CONCEPTUAL METAPHOR OF CULTURALLY-

RELATED PHENOMENA

by

SLAVICA PEROVIC

MONTENEGRIN ACADEMY OF SCIENCES AND ARTS

Special Editions (Monographies and Studies)Volume 129

Department of HumanitiesVolume 12

SLAVICA PEROVIC

CONCEPTUAL METAPHOROFCULTURALL~RELATED

PHENOMENA

EditorBranislav Ostojic

1

Podgorica,2017

SADRZAJ

POJMOVNA METAFORA KULTURNO SRODNIH POJMOVA 5

1. UVOD 51. 1. Pojmovna metafora 61. 2. Metafora i kultura 81. 3. Metodologija i istrazivanje 11

2. POJMOVNA METAFORA LJUBAV 132. 1. Konceptualizacija ljubavi 132.2. Analiza 172.3. Pojrnovne metafore 172. 4. Pojrnovne rnetonirnije 252. 5. Srodni pojrnovi 262. 6. Pozitivne i negativne metafore 272. 7. Zakljucak 29

3. POJMOVNA METAFORA BRAK 333. 1. Konceptualizacija braka 333. 2. Analiza 353. 3. Polarizacija rnetafora 433. 4. Zakljucak 45

4. POJMOVNA METAFORA ZENA 484. 1. Konceptualizacija zene .484. 2. Analiza 494. 3. Pozitivne i negativne rnetafore 654. 4. Zakljucak 68

5. POJMOVNA METAFORA MUSKARAC 735. 1. Konceptualizacija rnuskarca 735. 2. Analiza 745. 3. Zakljucak 83

6. ZAKLJUCAK 87

120 SLAVICA PEROVIC

DODATAK 91

BIBLIOGRAFIJA 101

SPISAK TABELA 105SPISAK GRAFIKONA 107REGISTAR POJMOVA I IMENA 109REGISTAR METAFORA 115

CRNOGORSKA AKADEMIJA NAUKA I UMJETNOSTI

Slavica Perovic

POJMOVNA METAFORAKULTURNO SRODNIH POJMOVA

Priprema za itampuBojan R. PopovicMedeon, Podgorica

Tiraz200 primjeraka

StampaPro File, Podgorica2017.

CIP - Karanornaauaja y ny6mIKaU;~1j~Hal.\J10HalIHa 6J161I~OTeKaIlpne [ope, Ilermse

ISBN 978-86-7215-397-2COBISS.CG-ID 32756240

POJMOVNA METAFORAKULTURNO SRODNIH POJMOVA'

1. UVOD

U ovoj studiji istrazivacerno pojmovnu metaforu (engl. conceptual meta-phor) pojmova muskarac, iena, ljubav i brak prema teorijskim postavkamaLejkofa i Dzonsona (Lakoff and [ohnson, 1980), koji su ustanovili teoriju poj-movne metafore, i Kevecesa (Kovecses, 2010), koji je dao znacajan doprinosproucavanjima metafore i kulture. Osnovna pretpostavka ovog rada zasnivase na ocekivanju da cerno u istrazivanju dobiti univerzalne koneeptualizacijecetiri navedena pojma usljed jedinstvenosti covjekovog iskustva, ali i one kul-turno specificne, zbog uslovljenosti kulturom u kojoj su nastajale i kontekstomkoji ih je oblikovao. Univerzalnost ocekujerno na nivou metafora koje su di-rektno derivirane iz primarnih metafora i predstavljaju iskustvenu konstantui empirijsku postojanost, a kulturnu specificnost u lingvistickirn realizacijamagdje metafora oblikuje misao na kulturi imanentan nacin.

Ponekad kulturno specificne metafore mogu da se grupisu u slozene me-tafore (engl. complex metaphors), cime kvalitet kulturne razlicitosti u koneep-tualizacijama biva jasniji, narocito na relaciji izrazitih polarizacija i kontrasta,dok svjedocanstvo 0 vremenu koje je te metafore porodilo biva ociglednije.Vazno je napomenuti da su neke od ovih metafora u jeziku vec dugo, a nekesu novostvorene, stoga je dimenzija temporalnosti takode znacajan cinilac se-mantike i pragmatske interpretacije, mada njena tacna interpretacija ostaje vandomena ambicija ovog rada .

. Studija Pojmovna metafora kulturno srodnih pojmova nastala je kao rezultat istraziva-nja na Bolonjskom univerzitetu za period od 1. do 31. maja 2015. Zahvaljujuci stipendiji zanastavno osoblje Join EU SEE>Penta Erasmus Mundus, koju sam dobila kao redovni profe-sor Univerziteta erne Gore, predavala sam na doktorskim studijima Italian Studies, LiteraryCultures and Linguistics i Foreign Languages and Translation fakulteta Filologia Classicae ltalianistica Univerziteta u Bolonji i istovremeno radila na ovoj studiji. Dugujem dubo-ku zahvalnost kako organizaciji Join EU SEE>Penta Erasmus Mundus tako i BolonjskornUniverzitetu na mogucnosti da ovaj projekt realizujem.

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