comp 2 program with page numbers

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Special thanks to: Our Teachers: Stuart Greenbaum, Elliott Gyger, Julian Yu & Katy Abbott Thank you for being a continuing source of inspiration to us.  The performers, who have all done a wonderful job learning our compositions.   And a big thanks to all of you for coming. UPCOMING STUDENT COMPOSITION CONCERTS Composition 4 Concert Monday 10 October 7:30pm Melba Hall Honours Concert Monday 17 October 7:30pm Melba Hall Diploma Concert Monday 24 October 7:30pm Melba Hall BACK  Featuring pieces by:  Alden Cai David Campbell Kelvin Fung Luke Hutton  Matt Westwood Courtney Williams Hannah Zreikat MELBOURNE CONSERVATORIUM OF MUSIC COMPOSITION DIVISION 3 October 2011 COVER 

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Page 1: Comp 2 Program With Page Numbers

8/4/2019 Comp 2 Program With Page Numbers

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Introduction and Tarantella

By 

Matt Westwood  The Introduction is based on a keyboard improvisation, with the violin part then written almost entirely in a one-beat canon (or

one beat out of sync). The Tarantella attempts to capture the feelof techno music for acoustic instruments, with fast repeated

notes in the piano, a strong bass line, and an improvisatory violinsolo.

Performed by

 Arun Patterson (Violin)Matt Westwood (Piano) 

Endeavor for String Quartet

By 

Hannah Zreikat A piece which explores my experience of life so far, full of HOPE, sadness, JOY, FRUSTRATION and determination.

Performed by

Bonnie Brown (Violin)Erin Lancaster (Violin)

Christopher Munn (Cello)Courtney Williams (Viola) 

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Hubble: Galaxies Across Space and Time

By 

Kelvin FungHubble: Galaxies Across Space and Time is a short film fromNASA that features a journey across 9 billion years of cosmichistory, with original source images from the Hubble Space

 Telescope. As part of the requirement of a prescribed project, a new soundtrack, utilising different sounds, effects and instruments from

synthesisers, was composed for it in the hopes of capturing thebeauty and the vastness of space.

 Trio for Alto Flute, Clarinet and PianoBy 

Luke Hutton  This work maintains a constant and fast-paced pulse with some

less-than-common time signatures. It is slightly jazz-inspired and makesfrequent use of fourths in its harmony. Most of the music is constructedfrom two primary themes: a fast and a slow one, which often appear in

counterpoint to each other.Performed by

 Taryn Anderson (Clarinet)Luke Hutton (Piano)

Beth Morgan (Alto flute)

Shady Lane

By 

Hannah Zreikat  A song written in memory of a dear friend.

Performed byMarco Lombardi (Piano)Hannah Zreikat (Voice)

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By 

Matt Westwood This piece depicts a butterfly in many ways. The 3-on-2 cross

rhythms depicts its fluttering, while the simplicity of the melody and harmony depict its simple yet profound beauty. The

performer’s hands also depict a butterfly – the thumbs almostconstantly crossed make the body of the butterfly, while the rest

of the fingers are the butterfly’s wings. The title is also a referenceto Australian composer Elliott Gyger’s celesta concerto Angels

and Insects (which contrasts this piece in almost every way).Perhaps butterflies are the closest thing we have on Earth to a

combination of angels and insects.Performed by

Luke Hutton (Piano) 

 A Weaned Child

By 

David CampbellPsalm 131 is a short musical poem written by King David of 

Israel in c. 1000BC, and this arrangement for female voice andpiano reflects some of themes of quiet trust and hope. King 

David committed murder and adultery, and yet was called a manafter God’s heart. The largest message is one of humility, and this

holds personal meaning as it was given to me on my baptism. There is nothing superfluous musically, but rather stripped back 

to expose the beauty of hope in a Messiah, and being forgiven.Performed by

Laura Fleming (Soprano)David Campbell (Piano) 

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 Tituba

By 

Courtney WilliamsOn March 1st, 1691, the slave Tituba of Salem Village was

brought before the Essex Court on Supposition of Witchcraft. This piece is about her confession, where she speaks of how theDevil came to her and said that if she didn’t harm, and later kill,

the town’s children, he would do worse to her. The devilappeared to her as many things – a great black dog, a pair of rats,a hog, a wolf, and cats. With other witches, she flew around on

sticks, where the Devil attempted to bribe her with a yellow bird,and other pretty things.

Performed byBonnie Brown (Violin)Erin Lancaster (Violin)

Christopher Munn (Cello)Courtney Williams (Viola) 

Danse Macabre

By 

Luke Hutton

 This work, for solo piano, is a representation of the story of theDance of Death, which has had many forms and recreations inart and music throughout history. Here, after the personification

of Death rises, he and his minions begin moving and dancing more and more furiously until they abruptly stop as a bell tolls

midnight. Performed by

Luke Hutton (Piano) 

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Capriccio

By 

 Alden Cai I. Intrada: Tranquillo

II. Esposizione: Agitato-Subito meno mosso- Recitativo- FrenticoIII. Intermezzo: Adagio

IV. Tempo primo (agitato assai)- Coda: Largamente

In a world threatened by invasion of alien species, civil war andenvironmental crisis, a person attempts to gain recognition. From a lifeof meditation, hard work, reflections, he concludes that hard work is

inevitable.Capriccio is written for solo Horn and orchestrated computer pitches. Apart from the Adagio the whole piece is based on a dodecaphonic

pattern. The exposition and its recapitulation are palindromes. Performed by

 Alden Cai (Horn) 

Prologue

 from the Imaginary OST 

By Matt Westwood

 The Imaginary OST is an ongoing project of compositions writtenin the style of RPG video-game music. Prologue is a piece to beplayed for the opening scene of the game, during which thenarrator (or just text on the screen) would be describing the

historical events the led to where the game begins.

Performed by Anna Cortez (Piano) 

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Suppose to

By 

David CampbellMusically this piece is an exploration of the tension between 7ths and9ths, which is expressed harmonically, melodically, in modulation and

rhythm. The main motif is contrasted with several modal and/orchromatic themes as the piece gradually transitions from A minor to

Bb minor layered on top. The dialogue draws inspiration fromIsaiah 30:15 “in repentance and rest is your salvation, in quietness and

trust is your strength, but you would have none of it”. The piece begins

 with an expectation of what this is ‘supposed’ to be like, morphing slowly into the unforced rhythms of grace. A little bit like Jesus; a bit

unexpected, a bit upside down, a bit catchy.Dedicated to Harry.

Performed by Taryn Anderson (Clarinet)

Sian Williams (Flute)David Campbell (Flute)

Hallucinations

By 

Kelvin Fung 

Constructed upon a 9-notes scale, Hallucinations is a short pianosolo that has a strong sense of openness to it. It seeks to evoke

the imaginations, chaos, and emotions that one would experience when through hallucinations, and the calmness that comes after.

Performed byKelvin Fung (Piano)

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