cinematography: lighting
Embed Size (px)
DESCRIPTION
The objectives of competent narrative lighting.TRANSCRIPT

cine4110
LightingLighting

Objectives (this & next class)
1. get to know the lighting instruments, grip & light modifying tools
2. solo & group work towards creating cinematic lighting designs
3. Sekonic L-758Cine light meter: its use to determine lighting ratios & exposure

“How do you light two peoplein front of a window?”

The questions to ask & answerto devise a lighting plan.


Dynamic RangeThe range of values
between the darkest and brightest perceptible points in an image.



Color SpaceThe range of colors
a system is able to reproduce.


Objectives of competent lighting:
1. full range and gradation of tones
2. color control
3. shape and dimension in subject
4. separation
5. depth and dimension in frame
6. texture
7. (mood and tone) narrative/emotional content & genre
8. exposure

interaction
line of action (a.k.a. continuity line, axis, 180-degree rule)
circle of action (internal and external coverage)
reaction
actioncharactersin relationshipto each other
charactersin relationship
to their environment
shot/reverse-shot pairs the "look"
entrances/exits
context/ambience
insert/detail
transitions

Objectives of competent lighting:
1. full range and gradation of tones
2. color control
3. shape and dimension in subject
4. separation
5. depth and dimension in frame
6. texture
7. (mood and tone) narrative/emotional content & genre
8. exposure

range and gradation of tones
objectives of competent lighting: 1

objectives of competent lighting: 1

objectives of competent lighting: 1
range and gradation of tones

objectives of competent lighting: 1
range and gradation of tones
learn to see in shades of graylearn to see in shades of gray


objectives of competent lighting: 1
range and gradation of tones

objectives of competent lighting: 1
range and gradation of tones

objectives of competent lighting: 1
range and gradation of tones

objectives of competent lighting:
color control
2

objectives of competent lighting: 2
color control

objectives of competent lighting: 2
color control

objectives of competent lighting: 2
color control

objectives of competent lighting: 2
color control


objectives of competent lighting: 2
color control

shape and dimension in subject
objectives of competent lighting: 3

objectives of competent lighting: 3
subject shape & dimension

objectives of competent lighting: 3
subject shape & dimension


objectives of competent lighting: 3
subject shape & dimension


objectives of competent lighting: 3
subject shape & dimension

separation
objectives of competent lighting: 4

objectives of competent lighting: 4
separation

objectives of competent lighting: 4
separation


objectives of competent lighting: 4
separation


objectives of competent lighting: 4
separation

depth and dimension in frame
objectives of competent lighting: 5

objectives of competent lighting: 5
depth & dimension in frame

objectives of competent lighting: 5
depth & dimension in frame

objectives of competent lighting: 5
depth & dimension in frame

objectives of competent lighting: 5
depth & dimension in frame


objectives of competent lighting: 5
depth & dimension in frame
Spring Breakers
Bad Lieutenant

objectives of competent lighting: 5
depth & dimension in frame

objectives of competent lighting: 5
depth & dimension in frame

objectives of competent lighting: 5
depth & dimension in frame

objectives of competent lighting: 5
depth & dimension in frame

texture
objectives of competent lighting: 6

objectives of competent lighting: 6
texture

objectives of competent lighting: 6
texture

objectives of competent lighting: 6
texture

objectives of competent lighting: 6
texture

objectives of competent lighting: 6
texture

objectives of competent lighting: 6
texture

narrative/emotional content& genre
objectives of competent lighting: 7

objectives of competent lighting: 7
narrative/emotional content & genre

exposure
objectives of competent lighting: 8

objectives of competent lighting: 8
exposure
next week...next week...next week...next week...

Lighting Plan
1. Read the script
2. Look at your budget
3. Then, scene by scene, answer 7 questions...

Lighting Plan — 7 Questions1. SOURCE: What is/are the motivating light source(s)?
2. POSITION: Where is the light coming from? Angle? One direction or multiple?
3. INTENSITY: Bright or dim?
4. COLOR: Warm, cold or mixed? Muted or colorful?
5. EFFECT: Moonlight, candle, neon, firelight, natural, artificial, etc?
6. QUALITY: Specular &/or diffuse? High key/Low Key? Flat or directional?
7. STYLE: Genre fit? “Photographic” or “Naturalistic”?

Lighting Plan — 7 Questions
SOURCE: What is/are the motivating light source(s)?

Lighting Plan — 7 Questions
POSITION: Where is the light coming from? Angle? One direction or multiple?

Lighting Plan — 7 Questions
INTENSITY: Bright or dim?

Lighting Plan — 7 Questions
COLOR: Warm, cold or mixed? Muted or colorful?

Lighting Plan — 7 Questions
EFFECT: Moonlight, candle, neon, firelight, natural, artificial, etc?

Lighting Plan — 7 Questions
QUALITY: Specular &/or diffuse? High key/Low Key? Flat or directional?

Lighting Plan — 7 Questions
STYLE: Genre fit? “Photographic” or “Naturalistic”?

Three-point lighting?
Practical:
Arri Lighting Kit
+ stuff of your choice
+ HPX170s

Lighting Instruments
● Kino Flow Kit 1
● Arri LED Kit 1
● Arri LED Kit (Single) 1
● Arri Lighting Kit 5
● Arri Compact 1200 Watt HMI + Ballast 1
● IREM 1200 Watt + Ballast 1

Grip Equipment
● Adjustable Gaffer Grip Clamp 4
● Super Mafer Clamp 4
● Super Mafer Clamp with Baby Pin 4
● Pony Clips 20
● C-47 2 Bags
● C-Clamp with Baby Pin 2
● Bounce Boards 5
● C-Stand 1
● Bounce Board Clip 1
● Actors Tape 2
● Gaffer Tape 1
