charles correa design techniques by achin boss
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ASSIGNMENT ONCHARLES CHOREA
SUBMITTED BY:
ACHIN YADAV
ROLL NO- 10-BA-002
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Design Philosophies of CharlesCorrea
Key to Correas design approach is his understanding of theunique cultural requirements and needs of his native country.
He recognizes that living in an Asian city requires much morethan the use of a small room. In a 1987 book focused on hiswork, Correa said, Such a cell is only one element in a whole
system of spaces people need in order to live. He identifies this hierarchical system as consisting of four
major elements:
1. Space needed by the family for private use,
2. Areas of intimate contact (e.g. the front doorstep where
children play).3. Neighbour hood spaces, like a water tap
4.Urban area open space used by the whole city.
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Since nearly all Asian societies are
located in warm climates, Correa
stresses the importance of having
open-to-sky spaces where families can
entertain, cook, relax or sleep. In hot, humid places like Mumbai, these
functions can be performed in a private
open courtyard or terrace for 70% of
the year.
A balance must be struck between
rooms and open spaces that will givethe optimum housing pattern.
Says Correa, to identify the
spatial hierarchy (which
varies with the
cultural/climatic context) andunderstand the nature of
these trade-offs is the first
step towards providing
economical housing.
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This is why many attempts at low-cost housingperceive it only as a simplistic question of tryingto pile up as many dwelling units as possible on
a given site, without any concern for the otherspaces involved in the system.
Correa gives careful attention to natural ventilationand comfortable accommodations in crowded livingconditions.
Champalimaud Center by charles correa
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VIDHAN BHAWAN, Bhopal
The Vidhan Bhavan is a huge
building, covering an area of morethan 32,000 sq. meters of built
space.
In point of fact viewed from any
point of the compass the Vidhan
Bhavan impresses by its light
footedness and effervescence.
The whole building presents as
extremely pleasing vision of powerful
curves and straight vertical and
horizontal lines.
Whereas the building could have
fallen into the trap of being merely
monumental, its pristinely simple
lines raise it to an altogether
different plane
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The Vidhan Bhavan is divided into nine compartments of
squares each enclosing in it a pattern of gardens within
gardens.
The five Central squares form hall and courtyards which are
not only assemblage points but also house the various offices
of the Vidhan Bhavan Secretariat and support services which
a legislature need.
The four corner squares are occupied by structures givenover to specialized function. i.e. the Vidhan Sabha or Lower
House, the Vidhan Parishad or upper House, the combined
hall for joint session of both houses and any other non-
Legislative function which might be organized by the Vidhan
Bhavan and a cabinet room and the offices of the ChiefMinister and other Ministers.
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Entry to the building is through three main gates or
'dwars', one for people at large through the kund, one for
member of the legislature and minister and one for the
Speaker of the House.
There is also a smaller entrance for the Chief Minister
and Ministers attending cabinet meetings.
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KANCHANJUNGA APARTMENTS,
MUMBAI Location - Mumbai
Function - Housing Contributed by - Sahil
Latheef
In Mumbai, a building has to be orientedeast-west to catch prevailing sea breezes
and to open up the best views of the city.Unfortunately, these are also the directionsof the hot sun and the heavy monsoonrains.
Kanchanjunga IS an attempt to apply theseprinciples to a building, is a condominium of32 luxury apartments of four different types,varying from 3 to 6 bedrooms each.
The interlock of these variations areexpressed externally by the shear endwalls that hold up the cantilevers.
http://www.mimoa.eu/browse/projects/India/Mumbaihttp://www.mimoa.eu/browse/projects/India/Mumbai -
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Superficially, this 28-story tower, with its concreteconstruction and large areas of white panels, bears astrong resemblance to modern apartment buildings in theWest.
The tower has a proportion of 1:4 (21m square and 84mhigh).
Its minimalist unbroken surfaces are cut away to open up
the double-height terrace gardens at the corners, thusrevealing (through the interlocking form and colour) somehint of the complex' spatial organisation of living spacesthat lie within.
Each apartment provided with a deep, two-story-high
garden terrace that is oriented away from the sun so as toafford protection from the elements
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Floor Plan s ofkanchanjunga
apartment
Typical section
showing basic
units
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Gandhi Smarak Sangrahalaya,Ahemdabad
Spaces
The site on the Sabarmati River bank is part of the larger ashram complex
and is integrated into its gardens.
Five interior rooms contain the collection of the museum. The rooms are
enclosed by brick walls and wooden louvered
screens.
All five rooms are part of the 6m square module.
Correas subtle changes of enclosure allow for variety in the modules
lighting, temperature, and visual permeability.
A square, uncovered shallow pool is located between the five rooms
1. Letters
2. Office
3. Meetings
4. Books
5. Photos and paintings
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Construction
The museum uses a simple but delicately detailed post and beamstructure.
Load bearing brick columns support concrete channels, which are
both support the wooden roof and direct rainwater. Boards are nailed underneath the joists and tiles are placed atop the
joints.
The foundation is concrete and is raised about a foot from theground.
The monumental and archetypal structure of the museum recalls the
well-known work of Louis Kahn, who began two projects in theregion shortly after Correas museum was built.
Wooden doors, stone floors, ceramic tile roofs, and brick columnsare the palette of the building.
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Site plan Gandhi
Smarak Sangrahalaya
Structure Gandhi
Smarak
Sangrahalaya