presents

By Gus Krieger

Directed by Drina Durazo

June 17, 2016 – July 31, 2016

Fridays and Saturdays at 8:00 PM Sundays at 2:00 PM

The Lonny Chapman Theatre 10900 Burbank Boulevard North Hollywood, CA 91601

818-763-5990 www.thegrouprep.com

CO-ARTISTIC DIRECTOR CO-ARTISTIC DIRECTOR Larry Eisenberg Chris Winfield

ARTISTIC ADVISORY BOARD

F. Murray Abraham Ed Asner Bruce Davison Salome Jens Mark Rydell

Lou Antonio

Barbara Bain Florence Henderson

Martin Landau

BOARD OF DIRECTORS Bert Emmett, President

Vice Presidents: Marc Singer, Kyra Schwartz Alternates: Lloyd Pedersen, Jack Csenger

Community Liason: Kevin Dobson

HOUSE STAFF

Treasurer..........................................................................Richard Alan Woody Bookkeeper.............................................................................Lloyd Pedersen Dues Coordinator........................................................................Lareen Faye Social Secretary........................................................................Renee Gorsey New Member Coordinator.…………………………………….…..Patrick Burke New Projects.................................................................................Alyson York Host Coordinator..................................................................Katelyn Ann Clark Maintenance Coordinator............................................................Edgar Mastin Hospitality............................................................................Sandra Cusimano Electrician.............................................................................Robert McCollum Master Carpenter........................................................................Chris Winfield Ticketing & Reservations................................................................Julie Davis Photographers............................................................................ Doug Engalla Participating Actors Coordinator..................................................Drina Durazo

CONSULTANT STAFF

Graphics.....................................................................................Doug Haverty Social Networks...........................................................................Drina Durazo Publicity, Public Relations..........................................................Nora Feldman Web Design.............................................................................Larry Eisenberg

ARTISTIC COUNCIL Drina Durazo Doug Haverty Lloyd Pedersen Gwen Van Dam

presents

The Armadillo Necktie

By Gus Krieger

DIRECTOR Drina Durazo

PRODUCER FOR THE GROUP REP Troy Whitaker

FIGHT CHOREOGRAPHER William Hickman

ASSISTANT DIRECTOR Lauren Peterson

SCENIC & LIGHT DESIGN J. Kent Inasy

ASSISTANT SCENIC DESIGN Chris Winfield

COSTUME DESIGN Angela M. Eads

COSTUME ASSISTANT Gabrielle Sciabbarrasi

PROP DESIGN Todd Andrew Ball & Hisato Masuyama

SOUND DESIGN Drina Durazo

STAGE MANAGER Alicia Patterson

PUBLIC RELATIONS Nora Feldman

ORIGINAL ART WORK Joe Chang

GRAPHIC DESIGN Doug Haverty +

Art & Soul Design PROGRAM

Drina Durazo

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.

The Armadillo Necktie

By Gus Krieger

CAST (in order of appearance)

Buckley Dunham…………………………..….Matt Calloway Bruce Walker………………………………...…Morgan Lauff Madeline Sainz…………………………………Jennifer Laks Ulysses S. Armadillo……………………………Bert Emmett Aminah Abdul-Haleem Ali…………….…....Shanti Ashanti Ulysses S. Armadillo U/S……………..……Larry Eisenberg

SETTING The Iraq/Iran border, somewhere between Khanaqin and Mandali.

ACT ONE: The Mid-Aughts

15-minute intermission

ACT TWO: Later

*Member of Actors’ Equity Association (AEA), the Union of Professional Actors and Stage Managers in the United States of America.

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PLAYERS DIRECTORY, cont’d. LARRY EISENBERG (Colonel Ulysses Simpson Armadillo U/S) is an Actor, Writer and Director. Some of his favorite acting roles have included Kit Carson in The Time of Your Life, opposite Lonny Chapman, Edgar in King Lear opposite George Coulouris and the Conductor in Terence McNally’s Prelude and Liebestod. Most recently he appeared in the GRT’s production of Bach at Leipzig. Larry has his MFA in directing from the California Institute of the Arts and serves as one of the Group Rep’s Co-Artistic Directors.

PRODUCTION TEAM DRINA DURAZO (Director) has been a member of The Group Rep for 5 years. Her GRT credits include, as Director: Moon Over Buffalo, Hotel Paradiso, I Sing Walt Whitman, Don’t Dress for Dinner. As Producer: Sherlock’s Last Case, Awake and Sing, Lombardi, and, as Assistant Director: Trip to Bountiful, Poor of New York, And Then There Were None. Other directing credits include: Every Christmas Story Ever Told And Then Some and All The Great Books Abridged (Mammoth Lakes Rep), the Award-Winning production of Gus Krieger’s Breaking Bard at the 2015 Hollywood Fringe Festival (Porters of Hellsgate), which earned four Ezra Buzzington Spirit of the Fringe Award Nominations, including Best Direction; and the extended Breaking Bard (Porters of Hellsgate) at the Whitmore-Lindley, which earned seven Valley Theatre Award nominations, including Best Direction. Other theatre credits: Sound Designer for 39 Steps (Mammoth Lakes Rep), and Production Assistant on The City of Conversation (Wallis Annenberg Center for the Performing Arts). Drina would like to thank the love of her life, Gus Krieger, for writing this brilliant play; and for always inspiring her, motivating her, and pushing her to be her best self, both as an artist, and a person.

GUS KRIEGER (Playwright) is a Los Angeles based writer-director-producer of stage and screen. His first produced original screenplay “The Killing Room” premiered at the 2009 Sundance Film Festival, starred Academy Award winner Timothy Hutton, Academy Award nominee Chloe Sevigny, and was directed by Jonathan Liebesman (“Battle: Los Angeles,” “Wrath of the Titans”). Krieger wrote and directed the horror short “Ol’ Stan Levid,” which premiered at Screamfest 2007 at the TCL Chinese Theatre, and associate-produced the 2012 feature horror film “Would You Rather” starring Brittany Snow and Jeffery Combs. Last year, Krieger produced Mark Pavia’s slasher throwback “Fender Bender” for the Chiller network, and, most recently, wrote, produced, and directed the feature thriller “The Binding,” produced by Scott Hyman (“(500) Days of Summer”) and starring Amy Gumenick (“Turn: Washington’s Spies,” The CW’s “Arrow”), currently set for release August 2nd, 2016.

Additionally, Mr. Krieger is the Associate Artistic Director of the multi-award-winning classical theatre company The Porters of Hellsgate, and with them premiered his original stage play Deity Clutch to great acclaim at the 2011 Hollywood Fringe Festival, as well as his original stage play Sherlock Through The Looking-Glass at the Odyssey Theatre Ensemble in 2013. His 2015 satirical mashup Breaking Bard took home the singular Spirit of the Fringe Award for Best Writing, out of 200+ shows.

PRODUCTION TEAM, cont’d. TROY WHITAKER (Producer) is a graduate of Cal State University, Northridge’s Screenwriting program. His stage credits include: Awake and Sing!; Don't Hug Me, We're Married; Putting On Your Shorts 1, 2, 3, and 4; Arsenic and Old Lace; Lombardi ; Breaking Bard; and, most recently, Bach at Leipzig. WILLIAM HICKMAN (Fight Choreographer) currently teaches acting at Pasadena City College and stage combat with Star Prep Academy and Angeles Workshop School. He recently choreographed Romeo and Juliet, Summer and Smoke, and Tales of Hoffmann, as well as directing Antigone at PCC and A Really Short Macbeth at Star and Angeles. He is a member of The Society of American Fight Directors and received his MFA from UCLA in 2013. LAUREN PETERSON (Assistant Director) A dancer/actor, Lauren studied under George Balanchine (SAB), and Uta Hagen (HB Studios). On stage she has performed at The Orpheum Theatre, The Group Rep Theater, The Malibu Playhouse, American Theatre Arts, Theatre/Theatre, The Inner City Cultural Center and others. On the small screen, she has sold cars, beer, beverages, phones, appliances et al… She’s thrilled to be involved in the world premiere of Armadillo Necktie, and is a member of GRT. ALICIA PATTERSON (Stage Manager) is so excited to be working on her first GRT production. Some of her past work includes Henry VI Parts 1,2 & 3, Breaking Bard, Othello with The Porters, and Mr. Marmalade with The Theatricians. She graduated from UCSB with a BA in Theater Production. She would like to thank Drina, Gus, Troy, Lauren, the cast, and the whole production team for making this such a wonderful experience. Enjoy the show! J. KENT INASY (Scenic and Lighting Design) is a multi-award recipient for his work in LA theater. Recent GRT credits include: Bach at Leipzig, That Lovin’ Feelin’, Cat on a Hot Tin Roof, Love Again, The Ghost of Gershwin, and The Paris Letter, to name a few. J. Kent has designed major productions in theaters across the U.S. and Canada. CHRIS WINFIELD (Assistant Scenic Designer) has been a member of GRT for 30 years, and has appeared in over 30 productions, most recently as Fasch in Bach at Leipzig, Dad in Phil Olson’s Mom’s Gift, various roles in Hotel Paradiso, as Sherlock Holmes in Sherlock’s Last Case, and as George Hay in Moon Over Buffalo. Film and TV credits include “Firefox,” “MASH,” “Baywatch,” “The Nanny,” and “Eli Stone.” He designs and builds most of the GRT sets and is the Co-Artistic Director of the company. ANGELA M. EADS (Costume Designer) graduate of FIDM with degrees in Fashion Design and Costume Design. Her theater work includes Hamlet, Much Ado About Nothing, Twelfth Night, iGhost, Next Window Please, My Three Angels , Moon Over Buffalo, Boeing, Boeing , The Ghost Of Gershwin, A Streetcar Named Desire, Don’t Dress For Dinner, Tiger By The Tail, The American Dream, Love Again, Lombardi, The Winning Streak, Cat On A Hot Tin Roof, and That Loving Feelin.

PRODUCTION TEAM, cont’d. TODD BALL (Prop Designer) was most recently seen on stage at the Group Rep in Bach at Leipzig (Graupner). Prior Group Rep credits include Cat On a Hot Tin Roof (Gooper) and Tiger By The Tail (Slocum). This June Todd will be seen at the Hollywood Fringe Festival in a new play titled Vincent Deconstructed. HISATO MASUYAMA (Prop Designer) is most excited to be associated with his first GRT production! Most recently, he was seen in My Fair Lady at GCT, and Wicked Let 2015 in The Groves of Rashomon. Originally from Tokyo, Japan, Hisato has appeared in Japan Broadway productions of Tommy, Phantom and Chicago in his home country to great acclaim. Here in the US, he toured in Mame with Juliet Prowse, 42nd Street with Mariette Hartley, & Pacific Overtures with MAKO to name a few. His TV appearances include “Castle,” “Conan,” and “General Hospital.” Utilizing his talents in Japanese, he also translated/recorded for Tokyo Sesame Place and Tokyo Disney. NORA FELDMAN (PR) is on staff at The Group Rep and Actors Forum. She has publicized numerous theatre productions and events such as World Championships of the Performing Arts and Experience NoHo. Nora has also served as producer of the theatre component for the NoHo Theatre & Arts Festival, NoHo Scene, and Experience NoHo 2011.

A NOTE FROM THE AUTHOR The baby boomers had Vietnam, the millennials had the collapse of the global economy, and my peers and myself – a generation in the middle – had that dusty, amorphous quagmire of cash, carnage, and human life known as “Operation Iraqi Freedom,” “Operation New Dawn,” or - to those embracing its open-endedness - the simple bark of a four-letter, all caps IRAQ. A mysterious conflict, one with ever-moving goalposts and ever-changing objectives, one that upended the concept of “winning” so thoroughly that even the most staunch proponents of black-and-white jingoism were eventually forced to find a mirror and give themselves that long, uncomfortable look called nuance.

“War is hell” is widely attributed to William Tecumseh Sherman in 1870 (or thereabouts) but, as of the early aughts, the phrase no longer applies. Purgatory, perhaps, but hell? Far from it. Our boys, after all, were just passin’ through: Operation Iraqi Freedom lasted forty-two days. Operation New Dawn was over May 1st, 2003. IRAQ, on the other hand, well…

Last I checked we’re still there.

War - the post-boomer, pre-iPhone generation will confirm - is easy. Occupation is hell.

And this play, with a bit of help from our good friend the Colonel, is my attempt to unpack that.

A NOTE FROM THE DIRECTOR On September 21, 2012, The Group Rep’s Artistic Director (my mentor), Larry Eisenberg, emailed me a script he thought I would be interested in. He said if I liked it, I should work on mounting it at our theatre as a Monday night staged reading. I read the script and was floored by the material. It was highly sophisticated, dark, funny, and the subject matter was very timely. I felt the style and structure was ahead of its time, but also, really reminiscent of some of my favorite writing styles and themes in film and stage. At the time I read the script, I had only directed two shows in my

life; both were farces, a style I love but it wasn’t the genre I wanted to be known for. I was really interested in exploring dark comedy, absurdism, and tragedy. Gus Krieger’s The Armadillo Necktie is a great combo of it all, and then some. The play has a lot of comedy, accented by dark undertones, heavy thematic imagery, and political metaphors and commentaries on American war. It was a breathtaking read for me, and a great piece in which to make my transition as an artist. I wanted to immediately sink my teeth into this project. It was so different from anything I had seen produced at the GRT to date. I had been a member of the company for almost two years at the time, and I wanted to start bringing a new flavor to the table; something edgy, controversial, diverse, and something that would shine a harsh light on some very real topics. Larry connected me with Gus, and we met for coffee to discuss the project. I’d be lying if I said I played it cool and was totally confident in my approach. I was frightened, intimidated, and nervous as hell. Why would this brilliant mind agree to let me direct his project? All I’ve done is farce. Well, I did something right, because he was into it, and we started collaborating. Our journey involved many discussions, a lot of emailing back-and-forth, and many struggles with casting (mostly due to scheduling). We were both bouncing off other projects of our own constantly, and pushing the presentation date further and further. We still kept looking ahead and hoping we could mount it, but so much time began to pass us, we both continued to be busy, so we just had to place it on the back-burner. Eventually, four years passed, a work relationship turned to friendship, our friendship turned to love (yes, we eventually fell in love), I directed many more farces (I can’t get away from them), and I collaborated with Gus on other projects. We were settled into our new relationship when Larry approached us in January 2015 and encouraged us to try Armadillo again. Surprisingly, we got a cast together and scheduled a few rehearsals quite easily. A staged-reading (finally!) and a few drafts later, we pitched the production to the Artistic Council of the GRT, and here we are; fully produced, a set of our own, Gus’ dialogue spoken aloud, his characters explored and interpreted, and I was finally challenged as a director. The moral to the story is to start dating your playwright and everything will fall into place. I’M TOTALLY KIDDING! That part was just a happy coincidence. But, really, I am happy we didn’t shelve The Armadillo Necktie entirely. We worked hard to get to this point, and I couldn’t be prouder of our efforts. This experience has pushed me to be a better director, learn some new lessons, take some new roads, and never stop trying. When you have passion behind a project, it makes the process that much more rewarding, and I have had my heart set on this show for four years… It’s my baby and I hope you enjoy watching it as much as I have enjoyed working on it.

ADDITIONAL CREDITS & SPECIAL THANKS

Plant and Clock Bomb designed by Marcus Anthony

Firearms provided by The Porters of Hellsgate [ www.theportersofhellsgate.com @thePORTERSofHG ]

Tai Chi Consultant Nzazi “Master Zi” Malonga

[ www.dharmahealthinstitute.com ]

and additional Army costume & prop assistance

by Gabrielle Sciabbarrasi

ABOUT THE COMPANY

The acting company began in May 1973 with a rag--tag group of 12 actors performing scenes for audiences in a Laundromat--turned 36-seat theatre on Van Ness Boulevard. When Lonny Chapman first entered that theatre, the magic began. Here was an Artistic Director searching for a theatre and a theatre company searching for an artistic director. The match was perfect and The Group Repertory Theatre was born with Lonny Chapman at the helm. The first show, Round Dance, an adaptation of Schnitzler’s La Ronde, was an immediate hit, and The Group Rep was on its way. By 1974, with the growth in the number of productions and additional company members, as well as having acquired its professional status with Equity, Chapman suggested that a bigger space was needed. A new 58--seat venue was rented on Magnolia Blvd., which began playing to sold--out houses. The Group Rep’s growth and success required yet a larger venue. In 1980, Chapman secured the current Burbank and Vineland location, which was renovated into its present 90-seat configuration. The Company honored Mr. Chapman in 1999 with a naming ceremony, making the theatre officially The Lonny Chapman Theatre. He continued to serve as the Company’s Artistic Director until his death in 2007. Lonny Chapman’s artistic vision for the Company spanned more than three decades. The Group Rep is a permanent Company of actors, directors, writers and technicians. The Company has produced over 300 shows, including dozens of World Premieres. We now have over 80 active Company members, from those with

notable careers to those building new careers.

The Company has been home to untold numbers -- many of whom continue to enjoy successful careers in the entertainment industry today. The Group Rep looks forward to welcoming new, passionate artists to its distinguished roster. In addition to professional stage productions, The Group Rep gives back to the community with its Annual Foster/Cancer Children’s Holiday Party. Its Participating Actor and Technical Associates (PATA) program provides internship opportunities for aspiring artists in the creative and technical fields. Past graduates of The Group Rep’s PATA program include such notables as Sean Penn and Jennifer Tilly. In June of 2010, Larry Eisenberg and Chris Winfield were appointed Co-Artistic Directors of the theatre. Both men are long--time members of The Group Rep. They have the experience, passion and creativity to maintain the Company’s exceptional reputation within the Los Angeles Community and to guide it to even greater heights. With you, our audience, we continue to strive to fulfill the vision of Lonny Chapman. His Vision? “First to entertain, then to illuminate the human condition, and to never be boring.”

The audience, play and actor have equal parts in this exciting venture.

We Welcome You To The Lonny Chapman Theatre For Many Years To

Come!

Company Members Anny Linda Alznauer Diana Angelina Mannette Antill Mark Atha Robert Axelrod Todd Andrew Ball Robert Benedict Michele Bernath Van Boudreaux Barbara Brownell Cynthia Bryant Patrick Burke Kent Butler Truett Butler Paul Cady Christina Carson Katelyn Clark Roslyn Cohn Stephanie Colet Jack Csenger Sandra Cusimano Antonia Czinger Julie Davis Kevin Dobson Drina Durazo Larry Eisenberg Bert Emmett Doug Engalla Lareen Faye Diane Frank Rich Fullman Robert Gallo Pascale Gigon Renee Gorsey Doug Haverty Cynthia Howe Belinda Howell

Steven Peacock Jacoby Jenny Sue Johnson Devin Juleff Jennifer Laks Suzy London Brenden MacDonald Larry Margo Diana Martin Edgar Mastin Hisato Masuyama Stan Mazin Robert McCollum Lisa McGee-Mann Bruce Nehlsen Sheila Oaks Phil Olson Mikel Parraga-Wills Lloyd Pedersen Lauren Peterson Tom Regan Michael Robb Colette Rosario Judy Rosenfeld Veronica Roy Mike Sabatino Kyra Schwartz Loraine Shields Art Shulman Marc Singer Phoebe Singer Patrick Skelton J. Christopher Sloan Suzan Solomon Silke Sorenson Ian Stanley Charlotte Taschen Debi Tinsley Vesna Tolomanoska Cathy Tomlin

Gwen Van Dam Steven West Troy Whitaker Chris Winfield Janet Wood Carol Woodbury Marcia Woodridge Alyson York John William Young Technical Assistants Christian Ackerman Irene Chapman Cheryl Crosland Shira Dubrovner Judith E. Nora Feldman Elliott Goldwag Liz Nankin Steve Shaw Richard Woody PA Program Members Ceirra Burton Timm Damiano James Guinn LizAnne Keigley Jennifer Ross Ted Ryan Natalia Santamaria Makena Taylor Steve Terrell Elijah Tomlinson Honorary Members William Arrigon Nora Meerbaum Lillian Robinson