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TRANSCRIPT
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around for a chat with the cast and reception, sponsored by Northwest Public Radio.
Mike Clark 8 p.m. Friday, Caffé Mela, 17 N. Wenatchee Ave., $5 888-0374
Mike Clark of The Haunted Windchimes returns to Wenatchee for a solo show. He’s a multi-instru-mentalist from Colorado who draws from Americana, blues and folk.
“The Science of Murder,” dinner theater 7 p.m. Friday, Feb. 15, Clearwater Steakhouse, 838 Valley Mall Parkway, East Wenatchee, $40 includes four-course dinner, brownpapertickets.com 670-8233
There’s been a murder, and only you can help solve the crime! For those who missed the show in December, Mission: Improv added two more dates — Friday and Feb. 15th. The night includes a four-course dinner, an interactive theater show and this time, you can get your tickets at the door.
Sweetheart Soiree 7 p.m. Saturday, Wenatchee Valley Museum & Cultural Center, 127 S. Mission St., $35, pacwen.org 663-2787
Bring a date to an intimate evening with classical music, wine and delectable desserts. Wenatchee Valley Symphony and Orchestra will set the mood with soloists and small ensembles.
Eden Moody, Goodnight Argent 7 p.m. Wednesday, Wenatchee High School auditorium, 1101 Millerdale Ave., $5,
brownpapertickets.com or buy tickets at the WHS ASB offi ce 663-8117
Pasco’s Goodnight Argent could be the next boy band, with a danceable pop beat and lyrical vocals. The band’s debut single, “Battle-grounds” was produced by Darryl
Swann, the guy behind Macy Gray’s “I Try.” Their music has been featured on MTV, Showtime and US Airways Radio. They’re joined by Eden Moody, a singer songwriter who sings a mix of pop, folk and country.
Leavenworth“The Saga of Washington’s Fish and Wildlife in Words, Pictures and Song,” by Ken Bevis 7 p.m. Friday, Barn Beach Reserve, 347 Division St., free 548-0181
Yes it’s science, but who says science can’t be sung? Naturalist Ken Bevis gives a engaging look into the wild through stories, songs and pictures. Bevis is an avid birder, skier, hunter and fi sherman with an odd, and entertaining, sense of humor.
“Love is in the Air” 7:30 p.m. Saturday, Canyon Wren Recital Hall, 7409 Icicle Road, $25, $21 seniors, icicle.org 548-6347
Scoot a little closer to your funny valentine at a candelit table covered with chocolate and champagne, while a trio of Seattle singers deliver their serenades. Jadd
Davis, Kasey Nusbickel
and Katherine Strohmaier will perform a collection of love songs that span the genres, including opera, jazz and pop.
Derek Munson 1-3 p.m. Saturday, A Book for All Seasons, 703 Highway 2, free 548-1451
Derek Munson honors his good friend, Johnny Brennan, with
a writers workshop at Osborn Elementary and a book signing at A Book for All Seasons Saturday. His book, “Enemy Pie” is about a boy who has trouble making friends, until he fi nds a secret recipe to get rid of enemies. Brennan died in an avalanche last year.
MethowOkanogan Valley Orchestra & Chorus Family Concert 3 p.m. Sunday, Omak Performing Arts Center, 20 S. Cedar, Omak; $12 adults, $10 seniors, $8 youth ages 12-18, ovocinfo.com 422-2456
Go ahead, bring the kids. During the last number, the orchestra will invite children onto the stage. The night includes, “The Harry Potter Symphonic Suite” by John Williams, “Finlandia” by Jean Sibelius and “Oh Happy Day” by Edwin Hawkins. Show up early for a question-and-answer period with the orchestra before the show.
— Compiled by Rachel Hansen, World staff
Photo provided
Goodnight Argent, a pop band from Pasco, will perform at Wenatchee High School with Eden Moody Wednesday.
Photo by Dee Camp
Kirjah Hobbs sits on stage with the Okanogan Valley Orchestra and Chorus last year. Their next family concert is Sunday in Omak.
Eden MoodySinger songwriter
natural to extend it in this way and see what happens,” Disston said. “We’ll either fail miserably on our own or perhaps succeed. It felt like something we could do on our own.”
Go: Why did it take you so long to come out with a full-length album?
Galen Disston: It was a long process discovering what works for us, and what we wanted to experiment with. We’re six people so it’s very democratic and it takes time. We spend a lot of time on every decision.
Go: I see some past hits reappear on the new album, like “Hacienda Motel” and “The Round.” What did you want to do diff erently this time around?
GD: In a lot of ways when we recorded “Myths,” we were new at this current incarnation of Pickwick. I had never sung that high, in the higher registers, and we were trying out all the diff erent requirements of the genre. I feel like we wanted to get another chance at recording those songs in a way we would have liked to present early on. Dirtier, grittier, in some ways faster, cleaner. Just trying to really create an atmosphere for the song to be
as whatever as it’s intended.Go: Where did the record’s
name, “Can’t Talk Medicine,” come from?
GD: It came from a song lyric that I misheard. I’m not going to tell you whose song lyric it was. I kind of like how we can play with diff erent interpretations of the title. You could infer that it’s an anecdote to speech-lessness. You can take it all kinds of diff erent ways, like we have no idea what we’re talking about when it comes to medicine. It’s kind of ambiguous.
Go: Pickwick has been on so many up-and-coming lists for 2011 and 2012 as a band that’s about to explode locally and nationally. Where do you feel like the band is at in terms of its success?
GD: I’m thankful we’re
getting to do what we want to do in the capacity we’re able to do it. I’m really looking forward to playing venues on the East Coast and Canada, venues that I never dreamed we’d be able to play. I think the band is just trying to be responsible and trying to make this work with six guys. We don’t have any delusions of grandeur. I do think that we are also very focused on moving forward in terms of record number two. We’re excited to play the songs from
record one and promote the record, but there’s a part of us that’s already on to record two. And that feels good to constantly be creating and moving forward instead of resting on what we’ve accom-plished, which we under-stand is not that much in the scheme of things. It’s a crazy business.
Go: How did you train your voice to withstand the demands of soul?
GD: I had to learn how to sing. There are some amazing folk musicians, and there are bands that are doing what the old Pickwick attempted and failed at. Maybe if we had some sort of perspective, then we would have interpreted folk music diff erently. But getting to create with instruments that
we were not as well-versed in, including my voice, that was really exciting. It felt totally new. We were taking risks. It felt really diff erent from feeling comfortable and not worried about what was going to happen on stage before. Some of that has leveled out. I’ve learned a lot more about singing since when we fi rst started. I think that’s evidenced on the record, that I was able to do things with my voice I wasn’t able to do on “Myths.”
Rachel Hansen: [email protected]
Photo by Jenny Jimenez
Galen Disston, lead singer of Pickwick.
PickwickContinued from C1
Continued from C1
wenatcheeworld.com
Katherine Strohmaier
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