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Chapter 10 Sinusoidally Driven Oscillations

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Page 1: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Chapter 10

Sinusoidally Driven Oscillations

Page 2: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Question of Chapter 10

How do the characteristic frequencies generated in one object (say a piano string) excite vibrations in another object (say a sounding board)?

Page 3: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

A Simple Driving System

Page 4: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Natural Frequency (o)

If the board is a door, then the natural frequency is around 0.4 Hz.

If the system is driven at 0.4 Hz, large amplitudes result.

Smaller amplitudes result for driver frequency different from 0.4 Hz.

Page 5: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Actual motions

The door starts with complex motions (transient) that settle down to sinusoidal, no matter the motor rate.

The final frequency is always the driving frequency of the motor ().

The amplitude of the oscillations depends on how far from the natural frequency the motor is.

Page 6: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Driving at Various Rates

Page 7: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Amplitude vs. Frequency

Natural Frequency

Page 8: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

<< o

Motor frequency is far below the natural frequency ( << o) door moves almost in

step with motor.

Door moves toward motor when bands are stretched most.

Page 9: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

< o

Door lags behind the motor.

Page 10: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

= o

Door lags by one quarter cycle.

Page 11: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

>> o

Door lags by one-half cycle.

Page 12: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Summarizing

/o Door Lags

<< 1 0

< 1 Small

= 1 ¼-cycle

>> 1 ½-cycle

Page 13: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Computer Model

Click on the link and experiment

Page 14: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Nature of the Transient

Transients are reproducible If crank starts in the same position, we get the

same transient

Damped Harmonic Oscillations Shown by changing the damping Imagine the bottom of the door immersed in an

oil bath The amount of immersion gives the damping

Page 15: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Small DampingTransient Part

-0.3

-0.2

-0.1

0.0

0.1

0.2

0.3

0.00 0.25 0.50 0.75 1.00

Time

Am

plit

ud

e

Steady State Part

-0.3

-0.2

-0.1

0.0

0.1

0.2

0.3

0 1 2 3 4 5

Time

Am

plit

ud

e

Driven Oscillator - Lightly Damped

-0.3

-0.2

-0.1

0

0.1

0.2

0.3

0.4

0 1 2 3 4 5

Time

Am

plit

ud

e

Page 16: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Heavier DampingTransient Part

-0.3

-0.2

-0.1

0.0

0.1

0.2

0.00 0.25 0.50 0.75 1.00

Time

Am

plit

ud

e

Steady State Part

-0.2

-0.1

0.0

0.1

0.2

0.3

0 1 2 3 4 5

Time

Am

plit

ud

e

Driven Oscillator - Heavier Damping

-0.2

-0.1

0

0.1

0.2

0.3

0 1 2 3 4 5

TimeA

mp

litu

de

Page 17: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Two Part Motion

Damped harmonic oscillation (transient) is at the natural frequency

Driven (steady state) oscillation is at the driver frequency

Page 18: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Driver Frequency = Natural Frequency

Transient Part

-0.2

-0.1

0.0

0.1

0.2

0.3

0.00 0.25 0.50 0.75 1.00

Time

Am

plit

ud

e

Steady State Part

-0.4

-0.3

-0.2

-0.1

0.0

0.1

0.2

0.3

0 0.5 1 1.5 2 2.5 3

Time

Am

plit

ud

e

Driving Force = Natural Frequency

-0.4

-0.3

-0.2

-0.1

0

0.1

0.2

0.3

0 0.5 1 1.5 2 2.5 3

TimeA

mp

litu

de

Page 19: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Damping and the Steady State

As long as we are far from natural frequency, damping doesn’t affect the steady state.

Near the natural frequency, damping does have an effect.

Page 20: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Damping and the Steady State

As damping is increased the height of the peak decreases

Small damping

Large damping

Am

plit

ude

Frequency

Page 21: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Trends with Damping

As damping increases we expect the halving time to decrease ( ) Oscillations die out quicker for larger damping.

12

1T

D

max

1A

D

As damping increases the maximum amplitude decreases ( )

Also notice W½ D. Larger damping

means a broader curve.

Page 22: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Percentage Bandwidth (PBW)

Range of frequencies for which the response is it least half the maximum amplitude.

Let N be the number of oscillations that the pendulum makes in T½.

Direct measurement yields

PBW = 38.2/N measured in %

Page 23: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Example of PBW

Imagine tuning an instrument by using a tuning fork (A 440) while playing A.

If you are not matching pitch, the tuning fork is not being driven at its natural frequency and the amplitude will be small.

Only at a frequency of 440 Hz will the amplitude of the tuning fork be large

Page 24: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Example of PBW - continued

T½ = 5 sec (it takes about 5 seconds for the tuning fork to decay to half amplitude)N = (440 Hz) (5 sec) = 2200 cyclesSo when you get a good response from the tuning fork, you have found pitch to better than

PBW = 38.2/2200 = 0.017%or 0.076 Hz!

Page 25: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Caution!

You must play long, sustained tones

Short “toots” will stimulate the transient which recall is at the natural frequency of the tuning fork (440 Hz) Without the sustained driving force of the instrument,

we will never get to the steady state and the tuning fork will ring due to the transient.

You will think the instrument is in pitch when it is not.

Page 26: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Systems with Two Natural Modes

Each mode has its own frequency, decay time, and shape.

The modes are always damped sinusoidal.

Superposition applies.

Page 27: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Simple Two Mass Model

Page 28: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Normal Modes of Two Mass Model (Chapter 6)

Let Mode 1 have a natural frequency of 10 Hz and Mode 2 a natural frequency of 17.32 Hz.

Page 29: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Driving Point Response Function or Resonance Curve

Am

plit

ude

Frequency

10 Hz 17.32 Hz

Page 30: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Frequencies Between Peaks

Mass one has a mode one component and should lag a half-cycle behind the driver( > o1)

Mass one also has a mode two component to its motion, and here the driving frequency is less than the natural frequency ( << o2) Mass one keeps in step with the driver

These conflicting tendencies account for the small amplitude here

Page 31: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

New Terms

Driving Point Response Curve – measure the response at the mass being driven

Transfer Point Response Curve – measure the response at another mass in the system (not a driven mass)

Page 32: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Properties of a Sinusoidally Driven System

At startup there is a transient that is made up of the damped sinusoids of all of the natural frequencies.

Once the transient is gone the steady state is at the driving frequency. When the driving frequency is close to one of the natural frequencies, the amplitude is a maximum and resembles that natural mode.

Page 33: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

A Tin Tray

The tray is clamped at three places. Sensors ( )and drivers ( )are used as pairs in the locations indicated.

Page 34: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Response Curves

Page 35: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

General Principles

Sensor cannot pickup any mode whose nodal line runs through it. Notice that Sensor 2 is on the centerline It cannot pick up modes with nodal lines

through the center, such as…

Page 36: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Sensor 2 is blind to…

Page 37: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Sensor 2 is very sensitive to…

Page 38: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Drivers Ability to Excite Modes

If a driver falls on the nodal line of a mode, that mode will not be excited

If a driver falls between nodal lines of a mode, that mode will be excited

Page 39: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Steady State Response

Superposition of all the modes excited and their amplitudes at the detector positions. Some modes may reinforce or cancel other modes.

Example – consider the modes on the next screen Colored sections are deflected up at this time and the

uncolored sections are deflected down The vertical lines show where in the pattern of each we

are for a particular position on the plate

Page 40: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Superposing Two Modes

Page 41: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Summary

Altering the location of either the driver or the detector will greatly alter what the transfer response curve will be.

Altering the driver frequency will also change the response.

Page 42: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

Three Cases Presented

Deflections of the same sign (giving a larger deflection) Add

Deflections of opposite sign (canceling each other out) Subtract

Deflection of one mode lined up with the node of the other (deflection due to one mode only) Single

Page 43: Chapter 10 Sinusoidally Driven Oscillations Question of Chapter 10 How do the characteristic frequencies generated in one object (say a piano string)

The G4 Phantom at G3

392, 784, 1176, 1568, 1960, 2352, …

196, 392, 588, 784, 980, 1176, …

Depress G3 slowly

Press & release G4