claude mckay: bibliography

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Rosie M. Seagraves List of Works Consulted(/Rosie+M.+Seagraves+List+of+Works+Consulted)

Works Consulted

Allaston, Paul. Confounding Convention: Women in Three Golden Age Plays. Bulletin of theComediantes 48.2 (1996): 261-73.

Bayliss, Robert. The Best Man in the Play: Female Agency in a Gender-Inclusive ComediaStudies. Bulletin of the Comediantes 59.2 (2007): 303-24.

Caldern de la Barca, Pedro. A secreto agravio, secreta venganza. Ed. Edward Nagy.Zaragoza: Ebro, 1966.

--. La dama duende. Ed. Fausta Antonucci. Barcelona: Crtica, 1999.

--. La vida es sueo. Ed. Vincent Martin. 2nd ed. Spanish Classics Ser. 10. Newark, DE:Cervantes & Co., 2006.

--. Life is a Dream. Trans. Gregary J. Racz. New York: Penguin Books, 2006.

Camino, Mercedes Maroto. Ficcin, aficin y seducin: Ana Caros Valor, agravio, y mujer.Bulletin of the Comediantes 48.1 (1996): 37-49.

--. Mara de Zayas and Ana Caro: The Space of Womans Solidarity in the Spanish GoldenAge. Hispanic Review 67.1 (1999): 1-16.

Caro, Ana. Valor, agravio y mujer. Ed. Lola Luna. Madrid: Castalia, 1993.

--. Valor, agravio y mujer. Trans. Donna Lazarus and Amy Kaminsky. Water Lilies: Flores delagua: An Anthology of Spanish Women Writers from the Fifteenth through the NineteenthCentury. Ed. Amy Katz Kaminsky. Minneapolis: U of Minnesota P, 1996. 206-348.

Connor, Catherine. Marriage and Subversion in Comedia Endings: Problems in Art andSociety. Gender, Identity, and Representation in Spains Golden Age. Ed. Anita K. Stoll andDawn L. Smith. London: Associated University Presses, 2000.

Cortez, Beatriz. El travestismo de Rosaura en La vida es sueo y de Leonor en Valor, agravio,y mujer: El surgimiento de la agencialidad femenina y la desnaturalizacin del binarismo delgnero. Bulletin of the Comediantes 50.2 (1998): 371-85.

Cruickshank, Don William. Caldern de la Barca, El mdico de su honra. London: Grant &Cutler, 2003.

de Armas, Frederick. Rosaura Subdued: Victorian Readings of Calderns La vida es sueo.South Central Review 4.1 (1987): 43-62.

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spanish-golden-age-plays - Rosie M. Seagraves List of Works ... http://spanish-golden-age-plays.wikispaces.com/Rosie+M.+Sea...

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Dekker, Rudolf M., and Lotte C. van de Pol. The Tradition ofFemale Transvestism in Early Modern Europe. Basingstoke,Hampshire, UK: Macmillan Press, 1989.

Donnell, Sidney. Feminizing the Enemy: Imperial Spain,Transvestite Drama, and the Crisis of Masculinity.Lewisburg: Bucknell UP, 2003.

Echevarra, Roberto Gonzlez. Las dos finales de La vidaes sueo: una lectura cervantina. Literatura y pensamientoen Espaa: Estudios en honor de Ciriaco Morn Arroyo. Ed.Francisco LaRubia-Prado. Newark, DE: Juan de la CuestaHispanic Monographs, 2003. 55-76.

Esteban, ngel, ed. Historia de la Monja Alfrez, Catalinade Erauso, escrita por ella misma. Ctedra: Madrid, 2002.

Ferrer Valls, Teresa. Del oratorio al balcn: escritura demujeres y espacio dramtico. Espacios domsticos en laliteratura urea Insula 714 (2006): 8-12.

Fox, Dian. Qu bien sabis persuadir!: Petrarch, DonJuan, and Ana Caro Calope 6.1-2 (2000): 35-51.

Fuchs, Barbara. Passing for Spain: Cervantes and theFictions of Identity. Hispanisms Ser. Ed. Anne J. Cruz.Urbana: U of Illinois P, 2003.

Garber, Marjorie, ed. Lieutenant Nun: Memoir of a BasqueTransvestite in the New World. Trans. Michele Stepto andGabriel Stepto. Boston: Beacon Press, 1996.

Gorfkle, Laura. Re-staging Femininity in Ana Caros Valor,agravio, y mujer. Bulletin of the Comediantes 48.1 (1996):25-35.

Grubbs, Anthony J. Rev. of Valor, agravio y mujerStrippingDon Juan, dir. Hugo Medrano. Comedia Performance 5.1(2008): 199-204.

Henderson, Katherine Usher and Barbara F. McManus, eds.Half Humankind: Contexts & Texts of the Controversy aboutWomen in England 1540-1640. Urbana: U of Illinois P, 1985.

Honig, Edwin, ed. Caldern de la Barca: Six Plays. NewCork: Iasta Press, 1993.

Knowles, James, ed. The Roaring Girl and Other CityComedies. Oxford: Oxford UP, 2001.

Lavroff, Ellen G. Who is Rosaura? Another Look at La vidaes sueo. Revue des Langues Viventes 42.5 (1976):482-496.

Leoni, Monica. Silence Is/As GoldenAge Device: AnaCaros Eloquent Reticence in Valor, agravio y mujer.



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Women in the Discourseof Early Modern Spain.Ed. Joan F. Cammarata.Gainseville: UniversityPress of Florida, 2003.199-212.

McKendrick, Malveena.Honour/Vengeance inthe Spanish Comedia: ACase of MimeticTransference? ModernLanguage Review 79.2(1984): 313-35.

--. Woman and Society inthe Spanish Drama of theGolden Age: A Study ofthe Mujer varonil.Cambridge: CambridgeUP, 1974.

Molina, Tirso de. Elburlador de Sevilla. Ed. RJohn McCaw. Newark:Cervantes & Co., 2003.

Mujica, Brbara. WomenWriters in early modernSpain: SophiasDaughters. New Haven:Yale UP, 2004.

Parker, A. A. TheApproach to the SpanishDrama of the GoldenAge. Tulane DramaReview 4.1 (1959):42-59.

Rhodes, Elizabeth.Redressing Ana CarosValor, agravio y mujer.Hispanic Review 73.3(2005): 309-29.

Rodrguez-Jimnez,Rubn. Writing Beyondthe Ending: La autoridadpoltico-cultural y lacuestin del honor atravs del sistemasexo/gnero en Valor,agravio y mujer yFuenteovejuna. LetrasHispanas 3.2 (2006):



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132-41.

Romera-Navarro,M.LapreceptivadramticadeLopedeVegayotrosensayossobreelFnix.Madrid:Yunque,1935.

Sloman,AlbertE.TheStructureofCaldernsLavidaessueo.ModernLanguageReview48.3(1953):293-300.

Soufas,ChristopherC.andTeresaScottSoufas.LavidaessueoandPost-ModernSensibilities:TowardaNew



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MethodofAnalysisandInterpretation.StudiesinHonorofBruceW.Wardropper.Ed.DianFox,HarrySieber,andRobertTerHorst.Newark,DE:JuandelaCuesta,1989.291-304.

Soufas,TeresaS.AnaCarosRe-evaluationoftheMujervaronilandHerTheatricsinValor,agravioymujer.ThePerceptionofWomeninSpanishTheaterof



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theGoldenAge.Ed.AnitaK.StollandDawnL.Smith.LondonandToronto:AssociatedUniversityPresses,1991.85-106.

--.AFeministApproachtoaGoldenAgeDramaturgasPlay.Elartenuevodeestudiarcomedias:LiteraryTheoryandSpanishGoldenAgeDrama.Ed.BarbaraSimerka.London:AssociatedUniversityPresses,1996.127-42.

--.Dramasof



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Distinction.StudiesinRomanceLanguagesSer.42.Ed.JohnF.Keller.Lexington:UPofKentucky,1997.

Soufas,TeresaScott,ed.WomensActs:PlaysbyWomenDramatistsofSpainsGoldenAge.Lexington:UPofKentucky,1997.

Stroud,MatthewD.LaliteraturaylamujerenelBarroco.ActasdelVIIICongresodelaAsociacinInternacional



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deHispanists,II.Madrid:Istmo,1986.

Velasco,Sherry.TheLieutenantNun:Transgenderism,LesbianDesire&CatalinadeErauso.Austin:UofTexasP,2000.

Vega,Lopede.Elartenuevodehacercomediasenestetiempo.Ed.JuanadeJosPrades.Madrid:ConsejoSuperiordeInvestigacionesCientficas,1971.

Villasante,Bravo,Carmen.Lamujer



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vestidadehombreenelteatroEspaol(SiglosXVI-XVII).Madrid:RevistadeOccidente,1955.

Wheelwright,Julie.AmazonsandMilitaryMaids:WomenwhoDressedasMeninthePursuitofLife,Liberty,andHappiness.London:Pandora,1989.

Wilks,Kerry.InterpretingIdeas:CourtTheatresProductionofLifesaDreamBulletinoftheComediantes53.1(2001):57-81.



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Williamsen,AmyR.Re-writingintheMargins:CarosValor,agravioymujerasChallengetoDominantDiscourse.BulletinoftheComediantes44.1(1992):21-30.

Wyszynski,MatthewA.FriendshipinMaradeZayassLatraicinenlaamistad.BulletinoftheComediantes50.1(1998):21-33.

ZayasySotomayor,Marade.Latraicinenla



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amistad.Ed.MichaelJ.McGrath.Newark:Cervantes&Co.,2006.



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claude mckay: bibliography

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