath, Alderman of Exeter, Portrait of Benjamin Heath D.C.L., B 1705 D 1759' and 'Thomas Heath

of Exeter, Alderman of Exeter, Portrait of Benj ...[more]

402 18th century British school, Portrait of a gentleman in top hat, oil on canvas, 77 x 62cm

403 16th century Italian school, portrait of a Milanese Nobleman in armour, oil on canvas, 110 x 85cm

404

Portrait of Lieutenant General Lord Bloomfield G.C.B., G.C.H., half length, in military dress, oil on canvas, 76 x 63cm Lieutenant General

Benjamin Bloomfield, 1st Baron Bloomfield GCB GCH (13 April 1768 - 15 August 1846), rose through the ranks as a cello player who

caught the attention of the Prin ...[more]

405Engraved by Edward McInnes after John Lilley, portrait of Lieutenant General Lord Bloomfield G.C.B., G.C.H., full length in military

dress, the plate 71 x 46cm

406 Portrait of Harriott Douglas, wife to the First LordBloomfield, half length, oil on canvas, 76 x 63cm

407 Portrait of Lousia Norris, the sister of HarriottDouglas, half length, oil on canvas, 76 x 59cm

408 Portrait of Anne Ryder Pepper, sister of LieutenantGeneral Bloomfield, half length, oil on canvas, 76 x63cm

409George Hamilton Barrable (fl. 1873-1887), Henry Pelham Fiennes Pelham-Clinton, fifth duke of Newcastle under Lyme 1811-1864,

inscribed middle right 'By Mr Barrable', pencil coloured chalks and watercolour, 58 x 46cm

410

Portrait of Recorder Dennett, half length, oil on canvas, 76 x 63cmProvenance: This portrait has come down through the Bennetts of

Riverston, who were a well-known legal family, to the current vendor, a member of the Poe family.James Jocelyn Poe, son of Rev.

James Hill Poe, married Jane Bennett, dau ...[more]

411 Attributed to Antoine Pesne (1683-1757), portrait of Frederick William I of Prussia 1688 - 1740, oil on canvas, 76 x 53cm

41218th century Venetian School, in the manner of Giovanni Battista Piazetta (1682 or 1683-1754), Portrait of an Old Man, possibly an

allegory of Winter, oil on canvas, 99 x 49cm

413George Henry Harlow (1787-1819), portrait of Mrs Thomas Wright Hill, Nee Sarah Lea (1765-1842), dated 1st April 1790, oil on canvas,

76 x 64cm

414 18th century British school, 'Portrait of a Gentleman', canvas laid on board, in ornate gesso frame, 16 x 18cm

415George Sanders (1774-1846), portrait of Admiral George Keith Elphinstone, GCB, 1st Viscount Keith 1746-1823, oil on canvas, 76 x

63cm

416Attributed to George Theodore Berthon, 1806-1892, portrait of Lt General Sir Gordon Drummond, GCB 1772-1854, oil on canvas, 92 x

72cm

417 19th century British school, Kite Flying on the Heath, oil on canvas, 29 x 39cm

418 19th century English school, Old Martin Chuzzlewit, oil on canvas, 76 x 61cm

419 19th century British School, James Stark, cattle at water, oil on board, in gilt frame, 30 x 44.5cm

420 19th century Italian School, portrait of Giuseppe Garibaldi 1807-1882, signed Garibaldi, on canvas laid on to glass, 45 x 36 cm

421 19th century Italian school, figures within a landscape, oil on canvas, 64 x 77cm

422 Richard Buckner (1812-1883), Portrait of an Elegant Lady with her Child attended by Her Dog, oil on canvas, 92 x 72cm

423 19th century British school, J.B Knight (?), oil on canvas, signed and dated '93 indistinctly lower left, 34 x 29cm

424After Sir Thomas Lawrence PRA (1769-1830), portrait of Master Charles William Lambton 'The Red Boy' (1818- 1831), dated 8th

September 1825, oil on canvas, 84 x 64cm

426 19th century British School, in the manner of John Constable, shepherd in a pastoral settings, oil on canvas, 75 x 90cm

427Louis Mery (French, 1877-1967), 'Calme Dans La Montagne', nudes bathing in landscape, oil on canvas, signed lower left, and dated

1943 to verso, 60 x 72cm

428 J Wilson, grazing cows, oil on board, signed lower left, in ornate gilt gesso frame, 23 x 28cm

429Wilfred J Houghton PRSA FRSA (1921-1999), 'Showers over Lough Neagh, Co. Antrim', oil on canvas, signed and dated 1968, 45 x

54cm

430 Louis Mery (French, 1877-1967), untitled oil on board, French village among poplar trees, 35 x 27cm

431 L J Scott, goatherd playing a pipe by the River Nile, watercolour, signed lower left, 26 x 36cm

432 Leslie Carr (1891-1961), village church, oil on board, signed lower left, 53 x 79cm

433 Philip Hugh Padwick (1876-1958). Landscapes. Two, oil on canvas board, one signed lower right, each 35 x 50cm

434 19th century French school, I.M. Peyrat , still life of an apple in a bowl, oil on canvas, signed and dated '61 lower left, 23 x 29cm

434ACirca 1830s Swiss, oil on metal, Clocktower, Schaffhausen on the Rhine near Basel, Switzerland, the clock inset with original hands, 55

x 70cm

435 Still life of buddleia and butterfly, oil on canvas, signed Ch. Rouseaux 1915 lower left, 72 x 52cm

436Garstin Cox (1892-1933) Fishing in the Roseworthy Valley near Camborne, oil on board, signed and titled indistinctly verso, 60.5 x 46cm

Provenance: The Horner Galleries, Sheffield

437Henri Boisgontier (1850-1940) 19th century French school, figures within a woodland scene, oil on panel, indistinctly signed lower right,

in ornate gesso frame, 32 x 40cm

438 Joshua Anderson Hague (1850-1916), two children in a Scottish landscape, oil on board, 50 x 75cm

439 Attributed to William Coldstream (1908-1987), a Venetian canal, oil on board, 32 x 38.5cm

440 20th century Flemish, Chrysanthemums in a blue vase, oil on canvas, indistinctly signed 'Rich.ly' lower right, 61 x 56cm

441 20th century British School, River Itchen, indistinctly signed on reverse, 76 x 76cm

442 Alice Mary Burton (1893-1968), study of a corgi, oil on artist's board, signed and dated 1939 lower left, 20 x 25cm

443 Geoffrey Robert Russell (1902-1986), portrait of Eric Gill in his studio, oil on canvas, signed, 48 x 46cm

444Molly Loftus Payton, portrait of Jessie Royce Landis, 1952, oil on artist's board, bears label to verso 'James Bourlet & Sons, Nassau

Street London W1', 38 x 31cm

445

An 18th century French carved giltwood wall mirror, the arched pierced cresting with foliate carving above elaborate scroll and strapwork

with a quiver and mask, the divided plate within a carved and moulded rectangular frame decorated with spandrels, 98cm wide, 180cm

high

446A Venetian shield shaped wall mirror, 20th century, with etched decoration, 138cm high, 72cm wide; together with a smaller oval

example, 55cm high, 34cm wide

447A Regency giltwood and gesso overmantel mirror with applied balls above a frieze of charioteers, the three modern bevelled plates

flanked by fluted pilasters, 137cm wide, 91cm high

448 A 19th century giltwood pier mirror, oil on panel depicting depicting a folly at sunset, 132cm high, 73cm wide

449 A 19th century oval adjustable dressing mirror, with turned candle sconces

450An Adams style oval wall mirror, the bevelled plate within an egg and dart moulded rim, the top centred by a classical urn with trailing

husks, 97cm wide, 85cm high

451 A 19th century French giltwood wall mirror with floral cresting and foliate acanthus decoration, 87cm high

452 A pair of 19th century mahogany framed circular wall mirrors, the plates approximately 16.5cm diameter, external diameter 26cm

453A Regency style giltwood and gesso convex wall mirror, the circular plate within an ebonised reeded slip and giltwood cavetto frame set

with balls, surmounted by an eagle and scroll cresting with acanthus below, approximately 177cm high

454 A 20th century Venetian mirror with gilt metal decoration and bevelled glass plates, 70x85cm

455 A pair of early 20th century Regency style gilt pier mirrors, rosettes above, the plates flanked by fluted Corinthian columns, 57x104cmH

456 A very large 19th century mirror, with gilt gesso moulded frame, 218cm wide, 98cm high

457A Regency giltwood convex circular mirror wall mirror, the original plate within an ebonised reeded slip and giltwood cavetto frame set

with, 67cm diameter overall, the plate 45cm diameter

458 A Louis XVI giltwood wall mirror, with foliate cresting, replacement plate, 102cm high x 63cm wide

459 A Victorian adjustable dressing mirror, on turned and fluted supports, the rectangular base with twin cushion drawers

460 A brass four arm chandelier of central globe construction

461 A pair of bronze table lamps, in the form of Grecian urns, on octagonal marble bases

462An Art Deco Tiffany style table lamp and shade, the brass base with hand painted enamel stem decorated with grapes, signed, 48cm

high

463

A set of eight 20th century moulded glass five light wall appliques in George III taste, the circular drip pans suspending faceted pendants

and chains on spiral moulded serpentine arms rising from a metal boss, the baluster form shafts each with three serpentine finials, with

spherical glass termina ...[more]

464 A pair of carved mahogany standard lamps, reeded columns with wheatsheaf carving, on tripod cabriole legs

465 A brass Corinthian column table lamp, stamped C.W to base, 44.5cm high

466 A pair of figural brass table lamps in the form of women in classical dress, each 28cm high

467A substantial brass hall lantern in late Georgian taste, square form, with scrolling anthemion decoration, each side comprising six

bevelled glass panels, 26cm square, 96cm high

468 A gilt metal table lamp in the form of a reeded corinthian column, on square plinth base, 48cm high

469 A gilt metal table lamp in the form of a fluted corinthian column, on square base upon an ebonised plinth, 45cm high

470 A pair of late 19th century fluted glass candle holders, adapted for electrical use, the glass 44cm high

471

An exceptionally fine pair of George III giltwood three arm wall sconces, each arm with scrolling acanthus decorationProvenance:

Formerly part of the original contents of Fota House, Cty. Cork, designed by the architects Richard and William Morrison, having been

held in storage with the family to da ...[more]

472 A pair of plated table lamps of baluster form, 31.5cm high, together with one other, 47.5cm high

473

A probably Italian gilt metal and blue glass twenty four light chandelier, 20th century, the scallop cut sconces hung with faceted

pendants and on foliate cast arms issuing from a moulded baluster and inverted baluster form knopped stem, with coronet finial and

sphere terminal, approximately 105cm h ...[more]

477 A West Persian rug with triple border, 191x102cm; together with a prayer mat, 120x88cm

478 A Kazak rug, early 20th century, 350x194cm

479 A Yomut Turkmen asmalyk rug, Turkmenistan, late 19th century, 118x65cm

480 A Kurdish rug, north west Persia, early 20th century, 94 x 145cm

481 A Tekke Turkmen carpet, Turkemistan, 103X190cm

482 A north east Persian kurd rug, 106 x 218cm

483 A Kurdish rug, probably kazak late 19th century, with central lozenges, 139 x 181cm

484 A Persian tree of life rug with triple border, 160X190cm

485 A Khamseh rug, Fars, south west Persia, early 20th century, 202x280cm

486A Regency brass coal scuttle with embossed husk bead detail and turned ebony handle, with original ebony handled shovel, on stepped

circular base, 32cm wide, 48cm deep, 50cm high

487 A good set of 19th century gilt metal fire tools, comprising poker, tongs, and shovel, on ornate stand

488 A 19th century pierced brass fire guard, with central urn motif flanked by griffins and phoenix, 135cm wide

489 A Regency style brass curb fender, with heavily pierced decoration, on five paw feet, 139cmW

490 Two part sets of fire tools, each on stands, on with cast iron shell design

491A Regency brass fender with rams masks, 132cm wide; together with an ornate 19th century fan fire guard, with foliate and ropetwist

decoraration, 56cm wide

492 A 19th century brass fender, 131cm wide; together with a good set of brass fire tongs with ropetwist decoration

493 An iron log prodder, 101cm long, the prongs 12cm long

494An ornate Louis XVI revival gilt metal fire screen, of scrolling foliate rococo influence, the mesh panel applied with two cherubs, the

whole raised on four scrolled feet, 72cm wide, 71cm high

495 A pair of Coalbrookdale style Victorian cast iron pot stands, 123cm high

496 A pair of large garden urns depicting Roman scenes, on square plinth bases, 100cm high

497 A demilune stone trough planter, 65cm wide, 62 deep, 29cm high

498 A small 17th century two panel oak coffer, pin hinged lid, 96cm wide, 34.5cm deep, 52.5cm high

499 A 17th century oak bible box, decorated with circular and lozenge carving, with key, 55cm wide, 33cm deep, 27cm high

500 A 17th century oak three panel mule chest, with carved rosette decoration, candlebox in interior, 120cm wide, 57cm deep, 65cm high

501 A Georgian oak mule chest, hinged lid with moulded edge, two cockbeaded drawers, on bracket feet

502A pair of oak joint stools, each with moulded top over carved apron, block turned legs on square stretchers, 46cm wide, 28.5cm deep,

45.5cm high; together with one other smaller (3)

503A William & Mary oak lowboy, moulded three plank top above single frieze drawer, on turned legs joined by a shaped cross stretcher, on

compressed bun feet, 72.5cm wide, 47cm deep, 67cm high

504A Charles II open armchair, crown and scroll carved cresting rail over an oval caned panel within twist turned uprights, swept scroll

arms, cane panel seat, on shaped supports and stretcher

505 A Charles II oak geometric chest of drawers, 86cm wide, 52.5cm deep, 88cm high

506A George II oak chest of two short over three long drawers, the top with an ovolo lip, the drawers with apparently original swan neck

handles, within carcass cockbeads, raised on bracket feet, 93cm wide, 47.5cm deep, 90cm high

507A Georgian mahogany chest of two short over three graduating drawers, moulded edge top, the drawers flanked by double sets of

columns, on moulded bracket feet, 106cm wide, 55cm deep, 99cm high

508A bow front mahogany chest of two short over two long cross banded drawers, on swept bracket feet, 88cm wide, 49.5cm deep, 88.5cm

high

509A mahogany chest of two short over three long drawers, with slide, on moulded base and bracket feet, 84cm wide, 39cm deep, 79cm

high

510An unusual Victorian chest of drawers, moulded top over blind drawer and a further three graduating drawers, each end with single

drawer and loop carry handles, on bracket feet, 90cm wide, 48.5cm deep, 81cm high

511A small 20th century Heal's bow front mahogany chest of four graduating cockbeaded drawers, on swept bracket feet, bearing ivorine

plaque for 'Heal's, Tottenham Court Road, London W1', 76cm wide, 50cm deep, 77cm wide

512A late 19th century mahogany Wellington style chest of five graduating drawers, with a hinged top, on plinth base with loop carry

handles, 56cm wide, 40cm deep, 96cm high

513A late 19th century mahogany specimen chest, having two cupboard doors opening to reveal six graduating drawers with brass knobs,

42cm wide, 25cm deep, 57cm high

514A late 19th century cabinet, two panel doors opening to reveal centrally divided adjustable shelves, 62.5cm wide, 44.5cm deep, 125.5cm

high

515A Regency mahogany specimen box on stand, hinged lid above single drawer, lion mask loop handles, on tapered legs with three

quarter stretcher, 40cm wide, 27cm deep, 85cm high

516 A 19th century rosewood pedestal sewing box on turned column on quatrefoil base, 80cm high

517A Regency and later mahogany lady's writing desk of good patination, with glazed shelves and two drawers above, the fold over top

above two banded frieze drawers, raised on strung square tapered legs, 98.5cm wide, 159.5cm high

518A 19th century pedestal library table, leather inset top, rosewood crossbanding, hexagonal pedestals, two FD, two blind drawers, 107cm

wide

519A 19th century mahogany sofa table, having two frieze drawers and two blind frieze drawers, the swept legs joined by lotus carved

stretcher

520A 19th century mahogany pedestal table, rectangular top on octagonal tapered column and quatrefoil base, 61.5cm wide, 46cm deep,

73cm high

521 A small 19th century oak display table containing a collection of 49 intaglio seals, 59cm square, 40cm high

522 A Regency break-front bookcase with central glazed doors, 183cm wide, 37cm deep, 90cm high

523A late 19th century mahogany hall bench by James Shoolbred, the long seat with bolster roll ends above a plain frieze raised on turned

legs, 98cm long, 48cm high

524A George III mahogany card table, the shaped fold over top above single frieze drawer, raised on capped club legs and pad feet, 76cm

wide, 37.5cm deep, 73cm high

525A 19th century rosewood folding card table with green baize lining, swivel top revealing compartment below, on hexagonal column and

quatrefoil base with paw feet, 92cm wide, 46cm deep, 75cm high

525AAn early Victorian rosewood writing desk, bookmatched top on two reeded scrolling pedestals, joined by two stretchers, 105 x 53 x

76cm high

526A small George III oak bureau, fall front over two short and three graduating drawers, on bracket feet, with key, 62cm wide, 38cm deep,

97cm high

527A George III mahogany bureau, the fall and drawers bookmatched, the top with the usual arrangement of drawers and pigeon holes,

over four graduating cockbeaded drawers, on bracket feet, with key, 90cm wide, 46.5cm deep, 108.5cm high

528A small 19th century mahogany bureau, the fall front above two short over two long drawers, on bracket feet, 61cm wide, 46cm deep,

99cm high

529A late 19th mahogany bureau of good colour, the fall front revealing the traditional arrangement of pigeon holes and drawers, above four

graduating drawers, on bracket feet, 114cm wide, 58cm deep, 106cm high

530A Regency mahogany serpentine knife box, the sloping lid revealing a later divided interior, with brass lock and key and brass loop

handles, 23cm wide, 23.5cm deep, 34cm high

531A George III mahogany three-tier circular dumb waiter, early 19th century, with three moulded platforms above part wrythen turned

supports, on three cabriole legs and pointed pad feet, the largest tier 58cm diameter, 112cm high

532A Regency mahogany two tier dumb waiter, the two moulded tiers joined by three brass columns, on baluster column and swept tripod

legs with brass cappings and casters, 58cm diameter, 110cm high

533 A 19th century mahogany barleytwist tripod table, moulded edge, 48cm diameter x 72cm high

534An early 19th century dressing mirror, shaped plate with bevelled glass, over two cavetto drawers and one long drawer, on bracket feet,

38cm wide, 25cm deep, 65cm high

535An early 19th century mahogany chest on chest, dentil cornice above two short over three long drawers flanked by stop-fluted canted

corners, above a brushing slide and further three graduating drawers, on bracket feet, 111cm wide, 52cm deep, 187cm high

536A 19th century mahogany chest on chest, dentil cornice above blind fretwork panel, two short over three graduating drawers flanked by

stop-fluted canted corners, over a base of three further graduating drawers, on bracket feet, 118cm wide, 52cm deep, 176cm high

537An embossed and painted Georgian leather four fold screen, heightened in gilt, depicting dragons among swags, foliage, and fruit,

191cm high, each panel approximately 57cm wide

538

A Victorian walnut whatnot cum davenport desk, the top with a hinged galleried compartment fitted for inkwells, pens, and letters, the

hinged slope inset with brown simulated leather enclosing a plain interior, on turned legs joined by two cutaway undershelves, 52cm

wide, 43cm deep, 93cm high

539

A Victorian walnut davenport desk, with waisted box superstructure above a leather inset slope opening to reveal an interior of four

drawers, supported on leaf-carved scrolling supports, fitted to one side with four drawers opposed by dummies, raised on bun feet with

castors

540A Victorian burr walnut chiffonieur, bookmatched top, the cupboard doors with applied carved mouldings, opening to single shelf, on

plinth base, 75cm wide, 36cm deep, 151cm high

541 A Victorian cylindrical marble top pedestal pot cupboard, the white marble top inset above a concave door upon a circular plinth

542A pair of mid-19th century carved Italian open armchairs, upholstered seats and backs, scrolling arms on turned supports, the legs

joined turned H stretchers with decorative pierced scrolling from stretcher

543 A 19th century wheel back Windsor chair, shaped seat on turned supports and H stretcher

544A good set of four Georgian dining chairs, one a carver, carved pierced rails, stuffover seats, on square section legs and peripheral

stretchers

545 A further two Georgian dining chairs of similar design

546 A well carved Charles II styleoccasional chair

547Two miniature carved hardwood vase splat open armchairs, each with upholstered seat, on cabriole legs with carved knees, each

approximately 55cm high

548 A button back salon chair, curved top rail, with carved supports on scrolling carved legs, with brass casters

549 A 19th century button back open armchair, scrolling arms, on carved front legs

550 A good 19th century low armchair, on rosette from feet and casters

551 A 19th century Continental armchair, outward scrolling arms, carved apron and scrolling cabriole legs

552 A set of six 19th century dining chairs, carved rail with parcel gilt rosette decoration, over drop in seats, on swept sabre legs

552A A set of six Regency dining chairs, with lattice backs above stuffover seats, on turned legs

553 A set of six Louis Philippe mahogany and marquetry inlaid side chairs, circa 1840, upholstered in a striped fabric, on scroll cabriole legs

554 A late 19th century French giltwood open arm sofa, in need of much restoration, on tapering fluted supports, 149cm wide

555A George III sofa with square back, upholstered in a striped fabric, with horsehair cushion, raised on eight square tapered legs with

brass capping and casters. 181cm wide x 70cm deep x 88cm high

556 A pair of modern upholstered banquettes with fringe, on faux bamboo turned tapered legs, with brass casters

557An armchair and matching footstool by Howard & Sons, on square tapered legs with brass cappings and casters, the legs stamped

Howard Chairs Ltd. London England'

558A modern 19th century style mahogany metamorphic library chair, in the form of a bar back chair, 88cm high, with hinged seat becoming

a flight of four steps, each with inset tread, 88cm high

558AA George III mahogany rectangular metamorphic stool/library steps, the rectangular upholstered seat hinged to enclose six treads,

indistinct makers label to underside of seat, 45cm deep x 61 wide x 55cm high when closed

559A Chinese hardwood elbow chair, the shaped back with pierced and carved peach and scroll ornament, solid seat on carved frieze and

square section supports, 65cm wide, 99cm high

560A 19th century Chinese export black lacquered and parcel gilt sewing table, the lid enclosing various lidded compartments, 58cm wide,

41cm deep, 67cm high

561A 19th century foot stool with needlework drop in seat, on carved cabriole legs with ball and claw feet, 53cm wide, 50cm deep, 58cm

high

562A French Belle Epoque display table, of bombe form, sans traverse veneer, with scrolling ormolu mounts, the sides with convex glass,

and convex glass door with key, on scrolling ormolu feet, 69cm wide, 43cm deep, 82cm high

563 An oak refectory style table with moulded top, 142cm wide, 61cm deep, 73cm high

564 A Spanish walnut refectory table with three plank top, 152cm long, 68cm wide, 75cm high

565 A large oak farmhouse refectory table, four plank top with wrought iron brackets, 245cm long, 87cm deep, 77cm high

566 An Edwardian mahogany bookshelf with single drawer, on turned feet, 86cm wide, 30.5cm deep, 104cm high

567 An early 20th century duet stool with hinged seat, 100cm long

568 A pair of early 20th century embroidered footstools raised on turned legs, each 29cm square

569 An early 20th century mahogany coat stand with brass fittings, 178cm high

570 An early leather shell carrier with loop handle, decorated with armorial crest 'Dieu et mon droit', converted to a stick/umbrella stand

571 An early 20th century tooled leather three panel screen, painted with flowers, 182cm high, each panel 57.5cm wide

572 A Chinese coffer with hinged lid, on carved stand, with carved stretchers

573 A painted cast iron sofa, in Empire style, 20th century, with suede cushions and bolsters, 105cm high, 211cm wide

574A modern Vaughan lacquered and japanned tray top occasional table in the Victorian manner, on faux bamboo supports, highlighted in

gilt, with turned cross stretcher, 66cm wide x 52cm deep x 46cm high

575 A Vaughan black Japanned occasional table, 121cm wide, 75cm deep, 40cm high

576

A substantial Victorian 'Berlin' wool work depicting of the Finding of Moses, the subject taken from the Book of Exodus depicting the

Pharaoh's daughter finding Moses amongst the bulrushes on the Nile, with Moses' mother and sister, Jochebed and Miriam, looking on,

with a temple complex in the backg ...[more]

577A modern tester bed, hung with turquoise and white Chinoiserie drapes, counter pain and headboard, with blue silk lined interior, 209cm

long

578 A 19th century French empire period mahogany and ormolu mounted 'lit en bateau' sleigh bed, 116cm wide, 210cm long

579An oak cased longcase clock by Jn. Christian of Aylsham, arched brass dial with silvered circular plaque inscribed Jn. Christian

Aylsham, silvered chapter ring with Arabic and Roman numerals, subsidiary seconds dial and date aperture

580An oak cased longcase clock, swan pediment with phoenix cresting, the case cross banded with central lozenge motif, the door flanked

by fluted columns, on bracket feet

581

An early 18th century longcase clock by John Smorthwaite of Colchester, brass dial with silvered chapter ring with Roman and Arabic

numerals, subsidiary seconds dial, date aperture, twin winding holes, the case with moulded outswept cornice, Doric columns, plinth

base, heightened in gilt with Chinoi ...[more]

582

A George III oak longcase clock by Thomas Read of Tarporley, the silvered dial 30.5cm diameter, with Roman hours and Arabic

minutes, subsidiary seconds dial, with gilt spandrels, flanked by fluted columns, the slender trunk with a crossbanded door embraced by

fluted columns raised upon a panelled pl ...[more]

583An oak longcase clock, the 31.5cm dial marked Yoevil and signed indistinctly, swan neck pediment with gilt finial, crossbanded door

flanked by stop fluted canted corners, on bracket feet, 226cm high

584A mahogany longcase clock, the 30.5cm dial signed James Ferris, Poole, the dome top with three gilt finials, domed moulded door

flanked by stop fluted canted corners, panelled base, on bracket feet, 230cm high

585

10% BUYER'S COMMISSION. CAN BE DRIVEN AWAY.A 1961 Austin Healey 3000 MkII BT7, finished in classic Healey blue metallic,

with darker blue leather interior, piped ivory, and matching mohair hood and tonneau cover. The car was imported from the USA,

converted to RHD and fully restored approximately 20 ...[more]