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COIL is Performance Space 122’s annual performance festival demonstrating the constant vitality of live performance in New York City, featuring work created locally, from across the US and around the world.

As PS122 prepares to return to our home at 150 First Ave - this year we focus on transformation. We see ever an increasing blur between artforms, identities, and entirely new ways of creating live performance. Technology plays a part  - but there is far more than that going on. We interact, we participate, we see audiences creating the work itself.

COIL itself - now in its 10th iteration - is a prime example of transformation. Originally created as a showcase of pre-existing dance for an audience of national/international curators and presenters - it has evolved. While still a touring and career springboard for our artists it is now an essential event for the denizens of NYC, highlighting envelope-pushing dance, theater, music, performance, media and indeed virtual art.

We are delighted to present to you COIL 2015. Come often, dive all the way in and make it your own.

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PS122.ORG/COIL @PS122 #COIL15

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Friends who donate become Friends with Benefits. Benefits include tickets to: COIL, Red + White, exclusive receptions, and more.

Support PS122

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MOLLY LIEBER & ELEANOR SMITH (NYC)

RUDE WORLD

Rude World is co-commissioned and co-presented with The Chocolate Factory Theater with support from the Jerome Foundation. Residency support provided by Baryshnikov Arts Center and through PS122’s inaugural RAMP Residency with support from a 50th Anniversary Grant from the Jerome Foundation. Additional presentation support provided by Mertz Gilmore Foundation, Harkness Foundation for Dance and Jerome Robbins Foundation.

Molly Lieber and Eleanor Smith make dances together by constructing improvisational practices into a mutual experience of performance. Seemingly conjoined at times, or forcefully in opposition - this performance is a living, breathing, thumping manifestation of a profound and raw artistic collaboration.  As highly skilled improvisers, they often discover ideas first through feeling. Their artistic intimacy allows for a crafted wildness which is then honed into a performative specificity through the necessity of a dual consensus. Rude World is the final series in a triptych of works created over the course of three years.

“These women are tied together. One would carry the other across a desert, it seems, if they didn’t kill each other first.”

—The New York Times

World Premiere | Dance Co-commissioned & Co-presented with The Chocolate Factory Theater

January 7 6PM8 & 10 5PM 9 7PM 11 3PM 12 4PM

The Chocolate Factory Theater5-49 49th Ave. , Long Island City, Queens

$20 $15 Students & Seniors

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Attendance was made possible by the Danspace Project 2013-14 Commissioning Initiative; Lower Manhattan Cultural Council; and Creative Capital with support from The Jerome Foundation, 92Y New Works in Dance Fund, a Headlands Alumni New Works Award and the assistance of New York State Council on the Arts, and is made possible through the sponsorship of The Field. Attendance received a production residency at Danspace Project’s venue, St. Mark’s Church, with support from the Andrew W. Mellon Foundation. Faye Driscoll received residency support from Park Avenue Armory, and Lower Manhattan Cultural Council’s Extended Life Dance Development program made possible in part by The Andrew W. Mellon Foundation. Additional presentation support provided by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, Mertz Gilmore Foundation, Harkness Foundation for Dance and Jerome Robbins Foundation. 

FAYE DRISCOLL (NYC)

THANK YOU FOR COMING: ATTENDANCE

Faye Driscoll’s Thank You For Coming series envisions a society in which performance is a collective, political and participatory act. In the premiere iteration of the series, Attendance, performers pass through ever-morphing states of physical entanglement and scenes of distorted familiarity, building new bodies, new stories, and new ways of being around a constantly constructed and re-imagined group experience. Intimately staged in the round, Driscoll crafts a heightened reality of observation, invitation and interdependence. As audience and performers increasingly find themselves becoming one, a beautiful and chaotic shared identity emerges, culminating in a dynamic ritual of action and transformation.

“Ms. Driscoll is fascinating in that she makes such utterly original work. It doesn’t look like anything you’ve ever seen before, nor  can you imagine thinking it up.”

—The New York Times

Dance Commissioned by Danspace Project and Lower Manhattan Cultural CouncilCo-presented with Danspace Project and Faye Driscoll Group

January 6, 8, 9 8PM 10 5 & 9PM

Danspace Project 131 East 10th Street, Manhattan

$20 General Admission $15 Danspace Members

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BeginAgain questions the multiplicity of self, memory and perspective through two parallel solos weaving in and out of each other. Juniper Shuey’s futuristic design explores new technological methods juxtaposed against Zoe Scofield’s intense, primal choreography, triggering a raw tableaux of movement and stage composition. BeginAgain reveals an intrinsic truth about oneself and the aspects of humanity that unite us all.

Seattle dance wunderkinds, zoe | juniper, have been seen throughout the US and internationally. With BeginAgain their work moves into a darker and more profound experience than anything seen to date.

“The blending of their talents has produced some of the most impressive dance/visual spectacles to come out of Seattle in recent years.”

—The Seattle Times

NY Premiere | Dance, Multimedia Co-presented with Baryshnikov Arts Center

January 14, 15, 16 8PM

Baryshnikov Arts CenterJerome Robbins Theater450 West 37th St, Manhattan

$20 $15 Students & Seniors

ZOE | JUNIPER (SEATTLE) BEGIN AGAIN

BeginAgain was co-commissioned by The Joyce Theater in partnership with 3-Legged Dog and On the Boards through their Dance Production Program with support from the Glenn H. Kawasaki Foundation, The Princess Grace Foundation and New England Foundation for the Arts’ National Dance Project. Residency support provided by Velocity Dance Center, gloATL Frye Art Museum, City Arts Festival, Springboard Dance and BodyTraffic. Additional presentation support provided by Mertz Gilmore Foundation, Harkness Foundation for Dance and Jerome Robbins Foundation. This project is made possible in part by support from the National Performance Network (NPN) Performance Residency Program. For more information: www.npnweb.org.

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Swiss choreographer Alexandra Bachzetsis has been exploring the various provinces and domains of ‘mainstream’ popular culture – hip-hop, fashion, strip- tease, movies – and extracted the signature vignettes and ensemble pieces from it that have come to define her choreographic, performative practice.

Inspired by Diego Velázquez’s seminal rendition of Venus at her Mirror (1599-1600), From A to B via C opens with three bodies moving from and towards each other, acting as each other’s mirror image - mediated and unsynchronized. Complex scenes of nudity, gazing and instructional scores reflect on our common desire to communicate our own identity through the identities of others.

“In her new work, the Swiss choreographer turns the stage into a training and instruction room … where the levels shift as constantly as the linguistic forms.”

—Der Sonntag (Germany)

US Premiere | Dance, Multimedia Co-presented with the Swiss Institute

January Gallery Installation12 & 13 12–6PMPerformance11 5PM14 7PM

Swiss Institute / Contemporary Art18 Wooster Street, Manhattan

FREE Reservations Required

ALEXANDRA BACHZETSIS (SWITZERLAND)

FROM A TO B VIA C

From A to B via C was commissioned and developed in collaboration with Tate Modern, London, Biennale of Moving Images, Geneva and Fundatión Jumex Arte Contemporáneo, Mexico City. Co-produced with Kaserne Basel and Theaterhaus Gessnerallee, Zürich. Swiss Institute programming is made possible with public funds from Pro Helvetia, Swiss Arts Council. PS122 presentation support provided by Mertz Gilmore Foundation, Harkness Foundation for Dance and Jerome Robbins Foundation.

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dataPurge has been commissioned by PS122 with an exploration grant from the Doris Duke Charitable Foundation for the Building Demand for the Performing Arts Program.

dataPurge is the first live exploration of PS122’s Virtual Program which investigates how we create live performance digitally, interactively and beyond the stage.

Clients will undergo data dialysis by monitoring the emotions associated with their online identities using body sensors and brain wave monitors during a live-streamed event. Online viewers can influence client outcomes through an interactive platform - a dataPurge version of group therapy. Upon completion, each client leaves with their soul awakened and ready to re-enter the digital world again with a clean slate.

Online viewing and participation for 24 hours begins 11am on January 15th at http://datapurge.me

“31 Down has found its niche creating eerie, atmospheric pieces.”

—Village Voice

Beta Test | Virtual, Multimedia Commissioned by PS122Co-presented with Gibney Dance

January Online: 15—16 11AM 24 hoursOpening reception 15 7—9PM

Gibney Dance: Agnes Varis Performing Arts Center 280 Broadway — entrance at 53A Chambers St, Manhattan

FREE Reservations Recommended

RYAN HOLSOPPLE / 31 DOWN (NYC)

DATAPURGE

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A continuous yawn is projected repeatedly in Times Square. Advertising screens fill with an omnipresent head looking down from the skies, yawning amongst the commercial vibrancy. A contagion of yawns begins, defiantly resisting the epicenter of New York’s constant sensory overload. After some time, the masses disperse, unconsciously continuing to carry with them the infectious message. 

At midnight each night, join us in spreading an epidemic of yawns throughout the city, finishing each day of the Festival with a moment of communal respite. 

On the very last night of COIL , Saturday January 17th at 11:45pm, meet us in Duffy Square (Broadway and 46th) for a gathering with the artist. Stay Awake! 

“Sebastian Errazuriz is half merry prankster, half brooding death-poet. But he’s all artist and all designer.”

—Interview Magazine

World Premiere | Installation, Multimedia Co-presented with Times Square Arts and the Times Square Advertising Coalition

January 1—31 11:57PM— midnightGathering17 11:45PM (Duffy Square)

Times Square, Manhattan

FREE

SEBASTIAN ERRAZURIZ (CHILE / NYC)

A PAUSE IN THE CITY THAT NEVER SLEEPS

A Pause in the City that Never Sleeps is the January Midnight Moment, presented by Times Square Advertising Coalition and curated by Times Square Arts, the public art program of the Times Square Alliance.

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MY VOICE HAS AN ECHO IN IT was commissioned by Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, Troy, NY with composer commissioning award and additional support from the New York State Council on the Arts’ with the support of Governor Andrew Cuomo and the New York State Legislature and additional support, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Residency support provided by The Watermill Center and Ideal Glass Gallery.

MY VOICE HAS AN ECHO IN IT   is a six- hour durational performance of live music, spoken text and video set within a freestanding, soundproof installation that is 24 feet long by 6 feet wide. While viewing the performers through two-way mirrors, audience members listen to music ranging from drifty ambient sounds to erasure poetry to raucous punk-inspired anthems through headphones along the outside perimeter of the installation. Temporary Distortion creates a complex and densely layered yet intimate experience where everyone has a front row seat.

Viewers are encouraged to come and go throughout the six-hour duration of the event. Capacity is limited and reservations are recommended.

“Temporary Distortion just keeps elevating their game. You could call that game sculptural video, or perhaps living set design, or maybe just multimedia ravishment.”

—Time Out NY

NYC Premiere | Installation, Music Co-presented with Ideal Glass Gallery

January 7 - 10 6PM—12AM11 12—6PM

Ideal Glass Gallery22 East 2nd Street, Manhattan

FREE Reservations Recommended

TEMPORARY DISTORTION (NYC)

MY VOICE HAS AN ECHO IN IT

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Jan 12 at 4pm: Open Space is a collaborative conference that offers the power to the participants. A process for supporting people to self-organize and collaborate around any question with opportunities for group discussions on topics proposed and curated by the attendees themselves. Participants are free to move between discussions, debating or spectating as they choose. Open Space is a constructive and inclusive platform which was pioneered by UK-based Improbable theatre company.

Jan 17 at 3pm: Conversation/Mixer is a two-part event, opening with 20 Questions for a Good Conversation, a curated question and answer session conducted between a small panel and an audience. 20 Questions was created by the founders of Forest Fringe. Provocations to panelists and audiences range from the concrete to the abstract. The evening culminates with a good old-fashioned mixer with music and wine, fueled by new ideas, new friends and renewed energy.

SPAN 2015 is curated by Lucy Jackson.

SPAN is a discussion series based around theory and practice, the role of criticism and collaborative relationship forming within the ecosystem of the New York City performance industry. The two events of SPAN 2015 will be an Open Space and a Conversation/Mixer.

Discussion Series Co-presented with The Invisible Dog Art Center

January 12 4PM17 3PM

The Invisible Dog Art Center 51 Bergen Street, Brooklyn

FREE Reservations Recommended

SPAN

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THE TEAMROOSEVELVIS

SEBASTIAN ERRAZURIZA PAUSE IN THE CITY THAT NEVER SLEEPS

FAYE DRISCOLLTHANK YOU FOR COMING: ATTENDANCE

MIKE IVESONSORRY ROBOT

CATCH COIL

TEMPORARY DISTORTIONMY VOICE HAS AN ECHO IN IT

MOLLY LIEBER & ELEANOR SMITHRUDE WORLD

ANDREW SCHNEIDERYOUARENOWHERE

RIDE ON THEATRETHE BLIND DATE PROJECT

RED + WHITE PARTY 2015

ALEXANDRA BACHZETSISFROM A TO B VIA C

SPAN

ZOE | JUNIPERBEGINAGAIN

RYAN HOLSOPPLE/31 DOWNDATAPURGE

SHANGHAI / NEW YORK: FUTURE HISTORIES

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COIL 2015 CALENDARVENUE EVENT

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5 PM

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6 PM — 12 AM

6 PM

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4 PM & 9 PM

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Perf. 5 PM

12 PM — 6 PM

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Gallery 12—6 PM

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Gallery 12—6 PM

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Perf. 7 PM

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Starts11 AM

Rec. 7 PM

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Gathering 11:45 PM

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JANUARY

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Mike Iveson makes his debut as a playwright with SORRY ROBOT, a satirical, sentimental, song-studded spaz opera. Four performers and a piano create a haunting, near future world where robots long to feel the same things that their embarrassing, and sort of pathetic human masters feel, at a hotel that doubles as a software development facility in the dystopian state of Florida.

Beloved downtown performer and 2013 Ethyl Eichelberger Award winner, Iveson leads the charge with nine original perverse pop songs which provide a window into the hidden hankerings of robots and humans alike - and which just may convert every human in the room into a metallic automaton.

No robots were harmed in the making of this piece.

“At the center of it all is Mike Iveson, whose Herculean performance … is a work of effortless charisma.”

—Variety

World Premiere | Theater, Music Commissioned by PS122 Co-presented with New Ohio Theatre2013 Ethyl Eichelberger Award Winner

January

6, 7, 8 7PM9 10PM10 6PM11 2PM12 5PM14, 15, 16 8:30PM17 2 & 8:30PM

New Ohio Theatre154 Christopher St, Manhattan

$20 $15 Students & Seniors

MIKE IVESON (NYC)

SORRY ROBOT

SORRY ROBOT was commissioned by PS122, the Jerome Foundation and the Ethyl Eichelberger Award with funding generously provided by the Gesso Foundation. SORRY ROBOT was developed, in part, with assistance from The Orchard Project, a program of The Exchange.

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A conjuror of futuristic shamanism, Andrew Schneider’s YOUARENOWHERE experiments with the virtues of sensory overload via quantum mechanics, parallel universes, and Craigslist’s “Missed Connections”. Battling glitchy transmissions, crackling microphones and lighting instruments falling from the sky, one guy on a mission and a tricked-out interactive new-media landscape merge to transform physical space, warp linear time and short-circuit preconceived notions of what it means to be here now.

Schneider’s work critically investigates our over-dependence on perpetual connectedness. He creates solo performances, large-scale dance, builds interactive electronic art, and was a Wooster Group company member (video/performer) from 2007-14.

“a frenetic, witty, disorienting explosion of linear time”

—Culturebot

January 8 8PM9 5PM12 2PM13, 14, 15, 16, 17 7PM

The Invisible Dog Art Center51 Bergen St, Brooklyn

$20 $15 Students & Seniors

ANDREW SCHNEIDER (NYC)

YOUARENOWHERE

YOUARENOWHERE was commissioned by PS122 and Mass Live Arts with support from the Jerome Foundation and was made possible in part by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Development residency provided by Mass Live Arts, an AIRspace residency at Abrons Arts Center, and a space residency at The Bushwick Starr.

World Premiere | Theater, MultimediaCommissioned by PS122 and Mass Live ArtsCo-presented with The Invisible Dog Art Center

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“It’s like witnessing magic. A unique theatrical experience not to be missed.”

—Time Out Sydney

January 7 7PM 8 9PM 9 & 10 7 & 10PM 12 5:30PM 13 & 14 8PM 15 9PM 16 & 17 7 & 10PM

Parkside Lounge 317 E Houston St, Manhattan

$20 $15 Students & Seniors

RIDE ON THEATRE (AUSTRALIA)

THE BLIND DATE PROJECT

The Blind Date Project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body and Australian Consulate-General New York.

NY Premiere | Theater Co-presented with Parkside Lounge

Unpredictable, dark and funny, The Blind Date Project is an event to which everyone can relate – a blind date between two people who have never met and who are desperately in need of connection.   

Australian Film Institute award-winner Bojana Novakovic plays Anna – a woman waiting at a karaoke bar for her date to arrive. That date is a different performer every night. She has no idea who she is about to meet or what is about to happen. Devoid of scripts or rehearsals, this is an entirely improvised, intensely personal interaction – including karaoke numbers – in front of a crowd of willing participants.

Guided live via text messages and phone calls by the director, and interspersed with random songs, each date promises to be as bizarre as it is dangerous. No two shows are ever the same. Things may turn out to be humiliating, tender or totally hot.

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On a hallucinatory road trip from the Badlands to Graceland, the spirits of Elvis Presley and Theodore Roosevelt battle over the soul of Ann, a painfully shy meat-processing plant worker, and what kind of man or woman Ann should become. Set against the boundless blue skies of the Great Plains and endless American highway,  RoosevElvis is a new work about gender, appetite, and the multitudes we contain. 

An intimate, raw and characteristically magical work from PS122 stalwarts, returning briefly to NYC after a much heralded 2013 run.

“The TEAM’s most intimate work and also its warmest…a spirited and insightful commentary on two archetypes of American masculinity.” —The New York Times

Theater Co-presented with the TEAM and Vineyard Theatre

January 2 & 3 7:30PM 4 3PM 5 & 6 7:30PM 7 5PM 8 4 & 9PM 9 5PM 10 12 &9PM

Vineyard Theatre108 E 15th St, Manhattan

$30 $25 Students & Seniors

THE TEAM (NYC)

ROOSEVELVIS

These performances of RoosevElvis are presented with the generous support of Paula Marie Black.

RoosevElvis was originally developed and premiered at The Bushwick Starr, and is made possible with support from The Jerome Foundation, London’s Almeida Theatre and Gate Theatre, The Drama League, A.R.T./New York Creative Space Grant supported by the Andrew W. Mellon Foundation, and with public funds from the National Endowment for the Arts, The New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs in partnership with the City Council.

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Following its sold-out, line-around-the-block, wall-busting, keg-spewing 10th anniversary blowout at COIL 2014, CATCH, “everybody’s favorite” hydra-headed, multi-disciplinary, rough-and-ready performance series - returns to COIL to  devastate your whole deal. The “best ambulatory feast of experimental performance” (Village Voice) pours love, beer, and an overwhelming array of new and in-progress works from downtown luminaries and artists you maybe haven’t heard of . . . yet. 

CATCH is curated with delicate irreverence by Andrew Dinwiddie, Caleb Hammons & Jeff Larson.

“Best thing to do on a Saturday Night.”

—Time Out New York

Various artists dance, theater, performance, video Co-presented with The Invisible Dog Art Center

January 10 7PM

The Invisible Dog Art Center51 Bergen Street, Brooklyn

$20 gets you in & gets you drinking

CATCH COIL(THEY MADE US DO IT AGAIN)

Presentation support provided by Mertz Gilmore Foundation, Harkness Foundation for Dance and Jerome Robbins Foundation.

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In our fractured times, it is more important than ever that artists and audiences are brought together to share their work and ideas.

Performance Space 122, Asia Society, and the China Shanghai International Arts Festival (CSIAF) have begun an unprecedented institutional collaboration with these ideals in mind. Sam Wu, Qin Yi and Zulan come together in a music focused, multidisciplinary evening. These three emerging artists are articulating new forms – locally sourced but distinct in their engagement with the larger, international audience.

Please join us after the 5PM performance for a dialogue with the artists.

“studio theatre forges boundless new power…”

— Shanghai Weekly (CHINA)

Music Showcase Co-presented with Asia Society and China Shanghai International Arts Festival

January 13 5 & 8:30PM

Asia Society 725 Park Avenue, Manhattan

FREE Reservations Recommended

SHANGHAI / NEW YORK: FUTURE HISTORIESSAM WU, QIN YI, ZULAN

Shanghai / New York: Future Histories is a major arts project of Shanghai Municipal Government sponsored by Shanghai Cultural Development Foundation. All participating artists are within RAW (Rising Artists Works), a new series of the CSIAF and a platform that develops new ideas and emerging artists from across China. 

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PS122 invites you to leave it all on the court at The Award Winning, Premiere Sporting Event of the festival season, the Red + White Party! 

Held annually at SPiN New York, this year’s ping-pong social is curated by the dance-party duo, WOAHMONE. Spanning the 60‘s, 70‘s, 80‘s and beyond, WOAHMONE embraces the occult, the seedy, the ecstatic, and the experimental. Nath Ann Carrera plays music from across ages and genders, while Nica Ross’ projections combine a pastiche of found films, homemade amateur videos, and YouTube classics. Dance and play your heart out while leaving all your festival woes behind!

VIP Tables include: 10 tickets, exclusive ping-pong table, access to VIP room with small bites, private bar + fancy people.

TICKETS:PS122.ORG | 212-352-3101

January 11 8PM

SPiN NYC48 East 23rd Street, Manhattan

$30 Single Ticket $500 VIP tables

RED + WHITE PARTY 2015 CURATED BY WOAHMONE

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Leadership Supporters: Lambent Foundation, The Andrew W. Mellon Foundation New York Theater Program, National Endowment for the Arts - Art Works, New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, New York City Department of Cultural Affairs in partnership with the City Council Season Supporters: ArtCat,  Australian Consulate-General New York, Australia Council, Axe-Houghton Foundation, Doris Duke Charitable Foundation, Gesso Foundation, Harkness Foundation for Dance, Jerome Foundation, Jerome Robbins Foundation, Mertz Gilmore Foundation, Morrison Foerster Foundation, National Performance Network (NPN), New England Foundation for the Arts National Dance Project, The New York Community Trust, Peg Santvoord Foundation, The Fan Fox and Leslie R. Samuels Foundation, Shubert Foundation, The Harold and Mimi Steinberg Charitable Trust, Trust for Mutual Understanding 

Season Sponsors: Sammy Chadwick, East Village Community Coalition, Foster Mollison Entertainment, Friedman Foundation,  Man Yee and Mary Fung, Neilma Gantner, Eileen Guggenheim and Russell Wilkinson, Chet Kerr and Heather Thomas, Patty Adams Martinez and Ivan Martinez, Clara Miller and Friends, Lionel Ohayon and Tamara Levy, Russell Piccione, Bob Postman and Janet Whalen, Kathie Russo, and Michael Stipe 

Big Love: Trey Beck, Carrillo and Ziyin Gantner, Hernreich Family Foundation, Thomas O. Kriegsmann and Shanta Thake, Mary Rose Lloyd, Adam Whitney Nichols, Michael Jerome Rich, Linda Sanchez and Gregory Ho, Kambiz Shekdar, Frank J. Spelman, and Andrea Stern

PS122 WOULD LIKE TO THANK THE FOLLOWING ORGANIZATIONS & INDIVIDUALS

FOR THEIR SUPPORT OF THE 2014/15 SEASON

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See Ethyl the chicken transformedPS122.ORG/CHICKEN

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PS122 STAFF

Vallejo Gantner Artistic Director Winnie Fung Managing DirectorVinny Vigilante Production ManagerJess Edkins Creative ProducerBevin Ross Institutional Giving & Capital Campaign ManagerJeso O’Neill Communications & Branding ManagerLori Vroegindewey Individual Giving & Special Events ManagerAlex Reeves Creative Technology DeveloperChris Walters Box Office & Fiscal/Office Manager Glory Edim Assistant to Artistic Director & Producing Assistant Sean Leo COIL AmbassadorBen Demarest & Sophie Sotsky COIL Production Coordinators Bryen Pittner Intern

STAFF & BOARD

IN LOVING MEMORY OF DEREK LLOYD

PS122 BOARD

Justin Vivian Bond, Enrico Ciotti, Anne Dennin, Ain Gordon, Jesse Hernreich, Charles Kerr, Ivan Martinez, Lionel Ohayon, Adam Whitney Nichols, Michael Rich, Eli Scheier, Kambiz Shekdar, Frank Spelman, Carmelita Tropicana, Jason C. Tsou

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H. SPiN New York 48 E. 23rd St. newyork.spingalactic.com F, N, R, 6 to 23rd St.

I. Baryshnikov Arts Center 450 W. 37th St. bacnyc.org A, C, E to 34th St.

J. Times Square timessquarenyc.org A, C, E, N, Q, R, 1, 2, 3, 7, S to 42nd Str.

K. Asia Society 725 Park Avenue asiasociety.org 4, 6 to 68th St. - Hunter College

BROOKLYN

L. The Invisible Dog Art Center 51 Bergen St. theinvisibledog.org F, G to Bergen St.

QUEENS

M. The Chocolate Factory 5-49 49th Ave. , Long Island City chocolatefactorytheater.org 7 to Vernon/Jackson

MANHATTANA. Gibney Dance 280 Broadway, Manhattan [entrance at 53A chambers] gibneydance.org R to City Hall

B. Swiss Institute / Contemporary Art 18 Wooster Street, Manhattan swissinstitute.net N, R, Q, 6 to Canal Street

C. Parkside Lounge 317 E Houston St, Manhattan parksidelounge.net M, F to 2nd Ave

D. Ideal Glass Gallery 22 E 2nd St idealglass.org M, F to 2nd Ave

E. New Ohio Theatre 154 Christopher St. newohiotheatre.org A, C, E, B, D, F, M to W. 4th St.

F. Danspace Project 131 E. 10th St. St. Mark’s Church in-the-Bowery danspaceproject.org R, N to 8th St.

G. Vineyard Theatre 108 E 15th St, Manhattan vineyardtheatre.org 4, 5, 6, L, N, R, Q to Union Square

LOCATIONS & TICKETS

In Person: at Festival Venue Box Offices

Online: PS122.ORG

Ticket Packages: PS122 Passport 5 for $75 COIL Pass 8 for $122

Maximum (2) tickets may be used per performance. Based on availability. Must be reserved in advance.

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67 West Street

Suite 315Brooklyn, N

Y 11222

PS122.ORG

/COIL

JAN

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