chapter 14 lessons one and two. early middle ages: early christian: 200 ad – 550 dark ages:...
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Early Middle Ages:Early Christian: 200 AD – 550Dark Ages: 550-750Carolingian and Ottonian: 750-1000
Romanesque: 1000-1150Gothic:
High Gothic: 1150-1400Late Gothic: 1300-1500
The Middle Ages in Western Europe:
The Medieval ChurchDevils and DivisionVisions of Heaven and
HellDivision of clergy into
secular and cloistered
Dark Ages a.k.a. The Age of Faith
Charlemagne: The Roman Ideal"Charles the Great" – semiliterate
All of Western part of the old Roman Empire except Britain, Spain, southern Italy, and Africa.
Revived art and learningWelcomed Jewish immigration and trade throughout the Mediterranean
Carolingian and Ottonian: Charlemagne's Empire
PaintingTangible expression of faithMade the rites of the church more vivid
Illustrate Church Doctrine and history
Art of the Early Middle Ages
Illuminated ManuscriptsChange to codex format from scrolls
Influence of Irish art on Greco-Roman prototypes
flat, ornamental, precisely rendered, highlight & shadow, few colors, figures outlined
Art of the Early Middle Ages
SculptureA minor or small scale artProhibition of graven images by Old Testament
Gero Crucifix is a contrast to Christus Rex typeSuffering Christ vs. Risen and Glorious Christ
Art of the Early Middle Ages
Purpose: DefenseEliminated possibility of windows
Three styles: Motte-and-bailey: a high mound (motte) of earth on which sat a wooden tower overlooking a courtyard (bailey). Both the Motte and bailey surrounded by a moat.
Romanesque : Castles
Stone keep: 3 or 4-story story castle. Square with square towers at each corner and a carefully defended entrance at ground level
Romanesque : Castles (cont.)
Concentric Castle: two rings of walls for protection. Inner wall higher than outer wall
Romanesque : Castles (cont.)
Layout: Thick walls with narrow slits for archers
Steep Stairs, dark and narrow passageways
Drafty rooms sparsely furnished
Romanesque : Castles (cont.)
Layout (cont.): Tapestries sometimes adorned walls to keep dampness out.Tapestries: textile wall hangings that were woven, painted, or embroidered with colorful scenes
Romanesque: Castles (cont.)
At the center of EVERY townExemplified the power and wealth of the ChurchRichly decorated stone Roman cross ground plan, side aisles, larger size (carryover of Carolingian design)
Romanesque: Churches
Size of Churches increased to accommodate PilgrimagesNave and Transept extendedAdded an aisle on each side of the Nave
Added ambulatorywalking space curving around the main altar
Romanesque: Churches (cont.)
Added altars in small curved chapels built along the transept and ambulatoryTo accommodate the necessary additional priests
Romanesque: Churches (cont.)
Stone vaulted roof used a system of vaults, transverse arches and bays to create an open, high central spacetransverse arch: pointed arches
bay: any of a number of similar major vertical divisions of a large interior, a.k.a. a wall
Romanesque: Churches (cont.)
Relief SculpturePurpose: to teach the faith
Capital decorationBiblical scenes, human figures, birds, animals
Revival of Sculpture and Painting
Tympanum: half-round panel that fills the space between the lintel and the arch over a doorway of the churchLarge figure at center, with smaller figures on either side.
The Last Judgment was a popular theme
Revival of Sculpture and Painting(cont.)
PaintingsChurch Wall paintings and Manuscript Illumination
Common FeaturesPurpose: create easy-to-understand religious symbols
Reality NOT importantFlat, colorful shapes, bold use of line
Revival of Sculpture and Painting (cont.)