chaucer portrait in ms harley 4866 (hoccleve’s regement of princes, c.1412)

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Chaucer portrait in MS Harley 4866 (Hoccleve’s Regement of Princes, c.1412)

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Chaucer portrait in MS Harley 4866 (Hoccleve’s Regement of Princes, c.1412). Chaucer’s portrait in the Ellesmere MS (c.1410). Chaucer’s tomb in Westminster Abbey (1556). British Library, MS Lansdowne 851 ( The Canterbury Tales , c. 1425). Richard II, King of England 1377-99. - PowerPoint PPT Presentation

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Page 1: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Chaucer portrait in MS Harley 4866 (Hoccleve’s Regement of Princes, c.1412)

Page 2: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Chaucer’s portrait in the Ellesmere MS (c.1410)

Page 3: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Chaucer’s tomb in Westminster Abbey (1556)

Page 4: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

British Library, MS Lansdowne 851 (The Canterbury Tales, c. 1425)

Page 5: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Richard II, King of England 1377-99

Page 6: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The opening of The Canterbury Tales in the Ellesmere MS

Page 7: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Chaucer portrait in the Ellesmere MS (c. 1410)

Page 8: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Some Pilgrim portraits from the Ellesmere MS (c.1410)

Page 9: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Some Pilgrim portraits from the Ellesmere MS (c.1410)

Page 10: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Some Pilgrim portraits from the Ellesmere MS (c.1410)

Page 11: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Some Pilgrim portraits from the Ellesmere MS (c.1410)

Page 12: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Pilgrim Groups in the General Prologue(in order of appearance)

KnightSquireYeoman

PrioresseNunPriest (s)Monk Friar

MerchantClerkMan of LawFranklin5 GuildsmenCookShipmanPhysicianWife

ParsonPlowman

MillerMancipleReeveSummonerPardoner

Page 13: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

Pilgrim Groups in the General Prologue(arranged by traditional estate)

Knight Squire

PrioresseNunPriest (s)Monk FriarParsonSummonerPardoner

MerchantClerkMan of LawFranklin5 GuildsmenCookShipmanPhysicianWifeMillerMancipleReeve Yeoman

Plowman

Page 14: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The opening lines of Piers Plowman (from a MS at Trinity College, Cambridge)

Page 15: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The dreamer falls asleep in Piers Plowman

Page 16: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The Franklin’s Tale•Franklin—a prosperous country gentleman; locally influential, landowning, but non-noble

•A “Breton lay”—i.e., Chaucer’s version of Marie de France’s genre

•A “rash promise” tale (cp. Decameron, 10,5)

Page 17: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The Franklin’s Tale•Franklin—a prosperous country gentleman; locally influential, landowning, but non-noble

•A “Breton lay”—i.e., Chaucer’s version of Marie de France’s genre

•A “rash promise” tale (cp. Decameron, 10,5)

•Dorigen’s list draws on St. Jerome’s Adversus Jovinianum (392 CE; a frequent source for Chaucer)

Page 18: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The Franklin’s Tale•Franklin—a prosperous country gentleman; locally influential, landowning, but non-noble

•A “Breton lay”—i.e., Chaucer’s version of Marie de France’s genre

•A “rash promise” tale (cp. Decameron, 10,5)

•Dorigen’s list draws on St. Jerome’s Adversus Jovinianum (392 CE; a frequent source for Chaucer)

•End with a demande d’amour or “question of love” (with the usual Chaucerian twist)

Page 19: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The Franklin’s Tale•Franklin—a prosperous country gentleman; locally influential, landowning, but non-noble

•A “Breton lay”—i.e., Chaucer’s version of Marie de France’s genre

•A “rash promise” tale (cp. Decameron, 10,5, Filocolo)

•Dorigen’s list draws on St. Jerome’s Adversus Jovinianum (392 CE; a frequent source for Chaucer)

•End with a demande d’amour or “question of love” (with the usual Chaucerian twist; cp. Filocolo:)

•Part of the “Marriage Debate” in the Canterbury Tales (Kittredge, 1912: the resolution of that debate, and Chaucer’s own solution?)

Page 20: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

The Franklin’s Tale•Franklin—a prosperous country gentleman; locally influential, landowning, but non-noble

•A “Breton lay”—i.e., Chaucer’s version of Marie de France’s genre

•A “rash promise” tale (cp. Decameron, 10,5)

•Dorigen’s list draws on St. Jerome’s Adversus Jovinianum (392 CE; a frequent source for Chaucer)

•End with a demande d’amour or “question of love” (with the usual Chaucerian twist)

•Part of the “Marriage Debate” in the Canterbury Tales (Kittredge, 1912: the resolution of that debate, and Chaucer’s own solution?)

Page 21: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)

“Then to conclude, the knight was more liberall that granted his honour than any of the others: and thinke this one thing, that the honour he gave was not to be againe recovered, the whiche happeneth not in many other thinges, as of battels, prowesse, and others like: for if they are at one time lost, they are recovered at an other, and the same is possible. Therefore this may suffice for answere unto your demaund.”

From Boccaccio’s Filocolo:

Page 22: Chaucer portrait in MS Harley 4866  (Hoccleve’s Regement of Princes, c.1412)