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  • Chapter IV Mastering Odd Time Signatures...signatures is straightforward - treat odd time signatures as you would treat the 4/4 meter. In other words, the same musical ideas we use
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Chapter IV Will discusses techniques he developed to acquire freedom and control while improvising over odd time signatures. Mastering Odd Time Signatures

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  • Chapter IV

    Will discusses techniques he developed to acquire freedom and control while improvising over odd time signatures.

    Mastering Odd Time

    Signatures

  • Mastering

    Odd Time

    Signatures

    Will believes that general solution to mastering odd time signatures is straightforward - treat odd time signatures asyou would treat the 4/4 meter. In other words, the samemusical ideas we use to naturally play over 4/4 can also beused to familiarize oneself to odd time.

    When playing in 4/4, there is a natural tendency to want towwant to syncopate your lines or play over the bar. In the samevein, one should strive to carry your lines over the bar in5/4, 7/4, or any other odd meter. So, you can try to createphrases at first that do so and repeat them over variouschord progressions or just a static chord alongside a metronome or rhyhthm backing track. An excellent trickto become comfortable in 5 is to divide the meter intottwo even halfs of 2.5 beats (two quarter notes and one eight note.) This way, you can start hearing lines thatflow through the 5/4 bar instead forcing phrases into eitherthe 3 beat portion of the bar or the ladder 2 beat portion.

    Another great trick is to create and seek out various clavépatterns just as one would create various rhythmic figuresto play in 4/4. The more rhythmic patterns you are familiarwith, the more with, the more you will be become comfortable with playingover odd time signatures in general. Again, treat odd timesignatures as you would 4/4 and eventually it will becomenatural. Also, don’t forget to listen to a lot of odd meter music because it will help you hear your ideas in odd time.

    Elite Music Mentor

    Mastering Odd Time Signatures - Overview Ch. 4, pg.40

    “To be confident in 5,replicate the comfort ofplaying in 4.”

  • Odd Time Signatures Break Down: Part I Ch. 4, pg.41

    ODD TIME SIGNATURES

    BREAK DOWN: PART I

    • Listen to a lot of music in odd time signatures to get used to the feel

    • Analyze Take 5 to understand a common rhythmic figure

    • Compound time signature, first is in 3 and then 2

    • 5 is hard because it’s short, divided into unequal parts that happen quickly and as a result the phrases can feel stunted

    • Demonstration o• Demonstration of chord progression in 5 with compound feel

    • Playing a phrase in 3 and phrase in 2

    • We need to get used to playing like we do in 4 so it’s not stunted like this

    • Make up different clavés

    • You will start to feel more comfortable in 5/4 like you are in 4/4 in 4/4

    • 2 first then 3

    No transcriptions for this section.

    Mastering

    Odd Time

    Signatures

    Elite Music Mentor

  • Odd Time Signatures Breakdown: Part I - Homework Ch. 4, pg.42

    ODD TIME SIGNATURES

    BREAK DOWN: PART I

    • Choose a popular standard and practice playing the

    melody in 5/4

    • Create phrases that take advantage of the feel created by

    dividing the bars of 5 into two equal halfs

    • Search for clavés and make up your own to use in your

    lines

    Mastering

    Odd Time

    Signatures

    ASK YOUR MENTOR

    Interact with other users on the website and ask questions!

    Our mentors will answer all your questions and help you

    through your musical journey. The best student will be

    selected each month to recieve one free masterclass of

    their choice.

    Elite Music Mentor

  • Odd Time Signatures Breakdown: Part II Ch. 4, pg.43

    ODD TIME SIGNATURES

    BREAK DOWN: PART II

    • To feel comfortable in 5, replicate the comfort of 4 by dividing 5 into two equal parts (2.5 beats + 2.5)

    • Clap like this over Take 5

    • . Sing improvised lines over this clavé

    No transcriptions or homework for this section.

    Mastering

    Odd Time

    Signatures

    Elite Music Mentor

  • Odd Time Signatures Breakdown: Part III Ch. 4, pg.44

    ODD TIME SIGNATURES

    BREAK DOWN: PART III

    • Add anticipation to add some lightness to your playing

    • Demonstration on piano of 3.5 beats + 3.5 beats clavé over 7/4

    • Anticipate vocally over 7 to feel comfortable, every other clap will lay on the beat

    • Expand your rhythmic vocabulary just as you would in 4/4

    RRefer to the next section for homework.

    Mastering

    Odd Time

    Signatures

    Elite Music Mentor

  • Odd Time Signatures Breakdown: Part III - Homework Ch. 4, pg.45

    ASK YOUR MENTOR

    Interact with other users on the website and ask questions!

    Our mentors will answer all your questions and help you

    through your musical journey. The best student will be

    selected each month to recieve one free masterclass of

    their choice.

    ODD TIME SIGNATURES

    BREAK DOWN: PART III

    • Choose a popular standard and practice playing the

    melody in 7/4

    • Create phrases that take advantage of the feel created by

    dividing the bars of 7 into two equal halves

    • Search for clavés and make up your own to use in your

    lines

    • Using the next pa• Using the next page, write down some ideas over this

    standard in both 5/4 and 7/4 that you’d like to use in

    the future

    Mastering

    Odd Time

    Signatures

    Elite Music Mentor

  • Odd Time Signatures Breakdown - Create

    Elite Music Mentor

    Odd Time Signatures Breakdown - Homework Ch. 4, pg.46


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