caiet fest(in) pe bulevard.pdf

8/11/2019 Caiet Fest(in) pe Bulevard.pdf

1/52

www.festinpebulevard.rowww.nottara.ro


2/52

Ediia a II-a, 11-18 octombrie 2014


3/52

School does not train idiots!

(in)The first edition of the International Theatre F estival Feast t

the autumn of 2013 and was dedica ted to crises of all kinds.We have changed the theme, although it is clearly more appropri

Could every period be complicated and the teachings of histor

least not long ago we forgave, but we did not forget. Now wedisplays, window shops and other voids that have a fatal attractio

Unfortunately, humanity seems to be getting ready to repeat the

doctor, each death is a tragedy, even though politicians only cons

We should wonder whether history was lost at sc hool or whethefor good. Back in my day, history, and not school, trained idio

cannons.

Life should go forward day by day, not century by century. And with its natural coordinates. We need harmony, emotion, a

balance, stemming from spirit, faith and love.

We can find such a heaven of serenity in the theatre hall.(in)The NottaraTheatre invites us, once again, to attend Feast

serious subject, chosen by the organisers: that of elections, of

with and without school.

It will knock on our doors again this autumn. At least it won't knowith a lot of theatre.

So come to the theatre for hors d'oeuvres!

We need the mirror of the theatre in order to understand ours

the world we live in!

PhD ProfesG

coala nu pregtete proti!

(in)Prima ediie a Festivalului Internaional de Teatru Fest pe Bulevard, a avut loc n toamna

anului 2013 i a fost dedica t crizelor de orice felAm schimbat tema, dei e vdit mai potrivit an ului 2014.

S fie toate timpurile complicate i nvturile istorieiuitate imediat? Mcar nu demult

iertam, dar nu uitam. Acum uitm pe ntrecute, cu ochii orbii de ecrane, vitrine i altegoluri, care atrag fatal.

Din pcate, omenirea pare c se pregtete s repete grozviile din trecut. Pentru un

medic, fiecare moarte e o tragedie, chiar dac pentru politicieni rmne o statistic.

Ar trebui s ne ntrebm dac istoria s-a pierdut la c oal sau coala s-a pierdut n istorie,pentru totdeauna. Pe vremea mea istoria, nu coala, pregtea proti care s danseze cu

tunurile.

Mcar viaa s merg nainte cu ziua, nu c u veacul. i nu n ritm cazon, ci n coordonatele

sale fireti. Avem nevoie de armonie, de emoie, de cutare continu a unui echilibruinterior, ivit din spirit, c redin i iubire.

Un asemenea liman de linite l putem afla n sala de spectacole.(in)Teatrul Nottarane invit, din nou, s participm la Fest pe Bulevardalturi de o nou

tem serioas, aleas de ctre organizatori: aceea a Electoralelor, a campaniei

generalizate cu i fr coal.

Va bate, iari, la u n aceast toamn. Mcar nu bate c u tunul, ci cu mult... teatru.

Aadar, venii la teatru pentru aperitive!Avem nevoie de oglinda lui, ca s ne nelegem mai bine, pe noi i lumea n care trim!

Prof.univ.dr.Sorin Mircea Oprescu,Primar General al Capitalei


4/52

Theatre is not only for the elite of a society

Each festival should be a holiday for those who attend it. Our target is

not only for all those who appreciate us, but also for such people who s

Because we are not afraid of soap, we shall be offering you soap oSince we don`t fear the crisis, we shall be offering you shows d e

(social, conjugal, political, sexual, identity crisis and so on).

Because our policy is that of the audience and only that, weelections, asking yourselves with sour humor: Who shall I vote w

Because theatre is not the prerogative of the elite, we have

striving not to yield to bad taste, vulgarity, triviality.

As suits a theatrical feast, the shows we are offering you will belaughter or they will be cruel, powerful, with a philosophical u

music, dance and, most of all, surprise: we`ll come out in the stglass of wine.To cut a long story short we want to show you our gratitude, invi

of the theatre, right there, in the street.

Come and enjoy it!

Teatrul nu e doar pentru elite!

Orice festival trebuie s fie o srbtoare pentru cei care l frecventeaz. Noi ne-am propus

s facem unfestinteatral pentru toi cei care ne preuiesc (ba chiar i pentru aceia care

nc ezit s-o fac...).Pentru c nu ne temem de bulevard, v oferim comedii bulev ardiere!

Pentru c nu ne temem de criz, v druim spectacole despre toate felurile de crize

(social, conjugal, politic, sexual, de identitate...)!

Pentru c nu facem altfel de politic dect cea a publicului, v invitm s rdei de...electorale, ntrebndu-v mucalit: Eu cu cine votez?

Pentru c teatrul nu este apanajul elitelor, am adunat laolalt producii pentru toat

lumea, ncercnd s nu facem concesii prostului-gust, vulgaritii, trivialitii.Aa cum st bine unuifestin teatral, avem reprezentaii spumoase, care strnesc hohote de

rs, precum i producii crude, puternice, cu subnelesuri filosofice. Avem muzic, dans

i... surpriz: vom iei n strad pentru a v ntmpina, pe toi, cu un pahar de vin!ntr-un cuvnt, vrem s v artm ntreaga noastr recunotin, poftindu-v la unadevrat FESTIN de teatru pe Bulevard!

Poft bun!

Marinela epuDirectorul Teatrului Nottara


5/52

Program

Programme

EVENIMENT STRADALSmbt, 11 octombrie, ora 16.30:

n faa TeatruluiNottaraUn zmbet, click i... gong!regia: Mihai Lungeanu, scenografia: Victor Diaconu

Seciunea BULEVARDUL COMEDIEISmbt, 11 octombrie, ora 18.00:Teatrul Nottara, foaierul Slii Horia LovinescuVernisajul Expoziiei de fotografie de teatru (momente din prim

Autori: Maria tefnescu i Sorin Raduora 18.30:SalaHoria LovinescuDeschiderea Festivalului(constituirea Juriului de Public pentru Seciunea Bulevardul Comora 19.00:Don Quijote, adaptare dup Miguel de Cervantes, regia: Mihai Mscenografia: Adrian DamianProducie a Teatrului Naional Trgu-Mure (CompaniaLiviu Re

Duminic, 12 octombrie, ora 18.00:Teatrul Nottara, Sala Horia LovinescuHai Iu Iu NU H i You You- un spectacol muzical de Rad u Afrim (deProducie UNITER

Luni, 13 octombrie, ora 18.00:Teatrul Nottara, Sala Horia LovinescuTartuffe sau Impostorul,dup Molire,

versiunea scenic i direcia de scen : Victor Ioan Frunz, scenoProducie a Teatrului Metropolis, Bucureti

Mari, 14 octombrie, ora 18.00:Teatrul Nottara, Sala Horia Lovinescu

Miss Daisy i oferul ei de Alfred Fox Uhry, regia: Claudiu Goga,scenografia: tefania CeneanProducie a Teatrului Evreiesc de Stat, Bucureti

Miercuri, 15 octombrie, ora 21.00:Teatrul Nottara, Sala George ConstantinPlay Shakespeare, dup operele lui William Shakespeare,adaptarea i regia: Cristian Pepino, scenografia: Cristina PepinoProducie aTeatrului ndric, Bucureti

Joi, 16 octombrie, ora 18.00:Teatrul Nottara, Sala Horia LovinescuVICTOR'ia (opus1), scenariul i regia: Hlne van der Stichel, co(Spectacol supratitrat n limba romn)Producie a Companiei Teatrale Petits Btons Production, Font

Smbt, 18 octombrie, ora 18.00:Teatrul Nottara, Sala Horia LovinescuFestivitatea de premiereora 19.00:

Marius i Lorin Mihalache,n concertnchiderea festivalului


6/52

Seciunea LANSRI DE CARTE DE TEATRU12, 14, 16 i17 octombrie, ora 18.00, n foaierul Slii Horia LoPrezint:Florica Ichim, critic de teatru, redactor-ef al revisteiiinvitaii si. Coordonator proiect: Mirela Sandu, teatrolog

Seciunea COLOCVII- Intrarea liber14, 16 i17 octombrie, ora: 11.00, la Teatrul Nottara (CafNova cuprinde trei colocvii pe teme de actualitate: critica descenografia.Coordonator proiect:Doina Papp, critic de teatru

Seciunea SPECTACOLE-LECTUR- Intrarea liber12, 13 i15 octombrie, ora 11.00, la Librria CrturetiVeron

A rposat... decedata! , alctuire scenic, inspirat din comrealizat de Mihai Lungeanu, regia: Mihai Lungeanu.Fazanulde Georges Feydeau, traducerea: Doru Mare, regia: AleTot mort, tot mort?, comedie de Mark Twain, traducerea i a dap

regia: Mihai Lungeanu. Eveniment realizat n memoria lui Petre BCoordonator proiect: Mihai Lungeanu, regizor artistic

Seciunea VEDETA DE LNG TINEva cuprinde aniversri ale unor personaliti artistice ale Tdesfura pe tot parcursul festivalului. Coordonator proiect: Irin

Seciunea COMPETITIVMICI CRIZE... (I) ELECTORALESmbt, 11 octombrie, ora 21.00:Centrul Cultural pentruUNESCONicolae Blcescu, BucuretiScene din viaa insectelorde Karel & Josef apek,Adaptare, versuri i direcia de scen: Victor Ioan Frunz, scenografia: Adriana GrandProducie aCentrului Cultural pentruUNESCONicolae Blcescu, Bucureti(Spectacol n afara concursului)

Duminic, 12 octombrie, ora 21.00:Teatrul Nottara, Sala George ConstantinPanicde Mika Myllya ho, traducerea: Cristina Toma,regia: Theodor-Cristian Popescu, scenografia: Cosmin FloreaProducie aTeatrului Nottara, Bucureti(Spectacol nerecomandat copiilor sub 14 ani)

Luni, 13 octombrie, ora 21.00:Teatrul Nottara, Sala George ConstantinPoker Facede Petr Koleko, traducerea: Mircea Dan Du,regia:Adela Biic, scenografia: tefan CaragiuProducie special realizat pentru festivalulTeatrului Nottara, Bucureti,

ncoproducie cu UNATC I.L. Caragiale, Bucureti

Mari, 14 octombrie, ora 21.00:Teatrul Nottara, Sala George ConstantinFasole de Elin Rahnev, regia: Liupcio Gorghievski, scenografia: Maria Dimanova(Spectacol supratitrat n limba romn)Coproducie a Teatrului de Dram i de Ppui, Vraa (Bulgaria)i a Teatrului Mal Dramski, Bitola (Republica Macedonia)

Miercuri, 15 octombrie, ora 18.00:Teatrul Nottara, Sala Horia LovinescuNoul locatarde Eugne Ionesco, traducerea: Vlad Russo i Vlad Zografi,regia: Gbor Tompa, decorul: Helmut Strmer,asisten scenografie i costumele: Corina GrmoteanuProducie aTeatrului Nottara, Bucuretiora 20.00:

Teatrul Odeon, SalaMajesticTitanicValsde Tudor Muatescu, regia: Alexandru Dabija, decorul: Helmut Strmer,costumele: Corina GrmoteanuProducie aTeatrului Odeon, Bucureti

Joi, 16 octombrie, ora 21.00:Teatrul Nottara, Sala George ConstantinRapsodie-n roz,dup Oscar i Tanti Rozde Eric-Emmanuel Schmitt,traducerea: Vasile irli, regia i adaptarea scenic: Alexandru Repan,scenografia: Iulian BltescuProducie aTeatrului Nottara, Bucureti(Spectacol n afara concursului)

Vineri, 17 octombrie, ora 18.00:Teatrul Nottara, Sala Horia LovinescuBrad de Crciun lafamilia Ivanovde AI. I. Vvedenski,dramaturgia: Kata Gyarmati, regia: Andrs Urbn, scenografia: Carmencita Brojboiu(Spectacol supratitrat n limba romn)Producie a Teatrului Maghiar de Stat, Cluj-Napoca(Spectacol interzis tinerilor sub 18 ani)

Vineri, 17 octombrie, ora 21.00:

Teatrul Nottara, Sala George ConstantinCarnede Viliam Klimek, trad ucerea: Jan Toovsk, regia: Jan Fric,decorul: Jan Fri i Michal David Oupor, costumele: Tereza Kopeck(Spectacol supratitrat n limba romn)Producie a Studio Rubn, Praga (Cehia)

STREET EVENTSaturday, 11 October, 16.30:In front of NottaraTheatreUn zmbet, click i... gong! (A smile, click and gong!)direction: Mihai Lungeanu, scenography: Victor Diaconu

SectionCOMEDY BOULEVARDSaturday, 11 October, 18.00:NottaraTheatre, the Foyer of the Horia LovinescuHallOpening of theatre photography exhibition (moments from the f

Authors: Maria tefnescu and Sorin Radu18.30:Horia LovinescuHallOpening of the Festival(forming of the Audience Jury for the Comedy Boulevard Section19.00:Don Quixote, based on Miguel de Cervantes, stage direction: Mscenography: Adrian DamianA production of the National Theatre Trgu-Mure (Liviu Rebre

Sunday, 12 October, 18.00:Nottara Theatre,Horia Lovinescu HallHai Iu Iu NOT H i You You a musical show by Radu Afrim (dedicatUNITERProduction

Monday, 13 October, 18.00:Nottara Theatre,Horia Lovinescu HallTartuffeor the Impostor,based on Molire,stage version and direction: Victor Ioan Frunz, scenography: AdA production of Metropolis Theatre, Bucharest


7/52

20.00:Odeon Theatre,Majestic HallTitanic Waltzby Tudor Muatescu, stage direction: Alexandru Dasetting: Helmut Strmer, costumes: Corina GrmoteanuA production ofOdeon Theatre, Bucharest

Thursday, 16 October, 21.00:NottaraTheatre,George ConstantinHallRhapsody in Pink,based on Oscar and the Lady in Pinkby Eric-Emtranslated by: Vasile irli, stage version a nd direction: Alexandruscenography: Iulian BltescuA production of Nottara Theatre, Bucharest(Off Competition)

Friday, 17 October, 18.00:NottaraTheatre,Horia LovinescuHallChristmas at the Ivanovsby AI. I. Vvedenski,dramaturgy: Kata Gyarmati, stage direction: Andrs Urbn,

scenography: Carmencita Brojboiu(with Romanian subtitles)A production of the Hungarian State Theatre, Cluj-Napoca(Not recommended for children under 18)

Friday, 17 October, 21.00:Nottara Theatre,George ConstantinHall

Meatby Viliam Klimek, translated by: Jan Toovsk, stage diresetting: Jan Fri and Michal David Oupor, costumes: Tereza Kope(with Romanian subtitles)A production of Studio Rubn, Prague (Czech Republic)

Section THEATRE BOOK RELEASES12, 14, 16 and 17 October, 18.00, the Foyer of the Horia LovinSpeakers: Florica Ichim, theatre critic, editor-in-chief of TheatguestsProject coordinator: Mirela Sandu, theatrologist

Section COLLOQUIA Free Admission14, 16 and 17 October, 11.00, at the Nottara Theatre (CafNoIt will include three colloquia on topical subjects of interest:direction, scenographyProject coordinator:Doina Papp, theatre critic

Section READING SHOWS Free Admission12, 13 and 15 October, 11.00, at Crtureti Verona BookstoreThe deceased passed away!, ascenic mixture of texts made binspired from Georges Feydeau`s comedies, direction: Mihai LunThe Pheasant by Georges Feydeau, translated by: Doru Mare,direction: Alexandru Mzgreanu;Is he dead? comedy in three acts by Mark Twain, translation andirection: Mihai Lungeanu. Event dedicated to the memory of Project coordinator: Mihai Lungeanu, director

Section THE STAR BY YOUR SIDE/VEDETA DE LNG TINE

It will contain anniversaries of various artists of the Nottara Ththroughout the entire festival. Project coordinator: Irina Ionesc

Tuesday, 14 October, 18.00:NottaraTheatre, Horia LovinescuHallDriving Miss Daisyby Alfred Fox Uhry, stage direction: Claudiu Goga,scenography: tefania CeneanA production of Jewish State Theatre, Bucharest

Wednesday, 15 October, 21.00:Nottara Theatre,George ConstantinHallPlay Shakespeare, based on the works of William Shakespeare,adaptation and stage direction: Cristian Pepino, scenography: Cristina PepinoA production of ndricTheatre, Bucharest

Thursday, 16 October, 18.00:NottaraTheatre, Horia LovinescuHallVICTOR'ia (opus1), script and direction: Hlne van der Stichel, choreography: Dany Lays(with Romanian subtitles)A production of Petits Btons Production Theatre Company, Fontaine (France)

Saturday, 18 October, 18.00:Nottara Theatre,Horia LovinescuHall

Awards ceremony19.00:

Marius and Lorin Mihalache concertClosing night

SectionIN COMPETITIONSMALL CRISES (AND) ELECTIONSSaturday, 11 October, 21.00:Nicolae Blcescu Cultural Centre for UNESCO, BucharestPictures from the Insects' Lifeby Karel & Josef apek,adaptation & lyrics: Victor Ioan Frunz,stage direction:Victor Ioan Frunz, scenography: Adriana GrandA production of Nicolae Blcescu Cultural Centre for UNESCO, Bucharest(Off Competition)

Sunday, 12 October, 21.00:Nottara Theatre,George Constantin HallPanicby Mika Myllyaho, translated by: Cristina Toma,stage direction: Theodor-Cristian Popescu, scenography: Cosmin FloreaA production ofNottara Theatre, Bucharest(Not recommended for children under 14)

Monday, 13 October, 21.00:Nottara Theatre,George ConstantinHallPoker Faceby Petr Koleko, translated by: Mircea Dan Du,stage direction:Adela Biic, scenography: tefan CaragiuA co-production of the Nottara Theatre, Bucharest and the I.L. CaragialeNationalUniversity of Theatre and Film, Bucharest, created especially for the festival

Tuesday, 14 October, 21.00:Nottara Theatre,George ConstantinHallBeans by Elin Rahnev, stage direction: Liupcio Gorghievski, scenography: Ma ria Dimanova(with Romanian subtitles)A co-production of Dramatic Puppet Theatre, Vratsa (Bulgaria) andMal Dramski Theatre, Bitola (Republic of Macedonia)

Wednesday, 15 October, 18.00:Nottara Theatre,Horia LovinescuHallThe New Tenantby Eugne Ionesco, translated by: Vlad Russo and Vlad Zografi,a show b y Gbor Tompa, setting: Helmut Strmer,costumes and setting assistant: Corina GrmoteanuA production ofNottara Theatre, Bucharest


8/52

Preedinte/President:

Mircea Morariu, critic de teatru/theatre critic

Membri/Members:

Roxana Croitoru, critic de teatru/theatre criticEdit Kulcsr, teatrolog, dramaturg la Teatrul Naional din Buddramatist at The National Theatre of Budapest

Crengua Manea, critic de teatru/theatre criticIon Parhon, critic de teatru/theatre critic

Juriu

JuryMircea Morariu R oitoruoxana Cr Edit Kulcsr

Crengua Manea Ion Parhon


9/52

Credit foto/Photo credits:GrandAdriana

Scene din viatainsectelormister psihedelic muzical

,

Credit foto

Scene din

viata insectelormister psihedelic muzical, Foto / Photo credits:GrandAdriana


10/52

Centrul Cultural pentru UNESCO Nicolae Blcescu, Bucureti (Romnia)/Nicolae Blcescu Cultural Centre for UNESCO, Bucharest (Romania)

Smbt

Saturday11oct

.0021

Pictures from the Insects' Lifemusical psychedelic mysteryde/by Karel & Josef apekAdaptare & versuri/Adaptation & lyrics: Victor Ioan Frunz

Direcia de scen/Stage direction: Victor Ioan Frunz

Decorul, instalaiile i costumele/Setting, installations and costumes: Adriana GrandMuzica original/ Original music: Tibor CriVideo: Sorin Miron & George CostinLight design: Victor Ioan Frunz

n afara competiiei/ Off competition

A revedea oricnd Scene din viaa insectelor i nu o spimpresionabil, ci cu luciditatea unui om care, vrnd-nevrndmult, a organiza, de ar fi posibil, o microstagiune cu proiectelspectatorul s prind micarea organic a acestei trupe i esteticscenografului. Pentru c merit i pentru c sunt un fenomen azmbet pe obrazul sluit al teatrului de azi, unde actori i repasagere, nevoi satisfcute rapid, imediat, pentru a trece l a un aS-i plac mai mult de George Costin n scorpionul sadic sau n dNicolae n melcuor harnic sau n fl uture ndrgostit? A, nu, n gSau, vorba lui, n parazit? Nu, nu, clar n gndac, atunci cnd faAlexandra Fasol care, totui, e bun i n fluture... Ce s alegcolri efemerid la serbare sau n plngcioas greieri? Sorisau n fluture? Dar scena furnicilor? Da, hotrt lucru, mai trebuie

Ana-Mar

AI would always see Pictures from the Insects' Lifeagain, andexcitablewoman, but with the lucidity of a person who,willyoften. Moreover, if I could, I would organise a micro-season withthe audience to grasp the organic movement of this company andirector and of the scenographer. Because they are worth it andunique phenomenon, some sort of smile on the deformed cheeactors and directors meet fugitively, for short periods of timequickly, on the spot, so that they canmove on to another marriagShould you like George Costin more as the sadistic scorpion orNicolae as the industrious snail or as the butterfly in love? Oh, thick neck!... Or,in his own words, as a parasite? No, no, clearly a great couple with Alexandra Fasol who plays a good butterchoose?!... Nicoleta Hncu as the mayfly schoolgirl at her cecricket? Sorin Miron as the cricket, as the snail or as the buttescene? Yes, one you should definitely see the play once again.

Ana-Mar

ADistribuia / Cast:Vagabondul, Scorpionul/The Tramp, the Scorpion George CosOtakar, Gndacul de bligar, Parazitul, Melcul/Otakar, the DunSnail Adrian NicolaeClythie, Gndcia de bligar/Clythie, the Female dung beetleIris, Greieria, Nimfa/Iris, the Female cricket, the Nymph NiFelix, Greierele, Melcul/Felix, the Cricket, the Snail Sorin M

Data premierei/ Opening night: 28 ianuarie 2013/28 January

ADurata/ Duration: 1h 20min (fr pauz/ without intermiss

www.centrulculturalnb.ro

Centrul Cultural pentru UNESCONicolae Blcescu Cultural C

Scene din

viata insectelormister psihedelic muzical,


11/52

Foto / Photo credits:Ciprian Duic

Trei barbati pe punctul de a ceda psihic,

Panica


12/52

Teatrul Nottara, BucuretNottaraTheatre, Bucharest

Duminic

Sunday 12oct

.0021

Teatrul Nottara

NottaraTheatre

Panic - Three men on the verge of a mental breakdown

de/by Mika MyllyahoTraducerea/Translated by: Cristina Toma

Regia/Stage direction: Theodor-Cristian Popescu

Scenografia/Scenography: Cosmin FloreaIlustraia muzical/Musical accompaniment: Gabriel Ru

Seciunea Competitiv,Mici crize... (i) electoraleIn competition, Section Small crises... (and) elections

Personajele compuse de Vlad Zamfirescu, Alexandru Jitea i G

propriul destin. Fiecare intr n joc cu traumele lui, mai mult sa

mai mult sau mai puin recunoscute. i, la sfrit, scena arat c

fiecare a avut clipele lui de victorie i de nfrngere ca n via.Theodor-Cristian Popescu i distribuia de la Nottaratransform

traume ntr-o comedie creia cu greu i-ai putea gsi un cusur. I

personalitatea fiecruia i, cu un umor irezistibil, desface n butraume, lsnd n urm plcerea de a te afla ntr-o sal de teatr

descoperi.

Monica An

A

The characters played by Vlad Zamfirescu, Alexandru Jitea anown destinies into a childs game. Each of them brings the

acknowledged, more or less admitted. And in the end, the stawhere each of them had their moments of victory and defeat ju

Theodor-Cristian Popescu and the Nottaracast turn the portr

into a comedy in which one could hardly find any flaws. The p

each of the actors' personalities, and, with an irresistible sensethe small dramas and the big traumas, leaving the pleasure of

that of discovering things and discovering oneself behind.

Monica An

ADistribuia (n ordinea indicat de autor)/Cast (in the order m

Max Gabriel RuLeo Alexandru JiteaJoni Vlad Zamfirescu

Data premierei pentru pres/Press opening night: 30 ianuarie

ADurata/ Duration: 1h 30min (fr pauz/ without intermisswww.nottara.ro

Trei barbati pe punctul de a ceda psihic,

Panica


13/52

Foto / Photo credits:Ciprian Duic

Poker Face


14/52

Teatrul Nottara, Bucureti, n coproducie cu UNATC I.L. Caragiale, Bucureti/NottaraTheatre, Bucharest, co-production with UNATC I.L. Caragiale, Bucharest

Luni

Monday13oct

.0021

Teatrul Nottara

NottaraTheatre

de/by Petr Koleko Petr Koleko c/o Aura-Pont s.r.o., Prague, Czech RepublicTraducerea/Translated by: Mircea Dan Du

Regia/Stage direction: Adela Biic

Scenografie/Scenography: tefan CaragiuAsistente scenografie/Scenography Assistants:Mihaela Popescu, Alexandra Maria Putineanu


Poker Face un spectacol puternic, cu un mesaj clar, cu u

interpretat de doi actori cu experien i de doi tineri la debut

nceput de carier. Un specta col fascinant, jucat impecab il, l

mintea deschis, la care s nu-i acop eri urechile i la care s nupeste toat drama se ntinde un comic molip sitor.

Crist

Poker Face a powerful show, with a clear message, an unrestr

by two experienced actors and two young, debuting ones and

stage director at the beginning of her career. It is a fascperformed, which you have to see with a n open mind, without co

which you should feel free to laugh, because the whole drama

comic. Crist

Distribuia/Cast:Jana Victoria CociaFrantiek Ion HaiducPavlina Cristiana IoniViktor Costin Dogioiu

Data premierei/Opening night: 12 iunie 2014/12 June, 2014

Durata/ Duration: 1h 30min (fr pauz/ without intermissiowww.nottara.ro

Poker Face


15/52

Fasole

T t l d D i d P i V (B l i )


16/52

Mari

Tuesday14oct

.0021

Teatrul Nottara

NottaraTheatre

Beans

de/byElin Rahnev

Regia/Stage direction: Liupcio Gorghievski

Scenografia/Stage designer: Maria DimanovaMuzica/Original music: Marjan Nechak


Fasoleeste un spectacol care are ca tem dragostea i cstor

cadrul unui mariaj. Principalele personaje sunt un s o i soia s

70 de ani, care triesc mpreun de 40 de ani. Cuplul este adnc

de zi cu zi, n monotonia i sterilitatea acestei csnicii. Ei pneschimbtoare mare, asemenea unor nottori obosii, pe cale s

Numai dragostea i poate salva din ac east situaie. i numai ea

la mal, unde se vor regsi i vor descoperi, unul n cellalt, soul i

Li

ABeansis a show about love and marriage. And more preciselymain characters are a husband and his wife, bouth around 7 0, w

about 40 years. That couple is entrenched in the dull everyday

sterility of this marriage. They are adrift in this grey and uswimmers, about to drown.

Only love can help them out of the situa tion they are in. And onl

other bank, where they will recognize themselves and will d

husband and ideal wife.

Liupcio G

ACu / With:

Joana PopovskaAnastas PopdimitrovGeorgi Grozev

ADurata/Duration: 1h 30min (fr pauz/ without intermissioSpectacol supratitrat n limba romn/With Romanian subtitl

Fasole

Teatrul de Dram i de Ppui, Vraa (Bulgaria)i Teatrul Mal Dramski, Bitola (Republica Macedonia)Drama and Puppet Theatre Vratza (Bulgaria)and Mal Dramski Theatre Bitola (Republic of Macedonia)


17/52

Foto / Photo credits:Mihaela Marin

Noul locatar

Teatrul Nottara Bucureti Spectacolul lui Gbor Tompa nu poate fi povestit! Trebuie


18/52

The New Tenantde / by Eugne IonescoTraducerea/Translated by: Vlad Russoi/and Vlad Zografi

Un spectacol de/A show byGbor Tompa

Asisten regie/Assistant director: Mirela SanduDecorul i light-design/Setting & light design: Helmut StrmerCostumele i asisten decor/Costumes and setting assistance: Corina Grmoteanu


Teatrul Nottara, BucuretiNottaraTheatre, Bucharest

Noul locatar

Miercuri

Wednesday15oct

.0018

Teatrul Nott

NottaraThea

Spectacolul lui Gbor Tompa nu poate fi povestit! Trebuie ndeplineasc menirea de ART cu majuscule, perceput neaprn ce m privete, recunosc c acest spectacol, at t de copleaburos, plin de nluci misterioase, inofensive, dar nelinititoDou zile la rnd i-am tot pus n gnd fel de fel de ntrebrregizor:GborTompa.

Silvi

AGbor Tompa's show cannot be described! It must be seen! It mumission of ART in capital letters, perceived d irectly.As for me, I must admit this overwhelming show has haunted memysterious, innocent, yet troubling spirits, like premonitions For twsorts of questions, in my head, to the magician with a director's name

Silvi

ASpectacolul Noul locatar, producie a Teatrului Nottara, esteActorii sunt piese ale unui ansamblu ingenios, care funcionmiastr a regizorului Gbor Tompa, ce d via acestei minunat

ntreaga lume..

Productor de teatA lucrat cu actori precum: Laurence Olivier, Vivienne Leigh,

De

A"Nottara Theatre's production of The New Tenantis a joy to behinventive ensemble under the expert direction of Gbor Tompa t

alive to audiences across the world.

UK and IntePreviously worked with Laurence Olivier, Vivienne Leigh,

Dere

ADistribuia/Cast:Noul locatar/The New Tenant Francisco AlfonsnPortreasa/The Concierge Ada NavrotPrimul hamal/First porter Ion GrosuAl doilea hamal/Second porter Gabriel Ru

Data premierei/Opening night: 20 septembrie 2014/20 Septemb

ADurata/Duration: 1h 20min (fr pauz/ without intermissionwww.nottara.ro


19/52

Foto / Photo credits:Mihaela Marin

Titanic Vals

mi place rsul lui Dabija, care prefer s se amuze lucid daTeatrulOdeon, Bucureti (Romnia)


20/52

15oct

.0020

Tea

Ode

Titanic Waltzde / by Tudor Muatescu

Regia/Stage direction: Alexandru Dabija

Decorul /Setting: Helmuth StrmerCostumele/Costumes: Corina GrmoteanuAsistent decor/ Setting Assistant: Irina MoscuIlustraia muzical/Music: Vasile Manta


mi place rsul lui Dabija, care prefer s se amuze lucid da

uman, dect s o judece. Dei privirea sa ptrunztoare desco

splendoarea micilor i marilor sale ipocrizii, Dabija accept lum

perfectibil i, uneori, teribil de plictisitoare. Cel din urmpca

Oana S

I like Dabija's laughter, as he would rather make fun lucidly but

nature, rather than judge it. Although his deep gaze discovers hu

of its small and big hyp ocrisies, Dabija accepts the world as it is, sometimes terribly boring. But the ultimate sinis a capital one

Oana S

ADistribuia/Cast:

Spirache Ionel MihilescuDacia Antoaneta ZahariaChiriachia Dorina LazrSarmisegetuza Nicoleta LefterGena Sabrina IacheviciTraian Marius DamianDecebal Ruxandra ManiuPetre Dinu Ioan BatinaStamatescu Alexandru PapadopolRdulescu Nercea Pavel BartoProcopiu Rodica MandacheDoica, O servitoare/The na nny, A servant Anda SaltelechiUn fotograf/A photographer Dan Iosif

Data premierei/Opening night: 22 decembrie 2013/22 Decemb

ADurata/Duration: 2h 15min (cu pauz /with intermission)www.teatrul-odeon.ro

Teatrul Odeon, Bucureti (Romnia)Odeon Theatre, Bucharest (Romania)

Miercuri

Wednesday

Titanic Vals


21/52

Rapsodie-n rozFoto / Photo credits:Ciprian Duic

Teatrul Nottara, Bucureti Alexandru Repan i ofer lui Oscar ansa s mbtrneasc. Priv


22/52

NottaraTheatre, Bucharest

Joi

Thursday16oct

.0021

Teatrul Nottara

NottaraTheatre

Rhapsody in Pinkdup Oscar i Tanti Roz/based onOscar and the Lady in Pink

de/by Eric-Emmanuel SchmittTraducerea/Translated by: Vasile irli

Regia i adaptarea scenic/Stage direction and adaptation: Alexandru Repan

Decorul, light-designul i conceptul videoSetting, light design and video concept: Iulian BltescuCostumele/Costumes: Irina MarinescuIlustraia muzical/Music: Alexandru Petrovici

n afara competiiei/ Off competition

aintit ctre adncurile nnegurate ale fiinei, face din acto

probabil controversat n viziunea unora) pentru rolul lui Oscar.

nvolburat i pasional. Cu ochii n lacrimi, el se cufunddisperare, rostindu-i replicile cu o remarcabil compasiune. n

public, l implic n poveste.

Teodora Gheorghe,

AAlexandru Repan offers Oscar the chance to grow old. His d

towards the dark depths of the human being, makes the actor controversial one, in the opinion of some) for Oscar's part. H

troubling and passionate. Teary-eyed, he dives into the ocean of

his lines with remarkable compassion. He walks around the halland gets them involved in the story.

Teodora Gheorghe,

ADistribuia/Cast:Oscar Alexandru RepanTanti Roz/Lady in Pink Andreea Mcelaru ofron

Violoncel/Cello: Ella Bokor / Ioana StanciucPian/Piano: Alexandru PetroviciVideoproiecia/Video projection: Ciprian Duic

Data premierei/ Opening night: 19 martie 2014/19 March, 2014

ADurata/ Duration: 1h 35min (fr pauz/ without intermissionwww.nottara.ro

Rapsodie-n roz


23/52

Foto / Photo credits:Istvn Bir

Teatrul Maghiar de Stat, Cluj-Napoca (Romnia)H i St t Th t Cl j N (R i )

ntr-o comedieatroce, cu nuane suprareal iste ca autorul lor, d

d f i D l l il


24/52

Hugarian State Theatre Cluj-Napoca (Romania)

Vineri

Friday17oct

.0018

Teatrul Nott

NottaraThea

Christmas at the Ivanovsde/by A.I. VvedenskiTraductor n limba maghiar/Translated into Hungarian by: Istvn Baka

Regia/Stage direction: Andrs Urbn

Scenografia/Scenography: Carmencita BrojboiuDramaturgia/Dramaturgy: Kata GyarmatiMuzica/Music: Attila Antal


arma defensiv suprem. Dar un moment ca acela al mtilor zo

efectul magic, miraculos-transformator al mtii: o tcere tensio

stinghere nechezturi mnzeti. Momentul trebuia s potopeaste pune pe gnduri. Nu e sta semnul unui spectacol bun s te pu

Hora

AIn an atrocious comedy, verging on the surrealist just like its au

the ultimate defence weapon. But a moment like that of the zoo

of the magical, miraculously transforming effect of the mask: a

few odd neighs. The moment was supposed to be filled with hilthink. Isn't this the sign of a good show making you thing?

Hora

ADistribuia/Cast:

Ddaca i Fiodor/Nanny and Fyodor Gbor ViolaPuzriov, tatl/Puzyrov, the father Lornd VtaPuzriova, mama/Puzyrova, the mother Csilla AlbertSonia Ostrova, fat de 32 de ani /Sonya Ostrova, 32-year-old

Petia Perov, bieel de 1 an/Petya Perov, 1-year-old boy roNina Serova, feti de 8 ani /Nina Serova, 8-year-old girl vaVaria Petrova, fat de 17 ani/Varia Petrova, 17-year-old girl

Volodia Komarov, biat de 2 0 ani/Volodia Komarov, 20-year-o

Mia Pestrov, biat de 76 de ani/Misha Pestrov, 76-year-old bo

Dunia ustrova, fat de 82 de ani/Dunya Shustrova, 82-year-o

Poliiti, efi de poliie, nebuni, sanitari, medici, cini, tietor

judectori/ Policemen, police chiefs, madmen, nurses, doctor

animals, judges

ADurata/Duration: 1h 20min (fr pauz/without intermissSpectacol supratitrat n limba romn/With Romanian subtiwww.huntheater.ro


25/52

CarneFoto / Photo credits:Martin pelda

A Studio Rubn, Praga (Republica Ceh)AStudio Rubn Prague (CzechRepublic)

Klra este pianist. Nu vrea s schimb e scutecele copiilor din Bir

este pianist; nu vrea s culeag portocale n fermele din Spania


26/52

CarneA Studio Rubn, Prague (Czech Republic)

Vineri

Friday17oct

.0021

Teatrul Nottara

NottaraTheatre

Meatde/byViliam Klimek

Regia / Stage Direction: Jan Fri

Decorul / Setting: Jan Fri, Michal David OuporCostumele / Costumes: Tereza Kopeck


este pianist; nu vrea s culeag portocale n fermele din Spania

nici nu vrea s serveasc bere n Islanda, pentru c este pianist

zdrobeasc cu picioarele goale ca pe un gndac de buctrie, dofilarmonic, atunci aa s fie. Este criz i posibil itile sunt foar

Piesa a fost scris de cel mai renumit dramaturg slovac conte

special pentru a fi montat la A Studio Rubn din Praga.

AKlra is a piano player. She doesnt want to wipe asses of littl

because she is a piano player;she doesnt want to reaporanges

she is a piano player;she doesnt want to serve beer inIcela

player. And if the maestro wants to crunch herunder hisbare feea job in the philharmony, so be it. Theresacrisis and there is a la

The play was written by the most popular contemporary Slovakespecially for the show of A Studio Rubn.

ADistribuia/Cast:

Maestro Rudolf StrzKlra Julie GoetzovJana Eva Josefkov

Data premierei pentru pres/Press opening night: 28 ianuarie 20

ADurata/Duration: 1h(fr pauz / without intermission)Spectacol supratitrat n limba romn/With Romanian subtitl

www.astudiorubin.cz


27/52

DonQuijoteFoto / Photo credits:Cristina Gnj

TEATRUL NAIONAL TRGU-MURE / COMPANIALIVIU REBREANUNATIONAL THEATRE TRGU-MURE (ROMANIA)/ LIVIU REBREANUCOMPANY

n acelai timp divertisment intel igent i fantezie oniric, ra unei cri care a fcut nconjurul lumii, impunnd (ce


28/52

N ON GU MU ( OM N ) V U NU COM Nemblematice,care conin n ele lumi ntregi i doze mereu

imaginaie, de ntmplri nchipuite suprapuse peste ex

spectacolul conceput de Miha i Mniuiu pe lectura extrem dhistrionicei Ada Milea i construiete propriul univers din m

idei, un univers care se prezint rotund, atent lefuit i ca

spectatorului de teatru, ci i iubitorului de carte. Este, n fapornind de la imaginea cntat.

Mircea So

ASmart entertainment and oneiric fantasy at the same time

rereading of a book that has travelled around the world,

emblematic characters that contain entire worlds a nd everand imagination, of imaginary events overlapping suppose

directed by Mihai Mniuiu, performed by the fresh, coheren

builds its own world of music, images, signs and ide as, a worlpolished and which is ad dressed not just to the theatre audi

too. It is actually an invitation to reading, starting from sung i

Mircea So

ADistribuia /Cast :

Don Quijote - Csaba CiugulituSancho Panza -Luchian PanteaScriitorul/The Writer - Mihai CrciunScribii din vis/The scribes from the dream - Rare BudileaAnca Loghin, Alexandra ifrea, Andrei Chiran, Tiberius Va

Sergiu Marocico, Cristina Holtzli, Ciprian Mistreanu, ClaudCristina Iuan

Orchestra:

pian i acordeon/pianoand accordeon - Zeno Apostolachevioar/violin - Cristina Tomatobe/drums - Rare Budileanu/Costin Gavazchitar/guitar - Claudiu Banciu

Data premierei/Opening night: 26 martie 2014/ 26 March,

ADurata/Duration: 1h 15min (frpauz / withoutintermiwww.teatrunational.ro

Smbt

Saturday11oct

.0019

Teatrul Nott

NottaraThea

Don

QuijoteDon QuixoteScenariulde/Screenplay by Ada Milea and Mihai Mniuiudup/based on CervantesRegia / Stage direction: Mihai Mniuiu

Scenografia/ Scenography: Adrian DamianCoregrafia/Coreography: Vava tefnescuMuzica/Music: Ada Milea

Seciunea Bulevardul ComedieiComedy Boulevard Section


29/52

Hai Iu Iu NUHi You YouFoto / Photo credits:Nicu Cherciu

UNITER/Uniunea Teatral din RomniaThe Romanian Association of Theatre Artists

O echip de oameni ntr-adevr talentai, dar care nu fa

exhibiionism [...] nu doar talentul lor m-a impresionat, ci i at


30/52

Hai Iu Iu NU

Hi You You

Teatrul Nott

NottaraThea

Hai Iu Iu NOT Hi You YouUn concept de/A concept byRadu Afrim

Un spectacol muzical de/Amusicalshow by Radu Afrim

Coregrafia/Choreography: Andrea Gavriliu, Ioana Marchidan, Judith StateMuzica/Music: Vlaicu GolceaSound-design: Uu PascuVideo: Adi BulboacAfi/Poster: Iustin Surpanelu

SeciuneaBulevardul ComedieiComedy Boulevard Section

fa de capacitile lor: disponibilitatea de a fi autoironici i lip

poi imagina pe Maria Tnase?) i uurina cu care s-au scuturatcu care sunt obinuii n coal.

Ionu

AA team of truly talented people, who don't turn their talent intwasn't just their talent that impressed me, but also the attitude

abilities: their availability for self-irony and a l ack of emphasis

Maria Tnase?) and their ease of shaking off those narcissistic

them.Ionu

A[...] un spectacol proaspt, indecent de viu i ta re frumos [...]

Mihai

A[...] a fresh show, indecently alive and really beautiful []

Mihai

ACu / With:

Rare Andrici, Irina Antonie, Simona Arsu, Aida Avieriei, IloAnghel Damian,Flavia Giurgiu, Amalia Huan, Lorena Luchia

Ioan Paraschiv, Melania Rusu, Gabriel Sandu

Invitat special/Special guest star: Maia Morgenstern

Cu participarea/With the participation of: Petre Ancua & Em

Data premierei/Opening night: 7 septembrie 2013/7 Septembe

ADurata/Duration: 1h 20 min (fr pauz /without intermissiowww.uniter.ro

Duminic

Sunday 12oct

.0018


31/52

Tartuffe

sau ImpostorulFoto / Photo credits:Grand Adriana

Teatrul Metropolis, Bucureti (Romnia)Metropolis Theatre, Bucharest (Romania)

A putea spune c Tartuffe sau Impostorul, n direcia de scenTeatrul Metropolis, este una dintre cele mai interesante, inteligscenice ale unui text clasic din ultimii muli ani. A spune c adu


32/52

Tartuffe

Impostorulsau

Teatrul Nott

NottaraThea

Tartuffe, or the Impostorde/byJ.B.P. MolireVersiunea scenic/Stage version: Victor Ioan Frunz

Direcia de scen / Stage direction: Victor Ioan FrunzDecorul i costumele / Setting and costumes: Adriana Grand


scenice ale unui text clasic din ultimii muli ani. A spune c adusufocat adesea de comedia groas (ca s nu zic u), un umorece i ascuit ca o lam de cuit, c aduce o interpretare ireproct vorbim de replici n versuri, c propune o traducere nou alimb contemporan impecabil i att de suculent. i lista ar pi, dac n-ai auzit niciodat toaca btut n ritmuri pop sau asculta n Tartuffe este probabil una dintre cele mai interegizorale prin care Victor Ioan Frunz alege s-i dezvluie imposCu totul excepional este interpretarea actorilor. Fie i pentrfiresc dect proza. Fie i pentru c fiecare detaliu i fiecare cuvdeplin. S rosteti versurile lui Molire cu acelai firesc c u care seLaBute sau orice alt text contemporan i cuvintele s sune maastfel de spectacole este o performan.

Monica

AI could say that Tartuffe, or the Impostor, directed by Victor IoaTheatre, is one of the most interesting, intelligent and ca ustic stthe last years. I would say it b rings to the Bucharest stage, often (not to say questionable), a sense of humour of the best qualityblade, that brings an impeccable performance, especially becbecause it comes up with a new translation of Molire's tcontemporary language. And the list could go on. []And if you've never heard the bell board beat to the rhy thm of pop oyou will hear it in Tartuffe this is probably one of the most interesolutions that Victor Ioan Frunz chooses to use to reveal Tartuffe'sThe actors' performance is truly exceptional. Maybe because thenatural than prose. Maybe because each detail and each word completely. Uttering Molire's verses as naturally as one wouLaBute or any other contemporary text and having the words somany such shows is indeed quite a performance.

Monica

ADistribuia/Cast:Doamna Pernelle, mama lui Orgon / Mrs Pernelle, Orgon's motOrgon, soul lui Elmire / Orgon, Elmire's husband Sorin MironElmire, soia lui Orgon / Elmire, Orgon's wife Nicoleta HncuDamis, fiul lui Orgon / Damis, Orgon's son Adrian NicolaeMarianne, fiica lui Orgon / Marianne, Orgon's daughter Irina Valre, iubitul lui Marianne / Valre, Marianne's suitor AndreTartuffe, bigot ipocrit / Tartuffe, hypocrite bigot George CosLaurent, valetul lui Tartuffe / Laurent, Tartuffe's valet MdlFlipote, fat n cas/Flipote, maid Elena Ghimpeeanu

Data premierei/Opening night: 14 septembrie 2013/14 Septem

ADurata/Duration: 1h 20min (fr pauz/without intermissiowww.teatrulmetropolis.ro

Luni

Monday13oct

.0018


33/52

Foto / Photo credits:Oana Monica Nae

Miss Daisy

sisoferul ei, ,

Teatrul Evreiesc de Stat, Bucureti (Romnia)State Jewish Theatre, Bucharest (Romania)

Miss Daisy i oferul eieste o nou provocare de a admira capaactori preuii de marele public (...), aflai n faa unor comAciunea e aparent simpl i debuteaz cnd Daisy (Maia Morge


34/52

Teatrul Nott

NottaraThea

Driving Miss Daisyde/by Alfred Fox UhryTraducerea/Translated by:Alice Georgescu

Regia/Stage direction: Claudiu GogaScenografia i costumele/Scenography and costumes: tefania CeneanIlustraia muzical/Musical accompaniment: Vasile Manta


unui om de afaceri evreu,i ifoneazmaina de lux i fiul hotofer. i alege un ofer negru cam de aceiai vrst, pe Hoke (Mirde ani se deruleaz conflictul dintre cei doi, ca re dezvolt o reldictat de vrst, dar mai ales de prejudecile iscate prin apdiferite. Daisy e o femeie puternic, autoritar, cu hachie, tcare, ns, experiena vieii le va tempera i le va nvinge. Surppiesa fiind o comedie amar, nelipsit d e sensibilitate i poezie.Compoziiile realizate de Maia Morgenstern i Mircea Rusu sunttranspune n Daisy cea de 70 de ani, care n final va ajunge la 90 evoluia personajului printr-o trire interioar fluent susinunuanelor, a relaiei cu Hoke. Trebuie s vizionai acest spectaalt faet a calitilor interpretei, sensibilitate n expresia Mircea Rusu: de la naivitile lui Hoke,la sentimentul de prietenlarg gam de stri transmise ca efect emoional, credibil public

Ilean

ADriving Miss Daisyis a new challenge to admire the creative skimajority of the public (...), dealing with a wonderfully directed and starts when Daisy (Maia Morgenstern), the elderly mothercrashes her luxury car lightly, so her son decides she needs a ddriver about her own age, Hoke (Mircea Rusu). Over 20 years, wbetween the two plays out, while they develop a complex dictated by age, but, most of all, by prejudices that stem from band religions. Daisy is a strong, bossy, fussy woman, prey to thexperience will mellow down and eventua lly conquer. There arand the play is a bitter comedy, full of sensibility and poetry.The characters created by Maia Morgenstern and Mircea Rusu abecomes the 70-year-old Daisy, who will finally turn 90, buildinminutely, through a coherently supported inner emotion and bywith Hoke, paying attention to nuances. You have to see this shanother side of the actress's qualities and a special sensibility

Mircea Rusu is excellent: from Hoke's navet to the feeling of fthrough a large range of moods that he conveys as a credibleaudience.

Ileana

ADistribuia/Cast:Daisy Werthan Maia MorgensternHoke Coleburn Mircea RusuBoolie Werthan Mircea Dragoman

Data premierei/Opening night:septembrie 2009/September, 2

ADurata/Duration: 2h 15min (fr pauz/without intermissionwww.teatrul-evreiesc.ro

oct.0018

Mari

Tuesday14

Miss Daisy

sisoferul ei, ,


35/52

Play ShakespeareFoto / Photo credits:Raluca Moldovean

Teatrul de Animaiendric, Bucureti (Romnia)ndricAnimation Theatre, Bucharest (Romania)

Creatorul spectacolului construiete umorul cu mijloace fine, ca

peste timpul lui Shakespeare, n care Romeo i Julieta erau juca

Asemenea obicei azi nu poate dect s se umple de conotaii sim


36/52

Play ShakespeareScenariul i regia artistic / Script and stage direction: Cristian Pepino

i animaii /Scenografia Scenography and animations: Cristina Pepino i Cristian Pepino

Seciunea Bulevardul Comediei

Comedy Boulevard Section

p p

personaje, artiti la vedere, poart peruci blonde de irezistibile corpuri de actori n mrime natural i cte un mixtum compositu

sporesc infinit comicul. Trupuri mici de ppuici,lipite de actor

biciuiesc percepiile normale i strnesc rsul. [] Poezia shakesdoi amorezi,devenii prototip n istoria literaturii,e nlocuit int

nfocate, ba dezamgite, ba suprate, ba efervescente.

Cristina Rusiecki,Su

AThe creator of the show builds humour with delicate means, like

Shakespeare's time, when Romeo and Juliet were played by male aonly have funny connotations in our day and age, especially becausopen artists, wear blond wigs of irresistible divas. Small and large

and a mixtum compositum of an actor and a doll infinitely increase

bodies stuck to the actors, from under their heads to their waists

and induce laughter. [] The Shakespearian poetry in the two loveprototype in the history of literature is replaced completely

passionate, disappointed, upset and effervescent, in turn.

Cristina Rusiecki,Sup

ACu / With:

Mihai DumitrescuCristian Mitescu

Marin FaguGeo DinescuRoxana Vian

Data premierei / Opening night: 15 noiembrie 2011 / 15 N ovemb

ADurata / Duration: 45min (fr pauz / without intermission)www.teatrultandarica.ro

Miercuri

Wednesday15oct

.0021

Teatrul Nottar

NottaraTheatre


37/52

VICTOR'ia (opus1)Foto / Photo credits:Michel Morin

Compania TeatralPetits Btons Production, Fontaine (Frana)Petits Btons ProductionTheatre Company, Fontaine (France)

VICTOR'iaeste povesteaoriginal a unei femei care se deghize

de lucru n lumea spectacolului. Aceast interpretare, teatral

folosete diferitemodaliti artistice pentru a ilustra problem


38/52

VICTOR'ia (opus1)Scenariu/Stage adaptation: Hlne van der Stichel

Regia / Stage direction: Hlne van der Stichel

Muzica original / Original music: Yanier Hechavarra Mayas

Coregrafia / Choreography: Dany LaysLight design: Loc CorreMagie / Magic: Grald Garnache


Identitatea, orientarea sexual, problemele n dragoste, inegalisunt numai cteva dintre subiectele importante abordate n spec

Regizoarea Hlne Van der Stichele propune un alt mod de a pri

umor, dans, muzic, magie i atmosfera de cabaret: VICTORconfuzia creat de gen, aa cum este i societatea noastr de azi

Este mult sensibilitate n acest spectacol care aduce n prim-

plini de via, cu o meniune special pentru talentatul saxofo

fel de bine la saxofon i la pian, transmindu-ne emoii intenmprtit cu familia, cu prietenii sau cu partenerul.

Chlo Bla

AVICTOR'ia is the original story of a woman who disguises as a m

the world of show business. This performance, theatrical and

makes use of various artistic practices to illustrate q uestions tha

sexual orientation, trouble in love, gender inequality and shsubjects approached by this show.

The director Hlne Van der Stichele suggests another way o

through humour, dance, music, magic and the cabaret atmosbased on gender confusion, as our society is today.

There is a lot of sensibility in this show that takes us to the adven

life, with a special mention to the talented Cuban saxophonist,

saxophone and the piano, conveying us a strong emotion - a tefamily, friends or with your partner.

Chlo Bla

ADistribuia/Cast:

Tony Laurent LesavreVictoria Muriel Rouxsaxofon / saxophone Simon Giroud

Data premierei / Opening night: Mai 2014/May 2014

ADurata / Duration: 1h 10min (fr pauz / without intermissioSpectacol supratitrat n limba romn/With Romanian subtitlwww.petitsbatonsproduction.fr

Joi

Thursday16oct

.0018

Teatrul Nott

NottaraThea


39/52

Mariussi Lorin Mihalache,n concert

,

nchiderea festivaluluiClosing Night

Un concert susinut de Marius Mihalache, al turi de fiul su, Lo

15 ani o relaie dincolo de cuvinte ntre doi oameni ce nasc sune

Un concert dinamic, unde ambalul i tobele se contopesc sub

un singur instrument O oapt tcut ntr o sear plin de emo


40/52

un singur instrument. O oapt tcut, ntr-o sear plin de emo

AA concert given by Marius Mihalache together with his son, 15-y

relationship beyond words, between two people whose glanc es g

A dynamic concert, where cimbalom and drums merge under fiea single instrument. A silent whisper, in a night filled with em

concert.

AComponena / Members:

Marius Mihalache ambal / cimbalomLorin Mihalache tobe / drumsArabela Nicolau voce / vocalsNicu Baran- bass

Smbt

Saturday18oct

.0019

Teatrul Nott

NottaraThea

Marius and Lorin Mihalache, in concert

Mariussi Lorin Mihalache,n concert

,

Un zmbet, click i... gong!

Spectacolul stradal Un zmbet, click i... gong! v invit (in)

Fest ului de Teatru pe Bulevardbucuria (sau mcar un zmbet


41/52

Eveniment stradalFest ului de Teatru pe Bulevardbucuria (sau mcar un zmbet o irepetabil clip (ct un simplu click al aparatului de fotogra

dumneavoastr spectacol Teatrul ncepe camirajdin strad

miracol pe scen Substana lui suntem noi, persoane trspectacolelor care i ateapt gongul inaugural

Imaginilepersonalitilornoastre vor deveni bilet de intrare la

vieile noastre devin poveti adevrate...Poftii! Un zmbet, cli

A

A smile, click and gong!

The street-showA smile, click and gong!invites you to expe(in)the Festival Feast the Boulevard, the joy (or at least an hone

unrepeatable moment (that of a single click of the photo camer

show Theatre begins like a wonderin the street, and it is cstage We are its substance, passing peoplethrough the shado

their first gong

The images of ourpersonalitieswill become an entrance ticket our lives become true stories... So come on!A smile, click and g

Miha

Smbt

Saturday11oct

.3016 In

Street eventCoordonator/Coordinator: Mihai LungeanuScenografia/Scenography: Victor Diaconu

Spectacole-lecturaSeria de spectacole-lectur dedicate comediei de bulevar

provocator joc de imaginaie pentru fiecare participant. Actoru

textul Autorului, Regizorul citete indicaiile care desluesc

Spectatorul (asculttor privitor vistor) devine creatorul pro


42/52

Spectacole lectura Spectatorul (asculttor privitor vistor) devine creatorul proimaginaia provocat de cuvinte mpletete bucuria nelegerii c

Spectacole unice, care vor pstra parfumul cltoriei printre

att timp ct noi nine vom accepta s devenim nu doar speirepetabile umbre vii ale propriilor noastre poveti, ntruchipate

Mihai Lung

AThe series of reading shows dedicated to boulevard comed

provocative imagination game for every participant. The actor

Author's text, the Director reads the directions that discern thethe Spectator (listener viewer dreamer)becomes the creator

imagination stirred by words blends the joy of comprehen

participation.

Unique shows, that will keep the scent of a journey through thelong as we accept to become not just skilfully guided spectat

living shadows of our own stories, generously embodied by the Th

Mihai Lung

ADistribuia/Cast:

Yvonne Adela MrculescuLucien, soul ei/Lucien, her husband Damian Crmaru

Annette, servitoarea lor/Annette, their maidIoana CalotJoseph, un valet/Joseph, a valet Sorin Coci

Duminic

Sunday 12oct

.0011

L

Cr

A raposat...decedata!

Reading showsCoordonator/Coordinator: Mihai Lungeanu

The Deceased... Passed Away!Oalctuire scenic realizat de Mihai Lungeanuinspirat din comedii de Georges FeydeauA mixture of comedies, made by Mihai Lungeanu,inspired from Georges Feydeau's plays,

Regia/ Stage direction: Mihai Lungeanu

FazanulDistribuia/Cast:

Pontagnac Alexandru JiteaVatelin Gabriel RuRadillon erban Gomoi


43/52

Tot mort,tot mort?

Fazanul

Distribuia/Cast:

Agamemnon Buckner (Chicago), tnr artist/young artistAdHans von Bismarck, discipolul lui Millet/Millet's discipleGeorgePhelim O'Shaughnessy, discipolul lui Millet/Millet's discipleAleMarie Leroux, iubita lui Millet/Millet's lover,

fiica lui Leroux/Leroux's daughterRaluca GheorghiuCecile Leroux, iubita lui Chicago i fiica lui Leroux/

Chicago's lover and Leroux's daughterMarina NeaguPapa Leroux Ion HaiducJean-Franois Millet i/and Vduva Daisy Tillou/Widow Daisy T

Andr Bastien, negustor de tablouri i cmtar /

merchant of paintings and moneylenderIon GrosuMadame Bathilde i/and Sultanul Turciei/the Sultan of TurkeyMadame Caron i/and mpratul Rusiei/the Emperor of Russia

Basil Thorpe, negustor bogat englez/

English rich merchanti/and Regele Franei/the King of France

Claude Rivire, reporter i/and Charlie, un valet stilat/a stylis

Miercuri

Wednesday15oct

.0011

L

Cr

Lucienne Sorina tefnescuMaggy Luminia ErgaMadame Pontagnac Raluca GheorghiuSoldignac Mihai MarinescuArmandine Ioana CalotDl Pichard Ion HaiducDna Pichard Crengua HaritonClara Cristina FloreaComisarul/The Commissioner Alexandru Mike GheorghiuJean/Victor/Gerome Dan Rdulescu

Luni

Monday13oct

.0011

L

Cr

The Pheasantde/by Georges Feydeau,traducerea/translated by: Doru Mare

regia/stage direction: Alexandru Mzgreanu

Is He Dead?comedie n trei acte de/ comedy in three acts by Mark Twain,traducerea i adaptarea/ translation and adaptation: Petre Bokor

regia/ stage direction: Mihai Lungeanu

Eveniment realizat n memoria regizoruluiPetre BokorEvent dedicated to the memory of the stage director Petre Bokor

Colocviicritice Critical colloqui


44/52

S-ar putea ca ideea unor colocvii n acest Festival al teatrului de/pe bulevard, s vi se par prea serioas. S-ar putea

ca temele pe care le anunm s sune prea grav. Poate c nu avei chef de vorbrie. Unii, care cred c suntem ntr-unmoment al declinului scenei(vezi articolul lui Sorin Lavric din Romnia literar, nr. 25, din19 iunie 2014), mai cred,

poate, inutil orice discuie. Sau, dimpotriv.

Ei bine, noi, cei care am pus la cale aceste ntlniri facem parte din gruparea op timist, fiindc la urma urmelor ar fipcat s nu profitm de cadrul att de generos oferit de festival ul organizat la TeatrulNottara,pentru a nu ne reuni n

jurul unor idei care frmnt lumea teatral i p retind confruntare de opinii. Sun pretenios, tim, dar v asigurm

c vom face tot posibilul s vorbim omenete ,nu psrete, relaxai i nu ncruntai, la aceste colocvii critice, chiar

dac ele vor aborda subiecte importante, care privesc nu doar arta spectacolului contemporan, ci i funcia criticuluintr-o societatea complicat precum cea de azi. Ne vom referi fie la dramaturgia contemporan, adaptat duritii

mediului care o inspir, fie la regie, pentru care problemele se pun diferit n teatrele de repertoriu i cele

independente, fie la scenografie, care trece prin condiionrile tehnice a le audio-vizualului modern.(in)V invitm, aadar, s ne fii alturi la colocviile critice a le FestivaluluiInternaional de Teatru Fest pe Bulevard,

care vor avea loc pe 14, 16 i 1 7 octombrie.

Dorindu-ne un schimb de experien ntre cei care fac i cei care desfac n cuvinte opera scenic, am vrea s facem

din seciunea colocviilor un moment la fel de a greabil ca i festinul teatral pregtit de organizatori.

Doina Papp, critic de teatru, publicist

Program

Regizorul i trupa n teatrul de azi. Este noiunea de trup una depit? Cum se pune problema n teatrele de

repertoriu ? Dar n teatrul independent? Este actorul feti un pivot n relaia regizor-trup?

Moderator: Marina Constantinescu, critic de teatru i realizator TV. Un invitat surpriz.Mari,14 octombrie, ora 11.00Teatrul Nottara, CafNott

Teatru i umanism ntr-o lume a violenei.Cutrile scriitorului i rspunsurile criticului. Relaia criticului cu

dramaturgia actual.

Moderator: Doina Papp, critic de teatru, publicist

Invitat: Alina Nelega, autor dramaticJoi, 16 octombrie, ora 11.00Teatrul Nottara, CafNott

Scenografia i tehnicile moderne audiovideo, complementaritate sau tutel. Light designul i decorul de lumini.

Invitat: Adrian Damian, scenograf i asistent al regizorului Robert Wilson la spectacolul Rinoceriide Eugne Ionesco

de la Teatrul Naional Marin Sorescu din Craiova. Cu exemplificri din spectacol.

Moderator: Cristina Rusiecki, critic de teatru, jurnalist

Vineri, 17 octombrie, ora 11.00Teatrul Nottara, CafNott

Colocvii criticeYou may find the idea of colloquia during this Festival of boulevard theatre a little too serious. Yoannounce to sound too grave. Perhaps you are not in the mood for rambling. Some, who thinkdecline of the stage (see Sorin Lavric's article in Romnia literar, issue 25 of 19 June, discussion is useless. Or the opposite.Well, those of us who have organised these meetings are part of the optimistic group, becaushame not to enjoy the very generous setting offered by the festival organised by the Nottara Tideas which cause great concern to the world of theatre and which require deb ating. It may sobut we assure you that we will do our best to speak Romanian and not Pig Latin, relaxed and ncolloquia, even though they will approach important subjects, which refer not only to the art oalso to the function of the critics in a complicated society like that of our day and age. We will redramaturgy, adapted to the severity of the surroundings that ins pire it, or to direction, which prepertory and independent theatres, or to scenography, which is conditioned by the technicaaudiovisual.Therefore, we invite you to join us at the critical col loquia of the International Theatre Festivawe wish for an exchange of experience between those who make and those who unmake the stwe would like to turn the colloquia section into a moment as p leasant as the theatre feast the org

Doina Pap

Programme

The director and the company in today's theatre

Is the concept of theatre company obsolete? How do repertory theatres approach the issue

theatres? Is the fetish-actor a pivot in the relationship between the director and the company?

Host: Marina Constantinescu, theatre critic and TV host, together with a surprise guest.Tuesday, 14 October, 11:00Nottara Theatre, CafNott

Theatre and humanism in a world of violence

The writer's pursuits and the critic's answers. The critic's relationship to the theatre of today.

Host: Doina Papp, theatre critic, publisherGuest: Alina Nelega, playwrightThursday, 16 October, 11:00Nottara Theatre, CafNott

Scenography and modern audiovisual techniques complementary or trustee aproach

Light design and light setting.

Guest: Adrian Damian, scenographer and assista nt of the director Robert Wilson at the show RhiCraiova National Theatre, with fragments from the show.Host: Cristina Rusiecki, theatre critic, journalistFriday, 17 October, 11:00Nottara Theatre, CafNott

C t ca co oqu

Lansari de carteFundaia CulturalCamil Petrescu Revista Teatrul azi

n luna aprilie, s-au mplinit 120 d e ani de la naterea lui Camil1894).


45/52

Book releasesEditura Tracus Arte

Monolog n doi cu moartea la ude Mircea M. Ionescu

ntr-un fel, eu, singurul personaj prezent pe scen, voi vorbi cu minensumi, ns, se va auzi i cealalt voce din mine. S-ar putea chiar svedei i un al doilea EU, m rog, un Alter-Ego. Nu v trebuie prea multimaginaie pentru aceasta. Pur i simplu, fiecare dintre dumneavoastrtrebuie s se gnd easc la el!... Toi ne trim, doar, monologul vieii ial morii dedublai. Pentru c destinul ne taie mereu n dou. O bucatde trup, devenit, brusc, la un moment dat, o gloab obosit i una despirit, ca o permanent cutare de via. Viaa mea n care amdescoperit, ca un fulger pe cer senin de var, c triete moartea.Culmea, nu m-am gndit o singur dat, pn acum, c moartea ar tri

n mineMircea M. Ionescu, autor dramatic

Duminic, 12 Octombrie, ora 18.00Foaierul Slii Horia Lovinescu

Tracus Arte Publishing

Twin Monologue with Death Waiting at the Door

by Mircea M. Ionescu In a way, I, the only character on stage, will talk to myself, but youwill also hear the other voice inside me. You may even see a secondEGO, well, an Alter-Ego. You do not need a lot of imagination for it.Each of you should simply think about yourselves!... All of us live onlythe monologue of our life and death, like split personalities. Becauseour destiny always splits us in two. A piece of body, which has suddenlybecome a tired war horse at some point And a piece of spirit, like apermanent pursuit of life. My life which I have d iscovered, like a flashof lightning on a c lear summer sky, inhabited by death. To make mattersworse, I never thought that death might live inside me, not even onceso far

Mircea M. Ionescu, playwright

Sunday, 12 October, 18:00FoyerofHoria LovinescuHall

Fundaia Cultural ce-i poart numele i revista Teatrul azi(connfiinate de scriitor n 1956) i-au propus s-l srbtoreasc, deCamil Petrescu, n ncercarea de a aduce un firav spot d e luminmare msur ignorat n valorile ei eseniale.Este timpul ca att romancierul, ct i dramaturgul, teoreticianpoetul, gazetarul creator i director de reviste, redutabil spirits intre definitiv i deplin n contiina pub licului (ndeosebi a ce

n acest demers, care a cuprins colocvii, lansri, ntlniri, publicexpoziii, ce s-au derulat pe tot parcursul anului, se nscriugzduite de ctre Teatrul Nottaran cadrul Festivalului Interna

pe Bulevard.Andreea Dumitru, redactor

Camil PetrescuCultural Foundation Theatre Today Magaz

In April we celebrated 120 years since the birth of Camil PetrescThe Cultural Foundation that bears his name and the Theatresuccessor of the publication founded by the writer in 1956) hahim by declaring the year 2012 The Camil Petrescu Year, in anlight over a work whose essential values have been largely ignoreIt is time that the novelist, pl aywright, theatre theorist, philosomagazine creator and editor, a strong polemic writer of his embedded in the conscience of the pub lic (especially the young oThis endeavour, which has consisted of colloquia, releases, meearticles, exhibitions, which have taken pl ace throughout the enthe book releases hosted by the NottaraTheatre during the

(in)Festival Feast the Bulevard.Andreea Dumitru, editor of Th

Eugen Lovinescu sub zodia senintii imperturbabilede Camil PetrescuEdiie ngrijit i cuvnt nainte de Florica IchimMtide Marcel Iancu

Vit i l t l fl t bli t d C il P t l 9 11 12 14 17

Note zilnicede Camil PetrescuEdiie ngrijit, prefa i note de Florica IchimVolum editat cu sprijinul AFCN

L d l i d t l l Mi i d


46/52

Vitriolantul pamflet publicat de Camil Petrescu n numerele 9, 11, 12, 14, 17,18 din 1932 ale Romniei literare(conduse de Liviu Rebreanu), cules apoi, n1933, ntr-un volum pus sub sigla Caietele Cetii literare, reprezint reaciaimediat a autorului indignat de portretul pe care Eugem Lovinescu i-lconturase n cel de-al doilea volum al Memoriilorsale. Astzi, lectura acestuitext aaz n lumin un important capitol al istoriei literaturii romneinterbelice i, totodat, ntregete portretul moral a dou uriaepersonaliti aflate pe poziii estetice similare, dar vdind unul fa decellalt o profund, ndelungat antipatie.Dincolo de nevoia fireasc a posteritii de a nelege resorturile ascunse alevieii literare din trecut, cu sensibilitile i umorile ei, republicareapamfletului Eugen Lovinescu sub zodia senintii imperturbabileconstituiei un prilej de a dezvlui publicului personalitatea complex a luiCamil Petrescu nu doar dramaturg, teoretician, poet, romancier, gazetar,

creator i director de reviste, ci i iat un redutabil spirit polemic al epociisale.Reeditarea proiectat la distan de 10 ani fa de prima restituire integrala textului (ngrijit tot de Florica Ichim, la Editura Gramar, n 2004) include iampla prefa n care criticul de teatru analizeaz n detaliu, mai ales pebaza agendelor lovinesciene, complicata istorie a relaiilor dintre cei doiscriitori.

Mari, 14 octombrie, ora 18.00Foaierul Slii Horia Lovinescu

Eugen Lovinescu under the Sign of Untroubled Serenityby Camil PetrescuCritical edition and foreword by Florica IchimMasksby Marcel Iancu

The acid lampoon published by Camil Petrescu in the 9, 11, 12, 14, 17, 18issues of 1932 in Romnia literar (edited by Liviu Rebreanu), collected in

1933 into a volume under the emblem of Literary Fortress Notebooks,represents the immediate reaction of the author. He was outraged by theportrait that Eugen Lovinescu had made him in the second volume of hisMemoir. Today, the reading of this text sheds light on an important chapter ofthe history of Romanian interwar literature and, at the same time, completesthe moral portraits of two huge characters with similar aesthetic positions,yet who showed a profound and lengthy antipathy for one another.Beyond the natural need of posterity to understand the hidden triggers of theliterary life of the past, with its sensibilities and moods, the republication ofthe pamphlet Eugen Lovinescu under the Sign of Untroubled Serenityalsorepresents a chance for showing the public the complex personality ofCamil Petrescu not just a playwright, theorist, poet, novelist, journalist,magazine creator and editor, but also a strong p olemic spirit of his time.The republication, scheduled 10 y ears after the first complete publication ofthe text (critical edition by Florica Ichim, a t the Gramar Publishing House, in2004), includes a long foreword where the theatre critic analyses in detail,especially based on Lovinescu's notebook, the complicated history of therelationships between the two writers.

Tuesday, 14 October, 18:00FoayerofHoria LovinescuHall

La dou luni dup ce czuse spectacolul cu Mioara, i dup ce scrFals tratat pentru uzul autorilor dramatici, Camil Petreconsemneze, pentru c aa cum scria ntr-o alt ncercare de judintre mine i lume a devenit prea acut ca s nu-l supun unei obCitite acum, notaiile sale se constituie, ntr-adevr, drept un maNu este vorba de un jurnal literar. Evenimentele importante dlsate deoparte. Or, ntre 1927 i 1940 (arcul de timp cuprins nloc nsemnate evenimente: pub licarea romanelor, doctoratul, antiteze, apoi amplul studiu Modalitatea estetic a teatrului, lusubstanei, directoratul la Teatrul Naional .a. Notele, ns, cale exasperrii omului n lupta zilnic ce-o are de dus cu viaa, ccu inamicii literari, cu politicienii corupi sau doar indifereni .aPentru cei care cunosc doar opera lui Camil Petrescu i au, poconfecionat din informaii sumare despre viaa sa, volumul a

date pentru o mai exact nelegere a multor pagini din oper. Cmai bine, se pot simi, pe durata lecturii, nc o dat, solidari cu Volumul are un amplu capitol de note explicative, cerut de fapomenete nenumrate personaliti i evenimente mai cititorului de astzi.

Joi, 16 octombrie, ora 18.00Foaierul Slii Horia Lovinescu

Daily Notesby Camil PetrescuCritical edition, foreword and notes by Florica IchimEdited with the support of ANCF (Administration of the National C

Two months after the Mioarastaging had failed and after he renowned False Treaty for the Use of Drama Authors, Camil Pewrite things down, because as he had written in another attethe conflict between the world and I has become too acute not

daily observation. When we read them now, his notes definitelythose times.It is not a literary diary. The important events in his life are between 1927 and 1940 (the period covered in the notes), imtook place: the publication of his novels, his PhD, the bo

Antitheses, then the large-scale study The Aesthetic Modality oon The Doctrine of Substance, managing the National Theatrehowever, contain moments of the exasperation of man in the life, infirmity, literary enemies, corrupt or simply indifferent poon and so forth.To those who are familiar only with the work of Camil Petrescu aof him may be made up of brief knowledge about his life, tvaluable information for a better understanding of many pageswork. Those who know him better can feel sympathy for the drawent through.The volume contains a lengthy chapter of explanatory notes, rfact that the author mentions countless personalities and evereaders are not very familiar with.

Thursday, 16 October, 18:00

FoyerofHoria LovinescuHall

Caragiale n vremea luide Camil PetrescuProcesul tovarului Camil,document de istorie literar datorat lui Ion VarticiRevista Cetatea literar (director Camil Petrescu)

Caragiale in His Timeby Camil Petrescu The Trial of Comrade Camil,a literary history document owed to Ion VarticandThe Literary Fortress Magazine (edited by Camil Petrescu


47/52

RevistaCetatea literar (director Camil Petrescu),colecie complet n ediie anastatic

Paginile de arhiv aflate la baza crii Procesul tovaruluiCamilpreced cu ani buni texte nrudite n spirit i... procedurale perioadei comuniste, de curnd recuperate i valorificate.Este vorba, dup cum clarific Ion Vartic n nota asupra ediiei,despre: stenograma edinei din 30 iunie 1952, din redaciarevistei Viaa romneasc, edin consacrat aa-zisei analizea piesei Caragiale n vremea luide Camil Petrescu. Comandat cuocazia centenarului naterii lui Caragiale, piesa urma s apar, nanul 1952, n Viaa romneasc; n acest scop, redacia revisteiorganizeaz o interminabil discuie n jurul textului piesei, n

sperana c pe baza ei se va putea ajunge la o redactare pe ca reea (revista) s i-o nsueasc, cci n definitiv acesta estedreptul unei reviste. [...] Interesul aparte al dactilogramei nust, ns, deloc n informaiile despre procesul decreare/desfigurare a piesei lui Camil Petrescu, ci, evident, nfaptul c ne conserv, n stare nemachiat, un model concret alaciunii totalitarismului ideologic (oricare i-ar fi culoarea!)asupra individului (n spe, aici, asupra creatorului). Numelede trist amintire ale tovarilor literai sunt Nicolae Moraru,Mihai Novicov, Ion Vitner, Silvian Iosifescu, Aurel Baranga,Traian elmaru, cu toii n floarea vrstei i... a ca rierei, ocupndfuncii importante n presa de partid, la Uniunea Scriitorilor saula Universitate. n faa lor se afl creatorul lucid, cu sl biciunilei iluziile sale (printre care cea mai evident aceea c un dialogefectiv este nc posibil), dar, mai ales, cu ironia sanendurtoare, ale crei accente subversive nu i vor scpacititorului avertizat asupra epocii i, n special, asupra biografieii operei camilpetresciene.

Nici prima, nici cea din urm gazet nfiinat, condus i, adesea,scris aproape n ntregime de Camil Petrescu, Cetatea literar(anul I, nr. 1-12, 25 decembrie 1925-23 decembrie 1926) reprodusacum ntr-un format accesibil prezint o valoare excepional ipentru faptul c n cuprinsul ei (nr. 11-12) se regsete Falsul tratat

pentru uzul autorilor dramatici. Document de istorie teatral i,totodat, exemplu de polemic inteligent i civilizat, Falsultratat... este rspunsul oferit de Camil Petrescu dup declanarea,

n noiembrie 1926 (data premierei piesei sale Mioara,la TeatrulNaional din Bucureti), a celui mai puternic, conjugat i de lungdurat atac de pres din acei ani. Tot n Cetatea literarau fostpublicate poeziile ce vor fi incluse n volumul Transcendentalia, dari Scrisorile doamnei T (devenite ulterior capitol n Patul luiProcust), a cror lectur l determina pe Eugen Lovinescu s saluteapariia unei noi scriitoare (!). Revistai-a avut printre colaboratoripe Tudor Arghezi, Ion Barbu, Hortensia Papadat-Bengescu,Liviu Rebreanu .a.

Vineri, 17 octombrie, ora 18.00Foaierul Slii Horia Lovinescu

The Literary Fortress Magazine (edited by Camil Petrescucomplete collection in anastatic edition

The archive texts on which the book The Trial of Comrade Cambasedare published long before other texts, similar in spirit aprocedure of the Communist period, which have only recently brecovered and capitalised up on. As Ion Vartic explains in the notthe edition, the text is about the transcript of the meeting oJune, 1952, in the editorial office of the Romanian Life ( Vromneasc) Magazine, a meeting dedicated to the so-ca'analysis' of the play Caragiale in his Time by Camil PetreOrdered on the occasion of Caragiale's birth centenary, the playgoing to be published in Romanian LifeMagazine in 1952; to this ethe editors of the magazine organised a never-ending discussiothe text of the play, 'hoping that based on it they could reachedited version that the magazine could aquire, because after allis a magazine's right.' [] The special interest for the writtranscript does not reside in the information regarding the proof creation/disfigurement of Camil Petrescu's play, but, obviousthe fact that it preserves for us, in an untainted state, a concmodel of the action of ideological totalitarianism (whichevecolour may be!) over the individual (particularly on the creatothis case). A sad memory are the names of literary comraNicolae Moraru, Mihai Novicov, Ion Vitner, Silvian Iosifescu, ABaranga, Traian elmaru, all of whom were in the prime of theirand... their career, occupying important positions in the Papress, at the Writers' Union or at the University. Before them sthe lucid creator, with his weaknesses and illusions (among whthe most obvious one that of the possibility of an effecdialogue), but above all with his merciless irony, whose subvertones will surely be noted by the reader who is somewknowledgeable about the Communist period and, in particuabout the biography and work of Camil Petrescu.

Not the first or the last journal founded, edited and, often, wrialmost entirely by Camil Petrescu, Literary Fortress (year I, issu12, 25 December, 1925-23 December, 1926) republished now iaccessible format has an extraordinary value due to the fact issues 11-12 contain the False Treaty for the Use of Drama Authodocument of theatre history and, at the same time, an examplintelligent, civil debate, the False Treaty is Camil Petreanswer after the strongest, most concerted and lengthiest mattack of those years started, in November 19 26 (after the premof his play Mioara, at the Bucharest National Theatre). LiteFortress also published the poems that were later included involume Transcendentalia, as well as Scrisorile doamnei T (Letters of Mrs T), which later became a chapter in The BeProcrustes; after reading these, Eugen Lovinescu saluted emergence of a new female writer (!).Among those who wrote for the magazine we mention Tudor ArgIon Barbu, Hortensia Papadat-Bengescu, Liviu Rebreanu etc.

Friday, 17 October, 18:00FoyerofHoria LovinescuHall

Expozitied f f

Clicuri i... Declicuri

Cnd un fotograf este angajat pentru realizarea unor fotog

teatru, ideal ar fi ca acesta s se ntlneasc cu regizorul, direspecialistul n marketing Astfel el va cunoate aspecte import

,


48/52

xpo ede fotografiede teatruTheatrePhotographyExhibition

specialistul n marketing. Astfel, el va cunoate aspecte import

necesare pentru promovarea acesteia. Apoi, fotograful

fundamental de a elabora, prin intermediul fotografiei, un vesemnificativ i... semnificant. Acest material se va adresa att

teatru, ct i publicului. Prin intermediul fotografiilor inspirat re

mai eficient i mai eficace.

Cu aceast filosofie, nesofisticat, dar pragmatic, lucrm noiRadu, de civa ani buni, n lumea teatrului. ncercm s ad ucem

starea de graie a unor clipe scenice efemere, care trebuie p

colectiv a artei teatrale. i pentru prezent, dar i pentru cei ccreaiile de astzi.

V invitm s redescoperii, prin intermediul acestei expozi

spectacole izbutite, actori valoroi, construcii regizorale de neu

O fotografie reuit i amintete chiar i de... uitare!

Maria

Snapshots and Shutters

When a photographer is hired to take photos of a theatre show

meet the director, the manager of the theatre, but also the mawill know important aspects that are specific to the production

its advertisement. Then, the theatre photographer has the essen

through photography, a strong, significant vector. This materia

theatre specialists and the audience. One can sell more easily,

efficiently through inspired photographs.We, Maria tefnescu and Sorin Radu, have been working, for ye

with this unsophisticated, yet pragmatic, p hilosophy. We try tostate of grace of passing moments on stage, which, howeve

collective memory of theatrical art. Both for the present and for

time, the creations of today.

We invite you to rediscover, through this exhibition called Snapsuccessful shows, valuable artists, unforgettable visions of stag

A great photograph reminds you even of oblivion!

Maria

Smbt

Saturday11oct

.0018

Teatrul Nottara, foai

NottaraTheatre, Foy

,,

Echipa festivalului/ StaffConcept proiect selecie spectacole / Event concept shows selection: Marinelaepu

Compartiment Artistic/Artistic Department:

Cristi JUNCU, Regizor artistic/Stage DirectorDiana LUPESCU, Regizor artistic/Stage Directortefan CARAGIU, Scenograf/Scenographer


49/52

Concept proiect, selecie spectacole / Event concept, shows selection:Marinela epu(Directorul Teatrului Nottara/NottaraTheatre Manager)

Coordonator proiect / Event coordinator:Dan-Marius Zarafescu(Directorul adjunct al Teatrului Nottara/NottaraTheatre Deputy Director)

Coordonator economic / Economic coordinator: Gabriela GrdinaruContabil ef / Chief accountant: Silvia Popescu

Departament juridic / Legal Department: Silvia Burecu, Andreea Ilie, Florin tefan

Concept grafic / Graphic concept:Cosmin Ardeleanu

Concept i realizare Trofeul Festivalului / Concept and production of Festivals Trophy:Luigi tefan Varga, membru al Uniunii Artitilor Plastici din Romnia, Filiala Timioara /Member of Timisoara Branch of the Fine Arts Union of Romania

Concept i realizator eveniment stradal / Street event concept and producer: Mihai LungeanuScenografia / Scenography:Victor Diaconu

Coordonator seciune Colocvii /Colloquia section coordinator: Doina PappDepartament Colocvii /Colloquia department: Irina Zlotea

Concept i coordonator seciune Spectacole-lectur/Concept and coordinator of Reading showssection: Mihai LungeanuDepartament Spectacole-lectur / Reading showsteam: Ruxandra Vera tefan, Mdlina Negrea

Coordonator seciune Lansri de carte / Book releasessection coordinator: Mirela SanduPrezint / Host:Florica Ichim(redactor-ef al revistei Teatrul azi, preedintealFundaieiCamil Petrescu)(Chief editor of Theatre Todaymagazine, president of Camil Petrescufoundation)Departament Lansri de carte / Book releasesteam: Ruxandra Vera tefan, Irina Zlotea

Coordonator seciune Vedeta de lng tine / The Star Next to Yousection coordinator: Irina IonescuDepartament Vedeta de lng tine /The Star Next to You Department: Mdlina NegreaComunicare / Communication Department: Aurelia Laura Fierscu

Coordonator departament Redactare i editare materiale publicitare /Editing advertising materials Department coordinator:Dan-Marius ZarafescuDepartament redactare i editare materiale publicitare / Editing advertising materials team:Ruxandra tefan, Mdlina Negrea,Irina ZloteaCap limpede / Proof reader: Snziana MilooiuPrelucrare grafic i tehnoredactare materiale publicitare /DTP and layout ofadvertising materials:Ciprian Duic

Fotografii festivalului / The Festival Photographers:Sorin Radu, Maria tefnescu, Ciprian Duic

Coordonator ziar festival / Festival Newspaper coordinator: Maria SrbuSecretar general de redacie / Editorial staff responsible:Monica MateiRedactori / Editors:Studenii Catedrei de Teatrologie n cadrul UNATC I.L. Caragialei ai Facultii de Jurnalismi tiinele Comunicrii aUniversitii Bucureti / The students of TheatrologyFaculty, The National University of Theatre and Film, Bucharestand the students ofJournalism and Communication Faculty, Bucharest University

Coordonator departament Protocol / Protocol Department coordinator: Mihaela DuicDepartament Protocol/ Protocol Department team: Mariana Basalu, Melania Cercel, Mihai Dona, Georgiana Goga

Translator trupe strine / Foreign companies interpreter: Mdlina Negrea

Cazri / Accomodation:Alexandra Norocea

Coordonator tehnic trupe / Technicalcoordinator: Dana Popescu

Filmri secvene din festival, coordonator tehnic evenimente speciale /Festival Making off, technicalcoordinator of special events:Ciprian Duic

Actori/Actors:

Alexandru REPANMircea DIACONUCamelia ZORLESCUAnda CAROPOLIon SIMINIEViorel COMNICIIoan HAIDUCConstantin COTIMANISGeorge ALEXANDRUCatrinel DUMITRESCUVictoria COCIACristian OFRONAdrian VNCICAlexandru JITEAAda NAVROTCrengua HARITONCerasela IOSIFESCUIon GROSULuminia ERGAGabriel RUAnca BEJENARUDaniel POPESCUSorin COCILucian GHIMII

Dan BORDEIANUAndi VASLUIANUAlexandru Mike GHEORGHIUAndreea MCELARU OFRONRaluca GHEORGHIUIoana CALOTDaniela MINOIUCorina DRAGOMIRMihaela SUBIRICClaudiu ROMILCristina STOICA IVANCIUCLaura VASILIUCristina FLOREARare STOICALaura ANGHEL

Mircea TEODORESCUVlad ZAMFIRESCU

Serviciul de Specialitate Artistic / Art Specialty DepartmentMdlina NEGREA, ef serviciu / Head of DepartmentMonica Mihaela MATEI, secretar literar / Literary ConsultantRuxandra Vera TEFAN, secretar literar / Literary ConsultantIrina-Mihaela ZLOTEA, secretar literar / Literary ConsultantMariana BASALU, referent literar / Literary Clerk

Serviciul Exploatare Scen / Stage Management DepartmentCristian NICOLAIE, ef serviciu / Head of Department

Birou regizorat tehnic / Technical Direction DepartmentDana Viorica POPESCU, ef birou / Head of DepartmentDrago Toma MOLOIU, regizor tehnic / Technical DirectorIonela BAHNARU, regizor tehnic / Technical Director


50/52

Serviciul Marketing-Vnzri-Relaii cu publicul /Marketing-Sales-Public Relations DepartmentCiprian Nicolae DUIC,ef serviciu / Head of DepartmentMihai Dan DONA, impresar artistic / Art ManagerMelania Georgiana CERCEL, secretar PR / PR SecretaryMonica NECOIU, referent / ClerkLaurena RUSU, casier / CashierMioara LUPU, casier / CashierElisabeta Dorina COSTIN, supraveghetor sal / Hall SupervisorMaria CUCU, plasator / UsherMaria MATEI, plasator / UsherValentina CUCU, plasator / UsherNeta MIHIL, plasator / Usher

Angela ROU, plasator / UsherBirou Resurse Umane, Salarizare Contencios Securitate i sntate n munc / HumanResources, Litigation Remuneration Department - Safety and Health at Work:Alexandra NOROCEA, ef birou / Head of DepartmentSCPA tefan, Burecu i Asociaii, juridic / LawMihaela BTRNU, economist Resurse Umane / Human Resources EconomistGeorgeta TIOIANU, referent / ClerkKristina CREU,referent / ClerkPetronela NICULIA, curier / Messenger

Compartiment Financiar Contabilitate / Financial & Accounting Department:Mirela VLDOIU, economist / EconomistAdina Artemiza RAIA, contabil / AccountantTeodora TEFNESCU, contabil / Accountant

Serviciu Producie Aprovizionare - Achiziii Publice / Production Procurement PublicAcquisitions DepartmentCtlin STANCU,ef serviciu / Head of DepartmentGeorgeta GOGA, economist achiziii publice / Public Acquisitions EconomistIlie ANDA, magaziner / StorekeeperMaria EPURE, arhivar / Registrar

Artemiza BOLOHAN, magaziner / StorekeeperFormaie Muncitori / Workers' DepartmentMarian TIA, ef formaie tmplari / Head of Carpentry DepartmentNicolae NEACU, tmplar / CarpenterAlex Cristian IONESCU, tmplar / CarpenterDoina Victoria BACH, ef

caiet fest(in) pe bulevard.pdf

Documents